Chapter I: Life of Cassiodorus (3)

6. What are its natural virtues [or powers], given to enable it to hold together the framework of the body?

7. Concerning the origin of the Soul.

8. What is its especial seat, since it appears to be in a certain sense diffused over the whole body?

9. Concerning the form and composition of the body itself.

10. Sufficient signs by which we may discern what properties the souls of sinners possess.

11. Similar signs by which we may distinguish the souls of righteous men, since we cannot see them with our bodily eyes.

12. Concerning the Soul's state after death, and how it will be affected by the general resurrection.

The treatise ends with a prayer to Christ to preserve the body in good health, that it may be in tune with the harmony of the soul; to give reason the ascendancy over the flesh; and to keep the mind in happy equipoise, neither so strong as to be puffed up with pride, nor so languid as to fail of its proper powers.

[Sidenote: Cassiodorus retires to the cloister.]

The line of thought indicated by the 'De Animâ' led, in such a country as Italy, at such a time as the Gothic War, to one inevitable end--the cloister. It can have surprised none of the friends of Cassiodorus when the veteran statesman announced his intention of spending the remainder of his days in monastic retirement. He was now sixty years of age[73]; his wife, if he had ever married, was probably by this time dead; and we hear nothing of any children for whose sake he need have remained longer in the world. The Emperor would probably have received him gladly into his service, but Cassiodorus had now done with politics. The dream of his life had been to build up an independent Italian State, strong with the strength of the Goths, and wise with the wisdom of the Romans. That dream was now scattered to the winds. Providence had made it plain that not by this bridge was civilisation to pass over from the Old World to the New. Cassiodorus accepted the decision, and consecrated his old age to religious meditation and to a work even more important than any of his political labours (though one which must be lightly touched on here), the preservation by the pens of monastic copyists of the Christian Scriptures, and of the great works of classical antiquity.

[Footnote 73: Fifty-eight, if the retirement was in 538.]

[Sidenote: He founds two monasteries at Scyllacium.]

It was to his ancestral Scyllacium that Cassiodorus retired; and here, between the mountains of Aspromonte and the sea, he founded his monastery, or, more accurately, his two monasteries, one for the austere hermit, and the other for the less aspiring coenobite. The former was situated among the 'sweet recesses of Mons Castellius[74],' the latter among the well-watered gardens which took their name from the Vivaria (fish-ponds) that Cassiodorus had constructed among them in connection with the river Pellena[75]. Baths, too, especially intended for the use of the sick, had been prepared on the banks of the stream[76]. Here in monastic simplicity, but not without comfort, Cassiodorus ordained that his monks should dwell. The Rule of the order--in so far as it had a written Rule--was drawn from the writings of Cassian, the great founder of Western Monachism, who had died about a century before the Vivarian monastery was founded. In commending the writings of Cassian to the study of his monks, Cassiodorus warns them against the bias shown in them towards the Semi-Pelagian heresy, and desires them to choose the good in those treatises and to refuse the evil. Whatever the reason may have been, it seems clear that Cassiodorus did not make the Rule of Benedict the law of his new monastery; and indeed, strange as the omission may appear, there is, I believe, no allusion to that great contemporary Saint, the 'Father of Monks,' in the whole of his writings.

[Footnote 74: 'Nam si vos in monasterio Vivariensi divinâ gratia suffragante coenobiorum consuetudo competenter erudiat, et aliquid sublimius defaecatis animis optare contingat, habetis mentis Castelli secreta suavia, ubi velut anachoritae (praestante Domino) feliciter esse possitis' (De Inst. Div. Litt. xxix.).]

[Footnote 75: 'Invitat vos locus Vivariensis monasterii ... quando habetis hortos irriguos, et piscosi amnis Pellenae fluenta vicina, qui nec magnitudine undarum suspectus habetur, nec exiguitate temnibilis. Influit vobis arte moderatus, ubicunque necessarius judicatur et hortis vestris sufficiens et molendinis.... Maria quoque vobis ita subjacent, ut piscationibus variis pateant; et captus piscis, cum libuerit, vivariis possit includi. Fecimus enim illic (juvante Deo) grata receptacula ubi sub claustro fideli vagetur piscium multitudo; ita consentanea montium speluncis, ut nullatenus se sentiat captum, cui libertas eat escas sumere, et per solitas se cavernas abscondere.']

[Footnote 76: 'Balnea quoque congruenter aegris praeparata corporibus jussimus aedificari, ubi fontium perspicuitas decenter illabitur, quae et potui gratissima cognoscitur et lavacris.']

[Sidenote: Probably never Abbot.]

Though the founder and patron of these two monasteries, it seems probable that Cassiodorus never formally assumed the office of Abbot in either of them[77]. He had probably still some duties to perform as a large landholder in Bruttii; but besides these he had also work to do for 'his monks' (as he affectionately called them)--work of a literary and educational kind--which perhaps made it undesirable that he should be burdened with the petty daily routine of an Abbot's duties. Some years before, he had endeavoured to induce Pope Agapetus[78] to found a School of Theology and Christian Literature at Rome, in imitation of the schools of Alexandria and Nisibis[79]. The clash of arms consequent on the invasion of Italy by Belisarius had prevented the fulfilment of this scheme; but the aged statesman now determined to devote the remainder of his days to the accomplishment of the same purpose in connection with the Vivarian convent.

[Footnote 77: But the words of Trithemius (quoted by Migne, Patrologia lxix. 498), 'Hic post aliquot conversionis suae annos abbas electus est, et monasterio multo tempore utiliter praefuit,' _may_ preserve a genuine and accurate tradition. Cassiodorus' mention of the two Abbots, Chalcedonius and Geruntius (De Inst. Div. Litt. cap. xxxii.) shows that at any rate in the infancy of his monasteries he was not Abbot of either of them.]

[Footnote 78: Agapetus was Pope in 535 and 536.]

[Footnote 79: 'Nisus sum ergo cum beatissimo Agapeto papa urbis Romae, ut sicut apud Alexandriam multo tempore fuisse traditur institutum, nunc etiam in Nisibi civitate Syrorum ab Hebraeis sedulo fertur exponi, collatis expensis in urbe Romana professos doctores scholae potius acciperent Christianae, unde et anima susciperet aeternam salutem, et casto atque purissimo eloquio fidelium lingua comeretur' (De Inst. Praefatio).]

In the earliest days of Monasticism men like the hermits of the Thebaid had thought of little else but mortifying the flesh by vigils and fastings, and withdrawing from all human voices to enjoy an ecstatic communion with their Maker. The life in common of monks like those of Nitria and Lerinum had chastened some of the extravagances of these lonely enthusiasts while still keeping their main ends in view. St. Jerome, in his cell at Bethlehem, had shown what great results might be obtained for the Church of all ages from the patient literary toil of one religious recluse. And finally St. Benedict, in that Rule of his which was to be the code of monastic Christendom for centuries, had sanctified Work as one of the most effectual preservatives of the bodily and spiritual health of the ascetic, bringing together _Laborare_ and _Orare_ in friendly union, and proclaiming anew for the monk as for the untonsured citizen the primal ordinance, 'In the sweat of thy brow thou shalt eat bread.'

[Sidenote: The father of literary Monasticism.]

The great merit of Cassiodorus, that which shows his deep insight into the needs of his age and entitles him to the eternal gratitude of Europe, was his determination to utilise the vast leisure of the convent for the preservation of Divine and human learning and for its transmission to after ages. In the miserable circumstances of the times Theology was in danger of becoming brutified and ignorant; the great treasures of Pagan literature were no longer being perpetuated by the slaves who had once acted as _librarii_ to the Greek or Roman noble; and with every movement of the Ostrogothic armies, or of the yet more savage hordes who served under the Imperial standard, with every sacked city and with every ravaged villa, some Codex, it may be such as we should now deem priceless and irreplaceable, was perishing. This being the state of Italy, Cassiodorus resolved to make of his monastery not merely a place for pious meditation, but a theological school and a manufactory for the multiplication of copies, not only of the Scriptures, not only of the Fathers and the commentators on Scripture, but also of the great writers of pagan antiquity. In the chapter[80] which he devotes to the description of the _scriptorium_ of his monastery he describes, with an enthusiasm which must have been contagious, the noble work done there by the _antiquarius_: 'He may fill his mind with the Scriptures while copying the sayings of the Lord. With his fingers he gives life to men and arms them against the wiles of the devil. So many wounds does Satan receive as the _antiquarius_ copies words of Christ. What he writes in his cell will be scattered far and wide over distant Provinces. Man multiplies the heavenly words, and by a striking figure--if I may dare so to speak--the three fingers of his hand express the utterances of the Holy Trinity. The fast-travelling reed writes down the holy words, and thus avenges the malice of the Wicked One, who caused a reed to be used to smite the head of the Saviour.'

[Footnote 80: The 30th of the De Institutione Div. Litt.]

It is true that the passage here quoted refers only to the work of the copyist of the Christian Scriptures, but it could easily be shown from other passages[81] that the literary activity of the monastery was not confined to these, but was also employed on secular literature.

[Footnote 81: For instance, in cap. xv., after cautioning his copyists against rash corrections of apparent faults in the sacred MSS., he says: 'Ubicunque paragrammata in disertis hominibus [i.e. in classical authors] reperta fuerint, intrepidus vitiosa recorrigat.' And the greater part of cap. xxviii. is an argument against 'respuere saecularium litterarum studia.']

[Sidenote: Bookbinding.]

[Sidenote: Mechanical appliances for the convent.]

Cassiodorus then goes on to describe the care which he has taken for the binding of the sacred Codices in covers worthy of the beauty of their contents, following the example of the householder in the parable, who provided wedding garments for all who came to the supper of his son. One pattern volume had been prepared, containing samples of various sorts of binding, that the amanuensis might choose that which pleased him best. He had moreover provided, to help the nightly toil of the _scriptorium_, mechanical lamps of some wonderful construction, which appears to have made them self-trimming, and to have ensured their having always a sufficient supply of oil[82]. Sun-dials also for bright days, and water-clocks for cloudy days and the night-season, regulated their labour, and admonished them when it was time to unclose the three fingers, to lay down the reed, and to assemble with their brethren in the chapel of the convent for psalmody and prayer.

[Footnote 82: Paravimus etiam nocturnis vigiliis mechanicas lucernas, conservatrices illuminantium flammarum, ipsas sibi nutrientes incendium, quae humano ministerio cessante, prolixe custodiant uberrimi luminis abundantissimam claritatem; ubi olei pinguedo non deficit, quamvis flammis ardentibus jugitor torreatur.]

[Sidenote: Relation to the Benedictine Rule.]

Upon the whole, though the idea of using the convent as a place of literary toil and theological training was not absolutely new, Cassiodorus seems certainly entitled to the praise of having first realised it systematically and on an extensive scale. It was entirely in harmony with the spirit of the Rule of St. Benedict, if it was not formally ordained in that document. At a very early date in the history of their order, the Benedictines, influenced probably by the example of the monastery of Vivaria, commenced that long series of services to the cause of literature which they have never wholly intermitted. Thus, instead of accepting the obsolete formula for which some scholars in the last age contended, 'Cassiodorus was a Benedictine,' we should perhaps be rather justified in maintaining that Benedict, or at least his immediate followers, were Cassiodorians.

[Sidenote: Cassiodorus as a transcriber of the Scriptures.]

In order to set an example of literary diligence to his monks, and to be able to sympathise with the difficulties of an amanuensis, Cassiodorus himself transcribed the Psalter, the Prophets, and the Epistles[83], no doubt from the translation of Jerome. This is not the place for enlarging on the merits of Cassiodorus as a custodian and transmitter of the sacred text. They were no doubt considerable; and the rules which he gives to his monks, to guide them in the work of transcription, show that he belonged to the Conservative school of critics, and was anxious to guard against hasty emendations of the text, however plausible. Practically, however, his MSS. of the Latin Scriptures, showing the Itala and the Vulgate in parallel columns, seem to have been answerable for some of that confusion between the two versions which to some extent spoiled the text of Jerome, without preserving to us in its purity the interesting translation of the earlier Church.

[Footnote 83: 'In Psalterio et Prophetis et Epistolis apostolorum studium maximum laboris impendi.... Quos ego cunctos novem codices auctoritatis divinae (ut senex potui) sub collatione priscorum codicum amicis ante me legentibus, sedula lectione transivi' (De Inst. Praefatio). We should have expected 'tres' rather than 'novem,' as the Psalter, the Prophets, and the Epistles each formed one codex.]

Besides his labours as a transcriber, Cassiodorus, both as an original author and a compiler, used his pen for the instruction of his fellow-inmates at Vivarium.

[Sidenote: Commentary on the Psalms.]

(1) He began and slowly completed a Commentary on the Psalms. This very diffuse performance (which occupies more than five hundred closely printed pages in Migne's edition) displays, in the opinion of those who have carefully studied it[84], a large amount of acquaintance with the writings of the Fathers, and was probably looked upon as a marvel of the human intellect by the Vivarian monks, for whose benefit it was composed, and to whom it revealed, in the Psalms which they were daily and nightly intoning, refutations of all the heresies that had ever racked the Church, and the rudiments of all the sciences that flourished in the world. It is impossible now for this or any future age to do aught but lament over so much wasted ingenuity, when we find the author maintaining that the whole of the one hundred and fifty Psalms were written by King David, and that Asaph, Heman, and Jeduthun have only a mystical meaning; that the first seventy represent the Old Testament, and the last eighty the New, because we celebrate the Resurrection of Christ on the eighth day of the week, and so forth. A closer study of the book might perhaps discover in it some genuine additions to the sum of human knowledge; but it is difficult to repress a murmur at the misdirected industry which has preserved to us the whole of this ponderous futility, while it has allowed the History of the Goths to perish.

[Footnote 84: I take my account of this treatise chiefly from Franz (pp. 93-100).]

[Sidenote: Commentary on the Epistles.]

(2) The 'Complexiones in Epistolas Apostolorum' (first published by Maffei in 1721, from a MS. discovered by him at Verona) have at least the merit of being far shorter than the Commentary on the Psalms. Perhaps the only points of interest in them, even for theological scholars, are that Cassiodorus evidently attributes the Epistle to the Hebrews without hesitation to the Apostle Paul, and that he notices the celebrated passage concerning the Three Heavenly Witnesses (1 John v. 7) in a way which seems to imply that he found that passage in the text of the Vulgate, though on examination his language is seen to be consistent with the theory that these words are a gloss added by the commentator himself.

[Sidenote: Historia Tripartita.]

(3) In order to supply the want of any full Church History in the Latin tongue, a want which was probably felt not only by his own monks but throughout the Churches of the West, Cassiodorus induced his friend Epiphanius to translate from the Greek the ecclesiastical histories of Socrates, Sozomen, and Theodoret, and then himself fused these three narratives into one, the well-known 'Historia Tripartita,' which contains the story of the Church's fortunes from the accession of Constantine to the thirty-second year of the reign of Theodosius II (306-439). The fact that the numerous mistranslations of Epiphanius have passed uncorrected, probably indicates that Cassiodorus' own knowledge of Greek was but slight, and that he depended on his coadjutor entirely for this part of the work. The 'Historia Tripartita' has probably had a larger circulation than any other of its author's works; but Cassiodorus himself thought so little of his share in it, that he does not include it in the list of his writings prefixed to the treatise 'De Orthographiâ.' And, in fact, the inartistic way in which the three narratives are soldered together, rather than recast into one symmetrical and harmonious whole, obliges us to admit that Cassiodorus' work at this book was little more than mechanical, and entitles him to scarcely any other praise than that of industry.

[Sidenote: Institutiones Divinarum et Humanarum Lectionum.]

(4) Of a different quality, though still partaking somewhat of the nature of a compilation, was his chief educational treatise, the 'Institutiones Divinarum et Humanarum Lectionum[85].' About the year 543, some three or four years after his retirement from public life, while he was slowly ploughing his way through the Commentary on the Psalms, twenty of which he had already interpreted, he seems to have laid it aside for a time in order to devote himself to this work, which aimed more at instruction than at religious edification. In the outset of this book he describes that unsuccessful attempt of his, to which allusion has already been made, for the establishment of a theological school in Rome, and continues that, 'as the rage of war and the turbulence of strife in the Italian realm[86] had prevented the fulfilment of this desire, he felt himself constrained by Divine charity to write for his monks' behoof these _libri introductorii_, in which, after the manner of a teacher, he would open to them the series of the books of Holy Scripture, and would give them a compendious acquaintance with secular literature.' As the book is not written for the learned, he undertakes to abstain from 'affectata eloquentia,' and he does in the main keep his promise. The simple, straightforward style of the book, which occasionally rises into real and 'unaffected eloquence' where the subject inspires him to make an appeal to the hearts of his readers, presents a striking and favourable contrast to the obscure and turgid phraseology in which the perverted taste of the times caused him generally to shroud his meaning[87].

[Footnote 85: Printed hitherto as two works, De Institutione Divinarum Litterarum, and De Artibus ac Disciplinis Liberalium Litterarum. But, as Ebert has shown (i. 477), the Preface to the Orthographia makes it probable that these two really formed one book, with a title like that given above.]

[Footnote 86: 'In Italico regno.' These words seem to favour the conjecture that Theodoric may have called himself King of Italy.]

[Footnote 87: As a specimen of this better style of Cassiodorus, I may refer to his praises of the life of the literary monk, and his exhortation to him who is of duller brain to practise gardening: 'Quapropter toto nisu, toto labore, totis desideriis exquiramus ut ad tale tantumque munus, Domino largiente, pervenire mereamur. Hoc enim nobis est salutare, proficuum, gloriosum, perpetuum, quod nulla mors, nulla mobilitas, nulla possit separare oblivio; sed in illa suavitate patriae, cum Domino faciet aeterna exsultatione gaudere. Quod si alicui fratrum, ut meminit Virgilius,

"Frigidus obstiterit circum praecordia sanguis,"

ut nec humanis nec divinis litteris perfecte possit erudiri, aliqua tamen scientiae mediocritate suffultus, eligat certe quod sequitur,

"Rura mihi et rigui placeant in vallibus amnes."

Quia nec ipsum est a monachis alienum hortos colere, agros exercere, et pomorum fecunditate gratulari; legitur enim in Psalmo centesimo vigesimo septimo, "Labores manuum tuarum manducabis; beatus es et bene tibi erit."']

In the first part of this treatise (commonly called the 'De Institutione Divinarum Litterarum') Cassiodorus briefly describes the contents of the nine Codices[88] which made up the Scripture of the Old and New Testaments, and mentions the names of the chief commentators upon each. After some important cautions as to the preservation of the purity of the sacred text and abstinence from plausible emendations, the author proceeds to enumerate the Christian historians--Eusebius, Orosius, Marcellinus, Prosper, and others[89]; and he then slightly sketches the characters of some of the principal Fathers--Hilary, Cyprian, Ambrose, Jerome, and Augustine. This part of the work contains an interesting allusion to 'Dionysius Monachus, Scytha natione, sed moribus omnino Romanus,' of whom Cassiodorus speaks as a colleague in his literary enterprises. This is the so-called Dionysius Exiguus, who fixed (erroneously, as it now appears) the era of the birth of Christ, and whose system of chronology founded on this event has been accepted by all the nations of Christendom. At the conclusion of this the first part of the treatise we find some general remarks on the nature of the monastic life, and some pictures of Vivarium and its neighbourhood, to which we are indebted for some of the information contained in the preceding pages. The book ends with a prayer, and contains thirty-three chapters, the same number, remarks Cassiodorus (who is addicted to this kind of moralising on numbers) that was reached by the years of the life of Christ on earth.

[Footnote 88: 1. Octateuchus (Pentateuch, Joshua, Judges, Ruth).

2. Kings (Samuel and Kings, Chronicles).

3. Prophets (Four Major, including Daniel, and Twelve Minor).

4. Psalms.

5. Solomon (Proverbs, Ecclesiastes, Canticles, Wisdom, Ecclesiasticus).

6. Hagiographa (Tobias, Esther, Judith, Maccabees, Esdras).

7. Gospels.

8. Epistles of the Apostles (including that to the Hebrews).

9. Acts of the Apostles and Apocalypse.]

[Footnote 89: The remarks on Marcellinus Comes and Prosper are worth transcribing: 'Hunc [Eusebium] subsecutus est suprascriptus Marcellinus Illyricianus, qui adhuc patricii Justiniani fertur egisse cancellos; sed meliore conditione devotus, a tempore Theodosii principis usque ad finem imperii triumphalis Augusti Justiniani opus suum, Domino juvante, perduxit; ut qui ante fuit in obsequio suscepto gratus, postea ipsius imperio copiose amantissimus appareret.' [The allusion to 'finem imperii Justiniani' was probably added in a later revision of the Institutiones.] 'Sanctus quoque Prosper Chronica ab Adam ad Genserici tempora et urbis Romae depraedationem usque perduxit.']

The second part of the treatise, commonly called 'De Artibus ac Disciplinis Liberalium Litterarum,' contains so much as the author thought that every monk should be acquainted with concerning the four liberal arts--Grammar, Rhetoric, Logic, Mathematics--the last of which is divided into the four 'disciplines' of Arithmetic, Geometry, Music, and Astronomy. As illustrating the relative importance of these sciences (as we call them) as apprehended by Cassiodorus, it is curious to observe that while Geometry and Astronomy occupy only about one page, and Arithmetic and Music two pages each, Logic takes up eighteen pages, Grammar two, and Rhetoric six.

[Sidenote: De Orthographiâ.]

(5) Some other works, chiefly of a grammatical kind[90], which have now perished, together with the exegetical treatises already named, occupied the leisure hours of the old age of Cassiodorus. At length, in the ninety-third year of his age, the veteran statesman, nobleman, and judge crowned his life of useful service by writing for his beloved monks his still extant treatise 'De Orthographia[91].' He tells us that the monks suddenly exclaimed, 'What doth it profit us to study either those works which the ancients have composed or those which your Wisdom has caused to be added to the list, if we are altogether ignorant how we ought to write these things, and on the other hand cannot understand and accurately represent in speech the words which we find written?' In other words, 'Give us a treatise on spelling.' The venerable teacher gladly complied with the request, and compiled from twelve grammarians[92] various rules, the observance of which would prevent the student from committing the usual faults in spelling. It is no doubt true[93] that this work is a mere collection of excerpts from other authors, not arranged on any systematic principle. Still, even as such a collection, it does great credit to the industry of a nonagenarian; and it seems to me that there is much in it which a person who was studying the transition of Latin into the Lingua Volgare might peruse with profit. To an epigraphist especially it must be interesting to see what were the mistakes which an imperfectly educated Italian in that age was most likely to commit. The confusion between _b_ and _v_ was evidently a great source of error, and their nice discrimination, to which Cassiodorus devotes four chapters, a very _crux_ of accurate scholarship. We see also from a passage in the 'De Institutione Divinarum Litterarum[94]' that the practice of assimilating the last letter of the prefix in compound words, like i_l_luminatio, i_r_risio, i_m_probus, though it had been introduced, was as yet hardly universal; and similarly that the monks required to be instructed to write qui_c_quam for euphony, instead of qui_d_quam.

[Footnote 90: They were a compilation from the 'Artes' of Donatus, from a book on Etymologies (perhaps also by Donatus), and from a treatise by Sacerdos on Schemata; and a short Table of Contents of the Books of Scripture, prepared in such a form as to be easily committed to memory.]

[Footnote 91: Ad amantissimos orthographos discutiendos anno aetatis meae nonagesimo tertio (Domino adjuvante) perveni.]

[Footnote 92: They were Donatus, Cn. Cornutus, Velius Longus, Curtius Valerianus, Papirianus, Adamantius Martyrius, Eutiches, Caesellius, Lucius Caecilius, and 'Priscianus grammaticus, qui nostro tempore Constantinopoli doctor fuit.' Two names seem to be omitted by Cassiodorus.]

[Footnote 93: As stated by Ebert (p. 481).]

[Footnote 94: Cap. xv.]

[Sidenote: Death of Cassiodorus, 575 (?).]

The treatise 'De Orthographiâ' was the last product, as far as we know, of the industrious brain of Cassiodorus. Two years after its composition the aged statesman and scholar, in the ninety-sixth year of his age, entered into his well-earned rest[95]. The death of Cassiodorus occurred (as I believe) in the year 575, three years before the death of the Emperor Justin II, nephew and successor of Justinian. The period covered by his life had been one of vast changes. Born when the Kingdom of Odovacar was only four years old, he had as a young man seen that Kingdom overthrown by the arms of Theodoric; he had sat by the cradle of the Ostrogothic monarchy, and mourned over its grave; had seen the eunuch Narses supreme vicegerent of the Emperor; had heard the avalanche of the Lombard invasion thunder over Italy, and had outlived even the Lombard invader Alboin. Pope Leo, the tamer of Attila and the hero of Chalcedon, had not been dead twenty years when Cassiodorus was born. Pope Gregory the Great, the converter of England, was within fifteen years of his accession to the Pontificate when Cassiodorus died. The first great schism between the Eastern and Western Churches was begun in his boyhood and ended before he had reached old age. He saw the irretrievable ruin of Rome, such as Augustus and Trajan had known her; the extinction of the Roman Senate; the practical abolition of the Consulate; the close of the schools of philosophy at Athens.

[Footnote 95: In assigning the death of Cassiodorus to the ninety-sixth year of his age I rest upon the authority of Trittheim (as quoted in the earlier part of this chapter), who appears to me to have preserved the chronology which was generally accepted, before the question became entangled by the confusion between Cassiodorus and his father.]

Reverting to the line of thought with which this chapter opened, if one were asked to specify any single life which more than another was in contact both with the Ancient World and the Modern, none could be more suitably named than the life of Cassiodorus.

NOTE ON THE TOPOGRAPHY OF SQUILLACE.

The chief conclusions which Mr. Evans came to after his two days' study of the country about Squillace are these:--

[Sidenote: Position of Scylacium.]

I. The Scylacium or Scolacium of Roman times, the city of Cassiodorus, is not to be looked for at the modern Squillace, but at the place called Roccella in the Italian military map, which Lenormant and Evans know as _La Roccelletta del Vescovo di Squillace_.

_Oxford University Press_]

This place, which is about ten kilometres north-east of modern Squillace, is on a little hill immediately overhanging the sea, while Squillace is on a spur of the Apennines three or four miles distant from the sea. Mr. Evans' chief reasons for identifying Roccella with Scylacium are (1) its position, 'hanging like a cluster of grapes on hills not so high as to make the ascent of them a weariness, but high enough to command a delightful prospect over land and sea.' This description by Cassiodorus exactly suits Roccella, but does not suit Squillace, which is at the top of a conical hill, and is reached only by a very toilsome ascent. 'With its gradual southern and eastern slope and its freedom from overlooking heights (different in this respect from Squillace),' says Mr. Evans, 'Roccella was emphatically, as Cassiodorus describes it, "a city of the sun."'

(2) Its ruins. While no remains of a pre-mediaeval time have been discovered at Squillace, there is still standing at Roccella the shell of a splendid basilica, of which Mr. Evans has taken some plans and sketches, but which seems to have strangely escaped the notice of most preceding travellers. The total length of this building is 94 paces, the width of the nave 30, the extreme width of the transept 54. It has three fine apses at the eastern end, and is built in the form of a Latin cross. On either side of the nave was an exterior arcade, which apparently consisted originally of eleven window arches, six of them not being for the transmission of light. 'Altogether,' says Mr. Evans, 'this church, even in its dilapidated state, is one of the finest monuments of the kind anywhere existing. We should have to go to Rome, to Ravenna, or to Thessalonica, to find its parallel; but I doubt whether, even at any of those places, there is to be seen a basilica with such fine exterior arcading. It is a great tribute to the strength of the original fabric that so much should have survived the repeated shocks of earthquake that have desolated Calabria, and scarcely left one stone upon another of her ancient cities.'

After a careful examination of the architectural peculiarities of this basilica, Mr. Evans is disposed to fix its erection somewhere about the time of the Emperor Justinian.

In addition to this fine building there are at Roccella the ruins of two smaller late Roman churches, mausolea, and endless foundations of buildings which must have formed very extensive suburbs.

More important than all, the massive walls of a considerable city can still be traced for nearly a mile in two parallel lines, with the transverse wall which unites them. Certainly all these indications seem to point to the existence at this spot of a great provincial city of the Empire, and to make Mr. Evans' conjecture more probable than that of M. Lenormant, who identified the ruins at Roccella with those of Castra Hannibalis, the seaport of Scylacium. It would seem probable, if Mr. Evans' theory be correct, that the city may have been removed to its present site in the early middle ages, in order to guard it against the incursions of the Saracens.

[Sidenote: The Vivarian Monastery.]

II. As to the situation of the _Vivarian Monastery_ Mr. Evans comes to nearly the same conclusion as M. Lenormant. Both place it on the promontory of Squillace (eastward of Staletti), and, as Mr. Evans observes, 'only such a position can be reconciled, on the one hand, with the presence of an abundant stream and rich Campagna, on the other with the neighbourhood of caves and grottoes on the sea-shore.' But while M. Lenormant places it at a place called Coscia, almost immediately to the north of and under Staletti, Mr. Evans pleads for the site now occupied by the Church of S. Maria del Mare, on the cliff top, very near the sea, and about three kilometres south of Staletti. This church is itself of later date than Cassiodorus, and probably formed part of the work of restoration undertaken by Nicephorus Phocas in the Tenth Century; but there are signs of its having formerly joined on to a monastery, and some of the work about it looks as if materials taken from the Cassiodorian edifice had been used in the work of reconstruction.

[Sidenote: The Fons Arethusae.]

III. The _Fountain of Arethusa_ may possibly, according to Mr. Evans, be identified with the Fontana della Panaghia, a small fountain by the sea-shore at the south end of a little bay under the promontory of S. Gregorio. The so-called Fontana di Cassiodoro, near Coscia, has received its name and its present appearance in modern times, and is much too far from the sea to be the Fountain of Arethusa.