Chapter II (1)

It was with mixed emotions that the passengers heard that a delay of fifteen minutes to tighten certain screw-bolts had been ordered by the autocratic Bill. Some were anxious to get their breakfast at Sugar Pine, but others were not averse to linger for the daylight that promised greater safety on the road. The Expressman, knowing the real cause of Bill's delay, was nevertheless at a loss to understand the object of it. The passengers were all well known; any idea of complicity with the road agents was wild and impossible, and, even if there was a confederate of the gang among them, he would have been more likely to precipitate a robbery than to check it. Again, the discovery of such a confederate--to whom they clearly owed their safety--and his arrest would have been quite against the Californian sense of justice, if not actually illegal. It seemed evident that Bill's Quixotic sense of honour was leading him astray.

The station consisted of a stable, a waggon shed, and a building containing three rooms. The first was fitted up with "bunks" or sleeping berths for the _employes_, the second was the kitchen, and the third and larger apartment was dining-room or sitting-room, and was used as general waiting-room for the passengers. It was not a refreshment station, and there was no "bar." But a mysterious command from the omnipotent Bill produced a demi-john of whiskey, with which he hospitably treated the company. The seductive influence of the liquor loosened the tongue of the gallant Judge Thompson. He admitted to having struck a match to enable the fair Pike Countian to find her ring, which, however, proved to have fallen in her lap. She was "a fine, healthy young woman--a type of the Far West, sir; in fact, quite a prairie blossom! yet simple and guileless as a child." She was on her way to Marysville, he believed, "although she expected to meet friends--a friend--in fact, later on." It was her first visit to a large town--in fact, any civilised centre--since she crossed the plains three years ago. Her girlish curiosity was quite touching, and her innocence irresistible. In fact, in a country whose tendency was to produce "frivolity and forwardness in young girls, he found her a most interesting young person." She was even then out in the stable-yard watching the horses being harnessed, "preferring to indulge a pardonable healthy young curiosity than to listen to the empty compliments of the younger passengers."

The figure which Bill saw thus engaged, without being otherwise distinguished, certainly seemed to justify the Judge's opinion. She appeared to be a well-matured country girl, whose frank grey eyes and large laughing mouth expressed a wholesome and abiding gratification in her life and surroundings. She was watching the replacing of luggage in the boot. A little feminine start, as one of her own parcels was thrown somewhat roughly on the roof, gave Bill his opportunity. "Now there," he growled to the helper, "ye aint carting stone! Look out, will yer! Some of your things, miss?" he added, with gruff courtesy, turning to her. "These yer trunks, for instance?"

She smiled a pleasant assent, and Bill, pushing aside the helper, seized a large square trunk in his arms. But from excess of zeal, or some other mischance, his foot slipped, and he came down heavily, striking the corner of the trunk on the ground and loosening its hinges and fastenings. It was a cheap, common-looking affair, but the accident discovered in its yawning lid a quantity of white, lace-edged feminine apparel of an apparently superior quality. The young lady uttered another cry and came quickly forward, but Bill was profuse in his apologies, himself girded the broken box with a strap, and declared his intention of having the company "make it good" to her with a new one. Then he casually accompanied her to the door of the waiting-room, entered, made a place for her before the fire by simply lifting the nearest and most youthful passenger by the coat-collar from the stool that he was occupying, and, having installed the lady in it, displaced another man who was standing before the chimney, and, drawing himself up to his full six feet of height in front of her, glanced down upon his fair passenger as he took his waybill from his pocket.

"Your name is down here as Miss Mullins?" he said.

She looked up, became suddenly aware that she and her questioner were the centre of interest to the whole circle of passengers, and, with a slight rise of colour, returned "Yes."

"Well, Miss Mullins, I've got a question or two to ask ye. I ask it straight out afore this crowd. It's in my rights to take ye aside and ask it--but that aint my style; I'm no detective. I needn't ask it at all, but act as ef I knowed the answer, or I might leave it to be asked by others. Ye needn't answer it ef ye don't like; ye've got a friend over ther--Judge Thompson--who is a friend to ye, right or wrong, jest as any other man here is--as though ye'd packed your own jury. Well, the simple question I've got to ask ye is _this_--Did you signal to anybody from the coach when we passed Galloper's an hour ago?"

We all thought that Bill's courage and audacity had reached its climax here. To openly and publicly accuse a "lady" before a group of chivalrous Californians, and that lady possessing the further attractions of youth, good looks and innocence, was little short of desperation. There was an evident movement of adhesion towards the fair stranger, a slight muttering broke out on the right, but the very boldness of the act held them in stupefied surprise. Judge Thompson, with a bland propitiatory smile, began: "Really, Bill, I must protest on behalf of this young lady--" when the fair accused, raising her eyes to her accuser, to the consternation of everybody answered with the slight but convincing hesitation of conscientious truthfulness:

"_I did._"

"Ahem!" interposed the Judge, hastily, "er--that is--er--you allowed your handkerchief to flutter from the window. I noticed it myself, casually--one might say even playfully--but without any particular significance."

The girl, regarding her apologist with a singular mingling of pride and impatience, returned briefly:

"I signalled."

"Who did you signal to?" asked Bill, gravely.

"The young gentleman I'm going to marry."

A start, followed by a slight titter from the younger passengers, was instantly suppressed by a savage glance from Bill.

"What did you signal to him for?" he continued.

"To tell him I was here, and that it was all right," returned the young girl, with a steadily rising pride and colour.

"Wot was all right?" demanded Bill.

"That I wasn't followed, and that he could meet me on the road beyond Cass's Ridge Station." She hesitated a moment, and then, with a still greater pride, in which a youthful defiance was still mingled, said: "I've run away from home to marry him. And I mean to! No one can stop me. Dad didn't like him just because he was poor, and dad's got money. Dad wanted me to marry a man I hate, and got a lot of dresses and things to bribe me."

"And you're taking them in your trunk to the other feller?" said Bill, grimly.

"Yes, he's poor," returned the girl, defiantly.

"Then your father's name is Mullins?" asked Bill.

"It's not Mullins. I--I--took that name," she hesitated, with her first exhibition of self-consciousness.

"Wot _is_ his name?"

"Eli Hemmings."

A smile of relief and significance went round the circle. The fame of Eli or "Skinner" Hemmings, as a notorious miser and usurer, had passed even beyond Galloper's Ridge.

"The step that you're taking, Miss Mullins, I need not tell you, is one of great gravity," said Judge Thompson, with a certain paternal seriousness of manner, in which, however, we were glad to detect a glaring affectation, "and I trust that you and your affianced have fully weighed it. Far be it from me to interfere with or question the natural affections of two young people, but may I ask you what you know of the--er--young gentleman for whom you are sacrificing so much, and, perhaps, imperilling your whole future? For instance, have you known him long?"

The slightly troubled air of trying to understand--not unlike the vague wonderment of childhood--with which Miss Mullins had received the beginning of this exordium, changed to a relieved smile of comprehension as she said quickly, "Oh, yes, nearly a whole year."

"And," said the Judge, smiling, "has he a vocation--is he in business?"

"Oh, yes," she returned, "he's a collector."

"A collector?"

"Yes; he collects bills, you know, money," she went on, with childish eagerness, "not for himself--_he_ never has any money, poor Charley--but for his firm. It's dreadful hard work, too, keeps him out for days and nights, over bad roads and baddest weather. Sometimes, when he's stole over to the ranch just to see me, he's been so bad he could scarcely keep his seat in the saddle, much less stand. And he's got to take mighty big risks, too. Times the folks are cross with him and won't pay; once they shot him in the arm, and he came to me, and I helped do it up for him. But he don't mind. He's real brave, jest as brave as he's good." There was such a wholesome ring of truth in this pretty praise that we were touched in sympathy with the speaker.

"What firm does he collect for?" asked the Judge, gently.

"I don't know exactly--he won't tell me--but I think it's a Spanish firm. You see"--she took us all into her confidence with a sweeping smile of innocent yet half-mischievous artfulness--"I only know because I peeped over a letter he once got from his firm, telling him he must hustle up and be ready for the road the next day--but I think the name was Martinez--yes, Ramon Martinez."

In the dead silence that ensued--a silence so profound that we could hear the horses in the distant stable-yard rattling their harness--one of the younger "Excelsior" boys burst into a hysteric laugh, but the fierce eye of Yuba Bill was down upon him, and seemed to instantly stiffen him into a silent, grinning mask. The young girl, however, took no note of it; following out, with lover-like diffusiveness, the reminiscences thus awakened, she went on:

"Yes, it's mighty hard work, but he says it's all for me, and as soon as we're married he'll quit it. He might have quit it before, but he won't take no money of me, nor what I told him I could get out of dad! That aint his style. He's mighty proud--if he is poor--is Charley. Why thar's all ma's money which she left me in the Savin's Bank that I wanted to draw out--for I had the right--and give it to him, but he wouldn't hear of it! Why, he wouldn't take one of the things I've got with me, if he knew it. And so he goes on ridin' and ridin', here and there and everywhere, and gettin' more and more played out and sad, and thin and pale as a spirit, and always so uneasy about his business, and startin' up at times when we're meetin' out in the South Woods or in the far clearin', and sayin': 'I must be goin' now, Polly,' and yet always tryin' to be chiffle and chipper afore me. Why he must have rid miles and miles to have watched for me thar in the brush at the foot of Galloper's to-night, jest to see if all was safe, and Lordy! I'd have given him the signal and showed a light if I'd died for it the next minit. There! That's what I know of Charley--that's what I'm running away from home for--that's what I'm running to him for, and I don't care who knows it! And I only wish I'd done it afore--and I would--if--if--if--he'd only _asked me!_ There now!" She stopped, panted, and choked. Then one of the sudden transitions of youthful emotion overtook the eager, laughing face; it clouded up with the swift change of childhood, a lightning quiver of expression broke over it--and--then came the rain!

I think this simple act completed our utter demoralisation! We smiled feebly at each other with that assumption of masculine superiority which is miserably conscious of its own helplessness at such moments. We looked out of the window, blew our noses, said: "Eh--what?" and "I say," vaguely to each other, and were greatly relieved and yet apparently astonished when Yuba Bill, who had turned his back upon the fair speaker, and was kicking the logs in the fireplace, suddenly swept down upon us and bundled us all into the road, leaving Miss Mullins alone. Then he walked aside with Judge Thompson for a few moments; returned to us, autocratically demanded of the party a complete reticence towards Miss Mullins on the subject matter under discussion, re-entered the station, re-appeared with the young lady, suppressed a faint idiotic cheer which broke from us at the spectacle of her innocent face once more cleared and rosy, climbed the box, and in another moment we were under way.

"Then she don't know what her lover is yet?" asked the Expressman, eagerly.

"No."

"Are _you_ certain it's one of the gang?"

"Can't say _for sure_. It mout be a young chap from Yolo who bucked agin the tiger [1] at Sacramento, got regularly cleaned out and busted, and joined the gang for a flier. They say thar was a new hand in that job over at Keeley's--and a mighty game one, too--and ez there was some buckshot onloaded that trip, he might hev got his share, and that would tally with what the girl said about his arm. See! Ef that's the man, I've heered he was the son of some big preacher in the States, and a college sharp to boot, who ran wild in 'Frisco, and played himself for all he was worth. They're the wust kind to kick when they once get a foot over the traces. For stiddy, comf'ble kempany," added Bill reflectively, "give _me_ the son of a man that was _hanged!_"

"But what are you going to do about this?"

"That depends upon the feller who comes to meet her."

"But you aint going to try to take him? That would be playing it pretty low down on them both."

"Keep your hair on, Jimmy! The Judge and me are only going to rastle with the sperrit of that gay young galoot, when he drops down for his girl--and exhort him pow'ful! Ef he allows he's convicted of sin and will find the Lord, we'll marry him and the gal offhand at the next station, and the Judge will officiate himself for nothin'. We're goin' to have this yer elopement done on the square--and our waybill clean--you bet!"

"But you don't suppose he'll trust himself in your hands?"

"Polly will signal to him that it's all square."

"Ah!" said the Expressman. Nevertheless in those few moments the men seemed to have exchanged dispositions. The Expressman looked doubtfully, critically, and even cynically before him. Bill's face had relaxed, and something like a bland smile beamed across it, as he drove confidently and unhesitatingly forward.

Day, meantime, although full blown and radiant on the mountain summits around us, was yet nebulous and uncertain in the valleys into which we were plunging. Lights still glimmered in the cabins and few ranch buildings which began to indicate the thicker settlements. And the shadows were heaviest in a little copse, where a note from Judge Thompson in the coach was handed up to Yuba Bill, who at once slowly began to draw up his horses. The coach stopped finally near the junction of a small cross road. At the same moment Miss Mullins slipped down from the vehicle, and, with a parting wave of her hand to the Judge who had assisted her from the steps, tripped down the cross road, and disappeared in its semi-obscurity. To our surprise the stage waited, Bill holding the reins listlessly in his hands. Five minutes passed--an eternity of expectation, and--as there was that in Yuba Bill's face which forbade idle questioning--an aching void of silence also! This was at last broken by a strange voice from the road:

"Go on--we'll follow."

The coach started forward. Presently we heard the sound of other wheels behind us. We all craned our necks backward to get a view of the unknown, but by the growing light we could only see that we were followed at a distance by a buggy with two figures in it. Evidently Polly Mullins and her lover! We hoped that they would pass us. But the vehicle, although drawn by a fast horse, preserved its distance always, and it was plain that its driver had no desire to satisfy our curiosity. The Expressman had recourse to Bill.

"Is it the man you thought of?" he asked, eagerly.

"I reckon," said Bill, briefly.

"But," continued the Expressman, returning to his former scepticism, "what's to keep them both from levanting together now?"

Bill jerked his hand towards the boot with a grim smile.

"Their baggage."

"Oh!" said the Expressman.

"Yes," continued Bill. "We'll hang on to that gal's little frills and fixin's until this yer job's settled, and the ceremony's over, jest as ef we waz her own father. And, what's more, young man," he added, suddenly turning to the Expressman, "_you'll_ express them trunks of hers _through to Sacramento_ with your kempany's labels, and hand her the receipts and cheques for them, so she _can get 'em there_. That'll keep _him_ outer temptation and the reach o' the gang, until they get away among white men and civilisation again. When your hoary-headed ole grandfather--or, to speak plainer, that partikler old whiskey-soaker known as Yuba Bill, wot sits on this box," he continued, with a diabolical wink at the Expressman--"waltzes in to pervide for a young couple jest startin' in life, thar's nothin' mean about his style, you bet. He fills the bill every time! Speshul Providences take a back seat when he's around."

When the station hotel and straggling settlement of Sugar Pine, now distinct and clear in the growing light, at last rose within rifleshot on the plateau, the buggy suddenly darted swiftly by us--so swiftly that the faces of the two occupants were barely distinguishable as they passed--and, keeping the lead by a dozen lengths, reached the door of the hotel. The young girl and her companion leaped down and vanished within as we drew up. They had evidently determined to elude our curiosity, and were successful.

But the material appetites of the passengers, sharpened by the keen mountain air, were more potent than their curiosity, and, as the breakfast-bell rang out at the moment the stage stopped, a majority of them rushed into the dining-room and scrambled for places without giving much heed to the vanished couple or to the Judge and Yuba Bill, who had disappeared also. The through coach to Marysville and Sacramento was likewise waiting, for Sugar Pine was the limit of Bill's ministration, and the coach which we had just left went no further. In the course of twenty minutes, however, there was a slight and somewhat ceremonious bustling in the hall and on the verandah, and Yuba Bill and the Judge re-appeared. The latter was leading, with some elaboration of manner and detail, the shapely figure of Miss Mullins, and Yuba Bill was accompanying her companion to the buggy. We all rushed to the windows to get a good view of the mysterious stranger and probable ex-brigand whose life was now linked with our fair fellow-passenger. I am afraid, however, that we all participated in a certain impression of disappointment and doubt. Handsome and even cultivated-looking, he assuredly was--young and vigorous in appearance. But there was a certain half-shamed, half-defiant suggestion in his expression, yet coupled with a watchful lurking uneasiness which was not pleasant and hardly becoming in a bridegroom--and the possessor of such a bride. But the frank, joyous, innocent face of Polly Mullins, resplendent with a simple, happy confidence, melted our hearts again, and condoned the fellow's shortcomings. We waved our hands; I think we would have given three rousing cheers as they drove away if the omnipotent eye of Yuba Bill had not been upon us. It was well, for the next moment we were summoned to the presence of that soft-hearted autocrat.

We found him alone with the Judge in a private sitting-room, standing before a table on which there was a decanter and glasses. As we filed expectantly into the room and the door closed behind us, he cast a glance of hesitating tolerance over the group.

"Gentlemen," he said slowly, "you was all present at the beginnin' of a little game this mornin', and the Judge thar thinks that you oughter be let in at the finish. _I_ don't see that it's any of _your_ d----d business--so to speak--but ez the Judge here allows you're all in the secret, I've called you in to take a partin' drink to the health of Mr. and Mrs. Charley Byng--ez is now comf'ably off on their bridal tower. What _you_ know or what _you_ suspects of the young galoot that's married the gal aint worth shucks to anybody, and I wouldn't give it to a yaller pup to play with, but the Judge thinks you ought all to promise right here that you'll keep it dark. That's his opinion. Ez far as my opinion goes, gen'lmen," continued Bill, with greater blandness and apparent cordiality, "I wanter simply remark, in a keerless, offhand gin'ral way, that ef I ketch any God-forsaken, lop-eared, chuckle-headed blatherin' idjet airin' _his_ opinion----"

"One moment, Bill," interposed Judge Thompson with a grave smile--"let me explain. You understand, gentlemen," he said, turning to us, "the singular, and I may say affecting, situation which our good-hearted friend here has done so much to bring to what we hope will be a happy termination. I want to give here, as my professional opinion, that there is nothing in his request which, in your capacity as good citizens and law-abiding men, you may not grant. I want to tell you, also, that you are condoning no offence against the statutes; that there is not a particle of legal evidence before us of the criminal antecedents of Mr. Charles Byng, except that which has been told you by the innocent lips of his betrothed, which the law of the land has now sealed for ever in the mouth of his wife, and that our own actual experience of his acts have been in the main exculpatory of any previous irregularity--if not incompatible with it. Briefly, no judge would charge, no jury convict, on such evidence. When I add that the young girl is of legal age, that there is no evidence of any previous undue influence, but rather of the reverse, on the part of the bridegroom, and that I was content, as a magistrate, to perform the ceremony, I think you will be satisfied to give your promise, for the sake of the bride, and drink a happy life to them both."

I need not say that we did this cheerfully, and even extorted from Bill a grunt of satisfaction. The majority of the company, however, who were going with the through coach to Sacramento, then took their leave, and, as we accompanied them to the verandah, we could see that Miss Polly Mullins's trunks were already transferred to the other vehicle under the protecting seals and labels of the all-potent Express Company. Then the whip cracked, the coach rolled away, and the last traces of the adventurous young couple disappeared in the hanging red dust of its wheels.

But Yuba Bill's grim satisfaction at the happy issue of the episode seemed to suffer no abatement. He even exceeded his usual deliberately regulated potations, and, standing comfortably with his back to the centre of the now deserted bar-room, was more than usually loquacious with the Expressman. "You see," he said, in bland reminiscence, "when your old Uncle Bill takes hold of a job like this, he puts it straight through without changin' hosses. Yet thar was a moment, young feller, when I thought I was stompt! It was when we'd made up our mind to make that chap tell the gal fust all what he was! Ef she'd rared or kicked in the traces, or hung back only ez much ez that, we'd hev given him jest five minits' law to get up and get and leave her, and we'd hev toted that gal and her fixin's back to her dad again! But she jest gave a little scream and start, and then went off inter hysterics, right on his buzzum, laughing and cryin' and sayin' that nothin' should part 'em. Gosh! if I didn't think _he_ woz more cut up than she about it--a minit it looked as ef _he_ didn't allow to marry her arter all, but that passed, and they was married hard and fast--you bet! I reckon he's had enough of stayin' out o' nights to last him, and ef the valley settlements hevn't got hold of a very shining member, at least the foothills hev got shut of one more of the Ramon Martinez gang."

"What's that about the Ramon Martinez gang?" said a quiet potential voice.

Bill turned quickly. It was the voice of the Divisional Superintendent of the Express Company--a man of eccentric determination of character, and one of the few whom the autocratic Bill recognised as an equal--who had just entered the bar-room. His dusty pongee cloak and soft hat indicated that he had that morning arrived on a round of inspection.

"Don't care if I do, Bill," he continued, in response to Bill's invitatory gesture, walking to the bar. "It's a little raw out on the road. Well, what were you saying about Ramon Martinez gang? You haven't come across one of 'em, have you?"

"No," said Bill, with a slight blinking of his eye, as he ostentatiously lifted his glass to the light.

"And you _won't_," added the Superintendent, leisurely sipping his liquor. "For the fact is, the gang is about played out. Not from want of a job now and then, but from the difficulty of disposing of the results of their work. Since the new instructions to the agents to identify and trace all dust and bullion offered to them went into force, you see, they can't get rid of their swag. All the gang are spotted at the offices, and it costs too much for them to pay a fence or a middleman of any standing. Why, all that flaky river gold they took from the Excelsior Company can be identified as easy as if it was stamped with the company's mark. They can't melt it down themselves; they can't get others to do it for them; they can't ship it to the Mint or Assay Offices in Marysville and 'Frisco, for they won't take it without our certificate and seals, and _we_ don't take any undeclared freight _within_ the lines that we've drawn around their beat, except from people and agents known. Why, _you_ know that well enough, Jim," he said, suddenly appealing to the Expressman, "don't you?"

Possibly the suddenness of the appeal caused the Expressman to swallow his liquor the wrong way, for he was overtaken with a fit of coughing, and stammered hastily as he laid down his glass, "Yes--of course--certainly."

"No, sir," resumed the Superintendent cheerfully, "they're pretty well played out. And the best proof of it is that they've lately been robbing ordinary passengers' trunks. There was a freight waggon 'held up' near Dow's Flat the other day, and a lot of baggage gone through. I had to go down there to look into it. Darned if they hadn't lifted a lot o' woman's wedding things from that rich couple who got married the other day out at Marysville. Looks as if they were playing it rather low down, don't it? Coming down to hard pan and the bed rock--eh?"

The Expressman's face was turned anxiously towards Bill, who, after a hurried gulp of his remaining liquor, still stood staring at the window. Then he slowly drew on one of his large gloves. "Ye didn't," he said, with a slow, drawling, but perfectly distinct, articulation, "happen to know old 'Skinner' Hemmings when you were over there?"

"Yes."

"And his daughter?"

"He hasn't got any."

"A sort o' mild, innocent, guileless child of nature?" persisted Bill, with a yellow face, a deadly calm and Satanic deliberation.

"No. I tell you he _hasn't_ any daughter. Old man Hemmings is a confirmed old bachelor. He's too mean to support more than one."

"And you didn't happen to know any o' that gang, did ye?" continued Bill, with infinite protraction.

"Yes. Knew 'em all. There was French Pete, Cherokee Bob, Kanaka Joe, One-eyed Stillson, Softy Brown, Spanish Jack, and two or three Greasers."

"And ye didn't know a man by the name of Charley Byng?"

"No," returned the Superintendent, with a slight suggestion of weariness and a distraught glance towards the door.

"A dark, stylish chap, with shifty black eyes and a curled up merstache?" continued Bill, with dry, colourless persistence.

"No. Look here, Bill, I'm in a little bit of a hurry--but I suppose you must have your little joke before we part. Now, what _is_ your little game?"

"Wot you mean?" demanded Bill, with sudden brusqueness.

"Mean? Well, old man, you know as well as I do. You're giving me the very description of Ramon Martinez himself, ha! ha! No--Bill! you didn't play me this time. You're mighty spry and clever, but you didn't catch on just then."

He nodded and moved away with a light laugh. Bill turned a stony face to the Expressman. Suddenly a gleam of mirth came into his gloomy eyes. He bent over the young man, and said in a hoarse, chuckling whisper:

"But I got even after all!"

"How?"

"He's tied up to that lying little she-devil, hard and fast!"

THE MODERN BABYLON.

BY CYNICUS.

The day is done for honest thriving
Through Speculation's reckless driving.

Your distance Madam, for you see
You dare not, unless I agree

MY FIRST BOOKS.

"UNDERTONES" AND "IDYLS AND LEGENDS OF INVERBURN."

BY ROBERT BUCHANAN.

ILLUSTRATIONS BY GEORGE HUTCHINSON.

(PHOTOGRAPHS BY MESSRS. FRADELLE AND YOUNG.)

My first serious effort in Literature was what I may call a double-barrelled one; in other words, I was seriously engaged upon Two Books at the same time, and it was by the merest accident that they did not appear simultaneously. As it was, only a few months divided one from the other, and they are always, in my own mind, inseparable, or Siamese, twins. The book of poems called _Undertones_ was the one; the book of poems called _Idyls and Legends of Inverburn_ was the other. They were published nearly thirty years ago, when I was still a boy, and as they happened to bring me into connection, more or less intimately, with some of the leading spirits of the age, a few notes concerning them may be of interest.

A word, first, as to my literary beginnings. I can scarcely remember the time when the idea of winning fame as an author had not occurred to me, and so I determined very early to adopt the literary profession, a determination which I unfortunately carried out, to my own life-long discomfort, and the annoyance of a large portion of the reading public. When a boy in Glasgow, I made the acquaintance of David Gray, who was fired with a similar ambition to fly incontinently to London--

The terrible City whose neglect is Death,
Whose smile is Fame!

and to take it by storm. It seemed so easy! "Westminster Abbey," wrote my friend to a correspondent; "if I live, I shall be buried there--so help me God!" "I mean, after Tennyson's death," I myself wrote to Philip Hamerton, "to be Poet-laureate!" From these samples of our callow speech, the modesty of our ambition may be inferred. Well, it all happened just as we planned, only otherwise! Through some blunder of arrangement we two started for London on the same day, but from different railway stations, and, until some weeks afterwards, one knew nothing of the other's exodus. I arrived at King's Cross Railway Station with the conventional half-crown in my pocket; literally and absolutely, half-a-crown; I wandered about the Great City till I was weary, fell in with a Thief and Good Samaritan who sheltered me, starved and struggled with abundant happiness, and finally found myself located at 66, Stamford Street, Waterloo Bridge, in a top room, for which I paid, when I had the money, seven shillings a week. Here I lived royally, with Duke Humphrey, for many a day; and hither, one sad morning, I brought my poor friend Gray, whom I had discovered languishing somewhere in the Borough, and who was already death-struck through "sleeping out" one night in Hyde Park.[2] "Westminster Abbey--if I live, I shall be buried there!" Poor country singing-bird, the great Dismal Cage of the Dead was not for _him_, thank God! He lies under the open Heaven, close to the little river which he immortalised in song. After a brief sojourn in the "dear old ghastly bankrupt garret at No. 66," he fluttered home to die.

To that old garret, in these days, came living men of letters who were of large and important interest to us poor cheepers from the North: Richard Monckton Milnes, Laurence Oliphant, Sydney Dobell, among others, who took a kindly interest in my dying comrade. But afterwards, when I was left to fight the battle alone, the place was solitary. Ever reserved and independent, not to say "dour" and opinionated, I made no friends, and cared for none. I had found a little work on the newspapers and magazines, just enough to keep body and soul alive, and while occupied with this I was busy on the literary Twins to which I referred at the opening of this paper. What did my isolation matter, when I had all the gods of Greece for company, to say nothing of the fays and trolls of Scottish Fairyland? Pallas and Aphrodite haunted that old garret; out on Waterloo Bridge, night after night, I saw Selene and all her nymphs; and when my heart sank low, the Fairies of Scotland sang me lullabies! It was a happy time. Sometimes, for a fortnight together, I never had a dinner--save, perhaps, on Sunday, when a good-natured Hebe would bring me covertly a slice from the landlord's joint. My favourite place of refreshment was the Caledonian Coffee House in Covent Garden. Here, for a few coppers, I could feast on coffee and muffins--muffins saturated with butter, and worthy of the gods! Then, issuing forth, full-fed, glowing, oleaginous, I would light my pipe, and wander out into the lighted streets.

Criticisms for the _Athenaeum_, then edited by Hepworth Dixon, brought me ten-and-sixpence a column. I used to go to the old office in Wellington Street and have my contributions measured off on the current number with a foot-rule, by good old John Francis, the publisher. I wrote, too, for the _Literary Gazette_, where the pay was less princely--seven-and-sixpence a column, I think, but with all extracts deducted! The _Gazette_ was then edited by John Morley, who came to the office daily with a big dog. "I well remember the time when you, a boy, came to me, a boy, in Catherine Street," wrote honest John to me years afterwards. But the neighbourhood of Covent Garden had greater wonders! Two or three times a week, walking, black bag in hand, from Charing Cross Station to the office of _All the Year Round_ in Wellington Street, came the good, the only Dickens! From that good Genie the poor straggler from Fairyland got solid help and sympathy. Few can realise now what Dickens was then to London. His humour filled its literature like broad sunlight; the Gospel of Plum-pudding warmed every poor devil in Bohemia.

At this time, I was (save the mark!) terribly in earnest, with a dogged determination to bow down to no graven literary Idol, but to judge men of all ranks on their personal merits. I never had much reverence for Gods of any sort; if the Superior Persons could not win me by love, I remained heretical. So it was a long time before I came close to any living souls, and all that time I was working away at my poems. Then, a little later, I used to go o' Sundays to the open house of Westland Marston, which was then a great haunt of literary Bohemians. Here I first met Dinah Muloch, the author of _John Halifax_, who took a great fancy to me, used to carry me off to her little nest on Hampstead Heath, and lend me all her books. At Hampstead, too, I foregathered with Sydney Dobell, a strangely beautiful soul, with (what seemed to me then) very effeminate manners. Dobell's mouth was ever full of very pretty Latinity, for the most part Virgilian. He was fond of quoting, as an example of perfect expression, sound conveying absolute sense of the thing described, the doggrel lines--

"Down the stairs the young missises ran
To have a look at Miss Kate's young man!"

The sibilants in the first line, he thought, admirably suggested the idea of the young ladies slipping along the banisters and peeping into the hall!

But I had other friends, more helpful to me in preparing my first twin-offering to the Muses: the faces under the gas, the painted women on the Bridge (how many a night have I walked up and down by their sides, and talked to them for hours together), the actors in the theatres, the ragged groups at the stage doors, London to me, then, was still Fairyland! Even in the Haymarket, with its babbles of Nymph and Satyr, there was wonderful life from midnight to dawn--deep sympathy with which told me that I was a born Pagan, and could never be really comfortable in any modern Temple of the Proprieties. On other points connected with that old life on the borders of Bohemia, I need not touch; it has all been so well done already by Murger, in the _Vie de Boheme_, and it will not bear translation into contemporary English. There were cakes and ale, pipes and beer, and ginger was hot in the mouth too! _Et ego fui in Bohemia_! There were inky fellows and bouncing girls, _then_; _now_ there are only fine ladies, and respectable, God-fearing men of letters.

It was while the Twins were fashioning, that I went down in summer time to live at Chertsey on the Thames, chiefly in order to be near to one I had long admired, Thomas Love Peacock, the friend of Shelley and the author of _Headling Hall_--"Greekey Peekey," as they called him, on account of his prodigious knowledge of things and books Hellenic. I soon grew to love the dear old man, and sat at his feet, like an obedient pupil, in his green old-fashioned garden at Lower Halliford. To him I first read some of my _Undertones_, getting many a rap over the knuckles for my sacrilegious tampering with Divine Myths. What mercy could _I_ expect from one who had never forgiven "Johnny" Keats for his frightful perversion of the sacred mystery of Endymion and Selene? and who was horrified at the base "modernism" of Shelley's "Prometheus Unbound?" But to think of it! He had known Shelley, and all the rest of the demigods, and his speech was golden with memories of them all! Dear old Pagan, wonderful in his death as in his life. When, shortly before he died, his house caught fire, and the mild curate of the parish begged him to withdraw from the library of books he loved so well, he flatly refused to listen, and cried roundly, in a line of vehement blank verse, "By the immortal gods, I will not stir!" [3]

Under such auspices, and with all the ardour of youth to help, my Book, or Books, progressed. Meantime, I was breaking out into poetry in the magazines, and writing "criticism" by the yard. At last the time came when I remembered another friend with whom I had corresponded, and whose advice I thought I might now ask with some confidence. This was George Henry Lewes, to whom, when I was a boy in Glasgow, I had sent a bundle of manuscript, with the blunt question, "Am I, or am I not, a Poet?" To my delight he had replied to me with a qualified affirmative, saying that in the productions he had "discerned a real faculty, and _perhaps_ a future poet. I say perhaps," he added, "because I do not know your age, and because there are so many poetical blossoms which never come to fruit." He had, furthermore, advised me "to write as much as I felt impelled to write, but to publish nothing"--at any rate, for a couple of years. Three years had passed, and I had neither published anything--that is to say, in book form--nor had I had any further communication with my kind correspondent. To Lewes, then, I wrote, reminding him of our correspondence, telling him that I _had_ waited, not two years, but three, and that I now felt inclined to face the public. I soon received an answer, the result of which was that I went, on Lewes's invitation, to the Priory, North Bank, Regent's Park, and met my friend and his partner, better known as "George Eliot."

But, as the novelists say, I am anticipating. Sick to death, David Gray had returned to the cottage of his father, the hand-loom weaver, at Kirkintilloch, and there had peacefully passed away, leaving as his legacy to the world the volume of beautiful poems published under the auspices of Lord Houghton. I knew of his death the hour he died; awaking in my bed, I was certain of my loss, and spoke of it (long before the formal news reached me) to a temporary companion. This by the way; but what is more to the purpose is that my first grief for a beloved comrade had expressed itself in the words which were to form the "proem" of my first book--

Poet gentle hearted,
Are you then departed,
And have you ceased to dream the dream we loved of old so well?
Has the deeply-cherish'd
Aspiration perished,
And are you happy, David, in that heaven where you dwell?
Have you found the secret
We, so wildly, sought for,
And is your soul enswath'd at last in the singing robes you fought for?

Full of my dead friend, I spoke of him to Lewes and George Eliot, telling them the piteous story of his life and death. Both were deeply touched, and Lewes cried, "Tell that story to the public"; which I did, immediately afterwards, in the _Cornhill Magazine_. By this time I had my Twins ready, and had discovered a publisher for one of them, _Undertones_. The other, _Idyls and Legends of Inverburn_, was a ruggeder bantling, containing almost the first _blank verse_ poems ever written in Scottish dialect. I selected one of the poems, "Willie Baird," and showed it to Lewes. He expressed himself delighted, and asked for more. I then showed him the "Two Babes." "Better and better!" he wrote; "publish a volume of such poems and your position is assured." More than this, he at once found me a publisher, Mr. George Smith, of Messrs. Smith and Elder, who offered me a good round sum (such it seemed to me then) for the copyright. Eventually, however, after "Willie Baird" had been published in the _Cornhill_, I withdrew the manuscript from Messrs. Smith and Elder, and transferred it to Mr. Alexander Strahan, who offered me both more liberal terms and more enthusiastic appreciation.

It was just after the appearance of my story of David Gray in the _Cornhill_ that I first met, at the Priory, North Bank, with Robert Browning. It was an odd and representative gathering of men, only one lady being present, the hostess, George Eliot. I was never much of a hero-worshipper; but I had long been a sympathetic Browningite, and I well remember George Eliot taking me aside after my first _tete-a-tete_ with the poet, and saying, "Well, what do you think of him? Does he come up to your ideal?" He _didn't_ quite, I must confess, but I afterwards learned to know him well and to understand him better. He was delighted with my statement that one of Gray's wild ideas was to rush over to Florence and "throw himself on the sympathy of Robert Browning."

Phantoms of these first books of mine, how they begin to rise around me! Faces of friends and counsellors that have flown for ever; the sibylline Marian Evans with her long, weird, dreamy face; Lewes, with his big brow and keen thoughtful eyes; Browning, pale and spruce, his eye like a skipper's cocked-up at the weather; Peacock, with his round, mellifluous speech of the old Greeks; David Gray, great-eyed and beautiful, like Shelley's ghost; Lord Houghton, with his warm worldly smile and easy-fitting enthusiasm. Where are they all now? Where are the roses of last summer, the snows of yester year? I passed by the Priory to-day, and it looked like a great lonely Tomb. In those days, the house where I live now was not built; all up here Hampstead-ways was grass and fields. It was over these fields that Herbert Spencer and George Eliot used to walk on their way to Hampstead Heath. The Sibyl has gone, but the great Philosopher still remains, to brighten the sunshine. It was not my luck to know him _then_--would it had been!--but he is my friend and neighbour in these latter days, and, thanks to him, I still get glimpses of the manners of the old gods.

With the publication of my two first books, I was fairly launched, I may say, on the stormy waters of literature. When the _Athenaeum_ told its readers that "this was _poetry_, and of a noble kind," and when Lewes vowed in the _Fortnightly Review_ that even if I "never wrote another line, my place among the pastoral poets would be undisputed," I suppose I felt happy enough--far more happy than any praise could make me now. Poor little pigmy in a cockle-boat, I thought Creation was ringing with my name! I think I must have seemed rather conceited and "bounceable," for I have a vivid remembrance of a _Fortnightly_ dinner at the Star and Garter, Richmond, when Anthony Trollope, angry with me for expressing a doubt about the poetical greatness of Horace, wanted to fling a decanter at my head! It was about this time that an omniscient publisher, after an interview with me, exclaimed (the circumstance is historical), "I don't like that young man; he talked to me as if he was God Almighty, or _Lord Byron!_" But in sober truth, I never had the sort of conceit with which men credited me; I merely lacked gullibility, and saw, at the first glance, the whole unmistakable humbug and insincerity of the Literary Life. I think still that, as a rule, the profession of letters narrows the sympathy and warps the intelligence. When I saw the importance which a great man or woman could attach to a piece of perfunctory criticism, when I saw the care with which this Eminent Person "humoured his reputation," and the anxiety with which that Eminent Person concealed his true character, I found my young illusions very rapidly fading. On one occasion, when George Eliot was very much pestered by an unknown lady, an insignificant individual, who had thrust herself somewhat pertinaciously upon her, she turned to me and asked, with a smile, for my opinion? I gave it, rudely enough, to the effect that it was good for "distinguished people" to be reminded occasionally of how very small consequence they really were, in the mighty life of the World!

From that time until the present I have pursued the vocation into which fatal Fortune, during boyhood, incontinently thrust me, and have subsisted, ill sometimes, well sometimes, by a busy pen. I may, therefore, with a certain experience, if with little authority, imitate those who have preceded me in giving reminiscences of their first literary beginnings, and offer a few words of advice to my younger brethren--to those persons, I mean, who are entering the profession of Literature. To begin with, I entirely agree with Mr. Grant Allen in his recent avowal that Literature is the poorest and least satisfactory of all professions; I will go even further, and affirm that it is one of the least ennobling. With a fairly extensive knowledge of the writers of my own period, I can honestly say that I have scarcely met one individual who has not deteriorated morally by the pursuit of literary Fame. For complete literary success among contemporaries, it is imperative that a man should either have no real opinions, or be able to conceal such as he possesses, that he should have one eye on the market and the other on the public journals, that he should humbug himself into the delusion that book-writing is the highest work in the Universe, and that he should regulate his likes and dislikes by one law, that of expediency. If his nature is in arms against anything that is rotten in Society or in Literature itself, he must be silent. Above all, he must lay this solemn truth to heart, that when the World speaks well of him the World will demand the _price_ of praise, and that price will possibly be his living Soul. He may tinker, he may trim, he may succeed, he may be buried in Westminster Abbey, he may hear before he dies all the people saying, "How good and great he is! how perfect is his art! how gloriously he embodies the Tendencies of his Time!"[4] but he will know all the same that the price has been paid, and that his living Soul has gone, to furnish that whitewashed Sepulchre, a Blameless Reputation.

For one other thing, also, the Neophyte in Literature had better be prepared. He will never be able to subsist by creative writing unless it so happens that the form of expression he chooses is popular in form (fiction, for example), and even in that case, the work he does, if he is to live by it, must be in harmony with the social and artistic _status quo_. Revolt of any kind is always disagreeable. Three-fourths of the success of Lord Tennyson (to take an example) was due to the fact that this fine poet regarded Life and all its phenomena from the standpoint of the English public school, that he ethically and artistically embodied the sentiments of our excellent middle-class education. His great American contemporary, Whitman, in some respects the most commanding spirit of this generation, gained only a few disciples, and was entirely misunderstood and neglected by contemporary criticism. Another prosperous writer, to whom I have already alluded, George Eliot, enjoyed enormous popularity in her lifetime, while the most strenuous and passionate novelist of her period, Charles Reade, was entirely distanced by her in the immediate race for Fame. In Literature, as in all things, manners and costume are most important; the hall-mark of contemporary success is perfect Respectability. It is not respectable to be too candid on any subject, religious, moral, or political. It is very respectable to say, or imply, that this country is the best of all possible countries, that War is a noble institution, that the Protestant Religion is grandly liberal, and that social evils are only diversified forms of social good. Above all, to be respectable, one must have "beautiful ideas." "Beautiful ideas" are the very best stock-in-trade a young writer can begin with. They are indispensable to every complete literary outfit. Without them, the short cut to Parnassus will never be discovered, even though one starts from Rugby.

_BALDER'S BALL._

BY P. VON SCHOeNTHAN.

ILLUSTRATED BY J. GUeLICH.

Balder had begged me to give him a bed for the night. He was going to a ball that evening, and had business early the following morning in Berlin. He lived in such an out-of-the-way suburb that it would be quite impossible for him to go home to sleep. I was only too delighted to be of service to him. Although I could not offer him a bed, it would be easy to improvise a shakedown on which he could have a few hours' rest. I set to work at once, and did the best I could for him, using a bundle of rags for the pillows, and my old dressing-gown for the mattress. When Balder saw it, he declared that nothing could be more to his taste.