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New York Letter

GEORGE SOULE

The most interesting hours of the last week I have spent in listening to discussions of the futurists. Someone told of a superb incident recently reported of a speech by Marinetti, the enunciator of the futurist philosophy. Marinetti, after denouncing the past in his usual method, proceeded to eliminate women from his world. "But," said someone, "how will you continue the human race?" "We will _not_ continue the human race," rejoined Marinetti, with superb _éclat_. Daring and magnificent utterance! But, after all, perhaps he is the only sane one, and the norm of human intelligence quite insane. That fits in well with the recently reported discovery of a Paris scientist, that all variations in the course of evolution are the result of disease, and that there would have been no man had not some ape had a parasite in his thyroid gland. All of which goes to show that I was right in my statement (which Chesterton probably has said before me) that all logical extremes are illogical, since the world is based on an eternal paradox.

Really it is quite simple to follow the futurist line of thought once you get the hang of it. For instance--two developments of painting predicted at the Troubetzkoys. In the first, each plane in the cubist picture, instead of being colored, is to be numbered, and the numbers printed in a catalogue opposite the names of the colors for which they stand. Thus any approach to the vulgar intrusion of realism would be avoided, and abstract beauty furthered. What chances for the imagination! And think of the subtle possibilities in the mathematics of color! One could surely express by some abstruse quadratic a color quite beyond the realm of visual possibility, and thus man by one gigantic tug at his bootstraps would pull his soul out of its finite limitations.

The second school was aptly named the auto-symbolists. In this school Nietzschean individualism attains its sublime extreme. The artist, instead of expressing his spirit in the vulgar symbols understood by everybody, arbitrarily chooses a symbol known only to himself. If he wishes to depict a determined man going up a mountain on a mule's back he may paint a mouse-trap. To him the mouse-trap perfectly expresses the particular feeling he has when viewing his own mental image of the picture he has decided to paint. What matter about anybody else? If you ask him _cui bono_?--he will reply: why any _bono_ at all? And, of course, he is perfectly logical. And the satisfying aristocratic aloofness of his position! If people--as they surely will--study his mouse-trap and discuss in vain what it portends, if they pay vast sums for his pictures and start a literature of criticisms to guess his unguessable riddles, so much the better. He can laugh at them with diabolical glee. Everybody is a fool but himself, and he can go on creating in the seventh circle of his own soul undisturbed by the barnyard cackle of the world.

Has the cubist literature of Gertrude Stein awakened echoes in Chicago? I have read it without understanding before this. But one night my host--a great, strong, humorous, intelligent hulk of a man, himself a scoffer at cubism--read part of her essay on Matisse so that it was almost intelligible. His inflection and punctuation did it. Her chief characteristics seem to be an aversion to personal pronouns and a strict adherence to simple declarative statements, untroubled by subordinate clauses or phrases of any kind. Her thought, therefore, resolves itself awkwardly in a four-square way. The multiplicity of her planes becomes confusing after a page, but each plane stands alone. Thus--(I quote inaccurately)--"Some ones knew this one to be expressing something being struggling. Some ones knew this one not to be expressing something being struggling. This one expressed something being struggling. This one did not express something being struggling." Which, of course, is the cubist way of saying that "Some thought he was trying to express struggle in an object, others thought the contrary. As a matter of fact, he sometimes did express struggle; sometimes he did not."

But it seems her early work is now getting too obvious, so she is in the throes of a later phase. In her "Portrait of Miss Dodge" she has eliminated verbs and sentence structure entirely, flinging a succession of image-nouns at the reader. One can surely not accuse her of "prettiness."

The craze for colored wigs is, of course, an outgrowth of futurism. Why should a man be any color except that which his will dictates? This has long (a few months) been the cry of the painter, and the smart set has echoed: Why should he? Women in green and blue wigs have been seen in New York already. But, of course, it would be senseless to stop there; if one has an orange toupé he should surely have a mauve face. Yellow complexions are worn with indigo hair. We have long been accustomed to blue powdered noses on Fifth Avenue, and the setting of diamonds in the teeth is an old story. The only trouble with this epoch-making idea is that it is old. Phoenician women did it! And wasn't it Edward Lear who wrote of _The Jumblies_:

"Their heads are green, and their hands are blue,
And they went to sea in a sieve"?

Of course, if one doesn't believe in this new development of art, but is naturalistic, he should be brave enough to chase his idea to its lair and act upon it, like Lady Constance Stewart Richardson, who is now tripping about the homes of the rich in New York with nothing at all on--or worse than nothing.

Forgive my preposterosities! But the ridiculous seriousness with which everything unfamiliar is taken by a sensation-sated _haute monde_ is such a brilliant target for satire. I think with immense relief of a wonderful bit of sky, and a long stretch of beach, and of all things tangible and--yes, though it may be bourgeois--_healthy_.

To a Lost Friend

EUNICE TIETJENS

Across the tide of years you come to me,
You whom I knew so long ago.
A poignant letter kept half carelessly,
A faded likeness, dull and gray to see....
And now I know.

. . . . . .

Strange that I knew not then,--that when you stood
In warm, sweet flesh beneath my hand,
Your soul tumultuous as a spring-time flood
And life's new wonder pulsing in your blood,
I could not understand.

I could not see your soul like thin red fire
Flash downward to my gaze,
Nor guess the strange, half-understood desire,
The tumult and the question and the ire
Of those far days.

I saw your soul stretch longing arms to love
In adolescent shyness bound,
And passionately storm the gods above.
Yet, since my own young heart knew naught thereof,
You never found.

It is too late now. You have dropped away
In formless silence from my ken,
And youth's high hopes turn backward to decay.
Yet, oh, my heart were very fain to-day
To love you then!

Culture has one great passion--the passion for sweetness and
light. It has one even yet greater!--the passion for making them
_prevail_.--Matthew Arnold in _Culture and Anarchy_.

The Irish Players: An Impression

A small, low room with walls of cool green-grey; in the center an
old brown fire-place with a great black chimney; on the hearth a
light like a deep raspberry; at each end a chair of smudgy brown;
near the front a table toned with the walls; on it two black mugs
and a stein; in one corner at the back, piled against the
green-grey, flour sacks the color of dirty straw; and standing in
the foreground, balanced as Whistler would have done it, a miller
in a suit of brown, a thin widow in rusty black, a fat widow with
bustles in rusty black and dirty white.--Somehow one planned
beauty in that place.

The Novel of Manners

... And yet, even into Mrs. Wharton's work is creeping slowly a
part of the tremendous socializing spirit of today--the
realization that group backgrounds, unlighted by a sense of their
relativity to other groups, and to life, do not amount to much
more than painted scenery. Over in England, Wells, with all his
tremendous burden of national background and customs, manages,
often with a desperate wrenching of impedimenta, but always with
a great resolve that commands admiration, to inject into his
massive English settings a humanized world atmosphere as well.
Wells writes not of Englishmen and England, but of Englishmen and
the world. And Galsworthy, his soul permeated by this new social
sense, writes down, in his English men and women, all humanity,
with all the tragedy and plaintive joys of human life, with the
desires and hampered fruition of the desires of all living
things, as his background. Not the world alone, but life, is the
stage.--Edna Kenton in _The Bookman_.

A man should always obey the law with his body and always disobey
it with his mind.--James Stephens in _The Crock of Gold_.

There are two great rules of life, the one general and the other
particular. The first is that everyone can, in the end, get what
he wants if he only tries. This is the general rule. The
particular rule is that every individual is, more or less, an
exception to the general rule.--_The Note-Books of Samuel
Butler._

Forbes-Robertson's Hamlet

All my life I seem to have been asking my friends, those I loved
best, those who valued the dearest, the kindest, the greatest,
and the strongest, in our strange human life, to come with me and
see Forbes-Robertson die in _Hamlet_. I asked them because, as
that strange young dead king sat upon his throne, there was
something, whatever it meant--death, life, immortality, what you
will--of a surpassing loneliness, something transfiguring the
poor passing moment of trivial, brutal murder into a beauty to
which it was quite natural that that stern Northern warrior, with
his winged helmet, should bend the knee. I would not exchange
anything I have ever read or seen for Forbes-Robertson as he sits
there so still and starlit upon the throne of Denmark.--Richard
Le Gallienne in _The Century_.

To feel, to do, to stride forward in elation, chanting a poem of
triumphant life!--James Stephens in _The Crock of Gold_.

Why is it that in some places there is such a feeling of life
being all one; not merely a long picture-show for human eyes, but
a single breathing, glowing, growing thing, of which we are no
more important a part than the swallows and magpies, the foals
and sheep in the meadows, the sycamores and ash trees and flowers
in the fields, the rocks and little bright streams, or even than
the long fleecy clouds and their soft-shouting drivers, the
winds?--John Galsworthy in _The Atlantic Monthly_.

The Dying Pantheist to the Priest

Henry A. Beers, the author of this dynamic poem from which we
quote only a part, is a professor of literature at Yale--a man
supposedly conventional and soft spoken!

Take your ivory Christ away:
No dying god shall have my knee,
While live gods breathe in this wild wind
And shout from yonder dashing sea.

O no, the old gods are not dead:
I think that they will never die;
But I, who lie upon this bed
In mortal anguish--what am I?

A wave that rises with a breath
Above the infinite watery plain,
To foam and sparkle in the sun
A moment ere it sink again.

The eternal undulation runs:
A man, I die; perchance to be,
Next life, a white-throat on the wind,
A daffodil on Tempe's lea.

They lied who said that Pan was dead:
Life was, life is, and life shall be.
So take away your crucifix--
The ever-living gods for me!

--_The Yale Review._

Interesting New or Forthcoming Books

[Classification in this list implies a review in an early issue.]

_Notes of a Son and Brother_, by Henry James.

_Collected Essays of Rudolph Eucken._

_The Fugitive_, by John Galsworthy.

_Plays_, by Tchekoff and Andreyeff.

_Stories of Russian Life_, by Tchekoff.

_Selected Essays of Alice Meynell._

_Second Nights_, by Arthur Ruhl.

--Scribner.

_Stories of Red Hanrahan_, by William Butler Yeats.

_The Tragedy of Pompey_, by John Masefield.

_Chitra_, by Rabindranath Tagore.

_The Possessed_, by Dostoevsky.

_The Flight and Other Poems_, by George E. Woodberry.

--Macmillan.

_When Ghost Meets Ghost_, by William De Morgan.

_Nowadays_, by George Middleton.

_Angel Island_, by Inez Haynes Gillmore.

_Euripides and His Age_, by Gilbert Murray.

_Social Insurance_, by I. M. Rubinow.

--Holt.

_The World Set Free_, by H. G. Wells.

_The Way of All Flesh_, by Samuel Butler (new edition).

_Wagner as Man and Artist_, by Ernest Newman.

_The Philosophy of Ruskin_, by Andre Chevrillon.

--Dutton.

_Little Essays in Literature and Life_, by Richard Burton.

_Beaumont, the Dramatist_, by Charles M. Gayley.

_Arthur Rackham's Book of Pictures._

_Prostitution in Europe_, by Abraham Flexner.

--Century.

_The Poems of Francois Villon._

_Knave of Hearts_, by Arthur Symons.

_Essays of Francis Grierson_ (new editions).

_The Fortunate Youth_, by William J. Locke.

--Lane.

_The Making of an Englishman_, by W. L. George.

_The Truth About Women_, by C. Gasquoine Hartley.

--Dodd, Mead.

_Our Friend, John Burroughs_, by Clara Barrus.

_Paul Verlaine_, by Wilfred Thorley.

_The Japanese Empire_, by T. Philip Terry.

--Houghton Mifflin.

_Knowledge and Life_, by Rudolf Eucken.

_The Science of Happiness_, by Jean Finot.

--Putnam.

_Florian Mayr_, by Baron von Wolzogen.

_Socialism and Motherhood_, by John Spargo.

--Huebsch.

_Richard Wagner_, by Oliver Huckel.

_The Education of Karl Witte_, translated by Leo Wiener.

--Crowell.

_Crowds, Jr._, by Gerald Stanley Lee.

_A Thousand Years Ago_, by Percy MacKaye.

--Doubleday.

_The Masque of Saint Louis_, by Percy MacKaye.

--Stokes.

_Old Mole_, by Gilbert Cannan.

--Appleton.

_Poems_, by Brian Hooker.

--Yale University.

_The Clean Heart_, by M. A. Hutchinson.

--Little, Brown.

Some Scribner Spring Books

Notes of a Son and Brother

By HENRY JAMES

_Illustrated, $2.50 net; postage extra_

This is the continuation of the account, in "A Small Boy and
Others," of the early years of William and Henry James and their
brothers, with much about their father and their friends. The
story of the life in Switzerland and Geneva, and later on in
Newport and Cambridge, tells not only their own experiences but a
great deal about such men as John LaFarge, Hunt, Professor
Norton, Professor Childs, and Ralph Waldo Emerson, who was a
close friend of Henry James, Senior. The description of the Civil
War time and of Wilkinson James's experiences with Colonel Shaw's
colored regiment are particularly interesting. The illustrations
are from drawings made by William James in the early part of his
career when he was studying to be a painter.

Shallow Soil

By KNUT HAMSUN

_Translated from the Norwegian by Carl Chr. Hyllested.
$1.35 net; postage extra_

Introduces to the English-speaking world a writer already a
classic not only in his own country but throughout continental
Europe.

The publication of "Shallow Soil" is accordingly a literary event
of the first magnitude in the sphere of fiction. Hamsun is the
greatest living Scandinavian novelist and this work alone
justifies his fame. It is a social picture of Christiania, and
indeed of generally modern life.

A Village Romeo and Juliet

By GOTTFRIED KELLER

_With a Biographical and Critical Introduction by Edith
Wharton. Translated by A. C. Bahlmann, $1.00 net;
postage extra_

This love story of Swiss peasant life--whose title conveys the
character of its plot--is generally regarded as the finest and
most representative production of the great Swiss novelist. But
it has a still further element of interest beyond that which
necessarily attaches to so fine a piece of writing--the
singularly modern spirit which actuates the characters and
inspires the writer.

Plays by Björnstjerne Björnson

_Translated from the Norwegian, with Introductions, by
Edwin Björkman. Each with Frontispiece. $1.50 net; postage
extra_

Second Series

"Love and Geography"
"Beyond Human Might"
"Laboremus"

Plays by Björnstjerne Björnson

_First Series_

"The New System"
"The Gauntlet"
"Beyond Our Power"

_Translated from the Norwegian, with an Introduction, by
Edwin Björkman. Frontispiece. $1.50 net; by mail $1.65_

Second Nights

By ARTHUR RUHL, author of "The Other Americans," etc.
_$1.50 net; by mail, $1.64_

A perfectly charming chronicle of the chief features and phases
of the metropolitan theater within the past few years. The point
of view is wholly unprofessional, and the text, unweighted by the
responsibilities of the first-night critic, is intimate and
familiar.

The Fugitive: A Play in Four Acts

By JOHN GALSWORTHY

_60 cents net; postage extra_

This is the tragic story of a woman who tries to escape from the
bondage of social conventions. Clare, the heroine, strikes the
key-note of the whole play when, in the last act, she says to the
young man she has never seen before:

"You see: I'm too fine, and not fine enough! My best friend said
that. Too fine, and not fine enough. I couldn't be a saint and
martyr, and I wouldn't be a soulless doll. Neither one thing nor
the other--that's the tragedy."

It has a deep significance when taken in connection with the
feminist movement of today.

Mural Painting in America

By EDWIN H. BLASHFIELD

_Illustrated, $2.00 net; postage extra_

"The entire volume shows clearness of thought, careful analysis
of the topics discussed, and a facility of expression that is
seldom found in books written by men of action rather than words.
Its perusal will repay any one of culture."

--_The American Architect._

Charles Scribner's Sons
Fifth Avenue, New York

Two Important Biographies

Published by Houghton Mifflin Company

_Two Americans, great in the world of politics and illustrious
in their citizenship, have lately come into their full
stature of fame through the lives of LYMAN TRUMBULL and
HARRISON GRAY OTIS._

"THE LIFE OF LYMAN TRUMBULL" is the work of Horace White,
ex-editor of the _New York Evening Post_. Whoever reads it will
lay it down not merely with new knowledge concerning Lyman
Trumbull but with a broader and surer grasp of the essential
facts and philosophy of the war and the reconstruction period.
Mr. White was an intimate friend of Trumbull, and it is evidence
of his conscientious work that, in the preface, he admits that
the careful study forced upon him by the composition of the book
convinced him that his views upon one important point had been
wrong from the beginning. Such open-mindedness could result only
in what the book is--a fair and clean-cut presentation of the
subject and, aside from its intrinsic interest, a valuable
addition to American history and literature.

HARRISON GRAY OTIS was a conscientious public servant, but so
deep and instinctive was his devotion to Massachusetts that his
loyalty to the national government was more than once seriously
questioned. His biography disproves conclusively the accusation
that he was ever concerned in any attempt to secede from the
Union, and gives, for the first time, a full account of the
famous Hartford convention, with illuminating paragraphs on the
psychology of its leaders. The book is, in fact, an inside
history of the Federalist party from 1796 to 1823. The author,
Samuel Eliot Morison, is a descendant of Mr. Otis, and through
his unusual opportunities of access to private correspondence has
produced a work that is not only valuable as history, but
fascinating in the gossip and personalities of the time.

THE LIFE OF LYMAN TRUMBULL, by Horace White

_Illustrated. $3.00 net. Postage extra_

HARRISON GRAY OTIS; His Life and Correspondence, 1765-1848

_Illustrated. 2 Vols. $6.00 net. Postage extra_

Our Bulletins, issued several times each year, will be sent
FREE on request

Houghton Mifflin Company, 4 Park St., Boston

The Novels of Ethel Sidgwick

"Ethel Sidgwick is one of the half-dozen women writers who are
contributing work of real value to modern English
fiction."--_Sunday Times._

PROMISE

_$1.35 net, carriage extra_

"She appears to us to possess that true imaginative gift, as
distinguished from the mere power of vivid reporting, which is
the necessary qualification for continuing to produce work of
permanent value in fiction."--_Times._

"For a first novel 'Promise' is exceptionally able--one that
should have notable successors."--_Nation._

"We are left to hope that the life of this English Jean
Christophe will continue through at least another volume, filled
with people as variegated and attractive as those to whom we are
introduced in this."--_Spectator._

"It is difficult to imagine anything being better in its kind
than 'Promise.' It is the account of a human life from infancy up
to the early beginning of a public career--one only wishes it
were to be continued in another volume!"--_Chicago Evening Post._

LE GENTLEMAN:

An Idyll of the Quarter

_$1.25 net, carriage extra_

"'Promise' was a work which lived up to its name. Its successor
fulfills it."--_Morning Leader._

"The scene of the final parting of Ferguson and Gilberte Morny is
as fine as anything we know of in recent fiction. This is that
most desirable thing--a novel that is different."--_New York
Press._

HERSELF

_$1.35 net, carriage extra_

"The hardly and ill-used word 'charm' must be given its original
lustre for the sake of Miss Ethel Sidgwick's new novel 'Herself.'
It has the power to bewitch and fascinate; odd smiles and warm
tears lurk in it, and a melody played on the strings of the
heart."--_Morning Post._

SUCCESSION

(A Continuation of "Promise")

_$1.50 net, carriage extra_

"It places Miss Sidgwick unmistakably among the leading novelists
of the day."--_Morning Post._

"A novel that leaves one remembering a chain of scenes vividly
impressed, and a good dozen of characters profoundly imagined and
beautifully drawn."--_Manchester Guardian._

"In the person of this young woman a new figure of unusually
brilliant power has arisen in English fiction. She is the first
woman novelist of the new period ... to accomplish the conquest
of the American public and critics.... _Succession_ is indeed a
tremendous piece of work. It is not only one of the big novels of
the year, but a permanent contribution to English
fiction."--_Boston Transcript._

SMALL, MAYNARD & COMPANY, PUBLISHERS, BOSTON

STUDIES IN STAGECRAFT

By CLAYTON HAMILTON

A book to increase the pleasure of the theatre lover and the
skill of the playwright. By the author of "_The Theory of the
Theatre_," already in its 4th impression. With full index. 12mo,
$1.50 net; by mail, $1.62.

SOCIAL INSURANCE

With Special Reference to American Conditions

By I. M. RUBINOW

This book tells how social insurance is combating poverty in
European countries and how these methods apply to American
conditions. It deals with poverty due to sickness, old age,
industrial accidents, unemployment, widowhood, or orphanage, with
Employers' Liability Laws, Old Age Pensions, Pensions for Widows,
etc. 8vo. 525 pp. $3.00 net; by mail, $3.20.

"We had nothing approaching a spirited and authoritative
treatment of social insurance until Dr. Rubinow published his
important work."--_The Dial._

"A thorough and clear exposition of a subject which has suddenly
become of great importance in America."--_New York Times Book
Review._

THE HOME UNIVERSITY LIBRARY

Each volume complete and sold separately. Absolutely new books,
no reprints.

Each 50 Cents Net. (By Mail 56 cts.)

_Cloth bound, good paper, clear type, 256 pages per volume.
Bibliographies and indices._

SOME OF THE 77 VOLUMES NOW READY

_Complete list on request._

Gilbert Murray's Euripedes and His Age
G. K. Chesterton's Victorian Age in Literature
Jane Harrison's Ancient Art and Ritual
H. A. L. Fisher's Napoleon
J. B. Bury's History of the Freedom of Thought
William R. Shepherd's Latin America
W. T. Councilman's Disease and Its Causes
C. M. Andrew's The Colonial Period
William MacDonald's From Jefferson to Lincoln
F. L. Paxson's The Civil War
A. F. Pollard's The History of England
W. Warde Fowler's Rome
Benjamin Moore's Origin and Nature of Life
Thomson and Gede's Evolution
William MacDougall's Psychology
R. R. Marett's Anthropology
J. R. MacDonald's Socialism
W. T. Brewster's Writing English Prose
John Masefield's Shakespeare
G. L. Strachey's Landmarks in French Literature
G. F. Moore's The Literature of the Old Testament
B. W. Bacon's The Making of the New Testament
Bertrand Russell's Problems of Philosophy

WILLIAM DE MORGAN'S

WHEN GHOST MEETS GHOST

_New Novel_

A long, delightful romance in the measure and vein of "_Joseph
Vance_." 62 pages. $1.60 net.

INEZ HAYNES GILLMORE'S

ANGEL ISLAND

_New Novel_

A story of love, adventure and aspiration. By the author of
"_Phoebe and Ernest_." Two illustrations by JOHN RAE. $1.35 net.

EUGENE MANLOVE RHODE'S

BRANSFORD IN ARCADIA

_New Novel_

The story of a brave and humorous American of today in love and
in deadly peril on our Mexican border, by the author of "_Good
Men and True_." With frontispiece. $1.20 net.

CONINGSBY DAWSON'S

THE GARDEN WITHOUT WALLS

_Great Success_

The romance of a Pagan-Puritan. "The literary surprise of the
fall season." 7th printing. $1.35 net.

*HENRY HOLT AND COMPANY*
34 West 33d Street New York

FROM PUTNAM'S SPRING LIST

Francisco Goya

A Study of the Work and Personality of the Eighteenth Century
Spanish Painter and Satirist

By HUGH STOKES

_8^o. With 48 Full-page Illustrations. $3.75 net_

Francisco Goya y Lucientes ranks with the great masters of modern
painting. As a satirist he may be termed the Spanish Hogarth; his
portraits recall the best period of the eighteenth century,
whilst in his designs for tapestry he frankly emulated the light
grace of the French craftsmen. Yet he could treat sterner
subjects in a severer style. His large canvases, dealing in a
realistic and dreadful fashion with the horrors of the French
war, prove that he was artistically the precursor of Manet. His
etchings are superb. Goya's life was as full of incident as that
of Benvenuto Cellini. Although a Court painter he was a fervent
Republican. At last, sick of Bourbon misrule, he fled to France,
and died in Bordeaux, April 16, 1828, at the advanced age of
eighty-two.

The Science of Happiness

By JEAN FINOT

Author of "Problems of the Sexes," etc.

Translated from the French by Mary J. Safford

_8^o. $1.75 net_

The author considers the nature of happiness and the means of its
attainment, as well as many allied questions.

"Amid the noisy tumult of life, amid the dissonance that divides
man from man," remarks M. Finot, "the Science of Happiness tries
to discover the divine link which binds humanity to happiness
through the soul and through the union of souls."

Knowledge and Life

By RUDOLF EUCKEN

Author of "The Truth of Religion," "The Life of the
Spirit," etc.

_$1.59 net. By mail, $1.65_

Professor Eucken's plea in this new volume of the Crown
Theological Library is that the only knowledge which may be
termed genuine springs from the demands and aspirations of man's
own deepest life.

The book forms an excellent epitome of the author's views
concerning the need of a Metaphysic of Life.

One Generation of a Norfolk House

A Contribution to Elizabethan History

By AUGUSTUS JESSOPP, D.D.

Author of "The Coming of the Friars," etc., etc.

_Third Edition. Entirely Revised and Reset. $2.25 net_

Dr. Jessopp has lent interest to everything he has written, and
this study of his throws a welcome flood of light on a period
which has been distorted alike by fanaticism and ignorance. It is
a contribution to Elizabethan history of the first importance,
particularly as a picture of the relation of the Jesuits to the
political events of the time, and of the attitude of the
government toward them. The author in elucidation of the merely
personal narrative has introduced certain phases and aspects
which have been neglected or ignored by other historians. The
present edition has been revised with the aid of the author's
memoranda made during the last thirty years.

The Sonnets of William Shakespeare

New Light and Old Evidence

By COUNTESS DE CHAMBRUM

_12 Full-page Illustrations. $1.75 net. By mail, $1.90_

This new edition of the Sonnets contains a readable as well as
scholarly contribution to a most unsettled literary problem.
There is new evidence solidifying some old theories, and there
are ingenious suggestions opening up new vistas to the exploring
mind.

Continuity

Presidential Address to the British Association

By SIR OLIVER LODGE

Author of "Life and Matter," etc.

_$1.50 net. By mail, $1.65_

The author contends against the tendency of the era apparent in
the taking of refuge in vague forms of statement, the shrinking
from close examination of the puzzling and obscure, and the
denial of the existence of anything which makes no appeal to
organs of sense--no ready response to laboratory experiment.

At All Booksellers
*G. P. PUTNAM'S SONS* Publishers
New York, London

APPLETON'S RECENT BOOKS

FORTY YEARS OF IT

By Brand Whitlock

_Formerly Mayor of Toledo, Now Minister to Belgium_

Mr. Whitlock's volume is in a sense a history of the progress of
democracy in the Middle West. His reminiscences are of such men
as Governor Altgeld, Tom Johnson, "Golden Rule" Jones. In the
telling of these men, their ideas and ideals, and of himself as
the continuator of their work, he illuminates that spirit which
makes for democracy. Few reminiscences have had the vigor,
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The Little Review, March 1914 (Vol. 1, No. 1)Chapter D: C. W

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