Chapter VIII: Part 8
He felt less uneasy than at first, because he had now found a little furnished house in the woodenest outskirts of North Cambridge, which he hired cheap from the recently widowed owner, and they were keeping house there. Jombateeste lived with them, and worked in the brick-yards. Out of hours he helped Cynthia, and kept the ugly little place looking trim and neat, and left Whitwell free for the tramps home to nature, which he began to take over the Belmont uplands as soon as the spring opened. He was not homesick, as Cynthia was afraid he might be; his mind was fully occupied by the vast and varied interests opened to it by the intellectual and material activities of the neighboring city; and he found ample scope for his physical energies in doing Cynthia's errands, as well as studying the strange flora of the region. He apparently thought that he had made a distinct rise and advance in the world. Sometimes, in the first days of his satisfaction with his establishment, he expressed the wish that Jackson could only have seen how he was fixed, once. In his preoccupation with other things, he no longer attempted to explore the eternal mysteries with the help of planchette; the ungrateful instrument gathered as much dust as Cynthia would suffer on the what-not in the corner of the solemn parlor; and after two or three visits to the First Spiritual Temple in Boston, he lapsed altogether from an interest in the other world, which had, perhaps, mainly flourished in the absence of pressing subjects of inquiry, in this.
When at last Westover confessed that he had carried his picture of Cynthia as far as he could, Whitwell did his best to hide his disappointment. "Well, sir," he said, tolerantly and even cheeringly, "I presume we're every one of us a different person to whoever looks at us. They say that no two men see the same star."
"You mean that she doesn't look so to you," suggested the painter, who seemed not at all abashed.
"Well, you might say--Why, here! It's like her; photograph couldn't get it any better; but it makes me think-well, of a bird that you've come on sudden, and it stoops as if it was goin' to fly--"
"Ah," said Westover, "does it make you think of that?"
LIV.
The painter could not make out at first whether the girl herself was pleased with the picture or not, and in his uncertainty he could not give it her at once, as he had hoped and meant to do. It was by a kind of accident he found afterward that she had always been passionately proud of his having painted her. This was when he returned from the last sojourn he had made in Paris, whither he went soon after the Whitwells settled in North Cambridge. He left the picture behind him to be framed and then sent to her with a letter he had written, begging her to give it houseroom while he was gone. He got a short, stiff note in reply after he reached Paris, and he had not tried to continue the correspondence. But as soon as he returned he went out to see the Whitwells in North Cambridge. They were still in their little house there; the young widower had married again; but neither he nor his new wife had cared to take up their joint life in his first home, and he had found Whitwell such a good tenant that he had not tried to put up the rent on him. Frank was at home, now, with an employment that gave him part of his time for his theological studies; Cynthia had been teaching school ever since the fall after Westover went away, and they were all, as Whitwell said, in clover. He was the only member of the family at home when Westover called on the afternoon of a warm summer day, and he entertained him with a full account of a visit he had paid Lion's Head earlier in the season.
"Yes, sir," he said, as if he had already stated the fact, "I've sold my old place there to that devil." He said devil without the least rancor; with even a smile of good-will, and he enjoyed the astonishment Westover expressed in his demand:
"Sold Durgin your house?"
"Yes; I see we never wanted to go back there to live, any of us, and I went up to pass the papers and close the thing out. Well, I did have an offer for it from a feller that wanted to open a boa'din'-house there and get the advantage of Jeff's improvements, and I couldn't seem to make up my mind till I'd looked the ground over. Fust off, you know, I thought I'd sell to the other feller, because I could see in a minute what a thorn it 'd be in Jeff's flesh. But, dumn it all! When I met the comical devil I couldn't seem to want to pester him. Why, here, thinks I, if we've made an escape from him--and I guess we have, about the biggest escape--what have I got ag'in' him, anyway? I'd ought to feel good to him; and I guess that's the way I did feel, come to boil it down. He's got a way with him, you know, when you're with him, that makes you like him. He may have a knife in your ribs the whole while, but so long's he don't turn it, you don't seem to know it, and you can't help likin' him. Why, I hadn't been with Jeff five minutes before I made up my mind to sell to him. I told him about the other offer--felt bound to do it--and he was all on fire. 'I want that place, Mr. Whitwell,' s'd he. 'Name your price.' Well, I wa'n't goin' to take an advantage of the feller, and I guess he see it. 'You've offered me three thousand,' s'd I, 'n' I don't want to be no ways mean about it. Five thousand buys the place.' 'It's mine,' s'd he; just like that. I guess he see he had a gentleman to deal with, and we didn't say a word more. Don't you think I done right to sell to him? I couldn't 'a' got more'n thirty-five hundred out the other feller, to save me, and before Jeff begun his improvements I couldn't 'a' realized a thousand dollars on the prop'ty."
"I think you did right to sell to him," said Westover, saddened somewhat by the proof Whitwell alleged of his magnanimity.
"Well, Sir, I'm glad you do. I don't believe in crowdin' a man because you got him in a corner, an' I don't believe in bearin' malice. Never did. All I wanted was what the place was wo'th--to him. 'Twa'n't wo'th nothin' to me! He's got the house and the ten acres around it, and he's got the house on Lion's Head, includin' the Clearin', that the poottiest picnic-ground in the mountains. Think of goin' up there this summer?"
"No," said Westover, briefly.
"Well, I some wish you did. I sh'd like to know how Jeff's improvements struck you. Of course, I can't judge of 'em so well, but I guess he's made a pootty sightly thing of it. He told me he'd had one of the leadin' Boston architects to plan the thing out for him, and I tell you he's got something nice. 'Tain't so big as old Lion's Head, and Jeff wants to cater to a different style of custom, anyway. The buildin's longer'n what she is deep, and she spreads in front so's to give as many rooms a view of the mountain as she can. Know what 'runnaysonce' is? Well, that's the style Jeff said it was; it's all pillars and pilasters; and you ride up to the office through a double row of colyums, under a kind of a portico. It's all painted like them old Colonial houses down on Brattle Street, buff and white. Well, it made me think of one of them old pagan temples. He's got her shoved along to the south'ard, and he's widened out a piece of level for her to stand on, so 't that piece o' wood up the hill there is just behind her, and I tell you she looks nice, backin' up ag'inst the trees. I tell you, Jeff's got a head on him! I wish you could see that dinin'-room o' his: all white colyums, and frontin' on the view. Why, that devil's got a regular little theatyre back o' the dinin'-room for the young folks to act ammyture plays in, and the shows that come along, and he's got a dance-hall besides; the parlors ain't much--folks like to set in the office; and a good many of the rooms are done off into soots, and got their own parlors. I tell you, it's swell, as they say. You can order what you please for breakfast, but for lunch and dinner you got to take what Jeff gives you; but he treats you well. He's a Durgin, when it comes to that. Served in cou'ses, and dinner at seven o'clock. I don't know where he got his money for 't all, but I guess he put in his insurance fust, and then he put a mortgage on the buildin'; be as much as owned it; said he'd had a splendid season last year, and if he done as well for a copule of seasons more he'd have the whole prop'ty free o' debt."
Westover could see that the prosperity of the unjust man had corrupted the imagination and confounded the conscience of this simple witness, and he asked, in the hope of giving his praises pause: "What has he done about the old family burying-ground in the orchard?"
"Well, there!" said Whitwell. "That got me more than any other one thing: I naturally expected that Jeff 'd had 'em moved, for you know and I know, Mr. Westover, that a place like that couldn't be very pop'la' with summer folks; they don't want to have anything to kind of make 'em serious, as you may say. But that devil got his architect to treat the place, as he calls it, and he put a high stone wall around it, and planted it to bushes and evergreens so 't looks like a piece of old garden, down there in the corner of the orchard, and if you didn't hunt for it you wouldn't know it was there. Jeff said 't when folks did happen to find it out, he believed they liked it; they think it's picturesque and ancient. Why, some on 'em wanted him to put up a little chapel alongside and have services there; and Jeff said he didn't know but he'd do it yet. He's got dark-colored stones up for Mis' Durgin and Jackson, so 't they look as old as any of 'em. I tell you, he knows how to do things."
"It seems so," said Westover, with a bitterness apparently lost upon the optimistic philosopher.
"Yes, sir. I guess it's all worked out for the best. So long's he didn't marry Cynthy, I don't care who he married, and--I guess he's made out fust-rate, and he treats his wife well, and his mother-in-law, too. You wouldn't hardly know they was in the house, they're so kind of quiet; and if a guest wants to see Jeff, he's got to send and ask for him; clerk does everything, but I guess Jeff keeps an eye out and knows what's goin' on. He's got an elegant soot of appartments, and he lives as private as if he was in his own house, him and his wife. But when there's anything goin' on that needs a head, they're both right on deck.
"He don't let his wife worry about things a great deal; he's got a fust-rate of a housekeeper, but I guess old Mis' Vostrand keeps the housekeeper, as you may say. I hear some of the boa'ders talkin' up there, and one of 'em said 't the great thing about Lion's Head was 't you could feel everywheres in it that it was a lady's house. I guess Jeff has a pootty good time, and a time 't suits him. He shows up on the coachin' parties, and he's got himself a reg'lar English coachman's rig, with boots outside his trouse's, and a long coat and a fuzzy plug-hat: I tell you, he looks gay! He don't spend his winters at Lion's Head: he is off to Europe about as soon as the house closes in the fall, and he keeps bringin' home new dodges. Guess you couldn't get no boa'd there for no seven dollars a week now! I tell you, Jeff's the gentleman now, and his wife's about the nicest lady I ever saw. Do' know as I care so much about her mother; do' know as I got anything ag'inst her, either, very much. But that little girl, Beechy, as they call her, she's a beauty! And round with Jeff all the while! He seems full as fond of her as her own mother does, and that devil, that couldn't seem to get enough of tormentin' little children when he was a boy, is as good and gentle with that little thing as-pie!"
Whitwell seemed to have come to an end of his celebration of Jeff's success, and Westover asked:
"And what do you make now, of planchette's brokenshaft business? Or don't you believe in planchette any more?"
Whitwell's beaming face clouded. "Well, sir, that's a thing that's always puzzled me. If it wa'n't that it was Jackson workin' plantchette that night, I shouldn't placed much dependence on what she said; but Jackson could get the truth out of her, if anybody could. Sence I b'en up there I b'en figurin' it out like this: the broken shaft is the old Jeff that he's left off bein'--"
Whitwell stopped midway in his suggestion, with an inquiring eye on the painter, who asked: "You think he's left off being the old Jeff?"
"Well, sir, you got me there," the philosopher confessed. "I didn't see anything to the contrary, but come to think of it--"
"Why couldn't the broken shaft be his unfulfilled destiny on the old lines? What reason is there to believe he isn't what he's always been?"
"Well, come to think of it--"
"People don't change in a day, or a year," Westover went on, "or two or three years, even. Sometimes I doubt if they ever change."
"Well, all that I thought," Whitwell urged, faintly, against the hard scepticism of a man ordinarily so yielding, "is 't there must be a moral government of the universe somewheres, and if a bad feller is to get along and prosper hand over hand, that way, don't it look kind of as if--"
"There wasn't any moral government of the universe? Not the way I see it," said Westover. "A tree brings forth of its kind. As a man sows he reaps. It's dead sure, pitilessly sure. Jeff Durgin sowed success, in a certain way, and he's reaping it. He once said to me, when I tried to waken his conscience, that he should get where he was trying to go if he was strong enough, and being good had nothing to do with it. I believe now he was right. But he was wrong too, as such a man always is. That kind of tree bears Dead Sea apples, after all. He sowed evil, and he must reap evil. He may never know it, but he will reap what he has sown. The dreadful thing is that others must share in his harvest. What do you think?"
Whitwell scratched his head. "Well, sir, there's something in what you say, I guess. But here! What's the use of thinkin' a man can't change? Wa'n't there ever anything in that old idee of a change of heart? What do you s'pose made Jeff let up on that feller that Jombateeste see him have down, that day, in my Clearin'? What Jeff would natch'ly done would b'en to shake the life out of him; but he didn't; he let him up, and he let him go. What's the reason that wa'n't the beginnin' of a new life for him?"
"We don't know all the ins and outs of that business," said Westover, after a moment. "I've puzzled over it a good deal. The man was the brother of that girl that Jeff had jilted in Boston. I've found out that much. I don't know just the size and shape of the trouble between them, but Jeff may have felt that he had got even with his enemy before that day. Or he may have felt that if he was going in for full satisfaction, there was Jombateeste looking on."
"That's true," said Whitwell, greatly daunted. After a while he took refuge in the reflection, "Well, he's a comical devil."
Westover said, in a sort of absence: "Perhaps we're all broken shafts, here. Perhaps that old hypothesis of another life, a world where there is room enough and time enough for all the beginnings of this to complete themselves--"
"Well, now you're shoutin'," said Whitwell. "And if plantchette--" Westover rose. "Why, a'n't you goin' to wait and see Cynthy? I'm expectin' her along every minute now; she's just gone down to Harvard Square. She'll be awfully put out when she knows you've be'n here."
"I'll come out again soon," said Westover. "Tell her--"
"Well, you must see your picture, anyway. We've got it in the parlor. I don't know what she'll say to me, keepin' you here in the settin'-room all the time."
Whitwell led him into the little dark front hall, and into the parlor, less dim than it should have been because the afternoon sun was burning full upon its shutters. The portrait hung over the mantel, in a bad light, but the painter could feel everything in it that he could not see.
"Yes, it had that look in it."
"Well, she ha'n't took wing yet, I'm thankful to think," said Whitwell, and he spoke from his own large mind to the sympathy of an old friend who he felt could almost share his feelings as a father.
LV
When Westover turned out of the baking little street where the Whitwells lived into an elm-shaded stretch of North Avenue, he took off his hat and strolled bareheaded along in the cooler air. He was disappointed not to have seen Cynthia, and yet he found himself hurrying away after his failure, with a sense of escape, or at least of respite.
What he had come to say, to do, was the effect of long experience and much meditation. The time had arrived when he could no longer feign to himself that his feelings toward the girl were not those of a lover, but he had his modest fears that she could never imagine him in that character, and that if he should ask her to do so he should shock and grieve her, and inflict upon himself an incurable wound.
During this last absence of his he had let his fancy dwell constantly upon her, until life seemed worth having only if she would share it with him. He was an artist, and he had always been a bohemian, but at heart he was philistine and bourgeois. His ideal was a settlement, a fixed habitation, a stated existence, a home where he could work constantly in an air of affection, and unselfishly do his part to make his home happy. It was a very simple-hearted ambition, and I do not quite know how to keep it from appearing commonplace and almost sordid; but such as it was, I must confess that it was his. He had not married his model, because he was mainly a landscapist, perhaps; and he had not married any of his pupils, because he had not been in love with them, charming and good and lovely as he had thought some of them; and of late he had realized more and more why his fancy had not turned in their direction. He perceived that it was already fixed, and possibly had long been fixed.
He did not blink the fact that there were many disparities, and that there would be certain disadvantages which could never be quite overcome. The fact had been brought rather strenuously home to him by his interview with Cynthia's father. He perceived, as indeed he had always known, that with a certain imaginative lift in his thinking and feeling, Whitwell was irreparably rustic, that he was and always must be practically Yankee. Westover was not a Yankee, and he did not love or honor the type, though its struggles against itself touched and amused him. It made him a little sick to hear how Whitwell had profited by Durgin's necessity, and had taken advantage of him with conscientious and self-applausive rapacity, while he admired his prosperity, and tried to account for it by doubt of its injustice. For a moment this seemed to him worse than Durgin's conscientious toughness, which was the antithesis of Whitwell's remorseless self-interest. For the moment this claimed Cynthia of its kind, and Westover beheld her rustic and Yankee of her father's type. If she was not that now, she would grow into that through the lapse from the personal to the ancestral which we all undergo in the process of the years.
The sight of her face as he had pictured it, and of the soul which he had imagined for it, restored him to a better sense of her, but he felt the need of escaping from the suggestion of her father's presence, and taking further thought. Perhaps he should never again reach the point that he was aware of deflecting from now; he filled his lungs with long breaths, which he exhaled in sighs of relief. It might have been a mistake on the spiritual as well as the worldly side; it would certainly not have promoted his career; it might have impeded it. These misgivings flitted over the surface of thought that more profoundly was occupied with a question of other things. In the time since he had seen her last it might very well be that a young and pretty girl had met some one who had taken her fancy; and he could not be sure that her fancy had ever been his, even if this had not happened. He had no proof at all that she had ever cared or could care for him except gratefully, respectfully, almost reverentially, with that mingling of filial and maternal anxiety which had hitherto been the warmest expression of her regard. He tried to reason it out, and could not. He suddenly found himself bitterly disappointed that he had missed seeing her, for if they had met, he would have known by this time what to think, what to hope. He felt old--he felt fully thirty-six years old--as he passed his hand over his crown, whose gossamer growth opposed so little resistance to his touch. He had begun to lose his hair early, but till then he had not much regretted his baldness. He entered into a little question of their comparative ages, which led him to the conclusion that Cynthia must now be about twenty-five.
Almost at the same moment he saw her coming up the walk toward him from far down the avenue. For a reason, or rather a motive, of his own he pretended to himself that it was not she, but he knew instantly that it was, and he put on his hat. He could see that she did not know him, and it was a pretty thing to witness the recognition dawn on her. When it had its full effect, he was aware of a flutter, a pause in her whole figure before she came on toward him, and he hurried his steps for the charm of her beautiful blushing face.
It was the spiritual effect of figure and face that he had carried in his thought ever since he had arrived at that one-sided intimacy through his study of her for the picture he had just seen. He had often had to ask himself whether he had really perceived or only imagined the character he had translated into it; but here, for the moment at least, was what he had seen. He hurried forward and joyfully took the hand she gave him. He thought he should speak of that at once, but it was not possible, of course. There had to come first the unheeded questions and answers about each other's health, and many other commonplaces. He turned and walked home with her, and at the gate of the little ugly house she asked him if he would not come in and take tea with them.
Her father talked with him while she got the tea, and when it was ready her brother came in from his walk home out of Old Cambridge and helped her put it on the table. He had grown much taller than Westover, and he was very ecclesiastical in his manner; more so than he would be, probably, if he ever became a bishop, Westover decided. Jombateeste, in an interval of suspended work at the brick yard, was paying a visit to his people in Canada, and Westover did not see him.
All the time while they sat at table and talked together Westover realized more and more that for him, at least, the separation of the last two years had put that space between them which alone made it possible for them to approach each other on new ground. A kind of horror, of repulsion, for her engagement to Jeff Durgin had ceased from his sense of her; it was as if she had been unhappily married, and the man, who had been unworthy and unkind, was like a ghost who could never come to trouble his joy. He was more her contemporary, he found, than formerly; she had grown a great deal in the past two years, and a certain affliction which her father's fixity had given him concerning her passed in the assurance of change which she herself gave him.
She had changed her world, and grown to it, but her nature had not changed. Even her look had not changed, and he told her how he had seen his picture in her at the moment of their meeting in the street. They all went in to verify his impression from the painting. "Yes, that is the way you looked."
"It seems to me that is the way I felt," she asserted.
Frank went about the house-work, and left her to their guest. When Whitwell came back from the post-office, where he said he would only be gone a minute, he did not rejoin Westover and Cynthia in the parlor.
The parlor door was shut; he had risked his fate, and they were talking it over. Cynthia was not sure; she was sure of nothing but that there was no one in the world she cared for so much; but she was not sure that was enough. She did not pretend that she was surprised; she owned that she had sometimes expected it; she blamed herself for not expecting it then.
Westover said that he did not blame her for not knowing her mind; he had been fifteen years learning his own fully. He asked her to take all the time she wished. If she could not make sure after all, he should always be sure that she was wise and good. She told him everything there was to tell of her breaking with Jeff, and he thought the last episode a supreme proof of her wisdom and goodness.
After a certain time they went for a walk in the warm summer moonlight under the elms, where they had met on the avenue.
"I suppose," she said, as they drew near her door again, "that people don't often talk it over as we've done."
"We only know from the novels," he answered. "Perhaps people do, oftener than is ever known. I don't see why they shouldn't."
"No."
"I've never wished to be sure of you so much as since you've wished to be sure of yourself."
"And I've never been so sure as since you were willing to let me," said Cynthia.
"I am glad of that. Try to think of me, if that will help my cause, as some one you might have always known in this way. We don't really know each other yet. I'm a great deal older than you, but still I'm not so very old."
"Oh, I don't care for that. All I want to be certain of is that the feeling I have is really--the feeling."
"I know, dear," said Westover, and his heart surged toward her in his tenderness for her simple conscience, her wise question. "Take time. Don't hurry. Forget what I've said--or no; that's absurd! Think of it; but don't let anything but the truth persuade you. Now, good-night, Cynthia."
"Good-night--Mr. Westover."
"Mr. Westover" he reproached her.
She stood thinking, as if the question were crucial. Then she said, firmly, "I should always have to call you Mr. Westover."
"Oh, well," he returned, "if that's all!"
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The Landlord at Lion's Head — Volume 2Chapter VIII: Part 8
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