Chapter D: Octavius Caesar Augustus (6)

[128] Strabo informs us that Ptolemy caused it to be deposited in a golden sarcophagus, which was afterwards exchanged for one of glass, in which probably Augustus saw the remains.

[129] A custom of all ages and of people the most remote from each other.

[130] Meaning the degenerate race of the Ptolomean kings.

[131] The naval trophies were formed of the prows of ships.

[132] A.U.C. 721.

[133] Because his father was a Roman and his mother of the race of the Parthini, an Illyrian tribe.

[134] It was usual at Rome, before the elections, for the candidates to endeavour to gain popularity by the usual arts. They would therefore go to the houses of the citizens, shake hands with those they met, and address them in a kindly manner. It being of great consequence, upon those occasions, to know the names of persons, they were commonly attended by a nomenclator, who whispered into their ears that information, wherever it was wanted. Though this kind of officer was generally an attendant on men, we meet with instances of their having been likewise employed in the service of ladies; either with the view of serving candidates to whom they were allied, or of gaining the affections of the people.

[135] Not a bridge over a river, but a military engine used for gaining admittance into a fortress.

[136] Cantabria, in the north of Spain, now the Basque province.

[137] The ancient Pannonia includes Hungary and part of Austria, Styria and Carniola.

[138] The Rhaetian Alps are that part of the chain bordering on the Tyrol.

[139] The Vindelici principally occupied the country which is now the kingdom of Bavaria; and the Salassii, that part of Piedmont which includes the valley of Aost.

[140] The temple of Mars Ultor was erected by Augustus in fulfilment of a vow made by him at the battle of Philippi. It stood in the Forum which he built, mentioned in chap. xxxix. There are no remains of either.

[141] "The Ovatio was an inferior kind of Triumph, granted in cases where the victory was not of great importance, or had been obtained without difficulty. The general entered the city on foot or on horseback, crowned with myrtle, not with laurel; and instead of bullocks, the sacrifice was performed with a sheep, whence this procession acquired its name."--Thomson.

[142] "The greater Triumph, in which the victorious general and his army advanced in solemn procession through the city to the Capitol, was the highest military honour which could be obtained in the Roman state. Foremost in the procession went musicians of various kinds, singing and playing triumphal songs. Next were led the oxen to be sacrificed, having their horns gilt, and their heads adorned with fillets and garlands. Then in carriages were brought the spoils taken from the enemy, statues, pictures, plate, armour, gold and silver, and brass; with golden crowns, and other gifts, sent by the allied and tributary states. The captive princes and generals followed in chains, with their children and attendants. After them came the lictors, having their fasces wreathed with laurel, followed by a great company of musicians and dancers dressed like Satyrs, and wearing crowns of gold; in the midst of whom was one in a female dress, whose business it was, with his looks and gestures, to insult the vanquished. Next followed a long train of persons carrying perfumes. Then came the victorious general, dressed in purple embroidered with gold, with a crown of laurel on his head, a branch of laurel in his right hand, and in his left an ivory sceptre, with an eagle on the top; having his face painted with vermilion, in the same manner as the statue of Jupiter on festival days, and a golden Bulla hanging on his breast, and containing some amulet, or magical preservative against envy. He stood in a gilded chariot, adorned with ivory, and drawn by four white horses, sometimes by elephants, attended by his relations, and a great crowd of citizens, all in white. His children used to ride in the chariot with him; and that he might not be too much elated, a slave, carrying a golden crown sparkling with gems, stood behind him, and frequently whispered in his ear, 'Remember that thou art a man!' After the general, followed the consuls and senators on foot, at least according to the appointment of Augustus; for they formerly used to go before him. His Legati and military Tribunes commonly rode by his side. The victorious army, horse and foot, came last, crowned with laurel, and decorated with the gifts which they had received for their valour, singing their own and their general's praises, but sometimes throwing out railleries against him; and often exclaiming, 'Io Triumphe!' in which they were joined by all the citizens, as they passed along. The oxen having been sacrificed, the general gave a magnificent entertainment in the Capitol to his friends and the chief men of the city; after which he was conducted home by the people, with music and a great number of lamps and torches."--Thomson.

[143] "The Sella Curulis was a chair on which the principal magistrates sat in the tribunal upon solemn occasions. It had no back, but stood on four crooked feet, fixed to the extremities of cross pieces of wood, joined by a common axis, somewhat in the form of the letter X; was covered with leather, and inlaid with ivory. From its construction, it might be occasionally folded together for the convenience of carriage, and set down where the magistrate chose to use it."--Thomson.

[144] Now Saragossa.

[145] A great and wise man, if he is the same person to whom Cicero's letters on the calamities of the times were addressed. Fam. Epist. c. vi, 20, 21.

[146] A.U.C. 731.

[147] The Lustrum was a period of five years, at the end of which the census of the people was taken. It was first made by the Roman kings, then by the consuls, but after the year 310 from the building of the city, by the censors, who were magistrates created for that purpose. It appears, however, that the census was not always held at stated periods, and sometimes long intervals intervened.

[148] Augustus appears to have been in earnest on these occasions, at least, in his desire to retire into private life and release himself from the cares of government, if we may believe Seneca. De Brev. Vit. c. 5. Of his two intimate advisers, Agrippa gave this counsel, while Mecaenas was for continuing his career of ambition.--Eutrop. 1. 53.

[149] The Tiber has been always remarkable for the frequency of its inundations and the ravages they occasioned, as remarked by Pliny, iii. 5. Livy mentions several such occurrences, as well as one extensive fire, which destroyed great part of the city.

[150] The well-known saying of Augustus, recorded by Suetonius, that he found a city of bricks, but left it of marble, has another version given it by Dio, who applies it to his consolidation of the government, to the following effect: "That Rome, which I found built of mud, I shall leave you firm as a rock."--Dio. lvi. p. 589.

[151] The same motive which engaged Julius Caesar to build a new forum, induced Augustus to erect another. See his life c. xx. It stood behind the present churches of St. Adrian and St. Luke, and was almost parallel with the public forum, but there are no traces of it remaining. The temple of Mars Ultor, adjoining, has been mentioned before, p. 84.

[152] The temple of the Palatine Apollo stood, according to Bianchini, a little beyond the triumphal arch of Titus. It appears, from the reverse of a medal of Augustus, to have been a rotondo, with an open portico, something like the temple of Vesta. The statues of the fifty daughters of Danae surrounded the portico; and opposite to them were their husbands on horseback. In this temple were preserved some of the finest works of the Greek artists, both in sculpture and painting. Here, in the presence of Augustus, Horace's Carmen Seculare was sung by twenty-seven noble youths and as many virgins. And here, as our author informs us, Augustus, towards the end of his reign, often assembled the senate.

[153] The library adjoined the temple, and was under the protection of Apollo. Caius Julius Hegenus, a freedman of Augustus, and an eminent grammarian, was the librarian.

[154] The three fluted Corinthian columns of white marble, which stand on the declivity of the Capitoline hill, are commonly supposed to be the remains of the temple of Jupiter Tonans, erected by Augustus. Part of the frieze and cornice are attached to them, which with the capitals of the columns are finely wrought. Suetonius tells us on what occasion this temple was erected. Of all the epithets given to Jupiter, none conveyed more terror to superstitious minds than that of the Thunderer--

Coelo tonantem credidimus Jovem
Regnare.--Hor. 1. iii. Ode 5.

We shall find this temple mentioned again in c. xci. of the life of Augustus.

[155] The Portico of Octavia stood between the Flaminian circus and the theatre of Marcellus, enclosing the temples of Jupiter and Juno, said to have been built in the time of the republic. Several remains of them exist, in the Pescheria or fish-market; they were of the Corinthian order, and have been traced and engraved by Piranesi.

[156] The magnificent theatre of Marcellus was built on the site where Suetonius has before informed us that Julius Caesar intended to erect one (p. 30). It stood between the portico of Octavia and the hill of the Capitol. Augustus gave it the name of his nephew Marcellus, though he was then dead. Its ruins are still to be seen in the Piazza Montanara, where the Orsini family have a palace erected on the site.

[157] The theatre of Balbus was the third of the three permanent theatres of Rome. Those of Pompey and Marcellus have been already mentioned.

[158] Among these were, at least, the noble portico, if not the whole, of the Pantheon, still the pride of Rome, under the name of the Rotondo, on the frieze of which may be seen the inscription,