Chapter III: Preface (3)

Once more in my old quarters, and with rather a tired sole to my foot, from having found such an immense number of different resting-places for it since I went away. I write you my last Italian letter for this bout, designing to leave here, please God, on the ninth of next month, and to be in London again by the end of June. I am looking forward with great delight to the pleasure of seeing you once more, and mean to come to Gore House with such a swoop as shall astonish the poodle, if, after being accustomed to his own size and sense, he retain the power of being astonished at anything in the wide world. You know where I have been, and every mile of ground I have travelled over, and every object I have seen. It is next to impossible, surely, to exaggerate the interest of Rome; though, I think, it _is_ very possible to find the main source of interest in the wrong things. Naples disappointed me greatly. The weather was bad during a great part of my stay there. But if I had not had mud, I should have had dust, and though I had had sun, I must still have had the Lazzaroni. And they are so ragged, so dirty, so abject, so full of degradation, so sunken and steeped in the hopelessness of better things, that they would make heaven uncomfortable, if they could ever get there. I didn't expect to see a handsome city, but I expected something better than that long dull line of squalid houses, which stretches from the Chiaja to the quarter of the Porta Capuana; and while I was quite prepared for a miserable populace, I had some dim belief that there were bright rays among them, and dancing legs, and shining sun-browned faces. Whereas the honest truth is, that connected with Naples itself, I have not one solitary recollection. The country round it charmed me, I need not say. Who can forget Herculaneum and Pompeii?

As to Vesuvius, it burns away in my thoughts, beside the roaring waters of Niagara, and not a splash of the water extinguishes a spark of the fire; but there they go on, tumbling and flaming night and day, each in its fullest glory.

I have seen so many wonders, and each of them has such a voice of its own, that I sit all day long listening to the roar they make as if it were in a sea-shell, and have fallen into an idleness so complete, that I can't rouse myself sufficiently to go to Pisa on the twenty-fifth, when the triennial illumination of the Cathedral and Leaning Tower, and Bridges, and what not, takes place. But I have already been there; and it cannot beat St. Peter's, I suppose. So I don't think I shall pluck myself up by the roots, and go aboard a steamer for Leghorn. Let me thank you heartily for the "Keepsake" and the "Book of Beauty." They reached me a week or two ago. I have been very much struck by two papers in them--one, Landor's "Conversations," among the most charming, profound, and delicate productions I have ever read; the other, your lines on Byron's room at Venice. I am as sure that you wrote them from your heart, as I am that they found their way immediately to mine.

It delights me to receive such accounts of Maclise's fresco. If he will only give his magnificent genius fair play, there is not enough cant and dulness even in the criticism of art from which Sterne prayed kind heaven to defend him, as the worst of all the cants continually canted in this canting world--to keep the giant down an hour.

Our poor friend, the naval governor,[25] has lost his wife, I am sorry to hear, since you and I spoke of his pleasant face. Do not let your nieces forget me, if you can help it, and give my love to Count D'Orsay, with many thanks to him for his charming letter. I was greatly amused by his account of ----. There was a cold shade of aristocracy about it, and a dampness of cold water, which entertained me beyond measure.

Always faithfully yours.

[Sidenote: Mr. Macvey Napier.]

1, DEVONSHIRE TERRACE, _July 28th, 1845._

MY DEAR SIR,

As my note is to bear reference to business, I will make it as short and plain as I can. I think I could write a pretty good and a well-timed article on the _Punishment of Death_, and sympathy with great criminals, instancing the gross and depraved curiosity that exists in reference to them, by some of the outrageous things that were written, done, and said in recent cases. But as I am not sure that my views would be yours, and as their statement would be quite inseparable from such a paper, I will briefly set down their purport that you may decide for yourself.

Society, having arrived at that state in which it spares bodily torture to the worst criminals, and having agreed, if criminals be put to death at all, to kill them in the speediest way, I consider the question with reference to society, and not at all with reference to the criminal, holding that, in a case of cruel and deliberate murder, he is already mercifully and sparingly treated. But, as a question for the deliberate consideration of all reflective persons, I put this view of the case. With such very repulsive and odious details before us, may it not be well to inquire whether the punishment of death be beneficial to society? I believe it to have a horrible fascination for many of those persons who render themselves liable to it, impelling them onward to the acquisition of a frightful notoriety; and (setting aside the strong confirmation of this idea afforded in individual instances) I presume this to be the case in very badly regulated minds, when I observe the strange fascination which everything connected with this punishment, or the object of it, possesses for tens of thousands of decent, virtuous, well-conducted people, who are quite unable to resist the published portraits, letters, anecdotes, smilings, snuff-takings, of the bloodiest and most unnatural scoundrel with the gallows before him. I observe that this strange interest does not prevail to anything like the same degree where death is not the penalty. Therefore I connect it with the dread and mystery surrounding death in any shape, but especially in this avenging form, and am disposed to come to the conclusion that it produces crime in the criminally disposed, and engenders a diseased sympathy--morbid and bad, but natural and often irresistible--among the well-conducted and gentle. Regarding it as doing harm to both these classes, it may even then be right to inquire, whether it has any salutary influence on those small knots and specks of people, mere bubbles in the living ocean, who actually behold its infliction with their proper eyes. On this head it is scarcely possible to entertain a doubt, for we know that robbery, and obscenity, and callous indifference are of no commoner occurrence anywhere than at the foot of the scaffold. Furthermore, we know that all exhibitions of agony and death have a tendency to brutalise and harden the feelings of men, and have always been the most rife among the fiercest people. Again, it is a great question whether ignorant and dissolute persons (ever the great body of spectators, as few others will attend), seeing _that_ murder done, and not having seen the other, will not, almost of necessity, sympathise with the man who dies before them, especially as he is shown, a martyr to their fancy, tied and bound, alone among scores, with every kind of odds against him.

I should take all these threads up at the end by a vivid little sketch of the origin and progress of such a crime as Hooker's, stating a somewhat parallel case, but an imaginary one, pursuing its hero to his death, and showing what enormous harm he does _after_ the crime for which he suffers. I should state none of these positions in a positive sledge-hammer way, but tempt and lure the reader into the discussion of them in his own mind; and so we come to this at last--whether it be for the benefit of society to elevate even this crime to the awful dignity and notoriety of death; and whether it would not be much more to its advantage to substitute a mean and shameful punishment, degrading the deed and the committer of the deed, and leaving the general compassion to expend itself upon the only theme at present quite forgotten in the history, that is to say, the murdered person.

I do not give you this as an outline of the paper, which I think I could make attractive. It is merely an exposition of the inferences to which its whole philosophy must tend.

Always faithfully yours.

[Sidenote: Mr. Thompson.]

DEVONSHIRE TERRACE, _17th October, 1845._

MY DEAR THOMPSON,

Roche has not returned; and from what I hear of your movements, I fear I cannot answer for his being here in time for you.

I enclose you, lest I should forget it, the letter to the Peschiere agent. He is the Marquis Pallavicini's man of business, and speaks the most abominable Genoese ever heard. He is a rascal of course; but a more reliable villain, in his way, than the rest of his kind.

You recollect what I told you of the Swiss banker's wife, the English lady? If you would like Christiana[26] to have a friend at Genoa in the person of a most affectionate and excellent little woman, and if you would like to have a resource in the most elegant and comfortable family there, I need not say that I shall be delighted to give you a letter to those who would die to serve me.

Always yours.

[Sidenote: Mr. H. P. Smith.]

DEVONSHIRE TERRACE, _4th November, 1845._

MY DEAR SMITH,

My chickens and their little aunt will be delighted to do honour to the Lord Mayor on the ninth. So should I be, but I am hard at it, grinding my teeth.

I came down with Thompson the other day, hoping to see you. You are keeping it up, however, in some holiday region, and your glass-case looked like a large pantry, out of which some giant had stolen the meat.

Best regards to Mrs. Smith from all of us. Kate quite hearty, and the baby, like Goldsmith's bear, "in a concatenation" accordingly.

Always, my dear Smith, faithfully yours.

[Sidenote: Mr. Macvey Napier.]

_November 10th, 1845._

MY DEAR SIR,

I write to you in great haste. I most bitterly regret the being obliged to disappoint and inconvenience you (as I fear I shall do), but I find it will be _impossible_ for me to write the paper on Capital Punishment for your next number. The fault is really not mine. I have been involved for the last fortnight in one maze of distractions, which nothing could have enabled me to anticipate or prevent. Everything I have had to do has been interfered with and cast aside. I have never in my life had so many insuperable obstacles crowded into the way of my pursuits. It is as little my fault, believe me, as though I were ill and wrote to you from my bed. And pray bear as gently as you can with the vexation I occasion you, when I tell you how very heavily it falls upon myself.

Faithfully yours.

FOOTNOTES:

[25] Lieut. Tracey, R.N., who was at this time Governor of Tothill Fields Prison.

[26] Mrs. Thompson.

1846.

[Sidenote: Mr. W. J. Fox.]

OFFICE OF THE "DAILY NEWS," WHITEFRIARS,
_21st January, 1846._

MY DEAR FOX,[27]

The boy is in waiting. I need not tell you how our Printer failed us last night.[28] I hope for better things to-night, and am bent on a fight for it. If we can get a good paper to-morrow, I believe we are as safe as such a thing can be.

Your leader most excellent. I made bold to take out ---- for reasons that I hinted at the other day, and which I think have validity in them. He is unscrupulous and indiscreet. Cobden never so.

It didn't offend you?

Ever faithfully.

[Sidenote: Mr. Thompson.]

ROSEMONT, _Tuesday Morning._

MY DEAR THOMPSON,

All kinds of hearty and cordial congratulations on the event.[29] We are all delighted that it is at last well over. There is an uncertainty attendant on angelic strangers (as Miss Tox says) which it is a great relief to have so happily disposed of.

Ever yours.

[Sidenote: The same.]

48, RUE DE COURCELLES, ST. HONORE, PARIS,
_2nd December, 1846._

MY DEAR THOMPSON,

We got to Paris, in due course, on the Friday evening. We had a pleasant and prosperous journey, having rather cold weather in Switzerland and on the borders thereof, and a slight detention of three hours and a half at the frontier Custom House, atop of a mountain, in a hard frost and a dense fog. We came into this house last Thursday. It has a pretty drawing-room, approached through four most extraordinary chambers. It is the most ridiculous and preposterous house in the world, I should think. It belongs to a Marquis Castellane, but was fitted (so Paul Pry Poole said, who dined here yesterday) by ---- in a fit of temporary insanity, I have no doubt. The dining-room is mere midsummer madness, and is designed to represent a bosky grove.

At this present writing, snow is falling in the street, and the weather is very cold, but not so cold as it was yesterday. I dined with Lord Normanby on Sunday last. Everything seems to be queer and uncomfortable in the diplomatic way, and he is rather bothered and worried, to my thinking. I found young Sheridan (Mrs. Norton's brother) the attache. I know him very well, and he is a good man for my sight-seeing purposes. There are to be no theatricals unless the times should so adjust themselves as to admit of their being French, to which the Markis seems to incline, as a bit of conciliation and a popular move.

Lumley, of Italian opera notoriety, also dined here yesterday, and seems hugely afeard of the opposition opera at Covent Garden, who have already spirited away Grisi and Mario, which he affects to consider a great comfort and relief. I gave him some uncompromising information on the subject of his pit, and told him that if he didn't conciliate the middle classes, he might depend on being damaged, very decidedly. The danger of the Covent Garden enterprise seems to me to be that they are going in for ballet too, and I really don't think the house is large enough to repay the double expense.

Forster writes me that Mac has come out with tremendous vigour in the Christmas Book, and took off his coat at it with a burst of such alarming energy that he has done four subjects! Stanfield has done three. Keeleys are making that "change"[30] I was so hot upon at Lausanne, and seem ready to spend money with bold hearts, but the cast (as far as I know it, at present) would appear to be black despair and moody madness. J. W. Leigh Murray, from the Princess's, is to be the Alfred, and Forster says there is a Mrs. Gordon at Bolton's who must be got for Grace. I am horribly afraid ---- will do one of the lawyers, and there seems to be nobody but ---- for Marion. I shall run over and carry consternation into the establishment, as soon as I have done the number. But I have not begun it yet, though I hope to do so to-night, having been quite put out by chopping and changing about, and by a vile touch of biliousness, that makes my eyes feel as if they were yellow bullets. "Dombey" has passed its thirty thousand already. Do you remember a mysterious man in a straw hat low-crowned, and a Petersham coat, who was a sort of manager or amateur man-servant at Miss Kelly's? Mr. Baynton Bolt, sir, came out, the other night, as Macbeth, at the Royal Surrey Theatre.

There's all my news for you! Let me know, in return, whether you have fought a duel yet with your milingtary landlord, and whether Lausanne is still that giddy whirl of dissipation it was wont to be, also full particulars of your fairer and better half, and of the baby. I will send a Christmas book to Clermont as soon as I get any copies. And so no more at present from yours ever.

FOOTNOTES:

[27] Mr. W. J. Fox, afterwards M.P. for Oldham, well known for his eloquent advocacy of the Repeal of the Corn Laws, was engaged to write the political articles in the first numbers of the _Daily News_.

[28] The first issue of the _Daily News_ was a sad failure, as to printing.

[29] The birth, at Lausanne, of Mr. Thompson's eldest daughter, Elizabeth Thompson, now Mrs. Butler, the celebrated artist.

[30] In the dramatised "Battle of Life."

1847.

[Sidenote: Sir Edward Bulwer Lytton.]

DEVONSHIRE TERRACE, _January 12th, 1847._

MY DEAR SIR EDWARD,

The Committee of the General Theatrical Fund (who are all actors) are anxious to prefer a petition to you to preside at their next annual dinner at the London Tavern, and having no personal knowledge of you, have requested me, as one of their Trustees, through their Secretary, Mr. Cullenford, to give them some kind of presentation to you.

I will only say that I have felt great interest in their design, which embraces all sorts and conditions of actors from the first, and it has been maintained by themselves with extraordinary perseverance and determination. It has been in existence some years, but it is only two years since they began to dine. At their first festival I presided, at their second, Macready. They very naturally hold that if they could prevail on you to reign over them now they would secure a most powerful and excellent advocate, whose aid would serve and grace their cause immensely. I sympathise with their feeling so cordially, and know so well that it would certainly be mine if I were in their case (as, indeed, it is, being their friend), that I comply with their request for an introduction. And I will not ask you to excuse my troubling you, feeling sure that I may use this liberty with you.

Believe me always, very faithfully yours.

[Sidenote: Countess of Blessington.]

48, RUE DE COURCELLES, PARIS, _January 24th, 1847._

MY DEAR LADY BLESSINGTON,

I feel very wicked in beginning this note, and deeply remorseful for not having begun and ended it long ago. But _you_ know how difficult it is to write letters in the midst of a writing life; and as you know too (I hope) how earnestly and affectionately I always think of you, wherever I am, I take heart, on a little consideration, and feel comparatively good again.

Forster has been cramming into the space of a fortnight every description of impossible and inconsistent occupation in the way of sight-seeing. He has been now at Versailles, now in the prisons, now at the opera, now at the hospitals, now at the Conservatoire, and now at the Morgue, with a dreadful insatiability. I begin to doubt whether I had anything to do with a book called "Dombey," or ever sat over number five (not finished a fortnight yet) day after day, until I half began, like the monk in poor Wilkie's story, to think it the only reality in life, and to mistake all the realities for short-lived shadows.

Among the multitude of sights, we saw our pleasant little bud of a friend, Rose Cheri, play Clarissa Harlowe the other night. I believe she does it in London just now, and perhaps you may have seen it. A most charming, intelligent, modest, affecting piece of acting it is, with a death superior to anything I ever saw on the stage, except Macready's Lear. The theatres are admirable just now. We saw "Gentil Bernard" at the Varietes last night, acted in a manner that was absolutely perfect. It was a little picture of Watteau, animated and talking from beginning to end. At the Cirque there is a new show-piece called the "French Revolution," in which there is a representation of the National Convention, and a series of battles (fought by some five hundred people, who look like five thousand) that are wonderful in their extraordinary vigour and truth. Gun-cotton gives its name to the general annual jocose review at the Palais Royal, which is dull enough, saving for the introduction of Alexandre Dumas, sitting in his study beside a pile of quarto volumes about five feet high, which he says is the first tableau of the first act of the first piece to be played on the first night of his new theatre. The revival of Moliere's "Don Juan," at the Francais, has drawn money. It is excellently played, and it is curious to observe how different _their_ Don Juan and valet are from our English ideas of the master and man. They are playing "Lucretia Borgia" again at the Porte St. Martin, but it is poorly performed and hangs fire drearily, though a very remarkable and striking play. We were at Victor Hugo's house last Sunday week, a most extraordinary place, looking like an old curiosity shop, or the property-room of some gloomy, vast, old theatre. I was much struck by Hugo himself, who looks like a genius as he is, every inch of him, and is very interesting and satisfactory from head to foot. His wife is a handsome woman, with flashing black eyes. There is also a charming ditto daughter of fifteen or sixteen, with ditto eyes. Sitting among old armour and old tapestry, and old coffers, and grim old chairs and tables, and old canopies of state from old palaces, and old golden lions going to play at skittles with ponderous old golden balls, they made a most romantic show and looked like a chapter out of one of his own books.

* * * * *

[Sidenote: Mr. Edward Chapman.]

CHESTER PLACE, _Monday, 3rd May, 1847._

MY DEAR SIR,

Here is a young lady--Miss Power, Lady Blessington's niece--has "gone and been" and translated a story by Georges Sand, the French writer, which she has printed, and got four woodcuts engraved ready for. She wants to get it published--something in the form of the Christmas books. I know the story, and it is a very fine one.

Will you do it for her? There is no other risk than putting a few covers on a few copies. Half-profits is what she expects and no loss. She has made appeal to me, and if there is to be a hard-hearted ogre in the business at all, I would rather it should be you than I; so I have told her I would make proposals to your mightiness.

Answer this straightway, for I have no doubt the fair translator thinks I am tearing backwards and forwards in a cab all day to bring the momentous affair to a conclusion.

Faithfully yours.

[Sidenote: Mr. James Sheridan Knowles.]

[31]148, KING'S ROAD, BRIGHTON, _26th May, 1847._

MY DEAR KNOWLES,

I have learned, I hope, from the art we both profess (if you will forgive this classification of myself with you) to respect a man of genius in his mistakes, no less than in his triumphs. You have so often read the human heart well that I can readily forgive your reading mine ill, and greatly wronging me by the supposition that any sentiment towards you but honour and respect has ever found a place in it.

You write as few lines which, dying, you would wish to blot, as most men. But if you ever know me better, as I hope you may (the fault shall not be mine if you do not), I know you will be glad to have received the assurance that some part of your letter has been written on the sand and that the wind has already blown over it.

Faithfully yours always.

[Sidenote: Dr. Hodgson.[32]]

REGENT'S PARK, LONDON, _Friday, 4th June, 1847._

MY DEAR SIR,

I have rarely, if ever, seen a more remarkable effort of what I may call intellectual memory than the enclosed. It is evidence, I think, of very uncommon power. I have read it with the greatest interest and surprise, and I am truly obliged to you for giving me the opportunity. If you should see no objection to telling the young lady herself this much, pray do so, as it is sincere praise.

Your criticism of Coombe's pamphlet is as justly felt as it is earnestly and strongly written. I undergo more astonishment and disgust in connection with that question of education almost every day of my life than is awakened in me by any other member of the whole magazine of social monsters that are walking about in these times.

You were in my thoughts when your letter arrived this morning, for we have a half-formed idea of reviving our old amateur theatrical company for a special purpose, and even of bringing it bodily to Manchester and Liverpool, on which your opinion would be very valuable. If we should decide on Monday, when we meet, to pursue our idea in this warm weather, I will explain it to you in detail, and ask counsel of you in regard of a performance at Liverpool. Meantime it is mentioned to no one.

Your interest in "Dombey" gives me unaffected pleasure. I hope you will find no reason to think worse of it as it proceeds. There is a great deal to do--one or two things among the rest that society will not be the worse, I hope, for thinking about a little.

May I beg to be remembered to Mrs. Hodgson? You always remember me yourself, I hope, as one who has a hearty interest in all you do and in all you have so admirably done for the advancement of the best objects.

Always believe me very faithfully yours.

[Sidenote: The same.]

REGENT'S PARK, LONDON, _June 12th, 1847._

MY DEAR SIR,

I write to you in reference to a scheme to which you may, perhaps, already have seen some allusion in the London _Athenaeum_ of to-day.

The party of amateurs connected with literature and art, who acted in London two years ago, have resolved to play again at one of the large theatres here for the benefit of Leigh Hunt, and to make a great appeal to all classes of society in behalf of a writer who should have received long ago, but has not yet, some enduring return from his country for all he has undergone and all the good he has done. It is believed that such a demonstration by literature on behalf of literature, and such a mark of sympathy by authors and artists, for one who has written so well, would be of more service, present and prospective, to Hunt than almost any other means of help that could be devised. And we know, from himself, that it would be most gratifying to his own feelings.

The arrangements are, as yet, in an imperfect state; for the date of their being carried out depends on our being able to get one of the large theatres before the close of the present London season. In the event of our succeeding, we purpose acting in London, on Wednesday the 14th of July, and on Monday the 19th. On the first occasion we shall play "Every Man in His Humour," and a farce; on the second, "The Merry Wives of Windsor," and a farce.

But we do not intend to stop here. Believing that Leigh Hunt has done more to instruct the young men of England, and to lend a helping hand to those who educate themselves, than any writer in England, we are resolved to come down, in a body, to Liverpool and Manchester, and to act one night at each place. And the object of my letter is, to ask you, as the representative of the great educational establishment of Liverpool, whether we can count on your active assistance; whether you will form a committee to advance our object; and whether, if we send you our circulars and addresses, you will endeavour to secure us a full theatre, and to enlist the general sympathy and interest in behalf of the cause we have at heart?

I address, by this post, a letter, which is almost the counterpart of the present, to the honorary secretaries of the Manchester Athenaeum. If we find in both towns such a response as we confidently expect, I would propose, on behalf of my friends, that the Liverpool and Manchester Institutions should decide for us, at which town we shall first appear, and which play we shall act in each place.

I forbear entering into any more details, however, until I am favoured with your reply.

Always believe me, my dear Sir,
faithfully your Friend.

[Sidenote: Mr. Alexander Ireland.]

REGENT'S PARK, LONDON, _June 17th, 1847._

DEAR SIR,[33]

In the hope that I may consider myself personally introduced to you by Dr. Hodgson, of Liverpool, I take the liberty of addressing you in this form.

I hear from that friend of ours, that you are greatly interested in all that relates to Mr. Leigh Hunt, and that you will be happy to promote our design in reference to him. Allow me to assure you of the gratification with which I have received this intelligence, and of the importance we shall all attach to your valuable co-operation.

I have received a letter from Mr. Langley, of the Athenaeum, informing me that a committee is in course of formation, composed of directors of that institution (acting as private gentlemen) and others. May I hope to find that you are one of this body, and that I may soon hear of its proceedings, and be in communication with it?

Allow me to thank you beforehand for your interest in the cause, and to look forward to the pleasure of doing so in person, when I come to Manchester.

Dear Sir, very faithfully yours.

[Sidenote: The same.]

ATHENAEUM CLUB, LONDON, _Saturday, June 26th, 1847._

MY DEAR SIR,

The news of Mr. Hunt's pension is quite true. We do not propose to act in London after this change in his affairs, but we do still distinctly propose to act in Manchester and Liverpool. I have set forth the plain state of the case in a letter to Mr. Robinson by this post (a counterpart of which I have addressed to Liverpool), and to which, in the midst of a most laborious correspondence on the subject, I beg to refer you.

It will be a great satisfaction to us to believe that we shall still be successful in Manchester. There is great and urgent need why we should be so, I assure you.

If you can help to bring the matter speedily into a practical and plain shape, you will render Hunt the greatest service.

I fear, in respect to your kind invitation, that neither Jerrold nor I will feel at liberty to accept it. There was a pathetic proposal among us that we should "keep together;" and, as president of the society, I am bound, I fear, to stand by the brotherhood with particular constancy. Nor do I think that we shall have more than one very short evening in Manchester.

I write in great haste. The sooner I can know (at Broadstairs, in Kent) the Manchester and Liverpool nights, and what the managers say, the better (I hope) will be the entertainments.

My dear Sir, very faithfully yours.

P.S.--I enclose a copy of our London circular, issued before the granting of the pension.

[Sidenote: The same.]

BROADSTAIRS, KENT, _July 11th, 1847._

MY DEAR SIR,

I am much indebted to you for the present of your notice of Hunt's books. I cannot praise it better or more appropriately than by saying it is in Hunt's own spirit, and most charmingly expressed. I had the most sincere and hearty pleasure in reading it.[34]

Your announcement of "The Working Man's Life" had attracted my attention by reason of the title, which had a great interest for me.[35] I hardly know if there is something wanting to my fancy in a certain genuine simple air I had looked for in the first part. But there is great promise in it, and I shall be earnest to know how it proceeds.

Now, to leave these pleasant matters, and resume my managerial character, which I shall be heartily glad (between ourselves) to lay down again, though I have none but pleasant correspondents, and the most easily governable company of actors on earth.

I have written to Mr. Robinson by this post that I wish these words, from our original London circular, to stand at top of the bills, after "For the Benefit of Mr. Leigh Hunt":

"It is proposed to devote a portion of the proceeds of this benefit to the assistance of another celebrated writer, whose literary career is at an end, and who has no provision for the decline of his life."

I have also told him that there is no objection to its being known that this is Mr. Poole, the author of "Paul Pry," and "Little Pedlington," and many comic pieces of great merit, and whose farce of "Turning the Tables" we mean to finish with in Manchester. Beyond what he will get from these benefits, he has no resource in this wide world, _I know_. There are reasons which make it desirable to get this fact abroad, and if you see no objection to paragraphing it at your office (sending the paragraph round, if you should please, to the other Manchester papers), I should be much obliged to you.

You may like to know, as a means of engendering a more complete individual interest in our actors, who they are. Jerrold and myself you have heard of; Mr. George Cruikshank and Mr. Leech (the best caricaturists of any time perhaps) need no introduction. Mr. Frank Stone (a Manchester man) and Mr. Egg are artists of high reputation. Mr. Forster is the critic of _The Examiner_, the author of "The Lives of the Statesmen of the Commonwealth," and very distinguished as a writer in _The Edinburgh Review_. Mr. Lewes is also a man of great attainments in polite literature, and the author of a novel published not long since, called "Ranthorpe." Mr. Costello is a periodical writer, and a gentleman renowned as a tourist. Mr. Mark Lemon is a dramatic author, and the editor of _Punch_--a most excellent actor, as you will find. My brothers play small parts, for love, and have no greater note than the Treasury and the City confer on their disciples. Mr. Thompson is a private gentleman. You may know all this, but I thought it possible you might like to hold the key to our full company. Pray use it as you will.

My dear Sir,
Faithfully yours always.

FOOTNOTES:

[31] Written to Mr. Sheridan Knowles after some slight misunderstanding, the cause of which is unknown to the Editors.

[32] Dr. Hodgson, then Principal of the Liverpool Institute, and Principal of the Chorlton High School, Manchester.

[33] Mr. Alexander Ireland, the manager and one of the proprietors of _The Manchester Examiner_.

[34] This refers to an essay on "The Genius and Writings of Leigh Hunt," contributed to _The Manchester Examiner_.

[35] The "Autobiography of a Working Man," by "One who has whistled at the Plough" (Alex. Somerville), originally appeared in _The Manchester Examiner_, and afterwards was published as a volume, 1848.

1848.

[Sidenote: Sir Edward Bulwer Lytton.]

DEVONSHIRE TERRACE, _10th April, 1848, Monday Evening._

MY DEAR BULWER LYTTON,

I confess to small faith in any American profits having international copyright for their aim. But I will carefully consider Blackwood's letter (when I get it) and will call upon you and tell you what occurs to me in reference to it, before I communicate with that northern light.

I have been "going" to write to you for many a day past, to thank you for your kindness to the General Theatrical Fund people, and for your note to me; but I have waited until I should hear of your being stationary somewhere. What you said of the "Battle of Life" gave me great pleasure. I was thoroughly wretched at having to use the idea for so short a story. I did not see its full capacity until it was too late to think of another subject, and I have always felt that I might have done a great deal better if I had taken it for the groundwork of a more extended book. But for an insuperable aversion I have to trying back in such a case, I should certainly forge that bit of metal again, as you suggest--one of these days perhaps.

I have not been special constable myself to-day--thinking there was rather an epidemic in that wise abroad. I walked over and looked at the preparations, without any baggage of staff, warrant, or affidavit.

Very faithfully yours.

[Sidenote: Mrs. Cowden Clarke.]

[36]DEVONSHIRE TERRACE, _14th April, 1848._

DEAR MRS. COWDEN CLARKE,

I did not understand, when I had the pleasure of conversing with you the other evening, that you had really considered the subject, and desired to play. But I am very glad to understand it now; and I am sure there will be a universal sense among us of the grace and appropriateness of such a proceeding. Falstaff (who depends very much on Mrs. Quickly) may have in his modesty, some timidity about acting with an amateur actress. But I have no question, as you have studied the part, and long wished to play it, that you will put him completely at his ease on the first night of your rehearsal. Will you, towards that end, receive this as a solemn "call" to rehearsal of "The Merry Wives" at Miss Kelly's theatre, to-morrow (Saturday) _week_ at seven in the evening?

And will you let me suggest another point for your consideration? On the night when "The Merry Wives" will _not_ be played, and when "Every Man in his Humour" _will_ be, Kenny's farce of "Love, Law, and Physic" will be acted. In that farce there is a very good character (one Mrs. Hilary, which I have seen Mrs. Orger, I think, act to admiration), that would have been played by Mrs. C. Jones, if she had acted Dame Quickly, as we at first intended. If you find yourself quite comfortable and at ease among us, in Mrs. Quickly, would you like to take this other part too? It is an excellent farce, and is safe, I hope, to be very well done.

We do not play to purchase the house[37] (which may be positively considered as paid for), but towards endowing a perpetual curatorship of it, for some eminent literary veteran. And I think you will recognise in this even a higher and more gracious object than the securing, even, of the debt incurred for the house itself.

Believe me, very faithfully yours.

[Sidenote: Mr. Alexander Ireland.]

DEVONSHIRE TERRACE, _May 22nd, 1848._

MY DEAR SIR,

You very likely know that my company of amateurs have lately been playing, with a great reputation, in London here. The object is, "The endowment of a perpetual curatorship of Shakespeare's house, to be always held by some one distinguished in literature, and more especially in dramatic literature," and we have already a pledge from the Shakespeare House Committee that Sheridan Knowles shall be recommended to the Government as the first curator. This pledge, which is in the form of a minute, we intend to advertise in our country bills.

Now, on Monday, the 5th of June, we are going to play at Liverpool, where we are assured of a warm reception, and where an active committee for the issuing of tickets is already formed. Do you think the Manchester people would be equally glad to see us again, and that the house could be filled, as before, at our old prices? _If yes, would you and our other friends go, at once, to work in the cause?_ The only night on which we could play in Manchester would be Saturday, the 3rd of June. It is possible that the depression of the times may render a performance in Manchester unwise. In that case I would immediately abandon the idea. But what I want to know, _by return of post_ is, is it safe or unsafe? If the former, here is the bill as it stood in London, with the addition, on the back, of a paragraph I would insert in Manchester, of which immediate use can be made. If the latter, my reason for wishing to settle the point immediately is that we may make another use of that Saturday night.

Assured of your generous feeling I make no apology for troubling you. A sum of money, got together by these means, will insure to literature (I will take good care of that) a proper expression of itself in the bestowal of an essentially literary appointment, not only now but henceforth. Much is to be done, time presses, and the least added the better.

I have addressed a counterpart of this letter to Mr. Francis Robinson, to whom perhaps you will communicate the bill.

Faithfully yours always.

[Sidenote: Mrs. Cowden Clarke.]

DEVONSHIRE TERRACE, _Monday Evening,
July 22nd, 1848._

MY DEAR MRS. CLARKE,

I have no energy whatever, I am very miserable. I loathe domestic hearths. I yearn to be a vagabond. Why can't I marry Mary?[38] Why have I seven children--not engaged at sixpence a-night apiece, and dismissable for ever, if they tumble down, not taken on for an indefinite time at a vast expense, and never,--no never, never,--wearing lighted candles round their heads.[39] I am deeply miserable. A real house like this is insupportable, after that canvas farm wherein I was so happy. What is a humdrum dinner at half-past five, with nobody (but John) to see me eat it, compared with _that_ soup, and the hundreds of pairs of eyes that watched its disappearance? Forgive this tear.[40] It is weak and foolish, I know.

Pray let me divide the little excursional excesses of the journey among the gentlemen, as I have always done before, and pray believe that I have had the sincerest pleasure and gratification in your co-operation and society, valuable and interesting on all public accounts, and personally of no mean worth, nor held in slight regard.

You had a sister once, when we were young and happy--I think they called her Emma. If she remember a bright being who once flitted like a vision before her, entreat her to bestow a thought upon the "Gas" of departed joys. I can write no more.

Y. G.[41] THE (DARKENED) G. L. B.[42]

P.S.--"I am completely _blase_--literally used up. I am dying for excitement. Is it possible that nobody can suggest anything to make my heart beat violently, my hair stand on end--but no!"

Where did I hear those words (so truly applicable to my forlorn condition) pronounced by some delightful creature? In a previous state of existence, I believe.

Oh, Memory, Memory!

Ever yours faithfully.

Y--no C. G.--no D. C. D. I think it is--but I don't know--"there's nothing in it."

FOOTNOTES:

[36] This and following letters to Mr. and Mrs. Cowden Clarke appeared in a volume entitled "Recollections of Writers."

[37] The house in which Shakespeare was born, at Stratford-on-Avon.

[38] A character in "Used Up."

[39] As fairies in "Merry Wives."

[40] A huge blot of smeared ink.

[41] "Young Gas."}

[42] "Gas-Light Boy."} Names he had playfully given himself.

1849.

[Sidenote: Sir Edward Bulwer Lytton.]

DEVONSHIRE TERRACE, _23rd February, 1849._

MY DEAR SIR EDWARD,

I have not written sooner to thank you for "King Arthur" because I felt sure you would prefer my reading it before I should do so, and because I wished to have an opportunity of reading it with the sincerity and attention which such a composition demands.

This I have done. I do not write to express to you the measure of my gratification and pleasure (for I should find that very difficult to be accomplished to my own satisfaction), but simply to say that I have read the poem, and dwelt upon it with the deepest interest, admiration, and delight; and that I feel proud of it as a very good instance of the genius of a great writer of my own time. I should feel it as a kind of treason to what has been awakened in me by the book, if I were to try to set off my thanks to you, or if I were tempted into being diffuse in its praise. I am too earnest on the subject to have any misgiving but that I shall convey something of my earnestness to you in the briefest and most unaffected flow of expression.

Accept it for what a genuine word of homage is worth, and believe me,

Faithfully yours.

[Sidenote: Mr. C. Cowden Clarke.]

DEVONSHIRE TERRACE, _May 5th, 1849._

MY DEAR SIR,

I am very sorry to say that my Orphan Working School vote is promised in behalf of an unfortunate young orphan, who, after being canvassed for, polled for, written for, quarrelled for, fought for, called for, and done all kind of things for, by ladies who wouldn't go away and wouldn't be satisfied with anything anybody said or did for them, was floored at the last election and comes up to the scratch next morning, for the next election, fresher than ever. I devoutly hope he may get in, and be lost sight of for evermore.

Pray give my kindest regards to my quondam Quickly, and believe me,

Faithfully yours.

[Sidenote: Mr. Joseph C. King.[43]]

DEVONSHIRE TERRACE, _Saturday, December 1st, 1849._

MY DEAR SIR,

I hasten to let you know what took place at Eton to-day. I found that I _did_ stand in some sort committed to Mr. Evans, though not so much so but that I could with perfect ease have declined to place Charley in his house if I had desired to do so. I must say, however, that after seeing Mr. Cookesley (a most excellent man in his way) and seeing Mr. Evans, and Mr. Evans's house, I think I should, under any circumstances, have given the latter the preference as to the domestic part of Charley's life. I would certainly prefer to try it. I therefore thought it best to propose to have Mr. Cookesley for his tutor, and to place him as a boarder with Mr. Evans. Both gentlemen seemed satisfied with this arrangement, and Dr. Hawtrey expressed his approval of it also.

Mr. Cookesley, wishing to know what Charley could do, asked me if I would object to leaving him there for half-an-hour or so. As Charley appeared not at all afraid of this proposal, I left him then and there. On my return, Mr. Cookesley said, in high and unqualified terms, that he had been thoroughly well grounded and well taught--that he had examined him in Virgil and Herodotus, and that he not only knew what he was about perfectly well, but showed an intelligence in reference to those authors which did his tutor great credit. He really appeared most interested and pleased, and filled me with a grateful feeling towards you, to whom Charley owes so much.

He said there were certain verses in imitation of Horace (I really forget what sort of verses) to which Charley was unaccustomed, and which were a little matter enough in themselves, but were made a great point of at Eton, and could be got up well in a month "_from an Old Etonian_." For this purpose he would desire Charley to be sent every day to a certain Mr. Hardisty, in Store Street, Bedford Square, to whom he had already (in my absence) prepared a note. Between ourselves, I must not hesitate to tell you plainly that this appeared to me to be a conventional way of bestowing a little patronage. But, of course, I had nothing for it but to say it should be done; upon which, Mr. Cookesley added that he was then certain that Charley, on coming after the Christmas holidays, would be placed at once in "the remove," which seemed to surprise Mr. Evans when I afterwards told him of it as a high station.

I will take him to this gentleman on Monday, and arrange for his going there every day; but, if you will not object, I should still like him to remain with you, and to have the advantage of preparing these annoying verses under your eye until the holidays. That Mr. Cookesley may have his own way thoroughly, I will send Charley to Mr. Hardisty daily until the school at Eton recommences.

Let me impress upon you in the strongest manner, not only that I was inexpressibly delighted myself by the readiness with which Charley went through this ordeal with a stranger, but that I also saw you would have been well pleased and much gratified if you could have seen Mr. Cookesley afterwards. He had evidently not expected such a result, and took it as not at all an ordinary one.

My dear Sir, yours faithfully and obliged.

[Sidenote: Mr. Alexander Ireland.]

[Private.]
DEVONSHIRE TERRACE, LONDON, _24th December, 1849._

MY DEAR SIR,

You will not be offended by my saying that (in common with many other men) I think "our London correspondent" one of the greatest nuisances of this kind, inasmuch as our London correspondent, seldom knowing anything, feels bound to know everything, and becomes in consequence a very reckless gentleman in respect of the truthfulness of his intelligence.

In your paper, sent to me this morning, I see the correspondent mentions one ----, and records how I was wont to feast in the house of the said ----. As I never was in the man's house in my life, or within five miles of it that I know of, I beg you will do me the favour to contradict this.

You will be the less surprised by my begging you to set this right, when I tell you that, hearing of his book, and knowing his history, I wrote to New York denouncing him as "a forger and a thief;" that he thereupon put the gentleman who published my letter into prison, and that having but one day before the sailing of the last steamer to collect the proofs printed in the accompanying sheet (which are but a small part of the villain's life), I got them together in short time, and sent them out to justify the character I gave him. It is not agreeable to me to be supposed to have sat at this amiable person's feasts.

Faithfully yours.

FOOTNOTE:

[43] Mr. Joseph Charles King, the friend of many artists and literary men, conducted a private school, at which the sons of Mr. Macready and of Charles Dickens were being educated at this time.

1850.

[Sidenote: Sir Edward Bulwer Lytton.]

BROADSTAIRS, KENT, _Tuesday, 3rd September, 1850._

MY DEAR SIR EDWARD,

I have had the long-contemplated talk with Forster about the play, and write to assure you that I shall be delighted to come down to Knebworth and do Bobadil, or anything else, provided it would suit your convenience to hold the great dramatic festival in the last week of October. The concluding number of "Copperfield" will prevent me from leaving here until Saturday, the 26th of that month. If I were at my own disposal, I hope I need not say I should be at yours.

Forster will tell you with what men we must do the play, and what laurels we would propose to leave for the gathering of new aspirants; of whom I hope you have a reasonable stock in your part of the country.

Do you know Mary Boyle--daughter of the old Admiral? because she is the very best actress I ever saw off the stage, and immeasurably better than a great many I have seen on it. I have acted with her in a country house in Northamptonshire, and am going to do so again next November. If you know her, I think she would be more than pleased to play, and by giving her something good in a farce we could get her to do Mrs. Kitely. In that case my little sister-in-law would "go on" for the second lady, and you could do without actresses, besides giving the thing a particular grace and interest.

If we could get Mary Boyle, we would do "Used Up," which is a delightful piece, as the farce. But maybe you know nothing about the said Mary, and in that case I should like to know what you would think of doing.

You gratify me more than I can tell you by what you say about "Copperfield," the more so as I hope myself that some heretofore-deficient qualities are there. You are not likely to misunderstand me when I say that I like it very much, and am deeply interested in it, and that I have kept and am keeping my mind very steadily upon it.

Believe me always, very faithfully yours.

[Sidenote: The same.]

DEVONSHIRE TERRACE, _Sunday Night,
November 3rd, 1850._

MY DEAR BULWER LYTTON,