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Chapter II: Part 2

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ORESTES. Another token, seen of mine own eye. The ancient lance that leapt in Pelops' hand, To win his bride, the virgin of the land, And smite Oenomaus, in thy chamber hid ...

IPHIGENIA (falling into his arms). Beloved! Oh, no other, for indeed Beloved art thou! In mine arms at last, Orestes far away.

ORESTES. And thou in mine, the evil dreaming past, Back from the dead this day! Yet through the joy tears, tears and sorrow loud Are o'er mine eyes and thine eyes, like a cloud.

IPHIGENIA. Is this the babe I knew, The little babe, light lifted like a bird? O heart of mine, too blest for any word, What shall I say or do? Beyond all wonders, beyond stories heard, This joy is here and true.

ORESTES. Could we but stay thus joined for evermore!

IPHIGENIA. A joy is mine I may not understand, Friends, and a fear, lest sudden from my hand This dream will melt and soar Up to the fiery skies from whence it came. O Argos land, O hearth and holy flame That old Cyclopes lit, I bless ye that he lives, that he is grown, A light and strength, my brother and mine own; I bless your name for it.

ORESTES. One blood we are; so much is well. But Fate, Sister, hath not yet made us fortunate.

IPHIGENIA. O most unfortunate! Did I not feel, Whose father, misery-hearted, at my bare Throat held the steel?

ORESTES. Woe's me! Methinks even now I see thee there.

IPHIGENIA. No love-song of Achilles! Crafty arms Drew me to that cold sleep, And tears, blind tears amid the altar psalms And noise of them that weep-- That was my cleansing!

ORESTES. My heart too doth bleed, To think our father wrought so dire a deed.

IPHIGENIA. My life hath known no father. Any road To any end may run, As god's will drives; else ...

ORESTES. Else, unhappy one, Thyself had spilt this day thy brother's blood!

IPHIGENIA.
Ah God, my cruel deed! ... 'Twas horrible.
'Twas horrible ... O brother! Did my heart
Endure it? ... And things fell
Right by so frail a chance; and here thou art.
Bloody my hand had been,
My heart heavy with sin.
And now, what end cometh?
Shall Chance yet comfort me,
Finding a way for thee
Back from the Friendless Strand,
Back from the place of death--
Ere yet the slayers come
And thy blood sink in the sand--
Home unto Argos, home? ...
Hard heart, so swift to slay,
Is there to life no way? ...

No ship! ... And how by land? ...
A rush of feet
Out to the waste alone.
Nay: 'twere to meet
Death, amid tribes unknown
And trackless ways of the waste ...
Surely the sea were best.
Back by the narrow bar
To the Dark Blue Gate! ...
Ah God, too far, too far! ...
Desolate! Desolate!

What god or man, what unimagined flame,
Can cleave this road where no road is, and bring
To us last wrecks of Agamemnon's name,
Peace from long suffering?

LEADER. Lo, deeds of wonder and beyond surmise, Not as tales told, but seen of mine own eyes.

PYLADES. Men that have found the arms of those they love Would fain long linger in the joy thereof. But we, Orestes, have no respite yet For tears or tenderness. Let us forget All but the one word Freedom, calling us To live, not die by altars barbarous. Think not of joy in this great hour, nor lose Fortune's first hold. Not thus do wise men use.

ORESTES. I think that Fortune watcheth o'er our lives, Surer than we. But well said: he who strives Will find his gods strive for him equally.

IPHIGENIA. He shall not check us so, nor baffle me Of this one word. How doth Electra move Through life? Ye twain are all I have to love.

ORESTES. A wife and happy: this man hath her hand.

IPHIGENIA. And what man's son is he, and of what land?

ORESTES. Son of King Strophios he is called of men.

IPHIGENIA. Whom Atreus' daughter wed?--My kinsman then.

ORESTES. Our cousin, and my true and only friend.

IPHIGENIA. He was not born, when I went to mine end.

ORESTES. No, Strophios had no child for many a year.

IPHIGENIA. I give thee hail, husband of one so dear.

ORESTES. My more than kinsman, saviour in my need!

IPHIGENIA. But mother ... Speak: how did ye dare that deed?

ORESTES. Our father's wrongs ... But let that story be.

IPHIGENIA. And she to slay her king! What cause had she?

ORESTES. Forget her! ... And no tale for thee it is.

IPHIGENIA. So be it.--And thou art Lord of Argolis?

ORESTES. Our uncle rules. I walk an exile's ways.

IPHIGENIA. Doth he so trample on our fallen days?

ORESTES. Nay: there be those that drive me, Shapes of Dread.

IPHIGENIA. Ah! That frenzy on the shore! 'Tis as they said...

ORESTES. They saw me in mine hour. It needs must be.

IPHIGENIA. 'Twas our dead mother's Furies hounding thee!

ORESTES. My mouth is bloody with the curb they ride.

IPHIGENIA. What brought thee here beyond the Friendless Tide?

ORESTES. What leads me everywhere--Apollo's word.

IPHIGENIA. Seeking what end?--Or may the tale be heard?

ORESTES. Nay, I can tell thee all. It needs must be The whole tale of my days of misery. When this sore evil that we speak not of Lit on my hand, this way and that they drove My body, till the God by diverse paths Led me to Athens, that the nameless Wraths Might bring me before judgment. For that land A pure tribunal hath, where Ares' hand, Red from an ancient stain, by Zeus was sent For justice. Thither came I; and there went God's hate before me, that at first no man Would give me shelter. Then some few began To pity, and set out for me aloof One table. There I sate within their roof, But without word they signed to me, as one Apart, unspoken to, unlocked upon, Lest touch of me should stain their meat and sup. And every man in measure filled his cup And gave me mine, and took their joy apart, While I sat silent; for I had no heart To upbraid the hosts that fed me. On I wrought In my deep pain, feigning to mark them not.

And now, men say, mine evil days are made A rite among them and the cups are laid Apart for each. The rule abideth still.

Howbeit, when I was come to Ares' Hill They gave me judgment. On one stone I stood, On one she that was eldest of the brood That hunted me so long. And many a word Touching my mother's death was spoke and heard, Till Phoebus rose to save me. Even lay The votes of Death and Life; when, lo, a sway Of Pallas' arm, and free at last I stood From that death grapple. But the Shapes of Blood-- Some did accept the judgment, and of grace Consent to make their house beneath that place In darkness. Others still consented not, But clove to me the more, like bloodhounds hot On the dying; till to Phoebus' house once more I crept, and cast me starving on the floor Facing the Holy Place, and made my cry: "Lord Phoebus, here I am come, and here will die, Unless thou save me, as thou hast betrayed." And, lo, from out that dark and golden shade A voice: "Go, seek the Taurian citadel: Seize there the carven Artemis that fell From heaven, and stablish it on Attic soil. So comes thy freedom." [IPHIGENIA shrinks.] Sister, in this toil

Help us!--If once that image I may win That day shall end my madness and my sin: And thou, to Argos o'er the sundering foam My many-oared barque shall bear thee home.

O sister loved and lost, O pitying face, Help my great peril; help our father's race. For lost am I and perished all the powers Of Pelops, save that heavenly thing be ours!

LEADER. Strange wrath of God hath fallen, like hot rain, On Tantalus' house: he leadeth them through pain.

IPHIGENIA. Long ere you came my heart hath yearned to be In Argos, brother, and so near to thee: But now--thy will is mine. To ease thy pain, To lift our father's house to peace again, And hate no more my murderers--aye,'tis good. Perchance to clean this hand that sought thy blood, And save my people... But the goddess' eyes, How dream we to deceive them? Or what wise Escape the King, when on his sight shall fall The blank stone of the empty pedestal? ... I needs must die ... What better can I do?

And yet, one chance there is: could I but go Together with the image: couldst thou bear Both on the leaping seas! The risk were fair. But how?

Nay, I must wait then and be slain: Thou shalt walk free in Argolis again, And all life smile on thee ... Dearest, we need Nor shrink from that. I shall by mine own deed Have saved thee. And a man gone from the earth Is wept for. Women are but little worth.

ORESTES. My mother and then thou? It may not be. This hand hath blood enough. I stand with thee One-hearted here, be it for life or death, And either bear thee, if God favoureth, With me to Greece and home, or else lie here Dead at thy side.--But mark me: if thou fear Lest Artemis be wroth, how can that be? Hath not her brother's self commanded me To bear to Greece her image?--Oh, he knew Her will! He knew that in this land we two Must meet once more. All that so far hath past Doth show his work. He will not at the last Fail. We shall yet see Argos, thou and I.

IPHIGENIA. To steal for thee the image, yet not die Myself! 'Tis that we need. 'Tis that doth kill My hope. Else ... Oh, God knows I have the will!

ORESTES. How if we slew your savage king?

IPHIGENIA. Ah, no: He sheltered me, a stranger.

ORESTES. Even so, If it bring life for me and thee, the deed May well be dared.

IPHIGENIA. I could not ... Nay; indeed I thank thee for thy daring.

ORESTES. Canst thou hide My body in the shrine?

IPHIGENIA. There to abide Till nightfall, and escape?

ORESTES. Even so; the night Is the safe time for robbers, as the light For just men.

IPHIGENIA. There be sacred watchers there Who needs must see us.

ORESTES. Gods above! What prayer Can help us then?

IPHIGENIA. I think I dimly see One chance.

ORESTES.
What chance? Speak out thy fantasy.

IPHIGENIA'. On thine affliction I would build my way.

ORESTES. Women have strange devices.

IPHIGENIA. I would say Thou com'st from Hellas with thy mother's blood Upon thee.

ORESTES. Use my shame, if any good Will follow.

IPHIGENIA. Therefore, an offence most high It were to slay thee to the goddess!

ORESTES. Why? Though I half guess.

IPHIGENIA. Thy body is unclean.-- Oh, I will fill them with the fear of sin!

ORESTES. What help is that for the Image?

IPHIGENIA. I will crave To cleanse thee in the breaking of the wave.

ORESTES. That leaves the goddess still inside her shrine, And'tis for her we sailed.

IPHIGENIA. A touch of thine Defiled her. She too must be purified.

ORESTES. Where shall it be? Thou knowest where the tide Sweeps up in a long channel?

IPHIGENIA. Yes! And where Your ship, I guess, lies moored.

ORESTES. Whose hand will bear-- Should it be thine?--the image from her throne?

IPHIGENIA. No hand of man may touch it save mine own.

ORESTES. And Pylades--what part hath he herein?

IPHIGENIA. The same as thine. He bears the self-same sin.

ORESTES. How wilt thou work the plan--hid from the king Or known?

IPHIGENIA. To hide it were a hopeless thing.. Oh, I will face him, make him yield to me.

ORESTES. Well, fifty oars lie waiting on the sea.

IPHIGENIA. Aye, there comes thy work, till an end be made.

ORESTES. Good. It needs only that these women aid Our secret. Do thou speak with them, and find Words of persuasion. Power is in the mind Of woman to wake pity.--For the rest, God knoweth: may it all end for the best!

IPHIGENIA. O women, you my comrades, in your eyes I look to read my fate. In you it lies, That either I find peace, or be cast down To nothing, robbed for ever of mine own-- Brother, and home, and sister pricelessly Beloved.--Are we not women, you and I, A broken race, to one another true, And strong in our shared secrets? Help me through This strait; keep hid the secret of our flight, And share our peril! Honour shineth bright On her whose lips are steadfast ... Heaven above! Three souls, but one in fortune, one in love, Thou seest us go--is it to death or home? If home, then surely, surely, there shall come Part of our joy to thee. I swear, I swear To aid thee also home ...

[she goes to one after another, and presently kneels embracing the knees of the LEADER.]

I make my prayer By that right hand; to thee, too, by that dear Cheek; by thy knees; by all that is not here Of things beloved, by mother, father, child-- Thou hadst a child!--How say ye? Have ye smiled Or turned from me? For if ye turn away, I and my brother are lost things this day.

LEADER. Be of good heart, sweet mistress. Only go To happiness. No child of man shall know From us thy secret. Hear me, Zeus on high!

IPHIGENIA (rising). God bless you for that word, and fill your eye With light!--

[turning to ORESTES and PYLADES.]

But now, to work! Go thou, and thou, In to the deeper shrine. King Thoas now Should soon be here to question if the price Be yet paid of the strangers' sacrifice.

[ORESTES and PYLADES go in.]

Thou Holy One, that on the shrouded sand Of Aulis saved me from a father's hand Blood-maddened, save me now, and save these twain. Else shall Apollo's lips, through thy disdain, Be no more true nor trusted in men's eyes. Come from the friendless shore, the cruel skies, Come back: what mak'st thou here, when o'er the sea A clean and joyous land doth call for thee?

[she follows the men into the temple.]

CHORUS.

[STROPHE I.]

Bird of the sea rocks, of the bursting spray, O halcyon bird, That wheelest crying, crying, on thy way; Who knoweth grief can read the tale of thee: One love long lost, one song for ever heard And wings that sweep the sea.

Sister, I too beside the sea complain, A bird that hath no wing. Oh, for a kind Greek market-place again, For Artemis that healeth woman's pain; ' Here I stand hungering. Give me the little hill above the sea, The palm of Delos fringed delicately, The young sweet laurel and the olive-tree Grey-leaved and glimmering; O Isle of Leto, Isle of pain and love; The Orbed Water and the spell thereof; Where still the Swan, minstrel of things to be, Doth serve the Muse and sing!

[ANTISTROPHE I.]

Ah, the old tears, the old and blinding tears I gave God then, When my town fell, and noise was in mine ears Of crashing towers, and forth they guided me Through spears and lifted oars and angry men Out to an unknown sea. They bought my flesh with gold, and sore afraid I came to this dark East To serve, in thrall to Agamemnon's maid, This Huntress Artemis, to whom is paid The blood of no slain beast; Yet all is bloody where I dwell, Ah me! Envying, envying that misery That through all life hath endured changelessly. For hard things borne from birth Make iron of man's heart, and hurt the less. 'Tis change that paineth; and the bitterness Of life's decay when joy hath ceased to be That makes dark all the earth.

Behold, [STROPHE 2.]
Two score and ten there be
Rowers that row for thee,
And a wild hill air, as if Pan were there,
Shall sound on the Argive sea,
Piping to set thee free.

Or is it the stricken string
Of Apollo's lyre doth sing
Joyously, as he guideth thee
To Athens, the land of spring;
While I wait wearying?

Oh, the wind and the oar,
When the great sail swells before,
With sheets astrain, like a horse on the rein;
And on, through the race and roar,
She feels for the farther shore.

Ah me, [ANTISTROPHE 2.]
To rise upon wings and hold
Straight on up the steeps of gold
Where the joyous Sun in fire doth run,
Till the wings should faint and fold
O'er the house that was mine of old:

Or watch where the glade below
With a marriage dance doth glow,
And a child will glide from her mother's side
Out, out, where the dancers flow:
As I did, long ago.

Oh, battles of gold and rare
Raiment and starred hair,
And bright veils crossed amid tresses tossed
In a dusk of dancing air!
O Youth and the days that were!

[enter KING THOAS, with soldiers.]

THOAS. Where is the warden of this sacred gate, The Greek woman? Is her work ended yet With those two strangers? Do their bodies lie Aflame now in the rock-cleft sanctuary?

LEADER. Here is herself, O King, to give thee word. enter, from the temple, IPHIGENIA, carrying the image on high.

THOAS. How, child of Agamemnon! Hast thou stirred From her eternal base, and to the sun Bearest in thine own arms, the Holy One?

IPHIGENIA. Back Lord! No step beyond the pillared way.

THOAS. But how? Some rule is broken?

IPHIGENIA. I unsay That word. Be all unspoken and unwrought!

THOAS. What means this greeting strange? Disclose thy thought.

IPHIGENIA. Unclean the prey was that ye caught, O King.

THOAS. Who showed thee so? Thine own imagining?

IPHIGENIA. The Image stirred and shuddered from its seat.

THOAS. Itself? ... Some shock of earthquake loosened it.

IPHIGENIA. Itself. And the eyes closed one breathing space.

THOAS. But why? For those two men's bloodguiltiness?

IPHIGENIA. That, nothing else. For, Oh, their guilt is sore.

THOAS. They killed some of my herdsmen on the shore?

IPHIGENIA. Their sin was brought from home, not gathered here.

THOAS. What? I must know this.--Make thy story clear.

IPHIGENIA. (she puts the image down and moves nearer to thoas.) The men have slain their mother.

THOAS. God! And these Be Greeks!

IPHIGENIA They both are hunted out of Greece.

THOAS. For this thou has brought the Image to the sun?

IPHIGENIA. The fire of heaven can cleanse all malison.

THOAS. How didst thou first hear of their deed of shame?

IPHIGENIA. When the Image hid its eyes, I questioned them.

THOAS. Good. Greece hath taught thee many a subtle art.

IPHIGENIA. Ah, they too had sweet words to move my heart.

THOAS. Sweet words? How, did they bring some news of Greece?

IPHIGENIA. Orestes, my one brother, lives in peace.

THOAS. Surely! Good news to make thee spare their lives ...

IPHIGENIA. My father too in Argos lives and thrives.

THOAS. While thou didst think but of the goddess' laws!

IPHIGENIA. Do I not hate all Greeks? Have I not cause?

THOAS. Good cause. But now ... What service should be paid?

IPHIGENIA. The Law of long years needs must be obeyed.

THOAS. To work then, with thy sword and handwashing!

IPHIGENIA. First I must shrive them with some cleansing thing.

THOAS. What? Running water, or the sea's salt spray?

IPHIGENIA. The sea doth wash all the world's ills away.

THOAS. For sure. 'Twill make them cleaner for the knife.

IPHIGENIA. And my hand, too, cleaner for all my life.

THOAS. Well, the waves lap close by the temple floor.

IPHIGENIA. We need a secret place. I must do more.

THOAS. Some rite unseen? 'Tis well. Go where thou wilt.

IPHIGENIA. The Image likewise must be purged of guilt.

THOAS. The stain hath touched it of that mother's blood?

IPHIGENIA. I durst not move it else, from where it stood.

THOAS. How good thy godliness and forethought! Aye, Small wonder all our people holds thee high.

IPHIGENIA. Dost know then what I fain would have?

THOAS. 'Tis thine to speak and it shall be.

IPHIGENIA. Put bondage on the strangers both ...

THOAS. Why bondage? Whither can they flee?

IPHIGENIA. Put not thy faith in any Greek.

THOAS (to ATTENDANTS). Ho, men! Some thongs and fetters, go!

IPHIGENIA. Stay; let them lead the strangers here, outside the shrine ...

THOAS. It shall be so.

IPHIGENIA. And lay dark raiment on their heads ...

THOAS. To veil them, lest the Sun should see.

IPHIGENIA. And lend me some of thine own spears.

THOAS. This company shall go with thee.

IPHIGENIA. Next, send through all the city streets a herald ...

THOAS. Aye; and what to say?

IPHIGENIA. That no man living stir abroad.

THOAS. The stain of blood might cross their way.

IPHIGENIA. Aye, sin like theirs doth spread contagion.

THOAS (to an ATTENDANT). Forth, and publish my command ...

IPHIGENIA. That none stir forth--nor look ...

THOAS. Nor look.--How well thou carest for the land!

IPHIGENIA. For one whom I am bound to love.

THOAS. Indeed, I think thou hat'st me not.

IPHIGENIA. And thou meanwhile, here at the temple, wait, O King, and ...

THOAS. Wait for what?

IPHIGENIA. Purge all the shrine with fire.

THOAS. 'Twill all be clean before you come again.

IPHIGENIA. And while the strangers pass thee close, seeking the sea ...

THOAS. What wouldst thou then?

IPHIGENIA. Put darkness on thine eyes.

THOAS. Mine eyes might drink the evil of their crime?

IPHIGENIA.

And, should I seem to stay too long ...

THOAS. Too long? How shall I judge the time?

IPHIGENIA. Be not dismayed.

THOAS. Perform thy rite all duly. We have time to spare.

IPHIGENIA. And God but grant this cleansing end as I desire!

THOAS. I join thy prayer.

IPHIGENIA. The door doth open! See, they lead the strangers from the cell within, And raiment holy and young lambs, whose blood shall shrive the blood of Sin. And, lo, the light of sacred fires, and things of secret power, arrayed By mine own hand to cleanse aright the strangers, to cleanse Leto's Maid.

[she takes up the image again.]

There passeth here a holy thing: begone, I charge ye,
from the road,
O whoso by these sacred gates may dwell, hand-consecrate
to God,
What man hath marriage in his heart, what woman
goeth great with child,
Begone and tremble from this road: fly swiftly, lest ye
be defiled.--

O Queen and Virgin, Leto-born, have pity! Let me
cleanse this stain,
And pray to thee where pray I would: a clean house
shall be thine again,
And we at last win happiness.--Behold, I speak but as
I dare;
The rest ... Oh, God is wise, and thou, my Mistress,
thou canst read my prayer.

[The procession passes out, THOAS and the bystanders veiled; Attendants in front, then IPHIGENIA with the Image, then veiled Soldiers, then ORESTES and PYLADES bound, the bonds held by other veiled Soldiers following them. THOAS goes into the Temple.]

CHORUS. [STROPHE.]
Oh, fair the fruits of Leto blow:
A Virgin, one, with joyous bow,
And one a Lord of flashing locks,
Wise in the harp, Apollo:
She bore them amid Delian rocks,
Hid in a fruited hollow.

But forth she fared from that low reef,
Sea-cradle of her joy and grief.
A crag she knew more near the skies
And lit with wilder water,
That leaps with joy of Dionyse:
There brought she son and daughter.

And there, behold, an ancient Snake,
Wine-eyed, bronze-gleaming in the brake
Of deep-leaved laurel, ruled the dell,
Sent by old Earth from under
Strange caves to guard her oracle--
A thing of fear and wonder.

Thou, Phoebus, still a new-born thing,
Meet in thy mother's arms to lie,
Didst kill the Snake and crown thee king,
In Pytho's land of prophecy:
Thine was the tripod and the chair
Of golden truth; and throned there,
Hard by the streams of Castaly,
Beneath the untrodden portal
Of Earth's mid stone there flows from thee
Wisdom for all things mortal.

[ANTISTROPHE.]

He slew the Snake; he cast, men say,
Themis, the child of Earth, away
From Pytho and her hallowed stream;
Then Earth, in dark derision,
Brought forth the Peoples of the Dream
And all the tribes of Vision.

And men besought them; and from deep
Confused underworlds of sleep
They showed blind things that erst had been
And are and yet shall follow
So did avenge that old Earth Queen
Her child's wrong on Apollo.

Then swiftly flew that conquering one
To Zeus on high, and round the throne
Twining a small indignant hand,
Prayed him to send redeeming
To Pytho from that troublous band
Sprung from the darks of dreaming.

Zeus laughed to see the babe, I trow,
So swift to claim his golden rite;
He laughed and bowed his head, in vow
To still those voices of the night.
And so from out the eyes of men
That dark dream-truth was lost again;
And Phoebus, throneed where the throng
Prays at the golden portal,
Again doth shed in sunlit song
Hope unto all things mortal.

[enter a MESSENGER, running.]

MESSENGER. Ho, watchers of the fane! Ho, altar-guard, Where is King Thoas gone? Undo the barred Portals, and call the King! The King I seek.

LEADER. What tidings--if unbidden I may speak?

MESSENGER. The strangers both are gone, and we beguiled, By some dark plot of Agamemnon's child: Fled from the land! And on a barque of Greece They bear the heaven-sent shape of Artemis.

LEADER. Thy tale is past belief.--Go, swiftly on, And find the King. He is but newly gone.

MESSENGER. Where went he? He must know of what has passed!

LEADER. I know not where he went. But follow fast And seek him. Thou wilt light on him ere long.

MESSENGER. See there! The treason of a woman's tongue! Ye all are in the plot, I warrant ye!

LEADER. Thy words are mad! What are the men to me? ... Go to the palace, go!

MESSENGER (seeing the great knocker on the temple door.) I will not stir Till word be come by this good messenger If Thoas be within these gates or no.--

[thundering at the door.]

Ho, loose the portals! Ye within! What ho! Open, and tell our master one doth stand Without here, with strange evil in his hand.

[enter THAOS from the temple.]

THOAS. Who dares before this portal consecrate Make uproar and lewd battering of the gate? Thy noise hath broke the Altar's ancient peace.

MESSENGER. Ye Gods! They swore to me--and bade me cease My search--the King was gone. And all the while ...!

THOAS. These women? How? What sought they by such guile?

MESSENGER. Of them hereafter!--Give me first thine ear For greater things. The virgin minister That served our altar, she hath fled from this And stolen the dread Shape of Artemis, With those two Greeks. The cleansing was a lie.

THOAS. She fled?--What wild hope whispered her to fly?

MESSENGER. The hope to save Orestes. Wonder on!

THOAS. Orestes--how? Not Clytemnestra's son?

MESSENGER. And our pledged altar-offering. 'Tis the same.

THOAS. O marvel beyond marvel! By what name More rich in wonder can I name thee right?

MESSENGER. Give not thy mind to that. Let ear and sight Be mine awhile; and when thou hast heard the whole Devise how best to trap them ere the goal.

THOAS. Aye, tell thy tale. Our Tauric seas stretch far, Where no man may escape my wand of war.

MESSENGER. Soon as we reached that headland of the sea, Whereby Orestes' barque lay secretly, We soldiers holding, by thine own commands, The chain that bound the strangers, in our hands, There Agamemnon's daughter made a sign, Bidding us wait far off, for some divine And secret fire of cleansing she must make. We could but do her will. We saw her take The chain in her own hands and walk behind. Indeed thy servants bore a troubled mind, O King, but how do else? So time went by. Meanwhile to make it seem she wrought some high Magic, she cried aloud: then came the long Drone of some strange and necromantic song, As though she toiled to cleanse that blood; and there Sat we, that long time, waiting. Till a fear O'ertook us, that the men might slip their chain And strike the priestess down and plunge amain For safety: yet the dread our eyes to fill With sights unbidden held us, and we still Sat silent. But at last all spoke as one, Forbid or not forbid, to hasten on And find them. On we went, and suddenly, With oarage poised, like wings upon the sea, An Argive ship we saw, her fifty men All benched, and on the shore, with every chain Cast off, our strangers, standing by the stern! The prow was held by stay-poles: turn by turn The anchor-cable rose; some men had strung Long ropes into a ladder, which they swung Over the side for those two Greeks to climb.

The plot was open, and we lost no time But flew to seize the cables and the maid, And through the stern dragged out the steering-blade, To spoil her course, and shouted: "Ho, what way Is this, to sail the seas and steal away An holy image and its minister? What man art them, and what man's son, to bear Our priestess from the land?" And clear thereon He spoke: "Orestes, Agamemnon's son, And brother to this maid, whom here in peace I bear, my long lost sister, back to Greece."

We none the less clung fast to her, and strove To drag her to thy judgment-seat. Thereof Came trouble and bruised jaws. For neither they Nor we had weapons with us. But the way Hard-beaten fist and heel from those two men Rained upon ribs and flank--again, again... To touch was to fall gasping! Aye, they laid Their mark on all of us, till back we fled With bleeding crowns, and some with blinded eyes, Up a rough bank of rock. There on the rise We found good stones and stood, and fought again.

But archers then came out, and sent a rain Of arrows from the poop, and drove us back. And just then--for a wave came, long and black, And swept them shoreward--lest the priestess' gown Should feel the sea, Orestes stooping down Caught her on his left shoulder: then one stride Out through the sea, the ladder at the side Was caught, and there amid the benches stood The maid of Argos and the carven wood Of heaven, the image of God's daughter high.

And up from the mid galley rose a cry: "For Greece! For Greece, O children of the shores Of storm! Give way, and let her feel your oars; Churn the long waves to foam. The prize is won. The prize we followed, on and ever on, Friendless beyond the blue Symplegades." A roar of glad throats echoed down the breeze And fifty oars struck, and away she flew. And while the shelter lasted, she ran true Full for the harbour-mouth; but ere she well Reached it, the weather caught her, and the swell Was strong. Then sudden in her teeth a squall Drove the sail bellying back. The men withal Worked with set teeth, kicking against the stream. But back, still back, striving as in a dream, She drifted. Then the damsel rose and prayed: "O Child of Leto, save thy chosen maid From this dark land to Hellas, and forgive My theft this day, and let these brave men live. Dost thou not love thy brother, Holy One? What marvel if I also love mine own?"

The sailors cried a paean to her prayers, And set those brown and naked arms of theirs, Half-mad with strain, quick swinging chime on chime To the helmsman's shout. But vainly; all the time Nearer and nearer rockward they were pressed. One of our men was wading to his breast, Some others roping a great grappling-hook, While I sped hot-foot to the town, to look For thee, my Prince, and tell thee what doth pass.

Come with me, Lord. Bring manacles of brass And bitter bonds. For now, unless the wave Fall sudden calm, no mortal power can save Orestes. There is One that rules the sea Who grieved for Troy and hates her enemy: Poseidon's self will give into thine hand And ours this dog, this troubler of the land-- The priestess, too, who, recking not what blood Ran red in Aulis, hath betrayed her god!

LEADER. Woe, woe! To fall in these men's hands again, Mistress, and die, and see thy brother slain!

THOAS. Ho, all ye dwellers of my savage town Set saddle on your steeds, and gallop down To watch the heads, and gather what is cast Alive from this Greek wreck. We shall make fast, By God's help, the blasphemers.--Send a corps Out in good boats a furlong from the shore; So we shall either snare them on the seas Or ride them down by land, and at our ease Fling them down gulfs of rock, or pale them high On stakes in the sun, to feed our birds and die.

Women: you knew this plot. Each one of you Shall know, before the work I have to do Is done, what torment is.--Enough. A clear Task is afoot. I must not linger here.

[While THOAS is moving off, his men shouting and running before and behind him, there comes a sudden blasting light and thunder- roll, and ATHENA is seen in the air confronting them.]

ATHENA. Ho, whither now, so hot upon the prey, King Thoas? It is I that bid thee stay, Athena, child of Zeus. Turn back this flood Of wrathful men, and get thee temperate blood. Apollo's word and Fate's ordained path Have led Orestes here, to escape the wrath Of Them that Hate. To Argos he must bring His sister's life, and guide that Holy Thing Which fell from heaven, in mine own land to dwell. So shall his pain have rest, and all be well. Thou hast heard my speech, O King. No death from thee May share Orestes between rocks and sea: Poseidon for my love doth make the sore Waves gentle, and set free his labouring oar.

And thou, O far away--for, far or near A goddess speaketh and thy heart must hear-- Go on thy ways, Orestes, bearing home The Image and thy sister. When ye come To god-built Athens, lo, a land there is Half hid on Attica's last boundaries, A little land, hard by Karystus' Rock, But sacred. It is called by Attic folk Halae. Build there a temple, and bestow Therein thine Image, that the world may know The tale of Tauris and of thee, cast out From pole to pole of Greece, a blood-hound rout Of ill thoughts driving thee. So through the whole Of time to Artemis the Tauropole Shall men make hymns at Halae. And withal Give them this law. At each high festival, A sword, in record of thy death undone, Shall touch a man's throat, and the red blood run-- One drop, for old religion's sake. In this Shall live that old red rite of Artemis. And them, Iphigenia, by the stair Of Brauron in the rocks, the Key shalt bear Of Artemis. There shalt thou live and die, And there have burial. And a gift shall lie Above thy shrine, fair raiment undefiled Left upon earth by mothers dead with child.

Ye last, O exiled women, true of heart And faithful found, ye shall in peace depart, Each to her home: behold Athena's will.

Orestes, long ago on Ares' Hill I saved thee, when the votes of Death and Life Lay equal: and henceforth, when men at strife So stand, mid equal votes of Life and Death, My law shall hold that Mercy conquereth. Begone. Lead forth thy sister from this shore In peace; and thou, Thoas, be wroth no more.

THOAS. Most high Athena, he who bows not low His head to God's word spoken, I scarce know How such an one doth live. Orestes hath Fled with mine Image hence ... I bear no wrath. Nor yet against his sister. There is naught, Methinks, of honour in a battle fought 'Gainst gods. The strength is theirs. Let those two fare Forth to thy land and plant mine Image there. I wish them well.

These bondwomen no less I will send free to Greece and happiness, And stay my galleys' oars, and bid this brand Be sheathed again, Goddess, at thy command.

ATHENA. 'Tis well, O King. For that which needs must be Holdeth the high gods as it holdeth thee.

Winds of the north, O winds that laugh and run, Bear now to Athens Agamemnon's son: Myself am with you, o'er long leagues of foam Guiding my sister's hallowed Image home.

[she floats away.]

CHORUS. SOME WOMEN.

Go forth in bliss, O ye whose lot
God shieldeth, that ye perish not!

OTHERS.

O great in our dull world of clay,
And great in heaven's undying gleam,
Pallas, thy bidding we obey:
And bless thee, for mine ears have heard
The joy and wonder of a word
Beyond my dream, beyond my dream.

NOTES TO IPHIGENIA IN TAURIS

P. 3, 1. 1.--Oenomaus, King of Elis, offered his daughter and his kingdom to any man who should beat him in a chariot race; those who failed he slew. Pelops challenged him and won the race through a trick of his servant, Myrtilus, who treacherously took the linchpins out of Oenomaus's chariot. Oenomaus was thrown out and killed; Pelops took the kingdom, but in remorse or indignation threw Myrtilus into the sea (1. 192, p. 11). In some stories Oenomaus killed the suitors by spearing them from behind when they passed him. Pelops was the son of Tantalus, renowned for his pride and its punishment.

P. 3, 1. 8, For Helen's sake.--i.e. in order to win Helen back from the Trojans.

P. 4, 1. 23, Whatever birth most fair.--Artemis Kalliste ("Most Fair") was apparently so called because, after a competition for beauty, that which won the prize ([Greek Text]) was selected and given to her. This rite is made by the story to lead to a sacrifice of the fairest maiden, and may very possibly have sometimes done so.

P. 4, 1. 42.--She tells her dream to the sky to get it off her mind, much as the Nurse does in the Medea (p. 5,1.57).

P. 5, 1. 50, One ... pillar.--It is worth remembering that a pillar was among the earliest objects of worship in Crete and elsewhere. Cf. "the pillared sanctities" (1. 128, p. 9) and the "blood on the pillars" (1. 405, p. 20).

P. 8, 1. 113, A hollow one might creep through.--The metopes, or gaps between the beams. The Temple was therefore of a primitive Dorian type.

P. 8, 11. 124-125.--The land of Tauris is conceived as being beyond the Symplegades, or, as here, as being the country of the Symplegades.

As these semi-mythical names settled down in history, Tauris became the Crimea, the Symplegades, or "Clashing Rocks," or "Dark- Blue Rocks," became two rocks at the upper end of the Bosphorus, and the Friendless or Strangerless Sea became the Euxine. The word Axeinos, "Friendless," has often been altered in the MSS. of this play to Euxeinos, "Hospitable," which was the ordinary prose name of the Black Sea in historical times.

P. 9, l. 133, The horses and the towers.--The steppes of the Taurians would have no gardens or city walls, but it is curious that Hellas should seem specially a land of horses by comparison. Cf. p. 86, l. 1423, where Thoas has horses.

P. 10, l. 168, The golden goblet, &c.--She evidently takes jars of libation from the Attendants and pours them during the next few lines into some Eschara, or Altar for the Dead. Most of the rite would probably be performed kneeling.

P. 11, ll. 192 ff., The dark and wheeling coursers.--i.e. those of Pelops. The cry of one betrayed: Myrtilus, when he was thrown into the sea. (See on l. 1.) For the Golden Lamb and the Sun turning in Heaven, see my translation of Electra, p. 47, l. 699 and note.

P. 12, l. 217, The Nereid's Son.--Achilles, son of Peleus and the Nereid Thetis.

P. 13, l. 238, The Herdsman's entrance.--Observe how Iphigenia is first merely disturbed in her obsequies: then comes the sickening news that there are strangers to sacrifice: then lastly, her worst fear is realised; the men are Greeks. This explains her exasperated tone in l. 254, "The sea! What is the sea ..." and "Go back!"--The Herdsman is merely jubilant and obtuse.

P. 15, l. 263.--The murex or purple-fish could only be collected in very late autumn or early spring; consequently the fishers made encampments for the winter and returned to Tyre and Sidon, or wherever else they came from, after the spring fishing. See Berard, Pheniciens et Odyssee, i. 415.

P. 15, 1. 270, Son of the White Sea Spirit, &c.--The man is, of course, made to use the names of Greek not of Taurian gods. He thinks first of Palaemon, a sea-god, son of Leucothea ("White- Goddess"), then of the Dioskori, Castor and Polydeuces; then vaguely of some spirits beloved of Nereus, the Ancient of the Sea.

P. 17, 1. 328 f., Of all those shots not one struck home.--The object of this statement must be to explain why the two heroes do not make their appearance bruised and dishevelled as the Second Messenger does after his fight with the Greeks. Of course there is no great harm in making the Taurians bad shots as well as cowards, and possibly there is some value in the suggestion of a supernatural protection which is only saving its object for a crueller death. But very likely the two lines are interpolations.

Pp. 17, 18, 11. 342 ff.--A wonderful speech, illustrating the gradual breaking-up of the ice in Iphigenia's nature.--The Herdsman's story has, of course, been horrible to her; all the more so because he expects her to enjoy it and recalls wild words she has uttered in the past, when brooding on her wrongs. She controls her feelings absolutely till the man is gone. Then she feels like one turned to stone, pitiless; then, if only it were Helen or Menelaus that she had to kill! Then vivid thoughts of the misery and horror of Aulis and the poor foolish hopes and tremors in which she had come there; then the thought that Orestes, the one man whom she could love without resentment, is dead. Then a rage of indignation against the bloody rites and the infamy of the thing she has to do. She goes into the Temple broken in nerve and almost ready for rebellion.

P. 19, 11. 385 ff.--Leto, beloved of Zeus, was the mother of Artemis and Apollo, who were born in the holy island of Delos.-- One legend, already rejected by Pindar, said that the crime of Tantalus was that he had given his child Pelops to the gods to eat.

P. 19, 1. 392, Dark of the sea.--The Dark-Blue of the Symplegades is meant. Sometimes it is only the Argo that has ever passed through them; here it is only Io, daughter of Inachus, loved by Zeus and hunted by the gadfly, who fled outcast through the East. Her story is told in Aeschylus' Prometheus and in a magnificent chorus of his Suppliant Women. (See Rise of the Greek Epic, pp. 247 ff.)

The present lyric begins by wondering how and why the strangers have come: then come thoughts of the voyage and places they must have passed; the coast, where Phineus was haunted by the Harpies, the enchanted sea beyond the Symplegades, and the mysterious Isle of Leuce ("White") where Achilles lives after death.--Then comes a thought of Iphigenia's longing for revenge on Helen: but revenge is no use. It is home they crave, or, if that is impossible, then sleep and dreams of home.

P. 21, 1. 431, The steering oar abaft;--The steering was done by an oar, or sometimes two oars, projecting into the sea from a hole in the stern. Cf. 1. 1356, p. 83, "And through the stern dragged out the steering-blade." If this oar was left free, it would ripple and beat against the side.

P. 23, 1. 472, What mother then was yours, &c.--Not very like a woman "turned to stone" or "without a tear." She had miscalculated her own feelings.--Observe how Orestes sternly rejects her sentimental sympathy. He needs all his strength.

P. 25, 1. 512, A kind of banishment.--He was driven by his Furies, not legally banished.

Pp. 26, 27, 11. 515 and 529, "Oh how sweet to see thee here!" and "Oh, give me this hour full. Thou wilt soon die."--Iphigenia is more than tactless. She is so starving for home or anything that brings her into touch with home, that neither this Stranger's death nor anything else matters to her in comparison. A fine dramatic stroke.

The people of whom she asks are, first, her enemies--Helen; Calchas, the prophet, who had commanded her sacrifice; Odysseus, who had devised the plot by which she was brought to Aulis (11. 16, 24); then Achilles, who had been the hero of her dreams; then, with fear and hesitancy, those for whom she cares most.--Observe, at 1. 553, how, on hearing of her father's murder, her first thought is pity for her mother. Her father is already in her mind "he that slew." But in every line of this dialogue there is fine drama and psychology.

P. 28, 1. 538, "Small help his bridal brought him; he is dead."-- It has been thought curious that the mention of Achilles should immediately suggest to Orestes the bridal at Aulis, though of course it does so to Iphigenia. But after all it was Orestes' sister that Achilles was to marry at Aulis; and secondly, a large part of Orestes' troubles came from the carrying off of his betrothed, Hermione, by Achilles' bastard son, Pyrrhus. If the marriage at Aulis had taken place and Achilles left a true-born son, that would all have been different.

P. 31, 1. 569, Light dreams farewell! Ye too were lies.--This does seem a wrong conclusion. The dreams only suggested that Orestes had died the day before, long after this man had left Argos. But perhaps it is not unnatural.

P. 32, 11. 576 f., We too have kinsmen dear.--A most characteristic Euripidean saying. It also leads up to the personal interest in the Chorus which we feel after 1. 1075, p. 63, when they are taken into the conspiracy and then abandoned.

P. 32, 1. 578, Listen; for I am fallen upon a thought.--It must not be supposed that this use of the tablet is an obvious or easy thing. It is a daring project that crosses her mind, as one possible way of avoiding the death of this Stranger. Her hesitation at 1. 742--where a pause is indicated in the Greek-- shows that she is only trusting to her special influence over the King to get him to relax the law. Presumably merchants sometimes were admitted to the Tauri; for instance, those who brought the Chorus. The safe way to use the tablet would have been to make sure of the friendship of one of these. But such questions lie outside the play.

P. 34, 1. 618, This altar's spell is over me.--I translate the MS. reading [Greek text]. In my text I accepted the usual emendation [Greek text]. But [Greek text] means "spell" or "infection." See Rise of the Greek Epic, p. 86.

P. 34, 1. 627, My sister's hand.--i.e. Electra's.

Pp. 35-39, 11. 645-724.--Observe that all through this scene it is Pylades who is broken and Orestes strong. Contrast their first entrance, pp. 6-8.

P. 45, 1. 804, Argos is bright with him.--Literally, "is full of him." I am not sure that I understand the expression, but I think she feels Orestes as a magnificent presence filling all his home.

P. 46, 11. 809 ff.--The "signs" are clear enough. He remembers that there was an embroidery of the Golden Lamb story worked by Iphigenia; that when she started for Aulis she had cut off her hair for her mother and her mother had given her some Inachus water to use in the sacred washing before her marriage; also, there was an old spear belonging to Pelops in Iphigenia's room.-- Apparently Pelops carried a spear in the chariot race, just as Oenomaus did.

Pp. 47-50, 11. 827-900.--In this scene Iphigenia simply abandons herself to one emotion after another, while Orestes, amid all his joy, keeps his head and thinks about the danger that still surrounds them. When he reminds her that they are "not yet fortunate," she thinks only of Aulis and her old wrong. At last Orestes gets in the word, "Suppose you had murdered me to-day," and she is recalled by a rush of horror at her own conduct: she has nearly killed him, and he is still in imminent danger. She tries passionately and despairingly to think of ways of escape, but it needs the intervention of Pylades (which she rather resents) to bring her into a mood for sober thinking.

P. 51, 1. 915, A wife and happy.--The last we heard of Electra was that she lived "unmated and alone" (1. 562, p. 31). But that was said when Pylades was regarded as practically a dead man. Electra was apparently betrothed to Pylades, but was not actually his wife.--There is no mention of the Peasant husband of the Electra.

P. 52, 1. 818.--Anaxibia (?), sister of Agamemnon, was wife to Strophios. See genealogical table.

P. 53, 11. 930 ff., That frenzy on the shore!--It is only now that Iphigenia fully realises her brother's madness. His narrative immediately following makes her feel it the more, and it is evidently in her mind while she speaks 11. 989 ff.

P. 54 f., 11. 940 ff., Orestes' Trial at Athens.--According to one legend Orestes was finally purified of his guilt by a trial at the Areopagus, in which Apollo championed him, and Athena, as President, gave a casting vote for mercy. (This is the story of Aeschylus' Eumenides.) By another, he was healed when he had brought this Image of Artemis to Attica. Euripides combines the two.--It must often have happened in a blood-feud that some of the kindred of the slain man would accept the result of a trial and obey the law, while some cared for no law but clung to their vengeance. Euripides makes the Furies do the same. Some accept the judgment and stay as "Eumenides" in Athens; others know no law nor mercy.

P. 55, 11. 949-960, Mine evil days are made a rite among them.--At the Feast of the Anthesteria, each family summoned its ghosts from the grave and after the feast sent them back again. While they were about, it was very important that each man should keep his ghosts to himself: there must be no infection of strange or baleful ghosts. Hence a rite in which each man ate and drank his own portion, holding no communication with his neighbour. The story then went that this was done in commemoration of Orestes' visit to Athens with the stain of blood upon him. (See Miss Harrison's Prolegomena, chap, ii.) There was a similar feast in Aegina.

P. 56, 11. 990-1006.--Iphigenia's speech. We must realise that Iphigenia has been suddenly confronted by a new and complicated difficulty. She was prepared to make some plot to save her brother's life. She now realises that he is on the verge of madness; that he is determined to commit an act of what will be considered desperate sacrilege by stealing the image of Artemis; and that he expects her to help him to get the image to his ship. --She might hope to send him away safe and be forgiven by the King: if she helps him to steal the image, she cannot possibly be forgiven. Again, she might very possibly fly with him secretly, if she went alone; but to steal the statue and fly seems impossible.

Confronted with this problem, she deliberately abandons both her thoughts of vengeance and her hope of escape, and agrees to give her life for Orestes.

P. 59, 1. 1029, I think I dimly see.--Compare Electra, translation, p. 42, where Electra suddenly solves the difficulty of slaying Clytemnestra.

P. 63, 11. 1075 ff., Be of good heart, sweet Mistress.--The women of the Chorus are indeed "true of heart and faithful found," as Athena says later. And one feels that Iphigenia, after her first gush of gratitude, does not think of them much. She will save her brother, and they will be left with very little hope of ever seeing Greece, if indeed they are not fatally compromised by their share in the plot.--One can hardly blame Iphigenia; but it is like her.

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The Iphigenia in Tauris of EuripidesChapter II: Part 2

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