Chapter III

He now hurried forth, and hastened to his old resort, the village inn--but it, too, was gone. A large, rickety wooden building stood in its place, with great gaping windows, some of them broken and mended with old hats and petticoats, and over the door was painted, "The Union Hotel, by Jonathan Doolittle." Instead of the great tree that used to shelter the quiet little Dutch inn of yore, there now was reared a tall, naked pole, with something on the top that looked like a red nightcap, and from it was fluttering a flag, on which was a singular assemblage of stars and stripes; all this was strange and incomprehensible. He recognized on the sign, however, the ruby face of King George, under which he had smoked so many a peaceful pipe; but even this was singularly changed. The red coat was changed for one of blue and buff, a sword was held in the hand instead of a scepter, the head was decorated with a cocked hat, and underneath was painted in large characters, GENERAL WASHINGTON.

There was, as usual, a crowd of folk about the door, but none that Rip recollected. The very character of the people seemed changed. There was a busy, bustling tone about it, instead of the accustomed drowsy tranquility. He looked in vain for the sage Nicholas Vedder, with his broad face, double chin, and long pipe, uttering clouds of tobacco smoke instead of idle speeches; or Van Bummel, the schoolmaster, doling forth the contents of an ancient newspaper. In place of these, a lean fellow, with his pockets full of handbills, was haranguing vehemently about rights of citizens--elections--members of congress--Bunker's Hill--heroes of seventy-six--and other words, which were a perfect jargon to the bewildered Van Winkle.

The appearance of Rip, with his long, grizzled beard, his rusty fowling piece, his uncouth dress, and an army of women and children at his heels, soon attracted the attention of the tavern politicians. They crowded round him, eyeing him from head to foot with great curiosity. The orator bustled up to him, and, drawing him partly aside, inquired "On which side he voted?" Rip stared in vacant stupidity. Another short but busy little fellow pulled him by the arm, and, rising on tiptoe, inquired in his ear, "Whether he was Federal or Democrat?" Rip was equally at a loss to comprehend the question; when a knowing, self-important old gentleman, in a sharp cocked hat, made his way through the crowd, putting them to the right and left with his elbows as he passed, and planting himself before Van Winkle, with one arm akimbo, the other resting on his cane, his keen eyes and sharp hat penetrating, as it were, into his very soul, demanded, in an austere tone, "What brought him to the election with a gun on his shoulder, and a mob at his heels; and whether he meant to breed a riot in the village?"--"Alas! gentlemen," cried Rip, somewhat dismayed, "I am a poor, quiet man, a native of the place, and a loyal subject of the king, God bless him!"

Here a general shout burst from the bystanders--"A tory! a tory! a spy! a refugee! hustle him! away with him!" It was with great difficulty that the self-important man in the cocked hat restored order; and having assumed a tenfold [v]austerity of brow, demanded again of the unknown culprit, what he came there for, and whom he was seeking! The poor man humbly assured him that he meant no harm, but merely came there in search of some of his neighbors.

"Well--who are they? Name them."

Rip bethought himself a moment, and inquired, "Where's Nicholas Vedder?"

There was a silence for a little while, when an old man replied, in a thin, piping voice, "Nicholas Vedder! why, he is dead and gone these eighteen years! There was a wooden tombstone in the churchyard that used to tell all about him, but that's rotten and gone, too."

"Where's Brom Dutcher?"

"Oh, he went off to the army in the beginning of the war; some say he was killed at the storming of Stony Point; others say he was drowned in a squall at the foot of Anthony's Nose. I don't know; he never came back again."

"Where's Van Brummel, the schoolmaster?"

"He went off to the wars, too, was a great militia general, and is now in congress."

Rip's heart died away at hearing of these sad changes in his home and friends and finding himself thus alone in the world. Every answer puzzled him, too, by treating of such enormous lapses of time, and of matters which he could not understand: war--congress--Stony Point. He had no courage to ask after any more friends, but cried out in despair, "Does nobody here know Rip Van Winkle?"

"Oh, Rip Van Winkle!" exclaimed two or three, "oh, to be sure! that's Rip Van Winkle yonder, leaning against the tree."

Rip looked, and beheld a precise counterpart of himself, as he went up the mountain--apparently as lazy and certainly as ragged. The poor fellow was now completely confounded. He doubted his own identity, and whether he was himself or another man. In the midst of his bewilderment, the man in the cocked hat demanded who he was, and what was his name.

"God knows," exclaimed he, at his wits' end; "I'm not myself--I'm somebody else--that's me yonder--no--that's somebody else got into my shoes--I was myself last night, but I fell asleep on the mountain, and they've changed my gun, and everything's changed, and I'm changed, and I can't tell what's my name, or who I am!"

The bystanders began now to look at each other, nod, wink significantly, and tap their fingers against their foreheads. There was a whisper, also, about securing the gun, and keeping the old fellow from doing mischief, at the very suggestion of which the self-important man in the cocked hat retired with some precipitation. At this critical moment a fresh, comely woman pressed through the throng to get a peep at the gray-bearded man. She had a chubby child in her arms, which, frightened at his looks, began to cry. "Hush, Rip," cried she, "hush, you little fool; the old man won't hurt you." The name of the child, the air of the mother, the tone of her voice, all awakened a train of recollections in his mind. "What is your name, my good woman?" asked he.

"Judith Gardenier."

"And your father's name?"

"Ah, poor man, Rip Van Winkle was his name, but it's twenty years since he went away from home with his gun, and never has been heard of since--his dog came home without him; but whether he shot himself, or was carried away by the Indians, nobody can tell. I was then but a little girl."

Rip had but one question more to ask; but he put it with a faltering voice:

"Where's your mother?"

"Oh, she, too, had died but a short time since; she broke a blood-vessel in a fit of passion at a New England peddler."

There was a drop of comfort, at least, in this intelligence. The honest man could contain himself no longer. He caught his daughter and her child in his arms. "I am your father!" cried he--"Young Rip Van Winkle once--Old Rip Van Winkle now! Does nobody know poor Rip Van Winkle?"

All stood amazed until an old woman, tottering out from among the crowd, put her hand to her brow, and peering under it in his face for a moment, exclaimed, "Sure enough! it is Rip Van Winkle--it is himself! Welcome home again, old neighbor. Why, where have you been these twenty long years?"

Rip's story was soon told, for the whole twenty years had been to him but as one night. The neighbors stared when they heard it; some were seen to wink at each other, and put their tongues in their cheeks: and the self-important man in the cocked hat, who when the alarm was over had returned to the field, screwed down the corners of his mouth, and shook his head--upon which there was a general shaking of the head throughout the assemblage.

It was determined, however, to take the opinion of old Peter Vanderdonk, who was seen slowly advancing up the road. He was a descendant of the historian of that name, who wrote one of the earliest accounts of the province. Peter was the most ancient inhabitant of the village, and well versed in all the wonderful events and traditions of the neighborhood. He recollected Rip at once, and corroborated his story in the most satisfactory manner. He assured the company that it was a fact, handed down from his ancestor the historian, that the Catskill Mountains had always been haunted by strange beings. It was affirmed that the great Hendrick Hudson, the first discoverer of the river and country, kept a kind of vigil there every twenty years, with his crew of the _Half-moon_; being permitted in this way to revisit the scenes of his enterprise, and keep a guardian eye upon the river and the great city called by his name. His father had once seen them in their old Dutch dresses playing at ninepins in a hollow of the mountain; and he himself had heard, one summer afternoon, the sound of their balls, like distant peals of thunder.

To make a long story short, the company broke up and returned to the more important concerns of the election. Rip's daughter took him home to live with her; she had a snug, well-furnished house, and a stout, cheery farmer for a husband, whom Rip recollected for one of the urchins that used to climb upon his back. As to Rip's son and heir, who was the ditto of himself, seen leaning against the tree, he was employed to work on the farm; but showed an hereditary disposition to attend to anything else but his business.

WASHINGTON IRVING.

=HELPS TO STUDY=

"Rip Van Winkle" is the most beautiful of American legendary stories. Washington Irving, the author, taking the old idea of long sleep, as found in "The Sleeping Beauty" and other fairy tales, gave it an American setting and interwove in it the legend of Henry Hudson, the discoverer of the Hudson river, who was supposed to return to the scene of his achievement every twenty years, together with the shades of his crew.

I. Where is the scene of this story laid? In which paragraph do you
learn when the incident related in the story took place? Why does
Irving speak of the mountains as "fairy mountains"? In which
paragraph do you meet the principal characters? Give the opinion
you form of Rip and his wife. Read sentences that show Rip's good
qualities--those that show his faults. What unusual thing happened
to Rip on his walk? How was the dog affected? Give a full account
of what happened afterward. Tell what impressed you most in this
scene. Read aloud the lines that best describe the scenery.

II. Describe Rip's waking. What was his worst fear? How did he
explain to himself the change in his gun and the disappearance of
Wolf? How did he account for the stiffness of his joints? What was
still his chief fear? Describe the changes which had taken place in
the mountains. With what feeling did he turn homeward? Why? How did
he discover the alteration in his own appearance? How did the
children and dogs treat him? Why was this particularly hard for Rip
to understand? What other changes did he find? What remained
unaltered? How did Rip still account for the peculiar happenings?
Describe Rip's feelings as he turned to his own house, and its
desolation.

III. What change had been made in the sign over the inn? Why? What
important thing was taking place in the village? Why did the speech
of the "lean fellow" seem "perfect jargon" to Rip? Why did he not
understand the questions asked him? What happened when Rip made his
innocent reply to the self-important gentleman? How did he at last
learn of the lapse of time? What added to his bewilderment? How was
the mystery explained? Note the question Rip reserved for the last
and the effect the answer had upon him. How did Peter Vanderdonk
explain the strange happening? What is the happy ending? Do you
like Rip? Why?

SUPPLEMENTARY READING

Urashima--Graded Classics III.
Vice Versa--F. Anstey.
Peter Pan--James Barrie.
The Legend of Sleepy Hollow--Washington Irving.
A Christmas Carol--Charles Dickens.
Enoch Arden--Alfred Tennyson.

FOOTNOTE:

[9-*] For words marked [v], see Dictionary.

The Great Stone Face]

THE GREAT STONE FACE