Chapter VIII: Literary Index 494 (8)

We have learned (p. 16) that the dream very rarely reproduces experiences in such a manner that they constitute the sole manifest dream content, unabridged and unchanged. Still some authentic examples showing this process have been reported, and I can add some new ones which again refer to infantile scenes. In the case of one of my patients, a dream once gave a barely disfigured reproduction of a sexual occurrence, which was immediately recognised as an accurate recollection. The memory of it indeed had never been lost in waking life, but it had been greatly obscured, and its revivification was a result of the preceding work of analysis. The dreamer had at the age of twelve visited a bed-ridden schoolmate, who had exposed himself by a movement in bed, probably only by chance. At the sight of the genitals, he was seized by a kind of compulsion, exposed himself and took hold of the member belonging to the other boy, who, however, looked at him with surprise and indignation, whereupon he became embarrassed and let go. A dream repeated this scene twenty-three years later, with all the details of the emotions occurring in it, changing it, however, in this respect, that the dreamer took the passive part instead of the active one, while the person of the schoolmate was replaced by one belonging to the present.

As a rule, of course, a childhood scene is represented in the manifest dream content only by an allusion, and must be extricated from the dream by means of interpretation. The citation of examples of this kind cannot have a very convincing effect, because every guarantee that they are experiences of childhood is lacking; if they belong to an earlier time of life, they are no longer recognised by our memory. Justification for the conclusion that such childish experiences generally exist in dreams is based upon a great number of factors which become apparent in psychoanalytical work, and which seem reliable enough when regarded as a whole. But when, for the purposes of dream interpretation, such references of dreams to childish experiences are torn from their context, they will perhaps not make much impression, especially since I never give all the material upon which the interpretation depends. However, I shall not let this prevent me from giving some examples.

I. The following dream is from another female patient: _She is in a large room, in which there are all kinds of machines, perhaps, as she imagines, an orthopædic institute. She hears that I have no time, and that she must take the treatment along with five others. But she resists, and is unwilling to lie down on the bed—or whatever it is—which is intended for her. She stands in a corner and waits for me to say “It is not true.” The others, meanwhile, laugh at her, saying it is all foolishness on her part. At the same time it is as if she were called upon to make many small squares._

The first part of the content of this dream is an allusion to the treatment and a transference on me. The second contains an allusion to a childhood scene; the two portions are connected by the mention of the bed. The orthopædic institute refers to one of my talks in which I compared the treatment as to its duration and nature with an orthopædic treatment. At the beginning of the treatment I had to tell her that _for the present_ I had little time for her, but that later on I would devote a whole hour to her daily. This aroused in her the old sensitiveness, which is the chief characteristic of children who are to be hysterical. Their desire for love is insatiable. My patient was the youngest of six brothers and sisters (hence, “_with five others_”), and as such the favourite of her father, but in spite of that she seems to have found that her beloved father devoted too little time and attention to her. The detail of her waiting for me to say “It is not true,” has the following explanation: A tailor’s apprentice had brought her a dress, and she had given him the money for it. Then she asked her husband whether she would have to pay the money again if the boy were to lose it. To tease her, her husband answered “Yes” (the teasing in the dream), and she asked again and again, and _waited for him to say_ “_It is not true._” The thought of the latent dream-content may now be construed as follows: Will she have to pay me the double amount if I devote twice the time to her? a thought which is stingy or filthy. (The uncleanliness of childhood is often replaced in the dream by greediness for money; the word filthy here supplies the bridge.) If all that about waiting until I should say, &c., serves as a dream circumlocution for the word “filthy,” the standing-in-a-corner and not lying down-on-the-bed are in keeping; for these two features are component parts of a scene of childhood, in which she had soiled her bed, and for punishment was put into a corner, with the warning that papa would not love her any more, and her brothers and sisters laughed at her, &c. The little squares refer to her young niece, who has shown her the arithmetical trick of writing figures in nine squares, I believe it is, in such a way that upon being added together in any direction they make fifteen.

II. Here is the dream of a man: _He sees two boys tussling with each other, and they are cooper’s boys, as he concludes from the implements which are lying about; one of the boys has thrown the other down, the prostrate one wears ear-rings with blue stones. He hurries after the wrongdoer with lifted cane, in order to chastise him. The latter takes refuge with a woman who is standing against a wooden fence, as though it were his mother. She is the wife of a day labourer, and she turns her back to the man who is dreaming. At last she faces about and stares at him with a horrible look, so that he runs away in fright; in her eyes the red flesh of the lower lid seems to stand out._

The dream has made abundant use of trivial occurrences of the previous day. The day before he actually saw two boys on the street, one of whom threw the other one down. When he hurried up to them in order to settle the quarrel, both of them took flight. Coopers’ boys: this is explained only by a subsequent dream, in the analysis of which he used the expression, “_To knock the bottom out of the barrel._” Ear-rings with blue stones, according to his observation, are chiefly worn by prostitutes. Furthermore, a familiar doggerel rhyme about two boys comes up: “The other boy, his name was Mary” (that is, he was a girl). The woman standing up: after the scene with the two boys, he took a walk on the bank of the Danube, and took advantage of being alone to urinate _against a wooden fence_. A little later during his walk, a decently dressed elderly lady smiled at him very pleasantly, and wanted to hand him her card with her address.

Since in the dream the woman stood as he had while urinating, it is a question of a woman urinating, and this explains the “horrible look,” and the prominence of the red flesh, which can only refer to the genitals which gap in squatting. He had seen genitals in his childhood, and they had appeared in later recollection as “proud flesh” and as “wound.” The dream unites two occasions upon which, as a young boy, the dreamer had had opportunity to see the genitals of little girls, in throwing one down, and while another was urinating; and, as is shown by another association, he had kept in memory a punishment or threat of his father’s, called forth by the sexual curiosity which the boy manifested on these occasions.

III. A great mass of childish memories, which have been hastily united in a phantasy, is to be found behind the following dream of a young lady.

_She goes out in trepidation, in order to do some shopping. On the Graben[BD] she sinks to her knees as though broken down. Many people collect around her, especially the hackney-coach drivers; but no one helps her to get up. She makes many unavailing attempts; finally she must have succeeded, for she is put into a hackney-coach which is to take her home. A large, heavily laden basket (something like a market-basket) is thrown after her through the window._

This is the same woman who is always harassed in her dreams as she was harassed when a child. The first situation of the dream is apparently taken from seeing a horse that had fallen, just as “broken down” points to horse-racing. She was a rider in her early years, still earlier she was probably also a horse. Her first childish memory of the seventeen-year-old son of the porter, who, being seized on the street by an epileptic fit, was brought home in a coach, is connected with the idea of falling down. Of this, of course, she has only heard, but the idea of epileptic fits and of falling down has obtained great power over her phantasies, and has later influenced the form of her own hysterical attacks. When a person of the female sex dreams of falling, this almost regularly has a sexual significance; she becomes a “fallen woman,” and for the purpose of the dream under consideration this interpretation is probably the least doubtful, for she falls on the Graben, the place in Vienna which is known as the concourse of prostitutes. The market-basket admits of more than one interpretation; in the sense of refusal (German, _Korb_ = basket—snub, refusal), she remembers the many snubs which she first gave her suitors, and which she later, as she thinks, received herself. Here belongs also the detail that _no one will help her up_, which she herself interprets as being disdained. Furthermore, the market-basket recalls phantasies that have already appeared in the course of analysis, in which she imagines she has married far beneath her station, and now goes marketing herself. But lastly the market-basket might be interpreted as the mark of a servant. This suggests further childhood memories—of a cook who was sent away because she stole; she, too, sank to her knees and begged for mercy. The dreamer was at that time twelve years old. Then there is a recollection of a chamber-maid, who was dismissed because she had an affair with the coachman of the household, who, incidentally, married her afterwards. This recollection, therefore, gives us a clue to the coachman in the dream (who do not, in contrast with what is actually the case, take the part of the fallen woman). But there still remains to be explained the throwing of the basket, and the throwing of it through the window. This takes her to the transference of baggage on the railroad, to the _Fensterln_,[BE] in the country, and to minor impressions received at a country resort, of a gentleman throwing some blue plums to a lady through her window, and of the dreamer’s little sister being frightened because a cretin who was passing looked in at the window. And now from behind this there emerges an obscure recollection, from her tenth year, of a nurse who made love at the country resort with a servant of the household, of which the child had opportunity to see something, and who was “fired” (thrown out) (in the dream the opposite: “thrown into”), a story which we had also approached by several other paths. The baggage, moreover, or the trunk of a servant, is disparagingly referred to in Vienna as “seven plums.” “Pack up your seven plums and get out.”

My collection, of course, contains an abundant supply of such patients’ dreams, whose analysis leads to childish impressions that are remembered obscurely or not at all, and that often date back to the first three years of life. But it is a mistake to draw conclusions from them which are to apply to the dream in general; we are in every case dealing with neurotic, particularly with hysterical persons; and the part played by childhood scenes in these dreams might be conditioned by the nature of the neurosis, and not by that of the dream. However, I am struck quite as often in the course of interpreting my own dreams, which I do not do on account of obvious symptoms of disease, by the fact that I unsuspectingly come upon a scene of childhood in the latent dream content, and that a whole series of dreams suddenly falls into line with conclusions drawn from childish experiences. I have already given examples of this, and shall give still more upon various occasions. Perhaps I cannot close the whole chapter more fittingly than by citing several of my own dreams, in which recent happenings and long-forgotten experiences of childhood appear together as sources of dreams.

I. After I have been travelling and have gone to bed hungry and tired, the great necessities of life begin to assert their claims in sleep, and I dream as follows: _I go into a kitchen to order some pastry. Here three women are standing, one of whom is the hostess, and is turning something in her hand as though she were making dumplings. She answers that I must wait until she has finished_ (not distinctly as a speech). _I become impatient and go away insulted. I put on an overcoat; but the first one which I try is too long. I take it off, and am somewhat astonished to find that it has fur trimming. A second one has sewn into it a long strip of cloth with Turkish drawings. A stranger with a long face and a short pointed beard comes up and prevents me from putting it on, declaring that it belongs to him. I now show him that it is embroidered all over in Turkish fashion. He asks, “What business are the Turkish (drawings, strips of cloth ...) of yours?” But we then become quite friendly with each other._

In the analysis of this dream there occurs to me quite unexpectedly the novel which I read, that is to say, which I began with the end of the first volume, when I was perhaps thirteen years old. I have never known the name of the novel or of its author, but the conclusion remains vividly in my memory. The hero succumbs to insanity, and continually calls the names of the three women that have signified the greatest good and ill fortune for him during life. Pélagie is one of these names. I still do not know what to make of this name in the analysis. À propos of the three women there now come to the surface the three Parcæ who spin the fate of man, and I know that one of the three women, the hostess in the dream, is the mother who gives life, and who, moreover, as in my case, gives the first nourishment to the living creature. Love and hunger meet at the mother’s breast. A young man—so runs an anecdote—who became a great admirer of womanly beauty, once when the conversation turned upon a beautiful wet nurse who had nourished him as a child, expressed himself to the effect that he was sorry that he had not taken better advantage of his opportunity at the time. I am in the habit of using the anecdote to illustrate the factor of subsequence in the mechanism of psychoneuroses.... One of the Parcæ, then, is rubbing the palms of her hands together as though she were making dumplings. A strange occupation for one of the Fates, which is urgently in need of an explanation! This is now found in another and earlier childhood memory. When I was six years old, and was receiving my first instructions from my mother, I was asked to believe that we are made of earth, and that therefore we must return to earth. But this did not suit me, and I doubted her teaching. Thereupon my mother rubbed the palms of her hands together—just as in making dumplings, except that there was no dough between them—and showed me the blackish scales of epidermis which were thus rubbed off as a proof that it is earth of which we are made. My astonishment at this demonstration _ad oculos_ was without limit, and I acquiesced in the idea which I was later to hear expressed in words: “Thou owest nature a death.”[BF] Thus the women are really Parcæ whom I visit in the kitchen, as I have done so often in my childhood years when I was hungry, and when my mother used to order me to wait until lunch was ready. And now for the dumplings! At least one of my teachers at the University, the very one to whom I am indebted for my histological knowledge (epidermis), might be reminded by the name Knoedl (German, _Knoedel_ = dumplings) of a person whom he had to prosecute for committing a plagiarism of his writings. To commit plagiarism, to appropriate anything one can get, even though it belongs to another, obviously leads to the second part of the dream, in which I am treated like a certain overcoat thief, who for a time plied his trade in the auditoria. I wrote down the expression plagiarism—without any reason—because it presented itself to me, and now I perceive that it must belong to the latent dream-content, because it will serve as a bridge between different parts of the manifest dream-content. The chain of associations—Pélagie—plagiarism—plagiostomi[BG] (sharks)—fish bladder—connects the old novel with the affair of Knoedl and with the overcoats (German, _Überzieher_ = thing drawn over—overcoat or condom), which obviously refer to an object belonging to the technique of sexual life.[BH] This, it is true, is a very forced and irrational connection, but it is nevertheless one which I could not establish in waking life if it had not been already established by the activity of the dream. Indeed, as though nothing were sacred for this impulse to force connections, the beloved name, Bruecke (bridge of words, see above), now serves to remind me of the institution in which I spent my happiest hours as a student, quite without any cares (“So you will ever find more pleasure at the breasts of knowledge without measure”), in the most complete contrast to the urgent desires which vex me while I dream. And finally there comes to the surface the recollection of another dear teacher, whose name again sounds like something to eat (Fleischl—German, _Fleisch_ = meat—like Knoedl), and of a pathetic scene, in which the scales of epidermis play a part (mother—hostess), and insanity (the novel), and a remedy from the Latin kitchen which numbs the sensation of hunger, to wit, cocaine.

In this manner I could follow the intricate trains of thought still further, and could fully explain the part of the dream which is missing in the analysis; but I must refrain, because the personal sacrifices which it would require are too great. I shall merely take up one of the threads, which will serve to lead us directly to the dream thoughts that lie at the bottom of the confusion. The stranger, with the long face and pointed beard, who wants to prevent me from putting on the overcoat, has the features of a tradesman at Spalato, of whom my wife made ample purchases of Turkish cloths. His name was Popovic̓, a suspicious name, which, by the way, has given the humorist Stettenheim a chance to make a significant remark: “He told me his name, and blushingly shook my hand.”[BI] Moreover, there is the same abuse of names as above with Pélagie, Knoedl, Bruecke, Fleischl. That such playing with names is childish nonsense can be asserted without fear of contradiction; if I indulge in it, this indulgence amounts to an act of retribution, for my own name has numberless times fallen a victim to such weak-minded attempts at humour. Goethe once remarked how sensitive a man is about his name with which, as with his skin, he feels that he has grown up, whereupon Herder composed the following on his name:

“Thou who art born of _gods_, of _Goths_, or of _Kot_ (mud)—
Thy _god_like images, too, are dust.”

I perceive that this digression about the abuse of names was only intended to prepare for this complaint. But let us stop here.... The purchase at Spalato reminds me of another one at Cattaro, where I was too cautious, and missed an opportunity for making some desirable acquisitions. (Missing an opportunity at the breast of the nurse, see above.) Another dream thought, occasioned in the dreamer by the sensation of hunger, is as follows: _One should let nothing which one can have escape, even if a little wrong is done; no opportunity should be missed, life is so short, death inevitable._ Owing to the fact that this also has a sexual significance, and that desire is unwilling to stop at a wrong, this philosophy of _carpe diem_ must fear the censor and must hide behind a dream. This now makes articulate counter-thoughts of all kinds, recollections of a time when spiritual food alone was sufficient for the dreamer; it suggests repressions of every kind, and even threats of disgusting sexual punishments.

II. A second dream requires a longer preliminary statement:

I have taken a car to the West Station in order to begin a vacation journey to the Aussee, and I reach the station in time for the train to Ischl, which leaves earlier. Here I see Count Thun, who is again going to see the Emperor at Ischl. In spite of the rain, he has come in an open carriage, has passed out at once through the door for local trains, and has motioned back the gate-keeper, who does not know him and who wants to take his ticket, with a little wave of his hand. After the train to Ischl has left, I am told to leave the platform and go back into the hot waiting-room; but with difficulty I secure permission to remain. I pass the time in watching the people who make use of bribes to secure a compartment; I make up my mind to insist on my rights—that is, to demand the same privilege. Meanwhile I sing something to myself, which I afterwards recognise to be the aria from Figaro’s Wedding:

“If my lord Count wishes to try a dance,
Try a dance,
Let him but say so,
I’ll play him a tune.”

(Possibly another person would not have recognised the song.)

During the whole afternoon I have been in an insolent, combative mood; I have spoken roughly to the waiter and the cabman, I hope without hurting their feelings; now all kinds of bold and revolutionary thoughts come into my head, of a kind suited to the words of Figaro and the comedy of Beaumarchais, which I had seen at the Comédie Française. The speech about great men who had taken the trouble to be born; the aristocratic prerogative, which Count Almaviva wants to apply in the case of Susan; the jokes which our malicious journalists of the Opposition make upon the name of Count Thun (German, _thun_ = doing) by calling him Count Do-Nothing. I really do not envy him; he has now a difficult mission with the Emperor, and I am the real Count Do-Nothing, for I am taking a vacation. With this, all kinds of cheerful plans for the vacation. A gentleman now arrives who is known to me as a representative of the Government at the medical examinations, and who has won the flattering nickname of “Governmental bed-fellow” by his activities in this capacity. By insisting on his official station he secures half of a first-class compartment, and I hear one guard say to the other: “Where are we going to put the gentleman with the first-class half-compartment?” A pretty favouritism; I am paying for a whole first-class compartment. Now I get a whole compartment for myself, but not in a through coach, so that there is no toilet at my disposal during the night. My complaints to the guard are without result; I get even by proposing that at least there be a hole made in the floor of this compartment for the possible needs of the travellers. I really awake at a quarter of three in the morning with a desire to urinate, having had the following dream:

Crowd of people, meeting of students.... _A certain Count (Thun or Taafe) is making a speech. Upon being asked to say something about the Germans, he declares with contemptuous mien that their favourite flower is Colt’s-foot, and then puts something like a torn leaf, really the crumpled skeleton of a leaf, into his buttonhole. I make a start, I make a start then,[BJ] but I am surprised at this idea of mine._ Then more indistinctly: _It seems as though it were the vestibule (Aula), the exits are jammed, as though it were necessary to flee. I make my way through a suite of handsomely furnished rooms, apparently governmental chambers, with furniture of a colour which is between brown and violet, and at last I come to a passage where a housekeeper, an elderly, fat woman (Frauenzimmer), is seated. I try to avoid talking to her, but apparently she thinks I have a right to pass because she asks whether she shall accompany me with the lamp. I signify to her to tell her that she is to remain standing on the stairs, and in this I appear to myself very clever, for avoiding being watched at last. I am downstairs now, and I find a narrow, steep way along which I go._

Again indistinctly.... _It is as if my second task were to get away out of the city, as my earlier was to get out of the house. I am riding in a one-horse carriage, and tell the driver to take me to a railway station. “I cannot ride with you on the tracks,” I say, after he has made the objection that I have tired him out. Here it seems as though I had already driven with him along a course which is ordinarily traversed on the railroad. The stations are crowded; I consider whether I shall go to Krems or to Znaim, but I think that the court will be there, and I decide in favour of Graz or something of the sort. Now I am seated in the coach, which is something like a street-car, and I have in my buttonhole a long braided thing, on which are violet-brown violets of stiff material, which attracts the attention of many people. Here the scene breaks off._

_I am again in front of the railroad station, but I am with a elderly gentleman. I invent a scheme for remaining unrecognised, but I also see this plan already carried out. Thinking and experiencing are here, as it were, the same thing. He pretends to be blind, at least in one eye, and I hold a male urinal in front of him (which we have had to buy in the city or did buy), I am thus a sick attendant, and have to give him the urinal because he is blind. If the conductor sees us in this position, he must pass us by without drawing attention. At the same time the attitude of the person mentioned is visually observed._ Then I awake with a desire to urinate.

The whole dream seems a sort of phantasy, which takes the dreamer back to the revolutionary year 1848, the memory of which had been renewed by the anniversary year 1898, as well as by a little excursion to Wachau, where I had become acquainted with Emmersdorf, a town which I wrongly supposed to be the resting-place of the student leader Fischof, to whom several features of the dream content might refer. The thought associations then lead me to England, to the house of my brother, who was accustomed jokingly to tell his wife of “Fifty years ago,” according to the title of a poem by Lord Tennyson, whereupon the children were in the habit of correcting: “Fifteen years ago.” This phantasy, however, which subtilely attaches itself to the thoughts which the sight of the Count Thun has given rise to, is only like the façade of Italian churches which is superimposed without being organically connected with the building behind it; unlike these façades, however, the phantasy is filled with gaps and confused, and the parts from within break through at many places. The first situation of the dream is concocted from several scenes, into which I am able to separate it. The arrogant attitude of the Count in the dream is copied from a scene at the Gymnasium which took place in my fifteenth year. We had contrived a conspiracy against an unpopular and ignorant teacher, the leading spirit in which was a schoolmate who seems to have taken Henry VIII. of England as his model. It fell to me to carry out the _coup-d’état_, and a discussion of the importance of the Danube (German _Donau_) for Austria (Wachau!) was the occasion upon which matters came to open indignation. A fellow-conspirator was the only aristocratic schoolmate whom we had—he was called the “giraffe” on account of his conspicuous longitudinal development—and he stood just like the Count in the dream, while he was being reprimanded by the tyrant of the school, the Professor of the German language. The explanation of the favourite flower and the putting into the buttonhole of something which again must have been a flower (which recalls the orchids, which I had brought to a lady friend on the same day, and besides that the rose of Jericho) prominently recalls the scene in Shakespeare’s historical plays which opens the civil wars of the Red and the White Roses; the mention of Henry VIII. has opened the way to this reminiscence. It is not very far now from roses to red and white carnations. Meanwhile two little rhymes, the one German, the other Spanish, insinuate themselves into the analysis: “Roses, tulips, carnations, all flowers fade,” and “Isabelita, no llores que se marchitan las flores.” The Spanish is taken from _Figaro_. Here in Vienna white carnations have become the insignia of the Anti-Semites, the red ones of the Social Democrats. Behind this is the recollection of an anti-Semitic challenge during a railway trip in beautiful Saxony (Anglo-Saxon). The third scene contributing to the formation of the first situation in the dream takes place in my early student life. There was a discussion in the German students’ club about the relation of philosophy to the general sciences. A green youth, full of the materialistic doctrine, I thrust myself forward and defended a very one-sided view. Thereupon a sagacious older school-fellow, who has since shown his capacity for leading men and organising the masses, and who, moreover, bears a name belonging to the animal kingdom, arose and called us down thoroughly; he too, he said, had herded swine in his youth, and had come back repentant to the house of his father. I started up (as in the dream), became very uncivil, and answered that since I knew he had herded swine, I was not surprised at the tone of his discourse. (In the dream I am surprised at my national German sentiment.) There was great commotion; and the demand came from all sides that I take back what I had said, but I remained steadfast. The man who had been insulted was too sensible to take the advice, which was given him, to send a challenge, and let the matter drop.

The remaining elements of this scene of the dream are of more remote origin. What is the meaning of the Count’s proclaiming the colt’s foot? Here I must consult my train of associations. Colt’s-foot (German: _Huflattich_)—lattice—lettuce—salad-dog (the dog that grudges others what he cannot eat himself). Here plenty of opprobrious epithets may be discerned: Gir-affe (German _Affe_ = monkey, ape), pig, sow, dog; I might even find means to arrive at donkey, on a detour by way of a name, and thus again at contempt for an academic teacher. Furthermore I translate colt’s-foot (_Huflattich_)—I do not know how correctly—by “pisse-en-lit.” I got this idea from Zola’s _Germinal_, in which children are ordered to bring salad of this kind. The dog—_chien_—has a name sounding like the major function (_chier_, as _pisser_ stands for the minor one). Now we shall soon have before us the indecent in all three of its categories; for in the same _Germinal_, which has a lot to do with the future revolution there is described a very peculiar contest, depending upon the production of gaseous excretions, called flatus.[BK] And now I must remark how the way to this flatus has been for a long while preparing, beginning with the flowers, and proceeding to the Spanish rhyme of Isabelita to Ferdinand and Isabella, and, by way of Henry VIII., to English history at the time of the expedition of the Armada against England, after the victorious termination of which the English struck a medal with the inscription: “_Afflavit_ et dissipati sunt,” for the storm had scattered the Spanish fleet. I had thought of taking this phrase for the title of a chapter on “Therapeutics”—to be meant half jokingly—if I should ever have occasion to give a detailed account of my conception and treatment of hysteria.

I cannot give such a detailed solution of the second scene of the dream, out of regard for the censor. For at this point I put myself in the place of a certain eminent gentleman of that revolutionary period, who also had an adventure with an eagle, who is said to have suffered from incontinence of the bowels, and the like; and I believe I _should not be justified at this point in passing_ the censor, although it was an aulic councillor (_aula_, _consilarius aulicus_) who told me the greater part of these stories. The allusion to the suite of rooms in the dream relates to the private car of his Excellency, into which I had opportunity to look for a moment; but it signifies, as so often in dreams, a woman (Frauenzimmer; German _Zimmer_—room is appended to _Frauen_—woman, in order to imply a slight amount of contempt).[BL] In the person of the housekeeper I give scant recognition to an intelligent elderly lady for the entertainment and the many good stories which I have enjoyed at her house.... The feature of the lamp goes back to Grillparzer, who notes a charming experience of a similar nature, which he afterwards made use of in “Hero and Leander” (the billows of the ocean and of love—the Armada and the storm).[BM]

I must also forgo detailed analysis of the two remaining portions of the dream; I shall select only those elements which lead to two childhood scenes, for the sake of which alone I have taken up the dream. The reader will guess that it is sexual matter which forces me to this suppression; but he need not be content with this explanation. Many things which must be treated as secrets in the presence of others are not treated as such with one’s self, and here it is not a question of considerations inducing me to hide the solution, but of motives of the inner censor concealing the real content of the dream from myself. I may say, then, that the analysis shows these three portions of the dream to be impertinent boasting, the exuberance of an absurd grandiose idea which has long since been suppressed in my waking life, which, however, dares show itself in the manifest dream content by one or two projections (_I seem clever to myself_), and which makes the arrogant mood of the evening before the dream perfectly intelligible. It is boasting, indeed, in all departments; thus the mention of Graz refers to the phrase: What is the price of Graz? which we are fond of using when we feel over-supplied with money. Whoever will recall Master Rabelais’s unexcelled description of the “Life and Deeds of Gargantua and his Son Pantagruel,” will be able to supply the boastful content intimated in the first portion of the dream. The following belongs to the two childhood scenes which have been promised. I had bought a new trunk for this journey, whose colour, a brownish violet, appears in the dream several times. (Violet-brown violets made of stiff material, next to a thing which is called “girl-catcher”—the furniture in the governmental chambers). That something new attracts people’s attention is a well-known belief of children. Now I have been told the following story of my childhood; I remember hearing the story rather than the occurrence itself. I am told that at the age of two I still occasionally wetted my bed, that I was often reproached on this subject, and that I consoled my father by promising to buy him a beautiful new red bed in N. (the nearest large city). (Hence the detail inserted in the dream that _we bought the urinal in the city or had to buy it_; one must keep one’s promises. Attention is further called to the identity of the male urinal and the feminine trunk, box). All the megalomania of the child is contained in this promise. The significance of the dream of difficulty in urinating in the case of the child has been already considered in the interpretation of an earlier dream (_cf._ the dream on p. 145).

Now there was another domestic occurrence, when I was seven or eight years old, which I remember very well. One evening, before going to bed I had disregarded the dictates of discretion not to satisfy my wants in the bedroom of my parents and in their presence, and in his reprimand for this delinquency my father made the remark: “That boy will never amount to anything.” It must have terribly mortified my ambition, for allusions to this scene return again and again in my dreams, and are regularly coupled with enumerations of my accomplishments and successes, as though I wanted to say: “You see, I have amounted to something after all.” Now this childhood scene furnishes the elements for the last image of the dream, in which of course, the rôles are interchanged for the sake of revenge. The elderly man, obviously my father, for the blindness in one eye signifies his glaucoma[BN] on one side is now urinating before me as I once urinated before him. In glaucoma I refer to cocaine, which stood my father in good stead in his operation, as though I had thereby fulfilled my promises. Besides that I make sport of him; since he is blind I must hold the urinal in front of him, and I gloat over allusions to my discoveries in the theory of hysteria, of which I am so proud.[BO]

If the two childhood scenes of urinating are otherwise closely connected with the desire for greatness, their rehabilitation on the trip to the Aussee was further favoured by the accidental circumstance that my compartment had no water-closet, and that I had to expect embarrassment on the ride as actually happened in the morning. I awoke with the sensation of a bodily need. I suppose one might be inclined to credit these sensations with being the actual stimulus of the dream; I should, however, prefer a different conception—namely, that it was the dream thoughts which gave rise to the desire to urinate. It is quite unusual for me to be disturbed in sleep by any need, at least at the time of this awakening, a quarter of four in the morning. I may forestall further objection by remarking that I have hardly ever felt a desire to urinate after awakening early on other journeys made under more comfortable circumstances. Moreover, I can leave this point undecided without hurting my argument.

Since I have learned, further, from experience in dream analysis that there always remain important trains of thought proceeding from dreams whose interpretation at first seems complete (because the sources of the dream and the actuation of the wish are easily demonstrable), trains of thought reaching back into earliest childhood, I have been forced to ask myself whether this feature does not constitute an essential condition of dreaming. If I were to generalise this thesis, a connection with what has been recently experienced would form a part of the manifest content of every dream and a connection with what has been most remotely experienced, of its latent content; and I can actually show in the analysis of hysteria that in a true sense these remote experiences have remained recent up to the present time. But this conjecture seems still very difficult to prove; I shall probably have to return to the part played by the earliest childhood experiences, in another connection (Chapter VII.).

Of the three peculiarities of dream memory considered at the beginning, one—the preference for the unimportant in the dream content—has been satisfactorily explained by tracing it back to dream disfigurement. We have been able to establish the existence of the other two—the selection of recent and of infantile material—but we have found it impossible to explain them by the motive of dream. Let us keep in mind these two characteristics, which still remain to be explained or evaluated; a place for them will have to be found elsewhere, either in the psychology of the sleeping state, or in the discussion of the structure of the psychic apparatus which we shall undertake later, after we have learned that the inner nature of the apparatus may be observed through dream interpretation as though through a window.

Just here I may emphasize another result of the last few dream analyses. The dream often appears ambiguous; not only may several wish-fulfilments, as the examples show, be united in it, but one meaning or one wish-fulfilment may also conceal another, until at the bottom one comes upon the fulfilment of a wish from the earliest period of childhood; and here too, it may be questioned whether “often” in this sentence may not more correctly be replaced by “regularly.”

(_c_) _Somatic Sources of Dreams_

If the attempt be made to interest the cultured layman in the problems of dreaming, and if, with this end in view, he be asked the question from what source dreams originate according to his opinion, it is generally found that the person thus interrogated thinks himself in assured possession of a part of the solution. He immediately thinks of the influence which a disturbed or impeded digestion (“Dreams come from the stomach”), accidental bodily position, and little occurrences during sleep, exercise upon the formation of dreams, and he seems not to suspect that even after the consideration of all these factors there still remains something unexplained.

We have explained at length in the introductory chapter (p. 16), what a rôle in the formation of dreams the scientific literature credits to the account of somatic exciting sources, so that we need here only recall the results of this investigation. We have seen that three kinds of somatic exciting sources are distinguished, objective sensory stimuli which proceed from external objects, the inner states of excitation of the sensory organs having only a subjective basis, and the bodily stimuli which originate internally; and we have noticed the inclination on the part of the authors to force the psychic sources of the dream into the background or to disregard them altogether in favour of these somatic sources of stimulation (p. 32).

In testing the claims which are made on behalf of these classes of somatic sources of stimulation, we have discovered that the significance of the objective stimuli of the sensory organs—whether accidental stimuli during sleep or those stimuli which cannot be excluded from our dormant psychic life—has been definitely established by numerous observations and is confirmed by experiments (p. 18); we have seen that the part played by subjective sensory stimuli appears to be demonstrated by the return of hypnogogic sensory images in dreams, and that although the referring of these dream images and ideas, in the broadest sense, to internal bodily stimulation is not demonstrable in every detail, it can be supported by the well-known influence which an exciting state of the digestive, urinary, and sexual organs exercise upon the contents of our dreams.

“Nerve stimulus” and “bodily stimulus,” then, would be the somatic sources of the dream—that is, the only sources whatever of the dream, according to several authors.

But we have already found a number of doubts, which seem to attack not so much the correctness of the somatic theory of stimulation as its adequacy.

However certain all the representatives of this theory may have felt about the actual facts on which it is based—especially in case of the accidental and external nerve stimuli, which may be recognised in the content of the dream without any trouble—nevertheless none of them has been able to avoid the admission that the abundant ideal content of dreams does not admit of explanation by external nerve-stimuli alone. Miss Mary Whiton Calkins[12] has tested her own dreams and those of another person for a period of six weeks with this idea in mind, and has found only from 13·2 per cent. to 6·7 per cent. in which the element of external sensory perception was demonstrable; only two cases in the collection could be referred to organic sensations. Statistics here confirm what a hasty glance at our own experience might have led us to suspect.

The decision has been made repeatedly to distinguish the “dream of nerve stimulus” from the other forms of the dream as a well-established sub-species. Spitta[64] divided dreams into dreams of nerve stimulus and association dreams. But the solution clearly remained unsatisfactory as long as the link between the somatic sources of dreams and their ideal content could not be demonstrated.

Besides the first objection, of the inadequate frequency of external exciting sources, there arises as a second objection the inadequate explanation of dreams offered by the introduction of this sort of dream sources. The representatives of the theory accordingly must explain two things, in the first place, why the external stimulus in the dream is never recognised according to its real nature, but is regularly mistaken for something else (_cf._ the alarm-clock dreams, p. 22), and secondly, why the reaction of the receiving mind to this misrecognised stimulus should result so indeterminately and changefully. As an answer to these questions, we have heard from Strümpell[66] that the mind, as a result of its being turned away from the outer world during sleep, is not capable of giving correct interpretation to the objective sensory stimulus, but is forced to form illusions on the basis of the indefinite incitements from many directions. As expressed in his own words (p. 108):

“As soon as a sensation, a sensational complex, a feeling, or a psychic process in general, arises in the mind during sleep from an outer or inner nerve-stimulus, and is perceived by the mind, this process calls up sensory images, that is to say, earlier perceptions, either unembellished or with the psychic values belonging to them, from the range of waking experiences, of which the mind has remained in possession. It seems to collect about itself, as it were, a greater or less number of such images, from which the impression which originates from the nerve-stimulus receives its psychic value. It is usually said here, as the idiom does of waking thought, that the mind _interprets_ impressions of nerve-stimuli in sleep. The result of this interpretation is the so-called nerve-stimulus dream—that is to say, a dream whose composition is conditioned by the fact that a nerve-stimulus brings about its effect in psychic life according to the laws of reproduction.”

The opinion of Wundt[76] agrees in all essentials with this theory. He says that the ideas in the dream are probably the result, for the most part, of sensory stimuli, especially of those of general sensation, and are therefore mostly phantastic illusions—probably memory presentations which are only partly pure, and which have been raised to hallucinations. Strümpell has found an excellent simile (p. 84). It is as “if the ten fingers of a person ignorant of music should stray over the keyboard of an instrument”—to illustrate the relation between dream content and dream stimuli, which follows from this theory. The implication is that the dream does not appear as a psychic phenomenon, originating from psychic motives, but as the result of a physiological stimulus, which is expressed in psychic symptomology, because the apparatus which is affected by the stimulus is not capable of any other expression. Upon a similar assumption is based, for example, the explanation of compulsive ideas which Meynert tried to give by means of the famous simile of the dial on which individual figures are prominent because they are in more marked relief.

However popular this theory of somatic dream stimuli may have become, and however seductive it may seem, it is nevertheless easy to show the weak point in it. Every somatic dream stimulus which provokes the psychic apparatus to interpretation through the formation of illusions, is capable of giving rise to an incalculable number of such attempts at interpretation; it can thus attain representation in the dream content by means of an extraordinary number of different ideas. But the theory of Strümpell and Wundt is incapable of instancing any motive which has control over the relation between the external stimulus and the dream idea which has been selected to interpret it, and therefore of explaining the “peculiar choice” which the stimuli “often enough make in the course of their reproductive activity” (Lipps, _Grundtatsachen des Seelenlebens_, p. 170). Other objections may be directed against the fundamental assumption of the whole theory of illusions—the assumption that during sleep the mind is not in a condition to recognise the real nature of the objective sensory stimuli. The old physiologist Burdach[8] proves to us that the mind is quite capable even during sleep of interpreting correctly the sensory impressions which reach it, and of reacting in accordance with the correct interpretation. He establishes this by showing that it is possible to exempt certain impressions which seem important to the individuals, from the neglect of sleeping (nurse and child), and that one is more surely awakened by one’s own name than by an indifferent auditory impression, all of which presupposes, of course, that the mind distinguishes among sensations, even in sleep (Chapter I., p. 41). Burdach infers from these observations that it is not an incapability of interpreting sensory stimuli in the sleeping state which must be assumed, but a lack of interest in them. The same arguments which Burdach used in 1830, later reappear unchanged in the works of Lipps in the year 1883, where they are employed for the purpose of attacking the theory of somatic stimuli. According to this the mind seems to be like the sleeper in the anecdote, who, upon being asked, “Are you asleep?” answers “No,” and upon being again addressed with the words, “Then lend me ten florins,” takes refuge in the excuse: “I am asleep.”

The inadequacy of the theory of somatic dream stimuli may also be demonstrated in another manner. Observations show that I am not urged to dream by external stimulations, even if these stimulations appear in the dream as soon as, and in case that, I dream. In response to the tactile or pressure stimulus which I get while sleeping, various reactions are at my disposal. I can overlook it and discover only upon awakening that my leg has been uncovered or my arm under pressure; pathology shows the most numerous examples where powerfully acting sensory and motor stimuli of different sorts remain without effect during sleep. I can perceive a sensation during sleep through and through sleep, as it were, which happens as a rule with painful stimuli, but without weaving the pain into the texture of the dream; thirdly, I can awaken on account of the stimulus in order to obviate it. Only as a fourth possible reaction, I may be impelled to dream by a nerve stimulus; but the other possibilities are realised at least as often as that of dream formation. This could not be the case if the _motive for dreaming did not lie outside of the somatic sources of dreams_.