Chapter III (1)

EFFECTS OF MILTON'S _AREOPAGITICA_--HIS INTENTION OF ANOTHER MARRIAGE: HIS WIFE'S RETURN AND RECONCILIATION WITH HIM--REMOVAL FROM ALDERSGATE STREET TO BARBICAN--FIRST EDITION OF MILTON'S COLLECTED POEMS: HUMPHREY MOSELEY THE BOOKSELLER--TWO DIVORCE SONNETS AND SONNET TO HENRY LAWES--CONTINUED PRESBYTERIAN ATTACKS ON MILTON: HIS ANTI-PRESBYTERIAN SONNET OF REPLY--SURRENDER OF OXFORD: CONDITION OF THE POWELL FAMILY--THE POWELLS IN LONDON: MORE FAMILY PERPLEXITIES: BIRTH OF MILTON'S FIRST CHILD.

The effect of Milton's _Areopagitica_, immediately after its publication in November 1644, and throughout the year 1645, seems to have been very considerable. Parliament, indeed, took no formal notice of the eloquent pleading for a repeal of their Licensing Ordinance of June 1643. As a body, they were not ripe for the discussion of the question of a Free Press, and the Ordinance remained in force, at least as an instrument which might be applied in cases of flagrant transgression. But public opinion was affected, and the general agitation for Toleration took more and more the precise and practical form into which Milton's treatise had directed it: viz. an impatience of the censorship, and a demand for the liberty of free philosophising and free printing. "Such was the effect of our author's _Areopagitica_," says Toland, in his sketch of Milton's life, "that the following year Mabol, a licenser, offered reasons against licensing, and, at his own request, was discharged that office." [Footnote: Toland's Memoir of Milton prefixed to the Amsterdam (1698) edition of Milton's Prose Works, p. 23.] Toland is in a slight mistake here, at least in his dating. The person whom he means--Gilbert Mabbott, _not_ 'Mabol'--was Rushworth's deputy in the office of Clerk to the House of Commons, doing duty for him while he was away with the New Model as Secretary to Fairfax: and not only did this Mabbott occasionally license pamphlets and newspapers, as it would have been Rushworth's part to do, through the year 1645, but he was expressly recommended to be licenser of "weekly pamphlets" or newspapers, Sept. 30, 1647, and he continued to act in this capacity till May 22, 1649, at which time it was, and not in 1645, that he was released from the business at his own request.[Footnote: My notes from the Stationers' Registers of 1645 and subsequent years; Lords Journals, Sept. 30, 1647; and Commons Journals, May 22, 1649. There is some evidence, however, that, before this last date, Mabbott had found the duty irksome (see Commons Journals, Aug. 31, 1648).] The effect of Milton's argument on Mabbott in particular, therefore, was not so immediate as Toland represents. There can be no doubt, however, that as Milton, in his _Areopagitica_, had tried to make the official licensers of books, and especially those of them who were ministers, ashamed of their office, so his reasons and sarcasms, conjoined with the irksomeness of the office itself, did produce an immediate effect among those gentlemen, and modify their official conduct. Several of them, among whom appears to have been Mr. John Downham, who had licensed Milton's own Bucer Tract (_antè_, p. 255, note), became more lax in their censorship than the Presbyterians thought right; and there was at least one of them, Mr. John Bachiler, who became so very lax, from personal proclivity to Independency, that he was denounced by the Presbyterians as "the licenser-general not only of Books of Independent Doctrine, but of Books for a general Toleration of all Sects, and against Pædo-Baptism." [Footnote: _Gangræna_: Part I. (ed. 1646), pp. 38, 39. In Part III. Edwards devotes three pages (102-- 105) to a castigation of Mr. Bachiler for his offences as a licenser. Bachiler, he says, "hath been a man-midwife to bring forth more monsters begotten by the Devil and born of the Sectaries within the last three years than ever were brought into the light in England by all the former licensers, the Bishops and their Chaplains, for fourscore years." He was in the habit, Edwards adds, of not only licensing sectarian books, but also recommending them; and among the Toleration pamphlets he had licensed was the reprint of Leonard Busher's tract of 1614 called _Religious Peace_ (see _antè_, p. 102). "I am afraid," says Edwards, "that, if the Devil himself should make a book and give it the title _A Plea for Liberty of Conscience, with certain Reasons against Persecution for Religion_, and bring it to Mr. Bachiler, he would license it, and not only with a bare _imprimatur_, but set before it the commendations of 'a useful treatise' or 'a sweet and excellent book.'"] The _Areopagitica_, in fact, found out, even among the official licensers of books, men who sympathised with its views; and it established prominently, as one of the practical questions between the Independents and the Presbyterians, the question of the liberty of Unlicensed Printing. It was Milton that had taught the Independents, and the Anti-Presbyterians generally, to bring to the front, for present purposes, this form of the Toleration tenet. For example, one finds that John Lilburne had been a reader of the _Areopagitica_, and had imbibed its lesson, and even its phraseology. "If you had not been men that had been afraid of your cause," is one of Lilburne's addresses to the Presbyterians and the Westminster Assembly Divines, "you would have been willing to have fought with us upon even ground and equal terms--namely, that the Press might be as open for us as for you, and as it was at the beginning of this Parliament; which I conceive the Parliament did of purpose, that so the free-born English subjects might enjoy their Liberty and Privilege, which the Bishops had learnt of the Spanish Inquisition to rob them of, by locking it up under the key of an _Imprimatur_." [Footnote: Lilburne, as quoted by Prynne in his _Fresh Discovery of Blazing Stars_, p. 8.] There is proof, in the writings of other Independents and Sectaries, that Milton's jocular specimens of the _imprimaturs_ in old books had taken hold of the popular fancy. It became a common form of jest, indeed, in putting forth an unlicensed pamphlet, to prefix to it a mock licence. Thus, at the beginning of the anonymous _Arraignment of Persecution_, the author of which was a Henry Robinson (_antè_, p. 387), there is a mock order by the Westminster Assembly, with the names of the two Scribes appended, to the effect that the author, "Young Martin Mar-Priest," be thanked for his excellent treatise, and authorized to publish it, and that no one except "Martin Claw-Clergy," appointed by the author to print the same, presume to do so. [Footnote: Quoted by Prynne in his _Fresh Discovery_, p. 8.] Prynne quotes this as an example of the contempt into which the Ordinance for Licensing had fallen with the Sectaries, and of their supreme effrontery, Robinson, he says, was one of the chief publishers of scandalous libels, having brought printers from Amsterdam, and set up a private printing press for the purpose. [Footnote: I may take this opportunity of announcing a rather curious fact, of which I have ample and incontestable proof, thought the proper place for stating it in detail is yet to come. It is that Milton, the denouncer of the Licensing System, and the satirist of the official licensers of 1644, was himself afterwards an official censor of the Press. He was one of the licensers of newspapers through 1651 and a portion of 1652, doing the very work from which Mabbott had begged to be excused. The fact, however, is susceptible of an easy explanation, which will save Milton's consistency.]

On the whole, then, Milton's position among his countrymen from the beginning of 1645 onwards may be defined most accurately by conceiving him to have been, in the special field of letters, or pamphleteering, very much what Cromwell was in the broader and harder field of Army action, and what the younger Vane was, in Cromwell's absence, in the House of Commons. While Cromwell was away in the Army, or occasionally when he appeared in the House and his presence was felt there in some new Independent motion, or some arrest of a Presbyterian motion, there was no man, outside of Parliament, who observed him more sympathetically than Milton, or would have been more ready to second him with tongue or with pen. Both were ranked among the Independents, as Vane also was; but this was less because they were partisans of any particular form of Church- government, than because they were agreed that, whatever form of Church- government should be established, there must be the largest possible liberty under it for nonconforming consciences. If this was Independency, it was a kind of large lay Independency; and of Independency in this sense Milton was, undoubtedly, the literary chief. Only, when he was thought of by the Independents as one of their champions, it was always with a recollection that his championship of the common cause was qualified by a peculiar private crotchet. He figured in the list of the chiefs of Independency, if I may so express it, with an asterisk prefixed to his name. That asterisk was his Divorce Doctrine. He was an Independent with the added peculiarity of being the head of the Sect of Miltonists or Divorcers.

INTENTION OF ANOTHER MARRIAGE: HIS WIFE'S RETURN AND RECONCILIATION WITH HIM.

In 1645 Milton still gloried in the asterisk. All the copies of the second and augmented edition of _The Doctrine and Discipline of Divorce_ having been sold, there was a reprint of it in this year, forming substantially the third edition of the original treatise. None of his writings hitherto had been in such popular demand; and as, besides the three editions of the original Divorce treatise, there were also in circulation his _Bucer Tract_, his _Tetrachordon_, and his _Colasterion_, he had identified himself with the Divorce subject by a total mass of writing larger than he had yet devoted to any other. While his five Anti-Episcopal pamphlets, of 1641-42, make together 326 pages of his prose works in Pickering's edition, the four Divorce treatises, of 1643-45, make 378 pages of the same; so that, in mere quantity, Milton was 52 pages more a Divorcer than an Anti-Prelatist. He had now, however, as he had announced in his dedication of the _Tetrachordon_ to Parliament, done all that he meant to do on the subject through the medium of mere pamphleteering. But he had hinted to Parliament, while making that announcement, that a man with his opinions might do more than write pamphlets in their behalf. "If the Law make not a timely provision," he had said, "let the Law, as reason is, bear the censure of the consequences." There was a covert threat here that Milton, if the Law would not allow him to marry again, might marry again in defiance of the Law.

Early in 1645, at all events, Milton did think of marrying again. His wife had been away from him for the better part of two years; and she was now nothing more in his memory than a girl who had been in his house in Aldersgate Street as his bride for a few weeks, whom he had found out in that short experience to be stupid and uncompanionable, who had then left him on some pretence, and gone back to her father's house, and whose only communications with him since had been a message or two of contempt and insult. Law or no law, it was all over between him and that girl! All the circumstances where known: his unfortunate position was the talk of neighbours; often, as we have imagined, kindly souls of women, young and older, must have had their colloquies and whispers about his pitiable bachelorhood caused by the shameful desertion of his wife. Kindly talk was all very well: but was there any unmarried lady willing to take the place of the deserter, if asked to do so? This was really the question in Aldergate Street, and in all the round of Milton's acquaintances. Candidates were not likely to be numerous, even among those freer Christian opinionists among whom Milton principally moved; and there was, moreover, a complication in the general difficulty. Milton, having blundered in his choice once, and having principled himself now with very high notions of feminine fitness, was very likely to be careful in a second choice. Was there accessible any lady in whom the two indispensable conditions of fitness and willingness could be found united? This was the problem for Milton, and it is on record that he tried to solve it. One remembers his sonnet "_To a Virtuous Young Lady_," written about the same time as that to the Lady Margaret Ley, and wonders whether the "virgin wise and pure" there commemorated for her excellencies of mind and character was thought of by him as the possible successor of Mary Powell. Can her name have been Miss Davis? That, at all events, was the name of the lady who _was_ thought of as Mary Powell's probable successor. It is from Phillips that we have the particulars of the story:--

"Not very long after the setting forth of these treatises," says Phillips, referring to the Divorce Treatises, "having application made to him by several gentlemen of his acquaintance for the education of their sons, as understanding haply the progress he had infixed by his first undertakings of that nature, he laid out for a larger house, and soon found it out. But, in the interim, before he removed, there fell out a passage which, though it altered not the whole course he was going to steer, yet it put a stop, or rather an end, to a grand affair, which was more than probably thought to be then in agitation: it was indeed a design of marrying one of Dr. Davis's daughters, a very handsome and witty gentlewoman, but averse, as it is said, to this motion. However, the intelligence hereof, and the then declining state of the King's cause, and consequently of the circumstances of Justice Powell's family, caused them to set all engines on work to restore the late married woman to the station wherein they a little before had planted her. At last this device was pitched upon:--There dwelt in the Lane of St. Martin's-le- Grand, which was hard by, a relation of our author's, one Blackborough, whom it was known he often visited; and upon this occasion the visits were the more narrowly observed, and possibly there might be a combination between both parties, the friends on both sides concentring in the same action, though on different behalfs. One time above the rest, he making his usual visit, the wife was ready in another room, and on a sudden he was surprised to see one whom he thought to have never seen more, making submission and begging pardon on her knees before him. He might probably at first make some show of aversion and rejection; but partly his own generous nature, more inclinable to reconciliation than to perseverance in anger and revenge, and partly the strong intercession of friends on both sides, soon brought him to an act of oblivion, and a firm league of peace for the future; and it was at length concluded that she should remain at a friend's house, till such time as he was settled in his new house at Barbican, and all things for her reception in order. The place agreed on for her present abode was the Widow Webber's house in St. Clement's Churchyard, whose second daughter had been married to the other brother [Christopher Milton] many years before."

Phillips tells the story very clearly, and a little annotation is all that is wanted:--The lady whom Milton thought of, and had perhaps been thinking of for some time, as a possible substitute for Mary Powell, was "one of Dr. Davis's daughters." Who this Dr. Davis was, Phillips, writing at a time when the mere name was probably enough for Londoners, does not inform us; nor have I been able, with any certainty, to identify him. [Footnote: There had been a Thomas Davies, M.D., born about 1564, and educated at Christ's College, Cambridge, where he had graduated in medicine in 1591, and who was afterwards a medical practitioner in London, and Licentiate and Censor of the Royal College of Physicians there. As he had died in 1615, the youngest of any surviving daughters of his in 1645 must have been past her thirtieth year. But, on the whole, Phillips's words suggest that the Dr. Davis he means was alive in 1645 or had recently been alive; so that this is not likely to have been the one. There was a Nicholas Davis, or Davys, M.D., who had taken that degree at Leyden in 1638, had been incorporated in the same degree at Oxford in 1642, and may have been afterwards in practice in London (Munk's Roll of the Royal College of Physicians of London, and Wood's Fasti, II. 9). The date of his graduation at Leyden, however, seems rather late for the hypothesis that he was Phillips's Dr. Davis. After all, there may have been some other conspicuous Dr. Davis among Milton's acquaintances, and he need not have been a medical doctor.] Dr. Davis, at all events, dead or living, had daughters, one of them "a very handsome and witty gentlewoman," between whom and Milton there was some attempt to arrange a marriage. She herself, however, was naturally "averse to this motion;" and, indeed, one can hardly understand what kind of proposition could have been made to her or her friends. That something was in agitation, nevertheless, and that it was talked of more particularly in the spring and early summer of 1645, Phillips had a positive recollection, more by token because at that very time, he also remembered, his uncle had offers of more pupils than he could accommodate in the house in Aldersgate Street. He had consequently been looking about for a larger house, and had found one suitable close at hand, in the street called Barbican.

Was Miss Davis to be persuaded to be mistress of this new house? Would the "several gentlemen" of Milton's acquaintance who meant to board or half-board their sons with him, or would the spouses of those gentlemen, have been satisfied with that arrangement? The experiment was not to be tried. The house in Barbican had been taken, but Milton had not yet removed into it, when, to Miss Davis's relief, another arrangement was brought about.

Rumours of what was going on, and of the new house in Barbican, had been borne to Oxford, and the Foresthill mansion of the Powells. In any case the news of the Miss Davis project, the "grand affair," as Phillips calls it, could not but have caused some excitement there. But the news came at a time when the family-fortunes were no longer what they had been when Mary Powell had left her Parliamentarian husband and taken refuge again under the maternal wing, amid her Royalist relatives and acquaintances, close to the King's head-quarters. Crippled already, like other Royalist families, by necessary contributions to the King's cause, the Powells had begun to be aware, and more poignantly than others because of their more straitened means, that their sacrifices were likely to be all in vain-- that Parliament was to be master, and to have the power of pains and penalties over those whom it called Delinquents. Especially after the shattering blow to the King at Naseby (June 14, 1645), doubt on the subject was nearly at an end. What was then more natural than that distressed Royalist families should be looking forward anxiously to the amount of new distress which the final triumph of Parliament would inflict upon them? And so in the Foresthill mansion there had been grave consultations between Mr. and Mrs. Powell and between Mrs. Powell and her daughter, ending in a resolution, in which Mrs. Powell was perhaps the last to acquiesce--for the daughter afterwards pleaded that her mother all along had been "the chief promoter of her frowardness" [Footnote: Wood, Fasti, I. 482.]--that it would be best for the daughter to return to London and try to make it up with Mr. Milton. At least one member of the family would thus have a roof over her head in the hard time coming; and might not Milton, with his Parliamentarian connexions, be able to befriend the family generally when the time did come? Soon after Naseby, accordingly, we are to imagine the poor young wife taking the journey to London, accompanied by her mother or some other relative, on her humiliating and dubious errand.

How were they to manage when they were in London? It was not a simple matter of going straight to the house in Aldersgate Street and obtaining admission. Ingenuity was necessary, and preparation of a mode for approaching Milton. But that, too, had been thought of. Communications were opened or had already been opened, with those of Milton's friends who, it was supposed, would be willing to co-operate in the intended reconciliation, if not in the wife's interest, at least in his. And which of all Milton's friends was _not_ willing? In such cases, it is in the man himself that the storm rages; he alone passionately feels: the friends that stand by, even most sympathisingly, are cool and collected, regarding the principal only as a difficult patient, who must be soothed and humoured till he can be brought to reason. To Milton's friends his Divorce notion may have seemed a just enough speculation, or one at least about which _they_ would not quarrel with him; the real question with them was as to the continued practical implication of his own life and prospects with such a speculation, infamous as it seemed to respectable society and to the leaders of religious opinion. Let him hold it, if he would, and even write for it still; but was he, at the age of thirty-seven, to wrap up his whole future life in it, and proceed as if he and it must be dashed to pieces together? Was not this reconciliation between him and his wife, of which there seemed now to be a chance, the best thing that could happen for him as well as for her? If once it were brought about, would not things adjust themselves so that the public would hear no more of the perilous stuff of the Divorce Doctrine, or hear of it only in dying echoes? So reasoned Milton's friends then, just as people would reason now in a similar case; and the friendly plot was arranged. Milton, it appears, was in the habit of dropping in, almost daily, in his walk City-wards from Aldersgate Street, on a kinsman of his, named Blackborough, whose house was in St. Martin's-le-Grand Lane-- _i.e._ in that bend of Aldersgate Street which was _within_ the Gate, and where now the General Post-Office of London stands. Here, some day in July or August 1645, he was surprised into an interview with his girl-wife. The good Blackborough had consented to aid and abet, and had lent his house for the purpose; and, other friends being at hand to second him, he had opened, let us say, the door of the room in which Mary Powell was waiting, had ushered Milton in, and had left them together. Then, as Phillips imagines, had come Milton's two moods in succession,-- the first his instinctive mood of anger and rejection, and the second that mood of his slow relenting which was witnessed and helped through by the in-bustling friends:--

_Mood First._

_Samson_. My wife, my traitress! let her not come near me!

_Chorus_. Yet on she moves; now stands and eyes thee fixt,
About to have spoke; but now, with head declined,
Like a fair flower surcharged with dew, she weeps,
And words addressed seem into tears dissolved,
Wetting the borders of her silken veil:
But now again she makes address to speak.

_Dalila._ With doubtful feet and wavering resolution
I came, still dreading thy displeasure, Samson,
Which to have merited, without excuse,
I cannot but acknowledge: yet, if tears
May expiate (though the fact more evil drew
In the perverse event than I foresaw),
My penance hath not slackened, though my pardon
No way assured. But conjugal affection,
Prevailing over fear and timorous doubt,
Hath led me on desirous to behold
Once more thy face, and know of thy estate;
If aught in my ability may serve
To lighten what thou suffer'st, and appease
Thy mind with what amends is in my power,
Though late, yet in some part to recompense
My rash, but more unfortunate, misdeed.

_Samson._ Out, out! hyæna!
_Samson Agonistes_, 725-747.

_Mood Second._

She ended weeping, and her lowly plight,
Immoveable till peace obtained from fault
Acknowledged and deplored, in Adam wrought
Commiseration: soon his heart relented
Towards her, his life so late and sole delight,
Now at his feet submissive in distress,
Creature so fair his reconcilement seeking,
His counsel whom she had displeased, his aid;
As one disarmed, his anger all he lost,
And thus with peaceful words upraised her soon.
_Paradise Lost_, X. 937-946.

Was this Milton's idealized history long afterwards of his own two moods in Blackborough's house in St. Martin's-le-Grand Lane some time in July or August 1645? So far as it was autobiography at all, I should not say that it was much idealized, except in so far as Dalila in the land of the Philistines, and Eve in Paradise, had to be represented poetically as beautiful, eloquent, and fascinating, while of poor Mary Powell's claims to beauty we know little, and our information as to her eloquence and fascination consists in our irremovable impression that it was of her that Milton had been thinking in that passage in his first Divorce Tract in which he described the hard fate of a man bound fast by marriage to "an image of earth and phlegm." From the side of Milton there was, I think, no idealizing: hardly else than as his own Samson, or his own Adam, in his poems, did Milton feel or speak on any important occasion of his own real experience. If, then, the second mood now prevailed, and he yielded, it was only, I believe, because despair for himself and pity for another overcame him jointly, and what was alone possible was accepted as disastrously fated. So much by way of necessary anticipation, and that there may not be a mistake, even for a moment, as to the real nature of the reconciliation that had been effected. Meanwhile, the friends of both wife and husband were delighted with their success; and, till the new house in the Barbican should be ready, young Mrs. Milton went to lodge in the house of the Widow Webber, Christopher Milton's mother-in-law, near St. Clement's Church in the Strand.

REMOVAL FROM ALDERSGATE STREET TO BARBICAN.

September 1645, when the New Model Army had stormed Bristol and was otherwise carrying all before it in the English South-west, when Montrose in Scotland had been extinguished by David Leslie at Philiphaugh, and when the Presbyterian system had been so far arranged for England that the first order of Parliament for the election of Elders in all the London parishes had gone out, and Triers of the competency of these Elders had been appointed in all the London Presbyteries: then it was, as near as one can calculate, that the interesting house in Aldersgate Street was left by Milton, and he, his wife, his father, the two boys Phillips, and the other pupils, entered together into the new house in Barbican.

It was no great remove. The street called Barbican derived its name, according to Stow, from the fact that at one time there had stood there "a _burgh-kenning_, or watch-tower of the city, called in some language a _barbican_;" and modern etymologists perfect Stow's observation by tracing the name, through the mediæval Latin _barbacana_, to the Persian _bála khaneh_, meaning "upper chamber," whence our less corrupt form _balcony_, actually identical with barbican. [Footnote: Stow, as quoted in Cunningham's _London_, Art. "Barbican;" and Wedgwood's _Dict. of English Etymology_, Art. "Balcony."] There had, in short, been a barbican, or outer defence of the city, at this spot, a little beyond the particular gate called Aldersgate, just as there were such things beyond others of the city-gates; but the name had lingered only here as applied to the street or site where a barbican had been. The street, retaining its warlike name, still exists--a short street going off from Aldersgate Street at right angles on one side, and within a walk of not more than two or three minutes from the site of Milton's Aldersgate Street house. The house in Barbican was larger, and so much farther off from the city- gate; but that was all. There was no real change of neighbourhood or of street-associations. A dingy street now, dingier even than the main thoroughfare of Aldersgate Street, Barbican was then a fair enough bit of suburban London towards the north; and it boasted, as we already know, of at least one aristocratic mansion in which Milton had some interest--the town-house of the Earl of Bridgewater, ex-President of Wales, and the peer of _Comus_. The name "Bridgewater Gardens" still designates, without a shred of garden left there, but only grimy printing-offices and the like instead, the portion of the street which the mansion occupied. Nay more, till within a few years ago; Milton's own house in Barbican, with some modern change of frontage, and some filling-up of interstices right and left, was extant and known. Somehow, while the more important house in Aldersgate Street had perished from the memory of the neighbourhood (probably because the fabric itself had perished), the tradition of Milton still clung around this house in Barbican, I have passed it many a time, stopping to look at it, when it was occupied, if I remember rightly, by a silk-dyer, or other such tradesman, exhibiting on his sign the peculiar name of "Heaven," and using the lower part of it for his shop. Though jammed in with other houses and undistinguished in the line of bustling street, it had the appearance of having once been a commodious enough house in the old fashion; and I have been informed that some of the old windows, consisting of thick bits of dim glass lozenged in lead, still remained in it at the back, and that the occupants knew one of the rooms in it as "the Schoolroom" where Milton had used to teach his pupils. But alas! one of the city railways took it into its head that it required to run through this precise bit of Barbican, and the house, with others near it, was doomed to demolition. When I was last in Barbican part of the shell of the house was still standing, roofless, disfloored, diswindowed, and pickaxed into utter raggedness, as so much rubbish yet waiting to be removed from the new railway gap. The inscription yet remained on the front-door--"This was Milton's House," or to that effect--which had been very properly put there by the contractor or his workmen to lure people to a last look at the interior before the demolition was complete. [Footnote: My information about the interior of the house is from a friend who visited it just when it was doomed. Though I had passed it often when it was yet complete, I had unfortunately, not expecting its doom, deferred going in till it was too late; and my last homage to it had to be a lingering saunter near and in the railway gap behind, when there was only the remnant of it described in the text.]

FIRST EDITION OF MILTON'S COLLECTED POEMS: HUMPHREY MOSELEY THE BOOKSELLER.

Among Milton's first employments in his new and larger house in Barbican, while his wife was resuming her duties and the schoolroom was getting gradually into use, we are able to distinguish one of particular interest. It was nothing else than the revision for the press of the proof-sheets of the first collected edition of his Miscellaneous Poems.

By his dealings with the Press hitherto, it is to be remembered, Milton had made himself known to most people chiefly as a prose pamphleteer. Except his lines _On Shakespeare_, written in 1630, and prefixed anonymously to the Second Folio Shakespeare in 1632; his _Comus_, written and acted in 1634, and sent to the press, also without the author's name, by his friend Henry Lawes in 1637; and his _Lycidas_, written in 1637, and printed in 1638, in the Cambridge University volume of Verses on Edward King's death, but only with the initials "J.M.":-- except these, and perhaps another scrap or two of Latin or English verse that had been printed in a semi-private manner, all Milton's poems, written at intervals over a period of more than twenty years, had remained in his own keeping in manuscript, and had been communicated to friends only in that form. In consequence of what had been thus printed, or privately circulated, a certain reputation for Milton as a poet had, indeed, been established; but the voice of this reputation was hardly heard amid the much louder uproar caused by his eleven prose-pamphlets between 1641 and 1645. Now, to a man who believed Poesy to be his true calling, who had consented reluctantly to put aside "his garland and singing robes" in order that he might engage in the work of politics, and who had announced while doing so that in that work it was but the strength of his left hand he could lend and not the nobler cunning of his right, this state of public opinion about himself must have begun to be a little disagreeable. It was the most natural thing in the world that, as soon as there should be a lull in the political tumult, the least leisure of the public for a return to purer and blander literature, Milton should make some sign of resuming his garland, so as to remind those about him of his original vocation. But, precisely in the year 1045, when Naseby had assured the victory of Parliament, there did come, for the first time since the war had begun, or indeed since the Long Parliament had met, such a lull of the polemical tumult. The statistics of the English book- trade, as they are presented in the Registers of the Stationers' Company, verify and illustrate this statement.

Even in the year 1640, when there was political agitation enough in England, but the Long Parliament had not yet met, there was still so much leisure for the purer forms of literature in English society that London publishers were bringing out such things as Masques and other remains of Ben Jonson, the Works of Thomas Carew, various Plays by Shirley, Glapthorne, Habington, Heywood, Killigrew, and Brome, an edition of Herrick's Poems, and Thomas May's Supplement to Lucan. As soon, however, as we pass beyond 1640, and the real work of the Long Parliament is begun, such books almost entirely cease to appear. The matter then provided for the reading of the English public consisted of a huge jumble of Pamphlets on the Church-question, Sermons, semi-controversial Treatises of Theology, Political Speeches, fragments of Ecclesiastical History, Prose Invectives and Satires, and latterly, when the Civil War was in progress, an abundance of Diurnals, Intelligencers, Mercuries, and other news-sheets. Between 1640 and 1645 one does indeed discern twinkling in this jumble some gems or would-be gems of the purer ray serene. The "Epigrams Divine and Moral" of Sir Thomas Urquhart, the translator of Rabelais, were published in April 1641; Howell's "Instructions for Foreign Travel" came out in September in the same year; Baker's "Chronicle of the Kings of England" in the following December; in April 1642 there was a London edition of Thomas Randolph's Poems, which had appeared originally at Oxford in 1638; and the publication of Denham's "Cooper's Hill" and his "Tragedy called The Sophy" is a rather notable event of August 1642, the very month in which the King raised his standard. In the same month one London publisher, Francis Smethwick, registered for his copies a number of books of the poetical kind which had been the property of his late father, including "Mr. Drayton's Poems," "Euphues's Golden Legacy," Meres's "Witt's Commonwealth," and also "Hamblett, a Play," "The Taming of the Shrew," "Romeo and Juliet," and "Love's Labour's Lost." This transaction, however, hardly implied that these books were in demand, but only that Smethwick wanted to secure his interest in them on succeeding to his father's business. Afterwards, while the war was actually raging, it is not till December 1644 that one comes upon anything of the finer sort worth mentioning. On the 14th of that month there was registered for publication the first edition of "Poems, &c., written by Mr. Edmund Waller, of Beckonsfield, Esq., lately a member of the Honourable House of Commons," but then, as we know, a disgraced plotter, who, having, by great favour, been permitted to carry his dear-bought life, and his remaining wealth, into exile in France, left this parting gift to his countrymen, that they might think of him meanwhile as kindly as they could. Except that I have not taken notice of a publication or two of the voluminous Scotchman Alexander Rosse, Chaplain to his Majesty, [Footnote: This Alexander Rosse, or "Dr. Alexander Ross," made famous in _Hudibras_, was one of the singular characters of the time, and a memoir of him, with a complete list of his writings, would be a not uninstructive curiosity. He was a native of Aberdeen, born about 1590, but had migrated to England, where he became Master of the Free School at Southampton, and Chaplain in Ordinary to King Charles. By a succession of publications of all kinds, in Latin and in English., he acquired the reputation of being "a divine, a poet, and an historian." He made a good deal of money, and, at his death in 1654, left bequests, for educational purposes, to Aberdeen, Southampton, Oxford, and Cambridge. ] the foregoing enumeration fairly represents, I believe, the amount of book-production of the purer or non-controversial kind that went on in London in the four loud-roaring years between 1640 and 1645.

In 1645, however, and especially after Naseby, there are symptoms of a slightly revived leisure for other kinds of reading than were supplied by Diurnals, Sermons, Pamphlets, and books of Polemical Theology, and of a willingness among the London booksellers to cater for this leisure. In that year, interspersed amid the still continuing tide of Pamphlets, Diurnals, Sermons, and other ephemerides, were such novel appearances in the London book-world as these--two Treatises, one physical, the other metaphysical, by Sir Kenelm Digby, then abroad; an edition of Buxtorf's Hebrew Grammar; an Essay by Lord Herbert of Cherbury; some metrical religious remains of Francis Quarles, then just dead; some attempts to introduce the mystic Jacob Bohme, by specimens of his works; a translation of Æsop's Fables and those of Phædrus; the issue of the second and third parts of the _Epistolæ Hoelianæ_ or James Howell's Letters, with a re-issue of his "Dodona's Grove;" and a re-issue of Randolph's comedy of "The Jealous Lovers." Clearly, as the Civil War was drawing to a close, the Muses of pure History, pure Speculation or Philosophy, Scholarship for its own sake, and even lighter Phantasy, did hover over England again, timidly seeking some spots where they might rest themselves in the all-prevailing controversy between Independency and Presbyterianism.

Almost always, in such cases, a social tendency is represented in the activity of some particular person. Nor is it otherwise here. So far as Poetry and so-called Light Literature are concerned, one has no difficulty in pointing to the particular London publisher who in 1645, and from that year onwards, stood out from all his fellows by his alertness in the trade. This was HUMPHREY MOSELEY, who had his shop at the sign of the Prince's Arms in St Paul's Churchyard. Something in his personal tastes, I am inclined to think, must have determined him to the line of business which he selected; so marked is his avoidance of all dealings in sermons, ephemeral treatises on theology, and pamphlets either way on the present crisis, and his preference for poetry and books of general culture. He had been in the trade, in partnership with a Nicholas Fussel, in St. Paul's Churchyard, as early as 1634, [ Footnote: Wood's Ath. II 503.] and shortly after that is heard of as in business for himself. I have a note of him as registering for his copyright, on March 16, 1639-40, Howell's "Dodona's Grove;" and thenceforward, in worse times, he stuck to Howell. He not only published Howell's "Instructions for Foreign Travel" in September 1641, and again the second and third parts of Howell's "Letters" in 1645, with a re-issue of "Dodona's Grove;" but he acquired, in the same year, the copyright of the first part of the "Letters," which had been originally brought out by another publisher. More significant still is the fact that it was Moseley that was the publisher of Waller's Poems in December 1644. [Footnote: "Poems &c. written by Mr. Ed. Waller of Beckonsfield, Esquire; lately a member of the Honourable House of Commons. All the Lyrick Poems in this Booke were set by Mr. Henry Lawes, Gent. of the King's Chappell, and one of his Majestie's Private Musick. Printed and Published according to Order. London. Printed by T.W. for Humphrey Mosley at the Princes Armes in Paul's Churchyard: 1645:" pp.96 small 8vo. My authority for the date of the publication of the volume--December 1644--is the Stationers' Registers.] After that date his tendency to trade-dealings in Poetry and the like is so manifest in the Stationers' records that I find appended to my MS. notes, from these records, for the London Bibliography of the year 1646, this memorandum:--"_Poetry and Pure Literature looking up again this year, and chiefly through the medium of Moseley's shop._" By that time Moseley had distinguished himself as the publisher of original editions of books, not only by Howell and Waller, but also by Milton, Davenant, Crashaw, and Shirley, and moreover as the ready purchaser of whatever copyrights were in the market of poems and plays by Beaumont and Fletcher, Webster, Ludwick Carlell, Shirley, Davenant, Killigrew, and other celebrities dead or living. To this group of Moseley's authors Cowley and Cartwright were soon added; and it was not long before he snapped out of the hands of duller men Denham's Poems, Carew's Poems, various things of Sir Kenelm Digby, and every obtainable copyright in any of the plays of Shakespeare, Massinger, Ford, Rowley, Middleton, Tourneur, or any other of the Elizabethan and Jacoban dramatists. For at least the ten years from 1644 onwards there was, I should say, no publisher in London comparable to Moseley for tact and enterprise in the finer literature.

Moseley was only on the way to make all this reputation for himself, and indeed Waller's volume of Poems, published in Dec. 1644, was yet the principal advertisement of his shop, when he and Milton came together. Pleased with the success of the Waller, it appears, Moseley thought of a collection of Mr. Milton's Poems as a likely second experiment of the same kind, and applied to Milton for the copy. The application was not disagreeable to Milton; and, accordingly, some time after the middle of 1645, or just while he was preparing to remove from Aldersgate Street to Barbican, and there came upon him the great surprise of his wife's re- appearance, Moseley and he were busy in arrangements for the new volume. Milton's acknowledged London publishers hitherto had been these three-- "Thomas Underhill, of the Bible in Wood Street" (_Of Reformation_, 1641, _Of Prelatical Episcopacy_, 1641, and _Animadversions on Remonstrant's Defence_, 1641), "John Rothwell, at the sign of the Sun in Paul's Churchyard" (_Reason of Church Government_, 1641, and _Apology for Smectymnuus, 1642), and "Matthew Symmons" (the _Bucer Tract_, 1644); and this last-mentioned Symmons, who does not give the locality of his shop, had been probably the printer also of those pamphlets of Milton which bore no publisher's name (_Doctrine and Discipline of Divorce_, 1643, 1644, and 1645, _Of Education_, 1644, _Areopagitica_, 1644, and _Tetrachordon_ and _Colasterion_, 1645). Now, however, these were forsaken for the moment, and for bringing out the Volume of Poems the conjunction was Milton and Humphrey Moseley. The revisal of the proof- sheets may have been begun in Aldersgate Street, but it must mainly, as I have said, have been among Milton's first employments at the new house in Barbican. Here, at all events, is Moseley's entry of the new volume in the Stationers' Registers: "_Oct._ 6 [1645], _Mr. Moseley ent. for his copie, under the hand of Sir Nath. Brent and both the Wardens, a booke called Poems in English and Latyn by Mr. John Milton._" Usually the entry of a book in the Stationers' Registers was about simultaneous with its publication. In this case, however, there was a delay of nearly three months between the registration and the actual appearance. The precise day of the publication of the new volume was Jan. 2, 1645-6. [Footnote: This is ascertained by a MS. note of the collector Thomason's, or by his direction, on a copy among the King's Pamphlets in the British Museum; Press-mark E. 1126. "Jan. 2" is inserted before the word "London" in the title-page.] Either, therefore, Moseley had registered the volume before the printing had proceeded far, or after the sheets were printed there was some little cause of delay.

The following is the title-page of this interesting and now very rare volume:--

"Poems of Mr. John Milton, both English and Latin, compos'd at several times. Printed by his true Copies. The Songs were set in Musick by Mr. Henry Lawes, Gentleman of the King's Chappel, and one of His Majestie's Private Musick.

'Baccare frontem
Cingite, ne vati noceat mala lingua futuro.'
VIRGIL, _Eclog._ vii.

Printed and publish'd according to Order. London, Printed by Ruth Raworth, for Humphrey Moseley; and are to be sold at the signe of the Princes Arms in Paul's Churchyard. 1645."

The volume is a very tiny octavo, divided into two parts in the paging. First come the ENGLISH POEMS, occupying 120 pages, and arranged thus:-- _On the Morning of Christ's Nativity, compos'd_ 1629; _A Paraphrase on Psalm CXIV. _; _Psalm CXXXVI. _; _The Passion_; _On Time_; _Upon the Circumcision_; _At a Solemn Music_; _An Epitaph on the Marchioness of Winchester_; _Song on May Morning_; _On Shakespear_, 1630; _On the University Carrier who, &c. _; _Another on the Same_; _L'Allegro_; _Il Penseroso_; _Sonnets_, English and Italian--ten in number (I. "O Nightingale;" II. "Donna leggiadra;" III. "Qual in colle," with the attached "Canzone;" IV. "Diodati e te'l;" V. "Per certo i bei;" VI. "Giovane piano;" VII. "How soon hath Time;" VIII. "Captain or Colonel;" IX. "Lady that in the prime;" X. "Daughter to that good Earl");-- _Arcades_; _Lycidas_; _Comus_. [Footnote: To this enumeration of the English pieces in the volume of 1645 I may append three bibliographical notes--(1) Of the 28 pieces the original drafts of 10 still exist in the volume of Milton MSS. in Trinity College, Cambridge--viz.: _On Time_, _Upon the Circumcision_, _At a Solemn Music_, Sonnets 7, 8, 9, and 10, _Arcades_, _Lycidas_, and _Comus_. All these drafts are in Milton's own hand, except that of Sonnet 8, only the heading of which is in his hand. Of the other 18 pieces, the most important of which are _L'Allegro_ and _Il Penseroso_, the original MSS. have not come down to us. (2) It will be seen that two of the known early English Poems are omitted in the volume: viz. the piece _On the Death of a Fail Infant dying of a Cough_-- _i.e._ the poem on the death of his niece, the infant girl Phillips, written in 1626; and the College piece of 1628 entitled _At a Vacation Exercise_. These pieces first appeared in the Second Edition of the Poems in 1673. (3) It may also be noted that the latest written pieces which appear in the volume of 1645 are Sonnets 9 and 10--the one to the anonymous young lady, the other to the Lady Margaret Ley. We have assigned them to the year 1644, but they _may_ have been as late as 1645.] As if to call attention to _Comus_ as the longest and chief of the poems, it has a separate title-page, thus, "_A Mask of the same Author, presented at Ludlow Castle, 1634, before the Earl of Bridgewater, then President of Wales, Anno Dom. 1645;_" but, though there is this break of a new title-page, the paging runs on without interruption, _Lycidas_ ending p. 65, and _Comus_ taking up the rest to p. 120. Here, however, there is a _complete_ break, as if it were intended that the English Poems, there ending, might be bound by themselves. The LATIN POEMS follow as a separate collection, paged separately from p. 1 to p. 88, and with this new title-page prefixed to them: "_Joannis Miltoni Londinensis Poemata: quorum pleraque intra annum oetatis vigesimum conscripsit: nunc primum edita. Londini, Typis R.R., Prostant ad Insignia Principis, in Coemeterio D. Pauli, apud Humphredum Moseley, 1645._" There is, however, a double arrangement of the Latin Poems, or a distribution of them into two classes. First come those which constitute the so-called ELEGIARUM LIBER; viz., the "Elegies" proper, numbered from I. to VII., as they now stand in all editions of Milton, together with the eight little scraps in the same elegiac verse (five of them on the subject of the Gunpowder Plot, and three on the Italian singer Leonora) which some modern editors have preferred to detach from the Elegies, and put under the separate heading of "Epigrams." This is contrary to Milton's intention; for the phrase "Elegiarum Finis" _follows_ those scraps in the volume, showing that he meant them to go with the Elegies, and that, in fact, he thought it permissible to call anything an Elegy that was written in the ordinary elegiac verse of alternate Hexameter and Pentameter. Accordingly, all his Latin poems in that kind of verse having been included in the _Elegiarum Liber_, all his other Latin poems, not in that kind of verse, but either in Hexameter pure or in rarer metres, together with two fragments of Greek verse, are regarded as "Sylvæ," and constitute the distinct SYLVARUM LIBER which ends the volume. First among the "Sylvæ" come the six Latin poems of the Cambridge period--_In obitum Procancellarii Medici, In Quintum Novembris, In obitum Præsulis Eliensis, Naturam non pati Senium, De Ideâ Platonicâ quemadmodum Aristoteles intellexit, and Ad Patrem_; then, by way of typographic interruption, come the two scraps of Greek verse--viz. _Psalm LXIV_. and the scrap entitled _Philosophus ad Regem Quendam_, &c.; after which are the two Latin pieces, _Ad Salsillum_ and _Mansus_, written in Italy, and the _Epitaphium Damonis_, written immediately after the return to England. This last stands a little apart from the body of the "Sylvæ," as if Milton attached a peculiar sacredness to it.

Such is a general description of the First or 1645 Edition of Milton's Miscellaneous Poems. The volume, however, presents some points of additional interest:----Has the reader noticed the motto on the title- page from Virgil's seventh Eclogue? It is peculiarly significant of the mood in which the volume was published. Milton, who had called himself Thyrsis in the _Epitaphium Damonis_, here adopts in the happiest manner the words of the young poet-shepherd Thyrsis in Virgil's pastoral. Thyrsis there, contending with Corydon for the prize in poetry, begs from his brother shepherds, if not the ivy of perfectly approved excellence, at least

"Some green thing round the brow,
Lest ill tongues hurt the poet yet to be."

Could anything more gracefully express Milton's intention in the volume? This collection of his Poems, written between his sixteenth year and his thirty-eighth, was a smaller collection by much, he seems to own, than he had once hoped to have ready by that point in his manhood; but it might at least correct the impression of him common among those who knew him only as a prose pamphleteer. Something green round his brow for the present, were it only the sweet field-spikenard, would attest that he had given his youth to Poesy, and would re-announce, amid the clamour of evil tongues which his polemical writings had raised, that he meant to return to Poesy before all was done, and to die, when he did die, a great Poet of England.