Chapter V (1)

The Italian singing-master was a peculiar man, and well worthy of a few words in description. He was tall and thin, but well built; and his face had probably once been very handsome, in that Italian style, which, by the exaggeration of age, grows so soon into ugliness. The nose was now large and conspicuous, the eyes bright, black, and twinkling, the mouth good in shape, but with an animal expression about it, the ear very voluminous.

He was somewhat more than fifty years of age, and his hair was speckled with gray; but age was not apparent in wrinkles and furrows, and in gait he was firm and upright.

At first Sir Philip Hastings did not like him at all. He did not like to have him there. It was against the grain he admitted him into the house. He did it, partly because he thought it right to yield in some degree to the wishes of his wife; partly from a grudging deference to the customs of society.

But the Signor was a shrewd and world-taught man, accustomed to overcome prejudices, and to make his way against disadvantages; and he soon established himself well in the opinion of both father and mother. It was done by a peculiar process, which is well worth the consideration of all those who seek _les moyens de parvenir_.

In his general and ordinary intercourse with his fellow-men, he had a happy middle tone,--a grave, reticent manner, which never compromised him to anything. A shrewd smile, without an elucidatory remark, served to harmonize him with the gay and vivacious; a serious tranquillity, unaccompanied by any public professions, was enough to make the sober and the decent rank him amongst themselves. Perhaps that class of men--whether pure at heart or not--have always overestimated decency of exterior.

All this was in public however. In private, in a _tete-a-tete_, Signor Guardini was a very different man. Nay more, in each and every _tete-a-tete_ he was a different man from what he appeared in the other. Yet, with a marvelous art, he contrived to make both sides of his apparent character harmonize with his public and open appearance. Or rather perhaps I should say that his public demeanor was a middle tint which served to harmonize the opposite extremes of coloring displayed by his character. Nothing could exemplify this more strongly than the different impressions he produced on Sir Philip and Lady Hastings. The lady was soon won to his side. She was predisposed to favor him; and a few light gay sallies, a great deal of conventional talk about the fashionable life of London, and a cheerful bantering tone of persiflage, completely charmed her. Sir Philip was more difficult to win. Nevertheless, in a few short sentences, hardly longer than those which Sterne's mendicant whispered in the ear of the passengers, he succeeded in disarming many prejudices. With him, the Signor was a stoic; he had some tincture of letters, though a singer, and had read sufficient of the history of his own land, to have caught all the salient points of the glorious past.

Perhaps he might even feel a certain interest in the antecedents of his decrepit land--not to influence his conduct, or to plant ambitious or nourish pure and high hopes for its regeneration--but to waken a sort of touch-wood enthusiasm, which glowed brightly when fanned by the stronger powers of others. Yet before Sir Philip had had time to communicate to him one spark of his own ardor, he had as I have said made great progress in his esteem. In five minutes' conversation he had established for himself the character of one of a higher and nobler character whose lot had fallen in evil days.

"In other years," thought the English gentleman, "this might have been a great man--the defender unto death of his country's rights--the advocate of all that is ennobling, stern, and grand."

What was the secret of all this? Simply that he, a man almost without character, had keen and well-nigh intuitive perceptions of the characters of others; and that without difficulty his pliable nature and easy principles would accommodate themselves to all.

He made great progress then in the regard of Sir Philip, although their conversations seldom lasted above five minutes. He made greater progress still with the mother. But with the daughter he made none--worse than none.

What was the cause, it may be asked. What did he do or say--how did he demean himself so as to produce in her bosom a feeling of horror and disgust toward him that nothing could remove?

I cannot tell. He was a man of strong passions and no principles: that his after--perhaps his previous--life would evince. There is a touchstone for pure gold in the heart of an innocent and highminded woman that detects all baser metals: they are discovered in a moment: they cannot stand the test.

Now, whether his heart-cankering corruption, his want of faith, honesty, and truth, made themselves felt, and were pointed out by the index of that fine barometer, without any overt act at all--or whether he gave actual cause of offense, I do not know--none has ever known.

Suddenly, however, the gay, the apparently somewhat wayward girl, now between fifteen and sixteen, assumed a new character in her father's and mother's eyes. With a strange frank abruptness she told them she would take no more singing lessons of the Italian; but she added no explanation.

Lady Hastings was angry, and expostulated warmly; but the girl was firm and resolute. She heard her mother's argument, and answered in soft and humble tones that she would not,--could not learn to sing any longer--that she was very sorry to grieve or to offend her mother; but she had learned long enough, and would learn no more.

More angry than before, with the air of indignant pride in which weakness so often takes refuge, the mother quitted the room; and the father then, in a calmer spirit, inquired the cause of her resolution.

She blushed like the early morning sky; but there was a sort of bewildered look upon her face as she replied, "I know no cause--I can give no reason, my dear father; but the man is hateful to me. I will never see him again."

Her father sought for farther explanation, but he could obtain none. Guardini had not said anything nor done anything, she admitted, to give her offense; but yet she firmly refused to be his pupil any longer.

There are instincts in fine and delicate minds, which, by signs and indications intangible to coarser natures, discover in others thoughts and feelings, wishes and designs, discordant--repugnant to themselves. They are instincts, I say, not amenable to reason, escaping analysis, incapable of explanation--the warning voice of God in the heart, bidding them beware of evil.

Sir Philip Hastings was not a man to allow aught for such impulses--to conceive or understand them in the least. He had been accustomed to delude himself with reasons, some just, others very much the reverse, but he had never done a deed or entertained a thought for which he could not give some reason of convincing power to his own mind.

He did not understand his daughter's conduct at all; but he would not press her any farther. She was in some degree a mysterious being to him. Indeed, as I have before shown, she had always been a mystery; for he had no key to her character in his own. It was written in the unknown language.

Yet, did he love or cherish her the less? Oh no! Perhaps a deeper interest gathered round his heart for her, the chief object of his affections. More strongly than ever he determined to cultivate and form her mind on his own model, in consequence of what he called a strange caprice, although he could not but sometimes hope and fancy that her resolute rejection of any farther lessons from Signor Guardini arose from her distaste to what he himself considered one of the frivolous pursuits of fashion.

Yet she showed no distaste for singing; for somehow every day she would practice eagerly, till her sweet voice, under a delicate taste, acquired a flexibility and power which charmed and captivated her father, notwithstanding his would-be cynicism. He was naturally fond of music; his nature was a vehement one, though curbed by such strong restraints; and all vehement natures are much moved by music. He would sit calmly, with his eyes fixed upon a book, but listening all the time to that sweet voice, with feelings working in him--emotions, thrilling, deep, intense, which he would have felt ashamed to expose to any human eye.

All this however made her conduct toward Guardini the more mysterious; and her father often gazed upon her beautiful face with a look of doubting inquiry, as one may look on the surface of a bright lake, and ask, What is below?

That face was now indeed becoming very beautiful. Every feature had been refined and softened by time. There was soul in the eyes, and a gleam of heaven upon the smile, besides the mere beauties of line and coloring. The form too had nearly reached perfection. It was full of symmetry and grace, and budding charms; and while the mother marked all these attractions, and thought how powerful they would prove in the world, the father felt their influence in a different manner: with a sort of abstract admiration of her loveliness, which went no further than a proud acknowledgment to his own heart that she was beautiful indeed. To him her beauty was as a gem, a picture, a beautiful possession, which he had no thought of ever parting with--something on which his eyes would rest well pleased until they closed forever. How blessed he might have been in the possession of such a child could he have comprehended her--could he have divested his mind of the idea that there was something strange and inharmonious in her character! Could he have made his heart a woman's heart for but one hour, all mystery would have been dispelled; but it was impossible, and it remained.

No tangible effect did it produce at the time; but preconceptions of another's character are very dangerous things. Everything is seen through their medium, everything is colored and often distorted. That which produced no fruit at the time, had very important results at an after period.

But I must turn now to other scenes and more stirring events, having I trust made the reader well enough acquainted with father, mother, and daughter, at least sufficiently for all the purposes of this tale. It is upon the characters of two of them that all the interest if there be any depends. Let them be marked then and remembered, if the reader would derive pleasure from what follows.

TO BE CONTINUED.

[From "The Album." Manchester, November, 1850.]

THE POET'S LOT.

BY PHILIP JAMES BAILEY, AUTHOR OF "FESTUS," ETC.

Nature in the poet's heart is limned
In little, as in landscape stones we see
The swell of land, and groves, and running streams,
Fresh from the wolds of Chaos; or perchance
The imaged hint of antemundane life,--
A photograph of preexistent light,--
Or Paradisal sun. So, in his mind
The broad conditions of the world are graven,
Thoroughly and grandly; in accord wherewith
His life is ruled to be, and eke to bear.
Wisdom he wills not only for himself,
But undergoes the sacred rites whereby
The privilege he hath earned he may promulge,
And all men make the partners of his light.
Between the priestly and the laic powers
The poet stands, a bright and living link;
Now chanting odes divine and sacred spells--
Now with fine magic, holy and austere,
Inviting angels or evoking fiends;
And now, in festive guise arrayed, his brow
With golden fillet bounden round--alone,
Earnest to charm the throng that celebrates
The games now--now the mysteries of life,
With truths ornate and Pleasure's choicest plea.
Thus he becomes the darling of mankind,
Armed with the instinct both of rule and right,
And the world's minion, privileged to speak
When all beside, the medley mass, are mute:
Distills his soul into a song--and dies.

THE COUNT MONTE-LEONE: OR, THE SPY IN SOCIETY.[6]

TRANSLATED FOR THE INTERNATIONAL MONTHLY MAGAZINE FROM THE FRENCH OF H. DE ST. GEORGES.

_Continued from Page 512._

[6: Entered according to Act of Congress, in the year 1850, by
Stringer & Townsend, in the Clerk's office of the District Court of
the United States, for the Southern District of New York.]

BOOK SECOND.--THE VIPER'S NEST.

Rightly enough had the young girl been called "The White Rose of Sorrento." Monte-Leone had based on her his most ardent hopes and tenderest expectations. Nothing in fact could be more angelic than the expression of her face. She seemed the _virgo immaculata_ of Rubens, the _virgo_ of divine love. What would first attract attention at Aminta's appearance was a marble pallor, the paleness of that beautiful marble of Carara, in which when Canova had touched it the blood seemed to rush to the surface and circulate beneath the transparent flesh of the great master.

We must however say that beneath the long lids of the young Neapolitan, the observer would have discovered an expression of firmness and decision rarely found in so young a girl. Any one who examined her quickly saw that in her frail and delicate frame there was a soul full of energy and courage, and that if it should ever be aroused, what she wished must be, _God willing_. Nothing in nature is more persevering and irresistible than woman's will, especially if the woman be an Italian.

Antonia Rovero, the mother of Aminta and Taddeo, was the widow of a rich banker of Naples, devoted to the cause of Murat, and had been created by the late king one of his senators and then minister of finances. In this last office M. Rovero died, and his widow, after having received every kindness from Murat, retired to Sorrento. Taddeo then felt an interest in everything which had a tendency to overturn the government of Fernando IV. The restoration of the latter had crushed his ambition and broken his fortunes. On that account he had become one of the Pulcinelli whom we have described in the last book.

While this well-beloved son of an affectionate mother, this brother so idolized by an affectionate sister, languished perhaps like Monte-Leone, Madame Rovero and her daughter in their quiet retreat fancied that Taddeo was enjoying at Naples all the pleasures of the Carnival and abandoning himself to all the follies of that day of pleasure. Sometimes, however, as the sun set on the hills of Sorrento, Aminta said to her mother, "Taddeo forgets us. It is not pleasant to enjoy this beautiful day without him. Were we three together, how delicious it would be!" Then Aminta would take a volume of Alfieri, her favorite author, and wander alone amid the fields.

The day on which the scene we are about to describe happened was one of those burning ones, which make us even in winter fancy that an eternal spring exists in that heaven-protected land. We may add that the winter of 1816 was peculiar even in Italy, and that the sun was so warm and the heat so genial that nature under their influence put on the most luxuriant vegetation. The favorite haunt of Aminta was a green hill, behind which was a pretty and simple house, the cradle of one of the most wonderful geniuses of the world. This genius was Tasso. A bust of the poet in _terra cotta_ yet adorned the facade of the house, which though then in ruins has since been rebuilt. At that time the room of the divine yet unfortunate lover of Leonora did not exist--the sea had swept over it. Admirers of the poet yet however visited the remnants of his habitation. The tender heart of Aminta yet paid a pious worship to them, and "The White Rose of Sorrento" went toward "The House of Tasso." Aminta's mother was always offended when she indulged in such distant excursions.

She did not however go alone. A singular being accompanied her. This being was at once a man and a reptile. His features would have denoted the age of sixteen. They were the most frightful imaginable. A forehead over which spread a few reddish hairs; a mouth almost without teeth; small eyes, sad and green, which were however insupportably bright when they were lit up by anger; long and bony arms; legs horribly thin; a short and square bust,--all united to make a being so utterly ungraceful, so inhuman, that the children of the village had nicknamed him _Scorpione_--so like that reptile's was his air. The _morale_ of Scorpione was worthy of his _physique_. The true name of this child was Tonio. Being the son of Aminta's nurse, he had never in his life been separated from her, and seemed to grow daily more ugly as she became more beautiful. He became so devoted to Aminta that he never left her. This whimsical intimacy was not that of children, the attachment of brother and sister, but that of the intellectual and brute being, of the master and dog. He was the dog of Aminta. He accompanied and watched over her in all her long walks. Did a dangerous pass occur, he took her up and carried her across the pool or torrent, so that not a drop of water touched her. If any one chanced to meet her and sought to speak to her, he first growled, and then having looked at Aminta, made the bold man understand that like a mastiff he would protect her against all assailants.

During the winter evenings when Aminta read to her mother, Tonio lying at the fair reader's feet, warmed them in his bosom, where she suffered them to remain with as much carelessness as she would have let them rest on the back of a dog. She became so used to his horrid features, that she no longer thought them repulsive. No contrast was stronger than that these two presented. It was like the association of an angel and a devil.

The young girl had in vain attempted to impart some knowledge to Scorpione: his nature did not admit of it. Had he been able to comprehend anything, if the simple idea of right and wrong could have reached his heart, Aminta would have accomplished much. This Cretin,[7] however, knew but three things in the world, to love, to serve, and to defend Aminta. Nothing more.

[7: The Cretins are a miserable, feeble and almost idiotic race,
found not infrequently in the south of France. They have sometimes
been horribly persecuted.]

Accompanied by her faithful dog one day, the fair creature had walked to the house of Tasso. She had perhaps twenty times gone through those magnificent ruins, and read over again and again the inscription every tourist fancies himself obliged to engrave with his dagger's point on the tesselated walls of the poet's home. One which seemed new attracted her attention. Thus it read:

"One must have suffered as much as the lover of Leonora, to be unhappy in the paradise of Sorrento."

These three lines were signed by the Marquis de Maulear.

Aminta read the inscription two or three times, without fancying that it related to her. The simple style touched her heart, and with no slight emotion, she left the wall.

At that moment the sun was at the height of its power, and shed its burning rays over nature. Aminta's straw hat sheltered her from the torrents of lava which seemed to fall from heaven and a few drops of perspiration stood on her marble forehead. While she was seeking in the ruined house for some shadowed nook, Scorpione amused himself behind a wall in torturing a gray lizard he had found, and which had taken refuge in a hole, from which it could not get out. The cruel child made numerous blows at the timid animal whenever it attempted to escape. He was perfectly delighted when he had beaten out the eyes of the animal, and the poor creature, rushing out, surrendered himself. One thrust completed the work, and it died in convulsions. Aminta found Scorpione thus engaged.

"Fie, fie," said she, "you deserve to suffer as much pain as you have inflicted on this poor animal."

"I am no lizard, but a scorpion, as the children of Sorrento say. I have a sting always ready for those who seek to injure me." He showed his dagger.

Aminta left, and Tonio, glancing at his mistress like a dog which has been punished, placed his back against the wall and pretended to sleep. Before long he really did sleep.

Not far from Tasso's house there was a grotto, beneath which ran a little stream, overgrown with aquatic herbs, and which beyond doubt in other days fed the fish-ponds of the house. It however had insensibly dried up, and only a feeble thread could henceforth be traced. This was the grotto which gave Aminta the refuge she sought. A mossy bench was placed by the side of a stream. She sat on it, took her book, and recited aloud the harmonious verses of her favorite bard. She gradually felt the influence of the heat. For a while she contended against the approach of sleep, which, however, ere long surrounded her with its leaden wings. The sight of Aminta became clouded, and shadowy mists passed before her eyes. Her brow bowed down, her head fell upon the rustic pillow. She was in oblivion. It was noon. All at this hour in Italy, and especially in Naples, slumber, "except," says the proverb, certainly not complimentary to my countrymen, "_Frenchmen and dogs_." The fact is, that Frenchmen, when they travel, pay no attention to the customs of the country. A Frenchman who travels unfortunately insists that everything should be done _a la Francaise_, in countries and climates where such a life as ours is impossible.

A profound silence covered all nature. The indistinct humming of insects in the air for a while troubled him; then all was silent. The wind even was voiceless, and the wave which beat on the rock seemed to repress every sound to avoid interrupting the repose of earth and heaven.

All at once, distant steps were heard. At first they were light, then more positive and distinct as they resounded on the calcined rock which led to Tasso's house. A young man of twenty-five approached. He was almost overcome by the sultriness. A whip and spurs showed that he had just dismounted. He had left his horse in an orange grove. Overcome, he had sought a shelter, and remembering the ruins he had seen a few days before, hoped to find freshness and repose there. The poet's mansion, the roof of which had fallen in, did not answer his expectations. He hurried toward the very place where Aminta slept. His eyes, dazzled by the brilliant light, did not at first distinguish the young girl in the darkness of the grotto. After a few moments, however, his sight became stronger, and he was amazed at the white form which lay on the mossy seat. Gradually the form became more distinct, and finally the young stranger was able to distinguish a beautiful girl. Just then a brilliant sunlight passed over the top of the crumbling wall and fell on her, enwrapping her in golden light, and, as it were, framing her angelic head like a glory round one of Raphael's pictures.

Henri de Maulear, such was the young man's name, fancied that an angelic vision stood before him. Had the princess Leonora's ghost visited the scenes Tasso loved so well? Had a great sculptor, Canova, in one of his charming deliriums reproduced the features of Tasso's mistress and placed his work in the grotto where the great poet sighed? Marble alone could compete with Aminta's whiteness. Her round and waxen arms seemed to have been formed of the purest Carara marble.

Aminta uttered a sigh and dissipated the illusion of the stranger. It was not an admirable statue exhibited to him, but a work of nature. It was such a woman as a poetic and tender heart dreams of--a woman not to be loved, but adored. Love is earthly; adoration belongs to heaven.

Henri de Maulear, fascinated by increasing admiration, did not dare to advance. He held his breath and was afraid, so great was his excitement, that this wonderful beauty would faint away. Another sentiment, however, soon took possession of him. A mortal terror filled his soul--death and sleep were united. A fearful danger menaced the maiden, whence it seemed no human power could rescue her. In the folds of Aminta's dress, in her very bosom, Henri saw a strange object, whose whimsical colors contrasted strangely with the whiteness of her dress. It was one of those strange things known in Italy as _pointed-headed_ vipers. Their bite takes effect so rapidly, their poison becomes so soon infused in the blood, that victims die within a few minutes. Aminta had lain down near a nest of these dangerous reptiles. The warmth of her body had gradually attracted them to her, and while she slept they had nestled in her very bosom. She had been motionless. They had not as yet moved. Any change of posture however would bring on a terrible catastrophe, a compulsory witness of which Henri de Maulear would from necessity be. What assistance could he render her? How could he arouse her without awaking the reptiles also? With a pale face and icy sweat on his brow, he thought in vain to contrive a means to save her. What however was his terror as he saw her make a slight movement! She reached out one of her arms, held it in the air, and then let it fall on her breast which was covered with reptiles. Her motion aroused the vipers. For a moment they became agitated, then uncoiled themselves, and hid their heads in the folds of her dress. One of them again coiled himself up, passed his thin tongue through his lips like a _gourmand_ after a feast: the head was drawn back and the creature assumed the form of a spiral urn, exhibited all its rings of ruby and _malachete_, and then drawing back in a line full of grace, disappeared among its fellows, and sank to sleep as if it were exhausted with its own efforts.

During this terrible scene, Maulear could not breathe. The very pulsation of his heart was stopped, his soul having left his body to protect Aminta. For the nonce she was safe. But a terrible death yet hung over her. Maulear did not lose sight of her. Ere long he saw her bosom heave; he saw her gasp, and her face gradually become flushed. She was dreaming. Should she make any motion, she would disturb the vipers. This idea excited him so much that for a while he thought they were awakened. Their hisses sounded in his ears, and he eagerly looked aside to avoid the terrible spectacle. His glance however fell on an object which as yet he had not perceived. So great was his joy that he could with difficulty refrain from crying aloud. He saw an earthen vase full of milk, in a dark portion of the cave, left there by some shepherd anxious to preserve his evening meal from the heat of the summer sun. He remembered what naturalists say of the passion entertained by reptiles for milk. The well-known stories of cows, the dugs of whom had been sucked dry by snakes, were recalled to his mind. Rushing toward the vase, he seized it and bore it to the mossy rock. Just then Aminta awoke.

II.--SCORPIONE.

Having looked around her, Aminta saw Maulear, pale and with an excited face. He could not restrain his terror and surprise. By a motion more rapid than thought, he pointed out to her the terrible beings that nestled in her bosom, and said earnestly and eagerly: "Do not move or you will die!" He could make no choice as to the means of saving her. It became necessary for him to rescue her at once, to confront her with danger, and rely on her strength of mind to brave it, by remaining motionless. He thought possibly she might succumb beneath its aspect. This was the result. She looked toward the terrible reptiles Maulear pointed out to her. Horror took possession of her. Her heart ceased to beat, and her blood curdled. She fainted. Luckily, however, this happened without any motion, without even a nervous vibration sufficient to awake the serpents. Henri uttered a sigh of happiness and delight, for beyond doubt Heaven protected Aminta and himself. Approaching the vase of milk, he placed it near her. Dipping his fingers in it, he scattered a few drops over the reptiles.

They moved. The milk directly attracted their attention, and as soon as they had tasted it they became aware of its presence. Lifting up their pointed heads to receive what was offered them, they directed their eyes toward the vase. When they had once seen it, they began to untwine their coils and to crawl toward it, like young girls hurrying to the bath. The mossy bench was near the rock. To remove her from the grotto Henri had to displace the vase. He had courage enough to wait until the last viper had gone into it. Seizing it then, he placed it gently on the ground. Passing his arms under the inanimate body of the girl, he sought to carry her away. Just then she recovered from her fainting. Aware that she was in the arms of a strange man, she made a violent effort to get away, and cast herself from her bed on the ground to escape from this embrace. In her disorder and agitation, and contest with Maulear, who sought to restrain her, in the half obscurity of the grotto her foot touched the coil of vipers.

She fell shrieking on his bosom. He left the grotto with his precious burden. Her cry had revealed to him the new misfortune, to which at first he paid no attention, but which now terrified him. The cry awoke Scorpione. His ear being familiarized with all the tones of his mistress, he would have recognized this amid a thousand. Quicker than the thunderbolt he rushed from the house, and stood at the door just when Maulear seized her.

Scorpione fancied the stranger bore away his foster-sister, and rushed on him as furiously as he would have done on a midnight robber. He seized Maulear in the breast with his right hand, the nails of which were trenchant as a needle, while with the left he sought to thrust the dagger in his heart. Aminta herself was however a shield to his bosom, and he clasped her closely. In the appearance of the horrid monster, Maulear almost forgot the perilous situation from which he had just extricated himself. For a time he fancied he was under the spell of some terrible vision, being unable to believe one person could unite so many deformities. With terror then he saw Scorpione seize on him and seek to snatch the body of Aminta from him. A second cry of Aminta, less distinct however than the first, changed the scene and recalled two of the actors to their true interest.

"Wretch!" said Maulear to Tonio, "if you wish gold I will give it you. Wait however till I resuscitate this girl."

"Aminta needs the care of none, when I am by!" said Scorpione. "She is my mistress, my sister: I watch over her."

"At all events you watch over her very badly," said Henri, placing Aminta on a broken stone. "I found her asleep here, with the vipers nestling in her bosom."

A groan escaped from the throat of Scorpione as he heard these words. He fell at Aminta's feet, with such an expression of grief, such cruel despair, that Maulear despite of himself was moved. "Vipers! pointed-headed! Have they stung her? tell me," said Tonio to Maulear. "I will die if she does!"

He sunk on the ground, mad with rage and terror. The eyes of Maulear glittered with somber horror. A nervous terror seized him, and, paralyzed by fright, he pointed out to Tonio the white leg of Aminta, around which a viper had coiled itself. Scorpione sprang forward and tore the reptile away, throwing it far from him. This took place in less than a second. Maulear would have done precisely what Scorpione had done, but thought was not more rapid than the movement of Aminta's foster-brother. Above the buskin of the girl a spot of blood appeared on her silk stocking. This came from the bite of the serpent. It was death. Maulear, kneeling before Aminta, reached forth his hand to touch the wound. Tonio rudely pushed him aside. "No one," said he in a sharp harsh voice, mingled with which was an accent of indignation, "may touch Aminta!" Tonio alone has that right, and Madame Rovero would drive him away if he permitted it!"

"But she will die unless I aid her!"

"And how can you?" said Scorpione, looking impudently at him. "What do you know about pointed-heads? You do not even know the only remedy. But I do, and will cure her."

There was such conviction in the words, that Maulear almost began to entertain hope. What probability however was there that this kind of brute would find means energetic and sure enough to restore the warmth of life to one over whom the coldness of death had already begun to settle, to stop the flow of poison which already permeated her frame? Maulear doubted, trembled, and entertained again the most miserable ideas. "If you would save her," said he to Scorpione, "there is but one thing to do. Hurry to the nearest physician and bring him hither to cauterize the wound and burn out the poison."

"Physicians are fools!" said Scorpione. "When my mother was thirty years of age, beautiful and full of life, they let her die. Though she was only my mother, I would have strangled them. If they were not to save Aminta, however, I would kill them as I would dogs!" Nothing can give an idea of his expression as he pronounced the words, "_though she was only my mother_." It betokened atrocious coldness and indifference. The glance however he threw on the maiden at the very idea of her death was full of intense affection.

"Save her then!" said Maulear, seizing the idea that this half-savage creature was perhaps aware of some secret means furnished by nature to work a true miracle in favor of the victim. The features of Aminta began to be disturbed; a livid pallor took possession of her; light contractions agitated her features; her lids became convulsive, opening and shutting rapidly. Scorpione observed all these symptoms. "Well," said he, placing his hand on her heart, "it beats yet. The poison moves on: let us stop it."

Kneeling before her, he grasped the wounded limb, and took off the light silk stocking. Then taking his dagger from his bosom, he made a slight incision with the sharp point where the reptile had bitten her. She uttered a cry of pain. "What are you about?" said Maulear, offended.

"Do you not see," replied Scorpione, "that I am opening the door for the escape of the poison?"

Without speaking a word, he leaned over the wound, applied his lips, and sucked the blood which ran from it. Twice or thrice he spat out the blood and resumed the occupation of sublime courage. The ugliness of Scorpione entirely disappeared from Maulear's eyes, and the monster seemed to him a saving angel descended from heaven to rescue another angel from death. A few seconds passed by in terrible and solemn silence. Scorpione supported Aminta's head, and attempted to read in her face the effect of his heroism. Henri de Maulear also knelt, and glanced from heaven to the girl, invoking aid from one, and feeling profound anxiety for the other.

Aminta sighed, but not with pain. An internal relief was already experienced by her. Scorpione seized her hand in his, and feeling her pulse, laughed aloud. He said, "_The Scorpion has overcome the viper_: Aminta will live!"

"But you? you?" said Maulear, as he saw Scorpione's strength give way.

"Me? oh, I perhaps will die--that however is a different matter." Though he did not know it, Scorpione might have been right. Felix Fontana, the great Italian, one of the most distinguished physicians of the eighteenth century, in his celebrated _Riserche Chemiche Sopra il Veleno della Vipera_, affirms that to suck out the poison of the viper, even when it does not touch the vital organs, suffices to cause such an inflammation of the organs of the mouth that death always results from it.

Boundless admiration and profound pity appeared in the heart of Maulear when he heard the answer of Tonio. He even forgot Aminta, and hurried to her generous liberator. He took him in his arms, and sustained his head, which in nervous spasms he beat violently against the rock. This deformed creature became really a friend and brother to Maulear; he had saved one whom even Heaven abandoned. He had accomplished the most admirable sacrifice, that equal almost to Christ, who gave his life to ransom that of his fellows.

Just then steps were heard in the distance, and many persons approached the solitude where such terrible scenes were occurring. A woman of about fifty years of age, with dignified and beautiful features and distinguished tournure, advanced with an expression of intense terror. Looking all around, she seemed much terrified. She soon saw the three characters of our somber drama. Passing hurriedly and rapidly as if she had been a girl toward Aminta, who lay extended on the ground, she seized and convulsively clasped her to her heart, without however being able to utter a word. Her tearful eyes declared however that she was aware some great misfortune had befallen her child. This woman was Madame Rovero. Those who accompanied her were old servants of the family, and surrounded Aminta. They were ignorant as Madame Rovero was of the danger the young girl had undergone. Aminta however had begun to recover, and pointed to Tonio, who lay in convulsions in Maulear's arms. "What, monsieur, has happened?" said Madame de Rovero to Maulear. "Having become uneasy at my daughter's prolonged absence, I have come to her usual resort and find her dying and this lad writhing in your arms."

"Madame, excuse me," said Maulear, "if I do not now make explanation in relation to the cruel events which have taken place. Time at present is too precious. Your daughter I trust will live. But this poor fellow demands all our care. He has sacrificed himself to rescue your child, and to him you owe now all your happiness. Near this place I have two horses. Suffer me to place your daughter on one, and do you return with her to your house. I will on the other hurry with Tonio as fast as possible to Sorrento."

Henri took a silver whistle from his pocket and sounded it. A groom soon appeared with two horses. What he had proposed was soon executed, not however without difficulty, for Aminta was much enfeebled, and Scorpione contended violently with those who sought to place him in front of Maulear, who had already mounted. Madame Rovero went sadly toward Sorrento, bearing pale and bloody the young girl who had gone on that very morning from her mother's villa so joyous, happy, and beautiful. Maulear hurried to the house of the physician which had been pointed out to him. While they were bringing in Aminta's foster-brother, Henri told the doctor what had taken place. He examined the lad, and his brow became overcast. Scorpione was speechless, and but for the faint pulsations of his heart one might have thought him lifeless. No external symptom betrayed the effect of the poison except the head of the patient, which was terribly swollen. His mouth and especially the lower jaw appeared the seat of suffering, and with a sensation of horror Maulear saw between the violet lips of the patient a green and tense tongue, at the appearance of which the physician exhibited much emotion.

"What do you think of his condition?" said Maulear.

"The great Felix Fontana says, in such cases there is no safety. Lazarus Spallanzini, however, another savant of the eighteenth century, published at Venice, in 1767, in the Giornole D'Italia, an admirable dissertation on wounds caused by the bite of reptiles, especially on those of the vipers. Treating of suction and its consequences, he points out a means of cure for it. It is however so terrible and dangerous that I know not if I should use it."

"Use it, sir. There is," said Maulear, "only the alternative of it and death."

"The man will live, but in all probability will never speak again." He waited for Maulear's answer.

"May I consult the family?" said the young man. "I will have returned in an hour."

"In ten minutes," said the doctor, "he will be dead."

"Act quickly, then, monsieur: all his friends would act as I do."

The physician left: in a few minutes he returned with one of his assistants, bearing a red hot iron. Maulear shuddered. The physician placed the patient in a great arm-chair, to which he fastened him with strong straps of leather. Then, when he was satisfied that no spasm or motion of the unfortunate man would interrupt the operation, he placed a speculum in his mouth. The speculum in its expansion tore apart the jaws of Tonio, and kept them distended, so that the interior orifice of the throat could be seen. Seizing the hot iron, he plunged it into the throat of the unhappy man, turned back the palate from the tongue, and moved it several times about, while the agonizing guttural cries of the patient were mingled with the sharp hissing of the iron. Torrents of tears filled his eyes. At this terrible spectacle Maulear fainted.

III.--THE CONCERT.

Henri Marquis de Maulear was scarcely twenty-six, and was what all would have called a handsome man. A fine tall person, delicate features, and a profusion of rich blond hair, curling naturally, justified the appellation which the world, and especially the female portion of it, conferred on him. To these external advantages, was united a brilliant education, rather superficial than serious, and more graceful than solid. He had dipped without examination in everything. He, however, knew it to be essential to seem to understand all the subjects of French conversation, in the saloons of Paris: nothing more.

The Prince Maulear, the only son of whom Henri was, had accompanied the Bourbons in their exile, and been one of the faithful at Mettau and Hartwell. After having undergone banishment with the Princes, his illustrious friends, he returned to France with Louis XVIII. and shared with Messieurs de Blacas, Vitrolles, d'Escars and others, the favor and confidence of the king. A widower, and the recipient of a large fortune from the restoration of the unsold portion of his estates, cold and harsh in behavior, the Prince returned from exile in 1815, with the same ideas he had borne away in 1788. The Prince de Maulear was the true type of those unchangeable prejudices which can neither learn nor forget. He was educated in France by a sister of his mother, the Countess of Grandnesnil, an ancient canoness, a noble lady, who was a second mother to the young Marquis after death had borne away his own. The Countess had not emigrated like her brother-in-law. The care demanded by the delicate health of the heir of the family could not admit of the fatigue of endless travel, made necessary by emigration. Therefore, the heir of the Maulears remained under the charge of the Countess. When he grew up, beneath the aegis of the Countess, he completed his education, and at a later day entered society. She exercised over his mind and heart that influence which affection and the usage of familiar intercourse confer. Watching over him with maternal care, seeking to ascertain his wishes that she might be able to gratify them, making him happy in every way in her power, she was beloved by the Marquis with all his heart. He could not have loved a mother more.

The consequence of this education by a woman was that the moral had somewhat stifled the intellectual. Besides, this kind of fanaticism of the Countess for her nephew, her constant attention to gratify every caprice, her readiness to excuse his faults, even when she should have blamed them severely, made his education vicious as possible, and brought out two faults with peculiar prominence. His character was very weak; and he had great self-confidence. The Prince de Maulear found the son he had left a child in the cradle, a man of twenty-six, and was literally forced to make his acquaintance.

The noble bearing and distinguished manners of the young man pleased him especially. He was also graceful, gallant and brave, and the Prince saw himself restored to youth in the person of his son. He did not make himself uneasy about his sentiments, being satisfied that his son was learned in stable lore, a good rider, skillful in the use of weapons, heroic and enterprising. He rejoiced at his fortune, as it would make Henri happy, and anticipated a brilliant and fortunate career for his son. Henri had no profession, and the Prince procured for him the appointment of secretary of legation to Naples. He had held this post six months when he appears in our history.

Henri had never loved. Much ephemeral gallantry, and many easy conquests, which soon passed away, had occupied his time without touching his heart, and this was his situation when for the first time he saw the White Rose of Sorrento. As we have said, he became sick at the terrible surgical operation. He did not revive until all was over. The unfortunate Tonio had been placed in one of the rooms of the doctor's house, and the latter declared, that in consideration of the importance of the case, he would himself attend to the patient, and would not leave him until he should have been completely restored, unless, added he, death should remove the responsibility. The Marquis being satisfied that the savior of Aminta would not be neglected, hurried with the doctor to Madame Rovero's villa. Nothing could be more simple and charming, and nothing in Italy had struck him so forcibly. The very look of the house told how happy were its inhabitants. At the extremity of Sorrento, it was surrounded by large trees, and winter seemed never to inflict any severity upon it.

An old servant admitted the strangers. He recognized Maulear, for he had been with Madame when she recovered her daughter.

"Madame expects you, gentlemen," said he, when he saw the young Marquis and the Doctor. "I will accompany you to the room." He went before them to a pretty room on the ground floor, where he left them a short time.

Maulear carefully examined it. All betokened elegant tastes in its occupants. In the middle was an elegant grand piano of Vienna; on the desk the Don Giovanna of Mozart; and on a pedestal near the window an exquisite model of Tasso's house. A round table of Florentine workmanship, of immense value, stood near one side of the apartment. The valuable Mosaics were, however, hidden by a collection of albums, keepsakes, and engravings. There were also on it vases of alabaster, filled with perfumed flowers, and the whole room was lit up by the rays of the setting sun, the brilliancy of which were softened as they passed across the park. Madame Rovero entered with a servant. "Take the Doctor," said she, "to my daughter's room, whither I will come immediately. You, sir," said she, pointing Maulear to a chair, "will please to tell me for what I am your debtor. I am sure your claims are large." He gave Madame Rovero a detailed account of what had happened since he met Aminta in the grotto, until the cruel devotion of Tonio.

"Tonio has told you the truth, Monsieur," said Madame Rovero; "the terrible remedy he had the courage to employ is known in the country to be infallible, though, as yet, few examples of such heroism have occurred. The doctor alone can satisfy us of the safety of my daughter." Madame Rovero moved toward the door to satisfy herself in relation to this engrossing subject, when the doctor entered. She trembled before him like a criminal before a judge, when he seeks to divine the nature of a terrible sentence. "The young lady is in no danger. I have examined the wound carefully; no trace of poison remains. The poor lad has entirely exhausted it." The mother lifted her eyes to heaven in inexpressible gratitude.

"What hopes have you, doctor, of the poor lad?"

"He will live, but that is all science can do."

"Do not neglect one who has so absolute a right to my gratitude."

Turning then to Maulear, she said, "In a few days, Monsieur, my daughter and myself will expect you. She will soon be restored, and we will thank you for your services."

Maulear bade adieu to Mme. Rovero, not as a stranger or acquaintance of a few minutes, but as a friend who leaves a family with whom he is intimate. He left them with regret, as persons to whom he was devoted, and with whom he was willing to pass his life. Within a few hours, a strange change had been wrought in him. Struck with admiration at Aminta, the danger with which he found her surrounded, the successive agitations of the scene, the sweet influence exerted by her on his heart, the alternations of hope and fear, everything combined to disturb the placidity of his withered and somewhat _blaze_ soul which scarcely seemed plastic enough to receive a profound and tender expression. He then experienced for Aminta what he had not amid all that terrible.... The features of the young girl he had borne in his memory, contracted as they were by pain, did not seem to him less charming, and excited a warmer interest than ever. Never before had the most beautiful in all the eclat of dress and manners appeared so attractive as the pale Aminta in her mortal agony. To sum up all, he was in love, and in love for the first time.

Henri left Sorrento with a painful sensation, and returned to Naples, where pleasure and warm receptions awaited him, from the many beauties on whom he expended the "small change" of his heart. As he said himself, he never was ruined by sensitiveness, keeping all the wealth of his heart for a good opportunity. That opportunity was come. He returned to the palace of the embassy, far different in his condition from what he was when he left. With the most perfect _sang-froid_ therefore he read the following note which his valet had given him when he came in--

"The Duke de Palma, minister of police, requests the Marquis de Maulear to pass the evening with him."

Lower down in another hand was written--

_"Do not fail. La Felina will sing, and at two o'clock we will have a supper of our intimate friends. You know whether or not you are one of the number."_