Chapter III: Part 3

In the entended purpose, also, allowing somwhat to the imperfection of Nature: not aunswerable to the precisenes of demonstration. Moreouer, by the foresaid propositions (wisely vsed.) The Ayre, the water, the Earth, the Fire, may be nerely, knowen, how light or heauy they are (Naturally) in their assigned partes: or in the whole. And then, to thinges Elementall, turning your practise: you may deale for the proportion of the Elementes, in the thinges Compounded. Then, to the proportions of the Humours in Man: their waightes: and the waight of his bones, and flesh. &c. Than, by waight, to haue consideration of the Force of man, any maner of way: in whole or in part. Then, may you, of Ships water drawing, diuersly, in the Sea and in fresh water, haue pleasant consideration: and of waying vp of any thing, sonken in Sea or in fresh water &c. And (to lift vp your head a loft:) by waight, you may, as precisely, as by any instrument els, measure the Diameters of _Sonne_ and _Mone. &c._ Frende, I pray you, way these thinges, with the iust Balance of Reason. And you will finde Meruailes vpon Meruailes: And esteme one Drop of Truth (yea in Naturall Philosophie) more worth, then whole Libraries of Opinions, vndemonstrated: or not aunswering to Natures Law, and your experience. Leauing these thinges, thus: I will giue you two or three, light practises, to great purpose: and so finish my Annotation _Staticall_. In Mathematicall matters, by the Mechaniciens ayde, we will behold, here, the Commodity of waight.

[The practise Staticall, to know the proportion, betwene
the Cube, and the Sphære.]

Make a Cube, of any one Vniforme: and through like heauy stuffe: of the same Stuffe, make a Sphære or Globe, precisely, of a Diameter æquall to the Radicall side of the Cube. Your stuffe, may be wood, Copper, Tinne, Lead, Siluer. &c. (being, as I sayd, of like nature, condition, and like waight throughout.) And you may, by Say Balance, haue prepared a great number of the smallest waightes: which, by those Balance can be discerned or tryed: and so, haue proceded to make you a perfect Pyle, company & Number of waightes: to the waight of six, eight, or twelue pound waight: most diligently tryed, all. And of euery one, the Content knowen, in your least waight, that is wayable. [They that can not haue these waightes of precisenes: may, by Sand, Vniforme, and well dusted, make them a number of waightes, somewhat nere precisenes: by halfing euer the Sand: they shall, at length, come to a least common waight. Therein, I leaue the farder matter, to their discretion, whom nede shall pinche.] The _Venetians_ consideration of waight, may seme precise enough: by eight descentes progressionall, * halfing, from a grayne.

[I. D.
* For, so, haue you .256. partes of a Graine.]

Your Cube, Sphære, apt Balance, and conuenient waightes, being ready: fall to worke.❉. First, way your Cube. Note the Number of the waight. Way, after that, your Sphære. Note likewise, the Nũber of the waight. If you now find the waight of your Cube, to be to the waight of the Sphære, as 21. is to 11: Then you see, how the Mechanicien and _Experimenter_, without Geometrie and Demonstration, are (as nerely in effect) tought the proportion of the Cube to the Sphere: as I haue demonstrated it, in the end of the twelfth boke of _Euclide_. Often, try with the same Cube and Sphære. Then, chaunge, your Sphære and Cube, to an other matter: or to an other bignes: till you haue made a perfect vniuersall Experience of it. Possible it is, that you shall wynne to nerer termes, in the proportion.

When you haue found this one certaine Drop of Naturall veritie, procede on, to Inferre, and duely to make assay, of matter depending. As, bycause it is well demonstrated, that a Cylinder, whose heith, and Diameter of his base, is æquall to the Diameter of the Sphære, is Sesquialter to the same Sphære (that is, as 3. to 2:) To the number of the waight of the Sphære, adde halfe so much, as it is: and so haue you the number of the waight of that Cylinder. Which is also Comprehended of our former Cube: So, that the base of that Cylinder, is a Circle described in the Square, which is the base of our Cube. But the Cube and the Cylinder, being both of one heith, haue their Bases in the same proportion, in the which, they are, one to an other, in their Massines or Soliditie. But, before, we haue two numbers, expressing their Massines, Solidities, and Quantities, by waight: wherfore,

[* =The proportion of the Square to the Circle inscribed.=]

we haue * the proportion of the Square, to the Circle, inscribed in the same Square. And so are we fallen into the knowledge sensible, and Experimentall of _Archimedes_ great Secret: of him, by great trauaile of minde, sought and found. Wherfore, to any Circle giuen, you can giue a Square æquall:

[* =The Squaring of the Circle, Mechanically.=]

* as I haue taught, in my Annotation, vpon the first proposition of the twelfth boke, And likewise, to any Square giuen, you may giue a Circle æquall:

[* =To any Square geuen, to geue a Circle, equall.=]

* If you describe a Circle, which shall be in that proportion, to your Circle inscribed, as the Square is to the same Circle: This, you may do, by my Annotations, vpon the second proposition of the twelfth boke of _Euclide_, in my third Probleme there. Your diligence may come to a proportion, of the Square to the Circle inscribed, nerer the truth, then is the proportion of 14. to 11. And consider, that you may begyn at the Circle and Square, and so come to conclude of the Sphære, & the Cube, what their proportion is: as now, you came from the Sphære to the Circle. For, of Siluer, or Gold, or Latton Lamyns or plates (thorough one hole drawẽ, as the maner is) if you make a Square figure & way it: and then, describing theron, the Circle inscribed: & cut of, & file away, precisely (to the Circle) the ouerplus of the Square: you shall then, waying your Circle, see, whether the waight of the Square, be to your Circle, as 14. to 11. As I haue Noted, in the beginning of _Euclides_ twelfth boke. &c. after this resort to my last proposition, vpon the last of the twelfth. And there, helpe your selfe, to the end. And, here, Note this, by the way.

[Note Squaring of the Circle without knowledge of the
proportion betwene Circumference and Diameter.]

That we may Square the Circle, without hauing knowledge of the proportion, of the Circumference to the Diameter: as you haue here perceiued. And otherwayes also, I can demonstrate it. So that, many haue cumberd them selues superfluously, by trauailing in that point first, which was not of necessitie, first: and also very intricate. And easily, you may, (and that diuersly) come to the knowledge of the Circumference: the Circles Quantitie, being first knowen. Which thing, I leaue to your consideration: making hast to despatch an other Magistrall Probleme: and to bring it, nerer to your knowledge, and readier dealing with, then the world (before this day,) had it for you, that I can tell of. And that is, _A Mechanicall Dubblyng of the Cube: &c._ Which may, thus, be done:

[To Dubble the Cube redily: by Art Mechanicall: depending
vppon Demonstration Mathematicall.]

+Make of Copper plates, or Tyn plates, a foursquare vpright Pyramis, or a Cone: perfectly fashioned in the holow, within. Wherin, let great diligence be vsed, to approche (as nere as may be) to the Mathematicall perfection of those figures. At their bases, let them be all open: euery where, els, most close, and iust to. From the vertex, to the Circumference of the base of the Cone: & to the sides of the base of the Pyramis:+

[=I. D.=
=The 4. sides of this Pyramis must be 4. Isosceles
Triangles alike and æquall.=]

+Let 4. straight lines be drawen, in the inside of the Cone and Pyramis: makyng at their fall, on the perimeters of the bases, equall angles on both sides them selues, with the sayd perimeters. These 4. lines (in the Pyramis: and as many, in the Cone) diuide: one, in 12. æquall partes: and an other, in 24. an other, in 60, and an other, in 100. (reckenyng vp from the vertex.) Or vse other numbers of diuision, as experience shall teach you.+

[=I. D.=
=* In all workinges with this Pyramis or Cone, Let their
Situations be in all Pointes and Conditions, alike,
or all one: while you are about one Worke. Els you
will erre.=]

+Then, * set your Cone or Pyramis, with the vertex downward, perpendicularly, in respect of the Base. (Though it be otherwayes, it hindreth nothyng.) So let thẽ most stedily be stayed.+ Now, if there be a Cube, which you wold haue Dubbled. Make you a prety Cube of Copper, Siluer, Lead, Tynne, Wood, Stone, or Bone. Or els make a hollow Cube, or Cubik coffen, of Copper, Siluer, Tynne, or Wood &c. These, you may so proportiõ in respect of your Pyramis or Cone, that the Pyramis or Cone, will be hable to conteine the waight of them, in water, 3. or 4. times: at the least: what stuff so euer they be made of. Let not your Solid angle, at the vertex, be to sharpe: but that the water may come with ease, to the very vertex, of your hollow Cone or Pyramis. Put one of your Solid Cubes in a Balance apt: take the waight therof exactly in water. Powre that water, (without losse) into the hollow Pyramis or Cone, quietly. Marke in your lines, what numbers the water Cutteth: Take the waight of the same Cube againe: in the same kinde of water, which you had before:

[=I. D.=
=* Consider well whan you must put your waters togyther:
and whan, you must empty your first water, out of your
Pyramis or Cone. Els you will erre.=]

put that* also, into the Pyramis or Cone, where you did put the first. Marke now againe, in what number or place of the lines, the water Cutteth them. Two wayes you may conclude your purpose: it is to wete, either by numbers or lines. By numbers: as, if you diuide the side of your Fundamentall Cube into so many æquall partes, as it is capable of, conueniently, with your ease, and precisenes of the diuision. For, as the number of your first and lesse line (in your hollow Pyramis or Cone,) is to the second or greater (both being counted from the vertex) so shall the number of the side of your Fundamentall Cube, be to the nũber belonging to the Radicall side, of the Cube, dubble to your Fundamentall Cube: Which being multiplied Cubik wise, will sone shew it selfe, whether it be dubble or no, to the Cubik number of your Fundamentall Cube. By lines, thus: As your lesse and first line, (in your hollow Pyramis or Cone,) is to the second or greater, so let the Radical side of your Fundamẽtall Cube, be to a fourth proportionall line, by the 12. proposition, of the sixth boke of _Euclide_. Which fourth line, shall be the Rote Cubik, or Radicall side of the Cube, dubble to your Fundamentall Cube: which is the thing we desired.

[☞ God be thanked for this Inuention, & the fruite ensuing.]

For this, may I (with ioy) say, ΕΥΡΗΚΑ, ΕΥΡΗΚΑ, ΕΥΡΗΚΑ: thanking the holy and glorious Trinity: hauing greater cause therto, then

[* Vitruuius. Lib. 9. Cap. 3.]

* _Archimedes_ had (for finding the fraude vsed in the Kinges Crowne, of Gold): as all men may easily Iudge: by the diuersitie of the frute following of the one, and the other. Where I spake before, of a hollow Cubik Coffen: the like vse, is of it: and without waight. Thus. Fill it with water, precisely full, and poure that water into your Pyramis or Cone. And here note the lines cutting in your Pyramis or Cone. Againe, fill your coffen, like as you did before. Put that Water, also, to the first. Marke the second cutting of your lines. Now, as you proceded before, so must you here procede.

[* Note.]

* And if the Cube, which you should Double, be neuer so great: you haue, thus, the proportion (in small) betwene your two litle Cubes: And then, the side, of that great Cube (to be doubled) being the third, will haue the fourth, found, to it proportionall: by the 12. of the sixth of Euclide.

[Note, as concerning the Sphæricall Superficies of the Water.]

Note, that all this while, I forget not my first Proposition Staticall, here rehearsed: that, the Superficies of the water, is Sphæricall. Wherein, vse your discretion: to the first line, adding a small heare breadth, more: and to the second, halfe a heare breadth more, to his length. For, you will easily perceaue, that the difference can be no greater, in any Pyramis or Cone, of you to be handled. Which you shall thus trye. _For finding the swelling of the water aboue leuell._

[☞]

“Square the Semidiameter, from the Centre of the earth, to your first Waters Superficies. Square then, halfe the Subtendent of that watry Superficies (which Subtendent must haue the equall partes of his measure, all one, with those of the Semidiameter of the earth to your watry Superficies): Subtracte this square, from the first: Of the residue, take the Rote Square. That Rote, Subtracte from your first Semidiameter of the earth to your watry Superficies: that, which remaineth, is the heith of the water, in the middle, aboue the leuell.” Which, you will finde, to be a thing insensible. And though it were greatly sensible, *

[* Note.]

yet, by helpe of my sixt Theoreme vpon the last Proposition of Euclides twelfth booke, noted: you may reduce all, to a true Leuell. But, farther diligence, of you is to be vsed, against accidentall causes of the waters swelling: as by hauing (somwhat) with a moyst Sponge, before, made moyst your hollow Pyramis or Cone, will preuent an accidentall cause of Swelling, &c. Experience will teach you abundantly: with great ease, pleasure, and cõmoditie.

Thus, may you Double the Cube Mechanically, Treble it, and so forth, in any proportion.

[Note this Abridgement of Dubbling the Cube. &c.]

Now will I Abridge your paine, cost, and Care herein. Without all preparing of your Fundamentall Cubes: you may (alike) worke this Conclusion. For, that, was rather a kinde of Experimentall demõstration, then the shortest way: and all, vpon one Mathematicall Demonstration depending. “Take water (as much as conueniently will serue your turne: as I warned before of your Fundamentall Cubes bignes) Way it precisely. Put that water, into your Pyramis or Cone. Of the same kinde of water, then take againe, the same waight you had before: put that likewise into the Pyramis or Cone. For, in eche time, your marking of the lines, how the Water doth cut them, shall geue you the proportion betwen the Radicall sides, of any two Cubes, wherof the one is Double to the other: working as before I haue taught you:

[* ☞ Note.]

* sauing that for you Fundamentall Cube his Radicall side: here, you may take a right line, at pleasure.”

Yet farther proceding with our droppe of Naturall truth:

[To giue Cubes one to the other in any proportion,
Rationall or Irrationall.]

+you may (now) geue Cubes, one to the other, in any proportiõ geuẽ: Rationall or Irrationall+: on this maner. Make a hollow Parallelipipedon of Copper or Tinne: with one Base wãting, or open: as in our Cubike Coffen. Frõ the bottome of that Parallelipipedon, raise vp, many perpendiculars, in euery of his fower sides. Now if any proportion be assigned you, in right lines: Cut one of your perpendiculars (or a line equall to it, or lesse then it) likewise: by the 10. of the sixth of Euclide. And those two partes, set in two sundry lines of those perpendiculars (or you may set them both, in one line) making their beginninges, to be, at the base: and so their lengthes to extend vpward. Now, set your hollow Parallelipipedon, vpright, perpendicularly, steadie. Poure in water, handsomly, to the heith of your shorter line. Poure that water, into the hollow Pyramis or Cone. Marke the place of the rising. Settle your hollow Parallelipipedon againe. Poure water into it: vnto the heith of the second line, exactly.

[* Emptying the first.]

Poure that water * duely into the hollow Pyramis or Cone: Marke now againe, where the water cutteth the same line which you marked before. For, there, as the first marked line, is to the second: So shall the two Radicall sides be, one to the other, of any two Cubes: which, in their Soliditie, shall haue the same proportion, which was at the first assigned: were it Rationall or Irrationall.

Thus, in sundry waies you may furnishe your selfe with such straunge and profitable matter: which, long hath bene wished for. And though it be Naturally done and Mechanically: yet hath it a good Demonstration Mathematicall.

[=The demonstrations of this Dubbling of the Cube, and of the
rest.=]

Which is this: Alwaies, you haue two Like Pyramids: or two Like Cones, in the proportions assigned: and like Pyramids or Cones, are in proportion, one to the other, in the proportion of their Homologall sides (or lines) tripled. Wherefore, if to the first, and second lines, found in your hollow Pyramis or Cone, you ioyne a third and a fourth, in continuall proportion: that fourth line, shall be to the first, as the greater Pyramis or Cone, is to the lesse: by the 33. of the eleuenth of Euclide. If Pyramis to Pyramis, or Cone to Cone, be double,

[I. D.
= * Hereby, helpe your self to become a præcise practiser.
And so consider, how, nothing at all, you are hindred
(sensibly) by the Conuexitie of the water.=]

then shall * Line to Line, be also double, &c. But, as our first line, is to the second, so is the Radicall side of our Fundamentall Cube, to the Radicall side of the Cube to be made, or to be doubled: and therefore, to those twaine also, a third and a fourth line, in continuall proportion, ioyned: will geue the fourth line in that proportion to the first, as our fourth Pyramidall, or Conike line, was to his first: but that was double, or treble, &c. as the Pyramids or Cones were, one to an other (as we haue proued) therfore, this fourth, shalbe also double or treble to the first, as the Pyramids or Cones were one to an other: But our made Cube, is described of the second in proportion, of the fower proportionall lines:

[= * By the 33. of the eleuenth booke of Euclide.=]

therfore * as the fourth line, is to the first, so is that Cube, to the first Cube: and we haue proued the fourth line, to be to the first, as the Pyramis or Cone, is to the Pyramis or Cone: Wherefore the Cube is to the Cube, as Pyramis is to Pyramis, or Cone is to Cone.

[I. D.
= * And your diligence in practise, can so (in waight of
water) performe it: Therefore, now, you are able to geue
good reason of your whole doing.=]

But we * Suppose Pyramis to Pyramis, or Cone to Cone, to be double or treble. &c. Therfore Cube, is to Cube, double, or treble, &c. Which was to be demonstrated. And of the Parallelipipedõ, it is euidẽt, that the water Solide Parallelipipedons, are one to the other, as their heithes are, seing they haue one base. Wherfore the Pyramids or Cones, made of those water Parallelipipedons, are one to the other, as the lines are (one to the other) betwene which, our proportion was assigned. But the Cubes made of lines, after the proportiõ of the Pyramidal or Conik _homologall_ lines, are one to the other, as the Pyramides or Cones are, one to the other (as we before did proue) therfore, the Cubes made, shalbe one to the other, as the lines assigned, are one to the other: Which was to be demonstrated. Note.

[* _Note this Corollary._]

* This, my Demonstratiõ is more generall, then onely in Square Pyramis or Cone: Consider well. Thus, haue I, both Mathematically and Mechanically, ben very long in wordes: yet (I trust) nothing tedious to them, who, to these thinges, are well affected. And verily I am forced (auoiding prolixitie) to omit sundry such things, easie to be practised: which to the Mathematicien, would be a great Threasure: and to the Mechanicien, no small gaine.

[* The great Commodities following of these new Inuentions.]

* Now may you, +Betwene two lines giuen, finde two middle proportionals, in Continuall proportion: by the hollow Parallelipipedon, and the hollow Pyramis, or Cone.+ Now, any Parallelipipedon rectangle being giuen: thre right lines may be found, proportionall in any proportion assigned, of which, shal be produced a Parallelipipedon, æquall to the Parallelipipedon giuen. Hereof, I noted somwhat, vpon the 36. proposition, of the 11. boke of _Euclide_. Now, all those thinges, which _Vitruuius_ in his Architecture, specified hable to be done, by dubbling of the Cube: Or, by finding of two middle proportionall lines, betwene two lines giuen, may easely be performed. Now, that Probleme, which I noted vnto you, in the end of my Addition, vpon the 34. of the 11. boke of _Euclide_, is proued possible. Now, may any regular body, be Transformed into an other, &c. Now, any regular body: any Sphere, yea any Mixt Solid: and (that more is) Irregular Solides, may be made (in any proportiõ assigned) like vnto the body, first giuen. Thus, of a _Manneken_, (as the _Dutch_ Painters terme it) in the same _Symmetrie_, may a Giant be made: and that, with any gesture, by the Manneken vsed: and contrarywise. Now, may you, of any Mould, or Modell of a Ship, make one, of the same Mould (in any assigned proportion) bigger or lesser.

[* ☞]

Now, may you, of any * Gunne, or little peece of ordinaũce, make an other, with the same _Symmetrie_ (in all pointes) as great, and as little, as you will. Marke that: and thinke on it. Infinitely, +may you apply this, so long sought for, and now so easily concluded: and withall, so willingly and frankly communicated to such, as faithfully deale with vertuous studies.+

[Such is the Fruite of the Mathematicall Sciences and Artes.]

Thus, can the Mathematicall minde, deale Speculatiuely in his own Arte: and by good meanes, Mount aboue the cloudes and sterres: And thirdly, he can, by order, Descend, to frame Naturall thinges, to wonderfull vses: and when he list, retire home into his owne Centre: and there, prepare more Meanes, to Ascend or Descend by: and, all, to the glory of God, and our honest delectation in earth.

Although, the Printer, hath looked for this Præface, a day or two, yet could I not bring my pen from the paper, before I had giuen you comfortable warning, and brief instructions, of some of the Commodities, by _Statike_, hable to be reaped: In the rest, I will therfore, be as brief, as it is possible: and with all, describing them, somwhat accordingly. And that, you shall perceiue, by this, which in order commeth next. For, wheras, it is so ample and wonderfull, that, an whole yeare long, one might finde fruitfull matter therin, to speake of: and also in practise, is a Threasure endeles: yet will I glanse ouer it, with wordes very few.

This do I call +‡Anthropographie‡+. Which is an Art restored, and of my preferment to your Seruice. I pray you, thinke of it, as of one of the chief pointes, of Humane knowledge. Although it be, but now, first Cõfirmed, with this new name: yet the matter, hath from the beginning, ben in consideration of all perfect Philosophers. +Anthropographie, is the description of the Number, Measure, Waight, figure, Situation, and colour of euery diuerse thing, conteyned in the perfect body of MAN: with certain knowledge of the Symmetrie, figure, waight, Characterization, and due locall motion, of any parcell of the sayd body, assigned: and of Nũbers, to the sayd parcell appertainyng.+ This, is the one part of the Definition, mete for this place: Sufficient to notifie, the particularitie, and excellency of the Arte: and why it is, here, ascribed to the Mathematicals. Yf the description of the heauenly part of the world, had a peculier Art, called _Astronomie:_ If the description of the earthly Globe, hath his peculier arte, called _Geographie_. If the Matching of both, hath his peculier Arte, called _Cosmographie:_ Which is the Descriptiõ of the whole, and vniuersall frame of the world: Why should not the description of

[MAN is the Lesse World.]

him, who is the Lesse world: and, frõ the beginning, called _Microcosmus_ (that is. _The Lesse World._) And for whose sake, and seruice, all bodily creatures els, were created: Who, also, participateth with Spirites, and Angels: and is made to the Image and similitude of _God_: haue his peculier Art? and be called the _Arte of Artes_: rather, then, either to want a name, or to haue to base and impropre a name? You must of sundry professions, borow or challenge home, peculier partes hereof: and farder procede: as, God, Nature, Reason and Experience shall informe you. The Anatomistes will restore to you, some part: The Physiognomistes, some: The Chyromantistes some. The Metaposcopistes, some: The excellent, _Albert Durer_, a good part: the Arte of Perspectiue, will somwhat, for the Eye, helpe forward: _Pythagoras_, _Hipocrates_, _Plato_, _Galenus_, _Meletius_, & many other (in certaine thinges) will be Contributaries. And farder, the Heauen, the Earth, and all other Creatures, will eche shew, and offer their Harmonious seruice, to fill vp, that, which wanteth hereof: and with your own Experience, concluding: you may Methodically register the whole, for the posteritie: Whereby, good profe will be had, of our Harmonious, and

[Micro Cosmus.]

Microcosmicall constitution.

[* ☞]

The outward Image, and vew hereof: to the Art of _Zographie_ and Painting, to Sculpture, and Architecture: (for Church, House, Fort, or Ship) is most necessary and profitable: for that, it is the chiefe base and foundation of them.

[* Lib. 3. Cap. 1.]

Looke in * _Vitruuius_, whether I deale sincerely for your behoufe, or no. Looke in _Albertus Durerus_, _De Symmetria humani Corporis_. Looke in the 27. and 28. Chapters, of the second booke, _De occulta Philosophia_. Consider the _Arke_ of _Noe_. And by that, wade farther. Remember the _Delphicall Oracle NOSCE TEIPSVM_ +_(Knowe thy selfe)_+ so long agoe pronounced: of so many a Philosopher repeated: and of the _Wisest_ attempted: And then, you will perceaue, how long agoe, you haue bene called to the Schole, where this Arte might be learned. Well. I am nothing affrayde, of the disdayne of some such, as thinke Sciences and Artes, to be but Seuen. Perhaps, those Such, may, with ignorance, and shame enough, come short of them Seuen also: and yet neuerthelesse they can not prescribe a certaine number of Artes: and in eche, certaine vnpassable boundes, to God, Nature, and mans Industrie. New Artes, dayly rise vp: and there was no such order taken, that,

[☞]

All Artes, should in one age, or in one land, or of one man, be made knowen to the world. Let vs embrace the giftes of God, and wayes to wisedome, in this time of grace, from aboue, continually bestowed on them, who thankefully will receiue them: _Et bonis Omnia Cooperabuntur in bonum._

+‡Trochilike,‡ is that Art Mathematicall, which demonstrateth the properties of all Circular motions, Simple and Compounde.+ And bycause the frute hereof, vulgarly receiued, is in Wheles, it hath the name of _Trochilike:_ as a man would say, _Whele Art_. By this art, a Whele may be geuen which shall moue ones about, in any tyme assigned. Two Wheles may be giuen, whose turnynges about in one and the same tyme, (or equall tymes), shall haue, one to the other, any proportion appointed. By Wheles, may a straight line be described: Likewise, a Spirall line in plaine, Conicall Section lines, and other Irregular lines, at pleasure, may be drawen. These, and such like, are principall Conclusions of this Arte: and helpe forward many pleasant and profitable Mechanicall workes:

[Saw Milles.]

As Milles, to Saw great and very long Deale bordes, no man being by. Such haue I seene in Germany: and in the Citie of Prage: in the kingdome of Bohemia: Coyning Milles, Hand Milles for Corne grinding: And all maner of Milles, and Whele worke: By Winde, Smoke, Water, Waight, Spring, Man or Beast, moued. Take in your hand, _Agricola De re Metallica:_ and then shall you (in all Mines) perceaue, how great nede is, of Whele worke. By Wheles, straunge workes and incredible, are done: as will, in other Artes hereafter, appeare. A wonderfull example of farther possibilitie, and present commoditie, was sene in my time, in a certaine Instrument: which by the Inuenter and Artificer (before) was solde for xx. Talentes of Golde: and then had (by misfortune) receaued some iniurie and hurt: And one _Ianellus_ of _Cremona_ did mend the same, and presented it vnto the Emperour _Charles_ the fifth. _Hieronymus Cardanus_, can be my witnesse, that therein, was one Whele, which moued, and that, in such rate, that, in 7000. yeares onely, his owne periode should be finished. A thing almost incredible: But how farre, I keepe me within my boundes: very many men (yet aliue) can tell.

+‡Helicosophie‡+, is nere Sister to _Trochilike:_ and is, +An Arte Mathematicall, which demonstrateth the designing of all Spirall lines in Plaine, on Cylinder, Cone, Sphære, Conoid, and Sphæroid, and their properties appertayning.+ The vse hereof, in _Architecture_, and diuerse Instrumentes and Engines, is most necessary. For, in many thinges, the Skrue worketh the feate, which, els, could not be performed. By helpe hereof,

[* Atheneus Lib. 5. cap. 8.]

it is * recorded, that, where all the power of the Citie of Syracusa, was not hable to moue a certaine Ship (being on ground) mightie _Archimedes_, setting to, his Skruish Engine, caused _Hiero_ the king, by him self, at ease, to remoue her, as he would.

[Proclus. Pag. 18.]

Wherat, the King wondring: Απὸ τάυτης τῆς ἡμέρας, περὶ παντὸς, Αρχιμήδει λέγοντι πιϛευτεόν. _From this day, forward_ (said the King) _Credit ought to be giuen to Archimedes, what soeuer he sayth._

+‡Pneumatithmie‡ demonstrateth by close hollow Geometricall Figures, (regular and irregular) the straunge properties (in motion or stay) of the Water, Ayre, Smoke, and Fire, in theyr cõtinuitie, and as they are ioyned to the Elementes next them.+ This Arte, to the Naturall Philosopher, is very proffitable: to proue, that _Vacuum_, or _Emptines_ is not in the world. And that, all Nature, abhorreth it so much: that, contrary to ordinary law, the Elementes will moue or stand. As, Water to ascend: rather then betwene him and Ayre, Space or place should be left, more then (naturally) that quãtitie of Ayre requireth, or can fill. Againe, Water to hang, and not descend: rather then by descending, to leaue Emptines at his backe. The like, is of Fire and Ayre: they will descend: when, either, their Cõtinuitie should be dissolued: or their next Element forced from them. And as they will not be extended, to discontinuitie: So, will they not, nor yet of mans force, can be prest or pent, in space, not sufficient and aunswerable to their bodily substance. Great force and violence will they vse, to enioy their naturall right and libertie.

[To go to the bottom of the Sea without daunger.]

Hereupon, two or three men together, by keping Ayre vnder a great Cauldron, and forcyng the same downe, orderly, may without harme descend to the Sea bottome: and continue there a tyme &c. Where, Note, how the thicker Element (as the Water) giueth place to the thynner (as, is the ayre:) and receiueth violence of the thinner, in maner. &c. Pumps and all maner of Bellowes, haue their ground of this Art: and many other straunge deuises. As, _Hydraulica_, Organes goyng by water. &c. Of this Feat, (called commonly _Pneumatica_,) goodly workes are extant, both in Greke, and Latin. With old and learned Schole men, it is called _Scientia de pleno & vacuo._

+‡Menadrie‡, is an Arte Mathematicall, which demonstrateth, how, aboue Natures vertue and power simple: Vertue and force may be multiplied: and so, to direct, to lift, to pull to, and to put or cast fro, any multiplied or simple, determined Vertue, Waight or Force: naturally, not, so, directible or moueable.+ Very much is this Art furdred by other Artes: as, in some pointes, by _Perspectiue_: in some, by _Statike_: in some, by _Trochilike_: and in other, by _Helicosophie_: and _Pneumatithmie_. By this Art, all Cranes, Gybbettes, & Ingines to lift vp, or to force any thing, any maner way, are ordred: and the certaine cause of their force, is knowne: As, the force which one man hath with the Duche waghen Racke: therwith, to set vp agayne, a mighty waghen laden, being ouerthrowne. The force of the Crossebow Racke, is certainly, here, demonstrated. The reason, why one mã, doth with a leauer, lift that, which Sixe men, with their handes onely, could not, so easily do. By this Arte, in our common Cranes in London, where powre is to Crane vp, the waight of 2000. pound: by two Wheles more (by good order added) Arte concludeth, that there may be Craned vp 200000. pound waight &c. So well knew _Archimedes_ this Arte: that he alone, with his deuises and engynes, (twise or thrise) spoyled and discomfited the whole Army and Hoste of the Romaines, besieging _Syracusa_,

[=Plutarchus in Marco Marcello.=]

_Marcus Marcellus the Consul_, being their Generall Capitaine.

[=Synesius in Epistolis.=]

Such huge Stones, so many, with such force, and so farre, did he with his engynes hayle among them, out of the Citie.

[=Polybius.=]

[=Plinius.=]

[=Quintilianus.=]

[=T. Liuius.=]

And by Sea likewise: though their Ships might come to the walls of _Syracusa_, yet hee vtterly confounded the Romaine Nauye. What with his mighty Stones hurlyng:

[=* Athenæus.=]

what with Pikes of * 18 fote long, made like shaftes: which he forced almost a quarter of a myle. What, with his catchyng hold of their Shyps, and hoysing them vp aboue the water, and suddenly letting them fall into the Sea againe:

[= * Galenus.=]

[=Anthemius.=]

what with his * Burning Glasses: by which he fired their other Shippes a far-of: what, with his other pollicies, deuises, and engines, he so manfully acquit him selfe: that all the Force, courage, and pollicie of the Romaines (for a great season) could nothing preuaile, for the winning of Syracusa. Wherupon, the Romanes named _Archimedes_, _Briareus_, and _Centimanus_. _Zonaras_ maketh mention of one _Proclus_, who so well had perceiued _Archimedes_ Arte of _Menadrie_, and had so well inuented of his owne, that with his Burning Glasses,

[Burning Glasses.]

being placed vpon the walles of Bysance, he multiplied so the heate of the Sunne, and directed the beames of the same against his enemies Nauie with such force, and so sodeinly (like lightening) that he burned and destroyed both man and ship. And _Dion_specifieth of _Priscus_, a _Geometricien_ in Bysance, who inuented and vsed sondry Engins, of Force multiplied: Which was cause, that the _Emperour Seuerus_ pardoned him, his life, after he had wonne Bysance: Bycause he honored the Arte, wytt, and rare industrie of _Priscus_. But nothing inferior to the inuention of these engines of Force, was the inuention of Gunnes.

[Gunnes.]

Which, from an English man, had the occasion and order of first inuenting: though in an other land, and by other men, it was first executed. And they that should see the record, where the occasion and order generall, of Gunning, is first discoursed of, would thinke: that, “small thinges, slight, and cõmon: comming to wise mens consideration, and industrious mens handling, may grow to be of force incredible.”

+‡Hypogeiodie‡, is an Arte Mathematicall, demonstratyng, how, vnder the Sphæricall Superficies of the earth, at any depth, to any perpendicular line assigned (whose distance from the perpendicular of the entrance: and the Azimuth, likewise, in respect of the said entrance, is knowen) certaine way may be præscribed and gone: And how, any way aboue the Superficies of the earth designed, may vnder earth, at any depth limited, be kept: goyng alwayes, perpendicularly, vnder the way, on earth designed: And, contrarywise, Any way, (straight or croked,) vnder the earth, beyng giuen: vppon the vtface, or Superficies of the earth, to Lyne out the same: So, as, from the Centre of the earth, perpendiculars drawen to the Sphæricall Superficies of the earth, shall precisely fall in the Correspondent pointes of those two wayes. This, with all other Cases and circumstances herein, and appertenances, this Arte demonstrateth.+ This Arte, is very ample in varietie of Conclusions: and very profitable sundry wayes to the Common Wealth. The occasion of my Inuenting this Arte, was at the request of two Gentlemen, who had a certaine worke (of gaine) vnder ground: and their groundes did ioyne ouer the worke: and by reason of the crokednes, diuers depthes, and heithes of the way vnder ground, they were in doubt, and at controuersie, vnder whose ground, as then, the worke was. The name onely (before this) was of me published, _De Itinere Subterraneo_: The rest, be at Gods will. For Pioners, Miners, Diggers for Mettalls, Stone, Cole, and for secrete passages vnder ground, betwene place and place (as this land hath diuerse) and for other purposes, any man may easily perceaue, both the great fruite of this Arte, and also in this Arte, the great aide of Geometrie.

+‡Hydragogie‡, demonstrateth the possible leading of Water, by Natures lawe, and by artificiall helpe, from any head (being a Spring, standing, or running Water) to any other place assigned.+ Long, hath this Arte bene in vse: and much thereof written: and very marueilous workes therein, performed: as may yet appeare, in Italy: by the Ruynes remaining of the Aqueductes. In other places, of Riuers leading through the Maine land, Nauigable many a Mile. And in other places, of the marueilous forcinges of Water to Ascend. which all, declare the great skill, to be required of him, who should in this Arte be perfecte, for all occasions of waters possible leading. To speake of the allowance of the Fall, for euery hundred foote: or of the Ventills (if the waters labour be farre, and great) I neede not: Seing, at hand (about vs) many expert men can sufficiently testifie, in effecte, the order: though the Demonstration of the Necessitie thereof, they know not: Nor yet, if they should be led, vp and downe, and about Mountaines, from the head of the Spring: and then, a place being assigned: and of them, to be demaunded, how low or high, that last place is, in respecte of the head, from which (so crokedly, and vp and downe) they be come: Perhaps, they would not, or could not, very redily, or nerely assoyle that question. _Geometrie_ therefore, is necessary to _Hydragogie_. Of the sundry wayes to force water to ascend, eyther by _Tympane_, _Kettell mills_, _Skrue_, _Ctesibike_, or such like: in _Vitruuius_, _Agricola_, (and other,) fully, the maner may appeare. And so, thereby, also be most euident, how the Artes, of _Pneumatithmie_, _Helicosophie_, _Statike_, _Trochilike_, and _Menadrie_, come to the furniture of this, in Speculation, and to the Commoditie of the Common Wealth, in practise.

+‡Horometrie‡, is an Arte Mathematicall, which demõstrateth, how, at all times appointed, the precise vsuall denominatiõ of time, may be knowen, for any place assigned.+ These wordes, are smoth and plaine easie Englishe, but the reach of their meaning, is farther, then you woulde lightly imagine. Some part of this Arte, was called in olde time, _Gnomonice_: and of late, _Horologiographia_: and in Englishe, may be termed, _Dialling_. Auncient is the vse, and more auncient, is the Inuention. The vse, doth well appeare to haue bene (at the least) aboue two thousand and three hundred yeare agoe:

[4. Reg. 20.]

in * King _Achaz_ Diall, then, by the Sunne, shewing the distinction of time. By Sunne, Mone, and Sterres, this Dialling may be performed, and the precise Time of day or night knowen. But the demonstratiue delineation of these Dialls, of all sortes, requireth good skill, both of _Astronomie_, and _Geometrie_ Elementall, Sphæricall, Phænomenall, and Conikall. Then, to vse the groundes of the Arte, for any regular Superficies, in any place offred: and (in any possible apt position therof) theron, to describe (all maner of wayes) how, vsuall howers, may be (by the _Sunnes_ shadow) truely determined: will be found no sleight Painters worke. So to Paint, and prescribe the Sunnes Motion, to the breadth of a heare. In this Feate (in my youth) I Inuented a way, +How in any Horizontall, Murall, or Æquinoctiall Diall, &c. At all howers (the Sunne shining) the Signe and Degree ascendent, may be knowen.+ Which is a thing very necessary for the Rising of those fixed Sterres: whose Operation in the Ayre, is of great might, euidently. I speake no further, of the vse hereof. Bur forasmuch as, Mans affaires require knowledge of Times & Momentes, when, neither Sunne, Mone, or Sterre, can be sene: Therefore, by Industrie Mechanicall, was inuented, first, how, by Water, running orderly, the Time and howers might be knowen: whereof, the famous _Ctesibius_, was Inuentor: a man, of _Vitruuius_, to the Skie (iustly) extolled. Then, after that, by Sand running, were howers measured: Then, by _Trochilike_ with waight: And of late time, by _Trochilike_ with Spring: without waight. All these, by Sunne or Sterres direction (in certaine time) require ouersight and reformation, according to the heauenly Æquinoctiall Motion: besides the inæqualitie of their owne Operation. There remayneth (without parabolicall meaning herein) among the Philosophers,

[A perpetuall Motion.]

a more excellent, more commodious, and more marueilous way, then all these: of hauing the motion of the Primouant (or first æquinoctiall motion,) by Nature and Arte, Imitated: which you shall (by furder search in waightier studyes) hereafter, vnderstand more of. And so, it is tyme to finish this Annotation, of Tymes distinction, vsed in our common, and priuate affaires: The commoditie wherof, no man would want, that can tell, how to bestow his tyme.

+‡Zographie‡, is an Arte Mathematicall, which teacheth and demonstrateth, how, the Intersection of all visuall Pyramides, made by any playne assigned, (the Centre, distance, and lightes, beyng determined) may be, by lynes, and due propre colours, represented.+ A notable Arte, is this: and would require a whole Volume, to declare the property thereof: and the Commodities ensuyng. Great skill of _Geometrie_, _Arithmetike_, _Perspectiue_, and _Anthropographie_, with many other particular Artes, hath the _Zographer_, nede of, for his perfection. For, the most excellent Painter, (who is but the propre Mechanicien, & Imitator sensible, of the Zographer) hath atteined to such perfection, that Sense of Man and beast, haue iudged thinges painted, to be things naturall, and not artificiall: aliue, and not dead. This Mechanicall Zographer (commonly called the Painter) is meruailous in his skill: and seemeth to haue a certaine diuine power: As, of frendes absent, to make a frendly, present comfort: yea, and of frendes dead, to giue a continuall, silent presence: not onely with vs, but with our posteritie, for many Ages. And so procedyng, Consider, How, in Winter, he can shew you, the liuely vew of Sommers Ioy, and riches: and in Sommer, exhibite the countenance of Winters dolefull State, and nakednes. Cities, Townes, Fortes, Woodes, Armyes, yea whole Kingdomes (be they neuer so farre, or greate) can he, with ease, bring with him, home (to any mans Iudgement) as Paternes liuely, of the thinges rehearsed. In one little house, can he, enclose (with great pleasure of the beholders,) the portrayture liuely, of all visible Creatures, either on earth, or in the earth, liuing: or in the waters lying, Creping, slyding, or swimming: or of any foule, or fly, in the ayre flying. Nay, in respect of the Starres, the Skie, the Cloudes: yea, in the shew of the very light it selfe (that Diuine Creature) can he match our eyes Iudgement, most nerely. What a thing is this? thinges not yet being, he can represent so, as, at their being, the Picture shall seame (in maner) to haue Created them. To what Artificer, is not Picture, a great pleasure and Commoditie? Which of them all, will refuse the Direction and ayde of Picture? The Architect, the Goldsmith, and the Arras Weauer: of Picture, make great account. Our liuely Herbals, our portraitures of birdes, beastes, and fishes: and our curious Anatomies, which way, are they most perfectly made, or with most pleasure, of vs beholden? Is it not, by Picture onely? And if Picture, by the Industry of the Painter, be thus commodious and meruailous: what shall be thought of _Zographie_, the Scholemaster of Picture, and chief gouernor? Though I mencion not _Sculpture_, in my Table of Artes Mathematicall: yet may all men perceiue, How, that _Picture_ and _Sculpture_, are Sisters germaine: and both, right profitable, in a Commõ wealth. and of _Sculpture_, aswell as of Picture, excellent Artificers haue written great bokes in commendation. Witnesse I take, of _Georgio Vasari_, _Pittore Aretino_: of _Pomponius Gauricus_: and other. To these two Artes, (with other,) is a certaine od Arte, called _Althalmasat_, much beholdyng: more, then the common _Sculptor_, _Entayler_, _Keruer_, _Cutter_, _Grauer_, _Founder_, or _Paynter (&c)_ know their Arte, to be commodious.

[An objection.]

+‡Architecture‡+, to many may seme not worthy, or not mete, to be reckned among the _Artes Mathematicall_. To whom, I thinke good, to giue some account of my so doyng. Not worthy, (will they say,) bycause it is but for building, of a house, Pallace, Church, Forte, or such like, grosse workes. And you, also, defined the _Artes Mathematicall_, to be such, as dealed with no Materiall or corruptible thing: and also did demonstratiuely procede in their faculty, by Number or Magnitude. First,

[The Answer.]

you see, that I count, here, _Architecture_, among those _Artes Mathematicall_, which are Deriued from the Principals: and you know, that such, may deale with Naturall thinges, and sensible matter. Of which, “some draw nerer, to the Simple and absolute Mathematicall Speculation, then other do.

[☞]

And though, the _Architect_ procureth, enformeth, & directeth, the _Mechanicien_, to handworke, & the building actuall, of house, Castell, or Pallace, and is chief Iudge of the same: yet, with him selfe (as chief _Master_ and _Architect_,) remaineth the Demonstratiue reason and cause, of the Mechaniciens worke: in Lyne, plaine, and Solid: by _Geometricall_, _Arithmeticall_, _Opticall_, _Musicall_, _Astronomicall_, _Cosmographicall_” (& to be brief) by all the former Deriued _Artes Mathematicall_, and other Naturall Artes, hable to be confirmed and stablished. If this be so: then, may you thinke, that _Architecture_, hath good and due allowance, in this honest Company of _Artes Mathematicall_ Deriuatiue. I will, herein, craue Iudgement of two most perfect _Architectes_: the one, being _Vitruuius_, the Romaine: who did write ten bookes thereof, to the Emperour _Augustus_ (in whose daies our Heauenly Archemaster, was borne): and the other, _Leo Baptista Albertus_, a Florentine: who also published ten bookes therof. _Architectura_ (sayth _Vitruuius_) _est Scientia pluribus disciplinis & varijs eruditionibus ornata: cuius Iudicio probantur omnia, quæ ab cæteris Artificibus perficiuntur opera._ That is. +Architecture, is a Science garnished with many doctrines & diuerse instructions: by whose Iudgement, all workes, by other workmen finished, are Iudged.+ It followeth. _Ea nascitur ex Fabrica, & Ratiocinatione. &c. Ratiocinatio autem est, quæ, res fabricatas, Solertia ac ratione proportionis, demonstrare at[que] explicare potest. +Architecture, groweth of Framing, and Reasoning. &c. Reasoning, is that, which of thinges framed, with forecast, and proportion: can make demonstration, and manifest declaration.+_ Againe. _Cùm, in omnibus enim rebus, tùm maximè etiam in Architectura, hæc duo insunt: quod significatur, & quod significat. Significatur proposita res, de qua dicitur: hanc autem Significat Demonstratio, rationibus doctrinarum explicata. +Forasmuch as, in all thinges: therefore chiefly in Architecture, these two thinges are: the thing signified: and that which signifieth. The thing propounded, whereof we speake, is the thing Signified. But Demonstration, expressed with the reasons of diuerse doctrines, doth signifie the same thing.+_ After that. _Vt literatus sit, peritus Graphidos, eruditus Geometriæ, & Optices non ignarus: instructus Arithmetica: historias complures nouerit, Philosophos diligenter audiuerit: Musicam sciuerit: Medicinæ non sit ignarus, responsa Iurisperitorũ nouerit: Astrologiam, Cæli[que] rationes cognitas habeat. +An Architect+_ (sayth he) +_ought to vnderstand Languages, to be skilfull of Painting, well instructed in Geometrie, not ignorant of Perspectiue, furnished with Arithmetike, haue knowledge of many histories, and diligently haue heard Philosophers, haue skill of Musike, not ignorant of Physike, know the aunsweres of Lawyers, and haue Astronomie, and the courses Cælestiall, in good knowledge._+ He geueth reason, orderly, wherefore all these Artes, Doctrines, and Instructions, are requisite in an excellent _Architect_. And (for breuitie) omitting the Latin text, thus he hath. +_Secondly, it is behofefull for an Architect to haue the knowledge of Painting: that he may the more easilie fashion out, in patternes painted, the forme of what worke he liketh. And Geometrie, geueth to Architecture many helpes: and first teacheth the Vse of the Rule, and the Cumpasse: wherby (chiefly and easilie) the descriptions of Buildinges, are despatched in Groundplats: and the directions of Squires, Leuells, and Lines. Likewise, by Perspectiue, the Lightes of the heauen, are well led, in the buildinges: from certaine quarters of the world. By Arithmetike, the charges of Buildinges are summed together: the measures are expressed, and the hard questions of Symmetries, are by Geometricall Meanes and Methods discoursed on. &c. Besides this, of the Nature of thinges (which in Greke is called φυσιολογία) Philosophie doth make declaration. Which, it is necessary, for an Architect, with diligence to haue learned: because it hath many and diuers naturall questions: as specially, in Aqueductes. For in their courses, leadinges about, in the leuell ground, and in the mountinges, the naturall Spirites or breathes are ingendred diuers wayes: The hindrances, which they cause, no man can helpe, but he, which out of Philosophie, hath learned the originall causes of thinges. Likewise, who soeuer shall read Ctesibius, or Archimedes bookes, (and of others, who haue written such Rules) can not thinke, as they do: vnlesse he shall haue receaued of Philosophers, instructions in these thinges. And Musike he must nedes know: that he may haue vnderstanding, both of Regular and Mathematicall Musike: that he may temper well his Balistes, Catapultes, and Scorpions. &c. Moreouer, the Brasen Vessels, which in Theatres, are placed by Mathematicall order, in ambries, vnder the steppes: and the diuersities of the soundes (which y^e Grecians call ηχεῖα) are ordred according to Musicall Symphonies & Harmonies: being distributed in y^e Circuites, by Diatessaron, Diapente, and Diapason. That the conuenient voyce, of the players sound, whẽ it came to these preparations, made in order, there being increased: with y^t increasing, might come more cleare & pleasant, to y^e eares of the lokers on. &c. And of Astronomie, is knowẽ y^e East, West, South, and North. The fashion of the heauen, the Æquinox, the Solsticie, and the course of the sterres. Which thinges, vnleast one know: he can not perceiue, any thyng at all, the reason of Horologies. Seyng therfore this ample Science, is garnished, beautified and stored, with so many and sundry skils and knowledges: I thinke, that none can iustly account them selues Architectes, of the suddeyne. But they onely, who from their childes yeares, ascendyng by these degrees of knowledges, beyng fostered vp with the atteynyng of many Languages and Artes, haue wonne to the high Tabernacle of Architecture. &c. And to whom Nature hath giuen such quicke Circumspection, sharpnes of witt, and Memorie, that they may be very absolutely skillfull in Geometrie, Astronomie, Musike, and the rest of the Artes Mathematicall: Such, surmount and passe the callyng, and state, of Architectes:

[A Mathematicien.]

and are become Mathematiciens. &c. And they are found, seldome. As, in tymes past, was Aristarchus Samius: Philolaus, and Archytas, Tarentynes: Apollonius Pergęus: Eratosthenes Cyreneus: Archimedes, and Scopas, Syracusians. Who also, left to theyr posteritie, many Engines and Gnomonicall workes: by numbers and naturall meanes, inuented and declared._+

Thus much, and the same wordes (in sense) in one onely Chapter of this Incõparable _Architect Vitruuius_, shall you finde. And if you should, but take his boke in your hand, and slightly loke thorough it, you would say straight way:

[Vitruuius.]

This is _Geometrie_, _Arithmetike_, _Astronomie_, _Musike_, _Anthropographie_, _Hydragogie_, _Horometrie_. _&c_. and (to cõclude) the Storehouse of all workmãship. Now, let vs listen to our other Iudge, our Florentine, _Leo Baptista_: and narrowly consider, how he doth determine of _Architecture_. _Sed ante[que] vltra progrediar. &c. +But before I procede any further +_(sayth he) +_I thinke, that I ought to expresse, what man I would haue to bee allowed an Architect. For, I will not bryng in place a Carpenter: as though you might Compare him to the Chief Masters of other Artes. For the hand of the Carpenter, is the Architectes Instrument._+

[VVho is an Architect.]