Chapter II: A Woman Without a Heart (3)

“I stole away softly, made some noise outside, and went into their room to take the lamp, that Pauline tried to light for me. The dear child had just poured soothing balm into my wounds. Her outspoken admiration had given me fresh courage. I so needed to believe in myself and to come by a just estimate of my advantages. This revival of hope in me perhaps colored my surroundings. Perhaps also I had never before really looked at the picture that so often met my eyes, of the two women in their room; it was a scene such as Flemish painters have reproduced so faithfully for us, that I admired in its delightful reality. The mother, with the kind smile upon her lips, sat knitting stockings by the dying fire; Pauline was painting hand-screens, her brushes and paints, strewn over the tiny table, made bright spots of color for the eye to dwell on. When she had left her seat and stood lighting my lamp, one must have been under the yoke of a terrible passion indeed, not to admire her faintly flushed transparent hands, the girlish charm of her attitude, the ideal grace of her head, as the lamplight fell full on her pale face. Night and silence added to the charms of this industrious vigil and peaceful interior. The light-heartedness that sustained such continuous toil could only spring from devout submission and the lofty feelings that it brings.

“There was an indescribable harmony between them and their possessions. The splendor of Foedora’s home did not satisfy; it called out all my worst instincts; something in this lowly poverty and unfeigned goodness revived me. It may have been that luxury abased me in my own eyes, while here my self-respect was restored to me, as I sought to extend the protection that a man is so eager to make felt, over these two women, who in the bare simplicity of the existence in their brown room seemed to live wholly in the feelings of their hearts. As I came up to Pauline, she looked at me in an almost motherly way; her hands shook a little as she held the lamp, so that the light fell on me and cried:

“‘_Dieu_! how pale you are! and you are wet through! My mother will try to wipe you dry. Monsieur Raphael,’ she went on, after a little pause, ‘you are so very fond of milk, and to-night we happen to have some cream. Here, will you not take some?’

“She pounced like a kitten, on a china bowl full of milk. She did it so quickly, and put it before me so prettily, that I hesitated.

“‘You are going to refuse me?’ she said, and her tones changed.

“The pride in each felt for the other’s pride. It was Pauline’s poverty that seemed to humiliate her, and to reproach me with my want of consideration, and I melted at once and accepted the cream that might have been meant for her morning’s breakfast. The poor child tried not to show her joy, but her eyes sparkled.

“‘I needed it badly,’ I said as I sat down. (An anxious look passed over her face.) ‘Do you remember that passage, Pauline, where Bossuet tells how God gave more abundant reward for a cup of cold water than for a victory?’

“‘Yes,’ she said, her heart beating like some wild bird’s in a child’s hands.

“‘Well, as we shall part very soon, now,’ I went on in an unsteady voice, ‘you must let me show my gratitude to you and to your mother for all the care you have taken of me.’

“‘Oh, don’t let us cast accounts,’ she said laughing. But her laughter covered an agitation that gave me pain. I went on without appearing to hear her words:

“‘My piano is one of Erard’s best instruments; and you must take it. Pray accept it without hesitation; I really could not take it with me on the journey I am about to make.’

“Perhaps the melancholy tones in which I spoke enlightened the two women, for they seemed to understand, and eyed me with curiosity and alarm. Here was the affection that I had looked for in the glacial regions of the great world, true affection, unostentatious but tender, and possibly lasting.

“‘Don’t take it to heart so,’ the mother said; ‘stay on here. My husband is on his way towards us even now,’ she went on. ‘I looked into the Gospel of St. John this evening while Pauline hung our door-key in a Bible from her fingers. The key turned; that means that Gaudin is in health and doing well. Pauline began again for you and for the young man in number seven--it turned for you, but not for him. We are all going to be rich. Gaudin will come back a millionaire. I dreamed once that I saw him in a ship full of serpents; luckily the water was rough, and that means gold or precious stones from over-sea.’

“The silly, friendly words were like the crooning lullaby with which a mother soothes her sick child; they in a manner calmed me. There was a pleasant heartiness in the worthy woman’s looks and tones, which, if it could not remove trouble, at any rate soothed and quieted it, and deadened the pain. Pauline, keener-sighted than her mother, studied me uneasily; her quick eyes seemed to read my life and my future. I thanked the mother and daughter by an inclination of the head, and hurried away; I was afraid I should break down.

“I found myself alone under my roof, and laid myself down in my misery. My unhappy imagination suggested numberless baseless projects, and prescribed impossible resolutions. When a man is struggling in the wreck of his fortunes, he is not quite without resources, but I was engulfed. Ah, my dear fellow, we are too ready to blame the wretched. Let us be less harsh on the results of the most powerful of all social solvents. Where poverty is absolute there exist no such things as shame or crime, or virtue or intelligence. I knew not what to do; I was as defenceless as a maiden on her knees before a beast of prey. A penniless man who has no ties to bind him is master of himself at any rate, but a luckless wretch who is in love no longer belongs to himself, and may not take his own life. Love makes us almost sacred in our own eyes; it is the life of another that we revere within us; then and so it begins for us the cruelest trouble of all--the misery with a hope in it, a hope for which we must even bear our torments. I thought I would go to Rastignac on the morrow to confide Foedora’s strange resolution to him, and with that I slept.

“‘Ah, ha!’ cried Rastignac, as he saw me enter his lodging at nine o’clock in the morning. ‘I know what brings you here. Foedora has dismissed you. Some kind souls, who were jealous of your ascendency over the countess, gave out that you were going to be married. Heaven only knows what follies your rivals have equipped you with, and what slanders have been directed at you.’

“‘That explains everything!’ I exclaimed. I remembered all my presumptuous speeches, and gave the countess credit for no little magnanimity. It pleased me to think that I was a miscreant who had not been punished nearly enough, and I saw nothing in her indulgence but the long-suffering charity of love.

“‘Not quite so fast,’ urged the prudent Gascon; ‘Foedora has all the sagacity natural to a profoundly selfish woman; perhaps she may have taken your measure while you still coveted only her money and her splendor; in spite of all your care, she could have read you through and through. She can dissemble far too well to let any dissimulation pass undetected. I fear,’ he went on, ‘that I have brought you into a bad way. In spite of her cleverness and her tact, she seems to me a domineering sort of person, like every woman who can only feel pleasure through her brain. Happiness for her lies entirely in a comfortable life and in social pleasures; her sentiment is only assumed; she will make you miserable; you will be her head footman.’

“He spoke to the deaf. I broke in upon him, disclosing, with an affectation of light-heartedness, the state of my finances.

“‘Yesterday evening,’ he rejoined, ‘luck ran against me, and that carried off all my available cash. But for that trivial mishap, I would gladly have shared my purse with you. But let us go and breakfast at the restaurant; perhaps there is good counsel in oysters.’

“He dressed, and had his tilbury brought round. We went to the Cafe de Paris like a couple of millionaires, armed with all the audacious impertinence of the speculator whose capital is imaginary. That devil of a Gascon quite disconcerted me by the coolness of his manners and his absolute self-possession. While we were taking coffee after an excellent and well-ordered repast, a young dandy entered, who did not escape Rastignac. He had been nodding here and there among the crowd to this or that young man, distinguished both by personal attractions and elegant attire, and now he said to me:

“‘Here’s your man,’ as he beckoned to this gentleman with a wonderful cravat, who seemed to be looking for a table that suited his ideas.

“‘That rogue has been decorated for bringing out books that he doesn’t understand a word of,’ whispered Rastignac; ‘he is a chemist, a historian, a novelist, and a political writer; he has gone halves, thirds, or quarters in the authorship of I don’t know how many plays, and he is as ignorant as Dom Miguel’s mule. He is not a man so much as a name, a label that the public is familiar with. So he would do well to avoid shops inscribed with the motto, “_Ici l’on peut ecrire soi-meme_.” He is acute enough to deceive an entire congress of diplomatists. In a couple of words, he is a moral half-caste, not quite a fraud, nor entirely genuine. But, hush! he has succeeded already; nobody asks anything further, and every one calls him an illustrious man.’

“‘Well, my esteemed and excellent friend, and how may Your Intelligence be?’ So Rastignac addressed the stranger as he sat down at a neighboring table.

“‘Neither well nor ill; I am overwhelmed with work. I have all the necessary materials for some very curious historical memoirs in my hands, and I cannot find any one to whom I can ascribe them. It worries me, for I shall have to be quick about it. Memoirs are falling out of fashion.’

“‘What are the memoirs--contemporaneous, ancient, or memoirs of the court, or what?’

“‘They relate to the Necklace affair.’

“‘Now, isn’t that a coincidence?’ said Rastignac, turning to me and laughing. He looked again to the literary speculation, and said, indicating me:

“‘This is M. de Valentin, one of my friends, whom I must introduce to you as one of our future literary celebrities. He had formerly an aunt, a marquise, much in favor once at court, and for about two years he has been writing a Royalist history of the Revolution.’

“Then, bending over this singular man of business, he went on:

“‘He is a man of talent, and a simpleton that will do your memoirs for you, in his aunt’s name, for a hundred crowns a volume.’

“‘It’s a bargain,’ said the other, adjusting his cravat. ‘Waiter, my oysters.’

“‘Yes, but you must give me twenty-five louis as commission, and you will pay him in advance for each volume,’ said Rastignac.

“‘No, no. He shall only have fifty crowns on account, and then I shall be sure of having my manuscript punctually.’

“Rastignac repeated this business conversation to me in low tones; and then, without giving me any voice in the matter, he replied:

“‘We agree to your proposal. When can we call upon you to arrange the affair?’

“‘Oh, well! Come and dine here to-morrow at seven o’clock.’

“We rose. Rastignac flung some money to the waiter, put the bill in his pocket, and we went out. I was quite stupified by the flippancy and ease with which he had sold my venerable aunt, la Marquise de Montbauron.

“‘I would sooner take ship for the Brazils, and give the Indians lessons in algebra, though I don’t know a word of it, than tarnish my family name.’

“Rastignac burst out laughing.

“‘How dense you are! Take the fifty crowns in the first instance, and write the memoirs. When you have finished them, you will decline to publish them in your aunt’s name, imbecile! Madame de Montbauron, with her hooped petticoat, her rank and beauty, rouge and slippers, and her death upon the scaffold, is worth a great deal more than six hundred francs. And then, if the trade will not give your aunt her due, some old adventurer, or some shady countess or other, will be found to put her name to the memoirs.’

“‘Oh,’ I groaned; ‘why did I quit the blameless life in my garret? This world has aspects that are very vilely dishonorable.’

“‘Yes,’ said Rastignac, ‘that is all very poetical, but this is a matter of business. What a child you are! Now, listen to me. As to your work, the public will decide upon it; and as for my literary middle-man, hasn’t he devoted eight years of his life to obtaining a footing in the book-trade, and paid heavily for his experience? You divide the money and the labor of the book with him very unequally, but isn’t yours the better part? Twenty-five louis means as much to you as a thousand francs does to him. Come, you can write historical memoirs, a work of art such as never was, since Diderot once wrote six sermons for a hundred crowns!’

“‘After all,’ I said, in agitation, ‘I cannot choose but do it. So, my dear friend, my thanks are due to you. I shall be quite rich with twenty-five louis.’

“‘Richer than you think,’ he laughed. ‘If I have my commission from Finot in this matter, it goes to you, can’t you see? Now let us go to the Bois de Boulogne,’ he said; ‘we shall see your countess there, and I will show you the pretty little widow that I am to marry--a charming woman, an Alsacienne, rather plump. She reads Kant, Schiller, Jean Paul, and a host of lachrymose books. She has a mania for continually asking my opinion, and I have to look as if I entered into all this German sensibility, and to know a pack of ballads--drugs, all of them, that my doctor absolutely prohibits. As yet I have not been able to wean her from her literary enthusiasms; she sheds torrents of tears as she reads Goethe, and I have to weep a little myself to please her, for she has an income of fifty thousand livres, my dear boy, and the prettiest little hand and foot in the world. Oh, if she would only say _mon ange_ and _brouiller_ instead of _mon anche_ and _prouiller_, she would be perfection!’

“We saw the countess, radiant amid the splendors of her equipage. The coquette bowed very graciously to us both, and the smile she gave me seemed to me to be divine and full of love. I was very happy; I fancied myself beloved; I had money, a wealth of love in my heart, and my troubles were over. I was light-hearted, blithe, and content. I found my friend’s lady-love charming. Earth and air and heaven--all nature--seemed to reflect Foedora’s smile for me.

“As we returned through the Champs-Elysees, we paid a visit to Rastignac’s hatter and tailor. Thanks to the ‘Necklace,’ my insignificant peace-footing was to end, and I made formidable preparations for a campaign. Henceforward I need not shrink from a contest with the spruce and fashionable young men who made Foedora’s circle. I went home, locked myself in, and stood by my dormer window, outwardly calm enough, but in reality I bade a last good-bye to the roofs without. I began to live in the future, rehearsed my life drama, and discounted love and its happiness. Ah, how stormy life can grow to be within the four walls of a garret! The soul within us is like a fairy; she turns straw into diamonds for us; and for us, at a touch of her wand, enchanted palaces arise, as flowers in the meadows spring up towards the sun.

“Towards noon, next day, Pauline knocked gently at my door, and brought me--who could guess it?--a note from Foedora. The countess asked me to take her to the Luxembourg, and to go thence to see with her the Museum and Jardin des Plantes.

“‘The man is waiting for an answer,’ said Pauline, after quietly waiting for a moment.

“I hastily scrawled my acknowledgements, and Pauline took the note. I changed my dress. When my toilette was ended, and I looked at myself with some complaisance, an icy shiver ran through me as I thought:

“‘Will Foedora walk or drive? Will it rain or shine?--No matter, though,’ I said to myself; ‘whichever it is, can one ever reckon with feminine caprice? She will have no money about her, and will want to give a dozen francs to some little Savoyard because his rags are picturesque.’

“I had not a brass farthing, and should have no money till the evening came. How dearly a poet pays for the intellectual prowess that method and toil have brought him, at such crises of our youth! Innumerable painfully vivid thoughts pierced me like barbs. I looked out of my window; the weather was very unsettled. If things fell out badly, I might easily hire a cab for the day; but would not the fear lie on me every moment that I might not meet Finot in the evening? I felt too weak to endure such fears in the midst of my felicity. Though I felt sure that I should find nothing, I began a grand search through my room; I looked for imaginary coins in the recesses of my mattress; I hunted about everywhere--I even shook out my old boots. A nervous fever seized me; I looked with wild eyes at the furniture when I had ransacked it all. Will you understand, I wonder, the excitement that possessed me when, plunged deep in the listlessness of despair, I opened my writing-table drawer, and found a fair and splendid ten-franc piece that shone like a rising star, new and sparkling, and slily hiding in a cranny between two boards? I did not try to account for its previous reserve and the cruelty of which it had been guilty in thus lying hidden; I kissed it for a friend faithful in adversity, and hailed it with a cry that found an echo, and made me turn sharply, to find Pauline with a face grown white.

“‘I thought,’ she faltered, ‘that you had hurt yourself! The man who brought the letter----’ (she broke off as if something smothered her voice). ‘But mother has paid him,’ she added, and flitted away like a wayward, capricious child. Poor little one! I wanted her to share in my happiness. I seemed to have all the happiness in the world within me just then; and I would fain have returned to the unhappy, all that I felt as if I had stolen from them.

“The intuitive perception of adversity is sound for the most part; the countess had sent away her carriage. One of those freaks that pretty women can scarcely explain to themselves had determined her to go on foot, by way of the boulevards, to the Jardin des Plantes.

“‘It will rain,’ I told her, and it pleased her to contradict me.

“As it fell out, the weather was fine while we went through the Luxembourg; when we came out, some drops fell from a great cloud, whose progress I had watched uneasily, and we took a cab. At the Museum I was about to dismiss the vehicle, and Foedora (what agonies!) asked me not to do so. But it was like a dream in broad daylight for me, to chat with her, to wander in the Jardin des Plantes, to stray down the shady alleys, to feel her hand upon my arm; the secret transports repressed in me were reduced, no doubt, to a fixed and foolish smile upon my lips; there was something unreal about it all. Yet in all her movements, however alluring, whether we stood or whether we walked, there was nothing either tender or lover-like. When I tried to share in a measure the action of movement prompted by her life, I became aware of a check, or of something strange in her that I cannot explain, or an inner activity concealed in her nature. There is no suavity about the movements of women who have no soul in them. Our wills were opposed, and we did not keep step together. Words are wanting to describe this outward dissonance between two beings; we are not accustomed to read a thought in a movement. We instinctively feel this phenomenon of our nature, but it cannot be expressed.

“I did not dissect my sensations during those violent seizures of passion,” Raphael went on, after a moment of silence, as if he were replying to an objection raised by himself. “I did not analyze my pleasures nor count my heartbeats then, as a miser scrutinizes and weighs his gold pieces. No; experience sheds its melancholy light over the events of the past to-day, and memory brings these pictures back, as the sea-waves in fair weather cast up fragment after fragment of the debris of a wrecked vessel upon the strand.

“‘It is in your power to render me a rather important service,’ said the countess, looking at me in an embarrassed way. ‘After confiding in you my aversion to lovers, I feel myself more at liberty to entreat your good offices in the name of friendship. Will there not be very much more merit in obliging me to-day?’ she asked, laughing.

“I looked at her in anguish. Her manner was coaxing, but in no wise affectionate; she felt nothing for me; she seemed to be playing a part, and I thought her a consummate actress. Then all at once my hopes awoke once more, at a single look and word. Yet if reviving love expressed itself in my eyes, she bore its light without any change in the clearness of her own; they seemed, like a tiger’s eyes, to have a sheet of metal behind them. I used to hate her in such moments.

“‘The influence of the Duc de Navarreins would be very useful to me, with an all-powerful person in Russia,’ she went on, persuasion in every modulation of her voice, ‘whose intervention I need in order to have justice done me in a matter that concerns both my fortune and my position in the world, that is to say, the recognition of my marriage by the Emperor. Is not the Duc de Navarreins a cousin of yours? A letter from him would settle everything.’

“‘I am yours,’ I answered; ‘command me.’

“‘You are very nice,’ she said, pressing my hand. ‘Come and have dinner with me, and I will tell you everything, as if you were my confessor.’

“So this discreet, suspicious woman, who had never been heard to speak a word about her affairs to any one, was going to consult me.

“‘Oh, how dear to me is this silence that you have imposed on me!’ I cried; ‘but I would rather have had some sharper ordeal still.’ And she smiled upon the intoxication in my eyes; she did not reject my admiration in any way; surely she loved me!

“Fortunately, my purse held just enough to satisfy her cab-man. The day spent in her house, alone with her, was delicious; it was the first time that I had seen her in this way. Hitherto we had always been kept apart by the presence of others, and by her formal politeness and reserved manners, even during her magnificent dinners; but now it was as if I lived beneath her own roof--I had her all to myself, so to speak. My wandering fancy broke down barriers, arranged the events of life to my liking, and steeped me in happiness and love. I seemed to myself her husband, I liked to watch her busied with little details; it was a pleasure to me even to see her take off her bonnet and shawl. She left me alone for a little, and came back, charming, with her hair newly arranged; and this dainty change of toilette had been made for me!

“During the dinner she lavished attention upon me, and put charm without end into those numberless trifles to all seeming, that make up half of our existence nevertheless. As we sat together before a crackling fire, on silken cushions surrounded by the most desirable creations of Oriental luxury; as I saw this woman whose famous beauty made every heart beat, so close to me; an unapproachable woman who was talking and bringing all her powers of coquetry to bear upon me; then my blissful pleasure rose almost to the point of suffering. To my vexation, I recollected the important business to be concluded; I determined to go to keep the appointment made for me for this evening.

“‘So soon?’ she said, seeing me take my hat.

“She loved me, then! or I thought so at least, from the bland tones in which those two words were uttered. I would then have bartered a couple of years of life for every hour she chose to grant to me, and so prolong my ecstasy. My happiness was increased by the extent of the money I sacrificed. It was midnight before she dismissed me. But on the morrow, for all that, my heroism cost me a good many remorseful pangs; I was afraid the affair of the Memoirs, now of such importance for me, might have fallen through, and rushed off to Rastignac. We found the nominal author of my future labors just getting up.

“Finot read over a brief agreement to me, in which nothing whatever was said about my aunt, and when it had been signed he paid me down fifty crowns, and the three of us breakfasted together. I had only thirty francs left over, when I had paid for my new hat, for sixty tickets at thirty sous each, and settled my debts; but for some days to come the difficulties of living were removed. If I had but listened to Rastignac, I might have had abundance by frankly adopting the ‘English system.’ He really wanted to establish my credit by setting me to raise loans, on the theory that borrowing is the basis of credit. To hear him talk, the future was the largest and most secure kind of capital in the world. My future luck was hypothecated for the benefit of my creditors, and he gave my custom to his tailor, an artist, and a young man’s tailor, who was to leave me in peace until I married.

“The monastic life of study that I had led for three years past ended on this day. I frequented Foedora’s house very diligently, and tried to outshine the heroes or the swaggerers to be found in her circle. When I believed that I had left poverty for ever behind me, I regained my freedom of mind, humiliated my rivals, and was looked upon as a very attractive, dazzling, and irresistible sort of man. But acute folk used to say with regard to me, ‘A fellow as clever as that will keep all his enthusiasms in his brain,’ and charitably extolled my faculties at the expense of my feelings. ‘Isn’t he lucky, not to be in love!’ they exclaimed. ‘If he were, could he be so light-hearted and animated?’ Yet in Foedora’s presence I was as dull as love could make me. When I was alone with her, I had not a word to say, or if I did speak, I renounced love; and I affected gaiety but ill, like a courtier who has a bitter mortification to hide. I tried in every way to make myself indispensable in her life, and necessary to her vanity and to her comfort; I was a plaything at her pleasure, a slave always at her side. And when I had frittered away the day in this way, I went back to my work at night, securing merely two or three hours’ sleep in the early morning.

“But I had not, like Rastignac, the ‘English system’ at my finger-ends, and I very soon saw myself without a penny. I fell at once into that precarious way of life which industriously hides cold and miserable depths beneath an elusive surface of luxury; I was a coxcomb without conquests, a penniless fop, a nameless gallant. The old sufferings were renewed, but less sharply; no doubt I was growing used to the painful crisis. Very often my sole diet consisted of the scanty provision of cakes and tea that is offered in drawing-rooms, or one of the countess’ great dinners must sustain me for two whole days. I used all my time, and exerted every effort and all my powers of observation, to penetrate the impenetrable character of Foedora. Alternate hope and despair had swayed my opinions; for me she was sometimes the tenderest, sometimes the most unfeeling of women. But these transitions from joy to sadness became unendurable; I sought to end the horrible conflict within me by extinguishing love. By the light of warning gleams my soul sometimes recognized the gulfs that lay between us. The countess confirmed all my fears; I had never yet detected any tear in her eyes; an affecting scene in a play left her smiling and unmoved. All her instincts were selfish; she could not divine another’s joy or sorrow. She had made a fool of me, in fact!

“I had rejoiced over a sacrifice to make for her, and almost humiliated myself in seeking out my kinsman, the Duc de Navarreins, a selfish man who was ashamed of my poverty, and had injured me too deeply not to hate me. He received me with the polite coldness that makes every word and gesture seem an insult; he looked so ill at ease that I pitied him. I blushed for this pettiness amid grandeur, and penuriousness surrounded by luxury. He began to talk to me of his heavy losses in the three per cents, and then I told him the object of my visit. The change in his manners, hitherto glacial, which now gradually, became affectionate, disgusted me.

“Well, he called upon the countess, and completely eclipsed me with her.

“On him Foedora exercised spells and witcheries unheard of; she drew him into her power, and arranged her whole mysterious business with him; I was left out, I heard not a word of it; she had made a tool of me! She did not seem to be aware of my existence while my cousin was present; she received me less cordially perhaps than when I was first presented to her. One evening she chose to mortify me before the duke by a look, a gesture, that it is useless to try to express in words. I went away with tears in my eyes, planning terrible and outrageous schemes of vengeance without end.

“I often used to go with her to the theatre. Love utterly absorbed me as I sat beside her; as I looked at her I used to give myself up to the pleasure of listening to the music, putting all my soul into the double joy of love and of hearing every emotion of my heart translated into musical cadences. It was my passion that filled the air and the stage, that was triumphant everywhere but with my mistress. Then I would take Foedora’s hand. I used to scan her features and her eyes, imploring of them some indication that one blended feeling possessed us both, seeking for the sudden harmony awakened by the power of music, which makes our souls vibrate in unison; but her hand was passive, her eyes said nothing.

“When the fire that burned in me glowed too fiercely from the face I turned upon her, she met it with that studied smile of hers, the conventional expression that sits on the lips of every portrait in every exhibition. She was not listening to the music. The divine pages of Rossini, Cimarosa, or Zingarelli called up no emotion, gave no voice to any poetry in her life; her soul was a desert.

“Foedora presented herself as a drama before a drama. Her lorgnette traveled restlessly over the boxes; she was restless too beneath the apparent calm; fashion tyrannized over her; her box, her bonnet, her carriage, her own personality absorbed her entirely. My merciless knowledge thoroughly tore away all my illusions. If good breeding consists in self-forgetfulness and consideration for others, in constantly showing gentleness in voice and bearing, in pleasing others, and in making them content in themselves, all traces of her plebeian origin were not yet obliterated in Foedora, in spite of her cleverness. Her self-forgetfulness was a sham, her manners were not innate but painfully acquired, her politeness was rather subservient. And yet for those she singled out, her honeyed words expressed natural kindness, her pretentious exaggeration was exalted enthusiasm. I alone had scrutinized her grimacings, and stripped away the thin rind that sufficed to conceal her real nature from the world; her trickery no longer deceived me; I had sounded the depths of that feline nature. I blushed for her when some donkey or other flattered and complimented her. And yet I loved her through it all! I hoped that her snows would melt with the warmth of a poet’s love. If I could only have made her feel all the greatness that lies in devotion, then I should have seen her perfected, she would have been an angel. I loved her as a man, a lover, and an artist; if it had been necessary not to love her so that I might win her, some cool-headed coxcomb, some self-possessed calculator would perhaps have had an advantage over me. She was so vain and sophisticated, that the language of vanity would appeal to her; she would have allowed herself to be taken in the toils of an intrigue; a hard, cold nature would have gained a complete ascendency over her. Keen grief had pierced me to my very soul, as she unconsciously revealed her absolute love of self. I seemed to see her as she one day would be, alone in the world, with no one to whom she could stretch her hand, with no friendly eyes for her own to meet and rest upon. I was bold enough to set this before her one evening; I painted in vivid colors her lonely, sad, deserted old age. Her comment on this prospect of so terrible a revenge of thwarted nature was horrible.

“‘I shall always have money,’ she said; ‘and with money we can always inspire such sentiments as are necessary for our comfort in those about us.’

“I went away confounded by the arguments of luxury, by the reasoning of this woman of the world in which she lived; and blamed myself for my infatuated idolatry. I myself had not loved Pauline because she was poor; and had not the wealthy Foedora a right to repulse Raphael? Conscience is our unerring judge until we finally stifle it. A specious voice said within me, ‘Foedora is neither attracted to nor repulses any one; she has her liberty, but once upon a time she sold herself to the Russian count, her husband or her lover, for gold. But temptation is certain to enter into her life. Wait till that moment comes!’ She lived remote from humanity, in a sphere apart, in a hell or a heaven of her own; she was neither frail nor virtuous. This feminine enigma in embroideries and cashmeres had brought into play every emotion of the human heart in me--pride, ambition, love, curiosity.

“There was a craze just then for praising a play at a little Boulevard theatre, prompted perhaps by a wish to appear original that besets us all, or due to some freak of fashion. The countess showed some signs of a wish to see the floured face of the actor who had so delighted several people of taste, and I obtained the honor of taking her to a first presentation of some wretched farce or other. A box scarcely cost five francs, but I had not a brass farthing. I was but half-way through the volume of Memoirs; I dared not beg for assistance of Finot, and Rastignac, my providence, was away. These constant perplexities were the bane of my life.

“We had once come out of the theatre when it was raining heavily, Foedora had called a cab for me before I could escape from her show of concern; she would not admit any of my excuses--my liking for wet weather, and my wish to go to the gaming-table. She did not read my poverty in my embarrassed attitude, or in my forced jests. My eyes would redden, but she did not understand a look. A young man’s life is at the mercy of the strangest whims! At every revolution of the wheels during the journey, thoughts that burned stirred in my heart. I tried to pull up a plank from the bottom of the vehicle, hoping to slip through the hole into the street; but finding insuperable obstacles, I burst into a fit of laughter, and then sat stupefied in calm dejection, like a man in a pillory. When I reached my lodging, Pauline broke in through my first stammering words with:

“‘If you haven’t any money----?’

“Ah, the music of Rossini was as nothing compared with those words. But to return to the performance at the Funambules.

“I thought of pawning the circlet of gold round my mother’s portrait in order to escort the countess. Although the pawnbroker loomed in my thoughts as one of the doors of a convict’s prison, I would rather myself have carried my bed thither than have begged for alms. There is something so painful in the expression of a man who asks money of you! There are loans that mulct us of our self-respect, just as some rebuffs from a friend’s lips sweep away our last illusion.

“Pauline was working; her mother had gone to bed. I flung a stealthy glance over the bed; the curtains were drawn back a little; Madame Gaudin was in a deep sleep, I thought, when I saw her quiet, sallow profile outlined against the pillow.

“‘You are in trouble?’ Pauline said, dipping her brush into the coloring.

“‘It is in your power to do me a great service, my dear child,’ I answered.

“The gladness in her eyes frightened me.

“‘Is it possible that she loves me?’ I thought. ‘Pauline,’ I began. I went and sat near to her, so as to study her. My tones had been so searching that she read my thought; her eyes fell, and I scrutinized her face. It was so pure and frank that I fancied I could see as clearly into her heart as into my own.

“‘Do you love me?’ I asked.

“‘A little,--passionately--not a bit!’ she cried.

“Then she did not love me. Her jesting tones, and a little gleeful movement that escaped her, expressed nothing beyond a girlish, blithe goodwill. I told her about my distress and the predicament in which I found myself, and asked her to help me.

“‘You do not wish to go to the pawnbroker’s yourself, M. Raphael,’ she answered, ‘and yet you would send me!’

“I blushed in confusion at the child’s reasoning. She took my hand in hers as if she wanted to compensate for this home-truth by her light touch upon it.

“‘Oh, I would willingly go,’ she said, ‘but it is not necessary. I found two five-franc pieces at the back of the piano, that had slipped without your knowledge between the frame and the keyboard, and I laid them on your table.’

“‘You will soon be coming into some money, M. Raphael,’ said the kind mother, showing her face between the curtains, ‘and I can easily lend you a few crowns meanwhile.’

“‘Oh, Pauline!’ I cried, as I pressed her hand, ‘how I wish that I were rich!’

“‘Bah! why should you?’ she said petulantly. Her hand shook in mine with the throbbing of her pulse; she snatched it away, and looked at both of mine.

“‘You will marry a rich wife,’ she said, ‘but she will give you a great deal of trouble. Ah, _Dieu_! she will be your death,--I am sure of it.’

“In her exclamation there was something like belief in her mother’s absurd superstitions.

“‘You are very credulous, Pauline!’

“‘The woman whom you will love is going to kill you--there is no doubt of it,’ she said, looking at me with alarm.

“She took up her brush again and dipped it in the color; her great agitation was evident; she looked at me no longer. I was ready to give credence just then to superstitious fancies; no man is utterly wretched so long as he is superstitious; a belief of that kind is often in reality a hope.

“I found that those two magnificent five-franc pieces were lying, in fact, upon my table when I reached my room. During the first confused thoughts of early slumber, I tried to audit my accounts so as to explain this unhoped-for windfall; but I lost myself in useless calculations, and slept. Just as I was leaving my room to engage a box the next morning, Pauline came to see me.

“‘Perhaps your ten francs is not enough,’ said the amiable, kind-hearted girl; ‘my mother told me to offer you this money. Take it, please, take it!’

“She laid three crowns upon the table, and tried to escape, but I would not let her go. Admiration dried the tears that sprang to my eyes.

“‘You are an angel, Pauline,’ I said. ‘It is not the loan that touches me so much as the delicacy with which it is offered. I used to wish for a rich wife, a fashionable woman of rank; and now, alas! I would rather possess millions, and find some girl, as poor as you are, with a generous nature like your own; and I would renounce a fatal passion which will kill me. Perhaps what you told me will come true.’

“‘That is enough,’ she said, and fled away; the fresh trills of her birdlike voice rang up the staircase.

“‘She is very happy in not yet knowing love,’ I said to myself, thinking of the torments I had endured for many months past.

“Pauline’s fifteen francs were invaluable to me. Foedora, thinking of the stifling odor of the crowded place where we were to spend several hours, was sorry that she had not brought a bouquet; I went in search of flowers for her, as I had laid already my life and my fate at her feet. With a pleasure in which compunction mingled, I gave her a bouquet. I learned from its price the extravagance of superficial gallantry in the world. But very soon she complained of the heavy scent of a Mexican jessamine. The interior of the theatre, the bare bench on which she was to sit, filled her with intolerable disgust; she upbraided me for bringing her there. Although she sat beside me, she wished to go, and she went. I had spent sleepless nights, and squandered two months of my life for her, and I could not please her. Never had that tormenting spirit been more unfeeling or more fascinating.

“I sat beside her in the cramped back seat of the vehicle; all the way I could feel her breath on me and the contact of her perfumed glove; I saw distinctly all her exceeding beauty; I inhaled a vague scent of orris-root; so wholly a woman she was, with no touch of womanhood. Just then a sudden gleam of light lit up the depths of this mysterious life for me. I thought all at once of a book just published by a poet, a genuine conception of the artist, in the shape of the statue of Polycletus.

“I seemed to see that monstrous creation, at one time an officer, breaking in a spirited horse; at another, a girl, who gives herself up to her toilette and breaks her lovers’ hearts; or again, a false lover driving a timid and gentle maid to despair. Unable to analyze Foedora by any other process, I told her this fanciful story; but no hint of her resemblance to this poetry of the impossible crossed her--it simply diverted her; she was like a child over a story from the _Arabian Nights_.

“‘Foedora must be shielded by some talisman,’ I thought to myself as I went back, ‘or she could not resist the love of a man of my age, the infectious fever of that splendid malady of the soul. Is Foedora, like Lady Delacour, a prey to a cancer? Her life is certainly an unnatural one.’

“I shuddered at the thought. Then I decided on a plan, at once the wildest and the most rational that lover ever dreamed of. I would study this woman from a physical point of view, as I had already studied her intellectually, and to this end I made up my mind to spend a night in her room without her knowledge. This project preyed upon me as a thirst for revenge gnaws at the heart of a Corsican monk. This is how I carried it out. On the days when Foedora received, her rooms were far too crowded for the hall-porter to keep the balance even between goers and comers; I could remain in the house, I felt sure, without causing a scandal in it, and I waited the countess’ coming soiree with impatience. As I dressed I put a little English penknife into my waistcoat pocket, instead of a poniard. That literary implement, if found upon me, could awaken no suspicion, but I knew not whither my romantic resolution might lead, and I wished to be prepared.

“As soon as the rooms began to fill, I entered the bedroom and examined the arrangements. The inner and outer shutters were closed; this was a good beginning; and as the waiting-maid might come to draw back the curtains that hung over the windows, I pulled them together. I was running great risks in venturing to manoeuvre beforehand in this way, but I had accepted the situation, and had deliberately reckoned with its dangers.

“About midnight I hid myself in the embrasure of the window. I tried to scramble on to a ledge of the wainscoting, hanging on by the fastening of the shutters with my back against the wall, in such a position that my feet could not be visible. When I had carefully considered my points of support, and the space between me and the curtains, I had become sufficiently acquainted with all the difficulties of my position to stay in it without fear of detection if undisturbed by cramp, coughs, or sneezings. To avoid useless fatigue, I remained standing until the critical moment, when I must hang suspended like a spider in its web. The white-watered silk and muslin of the curtains spread before me in great pleats like organ-pipes. With my penknife I cut loopholes in them, through which I could see.

“I heard vague murmurs from the salons, the laughter and the louder tones of the speakers. The smothered commotion and vague uproar lessened by slow degrees. One man and another came for his hat from the countess’ chest of drawers, close to where I stood. I shivered, if the curtains were disturbed, at the thought of the mischances consequent on the confused and hasty investigations made by the men in a hurry to depart, who were rummaging everywhere. When I experienced no misfortunes of this kind, I augured well of my enterprise. An old wooer of Foedora’s came for the last hat; he thought himself quite alone, looked at the bed, and heaved a great sigh, accompanied by some inaudible exclamation, into which he threw sufficient energy. In the boudoir close by, the countess, finding only some five or six intimate acquaintances about her, proposed tea. The scandals for which existing society has reserved the little faculty of belief that it retains, mingled with epigrams and trenchant witticisms, and the clatter of cups and spoons. Rastignac drew roars of laughter by merciless sarcasms at the expense of my rivals.

“‘M. de Rastignac is a man with whom it is better not to quarrel,’ said the countess, laughing.

“‘I am quite of that opinion,’ was his candid reply. ‘I have always been right about my aversions--and my friendships as well,’ he added. ‘Perhaps my enemies are quite as useful to me as my friends. I have made a particular study of modern phraseology, and of the natural craft that is used in all attack or defence. Official eloquence is one of our perfect social products.

“‘One of your friends is not clever, so you speak of his integrity and his candor. Another’s work is heavy; you introduce it as a piece of conscientious labor; and if the book is ill written, you extol the ideas it contains. Such an one is treacherous and fickle, slips through your fingers every moment; bah! he is attractive, bewitching, he is delightful! Suppose they are enemies, you fling every one, dead or alive, in their teeth. You reverse your phraseology for their benefit, and you are as keen in detecting their faults as you were before adroit in bringing out the virtues of your friends. This way of using the mental lorgnette is the secret of conversation nowadays, and the whole art of the complete courtier. If you neglect it, you might as well go out as an unarmed knight-banneret to fight against men in armor. And I make use of it, and even abuse it at times. So we are respected--I and my friends; and, moreover, my sword is quite as sharp as my tongue.’

“One of Foedora’s most fervid worshipers, whose presumption was notorious, and who even made it contribute to his success, took up the glove thrown down so scornfully by Rastignac. He began an unmeasured eulogy of me, my performances, and my character. Rastignac had overlooked this method of detraction. His sarcastic encomiums misled the countess, who sacrificed without mercy; she betrayed my secrets, and derided my pretensions and my hopes, to divert her friends.

“‘There is a future before him,’ said Rastignac. ‘Some day he may be in a position to take a cruel revenge; his talents are at least equal to his courage; and I should consider those who attack him very rash, for he has a good memory----’

“‘And writes Memoirs,’ put in the countess, who seemed to object to the deep silence that prevailed.

“‘Memoirs of a sham countess, madame,’ replied Rastignac. ‘Another sort of courage is needed to write that sort of thing.’

“‘I give him credit for plenty of courage,’ she answered; ‘he is faithful to me.’

“I was greatly tempted to show myself suddenly among the railers, like the shade of Banquo in Macbeth. I should have lost a mistress, but I had a friend! But love inspired me all at once, with one of those treacherous and fallacious subtleties that it can use to soothe all our pangs.

“If Foedora loved me, I thought, she would be sure to disguise her feelings by some mocking jest. How often the heart protests against a lie on the lips!

“Well, very soon my audacious rival, left alone with the countess, rose to go.

“‘What! already?’ asked she in a coaxing voice that set my heart beating. ‘Will you not give me a few more minutes? Have you nothing more to say to me? will you never sacrifice any of your pleasures for me?’

“He went away.

“‘Ah!’ she yawned; ‘how very tiresome they all are!’

“She pulled a cord energetically till the sound of a bell rang through the place; then, humming a few notes of _Pria che spunti_, the countess entered her room. No one had ever heard her sing; her muteness had called forth the wildest explanations. She had promised her first lover, so it was said, who had been held captive by her talent, and whose jealousy over her stretched beyond his grave, that she would never allow others to experience a happiness that he wished to be his and his alone.