Chapter II: Part 2
Outside, Koolau found his people in a panic and already beginning to climb the goat-trail that led out of the gorge and on among the jumbled heights and chasms. The wounded idiot, whining feebly and dragging himself along on the ground by his hands, was trying to follow. But at the first pitch of the wall his helplessness overcame him and he fell back.
"It would be better to kill him," said Koolau to Kapahei, who still sat in the same place.
"Twenty-two," Kapahei answered. "Yes, it would be a wise thing to kill him. Twenty-three--twenty-four."
The idiot whined sharply when he saw the rifle levelled at him. Koolau hesitated, then lowered the gun.
"It is a hard thing to do," he said.
"You are a fool, twenty-six, twenty-seven," said Kapahei. "Let me show you."
He arose, and with a heavy fragment of rock in his hand, approached the wounded thing. As he lifted his arm to strike, a shell burst full upon him, relieving him of the necessity of the act and at the same time putting an end to his count.
Koolau was alone in the gorge. He watched the last of his people drag their crippled bodies over the brow of the height and disappear. Then he turned and went down to the thicket where the maid had keen killed. The shell-fire still continued, but he remained; for far below he could see the soldiers climbing up. A shell burst twenty feet away. Flattening himself into the earth, he heard the rush of the fragments above his body. A shower of hau blossoms rained upon him. He lifted his head to peer down the trail, and sighed. He was very much afraid. Bullets from rifles would not have worried him, but this shell-fire was abominable. Each time a shell shrieked by he shivered and crouched; but each time he lifted his head again to watch the trail.
At last the shells ceased. This, he reasoned, was because the soldiers were drawing near. They crept along the trail in single file, and he tried to count them until he lost track. At any rate, there were a hundred or so of them--all come after Koolau the leper. He felt a fleeting prod of pride. With war guns and rifles, police and soldiers, they came for him, and he was only one man, a crippled wreck of a man at that. They offered a thousand dollars for him, dead or alive. In all his life he had never possessed that much money. The thought was a bitter one. Kapahei had been right. He, Koolau, had done no wrong. Because the _haoles_ wanted labour with which to work the stolen land, they had brought in the Chinese coolies, and with them had come the sickness. And now, because he had caught the sickness, he was worth a thousand dollars--but not to himself. It was his worthless carcass, rotten with disease or dead from a bursting shell, that was worth all that money.
When the soldiers reached the knife-edged passage, he was prompted to warn them. But his gaze fell upon the body of the murdered maid, and he kept silent. When six had ventured on the knife-edge, he opened fire. Nor did he cease when the knife-edge was bare. He emptied his magazine, reloaded, and emptied it again. He kept on shooting. All his wrongs were blazing in his brain, and he was in a fury of vengeance. All down the goat-trail the soldiers were firing, and though they lay flat and sought to shelter themselves in the shallow inequalities of the surface, they were exposed marks to him. Bullets whistled and thudded about him, and an occasional ricochet sang sharply through the air. One bullet ploughed a crease through his scalp, and a second burned across his shoulder-blade without breaking the skin.
It was a massacre, in which one man did the killing. The soldiers began to retreat, helping along their wounded. As Koolau picked them off he became aware of the smell of burnt meat. He glanced about him at first, and then discovered that it was his own hands. The heat of the rifle was doing it. The leprosy had destroyed most of the nerves in his hands. Though his flesh burned and he smelled it, there was no sensation.
He lay in the thicket, smiling, until he remembered the war guns. Without doubt they would open upon him again, and this time upon the very thicket from which he had inflicted the danger. Scarcely had he changed his position to a nook behind a small shoulder of the wall where he had noted that no shells fell, than the bombardment recommenced. He counted the shells. Sixty more were thrown into the gorge before the war-guns ceased. The tiny area was pitted with their explosions, until it seemed impossible that any creature could have survived. So the soldiers thought, for, under the burning afternoon sun, they climbed the goat-trail again. And again the knife-edged passage was disputed, and again they fell back to the beach.
For two days longer Koolau held the passage, though the soldiers contented themselves with flinging shells into his retreat. Then Pahau, a leper boy, came to the top of the wall at the back of the gorge and shouted down to him that Kiloliana, hunting goats that they might eat, had been killed by a fall, and that the women were frightened and knew not what to do. Koolau called the boy down and left him with a spare gun with which to guard the passage. Koolau found his people disheartened. The majority of them were too helpless to forage food for themselves under such forbidding circumstances, and all were starving. He selected two women and a man who were not too far gone with the disease, and sent them back to the gorge to bring up food and mats. The rest he cheered and consoled until even the weakest took a hand in building rough shelters for themselves.
But those he had dispatched for food did not return, and he started back for the gorge. As he came out on the brow of the wall, half a dozen rifles cracked. A bullet tore through the fleshy part of his shoulder, and his cheek was cut by a sliver of rock where a second bullet smashed against the cliff. In the moment that this happened, and he leaped back, he saw that the gorge was alive with soldiers. His own people had betrayed him. The shell-fire had been too terrible, and they had preferred the prison of Molokai.
Koolau dropped back and unslung one of his heavy cartridge-belts. Lying among the rocks, he allowed the head and shoulders of the first soldier to rise clearly into view before pulling trigger. Twice this happened, and then, after some delay, in place of a head and shoulders a white flag was thrust above the edge of the wall.
"What do you want?" he demanded.
"I want you, if you are Koolau the leper," came the answer.
Koolau forgot where he was, forgot everything, as he lay and marvelled at the strange persistence of these _haoles_ who would have their will though the sky fell in. Aye, they would have their will over all men and all things, even though they died in getting it. He could not but admire them, too, what of that will in them that was stronger than life and that bent all things to their bidding. He was convinced of the hopelessness of his struggle. There was no gainsaying that terrible will of the _haoles_. Though he killed a thousand, yet would they rise like the sands of the sea and come upon him, ever more and more. They never knew when they were beaten. That was their fault and their virtue. It was where his own kind lacked. He could see, now, how the handful of the preachers of God and the preachers of Rum had conquered the land. It was because--
"Well, what have you got to say? Will you come with me?"
It was he voice of the invisible man under the white flag. There he was, like any haole, driving straight toward the end determined.
"Let us talk," said Koolau.
The man's head and shoulders arose, then his whole body. He was a smooth- faced, blue-eyed youngster of twenty-five, slender and natty in his captain's uniform. He advanced until halted, then seated himself a dozen feet away.
"You are a brave man," said Koolau wonderingly. "I could kill you like a fly."
"No, you couldn't," was the answer.
"Why not?"
"Because you are a man, Koolau, though a bad one. I know your story. You kill fairly."
Koolau grunted, but was secretly pleased.
"What have you done with my people?" he demanded. "The boy, the two women, and the man?"
"They gave themselves up, as I have now come for you to do."
Koolau laughed incredulously.
"I am a free man," he announced. "I have done no wrong. All I ask is to be left alone. I have lived free, and I shall die free. I will never give myself up."
"Then your people are wiser than you," answered the young captain. "Look--they are coming now."
Koolau turned and watched the remnant of his band approach. Groaning and sighing, a ghastly procession, it dragged its wretchedness past. It was given to Koolau to taste a deeper bitterness, for they hurled imprecations and insults at him as they went by; and the panting hag who brought up the rear halted, and with skinny, harpy-claws extended, shaking her snarling death's head from side to side, she laid a curse upon him. One by one they dropped over the lip-edge and surrendered to the hiding soldiers.
"You can go now," said Koolau to the captain. "I will never give myself up. That is my last word. Good-bye."
The captain slipped over the cliff to his soldiers. The next moment, and without a flag of truce, he hoisted his hat on his scabbard, and Koolau's bullet tore through it. That afternoon they shelled him out from the beach, and as he retreated into the high inaccessible pockets beyond, the soldiers followed him.
For six weeks they hunted him from pocket to pocket, over the volcanic peaks and along the goat-trails. When he hid in the lantana jungle, they formed lines of beaters, and through lantana jungle and guava scrub they drove him like a rabbit. But ever he turned and doubled and eluded. There was no cornering him. When pressed too closely, his sure rifle held them back and they carried their wounded down the goat-trails to the beach. There were times when they did the shooting as his brown body showed for a moment through the underbrush. Once, five of them caught him on an exposed goat-trail between pockets. They emptied their rifles at him as he limped and climbed along his dizzy way. Afterwards they found bloodstains and knew that he was wounded. At the end of six weeks they gave up. The soldiers and police returned to Honolulu, and Kalalau Valley was left to him for his own, though head-hunters ventured after him from time to time and to their own undoing.
Two years later, and for the last time, Koolau crawled into a thicket and lay down among the _ti_-leaves and wild ginger blossoms. Free he had lived, and free he was dying. A slight drizzle of rain began to fall, and he drew a ragged blanket about the distorted wreck of his limbs. His body was covered with an oilskin coat. Across his chest he laid his Mauser rifle, lingering affectionately for a moment to wipe the dampness from the barrel. The hand with which he wiped had no fingers left upon it with which to pull the trigger.
He closed his eyes, for, from the weakness in his body and the fuzzy turmoil in his brain, he knew that his end was near. Like a wild animal he had crept into hiding to die. Half-conscious, aimless and wandering, he lived back in his life to his early manhood on Niihau. As life faded and the drip of the rain grew dim in his ears it seemed to him that he was once more in the thick of the horse-breaking, with raw colts rearing and bucking under him, his stirrups tied together beneath, or charging madly about the breaking corral and driving the helping cowboys over the rails. The next instant, and with seeming naturalness, he found himself pursuing the wild bulls of the upland pastures, roping them and leading them down to the valleys. Again the sweat and dust of the branding pen stung his eyes and bit his nostrils.
All his lusty, whole-bodied youth was his, until the sharp pangs of impending dissolution brought him back. He lifted his monstrous hands and gazed at them in wonder. But how? Why? Why should the wholeness of that wild youth of his change to this? Then he remembered, and once again, and for a moment, he was Koolau, the leper. His eyelids fluttered wearily down and the drip of the rain ceased in his ears. A prolonged trembling set up in his body. This, too, ceased. He half-lifted his head, but it fell back. Then his eyes opened, and did not close. His last thought was of his Mauser, and he pressed it against his chest with his folded, fingerless hands.
GOOD-BYE, JACK
Hawaii is a queer place. Everything socially is what I may call topsy- turvy. Not but what things are correct. They are almost too much so. But still things are sort of upside down. The most ultra-exclusive set there is the "Missionary Crowd." It comes with rather a shock to learn that in Hawaii the obscure martyrdom-seeking missionary sits at the head of the table of the moneyed aristocracy. But it is true. The humble New Englanders who came out in the third decade of the nineteenth century, came for the lofty purpose of teaching the kanakas the true religion, the worship of the one only genuine and undeniable God. So well did they succeed in this, and also in civilizing the kanaka, that by the second or third generation he was practically extinct. This being the fruit of the seed of the Gospel, the fruit of the seed of the missionaries (the sons and the grandsons) was the possession of the islands themselves,--of the land, the ports, the town sites, and the sugar plantations: The missionary who came to give the bread of life remained to gobble up the whole heathen feast.
But that is not the Hawaiian queerness I started out to tell. Only one cannot speak of things Hawaiian without mentioning the missionaries. There is Jack Kersdale, the man I wanted to tell about; he came of missionary stock. That is, on his grandmother's side. His grandfather was old Benjamin Kersdale, a Yankee trader, who got his start for a million in the old days by selling cheap whiskey and square-face gin. There's another queer thing. The old missionaries and old traders were mortal enemies. You see, their interests conflicted. But their children made it up by intermarrying and dividing the island between them.
Life in Hawaii is a song. That's the way Stoddard put it in his "Hawaii Noi":--
"Thy life is music--Fate the notes prolong!
Each isle a stanza, and the whole a song."
And he was right. Flesh is golden there. The native women are sun-ripe Junos, the native men bronzed Apollos. They sing, and dance, and all are flower-bejewelled and flower-crowned. And, outside the rigid "Missionary Crowd," the white men yield to the climate and the sun, and no matter how busy they may be, are prone to dance and sing and wear flowers behind their ears and in their hair. Jack Kersdale was one of these fellows. He was one of the busiest men I ever met. He was a several-times millionaire. He was a sugar-king, a coffee planter, a rubber pioneer, a cattle rancher, and a promoter of three out of every four new enterprises launched in the islands. He was a society man, a club man, a yachtsman, a bachelor, and withal as handsome a man as was ever doted upon by mammas with marriageable daughters. Incidentally, he had finished his education at Yale, and his head was crammed fuller with vital statistics and scholarly information concerning Hawaii Nei than any other islander I ever encountered. He turned off an immense amount of work, and he sang and danced and put flowers in his hair as immensely as any of the idlers. He had grit, and had fought two duels--both, political--when he was no more than a raw youth essaying his first adventures in politics. In fact, he played a most creditable and courageous part in the last revolution, when the native dynasty was overthrown; and he could not have been over sixteen at the time. I am pointing out that he was no coward, in order that you may appreciate what happens later on. I've seen him in the breaking yard at the Haleakala Ranch, conquering a four-year-old brute that for two years had defied the pick of Von Tempsky's cow-boys. And I must tell of one other thing. It was down in Kona,--or up, rather, for the Kona people scorn to live at less than a thousand feet elevation. We were all on the _lanai_ of Doctor Goodhue's bungalow. I was talking with Dottie Fairchild when it happened. A big centipede--it was seven inches, for we measured it afterwards--fell from the rafters overhead squarely into her coiffure. I confess, the hideousness of it paralysed me. I couldn't move. My mind refused to work. There, within two feet of me, the ugly venomous devil was writhing in her hair. It threatened at any moment to fall down upon her exposed shoulders--we had just come out from dinner.
"What is it?" she asked, starting to raise her hand to her head.
"Don't!" I cried. "Don't!"
"But what is it?" she insisted, growing frightened by the fright she read in my eyes and on my stammering lips.
My exclamation attracted Kersdale's attention. He glanced our way carelessly, but in that glance took in everything. He came over to us, but without haste.
"Please don't move, Dottie," he said quietly.
He never hesitated, nor did he hurry and make a bungle of it.
"Allow me," he said.
And with one hand he caught her scarf and drew it tightly around her shoulders so that the centipede could not fall inside her bodice. With the other hand--the right--he reached into her hair, caught the repulsive abomination as near as he was able by the nape of the neck, and held it tightly between thumb and forefinger as he withdrew it from her hair. It was as horrible and heroic a sight as man could wish to see. It made my flesh crawl. The centipede, seven inches of squirming legs, writhed and twisted and dashed itself about his hand, the body twining around the fingers and the legs digging into the skin and scratching as the beast endeavoured to free itself. It bit him twice--I saw it--though he assured the ladies that he was not harmed as he dropped it upon the walk and stamped it into the gravel. But I saw him in the surgery five minutes afterwards, with Doctor Goodhue scarifying the wounds and injecting permanganate of potash. The next morning Kersdale's arm was as big as a barrel, and it was three weeks before the swelling went down.
All of which has nothing to do with my story, but which I could not avoid giving in order to show that Jack Kersdale was anything but a coward. It was the cleanest exhibition of grit I have ever seen. He never turned a hair. The smile never left his lips. And he dived with thumb and forefinger into Dottie Fairchild's hair as gaily as if it had been a box of salted almonds. Yet that was the man I was destined to see stricken with a fear a thousand times more hideous even than the fear that was mine when I saw that writhing abomination in Dottie Fairchild's hair, dangling over her eyes and the trap of her bodice.
I was interested in leprosy, and upon that, as upon every other island subject, Kersdale had encyclopedic knowledge. In fact, leprosy was one of his hobbies. He was an ardent defender of the settlement at Molokai, where all the island lepers were segregated. There was much talk and feeling among the natives, fanned by the demagogues, concerning the cruelties of Molokai, where men and women, not alone banished from friends and family, were compelled to live in perpetual imprisonment until they died. There were no reprieves, no commutations of sentences. "Abandon hope" was written over the portal of Molokai.
"I tell you they are happy there," Kersdale insisted. "And they are infinitely better off than their friends and relatives outside who have nothing the matter with them. The horrors of Molokai are all poppycock. I can take you through any hospital or any slum in any of the great cities of the world and show you a thousand times worse horrors. The living death! The creatures that once were men! Bosh! You ought to see those living deaths racing horses on the Fourth of July. Some of them own boats. One has a gasoline launch. They have nothing to do but have a good time. Food, shelter, clothes, medical attendance, everything, is theirs. They are the wards of the Territory. They have a much finer climate than Honolulu, and the scenery is magnificent. I shouldn't mind going down there myself for the rest of my days. It is a lovely spot."
So Kersdale on the joyous leper. He was not afraid of leprosy. He said so himself, and that there wasn't one chance in a million for him or any other white man to catch it, though he confessed afterward that one of his school chums, Alfred Starter, had contracted it, gone to Molokai, and there died.
"You know, in the old days," Kersdale explained, "there was no certain test for leprosy. Anything unusual or abnormal was sufficient to send a fellow to Molokai. The result was that dozens were sent there who were no more lepers than you or I. But they don't make that mistake now. The Board of Health tests are infallible. The funny thing is that when the test was discovered they immediately went down to Molokai and applied it, and they found a number who were not lepers. These were immediately deported. Happy to get away? They wailed harder at leaving the settlement than when they left Honolulu to go to it. Some refused to leave, and really had to be forced out. One of them even married a leper woman in the last stages and then wrote pathetic letters to the Board of Health, protesting against his expulsion on the ground that no one was so well able as he to take care of his poor old wife."
"What is this infallible test?" I demanded.
"The bacteriological test. There is no getting away from it. Doctor Hervey--he's our expert, you know--was the first man to apply it here. He is a wizard. He knows more about leprosy than any living man, and if a cure is ever discovered, he'll be that discoverer. As for the test, it is very simple. They have succeeded in isolating the _bacillus leprae_ and studying it. They know it now when they see it. All they do is to snip a bit of skin from the suspect and subject it to the bacteriological test. A man without any visible symptoms may be chock full of the leprosy bacilli."
"Then you or I, for all we know," I suggested, "may be full of it now."
Kersdale shrugged his shoulders and laughed.
"Who can say? It takes seven years for it to incubate. If you have any doubts go and see Doctor Hervey. He'll just snip out a piece of your skin and let you know in a jiffy."
Later on he introduced me to Dr. Hervey, who loaded me down with Board of Health reports and pamphlets on the subject, and took me out to Kalihi, the Honolulu receiving station, where suspects were examined and confirmed lepers were held for deportation to Molokai. These deportations occurred about once a month, when, the last good-byes said, the lepers were marched on board the little steamer, the _Noeau_, and carried down to the settlement.
One afternoon, writing letters at the club, Jack Kersdale dropped in on me.
"Just the man I want to see," was his greeting. "I'll show you the saddest aspect of the whole situation--the lepers wailing as they depart for Molokai. The _Noeau_ will be taking them on board in a few minutes. But let me warn you not to let your feelings be harrowed. Real as their grief is, they'd wail a whole sight harder a year hence if the Board of Health tried to take them away from Molokai. We've just time for a whiskey and soda. I've a carriage outside. It won't take us five minutes to get down to the wharf."
To the wharf we drove. Some forty sad wretches, amid their mats, blankets, and luggage of various sorts, were squatting on the stringer piece. The Noeau had just arrived and was making fast to a lighter that lay between her and the wharf. A Mr. McVeigh, the superintendent of the settlement, was overseeing the embarkation, and to him I was introduced, also to Dr. Georges, one of the Board of Health physicians whom I had already met at Kalihi. The lepers were a woebegone lot. The faces of the majority were hideous--too horrible for me to describe. But here and there I noticed fairly good-looking persons, with no apparent signs of the fell disease upon them. One, I noticed, a little white girl, not more than twelve, with blue eyes and golden hair. One cheek, however, showed the leprous bloat. On my remarking on the sadness of her alien situation among the brown-skinned afflicted ones, Doctor Georges replied:--
"Oh, I don't know. It's a happy day in her life. She comes from Kauai. Her father is a brute. And now that she has developed the disease she is going to join her mother at the settlement. Her mother was sent down three years ago--a very bad case."
"You can't always tell from appearances," Mr. McVeigh explained. "That man there, that big chap, who looks the pink of condition, with nothing the matter with him, I happen to know has a perforating ulcer in his foot and another in his shoulder-blade. Then there are others--there, see that girl's hand, the one who is smoking the cigarette. See her twisted fingers. That's the anaesthetic form. It attacks the nerves. You could cut her fingers off with a dull knife, or rub them off on a nutmeg-grater, and she would not experience the slightest sensation."
"Yes, but that fine-looking woman, there," I persisted; "surely, surely, there can't be anything the matter with her. She is too glorious and gorgeous altogether."
"A sad case," Mr. McVeigh answered over his shoulder, already turning away to walk down the wharf with Kersdale.
She was a beautiful woman, and she was pure Polynesian. From my meagre knowledge of the race and its types I could not but conclude that she had descended from old chief stock. She could not have been more than twenty- three or four. Her lines and proportions were magnificent, and she was just beginning to show the amplitude of the women of her race.
"It was a blow to all of us," Dr. Georges volunteered. "She gave herself up voluntarily, too. No one suspected. But somehow she had contracted the disease. It broke us all up, I assure you. We've kept it out of the papers, though. Nobody but us and her family knows what has become of her. In fact, if you were to ask any man in Honolulu, he'd tell you it was his impression that she was somewhere in Europe. It was at her request that we've been so quiet about it. Poor girl, she has a lot of pride."
"But who is she?" I asked. "Certainly, from the way you talk about her, she must be somebody."
"Did you ever hear of Lucy Mokunui?" he asked.
"Lucy Mokunui?" I repeated, haunted by some familiar association. I shook my head. "It seems to me I've heard the name, but I've forgotten it."
"Never heard of Lucy Mokunui! The Hawaiian nightingale! I beg your pardon. Of course you are a _malahini_, {1} and could not be expected to know. Well, Lucy Mokunui was the best beloved of Honolulu--of all Hawaii, for that matter."
"You say was," I interrupted.
"And I mean it. She is finished." He shrugged his shoulders pityingly. "A dozen _haoles_--I beg your pardon, white men--have lost their hearts to her at one time or another. And I'm not counting in the ruck. The dozen I refer to were _haoles_ of position and prominence."
"She could have married the son of the Chief Justice if she'd wanted to. You think she's beautiful, eh? But you should hear her sing. Finest native woman singer in Hawaii Nei. Her throat is pure silver and melted sunshine. We adored her. She toured America first with the Royal Hawaiian Band. After that she made two more trips on her own--concert work."
"Oh!" I cried. "I remember now. I heard her two years ago at the Boston Symphony. So that is she. I recognize her now."
I was oppressed by a heavy sadness. Life was a futile thing at best. A short two years and this magnificent creature, at the summit of her magnificent success, was one of the leper squad awaiting deportation to Molokai. Henley's lines came into my mind:--
"The poor old tramp explains his poor old ulcers;
Life is, I think, a blunder and a shame."
I recoiled from my own future. If this awful fate fell to Lucy Mokunui, what might my lot not be?--or anybody's lot? I was thoroughly aware that in life we are in the midst of death--but to be in the midst of living death, to die and not be dead, to be one of that draft of creatures that once were men, aye, and women, like Lucy Mokunui, the epitome of all Polynesian charms, an artist as well, and well beloved of men--. I am afraid I must have betrayed my perturbation, for Doctor Georges hastened to assure me that they were very happy down in the settlement.
It was all too inconceivably monstrous. I could not bear to look at her. A short distance away, behind a stretched rope guarded by a policeman, were the lepers' relatives and friends. They were not allowed to come near. There were no last embraces, no kisses of farewell. They called back and forth to one another--last messages, last words of love, last reiterated instructions. And those behind the rope looked with terrible intensity. It was the last time they would behold the faces of their loved ones, for they were the living dead, being carted away in the funeral ship to the graveyard of Molokai.
Doctor Georges gave the command, and the unhappy wretches dragged themselves to their feet and under their burdens of luggage began to stagger across the lighter and aboard the steamer. It was the funeral procession. At once the wailing started from those behind the rope. It was blood-curdling; it was heart-rending. I never heard such woe, and I hope never to again. Kersdale and McVeigh were still at the other end of the wharf, talking earnestly--politics, of course, for both were head- over-heels in that particular game. When Lucy Mokunui passed me, I stole a look at her. She _was_ beautiful. She was beautiful by our standards, as well--one of those rare blossoms that occur but once in generations. And she, of all women, was doomed to Molokai. She straight on board, and aft on the open deck where the lepers huddled by the rail, wailing now, to their dear ones on shore.
The lines were cast off, and the _Noeau_ began to move away from the wharf. The wailing increased. Such grief and despair! I was just resolving that never again would I be a witness to the sailing of the _Noeau_, when McVeigh and Kersdale returned. The latter's eyes were sparkling, and his lips could not quite hide the smile of delight that was his. Evidently the politics they had talked had been satisfactory. The rope had been flung aside, and the lamenting relatives now crowded the stringer piece on either side of us.
"That's her mother," Doctor Georges whispered, indicating an old woman next to me, who was rocking back and forth and gazing at the steamer rail out of tear-blinded eyes. I noticed that Lucy Mokunui was also wailing. She stopped abruptly and gazed at Kersdale. Then she stretched forth her arms in that adorable, sensuous way that Olga Nethersole has of embracing an audience. And with arms outspread, she cried:
"Good-bye, Jack! Good-bye!"
He heard the cry, and looked. Never was a man overtaken by more crushing fear. He reeled on the stringer piece, his face went white to the roots of his hair, and he seemed to shrink and wither away inside his clothes. He threw up his hands and groaned, "My God! My God!" Then he controlled himself by a great effort.
"Good-bye, Lucy! Good-bye!" he called.
And he stood there on the wharf, waving his hands to her till the _Noeau_ was clear away and the faces lining her after-rail were vague and indistinct.
"I thought you knew," said McVeigh, who had been regarding him curiously. "You, of all men, should have known. I thought that was why you were here."
"I know now," Kersdale answered with immense gravity. "Where's the carriage?"
He walked rapidly--half-ran--to it. I had to half-run myself to keep up with him.
"Drive to Doctor Hervey's," he told the driver. "Drive as fast as you can."
He sank down in a seat, panting and gasping. The pallor of his face had increased. His lips were compressed and the sweat was standing out on his forehead and upper lip. He seemed in some horrible agony.
"For God's sake, Martin, make those horses go!" he broke out suddenly. "Lay the whip into them!--do you hear?--lay the whip into them!"
"They'll break, sir," the driver remonstrated.
"Let them break," Kersdale answered. "I'll pay your fine and square you with the police. Put it to them. That's right. Faster! Faster!"
"And I never knew, I never knew," he muttered, sinking back in the seat and with trembling hands wiping the sweat away.
The carriage was bouncing, swaying and lurching around corners at such a wild pace as to make conversation impossible. Besides, there was nothing to say. But I could hear him muttering over and over, "And I never knew. I never knew."
ALOHA OE
Never are there such departures as from the dock at Honolulu. The great transport lay with steam up, ready to pull out. A thousand persons were on her decks; five thousand stood on the wharf. Up and down the long gangway passed native princes and princesses, sugar kings and the high officials of the Territory. Beyond, in long lines, kept in order by the native police, were the carriages and motor-cars of the Honolulu aristocracy. On the wharf the Royal Hawaiian Band played "Aloha Oe," and when it finished, a stringed orchestra of native musicians on board the transport took up the same sobbing strains, the native woman singer's voice rising birdlike above the instruments and the hubbub of departure. It was a silver reed, sounding its clear, unmistakable note in the great diapason of farewell.
Forward, on the lower deck, the rail was lined six deep with khaki-clad young boys, whose bronzed faces told of three years' campaigning under the sun. But the farewell was not for them. Nor was it for the white- clad captain on the lofty bridge, remote as the stars, gazing down upon the tumult beneath him. Nor was the farewell for the young officers farther aft, returning from the Philippines, nor for the white-faced, climate-ravaged women by their sides. Just aft the gangway, on the promenade deck, stood a score of United States Senators with their wives and daughters--the Senatorial junketing party that for a month had been dined and wined, surfeited with statistics and dragged up volcanic hill and down lava dale to behold the glories and resources of Hawaii. It was for the junketing party that the transport had called in at Honolulu, and it was to the junketing party that Honolulu was saying good-bye.
The Senators were garlanded and bedecked with flowers. Senator Jeremy Sambrooke's stout neck and portly bosom were burdened with a dozen wreaths. Out of this mass of bloom and blossom projected his head and the greater portion of his freshly sunburned and perspiring face. He thought the flowers an abomination, and as he looked out over the multitude on the wharf it was with a statistical eye that saw none of the beauty, but that peered into the labour power, the factories, the railroads, and the plantations that lay back of the multitude and which the multitude expressed. He saw resources and thought development, and he was too busy with dreams of material achievement and empire to notice his daughter at his side, talking with a young fellow in a natty summer suit and straw hat, whose eager eyes seemed only for her and never left her face. Had Senator Jeremy had eyes for his daughter, he would have seen that, in place of the young girl of fifteen he had brought to Hawaii a short month before, he was now taking away with him a woman.
Hawaii has a ripening climate, and Dorothy Sambrooke had been exposed to it under exceptionally ripening circumstances. Slender, pale, with blue eyes a trifle tired from poring over the pages of books and trying to muddle into an understanding of life--such she had been the month before. But now the eyes were warm instead of tired, the cheeks were touched with the sun, and the body gave the first hint and promise of swelling lines. During that month she had left books alone, for she had found greater joy in reading from the book of life. She had ridden horses, climbed volcanoes, and learned surf swimming. The tropics had entered into her blood, and she was aglow with the warmth and colour and sunshine. And for a month she had been in the company of a man--Stephen Knight, athlete, surf-board rider, a bronzed god of the sea who bitted the crashing breakers, leaped upon their backs, and rode them in to shore.
Dorothy Sambrooke was unaware of the change. Her consciousness was still that of a young girl, and she was surprised and troubled by Steve's conduct in this hour of saying good-bye. She had looked upon him as her playfellow, and for the month he had been her playfellow; but now he was not parting like a playfellow. He talked excitedly and disconnectedly, or was silent, by fits and starts. Sometimes he did not hear what she was saying, or if he did, failed to respond in his wonted manner. She was perturbed by the way he looked at her. She had not known before that he had such blazing eyes. There was something in his eyes that was terrifying. She could not face it, and her own eyes continually drooped before it. Yet there was something alluring about it, as well, and she continually returned to catch a glimpse of that blazing, imperious, yearning something that she had never seen in human eyes before. And she was herself strangely bewildered and excited.
The transport's huge whistle blew a deafening blast, and the flower-crowned multitude surged closer to the side of the dock. Dorothy Sambrooke's fingers were pressed to her ears; and as she made a _moue_ of distaste at the outrage of sound, she noticed again the imperious, yearning blaze in Steve's eyes. He was not looking at her, but at her ears, delicately pink and transparent in the slanting rays of the afternoon sun. Curious and fascinated, she gazed at that strange something in his eyes until he saw that he had been caught. She saw his cheeks flush darkly and heard him utter inarticulately. He was embarrassed, and she was aware of embarrassment herself. Stewards were going about nervously begging shore-going persons to be gone. Steve put out his hand. When she felt the grip of the fingers that had gripped hers a thousand times on surf-boards and lava slopes, she heard the words of the song with a new understanding as they sobbed in the Hawaiian woman's silver throat:
"Ka halia ko aloha kai hiki mai,
Ke hone ae nei i ku'u manawa,
O oe no kan aloha
A loko e hana nei."
Steve had taught her air and words and meaning--so she had thought, till this instant; and in this instant of the last finger clasp and warm contact of palms she divined for the first time the real meaning of the song. She scarcely saw him go, nor could she note him on the crowded gangway, for she was deep in a memory maze, living over the four weeks just past, rereading events in the light of revelation.
When the Senatorial party had landed, Steve had been one of the committee of entertainment. It was he who had given them their first exhibition of surf riding, out at Waikiki Beach, paddling his narrow board seaward until he became a disappearing speck, and then, suddenly reappearing, rising like a sea-god from out of the welter of spume and churning white--rising swiftly higher and higher, shoulders and chest and loins and limbs, until he stood poised on the smoking crest of a mighty, mile- long billow, his feet buried in the flying foam, hurling beach-ward with the speed of an express train and stepping calmly ashore at their astounded feet. That had been her first glimpse of Steve. He had been the youngest man on the committee, a youth, himself, of twenty. He had not entertained by speechmaking, nor had he shone decoratively at receptions. It was in the breakers at Waikiki, in the wild cattle drive on Manna Kea, and in the breaking yard of the Haleakala Ranch that he had performed his share of the entertaining.
She had not cared for the interminable statistics and eternal speechmaking of the other members of the committee. Neither had Steve. And it was with Steve that she had stolen away from the open-air feast at Hamakua, and from Abe Louisson, the coffee planter, who had talked coffee, coffee, nothing but coffee, for two mortal hours. It was then, as they rode among the tree ferns, that Steve had taught her the words of "Aloha Oe," the song that had been sung to the visiting Senators at every village, ranch, and plantation departure.
Steve and she had been much together from the first. He had been her playfellow. She had taken possession of him while her father had been occupied in taking possession of the statistics of the island territory. She was too gentle to tyrannize over her playfellow, yet she had ruled him abjectly, except when in canoe, or on horse or surf-board, at which times he had taken charge and she had rendered obedience. And now, with this last singing of the song, as the lines were cast off and the big transport began backing slowly out from the dock, she knew that Steve was something more to her than playfellow.
Five thousand voices were singing "Aloha Oe,"--"_My love be with you till we meet again_,"--and in that first moment of known love she realized that she and Steve were being torn apart. When would they ever meet again? He had taught her those words himself. She remembered listening as he sang them over and over under the _hau_ tree at Waikiki. Had it been prophecy? And she had admired his singing, had told him that he sang with such expression. She laughed aloud, hysterically, at the recollection. With such expression!--when he had been pouring his heart out in his voice. She knew now, and it was too late. Why had he not spoken? Then she realized that girls of her age did not marry. But girls of her age did marry--in Hawaii--was her instant thought. Hawaii had ripened her--Hawaii, where flesh is golden and where all women are ripe and sun-kissed.
Vainly she scanned the packed multitude on the dock. What had become of him? She felt she could pay any price for one more glimpse of him, and she almost hoped that some mortal sickness would strike the lonely captain on the bridge and delay departure. For the first time in her life she looked at her father with a calculating eye, and as she did she noted with newborn fear the lines of will and determination. It would be terrible to oppose him. And what chance would she have in such a struggle? But why had Steve not spoken? Now it was too late. Why had he not spoken under the _hau_ tree at Waikiki?
And then, with a great sinking of the heart, it came to her that she knew why. What was it she had heard one day? Oh, yes, it was at Mrs. Stanton's tea, that afternoon when the ladies of the "Missionary Crowd" had entertained the ladies of the Senatorial party. It was Mrs. Hodgkins, the tall blonde woman, who had asked the question. The scene came back to her vividly--the broad _lanai_, the tropic flowers, the noiseless Asiatic attendants, the hum of the voices of the many women and the question Mrs. Hodgkins had asked in the group next to her. Mrs. Hodgkins had been away on the mainland for years, and was evidently inquiring after old island friends of her maiden days. "What has become of Susie Maydwell?" was the question she had asked. "Oh, we never see her any more; she married Willie Kupele," another island woman answered. And Senator Behrend's wife laughed and wanted to know why matrimony had affected Susie Maydwell's friendships.
"_Hapa-haole_," was the answer; "he was a half-caste, you know, and we of the Islands have to think about our children."
Dorothy turned to her father, resolved to put it to the test.
"Papa, if Steve ever comes to the United States, mayn't he come and see us some time?"
"Who? Steve?"
"Yes, Stephen Knight--you know him. You said good-bye to him not five minutes ago. Mayn't he, if he happens to be in the United States some time, come and see us?"
"Certainly not," Jeremy Sambrooke answered shortly. "Stephen Knight is a _hapa-haole_ and you know what that means."
"Oh," Dorothy said faintly, while she felt a numb despair creep into her heart.
Steve was not a _hapa-haole_--she knew that; but she did not know that a quarter-strain of tropic sunshine streamed in his veins, and she knew that that was sufficient to put him outside the marriage pale. It was a strange world. There was the Honourable A. S. Cleghorn, who had married a dusky princess of the Kamehameha blood, yet men considered it an honour to know him, and the most exclusive women of the ultra-exclusive "Missionary Crowd" were to be seen at his afternoon teas. And there was Steve. No one had disapproved of his teaching her to ride a surf-board, nor of his leading her by the hand through the perilous places of the crater of Kilauea. He could have dinner with her and her father, dance with her, and be a member of the entertainment committee; but because there was tropic sunshine in his veins he could not marry her.
And he didn't show it. One had to be told to know. And he was so good- looking. The picture of him limned itself on her inner vision, and before she was aware she was pleasuring in the memory of the grace of his magnificent body, of his splendid shoulders, of the power in him that tossed her lightly on a horse, bore her safely through the thundering breakers, or towed her at the end of an alpenstock up the stern lava crest of the House of the Sun. There was something subtler and mysterious that she remembered, and that she was even then just beginning to understand--the aura of the male creature that is man, all man, masculine man. She came to herself with a shock of shame at the thoughts she had been thinking. Her cheeks were dyed with the hot blood which quickly receded and left them pale at the thought that she would never see him again. The stem of the transport was already out in the stream, and the promenade deck was passing abreast of the end of the dock.
"There's Steve now," her father said. "Wave good-bye to him, Dorothy."
Steve was looking up at her with eager eyes, and he saw in her face what he had not seen before. By the rush of gladness into his own face she knew that he knew. The air was throbbing with the song--
My love to you.
My love be with you till we meet again.
There was no need for speech to tell their story. About her, passengers were flinging their garlands to their friends on the dock. Steve held up his hands and his eyes pleaded. She slipped her own garland over her head, but it had become entangled in the string of Oriental pearls that Mervin, an elderly sugar king, had placed around her neck when he drove her and her father down to the steamer.
She fought with the pearls that clung to the flowers. The transport was moving steadily on. Steve was already beneath her. This was the moment. The next moment and he would be past. She sobbed, and Jeremy Sambrooke glanced at her inquiringly.
"Dorothy!" he cried sharply.
She deliberately snapped the string, and, amid a shower of pearls, the flowers fell to the waiting lover. She gazed at him until the tears blinded her and she buried her face on the shoulder of Jeremy Sambrooke, who forgot his beloved statistics in wonderment at girl babies that insisted on growing up. The crowd sang on, the song growing fainter in the distance, but still melting with the sensuous love-languor of Hawaii, the words biting into her heart like acid because of their untruth.
Aloha oe, Aloha oe, e ke onaona no ho ika lipo,
A fond embrace, ahoi ae au, until we meet again.
CHUN AH CHUN
There was nothing striking in the appearance of Chun Ah Chun. He was rather undersized, as Chinese go, and the Chinese narrow shoulders and spareness of flesh were his. The average tourist, casually glimpsing him on the streets of Honolulu, would have concluded that he was a good-natured little Chinese, probably the proprietor of a prosperous laundry or tailorshop. In so far as good nature and prosperity went, the judgment would be correct, though beneath the mark; for Ah Chun was as good-natured as he was prosperous, and of the latter no man knew a tithe the tale. It was well known that he was enormously wealthy, but in his case "enormous" was merely the symbol for the unknown.
Ah Chun had shrewd little eyes, black and beady and so very little that they were like gimlet-holes. But they were wide apart, and they sheltered under a forehead that was patently the forehead of a thinker. For Ah Chun had his problems, and had had them all his life. Not that he ever worried over them. He was essentially a philosopher, and whether as coolie, or multi-millionaire and master of many men, his poise of soul was the same. He lived always in the high equanimity of spiritual repose, undeterred by good fortune, unruffled by ill fortune. All things went well with him, whether they were blows from the overseer in the cane field or a slump in the price of sugar when he owned those cane fields himself. Thus, from the steadfast rock of his sure content he mastered problems such as are given to few men to consider, much less to a Chinese peasant.
He was precisely that--a Chinese peasant, born to labour in the fields all his days like a beast, but fated to escape from the fields like the prince in a fairy tale. Ah Chun did not remember his father, a small farmer in a district not far from Canton; nor did he remember much of his mother, who had died when he was six. But he did remember his respected uncle, Ah Kow, for him had he served as a slave from his sixth year to his twenty-fourth. It was then that he escaped by contracting himself as a coolie to labour for three years on the sugar plantations of Hawaii for fifty cents a day.
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The house of pride, and other tales of HawaiiChapter II: Part 2
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