Chapter XXV (1)

This must be a chapter of rapid action, comprising in its brief space the events of many months--events which might not much interest the reader in minute detail, but which produced important results to all the persons concerned, and drew on the coming catastrophe.

The news that Mr. Marlow was about to be married to Emily, the beautiful heiress of Sir Philip Hastings, spread far and wide over the country; and if joy and satisfaction reigned in the breasts of three persons in Emily's dwelling, discontent and annoyance were felt more and more strongly every hour by Lady Hastings. A Duke, she thought, would not have been too high a match for her daughter, with all the large estates she was to inherit; and the idea of her marrying a simple commoner was in itself very bitter. She was not a woman to bear a disappointment gracefully; and Emily soon had the pain of discovering that her engagement to Marlow was much disapproved by her mother. She consoled herself, however, by the full approval of her father, who was somewhat more than satisfied.

Sir Philip for his part, considering his daughter's youth, required that the marriage should be delayed at least two years, and, in his theoretical way, he soon built up a scheme, which was not quite so successful as he could have wished. Marlow's character was, in most respects, one after his own heart; but as I have shown, he had thought from the first, that there were weak points in it,--or rather points rendered weak by faults of education and much mingling with the world. He wanted, in short, some of that firmness--may I not say hardness of the old Roman, which Sir Philip so peculiarly admired; and the scheme now was, to re-educate Marlow, if I may use the term, during the next two years, to mould him in short after Sir Philip's own idea of perfection. How this succeeded, or failed, we shall have occasion hereafter to show.

Tidings of Emily's engagement were communicated to Mrs. Hazleton, first by rumor, and immediately after by more certain information in a letter from Lady Hastings. I will not dwell upon the effect produced in her. I will not lift up the curtain with which she covered her own breast, and show all the dark and terrible war of passions within. For three days Mrs. Hazleton was really ill, remained shut up in her room, had the windows darkened, admitted no one but the maid and the physician; and well for her was it, perhaps, that the bitter anguish she endured overpowered her corporeal powers, and forced seclusion upon her. During those three days she could not have concealed her feelings from all eyes had she been forced to mingle with society; but in her sickness she had time for thought--space to fight the battle in, and she came forth triumphant.

When she at length appeared in her own drawing-room no one could have imagined that the illness was of the heart. She was a little paler than before, there was a soft and pleasing languor about her carriage, but she was, to all appearance, as calm and cheerful as ever.

Nevertheless she thought it better to go to London for a short time. She did not yet dare to meet Emily Hastings. She feared _herself_.

Yet the letter of Lady Hastings was a treasure to her, for it gave her hopes of vengeance. In it the mother showed but too strongly her dislike of her daughter's choice, and Mrs. Hazleton resolved to cultivate the friendship of Lady Hastings, whom she had always despised, and to use her weakness for her own purposes.

She was destined, moreover, to have other sources of consolation, and that more rapidly than she expected. It was shortly before her return to the country that the trial of Tom Cutter took place; and not long after she came back that he was executed. Many persons at the trial had remarked the effect which some parts of the evidence had produced on Sir Philip Hastings. He was not skilful in concealing the emotions that he felt, and although it was sometimes difficult, from the peculiarities of his character, to discover what was their precise nature, they always left some trace by which it might be seen that he was greatly moved.

Information of the facts was given to Mrs. Hazleton by Shanks the attorney, and young John Ayliffe, who dwelt with pleasure upon the pain his successful artifice had inflicted; and Mrs. Hazleton was well pleased too.

But the wound was deeper than they thought. It was like that produced by the bite of a snake--insignificant in itself, but carrying poison into every vein.

Could his child deceive him? Sir Philip Hastings asked himself. Could Emily have long known this vulgar youth--gone secretly down to see him at a distant cottage--conferred with him unknown to either father or mother? It seemed monstrous to suppose such a thing; and yet what could he believe? She had never named John Ayliffe since her return from Mrs. Hazleton's; and yet it was certain from Marlow's own account, that she had seen him there. Did not that show that she was desirous of concealing the acquaintance from her parents?

Sir Philip had asked no questions, leaving her to speak if she thought fit. He was now sorry for it, and resolved to inquire; as the fact of her having seen the young man, for whom he felt an inexpressible dislike, had been openly mentioned in a court of justice. But as he rode home he began to argue on the other side of the question. The man who had made the assertion was a notorious liar--a convicted felon. Besides, he knew him to be malicious; he had twice before thrown out insinuations which Sir Philip believed to be baseless, and could only be intended to produce uneasiness. Might not these last words of his be traced to the same motive? He would inquire in the first place, he thought, what was the connection between the convict and John Ayliffe, and stopping on the way for that purpose, he soon satisfied himself that the two were boon companions.

When he reached his own dwelling, he found Emily seated by Marlow in one of her brightest, happiest moods. There was frank candor, graceful innocence, bright open-hearted truth in every look and every word. It was impossible to doubt her; and Sir Philip cast the suspicion from him, but, alas! not for ever. They would return from time to time to grieve and perplex him; and he would often brood for hours over his daughter's character, puzzling himself more and more. Yet he would not say a word--he blamed himself for even thinking of the matter; and he would not show a suspicion. Yet he continued to think and to doubt, while poor unconscious Emily would have been ready, if asked, to solve the whole mystery in a moment. She had been silent from an unwillingness to begin a painful subject herself; and though she had yielded no assent to Mrs. Hazleton's arguments, they had made her doubt whether she ought to mention, unquestioned, John Ayliffe's proposal and conduct. She had made up her mind to tell all, if her father showed the slightest desire to know any thing regarding her late visit; but there was something in the effects which that visit had produced on her mind, which she could not explain to herself.

Why did she love Mrs. Hazleton less? Why had she lost so greatly her esteem for her? What had that lady done or said which justified so great a change of feeling towards her? Emily could not tell. She could fix upon no word, no act, she could entirely blame--but yet there had been a general tone in her whole demeanor which had opened the poor girl's eyes too much. She puzzled herself sadly with her own thoughts; and probably would have fallen into more than one of her deep self-absorbed reveries, had not sweet new feelings, Marlow's frequent presence, kept her awake to a brighter, happier world of thought.

She was indeed very happy; and, could she have seen her mother look brighter and smile upon her, she would have been perfectly so. Her father's occasional moodiness she did not heed; for he often seemed gloomy merely from intense thought. Emily had got a key to such dark reveries in her own heart, and she knew well that they were no true indications either of discontent or grief, for very often when to the eyes of others she seemed the most dull and melancholy, she was enjoying intense delight in the activity of her own mind. She judged her father from herself, and held not the slightest idea that any word, deed or thought of hers had given him the slightest uneasiness.

Notwithstanding the various contending feelings and passions which were going on in the little circle on which our eyes are fixed, the course of life had gone on with tolerable smoothness as far as Emily and Marlow were concerned, for about two months, when, one morning, Sir Philip Hastings received a letter in a hand which he did not know. It reached him at the breakfast table, and evidently affected him considerably with some sort of emotion. His daughters instantly caught the change of his countenance, but Sir Philip did not choose that any one should know he could be moved by any thing on earth, and he instantly repressed all agitation, quietly folded up the letter again, concluded his breakfast, and then retired to his own study.

Emily was not deceived, however. There were moments in Sir Philip's life when he was unable to conceal altogether the strong feelings of his heart under the veil of stoicism--or as he would have termed it--to curb and restrain them by the power of philosophy. Emily had seen such moments, and knew, that whatever were the emotions produced by that letter, whether of anger or grief or apprehension--her father was greatly moved.

In his own study, Sir Philip Hastings seated himself, spread the letter before him, and read it over attentively. But now it did not seem to affect him in the least. He was, in fact, ashamed of the feelings he had experienced and partly shown. "How completely," said he to himself, "does a false and fictitious system of society render us the mere slaves of passion, infecting even those who tutor themselves from early years to resist its influence. Here an insolent young man lays claim to my name, and my inheritance, and coolly assumes not only that he has a title to do so, but that I know it; and this instead of producing calm contempt, makes my heart beat and my blood boil, as if I were the veriest schoolboy."

The letter was all that Sir Philip stated; but it was something more. It was a very artful epistle, drawn up by the joint shrewdness of Mr. Shanks, Mr. John Ayliffe, and Mrs. Hazleton. It concisely stated the claims of the young man who signed it, to all the property of the late Sir John Hastings and to the baronetcy. It made no parade of proofs, but assumed that those in the writer's possession were indisputable, and also that Sir Philip Hastings was well aware that John Ayliffe was his elder brother's legitimate son. The annuity which had been bought for himself and his mother was broadly stated to have been the purchase-money of her silence, negotiated by her father, who had no means to carry on a suit at law. As long as his mother lived, the writer said, he had been silent out of deference to her wishes, but now that she was dead in France, he did not feel himself bound to abide by an arrangement which deprived him at once of fortune and station, and which had been entered into without his knowledge or consent. He then went on to call upon Sir Philip Hastings in the coolest terms to give up possession and acknowledge his right without what the writer called "the painful ceremony of a lawsuit;" and in two parts of the letter allusion was made to secret information which the writer had obtained by the kind confidence of a friend whom he would not name.

It was probably intended to give point to this insinuation at an after period, but if it was aimed at poor Emily, it fell harmless for the time, as no one knew better than Sir Philip that she had never been informed of any thing which could affect the case in question.

Indeed, the subject of the annuity was one which he had never mentioned to any one since the transaction had been completed many years before; and the name of John Ayliffe had never passed his lips till Marlow mentioned having seen that young man at Mrs. Hazleton's house.

When he had read the letter, and as soon as he thought he had mastered the last struggle of passion, he dipped the pen in the ink and wrote the few following words:

"Sir Philip Hastings has received the letter signed John Ayliffe Hastings. He knows no person of that name, but has heard of a young man of the name of John Ayliffe. If that person thinks he has any just claim on Sir Philip Hastings, or his estate, he had better pursue it in the legal and ordinary course, as Sir Philip Hastings begs to disclaim all private communication with him."

He addressed the letter to "Mr. John Ayliffe," and sent it to the post. This done, he rejoined Marlow and Emily, and to all appearance was more cheerful and conversable than he had been for many a previous day. Perhaps it cost him an effort to be cheerful at all, and the effort went a little beyond its mark. Emily was not altogether satisfied, but Lady Hastings, when she came down, which, as usual, was rather late in the day, remarked how gay her husband was.

Sir Philip said nothing to any one at the time regarding the contents of the letter he had received. He consulted no lawyer even, and tried to treat the subject with contemptuous forgetfulness; but his was a brooding and tenacious mind, and he often thought of the epistle, and the menaces it implied, against his own will. Nor could he or any one connected with him long remain unattentive or ignorant of the matter, for in a few weeks the first steps were taken in a suit against him, and, spreading from attorneys' offices in every direction, the news of such proceedings travelled far and wide, till the great Hastings case became the talk of the whole country round.

In the mean time, Sir Philip's reply was very speedily shown to Mrs. Hazleton, and that lady triumphed a good deal. Sir Philip was now in the same position with John Ayliffe, she thought, that she had been in some time before with Mr. Marlow; and already he began to show, in her opinion, a disposition to treat the case very differently in his own instance and in hers.

There he had strongly supported private negotiation; here he rejected it altogether; and she chose to forget that circumstances, though broadly the same, were in detail very different.

"We shall see," she said to herself, "we shall see whether, when the proofs are brought forward, he will act with that rigid sense of justice, which he assumed here."

When the first processes had been issued, however, and common rumor justified a knowledge of the transaction, without private information, Mrs. Hazleton set out at once to visit "poor dear Lady Hastings," and condole with her on the probable loss of fortune. How pleasant it is to condole with friends on such occasions. What an accession of importance we get in our own eyes, especially if the poor people we comfort have been a little bit above us in the world.

But Mrs. Hazleton had higher objects in view; she wanted no accession of importance. She was quite satisfied with her own position in society. She sought to see and prompt Lady Hastings--to sow dissension where she knew there must already be trouble; and she found Sir Philip's wife just in the fit frame of mind for her purpose. Sir Philip himself and Emily had ridden out together; and though Mrs. Hazleton would willingly have found an opportunity of giving Sir Philip a sly friendly kick, and of just reminding him of his doctrines announced in the case between herself and Mr. Marlow, she was not sorry to have Lady Hastings alone for an hour or two. They remained long in conference, and I need not detail all that passed. Lady Hastings poured forth all her grief and indignation at Emily's engagement to Mr. Marlow, and Mrs. Hazleton did nothing to diminish either. She agreed that it was a very unequal match, that Emily with her beauty and talents, and even with her mother's fortune alone, might well marry into the highest family of the land. Nay, she said, could the match be broken off, she might still take her rank among the peeresses. She did not advise, indeed, actual resistance on the part of her friend; she feared Lady Hastings' discretion; but she insinuated that a mother and a wife by unwavering and constant opposition, often obtained her own way, even in very difficult circumstances.

From that hour Mrs. Hazleton was Lady Hastings' best friend.

NATURAL REVELATION.

WRITTEN FOR THE INTERNATIONAL MONTHLY MAGAZINE

BY ALFRED B. STREET.

Does not the heart alone a God proclaim!
Blot revelation from the mind of man!
Yea, let him not e'en Nature's features scan;
There is within him a low voice, the same
Throughout the varied scenes of being's span,
That whispers, God. And doth not conscience speak
Though sin its wildest force upon it wreak!
Born with us--never dying--ever preaching
Of right and wrong, with reference aye to Him--
And doth not Hope, on toward the future reaching--
The aspirations struggling from the Dim
Up toward the Bright--a ceaseless unrepose
Of something unattained--a ceaseless teaching
Of unfulfilled desire--the eternal truth disclose!

HEART-WHISPERS.

WRITTEN FOR THE INTERNATIONAL MONTHLY MAGAZINE

BY MARY E. HEWITT.

What if he loved me!--How the unwhispered thought
Comes o'er me, with a thrill of ecstacy!
And yet, when constant eve his step hath brought,
I timid shrink as he approaches me.
Last night, when greeting words were on his lips,
My ears grew deaf between my faint replies;
And when he pressed my trembling finger tips,
I felt me turn to marble 'neath his eyes.
What if he loved me! If 'twere mine to share
His thought! to be of his proud being part!
Hush! lest the tell-tale wind should idly bear
To him this wild, wild beating of my heart
For should he guess--who in my soul hath name--
That I, unsought, love him, ah! I should die of shame.

THE SNOWDROP IN THE SNOW.

BY SYDNEY YENDYS.

O full of Faith! The Earth is rock,--the Heaven
The dome of a great palace all of ice,
Russ-built. Dull light distils through frozen skies
Thickened and gross. Cold Fancy droops her wing,
And cannot range. In winding-sheets of snow
Lies every thought of any pleasant thing.
I have forgotten the green earth; my soul
Deflowered, and lost to every summer hope,
Sad sitteth on an iceberg at the Pole;
My heart assumes the landscape of mine eyes
Moveless and white, chill blanched with hoarest rime;
The Sun himself is heavy and lacks cheer
Or on the eastern hill or western slope;
The world without seems far and long ago;
To silent woods stark famished winds have driven
The last lean robin--gibbering winds of fear!
Thou only darest to believe in spring,
Thou only smilest, Lady of the Time!

Even as the stars come up out of the sea
Thou risest from the Earth. How is it down
In the dark depths? Should I delve there, O Flower,
For beauty? Shall I find the Summer there
Met manifold, as in an ark of peace?
And Thou, a lone white Dove art thou sent forth
Upon the winter deluge? It shall cease,
But not for thee--pierced by the ruthless North
And spent with the Evangel. In what hour
The flood abates thou wilt have closed thy wings
For ever. When the happy living things
Of the old world come forth upon the new
I know my heart shall miss thee; and the dew
Of summer twilights shall shed tears for me
--Tears liker thee, ah, purest! than mine own--
Upon thy vestal grave, O vainly fair!

Thou shouldst have noble destiny, who, like
A Prophet, art shut out from kind and kin!
Who on the winter silence comest in
A still small voice. Pale Hermit of the Year,
Flower of the Wilderness! oh, not for thee
The jocund playmates of the maiden spring.
For when the danceth forth with cymballed feet,
Waking a-sudden with great welcoming,
Each calling each, they burst from hill to dell
In answering music. But thou art a bell.
A passing bell, snow-muffled, dim and sweet.

As is the Poet to his fellow-men,
So mid thy drifting snows, O Snowdrop, Thou.
Gifted, in sooth, beyond them, but no less
A snowdrop. And thou shalt complete his lot
And bloom as fair as now when they are not.
Thou art the wonder of the seasons, O
First-born of Beauty. As the Angel near
Gazed on that first of living things which, when
The blast that ruled since Chaos o'er the sere
Leaves of primeval Palms did sweep the plain,
Clung to the new-made sod and would not drive,
So gaze I upon thee amid the reign
Of Winter. And because thou livest, I live.
And art thou happy in thy loneliness?
Oh couldst thou hear the shouting of the floods,
Oh couldst thou know the star among the trees
When--as the herald-voice of breeze on breeze
Proclaims the marriage pageant of the Spring
Advancing from the South--each hurries on
His wedding-garment, and the love-chimes ring
Thro' nuptial valleys! No, serene and lone,
I will not flush thy cheek with joys like these.
Songs for the rosy morning; at gray prime
To hang the head and pray. Thou doest well.
I will not tell thee of the bridal train.
No; let thy Moonlight die before their day
A Nun among the Maidens, thou and they.
Each hath some fond sweet office that doth strike
One of our trembling heartstrings musical.
Is not the hawthorn for the Queen of May?
And cuckoo-flowers for whom the cuckoo's voice
Hails, like an answering sister, to the woods?
Is not the maiden blushing in the rose?
Shall not the babe and buttercup rejoice,
Twins in one meadow? Are not violets all
By name or nature for the breast of Dames!
For them the primrose, pale as star of prime,
For them the wind-flower, trembling to a sigh,
For them the dew stands in the eyes of day
That blink in April on the daisied lea?
Like them they flourish and like them they fade
And live beloved and loving. But for thee--
For such a bevy how art thou arrayed
Flower of the Tempests? What hast thou with them?
Thou shalt be pearl unto a diadem
Which the Heavens jewel. _They_ shall deck the brows
Of joy and wither there. But _thou_ shalt be
A Martyr's garland. Thou who, undismayed,
To thy spring dreams art true amid the snows
As he to better dreams amid the flames.--_Athenæum._

THE COUNT MONTE-LEONE: OR, THE SPY IN SOCIETY.[H]

TRANSLATED FOR THE INTERNATIONAL MONTHLY MAGAZINE FROM THE FRENCH OF H. DE ST. GEORGES.

_Continued from page 70._

V.--THE ENTERTAINMENT.

The name of Count Monte-Leone produced great sensation in the numerous assemblage. The adventures of the Count and the report of his trial had been published in all the Parisian papers, and in the eyes of some he was a lucky criminal, and of others a victim and a martyr to his opinions, whom God alone had preserved. The women especially were interested in the hero of this judicial drama, on account of the exaggerated representations of his personal attractions. Received with general curiosity, which, however, he did not seem to notice, and crossing the rooms with his usual dignified air, Monte-Leone approached the Duchess of Palma and expressed his gratitude for her kindness in including him among her guests. The Duchess recognized the Count politely, and replied to him with a few meaningless phrases. She then left him to meet the young Marquise de Maulear, who came in leaning on the arm of her father, the old Prince. The Prince knew the Neapolitan Ambassador, whom he had often seen with the Duchess. He had been one of the first to visit the Duchess of Palma. A man of intelligence and devotion to pleasure, he thought he did not at all derogate from his dignity by civility to a young and beautiful woman, who bore so nobly the name which was conferred on her by love and hymen.

"Duchess," said the Prince, presenting Aminta, "you have often questioned me about my daughter-in-law, and know what I told you. I am, I confess, proud for you to be able now to judge for yourself." In the _interim_ La Felina had taken in the whole person of Aminta at a single glance, and the result of this rapid examination exerted a strange influence on her. She grew pale, and her voice trembled, as she told the Prince that the praises he had bestowed on the Marquise were far less than the truth.

"The Marquis de Maulear," added she, "is an old acquaintance," and bowing kindly to him, she offered Aminta a seat and then left her, under the influence of an emotion which, actress as she was, she could repress with great difficulty.

The Prince sat by his daughter-in-law, and passing in review before her the distinguished personages of the room, described them with that skeptical wit, that courteous irony, of which the nobles of other days were so completely the masters. He spoke like the Duke d'Ayer of old, that caustic wit, of whom a lady of the court said that she was amazed that his tongue was not torn out twenty times a day, so full of pointed needles was all he said. Aminta smiled at the pencil sketches of the Prince, or rather at his dagger blow. Had the old man, however, been twenty times as bitter, she would not have found fault with her father-in-law, for she knew he was kind and she was grateful to him--one day we shall know whence these sentiments originated in his mind. The Marquis de Maulear had left his young wife to speak to his numerous acquaintances: and while the Prince for Aminta's amusement flayed alive the various personages who were led before him by their evil fate, Count Monte-Leone, who had seen the Ambassador, sought in vain to pierce the crowd which surrounded him. The Duke was not in the room when Monte-Leone was announced. It was then with surprise and almost with terror that he saw the Count approach him.

"I have not had the honor," said he, "to approach your Excellency since the visit paid me at the Castle _Del Uovo_. And I am doubly gratified at being able to return it in your hotel amid so splendid a festival."

"Count," said the Duke, seeking to conquer the emotion caused by the unexpected presence of Monte-Leone, "I dared not hope that you would honor me by accepting my invitation; for you cannot be ignorant that an Ambassador represents his king. It is then, in some degree, as if we meet to-day in the palace of his Majesty Fernando King of Naples: and I think I may venture to tell you, in the name of my Sovereign, that if your conduct is a token of reconciliation offered by you to his cause, Fernando IV will acknowledge it as cheerfully as I do now."

Count Monte-Leone appreciated the graceful perfidy of the language of the Duke, and was ready to curse the secret motive which had led him to the Embassy. His eyes, however, turned, almost contrary to his wishes, to the other side of the room, and there he seemed to find something to sustain him. He replied to the Duke as naturally as possible, that in coming to his house, he had remembered only the urbanity of his host and his frankness, being aware that the Duke would never convert a mere visit of pleasure into a political question.

The Duke bit his lips when he heard this evasive answer, and saw that he had met his equal in diplomacy. A young man then approached and passed his arm into that of Monte-Leone's, thus putting an end to this annoying interview. This young man had an eloquent and _distingué_ air, and handsome features, though they were delicate and betokened but feeble health.

"Do you know, my dear Duke," said the new comer to the Ambassador, "that one must have a very perfect character, and be invited to a very charming ball, to come as I do to your house, after the manner we parted eighteen months ago at Naples. Listen!--one goes for health-sake to Naples to pass the winter, to enjoy the Carnival in peace. After one or two intrigues with beautiful women having dark eyes, not, however, comparable with those of the Duchess of Palma, one fine night in the middle of a Pulcinello supper, you send us in place of a dessert a company of black-looking _sbirri_, who rush like vultures upon us, and rust with dirty hands our Venetian daggers which they wrest from us. Twelve to three, they then separate Taddeo, Von Apsbury and myself, and placing us in rickety carriages, take one of us to prison, another to the frontier, and hurry me on board a miserable little vessel, from which they tumble me like a package of damaged goods on the _quai_ of Marseilles. I had expected to make the tour of Italy."

"Vicompte," said the Duke, with a smile, "the air of Italy was not healthy for you. Very excellent physicians told me your life was unsafe in that country, and that you should leave it as soon as possible. So complain to the faculty, but thank me for having followed their directions."

"Now what mistakes," said the young man, "people make. I have always heard that the climate of Naples was excellent for the chest."

"True," said the Duke, "but it is bad for the head."

"Of that I know something," said Monte-Leone, bowing to the Duke.

"Well, then, suppose it is," continued d'Harcourt, who wished at any price to avenge himself on the _sbirri_ of his Excellency, in the person of the Duke himself. "It may be the climate exaggerates and sometimes destroys the head, but it is excellent for the heart--a suffering heart--a heart which is attacked is easily cured in Naples. True, the remedies are sometimes priceless, but patients in desperate cases do not hesitate on that account."

"I hope, Count," said the Duke, who would not understand the allusion of the young man to his marriage, "that the climate of Paris suits you better than that of Naples. Besides, the Duc d'Harcourt, your father, that most influential nobleman, will prevent you henceforth from endangering an existence you held too cheaply in Italy."

"Luckily," said D'Harcourt, with a smile, "your Excellency watched over me, and it is no slight honor to have as a physician the minister of police of a kingdom. Excuse me, however," added he to the Duke, "I hear the prelude of Collinet's orchestra, and I have a family duty to fulfil: my sister Mary has promised to dance this contradance with me, and I must humor the whim of a spoiled child."

The wild young man hurried to take his sister's arm, and to get into place with her. Marie d'Harcourt, René's sister, was a charming girl, with blonde hair and a rosy complexion, fair and lithe as a northern elf. The blue veins were visible beneath her transparent skin, so fair that one might often have fancied the blood was about to come gushing through it. The Duke d'Harcourt had lost two of his sons of that terrible pulmonary disease against which medicine, alas, is powerless. The distress of the father was intense, for two of the scions of this family had been cut off by death; and of the five offshoots from the family tree, but two remained. All his love was therefore centred in René, now his only son, and in Marie, the young girl of whom we have just spoken. From a sentiment of tender respect, the Duke had not permitted his last son to assume the title of those he had lost, and René continued to be called the Vicompte d'Harcourt. There were already apparent sad indications that René would become a prey to the monster which had devoured his two brothers: Marie, a few years younger, gave her father great uneasiness, on account of the excessive delicacy of her constitution and organization. All Paris had participated in the grief of the Duke d'Harcourt; for all Paris respected him. Rich, kind, and benevolent, in an enlightened manner, and within the bounds of reason, rejecting all social Utopias, popular as they might make all who sustained them, the Duke d'Harcourt was a Christian philanthropist, that is to say, a charitable man. Charity is the holiest and purest of earthly virtues, and that in which this patriarch indulged shunned noise and renown. He did not wait until misfortune came to him to soothe it, but sought it out. When this second providence was known to those whom he aided, the Duke imposed secrecy on them as a reward for all he had done. He was, so to say, an impersonation of French honor, and the arbiter of all the differences which arose between the members of the great aristocratic families of France. His word was law, and his decisions sovereign.

The Prince de Maulear had determined to marry his son to the daughter of this noble old man, and had been forced by the Marquis's marriage to abandon the plan. The Duke still remained the friend of the Prince, though he had not unfrequently blamed his somewhat lax principles. Whenever he discovered the Prince in any peccadillo, he used to say, "Well, we must be lenient to youth." Now, the Prince de Maulear was a young man of seventy. The beauty of Aminta, her extreme paleness alone, would have sufficed to fix attention, and created a very revolution in the saloons of the Embassy. The Duchess of Palma did not produce her ordinary effect. The animation she experienced in the beginning of the evening gradually left her, and the sadness under which she had previously suffered, but which she had thrown off during the early hours of the entertainment, began again to take possession of her features and person. One man alone remarked the Duchess, for he had never lost sight of her. Leaning against the door of the boudoir, his eye followed her wherever she went, and appeared to sympathize with all the constraint inflicted on her as mistress of the house. When, however, the Duchess thought she had paid sufficient personal attention, and was satisfied that the pleasures of the evening would be sustained without her, the man who examined her with such care, saw her come towards the boudoir where he was. He went in without being seen by her, and yielding to one of those promptings which a man in his cooler moments would resist, went behind a drapery which covered a door leading into a gallery of pictures, and waited motionless. The Duchess of Palma entered the boudoir, and assuring herself by a glance that she was alone, fell rather than sat on a divan, and suffered two streams of tears to flow from her eyes. "I was strangling," said she. "I would die a thousand deaths. My cruel experiment has succeeded. _He loves her yet_--I am sure of it. For her sake he came to this entertainment, to which he would not have come for mine. He would have made an excuse of his old difficulties with the Duke, of his political position. I would have believed him, and have sacrificed my wish to see him to propriety and his honor. He never ceases to look at her. He thinks of her alone. He is busied with her alone, yet he has no look, no thought for me." The Duchess began to weep again. Steps were heard in the gallery--the drapery at the door was agitated. "Oh, my God!" said the Duchess, "if met with here, and in this condition, what shall I do and say!" The steps approached. Hurrying then to one of the outlets of the boudoir, she opened it hastily, and went into the garden. The steps the Duchess had heard were those of two persons, who, after having been the rounds of the room, were about to go into the picture-gallery. The two persons were René d'Harcourt and Count Monte-Leone.

"Ah ha!" said the Count, "what the devil is Taddeo doing there against the drapery, there like a jealous Spaniard at a corner of Seville, listening to a serenade given by his rival?"

"True! true!" replied d'Harcourt, "but I think the serenade has been given, for his features express the most malevolent expression."

The emotion of Taddeo was so violent when he heard the words of the Duchess, that he had not strength to leave. He, however, restrained himself, and listened to the raillery of his friends.

"Like yourselves," said he, with a quivering voice, "I was in search of fresh air, for it is fearfully warm."

"Do not get sick here," said d'Harcourt, "for Doctor Matheus is not here to cure you."

"Silence," said Taddeo, changing his expression at once, "how imprudent you are to pronounce his name."

All three of them entered the boudoir.

"True," said d'Harcourt, "my tongue is always quicker than my mind. I will however try and make them keep time."

"When will there be a consultation?" asked Taddeo, trying to be calm.

"Eight days hence!"

"At what hour?"

"Midnight!"

"Are there many patients?"

"More than ever," said the Count, "and the poor devils are anxious as possible to be cured!"

"Then," said d'Harcourt, "the practice of the Doctor increases."

"Every day. He will soon be unable to turn around."

"That does not make me uneasy," said d'Harcourt, "our Doctor is a skilful man, a great philosopher, and fully acquainted with the new medicine."

"Yes, very new;--he treats the mind, rather than the body."

"Ah, that is its very essence," replied the Vicompte, "and I know some wonderful cures of his--so wonderful, indeed, that on the other day I presented him to my father."

"To the Duke?" said Monte-Leone,--"introduce Doctor Matheus to the Duke d'Harcourt?" Then in a low voice he continued, "Why did you present him to the Doctor?"

"For a reason which was important and very dear to my heart. My young sister was suffering; my father, who consulted in behalf of my brothers the most eminent practitioners of Paris, lost all confidence in the faculty when he lost his sons. He did not know whom to consult about his daughter; I spoke to him of Matheus, and told him several wonderful cures he had effected, and the Duke became very anxious to see him."

"And did the stern Matheus consent to go to your father's house?"

"He was anxious to do so, and as his house is not far from ours, I in a few minutes was able to introduce him into the patient's room; and would you believe it, a few of the simplest remedies possible exerted a great effect. The agitation of my sister was calmed--her cough arrested--and this evening you see her dancing and waltzing, pretty and gay as possible."

The conversation of the three friends was soon interrupted by the entrance of two other of the personages of our story. The Prince de Maulear entered with the _Marquise_ on his arm, seeking in this retired spot some repose from the fatigues of the ball, and a less heated air than that of the ball-rooms. Aminta leaned heavily on the arm of the Prince when she saw Monte-Leone thus unexpectedly. She had observed him during the evening, and in the course of the winter they had more than once met together. The Count, however, had never referred to their parting at Sorrento. Far from seeking her out, Monte-Leone seemed to avoid her. Satisfied with saluting her respectfully as often as they met, the Count used always to leave her. This reserved and proper conduct was sufficiently explained by the old rivalry of the Marquis de Maulear and the Count. Recollection of this rivalry, without doubt, caused in Aminta's mind the great emotion she always felt when in the presence of Monte-Leone.

"What," said the Prince, when he saw the Count, "are you here, my dear colleague? This chance delights me. My daughter," said he to the young Marquise, "let me introduce to you the Count Monte-Leone, a great traveller, to whom I am indebted for the best chapter of my Italian voyages; all action, I will read it to you one of these days! Ah! but for the Count, I would never have perfected it."

"Monsieur," said Monte-Leone, with a low bow, "I have the honor of the _Marquise_'s acquaintance; and Signora Rovero, her mother, deigned sometimes to receive me at her house before the marriage of the Marquis de Maulear and Madame--"

The Count as he spoke felt as if his heart would burst. The Prince, however, did not perceive it.

"You know my daughter," said the Count, "yes, you have not called on her, you did not seek to see me, who am so glad to see you. This is bad, Count--you will not, however, remain away any longer, and I will not quit you until you promise me a speedy visit."

"I do not know if I should," said the Count, with a hesitation which was not natural to him--and looking timidly at Aminta.

"We shall be happy to receive the Count; but you know, Monsieur, I receive no one without the consent of the Marquis--"

"But the Marquis," said the Prince, "will be delighted to receive so charming a gentleman and erudite a traveller as Count Monte-Leone."

"But I also know M. de Maulear," said the Count.

"Indeed! then you know every one," said the old man. "Why then be so ceremonious? People of our rank easily understand each other. Besides, if the invitation of my son is all you need, here he comes to speak for himself."

D'Harcourt and Taddeo, especially the latter, who knew how devotedly Monte-Leone had loved Aminta, participated in the embarrassment of the scene. Aminta trembled. "Ah! you here at last, Monsieur," said the Prince to his son, as he appeared at the door of the boudoir. "You are a lucky fellow to have your father as your wife's _cavalier servente_, for you have not been near her during the whole evening." The Marquis turned pale, and said with agitation, "Excuse me, sir, but I met some old friends who kept possession of me all the evening."

"Ah!" said the Prince, "_apropo_ of old friends--or old acquaintances, if you will, here is one of yours--the Count Monte-Leone, who wants only for a word from your mouth to renew his acquaintance and visit me."

Henri looked at Monte-Leone, whom he had not seen before.

Without trouble, without agitation, or any apparent effort, he said, "Count Monte-Leone will always be welcome whenever he pleases to visit me."

Aminta cast a glance full of surprise, grief, and reproach on the Marquis, and a secret voice repeated in her very heart:--"He is no longer jealous, and therefore does not love me."

"Very well," said the Prince to his son, and turning to Monte-Leone, and giving him his hand, he said, "We shall meet again, my dear colleague." He continued, "We will talk of our travels, and especially of the chapter of Ceprano."

Then taking the arm of Aminta, who could scarcely support herself, he returned to the ball-room.

VI.--JOURNAL OF A HEART.

The entertainment continued, and the joyous sounds of the orchestra reached the very extremity of the garden of the Hotel, where the Duchess of Palma had taken refuge to conceal her tears from all observers. She heard a faint noise beneath a neighboring hedge, and looking towards it, saw Taddeo gazing at her with an expression of great grief.

"Taddeo," said she.

"Yes," said the young man, "Taddeo, who pities and suffers with you because he knows all and suffers all that unappreciated love can inflict on the heart--"

This was said with an expression of deep pity.

"Who has told you," said the Duchess proudly, "that I suffered as you say?"

"Your tears," said Taddeo, "and the memory of the past. Better still, yourself. The words you uttered not long ago in the boudoir, and which by chance I heard."

"Signor," replied the Duchess with indignation, "do not attribute to chance what you owe to ignoble curiosity. To watch a woman--to surprise the secrets of her heart, is infamous, and betrays the hospitality extended to you. It shows a want of respect for me, and absence of honor in yourself."

"Signora, my only excuse is my ardent passion, which has lasted in spite of time and contempt. I have no motive for my fault but my sad interest in your suffering, the cruel progress of which I have read on your features since the commencement of the entertainment;--that is all----"

"But, Signor, what have I said? What words have I uttered?" said the Duchess, every feature being instinct with terror.

"Nothing, alas! that my heart has not long been aware of. He that you loved, you love still, and his coldness and insensibility for your devotion, makes you lament his ingratitude and indifference."

The Duchess seemed, as it were, relieved of an enormous burden which oppressed her. She breathed more freely and murmured these words with a burst of gratitude to God who had preserved her--"He knows nothing."

"Taddeo," said she, giving him her hand, "I pardon you, for I am myself guilty, very guilty in still preserving my old sentiments in the face of my new obligations, voluntarily contracted. I have, I am certain, lost the right to reproach you with a fault, which passion induced you to commit, while I commit one far greater. For pity's sake forget what you have heard, and to ask me to explain it would be an offence. Pity me in your heart. Ah! pity me, for I am most unfortunate." Then drying her eyes, she continued, "No more of this--be a friend to me as you promised six months ago, when we came to Paris. On this condition alone you know that I permitted you to see me. Now give me your arm, and let us return to the ball-room, whence, probably, our absence has been remarked." They walked in silence down the alley which led to the ball-room.

Two hours after, all was calm and silent where every thing had been gay and brilliant. The lights were out, and the darkness of night replaced the thousand lamps which a few minutes before were seen to glitter within the palace windows. But one person in all the Hotel of the Duke of Palma was awake. A woman sat alone, in a room of rare elegance, still wearing her ball attire, but with her hair dishevelled and her heart crushed. Her eyes were fixed and dry, and yet red with the tears she had shed. She was in all the brilliancy of youth and beauty, but which was already defaced somewhat, by the iron claws of sorrow, which by sleepless nights and the ravages of jealousy seemed resolved yet more to lacerate her. With her head resting on her hands, beautiful and touching as Canova's Magdalen, she looked with sorrow over the papers which lay strewn on a rich ebony desk before her. A lamp, the upper portion of which was shrouded in blue tulle, cast a pale and sad light over her brow. Her fine white hand rested on the papers which she seemed afraid to touch. "No," said she, "it is impossible; all that these contain are but falsehoods. No, this journal of my heart, written by myself, day by day, cannot be a romance created by the imagination in its delirium. No! all I wrote there was true. I felt the joys and bitternesses, yet it now seems to me a dream. A dream! can it be a dream?"