Chapter VIII: Part 8

At this third visit, Clare remained above two months in London, from the beginning of May till the middle of July, 1824. Immediately after his arrival, Mr. Taylor introduced him to Dr. Darling, an eminent Scotch physician, who, in the kindest manner, consented to give his advice without any charge whatever. But Dr. Darling did more than merely give his advice; he attended Clare as if he had been his own son, devoting every hour that could he spared from his extensive practice to intercourse with his patient. He first of all ordered that Clare should be kept absolutely quiet; in cheerful society, if possible, but not allowed to read too many books, or to discuss abstruse subjects. It might have been difficult to carry out these orders; but, fortunately, friend Rippingille, the painter, was drinking pale ale at Bristol for the season, so that Clare, having nobody to lead him through his favourite taverns and concert-rooms, and being still afraid to hazard alone into the whirlpool of London life, was almost compelled to stop at home. For the first few days the sojourn at Mr. Taylor's house in Fleet Street appeared to him somewhat dreary, though it was not long before he came to like it, and at last got into a real enjoyment of his new mode of existence. He spent the whole day, from early morn till dark, at a window on the ground floor, overlooking the street. The endless stream of vehicles and pedestrians which passed before his eyes was to him like a vast panorama, in the contemplation of which he forgot, for the moment, even his beloved fields and woods. Of the life of the majority of human beings, particularly the dwellers in large towns, Clare had as yet but very vague and indistinct notions, and was surprised, therefore, at many of the scenes before him. What struck him most was the feverish anxiety manifested in the countenances of the hurrying crowds, and the restless tumult of the never-ending wave of human life which kept floating up and down the narrow street, without interval and without rest. At his former visits to London he had frequently asked the question what all these thousands of hurried wanderers were doing; and though only laughed at by his friends, he now repeated the query. Mr. Taylor was too busy himself to be able to tell why others were busy, nor was Mr. Hessey, his partner, sufficiently wise or simple to give a clear answer; and John Clare, therefore, in the last instance, addressed himself to Tom Benyon. Tom was a shrewd man, a real Londoner, with not much education, but plenty of mother-wit. He explained to his friend, in a very clear manner, the complex organization of the trade of the great city, together with its result, the universal thirst for wealth, Clare perfectly understood the short lesson in political economy; nevertheless, he was yet at a loss to comprehend how there could be full a million of men upon earth willing to relinquish all the charms of fields, and flowers, and green trees for the mere sake of making money, useful, he conceived, only for procuring a certain amount of food and clothing. It was in vain that shrewd Tom, not a little a philosopher in his own way, explained that the delight consisted, not in possessing wealth, but in hunting after it. The view was not appreciated by Clare, who still thought that seven acres of land, with a cottage, a row of trees, and a few flowers, were worth all the money-bags of the city. Tom Benyon on his part had a contempt for green trees, and liked the smell of roasted apples better than that of fresh ones, so that the interchange of ideas converted none of the disputants.

For full three weeks Clare stuck with his face to the window in Fleet Street. The hurrying crowds, when once he understood the object of most of them, ceased to amuse him, but there remained another interest, deeper than questions of political economy, which preserved its attraction for him to the end. Clare, passionately fond of every shape of beauty upon earth, did not get tired of looking at the throng of fair forms which passed before his eyes in the busy city thoroughfare. He had never seen so many handsome women under what he conceived so very favourable circumstances. Deeply imbued with the consciousness of possessing none of the attractions which render men agreeable in the eyes of women of superior rank, he always felt a morbid shyness to converse with ladies into whose company he was thrown, and in many instances was not able even to look them in the face. This feeling was greatly increased by that exalted worship which the poet paid, as to all shapes and symbols of beauty, so to that highest type, the female form. Even to come near a beautiful woman made him tremble, and the touch of so much as the hem of her garment sent his blood coursing through his veins. Thus, though he knew no other enjoyment than the communion with beauty, his very worship of its splendours kept him away from it. At the receptions of Mrs. Emmerson, and other entertainments, at which he was present on his former visits to London, he could never be induced to go into the drawing-room, where the ladies were awaiting him; or, as he fancied, lying in wait for him. At the risk of being called rude, he always left the room on these occasions, as soon as the dinner was over. Only here, at his Fleet Street window, the poet felt quite at ease in contemplating female beauty. To see and not to be seen was what his heart enjoyed in full delight, and he fervently expressed his opinion to Tom Benyon that the only thing that made the big city endurable, and even money-hunting excusable, was the presence of all these fair women. Tom felt much gratified at this declaration, considering any praise of London as a personal flattery.

Dr. Darling's treatment had such a good effect, that at the end of three weeks the last symptoms of Clare's illness had vanished. He now gave his patient permission to read, of which Clare availed himself to the fullest extent, beginning to feel somewhat satiated with the Fleet Street panorama. The season of June, dull in the book trade, having set in, Mr. Taylor also had more leisure on his hands, and gave frequent evening parties, to which he invited many of the literary stars of the day, particularly those contributing to the lustre of the 'London Magazine.' Clare was invariably present at these entertainments, though he managed to hide his person as much as possible, being occupied in watching the lions at the table, like the fair women in the street, from a convenient bird's-eye view. The view, altogether, was highly attractive, for the lions were numerous, and of a more or less superior kind. Among the first who visited Mr. Taylor's evening parties was Thomas De Quincey. Clare had read with the deepest interest the 'Confessions of an English Opium-eater,' which appeared in the 'London Magazine,' of September and October, 1821; and the picture of the outcast Ann haunted his imagination whenever walking the streets and meeting with any of her frail sisters. Mr. De Quincey being announced one day, just when they were sitting down to dinner, Clare quickly sprang to his feet to behold the extraordinary man; but was much astonished on seeing a little, dark, boyish figure, looking like an overgrown child, oddly dressed in a blue coat, with black necktie, and a small hat in his hand. Clare's astonishment became still greater when this singular-looking little man began to talk, not, as the listener innocently expected, of such abstruse subjects as he was wont to write on in the 'London Magazine,' but in a banter about the most ludicrous and vulgar things. He kept Mr. Taylor and his friends in a roar of laughter, until another guest was announced, in the person of Mr. Charles Lamb. The latter, outwardly friendly to De Quincey, seemed, as Clare observed, not altogether partial to him, but stuttered forth more than one witticism which evidently displeased the 'opium-eater.' Further arrivals, the same evening, continued to enliven the scene. There came the Rev. Mr. Cary, translator of Dante's 'Inferno,' a tall, thin man, with a long face and a vacant stare, not much given to talk; Mr. George Darley, a young Irish poet, afflicted with a stutter worse than that of Charles Lamb; Baron Field, every inch a country gentleman, constantly informing his hearers of the fact of being a magistrate in South Wales, but claiming allegiance to literature as writer of several articles on and about Wales; and, last on the list, Mr. Allan Cunningham, arriving late, and stalking into the room, as Clare fancied to himself, 'like one of Spenser's black knights.' Allan seemed a great favourite of Baron Field and De Quincey, though not of Charles Lamb, who fixed his targets upon him as soon as he had opened his lips, with some remarks upon Scotch poetry. Clare remembered Elia's words: 'I have been trying all my life to like Scotchmen, and am obliged to desist from the experiment in despair.'

There were more lions at a 'London Magazine' dinner which Mr. Taylor gave at the end of another week. It was a kind of state reception, and Clare was put for the occasion in pumps and dress-coat. He would have gladly kept away from the table, but was not allowed to do so, the occasion being deemed favourable as an advertisement of the 'Northamptonshire Peasant.' About three-fourths of the guests were patrons of literature, titled and untitled, and the remaining visitors were called for the purpose of being exhibited. Samuel Taylor Coleridge was the chief lion of the evening. Clare was once more surprised on finding the great philosopher a heavy, stout, phlegmatic-looking man, instead of the pale dreamer pictured by his imagination. He was slightly annoyed, too, on hearing the famous sage talk incessantly, to the exclusion of every one else, notably of William Hazlitt, who sat close to him, and of Charles Elton, the translator of the 'Hesiod,' whom Clare had at his right hand, and whose quiet, sensible conversation he greatly enjoyed. Coleridge left, after having spoken, with little interruption, for nearly three hours, and at his departure the talk became general, and, Clare fancied, much more pleasant. The leader of the conversation was William Reynolds, whose sparkling wit, keen as a sword, extinguished even that of Charles Lamb. He attacked everybody in turn, in a good-humoured manner; and by setting his brother wits against himself and each other, produced endless fun and amusement. Even William Hazlitt, who at first appeared low-spirited and ill at ease, began to laugh and talk; and at length Clare himself was drawn into the whirlpool of conversation. When he began to speak, in his broad Northamptonshire dialect, there was a sudden stillness in the room, the whole of the guests feeling startled at the sound of the strange voice, which seemed to come as from another world. Though nerved by sundry glasses of wine, Clare was almost terrified at the sudden quiet around him, his intention having been merely to address his neighbour, and not the entire assembly. He therefore relapsed at once, and somewhat abruptly, into silence, and, not long after, with a nod to his patron at the head of the table, and a quiet 'good bye' to Mr. Elton, quitted the room. It was an immense feeling of relief when, creeping upstairs to his little chamber, he was able to divest himself of his pumps and dress-coat, and march forth, in solid boots and jacket, for a saunter along the Fleet pavement, reflecting, in the cool of the summer evening, on all that he had heard and seen, in the shape of lions, poets, philosophers, wits, booksellers, unfortunate Anns of the Street, and more unfortunate opium-eaters.

Clare's visit to London was now drawing to a close. Dr. Darling counselled that he should quit the town, as soon as possible, fearing that the 'London Magazine' entertainments might undo all the good gained by his former exertions. However, Clare felt unwilling to leave before having met his old friend and patron, Admiral Lord Radstock, who was retained at his country seat by a rather serious illness. He waited, week after week, but his lordship did not arrive. Instead of the admiral, there came friend Rippingille, the painter, rushing wildly into Clare's arms, and declaring that he had left Bristol, and the best pale ale in the world, solely for the purpose of seeing him. Clare rejoiced; but Dr. Darling did not. The shrewd Scotch physician insisted upon his patient leaving London immediately, and it was arranged, finally, that Clare should start at the end of a week. Friend Rippingille, or 'Rip,' as his acquaintances used to call him, was instructed privately not to lead Clare into the old round of taverns and theatres, and, above all, not to tempt him to an undue indulgence in drink. The promise was made, and was kept, too; nevertheless, Clare and 'Rip,' while giving up evening visits, remained companions during the daytime. Clare was introduced by his friend to Sir Thomas Lawrence, and some other famous artists of the day, which led to much interchange of compliments, and many promises of support, but ended, as usual, in nothing. He was likewise taken to Mr. Deville, a noted professor of the art called phrenology, who felt his head, carefully measuring all its bumps, and, having learnt Clare's name, informed him that he possessed all the swellings necessary to make verses. This so delighted 'Rip,' that he insisted on getting a cast of his friend's cranium. Clare submitted in meekness of heart; but found the operation stifling to such a degree, that he ran away in the midst of it, with the loss of a portion of his skin. For the next few days the poet wandered in rather lonely mood through the streets of London, and in one of these excursions became the involuntary spectator of a striking scene, which he never forgot in his life.

It was on the 12th of July, a hot summer day, that Clare went down the Strand, towards Charing Cross, intending to have a stroll in the parks. When near Parliament Street, however, he found the way blocked by an immense crowd, and on inquiry learnt that a great funeral was coming up the street. Taking his place among the idlers, he did not know at first whose funeral it was, and only at the last moment learnt that the body of Lord Byron was being carried to its last resting-place. A fervent admirer of Byron, he yet had never heard of his death till this moment, when standing face to face with his mortal remains. He felt startled and almost bewildered at the sight, and when the gorgeous procession, with all its mutes, pages, cloakmen on horseback, and carriers of sable plumes, had come up, he reverently followed in the rear, amidst a confused mass of people in carriages and on foot. The slow and solemn train went up the Haymarket, Coventry Street, Princes Street, and Oxford Street, passing thence along into Tottenham Court Road. At the corner of the latter thoroughfare great confusion was created by another funeral train which came up in an opposite direction. In the tumult that ensued, many were thrown down, among them the unknown poet, who followed in the rear of the procession. Clare fell to the ground, and was pushed along by the crowd; but, fortunately, did not suffer much harm, beyond being rolled over and over in the mud, and spoiling the only suit of good clothes of which he was possessed. Mr. Taylor was surprised on seeing his guest come home in a state which made it almost impossible to recognise him. Clare smiled sadly, and in a somewhat serious tone told Mr. Taylor that he thought it was his fate, now as ever, to be a martyr to poetry.

Two days after Byron's funeral, John Clare left London. Previous to starting, he had a long conversation with Dr. Darling, who had come to rank among his most intimate friends. The kind-hearted and shrewd Scotch doctor volunteered some advice, to which Clare listened with great attention. He told him, in the first instance, that he ought to give up all expectations of acquiring either fame or wealth as a poet, but that it would be wisdom on his part to return forthwith to his old occupation as a farm-labourer, and write verses only during his leisure hours. This seemed hard to Clare; however, the doctor proceeded to explain the matter to him in his own prosaic fashion. It was Dr. Darling's opinion that, on the whole, there existed no real demand for verses among the public at large, but that only a few exalted minds were able to appreciate and enjoy true poetry. But the masses, he held, were carried along, now and then, by a kind of fashionable movement, engendered by the appearance of great authors, the renown of whose works was so vast as to spread from the closet of the student, upward and downward, through all ranks and classes. Such a poetical fashion, or poetical fever, Dr. Darling thought England had just gone through, stirred by the almost simultaneous productions of many first-class writers, such as Burns, Byron, and Sir Walter Scott. But as all excitement must be followed by reaction, so, the doctor explained, the reaction was setting in at that moment, proved by the fact that even the works of these famous poets were encumbering the booksellers' shelves, waiting for buyers which did not come. This was a fact which Clare knew to be true, and so far he fully acquiesced in the remarks of his wise Scotch friend. He, therefore, consented to follow the counsel thus tendered, and, at least for a time, return to his old occupation. But Dr. Darling had another piece of advice in store. Taking Clare by both hands, and looking him full in the face, he earnestly exhorted him not to take ale or spirits but in greatest moderation, and, if possible, leave off drinking entirely. Clare promised. An hour after he was on his return, to Helpston, feeling happier in his mind than he had been for a long time.

NEW STRUGGLES.

The promise made to Dr. Darling was faithfully kept. For several years to come, Clare never visited the public-house, and even at home drank little else but water, subsisting chiefly upon bread and vegetables, and such decoctions of weak tea and coffee as his wife was in the habit of distilling. The diet, probably, was not quite what Dr. Darling expected; at least, it did not prove very beneficial to Clare's health. For a long time, he felt weak and debilitated, so as scarcely to be able to do the simplest out-door work. This was very unfortunate, as it prevented him from carrying out the other part of the engagement undertaken towards his medical friend, that of devoting himself again to field labour. He earnestly sought work immediately after his return from London, and though sneered at by one or two farmers, who told him that he was too famous a man again to soil his hands, he at last secured employment near Helpston Heath, part of which was being enclosed for the benefit of the great landowners of the neighbourhood. For a few days, he kept working here with all the strength he could muster, which was not sufficient, however, for the demands of the overseer. There were drains and ditches to be made, which required the use of brawny arms and a body untouched by ague, and the work being done by contract, the foreman was exacting, and saw at once that he was not up to the mark. He, consequently, got his discharge, and went home in a very sad mood. Ever since his marriage, his debts had been accumulating, and though altogether small in amount, they now began to press heavily upon him, the more so as his expenditure kept gradually increasing, which was by no means the case with his income. He found that to maintain his aged parents, his wife, two children, and himself, he could not do with less than sixty-five or seventy pounds a year, and his annuity amounting to rather less than forty-five pounds, there was the absolute necessity of gaining the rest, either by his writings, or as a farm-labourer. It was the fear that both sources might fail, which threw him into a deep melancholy.

After a while, he roused himself to another effort in finding work, and this time submitted to what he fancied to be a deep humiliation. When applying for his quarterly pension to the steward of the Marquis of Exeter, he begged for some employment in the gardens, or, if no place should be vacant, as a labourer on any of the estates of his lordship. The steward promised to mention the subject to the marquis, but did not keep his word. Being overwhelmed with business, he probably forgot the matter entirely; otherwise the noble lord, who seemed to take a real interest in Clare, could not have failed to listen to a request the fulfilment of which would have cost him little or nothing, and been the means of securing the welfare of the poet for life. Indeed, a place as gardener at Burghley Hall, or some other similar employment, into which a mere whisper of the noble owner might have installed Clare, would have been greatly preferable to the pension of fifteen guineas granted to the poet, and the quarterly payments of which he never received but with inward humiliation. A place such as this would have removed at once the whole burthen of cares which weighed him to the ground, and, while giving him a maintenance for his family, with a comfortable home, would yet have left him abundant time to attend to the inspirations of the muse. Clare himself perceived this very clearly, and once or twice started with the intention of laying his case before the marquis in person, explaining his whole situation, his hopes, troubles, and fears. But each time he approached the stately gates of Burghley Hall, his courage failed him. He trembled to be looked upon as a beggar, and the apprehension of being refused was constantly before his eyes. There were faint hopes, moreover, that the steward, who seemed a friendly man, would succeed in getting him some employment, without personal application to his lordship. However, the promised message from Burghley Hall did not arrive, and Clare at last gave up all expectation of getting anything else but alms from his greatest patron, the Marquis of Exeter.

Having not much else to do, Clare kept up an active correspondence with his friends in London, during the latter part of the summer and the whole of the autumn of 1824. To Allan Cunningham in particular, with whom he had contracted a close friendship during his last visit to the metropolis, he sent long letters, discussing poetical and other topics. One of these letters, rather characteristic in its way, as showing Clare's opinion of Bloomfield, as well as of his own position in 'the fields of the Muses,' deserves to be given. It was sent to Allan Cunningham, together with an enclosure containing Bloomfield's short note to 'Neighbour John,' already given.

'To Allan Cunningham,

(Left at Messrs. Taylor and Hessey's)

93, Fleet Street,

London.

_Helpston, September 9th, 1824_.

Brother Bard And Fellow Labourer,

I beg your acceptance according to promise of this autograph of our English Theocritus, Bloomfield. He is in my opinion our best Pastoral Poet. His "Broken Crutch," "Richard and Kate," &c. are inimitable and above praise. Crabbe writes about the peasantry as much like the Magistrate as the Poet. He is determined to show you their worst side; and, as to their simple pleasures and pastoral feelings, he knows little or nothing about them compared to the other, who not only lived amongst them, but felt and shared the pastoral pleasures with the peasantry of whom he sung. I had promised that I would visit him this summer at Shefford, but death went before me. He was a warm-hearted friend and an amiable man. His latter poems show that his best days were by. His "Remains" are very trifling, but these have nothing to do with his former fame. I never forgave Lord Byron's sneering mention of him in the "English Bards and Scotch Reviewers;" but, never mind, he has left a genius behind him that will live as late as his lordship's; and, though he was but a "Cobler," his poems will meet posterity as green and growing on the bosom of English nature and the muses as those of the Peer. I could hazard a higher opinion for truth, but this is enough. Titles and distinctions of pride have long ago been stript of their dignity by the levellers in genius; at least they have been convinced that the one is not a certain copyright or inheritance of the other. I should suppose, friend Allan, that "The Ettrick Shepherd," "The Nithsdale Mason," and "The Northamptonshire Peasant," are looked upon as intruders and stray cattle in the fields of the Muses (forgive the classification), and I have no doubt but our reception in that Pinfold of his lordship's "English Bards" would have been as far short of a compliment as Bloomfield's. Well, never mind, we will do our best, and as we never went to Oxford or Cambridge, we have no Latin and Greek to boast of, and no bad translations to hazard (whatever our poems may be), and that's one comfort on our side.

I have talked enough on this string, so I will trouble you a little with something else. I can scarcely tell you how I am, for I keep getting a little better and a little worse, and remaining at last just as I were. I was very bad this morning, but have recovered this evening as I generally do, and I really fear that I shall never entirely overset it. I have written to Hessey for Dr. Darling's assistance again today, and I have desired him to forward this letter to you. Drop a line to say that you receive it, and give my kind remembrances to your better half, Mrs. Cunningham. I will try your patience no longer with this gossip, so believe me, friend Allan,

Your hearty friend and well-wisher,

John Clark.'

Dr. Darling's 'assistance,' in the shape of some medicine, acting as a febrifuge and preservative against the ague, arrived soon; after which Clare felt strong enough to make another attempt towards finding work. Having received no reply to his application to the steward of the Marquis of Exeter, he resolved to address himself to his next greatest patron in the neighbourhood, the Earl Fitzwilliam. The noble earl having been always very kind to him, he summoned courage to obtain an interview with his lordship. But it so happened, unfortunately, that neither the Earl, nor his son, Viscount Milton, was at home at the time; and although Lady Milton received him very graciously, Clare felt too much shyness to state to her what he intended to say. By the commands of her ladyship, however, Clare was entertained by the upper servants of the house, and finding them to be a very well-educated class of men, quite unlike the domestics of other lordly establishments, he renewed his visits frequently, and after a while became a regular guest at Milton Park. The butler, Edward Artis, was an enthusiastic antiquarian, possessing a large library, always hunting for old coins, medals, and pottery, and an absolute authority on all matters concerning Durobrivae and the works of the ancient Romans in the neighbourhood. With Mr. Artis, Clare soon got very intimate, and having become acquainted with the pursuits of his friend, imbibed even a slight fondness for antiquarian lore. There were two other servants, named Henderson and West, both distinguished in their way. Henderson was an accomplished botanist, spending whole days in search after plants and flowers, and West was a lover of poetry, as well as a writer of rather indifferent verses. Henderson offered to teach Clare the elements of botany, which proposal was eagerly accepted, though it did not lead to great results. After various attempts to master the hard words of the scientific handbook given to him, John Clare frankly stated to his friend that he could not get on with it, and must continue to love trees and flowers without knowing their Latin names. But eager of knowledge, under whatever form it offered itself, he made, after discarding botany, a new stride towards erudition. The head cook at Milton Park, a Monsieur Grilliot, better known to the servants as 'Grill,' undertook to teach Clare French. He did so in the rational way, not by stuffing his friend with rules and exceptions to rules, but teaching him words and their pronunciation, by which means Clare made rapid progress, and at once acquired a real liking for the study. Nevertheless, he had to relinquish his attempts to learn French in a very short time, being too poor to purchase the few books which Monsieur 'Grill' recommended him to read.

Clare's visits to Milton Park continued all through the autumn of 1824, till late in the spring of 1825, without leading to any advantageous result as far as the chief object was concerned. Having become intimately acquainted with the upper servants, particularly with Artis, Clare learned that there was no place suitable for him vacant in the establishment, and the consequence was that, when the Earl returned, nothing was said about the matter. Clare had an interview with his lordship, and was received in the kindest manner, but not being asked as to his worldly prospects, kept silent on the subject. The Earl probably fancied, as did many others, that Clare made a good income from the sale of his books, and it was not till years afterwards that he learnt the real truth. To his friend Artis, Clare made a confession to some extent, informing him that he was in want of work, and would be glad to get some employment even as a thresher or ploughman. But Mr. Artis would not hear of this, and strongly advised Clare to discard all ideas of hiring himself out as a labourer, as it would stand in the way of his appointment to a more honourable place. It was expected that the managership of a small farm near Helpston Heath, belonging to Viscount Milton, would become vacant before long, and Clare was told that there was no doubt that he could get this post by merely biding his time. So Clare waited; but, while waiting, got more and more melancholy, his mind overwhelmed by family cares, amidst the incessant struggle of getting the daily bread.

The temporary failure of his hopes to get employment in the fields made Clare now think once more of turning his poetry to account. Though aware that his 'Village Minstrel' had not proved a success, he still cherished the belief that new productions might meet with a better fate, the more so as he was fully conscious that through constant study his mind was being greatly enlarged, leading to an improvement of his writings, in conception as well as outward form. He accordingly wrote to Mr. Taylor, sending specimens of some new poems, and offering sufficient to form a small volume. But Mr. Taylor was unwilling to try another publication, excusing his reluctance by the same arguments already impressed upon Clare by Dr. Darling, namely, that the taste for poetry was on the wane, and that the world was crying for prose. Reflecting on this subject, Clare began thinking of a new scheme, which was to write a novel. He made the proposition instantly, but was answered by a refusal, thinly veiled under a heap of compliments. Clare felt somewhat offended, although Mr. Taylor was certainly right in this case, there being no doubt whatever of the absolute incapacity of his client to write prose. However, in order to soften the hardship of his refusal, he asked him to contribute occasional poems to the 'London Magazine,' which offer was accepted, but proved of little advantage to Clare, the remuneration being uncertain and of the slenderest kind. In his feverish anxiety to work and to gain some additional means of subsistence, Clare committed the mistake of writing too many poems at a time, which naturally lowered the value of the article in the eyes of his publisher. A letter to Mr. Taylor, dated February, 1825, shows the excited state of the poet at this period. 'I fear,' wrote Clare, 'I shall get nothing ready for you this month; at least I fear so now, but may have fifty subjects ready tomorrow. The muse is a fickle hussy with me; she sometimes stirs me up to madness, and then leaves me as a beggar by the wayside, with no more life than what's mortal, and that nearly extinguished by melancholy forebodings.' Further on he breaks out into the exclamation: 'I wish I could live nearer you; at least I wish London could be within twenty miles of Helpston. I live here among the ignorant like a lost man; in fact, like one whom the rest seem unwilling to have anything to do with. They hardly dare talk in my company, for fear I should mention them in my writings, and I feel more pleasure in wandering the fields than in musing among my silent neighbours, who are insensible to anything but toiling and talking of it, and that to no purpose.' This 'living among the ignorant like a lost man' came to be the deep key-note sounding through all the subsequent letters of Clare.

In the summer of 1825, Clare's pecuniary embarrassments grew to a climax. He could not refuse anything to his family; and though living personally worse than a beggar, eating little else than dry bread and potatoes, and drinking nothing but water, his expenditure, including medical attendance and many articles of comfort for his aged parents, averaged considerably more than a pound a-week, while the income from his annuity, on which he now solely depended, was very much less. Repeated new efforts to find employment as a labourer proved fruitless; while his visits to Milton Park had ceased by this time, his stock of clothes being so scanty, and patched all over, that he was ashamed to show himself in the company of his friends, always elegantly dressed. With Artis alone he kept up an acquaintance, the learned butler having a soul above dress, and showing himself on all occasions utterly careless whether the companion with whom he was searching for old medals and pottery was dressed in purple or in rags. For many a day, the two went roaming through the environs of Castor and Helpston Heath, digging for the remains of the ancient inhabitants of Durobrivae. One afternoon, when thus employed, Clare fainted, to the great consternation of his friend. The latter, fortunately, had a small flask of wine in his pocket, a few drops of which were sufficient to restore Clare to consciousness. He was gently led home by Edward Artis, who was told, in answer to his inquiries, that the illness had been brought on by the sudden heat. This was not true, or, at the best, only partially true. The fainting was caused by hunger.

When Dr. Darling advised Clare to drink no more ale or spirits, he probably was not aware of the nature of his patient's diet, or of that of Helpston labourers generally. Very likely, had he known that dry bread and potatoes, both in limited quantities, were the staple food, the able Scotch physician would have recommended an occasional glass of port wine, or even of stout--if obtainable. As it was, Clare's promise of abstinence, which he kept religiously for several years, was very detrimental to his health. His naturally delicate frame sank under the coarse diet, as soon as the accustomed stimulants were withdrawn, and his stomach getting gradually weakened, he at last began to feel a sort of abhorrence for his daily food. He now took to eating fruit, which still more debilitated his digestive organs, so that finally there took place a process of slow starvation. When fainting at the side of his friend Artis, he had eaten nothing but a few potatoes with milk for twenty-four hours, having left his home in the morning without taking any food whatever. In this case, it was not merely want of appetite, but actual want of bread. Being greatly indebted to the baker, the latter thought fit to withhold the regular supply of bread, and although there were plenty of vegetables for his wife and children, Clare quitted the house without tasting anything, for fear they might want. It thus happened that, while exploring the ruins of the old Roman city, he sank to the ground from sheer want of food.

The learned butler was much absorbed by his antiquarian speculations, and little given to reflections about his fellow-men; nevertheless, Clare's case struck him as very peculiar. Getting back to Milton Park, he told the particulars to Earl Fitzwilliam, suggesting that a little help might be welcome to the poor poet. The noble earl, however, thought otherwise. It was not that he was unwilling to give; on the contrary, his hand was always open to those in distress, and his previous liberal present of a hundred pounds showed that he was particularly well disposed towards Clare. In all likelihood, had he known the real position of the poet, he would have further extended his liberality, or come to his assistance in some other way. But he knew very little of Clare, and looked upon him as any ordinary earl would look upon an ordinary farm-labourer. From the few interviews with the poet, his lordship had come to the conclusion, true in the main, that Clare was a proud man, and having a strong feeling that Northamptonshire farm-labourers had no business to be proud, he did not think himself justified in giving any further assistance unless specially asked to do so. The earl told this to his learned butler, who acquiesced, as in duty bound, in his master's decision. However, Artis mentioned the subject at the dinner table, where it was attentively listened to by all assembled, especially the worthy head-cook. Monsieur Grill had a secret liking for Clare, based on the fact that the poet was almost the only one of all the people with whom he came into contact who did not torment him with sneers and mocking speeches. Monsieur was endowed with a most extraordinary visage, much like a full moon, put into a dripping-pan, and baked before a slow fire; and the aspect of which was not improved by a pair of ears of very unusual length, and a total absence of hair at the top. To make matters worse, Monsieur Grill was very susceptible of criticism concerning his face, having done his best to improve it, by painting the nose white, the cheeks rosy, and the eyebrows dark. But, whether he liked it or not, the members of the establishment at Milton Park, together with their friends, would laugh at him, and, what was almost as bad, would insist upon calling him 'Mounsear.' Clare alone never laughed, and, after two lessons, pronounced the word 'Monsieur' to Grill's entire satisfaction. At the end of three, he said 'Mon chèr ami,' in the best Parisian accent, to the delight of the head-cook, and the astonishment of the whole company in the servants' hall. All this went straight to the heart of Monsieur Grill. When he heard, therefore, that Clare was unwell, he said nothing, but went quietly down into his laboratory, put his saucepan on the fire, and began mixing together a wonderful quantity of groceries, spices, and other ingredients. Being a conscientious man withal, he next despatched the valet to Lady Milton, asking permission to give some strengthening broth to John Clare of Helpston. 'Give as much as you like,' was the immediate reply of her ladyship. This was satisfactory, and after an hour's simmering of his saucepans, Monsieur Grill put on his coat, poured his broth into a stone bottle, took his stick, and went out at the back of the mansion, and through the park towards Helpston. Not long, and he stood before Clare. The latter was amazed on beholding Grill, with the jar in his hand; having always held Monsieur to be the vainest of mortals, quite incapable of carrying a stone bottle across the country. 'Ah, mon chèr ami, voilà quelque chose pour vous!' exclaimed Monsieur, evidently delighted to see Clare. And without further ado, he grasped some sticks, made a fire in an instant, laid hold of an ancient earthen vessel, and in a few minutes presented, with graceful bow, a basin of broth to his astonished friend. Clare tasted it, and found it delicious. He fancied he had not partaken of anything so nice for months; all the faintness and languor under which he was suffering seemed to disappear as by enchantment. 'This is much better than medicine,' he said, with a look of gratitude to the clever head-cook. 'Medicine? parbleu!' exclaimed Grill; 'do not speak of medicine, mon chèr ami, or I leave alone my batterie de cuisine.' Monsieur Grill felt deep contempt, approaching hatred, for all drugs and doctors, labouring under the impression of having lost his beautiful head of hair through some ill-applied medicines. Clare saw the passing cloud, and, with much tact, renewed his praises of the delicious broth, asking his friend to show him the making of it. There was no objection on the part of Monsieur Grill; nevertheless, an hour's teaching was attended with but little success. Though having the manipulation explained to him in the most lucid manner, in terms half French and half English, Clare got more confused the more he listened, till at last his friend told him, with some severity, that his mind seemed incapable of comprehending 'l'art du cuisinier.' Which was true enough. Heaven certainly had not gifted John Clare with a genius for cookery, any more than with the higher faculty of money-making.

PUBLICATION OF 'THE SHEPHERD'S CALENDAR.'

The visit of worthy Monsieur Grill to Helpston had the good result that henceforth Clare's diet and mode of living became greatly improved. Lady Milton, hearing of the illness of the poet, sent him her physician, while, better still, the chef de cuisine at Milton Park continued to supply him with good broth. The physician, a man of sense, soon perceived that his patient required not medicine but food. He told Clare that it was absolutely necessary that he should adopt a most nourishing diet, and even advised him to take some ale, or stout, in moderate quantities. However, Clare refused the latter part of the advice, urging the promise he had given to Dr. Darling. As to his general mode of living, he consented to do as requested, although too proud to state the reasons which had prevented him, and would, probably, continue to prevent him fully adopting the counsel. The physician, being asked by Lady Milton whether Clare seemed in want, stated that there were no signs of poverty in Clare's home. Though but a narrow hut, the many handsome hooks on the shelves, with a few good paintings, gave it the appearance of comfort, and thus the informant of the noble lady, like many of the other acquaintances of Clare, acquired very erroneous notions concerning his real means. This was the more the case, as Clare always managed to let his wife and children, as well as his aged parents, want none of the necessaries of life, and frequently contrived to procure them even a few luxuries. Nobody knew that while Clare's family had a good dinner, he himself was munching dry bread in some corner in the fields. The fact was not discovered till long afterwards--when discovery came too late.

In the autumn of 1825, the sad news reached Clare that his best friend and patron, Lord Radstock, had succumbed to a stroke of apoplexy. Admiral Lord Radstock died on the 20th of August, at his town residence in Portland Place, in a very sudden manner, after but a few days' illness. The loss of his noble patron would have been a deep affliction to Clare at any time, but it was particularly so at this moment. During the whole of the summer, the admiral had been in correspondence with Mr. Taylor, trying to induce him to come to some distinct arrangement with his client, in regard to the payment for his books and poetical contributions to the 'London Magazine.' Hitherto, Mr. Taylor had not treated his 'Northamptonshire Peasant' on the same footing as other authors, but looked upon him more in the light of a child under tutelage than of an independent man, desirous of gaining a living by the exercise of his talents or industry. When, therefore, Lord Radstock urged him to enter into a regular business agreement with Clare, he felt somewhat offended. Replying to his lordship, he stated that he had given much more to the poet than was due to him, without even charging for his own labours as editor, and that he had hitherto acted, not as a mere business agent, but as a real friend to Clare. Lord Radstock was not satisfied with this answer, but rejoined that, admitting Clare had received more than was due to him, it yet would be better to furnish regular accounts to him, and, by paying what was due, and no more, to foster his self-reliance, instead of keeping him in the position of a dependent, living upon alms or friendly gifts. The correspondence continued through several more letters, with a prospect of Mr. Taylor yielding his point, when the death of Lord Radstock brought it to an end. It was a sad misfortune to Clare, affecting his whole life. In Lord Radstock he lost the truest and noblest friend he possessed--the only one of all his patrons who might have been willing as well as able to remove the darkening clouds already visible in the future.

In the autumn of 1825, Clare was fortunate enough to find some employment in harvesting, which continued till the end of October, when he was once more thrown out of work. He now devoted himself with increased ardour to poetry anxious to excel in the new volume which. Mr. Taylor had agreed to publish. The chief poem of the work was to be a pastoral, in twelve cantos, descriptive of the aspects of the months and seasons, tinder the title, 'The Shepherd's Calendar.' The work required lengthened exertion, which, though he devoted himself with the greatest energy to the task, he could not always muster. Again and again the all-absorbing feeling of poverty broke upon and crushed the mind of the poet. Turn as he might, dire want stared him in the face, and his spirit kept chafing and fretting under the constant exertion of making his small income suffice for the ever-growing wants of his family. Some regular work to perform, or the consciousness of being seated on a few acres of his own ground, with the pleasure of growing his corn and vegetables, would have been sufficient to destroy all these petty cares; but the chance of entering upon such happy existence seemed to grow less and less every year. Liberty, the greatest boon which he desired, he was never able to obtain. To spend half the day in hard out-door work, and the other half in wanderings and poetical musings, would have made him completely happy, as well as, in all likelihood, physically strong; yet this simple wish of his heart not all his great and noble patrons were willing to grant him. They gave him alms, sufficient to lift him from the sphere of labour, but not enough for subsistence, and thus left him in a position as false as hopelessly ruinous. Working at intervals, almost beyond his strength, as a farm labourer, and then again remaining for a long time in forced idleness, writing too much, thinking too much, and ever and ever with the grim phantom of poverty before him, was a form of existence necessarily fatal. It was a life too hard, too cold, too angular, too crystallized--a life which would have broken the heart of any poet under the sun.

In the preparation of his new volume, Clare adopted the sensible plan of correcting and revising his writings constantly, so as to reach the greatest perfection in form. The uninterrupted study of the best poets began to have effect upon his mind by more and more developing his taste, and destroying his former notion that his verses came flowing by a sort of inspiration, and, as such, were not liable to further artificial improvement. Mr. Taylor was much pleased with the new verses which Clare sent him, far more polished than most of the previous ones, and encouraged him by many praises to persevere in the new course. Praise, as to all poets, was sweet to Clare, and he kept on writing with great eagerness during the whole of winter and the coming spring. He expected that his new book would be published early in the summer of 1826, but was disappointed in his expectation. There were poems enough in Mr. Taylor's hands to make at least two volumes; but the careful publisher was not over-anxious to print them. A shrewd man of business, he was fully aware that the tide was running strong against pastorals, or, indeed, against any form of good poetry, the fashion being all for jingling rhyme, embodying the least possible amount of sense. It was the period when annuals began to flourish, with all merit concentrated in 'toned' paper, gilded leaves, and morocco bindings. Mr. Taylor liked John Clare, and held his talent in fair estimation from the fact that the 'Poems descriptive of Rural Life and Scenery' had gone through four editions. But against this fact there was the terrible set-off that the 'Village Minstrel' had only risen to the second edition, with the larger part of the second issue still on the shelves in Fleet Street. Mr. Taylor, therefore, like a sound man of business, resolved to manipulate his 'Northamptonshire Peasant' with great caution, for fear of accidents.

John Clare got into a very excited state when he learnt that his new volume was not to be published in the summer of 1826, nor during the remaining part of the same year. He felt the delay as a scorn of his poetical fame; and he felt it, moreover, as a sad ruin of his financial prospects. The money which he expected to receive was anxiously awaited to pay off pressing debts, and its man-arrival involved not only scanty clothing and short rations, but cares of a peculiarly tender nature. 'Patty' brought her husband a third child, a little boy, who was christened John on the 18th of June, 1826; and though there arrived much timely assistance from Milton Park, the baby, as well as his mother; wanted many things not to be met with in the little hut at Helpston. Always a tender and most affectionate father, Clare's heart was ready to break when he found his poor little son suffering from the absence of those comforts which a few pounds might have purchased. He wrote a pathetic letter to Mr. Taylor, entreating him to send his poems to press; but received a cold answer in return. The sound business man of Fleet Street told his client that it was the wrong time for bringing out the 'Shepherds' Calendar.' He informed him, moreover, that the annuals had got the upper hand, and advised him strongly to write for the annuals. Clare answered that he preferred breaking stones at the workhouse.

But when Clare said so, he was in an angry mood. The baby continued crying, in want of milk and a few yards of flannel, and the mother commenced crying, too; and at length things came to such a pass that Clare determined to write for the annuals. He heard that he should get five shillings per poem, and from some publishers even as much as seven and sixpence. In great haste, therefore, he penned as many verses as he could, sitting up night after night, and on getting a bundle ready despatched them to London. But here again there was terrible disappointment. The annuals, it turned out, did not pay annually, but remunerated their contributors at uncertain periods, varying from two years to ten. When Clare found he could get no payment from the proprietors of the splendid morocco-bound volumes, he complained to Mr. Taylor. The busy publisher was vexed at this, as naturally he might be. He answered that he did not, and could not, hold himself responsible for the liabilities of others, and that it was unfair; after having tendered some general advice, to burthen him with the consequences. Here the matter ended, leaving both parties very dissatisfied. For some time to come there was a great coldness between them, and their correspondence almost entirely ceased.