Chapter II: Book I: I (2)

Netta thanked her ungraciously. She remembered having seen the girl the night before, and Anastasia had mentioned her as the daughter of the _Contadino_.

Thyrza put the flowers in water, Netta watching her in silence; then going into the hall, she returned with a pair of white lace curtains.

"Shall I put 'em up? It 'ud mebbe be more cheerful."

Netta looked at them languidly.

"Where do they come from?"

"Mr. Tyson brought 'em from Pengarth. He thowt you might like 'em for the drawing-room."

Mrs. Melrose nodded, and Thyrza mounted a chair, and proceeded to put up the curtains, turning an observant eye now and then on the thin-faced lady sitting on the sofa, her long fingers clasped round her knees, and her eyes--so large and staring as to be rather ugly than beautiful in Thyrza's opinion--wandering absently round the room.

"It's a clashy day," Thyrza ventured at last.

"It's a dreadful day," said Mrs. Melrose sharply. "Does it always rain like this?"

"Well, it _do_ rain," was Thyrza's cautious reply. "But there that's better than snowin'--for t' shepherds."

Mrs. Melrose found the girl's voice pleasant, and could not deny that she was pretty, in her rustic way.

"Has your father many sheep?"

"Aye, but they're all gone up to t' fells for t' winter. We had a grand time here in September--at t' dippin'. Yo'd never ha' thowt there was so mony folk about"--the girl went on, civilly, making talk.

"I never saw a single house, or a single light, on the drive from the station last night," said Mrs. Melrose, in her fretful voice. "Where are all the people?"

"Well, there ain't many!" laughed Thyrza. "It's a lonesome place this is. But when it's a shearin', or a dippin', yo' unnerstand, farmin' folk'll coom a long way to help yan anuther."

"Are they all farmers about here?"

"Mostly. Well, there's Duddon Castle!" Thyrza's voice, a little muffled by the tin-tacks in the mouth, came from somewhere near the top of a tall window--"Oh--an' I forgot!--"

In a great hurry the speaker jumped down from her perch, and to Netta's astonishment ran out of the room.

"What is she about?" thought Mrs. Melrose irritably. But the question was hardly framed before Thyrza reappeared, holding out her hand, in which lay some visiting-cards.

"I should ha' given them yo' before."

Mrs. Melrose took them with surprise, and read the name.

"Countess Tatham--who is she?"

"Why it's she that lives at Duddon Castle." Then the girl looked uncertainly at her companion--"Mr. Tyson did tell me she was a relation of Mr. Melrose."

"A relation? I don't know anything about her," said Netta decidedly. "Did she come to call upon me?"

The girl nodded--"She come over--it was last Tuesday--from Duddon, wi' two lovely horses--my, they were beauties! She said she'd come again."

Netta asked questions. Lady Tatham, it seemed, was the great lady of the neighbourhood, and Duddon Castle was a splendid old place, that all the visitors went to see. And there were her cards. Netta's thoughts began to hurry thither and thither, and possibilities began to rise. A relation of Edmund's? She made Thyrza tell her all she knew about Duddon and the Tathams. Visions of being received there, of meeting rich and aristocratic people, of taking her place at last in society, the place that belonged to her as Edmund's wife, in spite of his queer miserly ways, ran again lightly through a mind that often harboured such dreams before--in vain. Her brow cleared. She made Thyrza leave the curtains, and sit down to gossip with her. And Thyrza, though perfectly conscious, as the daughter of a hard-working race, that to sit gossiping at midday was a sinful thing, was none the less willing to sin; and she chattered on in a Westmoreland dialect that grew steadily broader as she felt herself more at ease, till Mrs. Melrose could scarcely follow her.

But she managed to seize on the facts that concerned her. Lady Tatham, it seemed, was a widow, with an only boy, a lad of seven, who was the heir to Duddon Castle, and its great estates. The Castle was ten miles from the Tower.

"How shall I ever get there?" thought Mrs. Melrose, despairingly.

As to other neighbours, they seemed to consist entirely of an old bachelor doctor, about three miles away, and the clergyman of Gimmers Wick and his wife. _She_ was sure to come. But most people were "glad to see the back on her." She had such a poor spirit, and was always complaining.

In the midst of this conversation, the door of the room, which was ajar, slowly opened. Thyrza looked round and saw in the aperture a tiny white figure. It was the Melrose baby, standing silent, wide-eyed, with its fingers in its mouth, and Anastasia behind it. Anastasia, whose look was still thunderous, explained that she was unpacking and could not do with it. The child toddled in to its mother, and Thyrza exclaimed in admiration:

"Oh, you _are_ a little beauty!"

And she caught up one of the brass curtain rings lying on the table, and tried to attract the baby with it. But the little thing took not the smallest notice of the lure. She went straight to her mother, and, leaning against Netta's knee, she turned to stare at Thyrza with an intensity of expression, rare in a child so young. Thyrza, kneeling on the floor, stared back--fascinated. She thought she had never seen anything so lovely. The child had her father's features, etherealized; and great eyes, like her mother, but far more subtly beautiful. Her skin was pale, but of such a texture that Thyrza's roses-and-milk looked rough and common beside it. Every inch of the proud little head was covered with close short curls leaving the white neck free, and the hand lifted to her mouth was of a waxen delicacy.

Netta opened a picture-book that Anastasia had brought down with her. Felicia pushed it away. Netta opened it again. Then the child, snatching it from her, sat down on the floor, and, before Netta could prevent her, tore one of the pages across with a quick, vindictive movement--her eyes sparkling.

"Naughty--! naughty!" said Netta in a scolding voice.

But Thyrza dropped her hand hastily into a gray calico pocket tied round her waist, and again held out something.

"It is only a pear-drop," she said apologetically to Netta. "It won't hurt her."

Felicia snatched at it at once, and sucked it, still flushed with passion. Her mother smiled faintly.

"You like sweets?" she said, childishly, to her companion; "give me one?"

Thyrza eagerly brought out a paper bag from her pocket and Netta put out a pair of thin fingers. She and her sisters had been great consumers of sweet stuff in the small dark Florentine shops. The shared greediness promoted friendship; and by the time Mrs. Dixon put in a reproachful face with a loud--"Thyrza, what _be_ you a doin'?"--Mrs. Melrose knew as much of the Tower, the estate, the farm, and the persons connected with them, as Thyrza's chattering tongue could tell her in the time.

There was nothing, however, very consoling in the information. When Thyrza departed, Mrs. Melrose was left to fret and sigh much as before. The place was odious; she could never endure it. But yet the possible advent of "Countess Tatham" cast a faint ray on the future.

A few days later Lady Tatham appeared. Melrose had been particularly perverse and uncommunicative on the subject. "Like her audacity!"--so Netta had understood his muttered comment, when she took him the cards. He admitted that the lady and he were cousins--the children of first cousins; and that he had once seen a good deal of her. He called her "an audacious woman"; but Mrs. Melrose noticed that he did not forbid her the house; nay, rather that he listened with some attention to Thyrza's report that the lady had promised to call again.

On the afternoon of the call, the skies were clear of rain, though not of cloud. The great gashed mountain to the north which Dixon called Saddleback, while a little Cumbria "guide," produced by Tyson, called it Blencathra, showed sombrely in a gray light; and a November wind was busy stripping what leaves still remained from the woods by the stream and in the hollows of the mountain. Landscape and heavens were of an iron bracingness and bareness; and the beauty in them was not for eyes like Netta's. She had wandered out forlornly on the dank paths descending to the stream. Edmund as usual was interminably busy fitting up one of the lower rooms for some of his minor bric-à-brac--ironwork, small bronzes, watches, and clocks. Anastasia and the baby were out.

Would Anastasia stay? Already she looked ill; she complained of her chest. She had made up her mind to come with the Melroses for the sake of her mother and sister in Rome, who were so miserably poor. Netta felt that she--the mistress--had some security against losing her, in the mere length and cost of the journey. To go home now, before the end of her three months, would swallow up all the nurse had earned; for Edmund would never contribute a farthing. Poor Anastasia! And yet Netta felt angrily toward her for wishing to desert them.

"For of course I shall take her home--in March. We shall all be going then," she said to herself with an emphasis, almost a passion, which yet was full of misgiving.

Suddenly, just as she had returned by a steep path to the dilapidated terrace on the north side of the house--a sound of horses' feet and wheels. Evidently a carriage--a caller. Netta's pulse fluttered. She ran into the house by a side door, and up to her room, where she smoothed her hair anxiously, and lightly powdered her face. There was no time to change her dress, but she took out a feather boa which she kept for great occasions, and prepared to descend with dignity. Oh the stairs she met Mrs. Dixon, who announced "Lady Tatham."

"Find Mr. Melrose, please."

"Oh, he's there, Ma'am, awready."

Netta entered the drawing-room to see her husband pacing up and-down before a strange lady, who sat in one of the crimson armchairs, entirely at her ease.

"So this is your wife, Edmund," said Lady Tatham, as she rose.

"It is. You'll make mock of her no doubt--as you do of me."

"Nonsense! I never make mock of anybody," said a musical voice, rich however through all its music in a rather formidable significance. The owner of it turned toward Netta.

"I hope, Mrs. Melrose, that you will like Cumbria?"

Netta, accustomed to Edmund's "queerness," and determined to hold her own, settled herself deliberately opposite her visitor, and was soon complaining in her shrill voice of the loneliness of the place and the damp of the climate. Melrose never once looked at his wife. He was paler than usual, with an eager combative aspect, quite new to Netta. He seemed for once to be unsure of his ground--both to expect attack, even to provoke it--and to shrink from it. His eyes were fixed upon Lady Tatham, and followed her every movement.

Attention was certainly that lady's due; and it failed her rarely. She had beauty--great beauty; and a personality that refused to be overlooked. Her dress showed in equal measure contempt for mere fashion, and a close study of effect. The lines of her long cloak of dull blue cloth, with its garnishings of sable, matched her stately slenderness well; and the close-fitting cap over the coiled hair conveyed the same impression of something perfectly contrived and wholly successful. Netta thought at first that she was "made up," so dazzling was the white and pink, and then doubted. The beauty of the face reminded one, perhaps, of the beauty of a boy--of some clear-eyed, long-chinned athlete--masterfully simple--a careless conqueror.

How well she and Edmund seemed to know each other! That was the strange, strange thing in Netta's eyes. Presently she sat altogether silent while they talked. Melrose still walking up and down--casting quick glances at his guest. Lady Tatham gave what seemed to be family news--how "John" had been sent to Teheran--and "George" was to be military secretary in Dublin--and "Barbara" to the astonishment of everybody had consented to be made a Woman of the Bedchamber--"poor Queen!"--how Reginald Pratt had been handsomely turned out of the Middleswick seat, and was probably going to "rat" to an Opposition that promised more than the Government--that Cecilia's eldest girl--"a pretty little minx"--had been already presented, and was likely to prove as skilful a campaigner for a husband as her mother before her--that "Gerald" had lost heavily at Newmarket, and was now a financial nuisance, borrowing from everybody in the family--and so on, and so on.

Melrose received these various items of information half scornfully, half greedily; it might have been guessed that his interest in the teller was a good deal keener than his interest in the things told. The conversation revealed to Netta phases in her husband's existence wholly unknown to her. So Edmund had been in Rome--for two or three years--in the Embassy! That she had never known. He seemed also to have been an English member of Parliament for a time. In any case he had lived, apparently for years, like other men of his kind--shooting, racing, visiting, travelling, fighting, elections. She could not fit the facts to which both alluded with her own recollections of the misanthrope who had first made acquaintance with her and her family in Florence three years before this date; and her bewilderment grew.

As for the others, they had soon, it seemed, completely forgotten the thin sallow-faced wife, who sat with her back to the window, restlessly twisting her rings.

Presently Melrose stopped abruptly--in front of Lady Tatham.

"Where is Edith?" He bent forward peremptorily, his hand on the table, his eyes on the lady's face.

"At the Cape with her husband."

"Has she found him out yet?"

"There's nothing to find out. He's an excellent fellow."

"A stupid prig," said Melrose passionately. "Well, you did it!--You did it!"

"Yes, I did it." Lady Tatham rose quietly. She had paled, and after a minute's hesitation she held out her hand to Melrose. "Suppose, Edmund, we bury the hatchet. I should like to be friends with you and your wife, if you would allow it?"

The change of manner was striking. Up to this moment Lady Tatham had been, so to speak, the aggressor, venturing audaciously on ground which she knew to be hostile--from bravado?--or for some hidden reason? But she spoke now with seriousness--even with a touch of womanly kindness.

Melrose looked at her furiously.

"Lady Tatham, I advise you to leave us alone!"

She sighed, met his eyes a moment, gravely, then turned to Netta.

"Mrs. Melrose, your husband and I have an old quarrel. He wanted to marry my sister. I prevented it. She is married now--and he is married. Why shouldn't we make friends?"

"Quarrels are very foolish!" said Netta, sententiously, straightening her small shoulders. But she dared not look at Melrose.

"Well, tell him so," laughed Lady Tatham. "And come and see me at Duddon Castle."

"Thank you! I should like to!" cried Netta.

"My wife has no carriage, Lady Tatham."

"Oh, Edmund--we might hire something," said his wife imploringly.

"I do not permit it," he said resolutely. "Good-bye, Lady Tatham. You are like all women--you think the cracked vase will hold water. It won't."

"What are you going to do here, Edmund?"

"I am a collector--and works of art amuse me."

"And I can do nothing--for you--or your wife?"

"Nothing. I am sorry if you feel us on your mind. Don't. I would have gone farther from you, if I could. But seven miles--are seven miles."

Lady Tatham coloured. She shook hands with Netta.

Melrose held the door open for her. She swept through the hall, and hurried into her carriage. She and Melrose touched hands ceremoniously, and the brougham with its fine roan horses was soon out of sight.

A miserable quarrel followed between the husband and wife. Netta, dissolved in hysterical weeping, protested that she was a prisoner and an exile, that Edmund had brought her from Italy to this dreary place to kill her, that she couldn't and wouldn't endure it, and that return to Italy she must and would, if she had to beg her way. It was cruel to shut her up in that awful house, to deny her the means of getting about, to treat people who wished to be kind to her as Edmund had treated Lady Tatham. She was not a mere caterpillar to be trodden on. She would appeal to the neighbours--she would go home to her parents, etcetera--etcetera.

Melrose at first tried to check her by sarcasm--a banter that stung where it lit. But when she would not be checked, when she followed him into his study, wailing and accusing, a whirlwind of rage developed in the man, and he denounced her with a violence and a brutality which presently cowed her. She ran shivering upstairs to Anastasia and the baby, bolted her door, and never reappeared till, twenty-four hours later, she crept down white and silent, to find a certain comfort in Thyrza's rough ministrations. Melrose seemed to be, perhaps, a trifle ashamed of his behaviour; and they patched up a peace over the arrangements for the heating of the house on which for once he had the grace to consult her.

The winter deepened, and Christmas came. On the mountain-tops the snow lay deep, and when Netta--who on many days never left the house--after walking a while up and down the long corridor for the sake of exercise, would sink languidly on the seat below its large western window, she looked out upon a confusion of hills near and far, drawn in hard white upon an inky sky. To the south the Helvellyn range stretched in bold-flung curves and bosses; in the far distance rose the sharper peaks of Derwentwater; while close at hand Blencathra with its ravines, and all the harsh splendour of its white slopes and black precipices, alternately fascinated and repelled the little Southerner, starved morally and physically for lack of sun.

Even for Cumbria it was a chill and sunless winter. No bracing frosts, and persistent northwesterly winds. Day after day the rain, which was snow on the heights, poured down. Derwentwater and Bassenthwaite rose till they mingled in one vast lake. The streams thundered from the fells; every road was a water-course.

Netta lost flesh and appetite. She was a discontented and ailing woman, and the Dixons could not but notice her fragile state. Mrs. Dixon thought her "nobbut a silly sort of body," but would sometimes try to cook what pleased her, or let Anastasia use the kitchen fire for "gnocchi" or "risotto" or other queer messes; which, however, when they appeared, were generally more relished by the master than the mistress.

Dixon, perceiving no signs of any desire on Netta's part to attend the "papish" chapel ten miles away, began to plot for her soul. His own life was in the little Methodist chapel to which he walked four miles every Sunday, wet or fine. In the summer he had accompanied the minister and one or two class leaders in a drive through the hayfields, shouting to the haymakers--"We're going to heaven!--won't you come with us!"--and he had been known to spend five hours at a stretch on his knees wrestling for the salvation of a drunken friend, in the village of Threlkeld. But Netta baffled him. Sometimes he would come home from chapel, radiant, and would take her a bunch of holly for the table by way of getting into conversation with her. "It was _fine_ to-day, Missis! There was three found peace. And the congregation was grand! There was four attorneys--two of 'em from as far as Pengarth." And he would lend her tracts--and even offer, good man, to borrow a "shandrey" from a neighbour, and drive her himself to the chapel service. But Netta only smiled or yawned at him; and as for the tracts, she hid them under the few sofa cushions the house possessed.

Mr. Tyson, the agent, came to the house as seldom as he could, that he might not quarrel with his employer before it was to his own interest to do so. Netta discovered that he pitied her; and once or twice, drawing on the arts of flirtation, with which the Florentine woman is always well acquainted, she complained to him of her loneliness and her husband's unkindness. But his north-country caution protected him from any sentimentalizing, however innocent. And before the end of the winter Netta detested him. Meanwhile she and Anastasia lived for one hope only. From many indications it was plain that Melrose was going south in March. The women were determined not to stay behind him. But, instinctively, they never raised the subject, so as not to risk a struggle prematurely.

Meanwhile Melrose passed a winter wholly satisfactory to himself. The partial unpacking of his collections was an endless source of amusement and pleasure. But his curious egotism showed itself very plainly in the business. He made no attempt at artistic arrangement, though there was some classification. As fast as one room was filled--the vacant packing-cases turned on their sides, serving to exhibit what they had once contained--he would begin upon another. And woe to Mrs. Dixon or Thyrza if they attempted any cleaning in one of his rooms! The collections were for himself only, and for the few dealers or experts to whom he chose to show them. And the more hugger-mugger they were, the less he should be pestered to let people in to see them. Occasionally he would rush up to London to attend what he called a "high puff sale"--or to an auction in one of the northern towns, and as he always bought largely, purchases kept arriving, and the house at the end of the winter was in a scarcely less encumbered and disorderly condition than it had been at the beginning. The few experts from the Continent or America, whom he did admit, were never allowed a word of criticism of the collections. If they ventured to differ from Melrose as to the genuineness or the age of a bronze or a marble, an explosion of temper and a speedy dismissal awaited them.

One great stroke of luck befel him in February which for a time put him in high good-humour. He bought at York--very cheaply--a small bronze Hermes, which some fifteenth-century documents in his own possession, purchased from a Florentine family the year before, enabled him to identify with great probability as the work of one of the rarest and most famous of the Renaissance sculptors. He told no one outside the house, lest he should be plagued to exhibit it, but he could not help boasting of it to Netta and Anastasia.

"That's what comes of having _an eye_! It's worth a thousand guineas of it's worth a penny. And those stupid idiots let me have it for twenty-two pounds!"

"A thousand guineas!" Gradually the little bronze became to Netta the symbol of all that money could have bought for her--and all she was denied; Italy, freedom, the small pleasures she understood, and the salvation of her family, now in the direst poverty. There were moments when she could have flung it passionately out of the window into the stream a hundred feet below. But she was to find another use for it.

March arrived. And one day Anastasia came to tell her mistress that she had received orders to pack Mr. Melrose's portmanteaus for departure.

Netta brooded all day, sitting silent and pale in the window-seat, with some embroidery which she never touched on her knee. Outside, not a sign of spring! A bitter north wind was blowing which had blanched all colour from the hills, and there was ice on the edges of the streams. Thyrza was away in Carlisle, helping an aunt. There was no one in the house but Mrs. Dixon, and a deaf old woman from one of the labourer's cottages; attached to the farm, who had come in to help her. The poor babe had a cold, and could be heard fretfully crying and coughing in her nursery.

And before Netta's inward eye there stretched the interminable days and weeks ahead, no less than the interminable weeks and months she had already lived through, in this discomfort of body, and this loneliness of spirit.

After supper she walked resolutely into her husband's littered study and demanded that she and Anastasia and the baby should go with him to the Continent. He, she understood, would stop in Paris. She and the child would push on to Florence, where she could stay the summer with her people, at no greater cost than at the Tower. The change was necessary both for her and Felicia, and go she would.

Melrose flatly and violently refused. What did she want better than the Tower? She had as much service, and as much luxury as her antecedents entitled her to; and he neither could nor would provide her with anything more. He was heavily in debt, and had no money to spend on railway tickets. And he entirely disapproved of her relations, especially of her father, who might any day find himself "run in" by the Italian authorities for illicit smuggling of pictures out of the country. He declined to allow his child to become familiar with such a circle.

Netta listened to him with tight lips, her pale face strangely flushed. When she saw that her appeal was quite fruitless she went away, and she and Anastasia sat up whispering together far into the night.

Early next morning Melrose departed, leaving a letter for his wife, in which he informed her that he had left money with Mr. Tyson for the household expenses, and for the few shillings he supposed she would want as pocket money. He advised her to be out a great deal, and assured her that the Cumbria summer, when it came, was delightful. And he signed himself "your affectionate husband, Edmund Melrose."

Mrs. Dixon went into Pengarth for shopping on the fly which conveyed Melrose to the station, and was to come out by carrier. After their departure there was no one left in the house but the deaf old woman. Netta and her maid preceeded to carry out a plan they had been long maturing. Anastasia had a few pounds left of her Christmas wages; enough to carry them to London; and for the rest, they had imagined an excellent device.

The bronze Hermes had been left by Melrose in a cupboard in a locked room on the first floor. When Mrs. Dixon came back that night, she discovered that Mrs. Melrose, with her child and maid had quitted the house. They had apparently harnessed the cart and horse themselves, and had driven into Pengarth, taking a labourer with them to bring the cart home. They had carried all their personal belongings away with them; and, after a while, Mrs. Dixon, poking about, discovered that the door of one of the locked rooms had been forced.

She also noticed, in one of the open drawers of Mrs. Melrose's bedroom, a photograph, evidently forgotten, lying face downward. Examining it, she saw that it was a picture of Netta, with the baby, taken apparently in Italy during the preceding summer. The Cumbrian woman, shrewdly observant like all her race, was struck by the tragic differences between the woman of the picture and the little blighted creature who had just made a flitting from the Tower.

She showed the photograph to her husband, returned it to the drawer, and thought no more about it.

News was of course sent to Mr. Melrose in Paris, and within three days he had come rushing back to the Tower, beside himself with rage and grief, not at all, as George Tyson soon assured himself, for the loss of his wife and child, but entirely for the theft of the priceless Florentine bronze, a loss which he had suspected on the first receipt of the news of the forced door, and verified at once on his arrival.

He stood positively aghast at Netta's perfidy and wickedness, and he wrote at once to the apartment in the Via Giugno, to denounce her in the most emphatic terms. As she had chosen to steal one of his most precious possessions, which she had of course converted into money, she had no further claim on him whatever, and he broke off all relations with her. Eighty pounds a year would be paid by his lawyers to a Florentine lawyer, whom he named, for his daughter's maintenance, so long as Netta left him unmolested. But he desired to hear and see no more of persons who reminded him of the most tragical event of his history as a collector, as well as of the utter failure of his married life. Henceforth they were strangers to each other, and she might arrange her future as she pleased.

The letter was answered by Mrs. Robert Smeath in the third person, and all communications ceased. As a matter of fact the Smeath family were infinitely relieved by Melrose's letter, which showed that he did not intend to take any police steps to recover the bronze or its value. Profiting by the paternal traditions, Netta had managed the sale of the Hermes in London, where, owing to Melrose's miserly hiding of it, it was quite unknown, with considerable skill. It had realized a small fortune, and she had returned, weary, ill, but triumphant, to the apartment in the Via Giugno.

Twelve months later, Melrose had practically forgotten that he had ever known her. He returned for the winter, to Threlfall, and entered upon a course of life which gradually made him the talk and wonder of the countryside. The rooms occupied by Netta and her child were left just as he had found them when he returned after her flight. He had turned the key on them then, and nobody had since entered them. Tyson wondered whether it was sentiment, or temper; and gave it for the latter.

The years passed away. Melrose's hair turned from black to gray; Thyrza married a tradesman in Carlisle and presented him with a large family; the Dixons, as cook and manservant, gradually fitted themselves more and more closely to the queer conditions of life in the Tower, and grew old in the service of a master whose eccentricities became to them, in process of time, things to be endured without comment, like disagreeable facts of climate. In Dixon, his Methodist books, his Bible, and his weekly chapel maintained those forces of his character which were--and always continued to be--independent of Melrose; and Melrose knew his own interests well enough not to interfere with an obstinate man's religion. While Tyson, after five years, passed on triumphantly to a lucrative agency in the Dukeries, having won a reputation for tact and patience in the impossible service of a mad master, which would carry him through life. Melrose, being Melrose, found it hopeless to replace him satisfactorily; and, as he continued to buy land greedily year after year, the neglected condition of his immense estate became an ever-increasing scandal to the county.

Meanwhile, for some years after the departure of Netta, Lady Tatham was obliged for reason of health to spend the winters on the Riviera, and she and her boy were only at Duddon for the summer months. Intercourse between her and her cousin Edmund Melrose was never renewed, and her son grew up in practical ignorance of the relationship. When, however, the lad was nearing the end of his Eton school days Duddon became once more the permanent home, summer and winter, of mother and son, and young Lord Tatham, curly-haired, good-humoured, and good-hearted, became thenceforward the favourite and princeling of the countryside. On the east and north, the Duddon estates marched with Melrose's property. Occasions of friction constantly arose, but the determination on each side to have no more communication with the other than was absolutely necessary generally composed any nascent dispute; so long at least as Lady Tatham and a very diplomatic agent were in charge.

But at the age of twenty-four, Harry Tatham succeeded to the sole management of his estates, and his mother soon realized that her son was not likely to treat their miserly neighbour with the same patience as herself.

And with the changes in human life, went changes even more subtle and enduring in the Cumbria county itself. Those were times of crisis for English agriculture. Wheat-lands went back to pasture; and a surplus population, that has found its way for generations to the factory towns, began now to turn toward the great Canadian spaces beyond the western sea. Only the mountains still rose changeless and eternal, at least to human sense; "ambitious for the hallowing" of moon and sun; keeping their old secrets, and their perpetual youth.

And after twenty years Threlfall Tower became the scene of another drama, whereof what has been told so far is but the prologue.

III

It was a May evening, and Lydia Penfold, spinster, aged twenty-four, was sketching in St. John's Vale, that winding valley which, diverging from the Ambleside-Keswick road in an easterly direction, divides the northern slopes of the Helvellyn range from the splendid mass of Blencathra.

So beautiful was the evening, so ravishing under its sway were heaven and earth, that Lydia's work went but slowly. She was a professional artist, to whom guineas were just as welcome as to other people; and she had very industrious and methodical views of her business. But she was, before everything, one of those persons who thrill under the appeal of beauty to a degree that often threatens or suspends practical energy. Save for the conscience in her, she could have lived from day to day just for the moments of delight, the changes in light and shade, in colour and form, that this beautiful world continually presents to senses as keen as hers. Lydia's conscience, however, was strong; though on this particular evening it did little or nothing to check the sheer sensuous dreaming that had crept over her.

The hand that held her palette had dropped upon her knee, her eyes were lifted to the spectacle before her, and her lips, slightly parted, breathed in pleasure.

She looked on a pair of mountains of which one, torn and seamed from top to toe as though some vast Fafnir of the prime had wreaked his dragon rage upon it, fronted her sheer, rimmed with gold where some of its thrusting edges still caught the sunset, but otherwise steeped in purple shades already prophesying night; while the other, separated from the first by a gap, yet grouping with it, ran slanting away to the northwest, offering to the eyes only a series of lovely foreshortened planes, rising from the valley, one behind the other, sweeping upward and backward to the central peak of Skiddaw, and ablaze with light from base to summit.

The evenings in the north are long. It was past seven on this May day; yet Lydia knew that the best of the show was still to come; she waited for the last act, and refused to think of supper. That golden fusion of all the upper air; that "intermingling of Heaven's pomp," spread on the great slopes of Skiddaw--red and bronze and purple, shot through each other, and glorified by excess of light; that sharpness of the larch green on the lower slopes; that richness of the river fields; that shining pageantry of cloud, rising or sinking with the mountain line: pondering these things, absorbing them, she looked at her drawing from time to time in a smiling despair; the happy despair of the artist, who amid the failure of to-day looks forward with passion to the effort of to-morrow.

Youth and natural joy possessed her.

What scents from the river-bank, under the softly breathing wind which had sprung up with the sunset! The girl brought her eyes down, and saw a bank of primroses, and beyond, in the little copse on the farther side of the stream, a gleam of blue, where the wild hyacinth spread among the birches. While close to her, at her very feet, ran the stream, with its slipping, murmuring water, its stones splashed with white, purple, and orange, its still reaches paved with evening gold.

"What a mercy I wrote that letter!" she said to herself, with a sigh of content. She was thinking of a proposal that had come to her a few days before this date, to take a post as drawing mistress in a Brighton school. The salary was tempting; and, at the moment, money was more than usually scarce in the family purse. Her mother's eyes had looked at her wistfully.

Yet she had refused; with a laughing bravado that had concealed some inward qualms.

Whereupon the gods had immediately and scandalously rewarded her. She had sold four of her drawings at a Liverpool exhibition for twenty pounds; and there were lying beside her on the grass some agreeable press notices just arrived, most of which she already knew by heart.

Twenty pounds! That would pay the half year's rent. And there were three other drawings in a London show that might very well sell too. Why not--now the others had sold? Meanwhile she--thank the Lord!--had saved herself, as a fish from the hook. She was still free; free to draw, free to dream. She had not bartered her mountains for a salary. Instead of crocodile walks, two and two, with a score of stupid schoolgirls, here she was, still roaming the fells, the same happy vagabond as before. She hugged her liberty. And at the same time she promised herself that her mother should have a new shawl and a new cap for Whitsuntide.

Those at present in use came near in Lydia's opinion to being a family disgrace.

The last act of the great spectacle rushed on; and again the artist held her breath enthralled. The gold on Skiddaw was passing into rose; and over the greenish blue of the lower sky, webs of crimson cirrhus spun themselves. The stream ran fire; and far away the windows of a white farm blazed. Lydia seized a spare sketching-block lying on the grass, and began to note down a few "passages" in the sky before her.

Suddenly a gust came straying down the valley. It blew the press-cuttings which had dropped from her lap toward the stream. One of them fell in, the others, long flapping things, hung caught in a tuft of grass. Lydia sprang up, with an exclamation of annoyance, and went to the rescue. Dear, dear!--the longest and best notice, which spoke of her work as "agreeable and scholarly, showing, at tunes, more than a touch of high talent"--was quietly floating away. She must get it back. Her mother had not yet read it--not yet purred over it. And it was most desirable she should read it, so as to get rid thereby of any lingering doubt about the horrid school and its horrid proposal.

But alack! the slip of newspaper was already out of reach, speeded by a tiny eddy toward a miniature rapid in the middle of the beck. Lydia, clinging with one hand to a stump of willow, caught up a stick lying on the bank with the other, and, hanging over the stream, tried to head back the truant. All that happened was that her foot slipping on a pebble went flop into the shallow water, and part of her dress followed it.

It was not open to Lydia to swear, and she had no time for the usual feminine exclamations before she heard a voice behind her.

"Allow me--can I be of any use?"

She turned in astonishment, extricating her wet foot, and clambered back on to the bank. A young man stood there, civilly deferential. His bicycle lay on the grass at the edge of the road, which was only a few steps away.

"I saw you slip in, and thought perhaps I might help. You were trying to reach something, weren't you?"

"It doesn't matter, thank you," said Lydia, whose cheeks had gone pink.

The young man looked at her, and became still more civil.

"What was it? That piece of paper? Oh, I'll get it in a moment."

And splashing from stone to stone in the river-bed, he had soon reached a point where, with the aid of Lydia's stick, the bedraggled cutting was soon fished out and returned to its owner. Lydia thanked him.

"But you've wet both your feet!" She looked at them, with concern. "Won't it be very uncomfortable, bicycling?"

"I haven't far to go. Oh, by the way, I was just looking out for somebody to ask--about this road--and I couldn't see a soul, till just as I came out of the little wood there"--he pointed--"I saw you--slipping in."

They both laughed. Lydia returned to her camp stool, and began to put up her sketching things.

"What is it you want to know?"

"Is this the road for Whitebeck?"

"Yes, certainly. You come to a bridge and the village is on the other side."

"Thank you. I don't know these parts. But what an awfully jolly valley!" He waved a hand toward it. "And what do you think I saw about a mile higher up?" He had picked up his bicycle from the grass, and stood leaning easily upon it. She could not but observe that he was tall and slim and handsome. A tourist, no doubt; she could not place him as an inhabitant.

"I know!" she said smiling. "You saw the otter hounds. They passed me an hour ago. Have they caught him?"

"Who? the otter? Lord, no! He got right away from them--up a tributary stream."

"Good!" said Lydia, as she shut her painting-box.

The young man hesitated. He had clearly no right to linger any longer, but, as the girl before him seemed to him one of the most delicious creatures he had ever seen, he did linger.

"I wonder if I might ask you another question? Can you tell me whether that fine old house over there is Duddon Castle?"

"Duddon Castle!" Lydia lifted her eyebrows. "Duddon Castle is seven miles away. That place is called Threlfall Tower. Were you going to Duddon?"

"No. But"--he hesitated--"I know young Tatham a little. I should like to have seen his house. But, that's a fine old place, isn't it?" He looked with curiosity at the pile of building rising beyond a silver streak of river, amid the fresh of the May woods.

"Well--yes--in some ways," said Lydia, dubiously. "Don't you know who lives there?"

"Not the least. I am a complete stranger here. I say, do let me do that up for you?" And, letting his bicycle fall, the young man seized the easel which had still to be taken to pieces and put into its case.

Lydia shot a wavering look at him. He ought certainly to have departed by now, and she ought to be snubbing him. But the expression on his sunburnt face as he knelt on the grass, unscrewing her easel, seemed so little to call for snubbing that instead she gave him further information; interspersed with directions to him as to what to do and what not to do with her gear.

"It belongs to a Mr. Melrose. Did you never hear of him?"

"Never. Why should I?"

"Not from the Tathams?"

"No. You see I only knew Tatham at college--in my last year. He was a good deal junior to me. And I have never stayed with them at Duddon--though they kindly asked me--years ago."

The girl beside him took not the smallest notice of his information. She was busy packing up brushes and paints, and her next remark showed him subtly that she did not mean to treat him as an acquaintance of the Tathams, whom she probably knew, but was determined to keep him to his rôle of stranger and tourist.

"You had better look at Threlfall as you pass. It has a splendid situation."

"I will. But why ought I to have heard of the gentleman? I forget his name."

"Mr. Melrose? Oh, well--he's a legend about here. We all talk about him."

"What's wrong with him? Is he a nuisance?--or a lunatic?"

"It depends what you have to do with him. About here he goes by the name of the 'Ogre.'"

"How, does he eat people up?" asked the stranger, smiling.

The girl hesitated.

"Ask one of his tenants!" she said at last.

"Oh, he's a landlord, and a bad one?"

She nodded, a sudden sharpness in her gray eyes.

"But that's not the common reason for the name. It's because he shuts himself up--in a house full of treasures. He's a great collector."

"Of works of art? You--don't need to be mad to do that! It seems to be one of the things that pays best nowadays--with all these Americans about. It's a way of investing your money. Doesn't he show them to anybody?"

"Nobody is allowed to go near him, or his house. He has built a high wall round his park, and dogs are let loose at night that tear you to pieces."

"Nice man! If it weren't for the dogs, I should brave him. In a small way, I'm a collector myself."

He smiled, and Lydia understood that the personal reference was thrown out as a feeler, in case she might be willing to push the conversation further. But she did not respond, although as he spoke she happened to notice that he wore a remarkable ring on his left hand, which seemed to illustrate his remark. An engraved gem?--Greek? Her eyes were quick for such things.

However, she was seized with shyness, and as she had now finished the packing of her brushes and paints, and the young man had elaborately fastened all the straps of the portable easel and its case, there was nothing for him to do but to stoop unwillingly for his soft hat which was lying on the grass. Then an idea struck him.

"I say, what are you going to do with all these things?"

"Carry them home." She smiled. "I am not a cripple."

"Mightn't I--mightn't I carry them for you?"

"Thank you. My way lies in quite another direction. Good-night."

She held out a shapely hand. He took it, lifted his hat, and departed.

As soon as he was safely past a jutting corner of the road Lydia, instead of going home, lazily sat down again on a rock to think about what had happened. She was perfectly aware that--considering the whole interview had only taken ten minutes--she had made an impression upon the young man. And as young men of such distinguished appearance were not common in the Whitebeck neighbourhood, the recollection of all those little signs in look and manner which had borne witness to the stranger's discreet admiration of her was not at all disagreeable.

He was not a native--that she was sure of. She guessed him a Londoner. "Awfully good clothes!--London clothes. About thirty, I should think? I wonder what he does. He can't be rich, or he wouldn't be bicycling. He did up those straps as though he were used to them; but he can't be an artist, or he'd have said something. It was a face with lots of power in it. Not very good-tempered, I should say? But there's something about him--yes, distinctly, _something_! I liked his thin cheeks, and his dark curls. His head, too, was uncommonly well set on. I'm sure that there's a good deal to him, as the Americans say; he's not stuffed with sawdust. I can imagine--just imagine--being in love with him."

She laughed to herself.

Then a sudden thought occurred to her, which reddened her cheeks. Suppose when the young man came to think over it, he believed that she had let the papers fall into the river--deliberately--on purpose--just to attract his attention? At the very precise moment that he comes upon the scene, she slips into the water. Of course!--an arranged affair!

She sat on, meditating in some discomfort.

"It is no use deceiving ourselves," she thought. "We're not in the good old Tennysonian days. There's precious little chivalry now! Men don't idealize women as they used. They're grown far more suspicious--and _harder_. Perhaps because women have grown so critical of them! Anyway something's gone--what is it? Poetry? Illusion? And yet!--why is it that men still put us off our balance?--even now--that they matter so much less, now that we live our own lives, and can do without them? I shouldn't be sitting here, bothering my head, if it had been another girl who had come to help."

Slowly she gathered up her things and took her way home, while the evening of blue and pearl fell around her, while the glow died on the fells, and Venus came out in a sky that was still too full of light to let any lesser stars appear.

She crossed the stepping stones, and in a river field on the farther side she came across an old shepherd, carrying a wounded ewe across his shoulders, and with his dog beside him. At sight of him she paused in astonishment. He was an old friend of hers, but he belonged to a village--the village of Mainstairs--some three miles away in the lowland toward Pengarth. She had first come across him when sketching among some distant fells where he had been a shepherd for more than forty years.

The old man's russet face, sharp-lined and strong, lit up as he saw her approaching.

"Why I thowt I med coom across yer!" he said smiling. And he explained that he had been paying a visit to a married daughter under Naddle Fell, and had volunteered to carry an injured sheep down to a valley farm, whence it had strayed on his way home.

They stopped to talk while he rested a few minutes, under his burden, propped against a rock. Lydia asked him after a sick grand-daughter. Her question showed knowledge--no perfunctory kindness.

He shook his head sadly, and her grave, soft look, as she fell silent a little, beside him, said more than words.

"Anything been done to your cottage?" she asked him presently.

"Noa--nowt."

"Nor to the other houses?"

"Naethin'."

Her brows frowned.

"Horrible!" she said under her breath. But they did not pursue the subject. Instead the old man broke out in praise of the "won'erful 'cute" sheep dog beside him, and in the story of the accident which had slightly lamed the ewe he was carrying. Lydia's vivacious listening, her laugh, her comments, expressed--unconsciously--with just a touch of Cumbria dialect, showed them natural comrades. Some deeply human gift, some spontaneity in the girl, answered to the racy simplicity of the old man.

"Tell me once more"--she said, as she rose from her seat upon a fallen tree, and prepared to go on her way--"those counting words you told me last week. I tried to tell them to my mother--but I couldn't remember them all. They made us laugh so."

"Aye, they're the owd words," said the shepherd complacently. "We doan't use 'em now. But my feyther minds how his feyther used allus to count by 'em."

And he began the catalogue of those ancient numerals by which the northern dalesman of a hundred years ago were still accustomed to reckon their sheep, words that go back to the very infancy of man.

"Yan--tyan--tethera--methera--pimp; sethera--lethera--hovera--dovera--dick."

Lydia's face dissolved in laughter--and when the old man delighting in her amusement went on to the compounds of ten, eleven, twelve, thirteen, and the rest:

"Yan-a-dick--tyan-a-dick--tethera-a-dick--methera-a-dick--bumfit."

At "bumfit" (fifteen) they both rocked with merriment, the old man carried away by the infection of hers.

"Go on," said Lydia--the tears of laughter in her eyes--"up to twenty, and then hear me say them."

"Yan-a-bumfit--tyan-a-bumfit--tethera-a-bumfit--methera-a-bumfit--giggot" (twenty).

"Giggot" set them both off again--and then Lydia--stumbling, laughing, and often corrected, said her lesson.

By the time she was fairly perfect, and the old man had straightened himself again under his load--a veritable "good shepherd," glorified by the evening light--they parted with a friendly nod, glad to have met and sure to meet again.

"I'll come and see Bessie soon," she said gently, as she moved on.

"Aye. Yo'll be varra welcome."

She stepped forward briskly, gained the high road, and presently saw in front of her a small white house, recently built, and already embowered in a blossoming garden. Lilacs sent their fragrance to greet her; rhododendrons glowed through the twilight, and a wild-cherry laden with bloom reared its white miracle against the walls of the house.

Lydia stood at the gate devouring the tree with her eyes. The blossom had already begun to drop. "Two days more"--she said to herself, sighing--"and it'll be gone--till next year. And it's been out such a little, little while! I seem hardly to have looked at it. It's horrible how short-lived all the beautiful things are."

"Lydia!" A voice called from an open window.

"Yes, mother."

"You're dreadfully late, Lydia! Susan and I have finished supper long ago."

Lydia walked into the house, and put her head into the drawing-room.