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In the above notes Chopin alludes to many of his compositions as well as relating the conditions under which they were written.

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indispensable to _students_ and to _public libraries_."

=GENERAL HISTORY OF MUSIC= from the Infancy of the Greek Drama to the Present. By W. S. ROCKSTRO. Fourth Edition, 535 pages. Thick 8vo, cloth, 21s. _net_.

=TREATISE ON BYZANTINE MUSIC.= By S. G. HATHERLEY. 208 Musical Examples. 162 pages, 4to, cloth, 25s. _net_.

There are upwards of 50 unabbreviated musical pieces, ancient and
modern, from Greek, Russian, Turkish and Egyptian sources, given
and fully analysed.

ORCHESTRAL.

=THE CHAMBER AND ORCHESTRAL WORKS OF JOHANNES BRAHMS. FIRST SERIES TO OP. 67.= Historical, Descriptive and Analytical Account of each Work treated in the order of the Opus number, and preceded by a Didactic Section. With Exhaustive Structural, Thematic and Rhythmical Analyses, and a complete Rhythmical Chart of each Movement. By EDWIN EVANS, Senior. With 435 music examples and tables. 8vo, cloth, 30s. _net_.

=THE CHAMBER AND ORCHESTRAL WORKS OF JOHANNES BRAHMS. SECOND SERIES, OP. 68 TO THE END.= By EDWIN EVANS, Senior. Uniform with the above. With 633 music examples and tables. 8vo, cloth, 30s. _net_.

The above two volumes are a complete technical account of the
chamber and orchestral music, with the exception of the two piano
concertos. They form a part of the Historical, Descriptive and
Analytical Account of the Entire Works of Brahms advertised on page
2.

=ORCHESTRAL AND BAND INSTRUMENTS.= A Short Account of the Instruments used in the Orchestra, and in Brass and Military Bands. By G. F. BROADHEAD, Mus.B. Dunelm, L.Mus.T.C.L. With 24 Illustrative Music Examples. 8vo, cloth, 5s. _net_ (paper, 3s. _net_).

=CONCISE METHOD OF INSTRUMENTATION.= How to Write for the Orchestra and Arrange an Orchestral or Band Score. Illustrated with Musical Examples and various large folding Charts and Index. By EDWIN EVANS, _Senior_, _author of_ "Beethoven's Nine Symphonies Fully Described and Analysed," etc. 8vo, cloth. Vol. I, 15s. _net_; Vol. II, 15s. _net_; Vol. I. How to Write for Strings, Arrangement of Scoring and Preparation of Parts. With Charts. Vol. II. How to "Write for Wood, Brass and Drums, and Arrange a Band Score. With large folding Charts."

=INSTRUMENTS AND ART OF THE ORCHESTRA.= An Introductory Study. With Table showing Range of each Instrument. By P. W. DE COURCY-SMALE, _Mus.Bac._ Cloth, 6s. _net_ (paper, 3s, 6d. _net_).

=ORCHESTRAL WIND INSTRUMENTS=, Ancient and Modern. Being an Account of the Origin and Evolution of Wind Instruments from the Earliest to the most Recent Times. Illustrated with Plates specially prepared for this Work, giving sixty-one Examples of Instruments (or parts) described. By ULRIC DAUBENY. Important original work fully illustrated with beautiful Reproductions taken from fine Photographs of the Actual Instruments. 8vo, cloth, 21s. _net_.

=HANDBOOK ON THE TECHNIQUE OF CONDUCTING.= By SIR ADRIAN BOULT. Seventh Edition, revised. 5s. _net_.

=PRACTICAL GUIDE FOR THE CONDUCTOR= and Useful Notes for the Orchestra. By F. W. DE MASSI-HARDMAN. With Music Examples and Diagrams. 3s. _net_.

=ART OF THE CONDUCTOR.= A Suggestive Guide to the Theory and Practice. With 41 Diagrams and Examples. By HECTOR BERLIOZ. Translated by J. BROADHOUSE. Cloth, 7s. 6d. _net_.

=A MUSICAL ZOO.= Twenty-four Illustrations displaying the Ornamental Application of Animal Forms to Musical Instruments (Violins, Viol da Gambas, Guitars, Pochette, Serpent, etc.) Drawn from the Carved Examples by HENRY SAINT-GEORGE. Cloth, 6s. _net_ (paper, 3s. 6d. _net_).

=THE FUTURE OF MUSIC.= Coming Changes Outlined in Regard to Composer, Conductor and Orchestra. By LOUIS LALOY. Translated by MRS. FRANZ LIEBICH. 8vo, cloth, 3s. 6d. _net_ (paper, 2s. _net_).

=HOW TO PLAY FROM SCORE.= Treatise on Accompaniment from Score on the Organ or Piano. By F. FETIS. Translated by A. WHITTINGHAM. With forty pages of Examples. Crown 8vo, cloth, 7s. 6d. _net_.

This popular and useful book might have been entitled "The Art of
Making Arrangements for the Organ or Pianoforte from Full
Orchestral and Other Scores." It contains all that is necessary to
know upon this subject.

=ON CONDUCTING.= By RICHARD WAGNER. Translated by E. DANNREUTHER. Fourth Edition. Crown 8vo, cloth, 7s. 6d. _net_.

WEINGARTNER, speaking of this celebrated work, says: "Wagner's book
laid the foundation for a new understanding of the function of the
conductor, in whom we now recognise, not only the eternal factor
that holds together an orchestral, choral or operatic performance,
but above all the spiritualising internal factor that gives the
performance its very soul."

_Grove's Dictionary_ says "One of the finest of his minor
publications, and to a professional musician perhaps the most
instructive. A Treatise on _Style_, giving his views as to the true
way of rendering classical music, with minute directions how to do
it and how not to do it, together with many examples in musical
type from the instrumental works of Beethoven, Weber, Mozart, etc."

=NOTES ON CONDUCTING AND CONDUCTORS.= By T. R. CROGER, _F.R.G.S., F.Z.S._, also the Organising and Conducting of Amateur Orchestras, with three full-page Illustrations of the various "Beats" and Plan of the Orchestra. Fifth Impression, Revised and Enlarged. Crown 8vo, cloth, 6s. _net_ (paper, 3s. _net_).

"A mine of good things."--_Musical Opinion._

"One of the best guides to conducting."--_Music Trades Review._

=ABOUT CONDUCTING.= Practical Advice on Concerts, Rehearsals, the Orchestra, Players, Scores and Parts, etc. by SIR HENRY WOOD (Conductor and Organiser of the Promenade Concerts). With two plans, crown 8vo, cloth, 5s. 6d. _net_.

ORGAN.

=TECHNICS OF THE ORGAN.= An Illuminative Treatise on many Points and Difficulties connected therewith. Special Treatment of Rhythm, Minimisation of the Use of Accessories, Extemporisation, Expressive Regulation of Organ Tone and Accompaniment. By EDWIN EVANS, Senior, F.R.C.O. With over 100 Music Examples. 4to, cloth, 12s. 6d. _net_.

A valuable Book to help a Moderate Player to become a Master.

=NEW ORGAN PRINCIPLES AND THEIR INTERPRETATION.= A Guide to and Suggestions on Phrasing and Registration with a view to improved Organ Playing. By TERENCE WHITE. With 54 music examples. Octavo, cloth, 6s. _net_ (paper covers, 3s. 6d. _net_).

=ORGAN OF THE ANCIENTS FROM EASTERN SOURCES= (Hebrew, Syriac and Arabic). By HENRY GEORGE FARMER, M.A., Ph.D., Carnegie Research Fellow. Foreword by CANON F. W. GALPIN. With numerous Illustrations. Square 8vo, cloth, 27s. 6d. _net_.

"An authoritative treatment of the subject."--_Grove's Dictionary._

=TECHNICS OF ORGAN TEACHING.= A Handbook which treats of Special Points in Organ Teaching Examinations, together with Test Questions. By R. A. JEVONS. 8vo, cloth, 6s. _net_ (paper, 3s. 6d. _net_).

=ART OF ORGAN ACCOMPANIMENT IN THE CHURCH SERVICES.= What to Do and what to Avoid: being a Guide to the Organist in the effective rendering of the Music. By WALTER L. TWINNING, _F.R.C.O._, author of "Examination Test Questions," etc. Cloth, 6s. _net_ (paper covers, 3s. 6d. _net_).

=MODERN ORGAN BUILDING.= Being a Practical Explanation and Description of the Whole Art of Organ Construction, with Especial Regard to Pneumatic Action. Together with Chapters on Tuning, Voicing, etc. By WALTER and THOMAS LEWIS (_Organ Builders_). =Third edition=, with additional matter and Diagrams added, covering the latest developments in electrical control, unit chest, etc., and organ blowing. 116 illustrations, including 76 drawn to scale and reproduced from actual working drawings, together with diagrams, tables, etc. xxix, 247 pages, 4to, cloth.

=THE ORGAN AS VIEWED FROM WITHIN.= A Practical Handbook on the Mechanism of the Organ. By JOHN BROADHOUSE. With over fifty Illustrations. Second Impression. Crown 8vo, cloth, 8s. 6d. _net_.

=THE PEDAL ORGAN.= Its History, Design and Control. By THOMAS CASSON. With folding Diagram. Second Impression. 8vo, cloth, 6s. _net_.

=THE EARLY ENGLISH ORGAN BUILDERS= and their Works, from the Fifteenth Century to the Period of the Great Rebellion. An Unwritten Chapter on the History of the Organ. By DR. E. F. RIMBAULT. Well printed, with Woodcuts. Post 8vo, cloth, 7s. 6d. _net_.

=THE ORGAN=: A Comprehensive Treatise on its Structure, Capabilities, History and Bibliography. With Criticisms and Depositories, preceded by an Analytical Consideration of general Bibliographical and Catalogual Construction. By J. W. WARMAN, _late Organist of the Anglican Cathedral, Quebec_. Four parts [A to Nou. (the rest unprinted)], 15s. _net_.

The parts advertised above are all that have been published, as the
untimely death of Mr. Warman prevented the completion of the work.
The book is a mine of wealth for those interested in organ
subjects. The author devoted the best part of his life in compiling
the work and collecting material for his subject.

=SOME CONTINENTAL ORGANS= (Ancient and Modern) and their Makers. With Specifications of many of the fine Examples in Germany and Switzerland. By JAMES I. WEDGEWOOD. Post 8vo, cloth, 6s. 6d. _net_.

Contains specification and a brief _critique_ of some of the famous
old Continental organs. Describes also several up-to-date
Continental organs. Amongst others particulars are given of those
at Haarlem, Cologne, Aix-la-Chapelle, Frankfort, Heidelberg, Ulm,
Stuttgart, Einsiedeln, Strassburg and Antwerp. This work forms a
valuable supplement to Hopkins's and Rimbault's great treatise.

=MODERN ORGAN TUNING=, The How and Why, Clearly Explaining the Nature of the Organ Pipe and the System of Equal Temperament, together with an Historic Record of the Evolution of the Diatonic Scale from the Greek Tetrachord. By HERMANN SMITH. Crown 8vo, cloth, 7s. 6d. _net_.

"The greatest authority on acoustical matters connected with organ
pipes who has ever lived," says Mr. G. A. Audsley of Hermann Smith
in his "Art of Organ Building."

=THE TEMPLE EDITION OF ORGAN OVERTURES AND ARRANGEMENTS=, all with Ped. Obb. 3s. _net_ each.

See page 25 for list of about sixty works in this series, including
works by Wagner, Tchaikovsky, Beethoven, Mozart, Handel, Berlioz,
Glinka, Schubert, Gounod, Herold, Mendelssohn, Meyerbeer, Balfe,
Auber, Rossini, Weber, Wallace, Suppe, Adam, Thomas, Nicolai,
Sterndale-Bennett, Cornelius and Flotow, chiefly arranged by Edwin
Evans.

=THE INFLUENCE OF THE ORGAN IN HISTORY.= By DUDLEY BUCK. Fresh issue with Illustrations. Crown 8vo, cloth, 4s. _net_ (or paper, 2s. _net_).

=ORGANIST'S REPERTOIRE GUIDE.= An International Repertoire Guide (Historical, Educational and Descriptive) to Foreign, British and American Works. By HERBERT WESTERBY, B.B.C. Organ Recitalist (_author of_ "Liszt, Composer, and his Piano Works"). 4to, cloth, 17s. 6d. _net_.

Describes the best Organ Music of foreign countries as well as of
Britain and America.

A large and beautifully presented quarto work, fully illustrated by
thirty-six plates on fine art paper, comprising seven English and
sixteen foreign organs, thirty-one portraits, and illustrations of
the houses of Bach and Handel.

=REFORM IN ORGAN BUILDING.= By THOMAS CASSON. Crown 8vo, sewed, 2s. 6d. _net_.

=TUTOR FOR THE AMERICAN ORGAN AND HARMONIUM.= By W. F. TAYLOR. 4to, 2s. 6d. _net_.

=THE BYRD ORGAN BOOK=, for Piano or Organ. A Collection of 21 Pieces (Pavans, Galliards, etc.), by William Byrd, 1543-1623, edited from the Virginal MSS., and now first published in Modern Notation. By M. H. GLYN, 7s. 6d.

"A charming collection."--_West Sussex Gazette._

=ADVICE TO YOUNG ORGANISTS.= By J. T. FIELD. 6d. _net_.

=THE ORGAN FIFTY YEARS HENCE.= A Study of its Development in the Light of its Past History and Present Tendencies. By FRANCIS BURGESS, _F.S.A._, _Scot._ 8vo, 2s. _net_.

THE TEMPLE EDITION OF ORGAN OVERTURES. (3 Staves).

Arranged from Full Score by Edwin Evans, Senr. (except where other wise stated).

Price 3/-_net_ each.

=ATHALIE= (Mendelssohn).
=BARBER OF BAGDAD= (Peter Cornelius).
=BEATRICE AND BENEDICT= (Berlioz).
=BENVENUTO CELLINI= (Berlioz).
=BOHEMIAN GIRL= (Balfe).
=CALM SEA AND PROSPEROUS VOYAGE= (Mendelssohn).
=CARNAVAL ROMAIN= (Berlioz).
=CORSAIR= (Berlioz).
=CROWN DIAMONDS= (Auber).
=EGMONT= (Beethoven).
=EURYANTHE= (Weber).
=FAUST= (Gounod).
=FAUST= (Wagner).
=FESTIVAL OVERTURE= (Tschaikowsky).
=FIGARO= (Mozart).
=FINALE= (Rubinstein's Sonata, Op. 12).
=FLYING DUTCHMAN= (Wagner).
=FRA DIAVOLO= (Auber).
=FREISCHUTZ= (Weber). A. Whittingham.
=ISABELLA= (Suppe).
=ITALIANA= (Rossini).
=KING LEAR= (Berlioz).
=KING STEPHEN= (Beethoven). P. J. Mansfield.
=LA CLEMENZA DI TITO= (Mozart). P. J. Mansfield.
=L'AFRICAINE= (Meyerbeer).
=LA REINE DE SABA= (Gounod).
=LARGO= from Beethoven's Sonata in E flat. W. A. C. Cruikshank.
=LE SONGE D'UNE NUIT D'ETE= (Thomas).
=LIFE FOR THE CZAR= (Glinka).
=LIGHT CAVALRY= (Suppe).
=LOHENGRIN= (Wagner).
=LURLINE= (Wallace).
=MAGIC FLUTE= (Mozart).
=MARITANA= (Wallace).
=MASANIELLO= (Auber).
=MEISTERSINGERS= (Wagner).
=MERRY WIVES OF WINDSOR= (Nicolai).
=MIDSUMMER NIGHT'S DREAM= (Mendelssohn).
=MIGNON= (A. Thomas).
=NAIADES, THE= (Sterndale Bennett).
=OBERON= (Weber). A. Whittingham.
=OTHO= (Handel). W. A. C. Cruikshank.
=1812 OVERTURE= (Tschaikowsky).
=POET AND PEASANT= (Suppe).
=PARSIFAL= (Wagner).
=RAYMOND= (Thomas).
=RIENZI= (Wagner).
=ROSAMUNDE= (Schubert).
=RUY BLAS= (Mendelssohn).
=SCIPIO= (Handel).
=SEMIRAMIDE= (Rossini).
=SI J'ETAIS ROI= (Adam).
=SIRENE, LA= (Auber).
=SON AND STRANGER= (Mendelssohn). W. A. C. Cruikshank.
=STRADELLA= (Flotow).
=TANCREDI= (Rossini).
=TANNHAUSER= (Wagner).
=TRISTAN AND ISOLDA= (Wagner).
=WAVERLEY= (Berlioz).
=WILLIAM TELL= (Rossini). A. Whittingham.
=ZAMPA= (Herold).

PIANO SOLO OVERTURES.

Price 2/-_net_ each.

=BOHEMIAN GIRL= (Balfe).
*=CALIPH OF BAGDAD= (Boieldieu).
=CROWN DIAMONDS= (Auber).
=DER FREYSCHUTZ= (Weber).
=DON GIOVANNI= (Mozart).
=DONNA DEL LAGO= (Rossini).
=FRA DIAVOLO= (Auber).
=GUY MANNERING= (Sir H. R. Bishop).
=IDOMENEO= (Mozart).
=IL BARBIERE= (Rossini).
*=IL TANCREDI= (Rossini).
=LIGHT CAVALRY= (Suppe).
=MAGIC FLUTE= (Zauberfloete), (Mozart).
=MARITANA= (Wallace).
=MASANIELLO= (Auber).
*=MERRY WIVES OF WINDSOR= (Nicolai).
=MIGNON OVERTURE= (A. Thomas).
=NOZZE DE FIGARO= (Mozart).
*=POET AND PEASANT= (Suppe).
=RAYMOND= (Thomas).
=SEMIRAMIDE= (Rossini).
=WILLIAM TELL= (Rossini).
*=ZAMPA= (Herold).

* Also arranged as Duet (piano, 4 hands), price 2/6 _net_.

PIANOFORTE.

=THE PIANO WORKS OF BRAHMS.= By EDWIN EVANS, _Senior_. Historical, Descriptive and Analytical Account of each Work treated in the Order of the Opus number, and preceded by a Didactic Section. 8vo, cloth, 30s. _net_.

The above volume is a complete technical account of the piano
works. It forms a part of the Historical, Descriptive and
Analytical Account of the Entire Works of Brahms advertised on page
2.

=HOW TO PLAY BACH'S 48 PRELUDES AND FUGUES.= A Guide Book for the use of Piano Students as an aid to the Unravelling and Interpretation of these Masterpieces, ensuring a more Intelligent Keyboard Rendering. By C. W. WILKINSON. Crown 8vo, cloth, 10s. _net_.

=NATURAL TECHNICS IN PIANO MASTERY.= A Complete and Authoritative Manual, covering every phase of Piano Playing and Study. Many Diagrams of Hand and Finger Technique and some Music Examples. By JACOB EISENBERG. Crown 8vo, cloth, 12s. 6d. _net_.

=PARTHENIA=, or the First Musick ever printed for the Virginals. 21 Compositions by three Famous 16th and 17th century Masters, William Byrd, Dr. John Bull and Orlando Gibbons. Arranged for the Piano and freed from the errors of Dr. Rimbault's edition by accurate comparison with the original text by MARGARET H. GLYN. Folio, 12s. 6d. _net_.

This edition of "Parthenia" has been entirely re-engraved.

=THE APPROACH TO LISZT.= A Course of Modern Tonal-Technique for the Piano, in the form of Graded Studies from the Moderately Difficult to the Master Stage. By HERBERT WESTERBY, _Mus.Bac. Lond., F.R.C.O., etc._ Folio, 5s. 6d. _net_.

Preliminary Studies in Touch and Phrasing in all Keys. Based on the
Scales and Broken Chords.

Intermediate Studies in Sequential, Wrist and Preparatory Arpeggio
Work in the Black and White Key Positions.

Advanced Sequential Studies on the Black Keys, with Sixteen
Excerpts from Liszt's Piano Works. The Master Works: Fifty-eight
Excerpts from Liszt.

=THE ART OF TUNING THE PIANOFORTE.= A New Comprehensive Treatise to enable the Musician to Tune his Piano upon the System founded on the Theory of Equal Temperament. By HERMANN SMITH. New Edition, thoroughly Revised. Crown 8vo, limp cloth, 6s. _net_.

=ESSENTIALS IN PIANO-PLAYING=, and other Musical Studies. By J. ALFRED JOHNSTONE, Hon. L.Mus., T.C.L. Portrait, 243 pages. Crown 8vo, cloth, 10s. _net_.

=EXTEMPORISING AT THE PIANO MADE EASY.= A Manual for Beginners in Musical Composition. Hints and Aids for the "From Brain to Keyboard" Composer. By REV. E. H. MELLING, _F.R.C.O._ 8vo, limp cloth, 3s. 6d. _net_ (paper 2s. _net_).

=INDIVIDUALITY IN PIANO TOUCH.= By ALGERNON H. LINDO and J. ALFRED JOHNSTONE. Crown 8vo, 2s. 6d. _net_.

=THE ARTIST AT THE PIANO.= Essays on the Art of Musical Interpretation. By GEORGE WOODHOUSE. New and Revised Edition. Portrait of Paderewski. 8vo, cloth, 5s. 6d. _net_.

The celebrated pianist, Paderewski, after reading the manuscript of
this stimulating volume, wrote: "The booklet is quite a remarkable
work and a really valuable contribution to the philosophy of
pianistic art."

=THE STUDENT'S GUIDE TO THE ART OF TEACHING THE PIANOFORTE.= By CYRIL R. H. HORROCKS, L.R.A.M., L.T.C.L., A.R.C.M. With an Extensive and Carefully Graded List of Studies and Course of the Great Masters. Numerous Musical Examples. Second edition, Revised. Crown 8vo, cloth, 10s. _net_.

Until quite recently it was thought impossible to give practical
instructions on the art of teaching, but the error of this idea has
been proved by the great success of the teachers' class at the
various musical institutions. The author's aim is to supply a
guide-book expressly for beginners and those with limited
experience in the art.

=PIANOFORTE TEACHER'S GUIDE.= By L. PLAIDY. Translated by FANNY RAYMOND RITTER. Crown 8vo, boards, 3s. _net_ (paper, 2s. _net_).

"Some of the finest pianists of the day owe much of their technical
facility to Plaidy's excellent method."--_Bazaar._

=CANDIDATE'S SCALE AND ARPEGGIO TESTS= for the Piano. In the Primary, Elementary and Junior Grades of all Local Examinations in Music, and the Higher and Lower Divisions of the Associated Board of the R.A.M. and R.C.M. By WILSON MANHIRE. 1s. _net_.

=TECHNICAL STUDY IN THE ART OF PIANOFORTE PLAYING= (Deppe's Principles). By C. A. EHRENFECHTER. With numerous Illustrations. Fourth Edition. Crown 8vo, cloth, 6s. _net_.

CONTENTS: Position--Arm--Wrist--Fingers; Touch (Tone Production);
Legato; Equality of Tone; Tension and Contraction; Five Finger
Exercises; Skips; The Scale; Arpeggio Chords; Firm Chords; High
Raising of the Arm; Melody and its Accompaniment; Connection of
Firm Chords; The Tremolo: The Shake (Trill); The Pedal; Fingering.

=HOW TO ACCOMPANY AT THE PIANO.= By EDWIN EVANS. (Plain Accompaniment, Figurated Accompaniment, Practical Harmony for Accompanists). 172 Music Examples which are made Clear by the Explanatory Text. Crown 8vo, cloth, 10s. _net_.

=GRADUATED SCALE AND ARPEGGIO MANUAL.= Compiled for the various Exams. By HENRY SAINT-GEORGE. 3s. _net_.

=A SYSTEM OF STUDY OF SCALES AND CHORDS.= Being Chapters on the Elements of Pianoforte Technique. By B. VINE WESTBROOK, F.R.C.O. Numerous Examples. New and Revised edition. 8vo, 3s. _net_.

The author outlines a scheme which abolishes the drudgery and
inspires the pupil with an enthusiasm for practice and formulates a
method or system in which that practice may be carried out.

=PIANO CLASSES IN ELEMENTARY SCHOOLS.= By AUDREY KING. With Music Examples. Crown 8vo, 1s. _net_.

=HOW TO PLAY 110 FAVOURITE PIANO SOLOS.= Being the 4 Series complete in 1 vol. of "Well-Known Piano Solos: How to Play them with Understanding, Expression and Effect." By CHARLES W. WILKINSON. Crown 8vo, cloth, 12s. 6d. _net_.

=WELL-KNOWN PIANO SOLOS.= How to Play them with Understanding, Expression and Effect. By C. W. WILKINSON. Four Series, 2s. each (each series containing about 26 articles), or four in one vol. as above.

Contents of the First Series:--SINDING, Rustle of Spring.
SCARLATTI, Pastorale le Capriccio. PADEREWSKI, Minuet in G. HANDEL,
Harmonious Blacksmith. RUBINSTEIN, Melody in F. SCHARWENKA, Polish
Dance. SCHUMANN, Nachtstuecke. GODARD, Mazurka. DELIBES, Pizzicati
from Sylvia. GRIEG, Wedding Day at Troldhangen. ELGAR, Salut
d'Amour. PADEREWSKI, Melodie. RAFF, La Fileuse. TCHAIKOVSKY,
Troika. GODARD, Berger et Bergeres. CHAMINADE, Pierrette.
MOSZKOWSKI, Etincelles. PADEREWSKI, Minuet in A major. GRIEG,
Norwegian Bridal Procession. LISZT, Regata Veneziana. CHAMINADE,
Automne. MOSZKOWSKI, Serenata. LACK, Valse Arabesque. SCHUMANN,
Arabeske. CHOPIN, Etude in G flat. DURAND, First Valse.

Draws one's attention to the beauties in a piece, explains
difficulties here and there, draws attention to a pedal effect and
any peculiarity of fingering, and generally gives all the
information a professor is expected to give to his pupils.

=DELIVERY IN THE ART OF PIANOFORTE PLAYING=, On Rhythm, Measure, Phrasing, Tempo. By C. A. EHRENFECHTER. Second Edition. Crown 8vo, cloth, 6s. _net_.

"The section with reference to accent is particularly good. There
are numerous illustrations from the works of the masters."--W. H.
WEBBE in _The Pianist's A. B. C._

=PIANO TOUCH, PHRASING AND INTERPRETATION.= By J. Alfred Johnstone. Crown 8vo, cloth, 7s. 6d. _net_.

=PRACTICE REGISTER= for Pupil's Daily Practice. A Specimen, 1d. (or 2s. 6d. per 100).

=REEVES' VAMPING TUTOR.= Art of Extemporaneous Accompaniment, or Playing by Ear on the Pianoforte, Rapidly Enabling anyone having an Ear for Music (with or without any Knowledge of Musical Notation) to Accompany with Equal Facility in any Key. Practical Examples. By FRANCIS TAYLOR. New Edition, to which is added Instructions for Accompaniment with Equal Facility in every Key illustrated by Examples. Folio, 2s. _net_.

=THE DEPPE FINGER EXERCISES= for Rapidly Developing an Artistic Touch in Pianoforte Playing, Carefully Arranged, Classified and Explained by AMY FAY (Pupil of Tausig, Kullak, Liszt and Deppe). Folio, English or Continental Fingering, 2s. _net_.

=INTRODUCTION TO RUSSIAN PIANO MUSIC.= By HERBERT WESTERBY, Mus.Bac.Lond., F.R.C.O., L.Mus.T.C.L., 1s. _net_.

=REEVES' POPULAR PIANOFORTE TUTOR.= Rudiments of Music, Exercises with Popular Airs, Major and Minor Scales. With Illustration of Fingerboard. Folio, 2s. 6d. _net_.

TECHNICAL AND THEORETICAL.

=ESSENTIALS IN MUSIC STUDY FOR EXAMINATIONS.= A Helpful Guide both for the General Student and Candidates for Junior and Intermediate Examinations. By REV. E. H. MELLING, F.R.C.O. Cloth, 5s. _net_ (paper covers, 2s. 6d. _net_).

Rev. E. H. Melling is the author of several popular works which
have been found of great use to music students--"Guide for the
Young Composer," "Extemporising at the Piano made Easy," etc.

=GUIDE FOR THE YOUNG COMPOSER.= Hints on the Art of Composition, with Examples of Easy Application. By REV. E. H. MELLING, F.R.C.O. Cloth, 5s. _net_ (paper covers, 2s. 6d. _net_).

=EXAMINATION TEST QUESTIONS.= Containing spaces for the Pupils' Written Answers. By WALTER L. TWINNING, F.R.C.O. No. 1, Musical Notation and Time; No. 2, Formation of Scales; No. 3, Ornaments; No. 4, Intervals, 9d. _net_ each.

=THEORY OF MUSIC FOR YOUNG MUSICIANS.= With Answers given to all the Questions, and a Dictionary of necessary Musical Terms. By MARY SHARP. Limp cloth, 2s. 6d. _net_ (paper covers, 1s. 6d. _net_).

=102 TEST QUESTIONS ON THE GENERAL RUDIMENTS OF MUSIC.= In Groups of Six each Lesson, for Written or Oral Use. By WILSON MANHIRE, L.R.A.M. 6d. _net_.

=PRIMARY COURSE IN THE RUDIMENTS OF MUSIC=, With Hints on Answering Questions (Written Work) for All Examinations in the Primary, Elementary and Preparatory Grades. By WILSON MANHIRE, L.R.A.M., etc. 2s. _net_.

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