Chapter II: Part 2

But she assured Father Josef that at her house there was nothing to see. What she first of all wished to show Gaetano was the big house on the corso, that was called the summer palace. It was not so beautiful as the palazzo Geraci, but it was big; and when the old Alagonas were prosperous they came there in summer to be nearer the snows of Etna. Yes, as she said, towards the street it was nothing to see, but it had a beautiful court-yard with open porticos in both the stories. And on the roof there was a terrace. It was paved with blue and white tiles, and on every tile the coat of arms of the Alagonas was burnt in. He would like to come and see that?

It occurred to Gaetano that Donna Elisa must be used to having children come and sit on her knees when she was at home. Perhaps she would not notice if he should also come. And he tried. And so it was. She was used to it. She never noticed it at all.

She only went on talking about the palace. There was a great state suite, where the old Alagonas had danced and played. There was a great hall with a gallery for the music; there was old furniture and clocks like small white alabaster temples that stood on black ebony pedestals. In the state apartment no one lived, but she would go there with him. Perhaps he had thought that she lived in the summer palace. Oh, no; her brother, Don Ferrante, lived there. He was a merchant, and had his shop on the lower floor; and as he had not yet brought home a signora, everything stood up there as it had stood.

Gaetano wondered if he could sit on her knees any longer. It was wonderful that she did not notice anything. And it was fortunate, for otherwise she might have believed that he had changed his mind about being a monk.

But she was just now more than ever occupied with her own affairs. A little flush flamed up in her cheeks under all the brown, and she made a few of the funniest faces with her eyebrows. Then she began to tell how she herself lived.

It seemed as if Donna Elisa must have the very smallest house in the town. It lay opposite the summer palace, but that was its only good point. She had a little shop, where she sold medallions and wax candles and everything that had to do with divine service. But, with all respect to Father Josef, there was not much profit in such a trade now-a-days, however it may have been formerly. Behind the shop there was a little workshop. There her husband had stood and carved images of the saints, and rosary beads; for he had been an artist, Signor Antonelli. And next to the workshop were a couple of small rat-holes; it was impossible to turn in them; one had to squat down, as in the cells of the old kings. And up one flight were a couple of small hen-coops. In one of them she had laid a little straw and put up a few hooks. That would be for Gaetano, if he would come to her.

Gaetano thought that he would like to pat her cheek. She would be sorry when he could not go with her. Perhaps he could permit himself to pat her. He looked under his hair at Father Josef. Father Josef sat and looked on the floor and sighed, as he was in the habit of doing. He did not think of Gaetano, and she, she noticed nothing at all.

She said that she had a maid, whose name was Pacifica, and a man, whose name was Luca. She did not get much help, however, for Pacifica was old; and, since she had grown deaf, she had become so irritable that she could not let her help in the shop. And Luca, who really was to have been a wood-carver, and carve saints that she could sell, never gave himself time to stand still in the workshop; he was always out in the garden, looking after the flowers. Yes, they had a little garden among the stones on Monte Chiaro. But he need not think it was worth anything. She had nothing like the one in the cloister, that Gaetano would understand. But she wanted so much to have him, because he was one of the old Alagonas. And there at home she and Luca and Pacifica had said to one another: “Do we ask whether we will have a little more care, if we can only get him here?” No, the Madonna knew that they had not done so. But now the question was, whether he was willing to endure anything to be with them.

And now she had finished, and Father Josef asked what Gaetano thought of answering. It was the prior’s wish, Father Josef said, that Gaetano should decide for himself. And they had nothing against his going out into the world, because he was the last of his race.

Gaetano slid gently down from Donna Elisa’s lap. But to answer! That was not such an easy thing to answer. It was very hard to say no to the signora.

Father Josef came to his assistance. “Ask the signora that you may be allowed to answer in a couple of hours, Gaetano. The boy has never thought of anything but being a monk,” he explained to Donna Elisa.

She stood up, took her umbrella, and tried to look glad, but there were tears in her eyes.

Of course, of course he must consider it, she said. But if he had known Diamante he would not have needed to. Now only peasants lived there, but once there had been a bishop, and many priests, and a multitude of monks. They were gone now, but they were not forgotten. Ever since that time Diamante was a holy town. More festival days were celebrated there than anywhere else, and there were quantities of saints; and even to-day crowds of pilgrims came there. Whoever lived at Diamante could never forget God. He was almost half a priest. So for that reason he ought to come. But he should consider it, if he so wished. She would come again to-morrow.

Gaetano behaved himself very badly. He turned away from her and rushed to the door. He did not say a word of thanks to her for coming. He knew that Father Josef had expected it, but he could not. When he thought of the great Mongibello that he never would see, and of Donna Elisa, who would never come again, and of the school, and of the shut-in cloister garden, and of a whole restricted life! Father Josef never could expect so much of him; Gaetano had to run away.

It was high time too. When Gaetano was ten steps from the door, he began to cry. It was too bad about Donna Elisa. Oh, that she should be obliged to travel home alone! That Gaetano could not go with her!

He heard Father Josef coming, and he hid his face against the wall. If he could only stop sobbing!

Father Josef came sighing and murmuring to himself, as he always did. When he came up to Gaetano he stopped, and sighed more than ever.

“It is Mongibello, Mongibello,” said Father Josef; “no one can resist Mongibello.”

Gaetano answered him by weeping more violently.

“It is the mountain calling,” murmured Father Josef. “Mongibello is like the whole earth; it has all the earth’s beauty and charm and vegetation and expanses and wonders. The whole earth comes at once and calls him.”

Gaetano felt that Father Josef spoke the truth. He felt as if the earth stretched out strong arms to catch him. He felt that he needed to bind himself fast to the wall in order not to be torn away.

“It is better for him to see the earth,” said Father Josef. “He would only be longing for it if he stayed in the monastery. If he is allowed to see the earth perhaps he will begin again to long for heaven.”

Gaetano did not understand what Father Josef meant when he felt himself lifted into his arms, carried back into the reception-room, and put down on Donna Elisa’s knees.

“You shall take him, Donna Elisa, since you have won him,” said Father Josef. “You shall show him Mongibello, and you shall see if you can keep him.”

But when Gaetano once more sat on Donna Elisa’s lap he felt such happiness that it was impossible for him to run away from her again. He was as much captured as if he had gone into Mongibello and the mountain walls had closed in on him.

II

FRA GAETANO

Gaetano had lived with Donna Elisa a month, and had been as happy as a child can be. Merely to travel with Donna Elisa had been like driving behind gazelles and birds of paradise; but to live with her was to be carried on a golden litter, screened from the sun.

Then the famous Franciscan, Father Gondo, came to Diamante, and Donna Elisa and Gaetano went up to the square to listen to him. For Father Gondo never preached in a church; he always gathered the people about him by fountains or at the town gates.

The square was swarming with people; but Gaetano, who sat on the railing of the court-house steps, plainly saw Father Gondo where he stood on the curb-stone. He wondered if it could be true that the monk wore a horse-hair shirt under his robes, and that the rope that he had about his waist was full of knots and iron points to serve him as a scourge.

Gaetano could not understand what Father Gondo said, but one shiver after another ran through him at the thought that he was looking at a saint.

When the Father had spoken for about an hour, he made a sign with his hand that he would like to rest a moment. He stepped down from the steps of the fountain, sat down, and rested his face in his hands. While the monk was sitting so, Gaetano heard a gentle roaring. He had never before heard any like it. He looked about him to discover what it was. And it was all the people talking. “Blessed, blessed, blessed!” they all said at once. Most of them only whispered and murmured; none called aloud, their devotion was too great. And every one had found the same word. “Blessed, blessed!” sounded over the whole market-place. “Blessings on thy lips; blessings on thy tongue; blessings on thy heart!”

The voices sounded soft, choked by weeping and emotion, but it was as if a storm had passed by through the air. It was like the murmuring of a thousand shells.

That took much greater hold of Gaetano than the monk’s sermon. He did not know what he wished to do, for that gentle murmuring filled him with emotion; it seemed almost to suffocate him. He climbed up on the iron railing, raised himself above all the others, and began to cry the same as they, but much louder, so that his voice cut through all the others.

Donna Elisa heard it and seemed to be displeased. She drew Gaetano down and would not stay any longer, but went home with him.

In the middle of the night Gaetano started up from his bed. He put on his clothes, tied together what he possessed in a bundle, set his hat on his head and took his shoes under his arm. He was going to run away. He could not bear to live with Donna Elisa.

Since he had heard Father Gondo, Diamante and Mongibello were nothing to him. Nothing was anything compared to being like Father Gondo, and being blessed by the people. Gaetano could not live if he could not sit by the fountain in the square and tell legends.

But if Gaetano went on living in Donna Elisa’s garden, and eating peaches and mandarins, he would never hear the great human sea roar about him. He must go out and be a hermit on Etna; he must dwell in one of the big caves, and live on roots and fruits. He would never see a human being; he would never cut his hair; and he would wear nothing but a few dirty rags. But in ten or twenty years he would come back to the world. Then he would look like a beast and speak like an angel.

That would be another matter than wearing velvet clothes and a glazed hat, as he did now. That would be different from sitting in the shop with Donna Elisa and taking saint after saint down from the shelf and hearing her tell about what they had done. Several times he had taken a knife and a piece of wood and had tried to carve images of the saints. It was very hard, but it would be worse to make himself into a saint; much worse. However, he was not afraid of difficulties and privations.

He crept out of his room, across the attic and down the stair. It only remained to go through the shop out to the street, but on the last step he stopped. A faint light filtered through a crack in the door to the left of the stairs.

It was the door to Donna Elisa’s room, and Gaetano did not dare to go any further, since his foster mother had her candle lighted. If she was not asleep she would hear him when he drew the heavy bolts on the shop door. He sat softly down on the stairs to wait.

Suddenly he happened to think that Donna Elisa must sit up so long at night and work in order to get him food and clothes. He was much touched that she loved him so much as to want to do it. And he understood what a grief it would be to her if he should go.

When he thought of that he began to weep.

But at the same time he began to upbraid Donna Elisa in his thoughts. How could she be so stupid as to grieve because he went. It would be such a joy for her when he should become a holy man. That would be her reward for having gone to Palermo and fetched him.

He cried more and more violently while he was consoling Donna Elisa. It was hard that she did not understand what a reward she would receive.

There was no need for her to be sad. For ten years only would Gaetano live on the mountain, and then he would come back as the famous hermit Fra Gaetano. Then he would come walking through the streets of Diamante, followed by a great crowd of people, like Father Gondo. And there would be flags, and the houses would be decorated with cloths and wreaths. He would stop in front of Donna Elisa’s shop, and Donna Elisa would not recognize him and would be ready to fall on her knees before him. But so should it not be; he would kneel to Donna Elisa, and ask her forgiveness, because he had run away from her ten years ago. “Gaetano,” Donna Elisa would then answer, “you give me an ocean of joy against a little brook of sorrow. Should I not forgive you?”

Gaetano saw all this before him, and it was so beautiful that he began to weep more violently. He was only afraid that Donna Elisa would hear how he was sobbing and come out and find him. And then she would not let him go.

He must talk sensibly with her. Would he ever give her greater pleasure than if he went now?

It was not only Donna Elisa, there was also Luca and Pacifica, who would be so glad when he came back as a holy man.

They would all follow him up to the market-place. There, there would be even more flags than in the streets, and Gaetano would speak from the steps of the town hall. And from all the streets and courts people would come streaming.

Then Gaetano would speak, so that they should all fall on their knees and cry: “Bless us, Fra Gaetano, bless us!”

After that he would never leave Diamante again. He would live under the great steps outside Donna Elisa’s shop.

And they would come to him with their sick, and those in trouble would make a pilgrimage to him.

When the syndic of Diamante went by he would kiss Gaetano’s hand.

Donna Elisa would sell Fra Gaetano’s image in her shop.

And Donna Elisa’s god-daughter, Giannita, would bow before Fra Gaetano and never again call him a stupid monk-boy.

And Donna Elisa would be so happy.

* * * * *

Ah … Gaetano started up, and awoke. It was bright daylight, and Donna Elisa and Pacifica stood and looked at him. And Gaetano sat on the stairs with his shoes under his arm, his hat on his head and his bundle at his feet. But Donna Elisa and Pacifica wept. “He has wished to run away from us,” they said.

“Why are you sitting here, Gaetano?”

“Donna Elisa, I wanted to run away.”

Gaetano was in a good mood, and answered as boldly as if it had been the most natural thing in the world.

“Do you want to run away?” repeated Donna Elisa.

“I wished to go off on Etna and be a hermit.”

“And why are you sitting here now?”

“I do not know, Donna Elisa; I must have fallen asleep.”

Donna Elisa now showed how distressed she was. She pressed her hands over her heart, as if she had terrible pains, and she wept passionately.

“But now I shall stay, Donna Elisa,” said Gaetano.

“You, stay!” cried Donna Elisa. “You might as well go. Look at him, Pacifica, look at the ingrate! He is no Alagona. He is an adventurer.”

The blood rose in Gaetano’s face and he sprang to his feet and struck out with his hands in a way which astonished Donna Elisa. So had all the men of her race done. It was her father and her grandfather; she recognized all the powerful lords of the family of Alagona.

“You speak so because you know nothing about it, Donna Elisa,” said the boy. “No, no, you do not know anything; you do not know why I had to serve God. But you shall know it now. Do you see, it was long ago. My father and mother were so poor, and we had nothing to eat; and so father went to look for work, and he never came back, and mother and we children were almost dead of starvation. So mother said: ‘We will go and look for your father.’ And we went. Night came and a heavy rain, and in one place a river flowed over the road. Mother asked in one house if we might pass the night there. No, they showed us out. Mother and children stood in the road and cried. Then mother tucked up her dress and went down into the stream that roared over the road. She had my little sister on her arm and my big sister by the hand and a big bundle on her head. I went after as near as I could. I saw mother lose her footing. The bundle she carried on her head fell into the stream, and mother caught at it and dropped little sister. She snatched at little sister and big sister was whirled away. Mother threw herself after them, and the river took her too. I was frightened and ran to the shore. Father Josef has told me that I escaped because I was to serve God for the dead, and pray for them. And that was why it was first decided that I was to be a monk, and why I now wish to go away on Etna and become a hermit. There is nothing else for me but to serve God, Donna Elisa.”

Donna Elisa was quite subdued. “Yes, yes, Gaetano,” she said, “but it hurts me so. I do not want you to go away from me.”

“No, I shall not go either,” said Gaetano. He was in such a good mood that he felt a desire to laugh. “I shall not go.”

“Shall I speak to the priest, so that you may be sent to a seminary?” asked Donna Elisa, humbly.

“No; but you do not understand, Donna Elisa; you do not understand. I tell you that I will not go away from you. I have thought of something else.”

“What have you thought of?” she asked sadly.

“What do you suppose I was doing while I sat there on the stairs? I was dreaming, Donna Elisa. I dreamed that I was going to run away. Yes, Donna Elisa, I stood in the shop, and I was going to open the shop door, but I could not because there were so many locks. I stood in the dark and unlocked lock after lock, and always there were new ones. I made a terrible noise, and I thought: ‘Now surely Donna Elisa will come.’ At last the door opened, and I was going to rush out; but just then I felt your hand on my neck, and you drew me in, and I kicked, and I struck you because I was not allowed to go. But, Donna Elisa, you had a candle with you, and then I saw that it was not you, but my mother. Then I did not dare to struggle any more, and I was very frightened, for mother is dead. But mother took the bundle I was carrying and began to take out what was in it. Mother laughed and looked so glad, and I grew glad that she was not angry with me. It was so strange. What she drew out of the bundle was all the little saints’ images that I had carved while I sat with you in the shop, and they were so pretty. ‘Can you carve such pretty images, Gaetano?’ said mother. ‘Yes,’ I answered. ‘Then you can serve God by it,’ said mother. ‘Do I not need to leave Donna Elisa, then?’ ‘No,’ said mother. And just as mother said that, you waked me.”

Gaetano looked at Donna Elisa in triumph.

“What did mother mean by that?”

Donna Elisa only wondered.

Gaetano threw his head back and laughed.

“Mother meant that you should apprentice me, so that I could serve God by carving beautiful images of angels and saints, Donna Elisa.”

III

THE GOD-SISTER

In the noble island of Sicily, where there are more old customs left than in any other place in the south, it is always the habit of every one while yet a child to choose a god-brother or god-sister, who shall carry his or her children to be christened, if there ever are any.

But this is not by any means the only use god-brothers and sisters have of one another. God-brothers and sisters must love one another, serve one another, and revenge one another. In a god-brother’s ear a man can bury his secrets. He can trust him with both money and sweetheart, and not be deceived. God-brothers and sisters are as faithful to each other as if they were born of the same mother, because their covenant is made before San Giovanni Battista, who is the most feared of all the saints.

It is also the custom for the poor to take their half-grown children to rich people and ask that they may be god-brothers and sisters to their young sons and daughters. What a glad sight it is on the holy Baptist’s day to see all those little children in festival array wandering through the great towns looking for a god-brother or sister! If the parents succeed in giving their son a rich god-brother, they are as glad as if they were able to leave him a farm as an inheritance.

When Gaetano first came to Diamante, there was a little girl who was always coming in and out of Donna Elisa’s shop. She had a red cloak and pointed cap and eight heavy, black curls that stood out under the cap. Her name was Giannita, and she was daughter of Donna Olivia, who sold vegetables. But Donna Elisa was her god-mother, and therefore thought what she could do for her.

Well, when midsummer day came, Donna Elisa ordered a carriage and drove down to Catania, which lies full twenty miles from Diamante. She had Giannita with her, and they were both dressed in their best. Donna Elisa was dressed in black silk with jet, and Giannita had a white tulle dress with garlands of flowers. In her hand Giannita held a basket of flowers, and among the flowers lay a pomegranate.

The journey went well for Donna Elisa and Giannita. When at last they reached the white Catania, that lies and shines on the black lava background, they drove up to the finest palace in the town.

It was lofty and wide, so that the poor little Giannita felt quite terrified at the thought of going into it. But Donna Elisa walked bravely in, and she was taken to Cavaliere Palmeri and his wife who owned the house.

Donna Elisa reminded Signora Palmeri that they were friends from infancy, and asked that Giannita might be her young daughter’s god-sister.

That was agreed upon, and the young signorina was called in. She was a little marvel of rose-colored silk, Venetian lace, big, black eyes, and thick, bushy hair. Her little body was so small and thin that one hardly noticed it.

Giannita offered her the basket of flowers, and she graciously accepted it. She looked long and thoughtfully at Giannita, walked round her, and was fascinated by her smooth, even curls. When she had seen them, she ran after a knife, cut the pomegranate and gave Giannita half.

While they ate the fruit, they held each other’s hand and both said:--

“Sister, sister, sister mine!
Thou art mine, and I am thine,
Thine my house, my bread and wine,
Thine my joys, my sacrifice,
Thine my place in Paradise.”

Then they kissed each other and called each other god-sister.

“You must never fail me, god-sister,” said the little signorina, and both the children were very serious and moved.

They had become such good friends in the short time that they cried when they parted.

But then twelve years went by and the two god-sisters lived each in her own world and never met. During the whole time Giannita was quietly in her home and never came to Catania.

But then something really strange happened. Giannita sat one afternoon in the room back of the shop embroidering. She was very skilful and was often overwhelmed with work. But it is trying to the eyes to embroider, and it was dark in Giannita’s room. She had therefore half-opened the door into the shop to get a little more light.

Just after the clock had struck four, the old miller’s widow, Rosa Alfari, came walking by. Donna Olivia’s shop was very attractive from the street. The eyes fell through the half-open door on great baskets with fresh vegetables and bright-colored fruits, and far back in the background the outline of Giannita’s pretty head. Rosa Alfari stopped and began to talk to Donna Olivia, simply because her shop looked so friendly.

Laments and complaints always followed old Rosa Alfari. Now she was sad because she had to go to Catania alone that night. “It is a misfortune that the post-wagon does not reach Diamante before ten,” she said. “I shall fall asleep on the way, and perhaps they will then steal my money. And what shall I do when I come to Catania at two o’clock at night?”

Then Giannita suddenly called out into the shop. “Will you take me with you to Catania, Donna Alfari?” she asked, half in joke, without expecting an answer.

But Rosa Alfari said eagerly, “Lord, child, will you go with me? Will you really?”

Giannita came out into the shop, red with pleasure. “If I will!” she said. “I have not been in Catania for twelve years.”

Rosa Alfari looked delightedly at her; Giannita was tall and strong, her eyes gay, and she had a careless smile on her lips. She was a splendid travelling companion.

“Get ready,” said the old woman. “You will go with me at ten o’clock; it is settled.”

The next day Giannita wandered about the streets of Catania. She was thinking the whole time of her god-sister. She was strangely moved to be so near her again. She loved her god-sister, Giannita, and she did it not only because San Giovanni has commanded people to love their god-brothers and sisters. She had adored the little child in the silk dress; she was the most beautiful thing she had ever seen. She had almost become her idol.

She knew this much about her sister, that she was still unmarried and lived in Catania. Her mother was dead, and she had not been willing to leave her father, and had stayed as hostess in his house. “I must manage to see her,” thought Giannita.

Whenever Giannita met a well-appointed carriage she thought: “Perhaps it is my god-sister driving there.” And she stared at everybody to see if any of them was like the little girl with the thick hair and the big eyes.

Her heart began to beat wildly. She had always longed for her god-sister. She herself was still unmarried, because she liked a young wood-carver, Gaetano Alagona, and he had never shown the slightest desire to marry her. Giannita had often been angry with him for that, and not least had it irritated her never to be able to invite her god-sister to her wedding.

She had been so proud of her, too. She had thought herself finer than the others, because she had such a god-sister. What if she should now go to see her, since she was in the town? It would give a lustre to the whole journey.

As she thought and thought of it, a newspaper-boy came running. “_Giornale da Sicilia_,” he called. “The Palmeri affair! Great embezzlements!”

Giannita seized the boy by the neck as he rushed by. “What are you saying?” she screamed. “You lie, you lie!” and she was ready to strike him.

“Buy my paper, signora, before you strike me,” said the boy. Giannita bought the paper and began to read. She found in it without difficulty the Palmeri affair.

“Since this case is to be tried to-day in the courts,” wrote the paper, “we will give an account of it.”

Giannita read and read. She read it over and over before she understood. There was not a muscle in her body which did not begin to tremble with horror when she at last comprehended it.

Her god-sister’s father, who had owned great vineyards, had been ruined, because the blight had laid them waste. And that was not the worst. He had also dissipated a charitable fund which had been intrusted to him. He was arrested, and to-day he was to be tried.

Giannita crushed the newspaper together, threw it into the street and trampled on it. It deserved no better for bringing such news.

Then she stood quite crushed that this should meet her when she came to Catania for the first time in twelve years. “Lord God,” she said, “is there any meaning in it?”

At home, in Diamante, no one would ever have taken the trouble to tell her what was going on. Was it not destiny that she should be here on the very day of the trial?

“Listen, Donna Alfari,” she said; “you may do as you like, but I must go to the court.”

There was a decision about Giannita. Nothing could disturb her. “Do you not understand that it is for this, and not for your sake, that God has induced you to take me with you to Catania?” she said to Rosa Alfari.

Giannita did not doubt for a moment that there was something supernatural in it all.

Rosa Alfari must needs let her go, and she found her way to the Palace of Justice. She stood among the street boys and riff-raff, and saw Cavaliere Palmeri on the bench of the accused. He was a fine gentleman, with a white, pointed beard and moustache. Giannita recognized him.

She heard that he was condemned to six months’ imprisonment, and Giannita thought she saw even more plainly that she had come there as an emissary from God. “Now my god-sister must need me,” she thought.

She went out into the street again and asked her way to the Palazzo Palmeri.

On the way a carriage drove by her. She looked up, and her eyes met those of the lady who sat in the carriage. At the same moment something told her that this was her god-sister. She who was driving was pale and bent and had beseeching eyes. Giannita loved her from the first sight. “It is you who have given me pleasure many times,” she said, “because I expected pleasure from you. Now perhaps I can pay you back.”

Giannita felt filled with devotion when she went up the high, white marble steps to the Palazzo Palmeri, but suddenly a doubt struck her. “What can God wish me to do for one who has grown up in such magnificence?” she thought. “Does our Lord forget that I am only poor Giannita from Diamante?”

She told a servant to greet Signorina Palmeri and say to her that her god-sister wished to speak to her. She was surprised when the servant came back and said that she could not be received that day. Should she be content with that? Oh, no; oh, no!

“Tell the signorina that I am going to wait here the whole day, for I must speak to her.”

“The signorina is going to move out of the palace in half an hour,” said the servant.

Giannita was beside herself. “But I am her god-sister, her god-sister, do you not understand?” she said to the man. “I must speak to her.” The servant smiled, but did not move.

But Giannita would not be turned away. Was she not sent by God? He must understand, understand, she said, and raised her voice. She was from Diamante and had not been in Catania for twelve years. Until yesterday afternoon at four o’clock she had not thought of coming here. He must understand, not until yesterday afternoon at four o’clock.

The servant stood motionless. Giannita was ready to tell him the whole story to move him, when the door was thrown open. Her god-sister stood on the threshold.

“Who is speaking of yesterday at four o’clock?” she said.

“It is a stranger, Signorina Micaela.”

Then Giannita rushed forward. It was not at all a stranger. It was her god-sister from Diamante, who came here twelve years ago with Donna Elisa. Did she not remember her? Did she not remember that they had divided a pomegranate?

The signorina did not listen to that. “What was it that happened yesterday at four o’clock?” she asked, with great anxiety.

“I then got God’s command to go to you, god-sister,” said Giannita.

The other looked at her in terror. “Come with me,” she said, as if afraid that the servant should hear what Giannita wished to say to her.

She went far into the apartment before she stopped. Then she turned so quickly towards Giannita that she was frightened. “Tell me instantly!” she said. “Do not torture me; let me hear it instantly!”

She was as tall as Giannita, but very unlike her. She was more delicately made, and she, the woman of the world, had a much more wild and untamed appearance than the country girl. Everything she felt showed in her face. She did not try to conceal it.

Giannita was so astonished at her violence that she could not answer at first.

Then her god-sister lifted her arms in despair over her head and the words streamed from her lips. She said that she knew that Giannita had been commanded by God to bring her word of new misfortunes. God hated her, she knew it.

Giannita clasped her hands. God hate her! on the contrary, on the contrary!

“Yes, yes,” said Signorina Palmeri. “It is so.” And as she was inwardly afraid of the message Giannita had for her, she began to talk. She did not let her speak; she interrupted her constantly. She seemed to be so terrified by everything that had happened to her during the last days that she could not at all control herself.

Giannita must understand that God hated her, she said. She had done something so terrible. She had forsaken her father, failed her father. Giannita must have read the last account. Then she burst out again in passionate questionings. Why did she not tell her what she wished to tell her? She did not expect anything but bad news. She was prepared.

But poor Giannita never got a chance to speak; as soon as she began, the signorina became frightened and interrupted her. She told her story as if to induce Giannita not to be too hard to her.

Giannita must not think that her unhappiness only came from the fact of her no longer having her carriage, or a box at the theatre, or beautiful dresses, or servants, or even a roof over her head. Neither was it enough that she had now lost all her friends, so that she did not at all know where she should ask for shelter. Neither was it misfortune enough that she felt such shame that she could not raise her eyes to any one’s face.

But there was something else much worse.

She sat down, and was silent a moment, while she rocked to and fro in agony. But when Giannita began to speak, she interrupted her.

Giannita could not think how her father had loved her. He had always had her live in splendor and magnificence, like a princess.

She had not done much for him; only let him think out delightful things to amuse her. It had been no sacrifice to remain unmarried, for she had never loved any one like her father, and her own home had been finer than any one else’s.

But one day her father had come and said to her, “They wish to arrest me. They are spreading the report that I have stolen, but it is not true.” Then she had believed him, and helped him to hide from the _Carabinieri_. And they had looked for him in vain in Catania, on Etna, over the whole of Sicily.

But when the police could not find Cavaliere Palmeri, the people began to say: “He is a fine gentleman, and they are fine gentlemen who help him; otherwise they would have found him long ago.” And the prefect in Catania had come to her. She received him smiling, and the prefect came as if to talk of roses, and the beautiful weather. Then he said: “Will the signorina look at this little paper? Will the signorina read this little letter? Will the signorina observe this little signature?” She read and read. And what did she see? Her father was not innocent. Her father had taken the money of others.

When the prefect had left her, she had gone to her father. “You are guilty,” she said to him. “You may do what you will, but I cannot help you any more.” Oh, she had not known what she said! She had always been very proud. She had not been able to bear to have their name stamped with dishonor. She had wished for a moment that her father had been dead, rather than that this had happened to her. Perhaps she had also said it to him. She did not rightly know what she had said.

But after that God had forsaken her. The most terrible things had happened. Her father had taken her at her word. He had gone and given himself up. And ever since he had been in prison he had not been willing to see her. He did not answer her letters, and the food that she sent him he sent back untouched. That was the most dreadful thing of all. He seemed to think that she wished to kill him.

She looked at Giannita as anxiously as if she awaited her sentence of death.

“Why do you not say to me what you have to say?” she exclaimed. “You are killing me!”

But it was impossible for her to force herself to be silent.

“You must know,” she continued, “that this palace is sold, and the purchaser has let it to an English lady, who is to move in to-day. Some of her things were brought in already yesterday, and among them was a little image of Christ.

“I caught sight of it as I passed through the vestibule, Giannita. They had taken it out of a trunk, and it lay there on the floor. It had been so neglected that no one took any trouble about it. Its crown was dented, and its dress dirty, and all the small ornaments which adorned it were rusty and broken. But when I saw it lying on the floor, I took it up and carried it into the room and placed it on a table. And while I did so, it occurred to me that I would ask its help. I knelt down before it and prayed a long time. ‘Help me in my great need!’ I said to the Christchild.

“While I prayed, it seemed to me that the image wished to answer me. I lifted my head, and the child stood there as dull as before, but a clock began to strike just then. It struck four, and it was as if it had said four words. It was as if the Christchild had answered a fourfold _yes_ to my prayer.

“That gave me courage, Giannita, so that to-day I drove to the Palace of Justice to see my father. But he never turned his eyes toward me during the whole time he stood before his judges.

“I waited until they were about to lead him away, and threw myself on my knees before him in one of the narrow passages. Giannita, he let the soldiers lead me away without giving me a word.

“So, you see, God hates me. When I heard you speak of yesterday afternoon at four o’clock, I was so frightened. The Christchild sends me a new misfortune, I thought. It hates me for having failed my father.”

When she had said that, she was at last silent and listened breathlessly for what Giannita should say.

And Giannita told her story to her.

“See, see, is it not wonderful?” she said at the end. “I have not been in Catania for twelve years, and then I come here quite unexpectedly. And I know nothing at all; but as soon as I set my foot on the street here, I hear your misfortune. God has sent a message to me, I said to myself. He has called me here to help my god-sister.”

Signorina Palmeri’s eyes were turned anxiously questioning towards her. Now the new blow was coming. She gathered all her courage to meet it.

“What do you wish me to do for you, god-sister?” said Giannita. “Do you know what I thought as I was walking through the streets? I will ask her if she will go with me to Diamante, I thought. I know an old house there, where we could live cheaply. And I would embroider and sew, so that we could support ourselves. When I was out in the street I thought that it might be, but now I understand that it is impossible, impossible. You require something more of life; but tell me if I can do anything for you. You shall not thrust me away, for God has sent me.”

The signorina bent towards Giannita. “Well?” she said anxiously.

“You shall let me do what I can for you, for I love you,” said Giannita, and fell on her knees and put her arms about her.

“Have you nothing else to say?” asked the signorina.

“I wish I had,” said Giannita, “but I am only a poor girl.”

It was wonderful to see how the features of the young signorina’s face softened; how her color came back and how her eyes began to shine. Now it was plain that she had great beauty.

“Giannita,” she said, low and scarcely audibly, “do you think that it is a miracle? Do you think that God can let a miracle come to pass for my sake?”

“Yes, yes,” whispered Giannita back.

“I prayed the Christchild that he should help me, and he sends you to me. Do you think that it was the Christchild who sent you, Giannita?”

“Yes, it was; it was!”

“Then God has not forsaken me, Giannita?”

“No, God has not forsaken you.”

The god-sisters sat and wept for a while. It was quite quiet in the room. “When you came, Giannita, I thought that nothing was left me but to kill myself,” she said at last. “I did not know where to turn, and God hated me.”

“But tell me now what I can do for you, god-sister,” said Giannita.

As an answer the other drew her to her and kissed her.

“But it is enough that you are sent by the little Christchild,” she said. “It is enough that I know that God has not forsaken me.”

IV

DIAMANTE

Micaela Palmeri was on her way to Diamante with Giannita.

They had taken their places in the post-carriage at three o’clock in the morning, and had driven up the beautiful road over the lower slopes of Etna, circling round the mountain. But it had been quite dark. They had not seen anything of the surrounding country.

The young signorina by no means lamented over that. She sat with closed eyes and buried herself in her sorrow. Even when it began to grow light, she would not lift her eyes to look out. It was not until they were quite near Diamante that Giannita could persuade her to look at the landscape.

“Look! Here is Diamante; this is to be your home,” she said.

Then Micaela Palmeri, to the right of the road, saw mighty Etna, that cut off a great piece of the sky. Behind the mountain the sun was rising, and when the upper edge of the sun’s disc appeared above the line of the mountain, it looked as if the white summit began to burn and send out sparks and rays.

Giannita entreated her to look at the other side.

And on the other side she saw the whole jagged mountain chain, which surrounds Etna like a towered wall, glowing red in the sunrise.

But Giannita pointed in another direction. It was not that she was to look at, not that.

Then she lowered her eyes and looked down into the black valley. There the ground shone like velvet, and the white Simeto foamed along in the depths of the valley.

But still she did not turn her eyes in the right direction.

At last she saw the steep Monte Chiaro rising out of the black, velvet-lined valley, red in the morning light and encircled by a crown of shady palms. On its summit she saw a town flanked with towers, and encompassed by a wall, and with all its windows and weather-vanes glittering in the light.

At that sight she seized Giannita’s arm and asked her if it was a real town, and if people lived there.

She believed that it was one of heaven’s cities, and that it would disappear like a vision. She was certain that no mortal had ever passed up the path that from the edge of the valley went in great curves over to Monte Chiaro and then zigzagged up the mountain, disappearing through the dark gates of the town.

But when she came nearer to Diamante, and saw that it was of the earth, and real, tears rose to her eyes. It moved her that the earth still held all this beauty for her. She had believed that, since it had been the scene of all her misfortunes, she would always find it gray and withered and covered with thistles and poisonous growths.

She entered poor Diamante with clasped hands, as if it were a sanctuary. And it seemed to her as if this town could offer her as much happiness as beauty.

V

DON FERRANTE

A few days later Gaetano was standing in his workshop, cutting grape-leaves on rosary beads. It was Sunday, but Gaetano did not feel it on his conscience that he was working, for it was a work in God’s honor.

A great restlessness and anxiety had come over him. It had come into his mind that the time he had been living at peace with Donna Elisa was now drawing to a close, and he thought that he must soon start out into the world.

For great poverty had come to Sicily, and he saw want wandering from town to town and from house to house like the plague, and it had come to Diamante also.

No one ever came now to Donna Elisa’s shop to buy anything. The little images of the saints that Gaetano made stood in close rows on the shelves, and the rosaries hung in great bunches under the counter. And Donna Elisa was in great want and sorrow, because she could not earn anything.

That was a sign to Gaetano that he must leave Diamante, go out into the world, emigrate if there was no other way. For it could not be working to the honor of God to carve images that never were worshipped, and to turn rosary beads that never glided through a petitioner’s fingers.

It seemed to him that, somewhere in the world, there must be a beautiful, newly built cathedral, with finished walls, but whose interior yet stood shivering in nakedness. It awaited Gaetano’s coming to carve the choir chairs, the altar-rail, the pulpit, the lectern, and the shrine. His heart ached with longing for that work which was waiting.

But there was no such cathedral in Sicily, for there no one ever thought of building a new church; it must be far away in such lands as Florida or Argentina, where the earth is not yet overcrowded with holy buildings.

He felt at the same time trembling and happy, and had begun to work with redoubled zeal in order that Donna Elisa should have something to sell while he was away earning great fortunes for her.

Now he was waiting for but one more sign from God before he decided on the journey. And this was that he should have the strength to speak to Donna Elisa of his longing to go. For he knew that it would cause her such sorrow that he did not know how he could bring himself to speak of it.

While he stood and thought Donna Elisa came into the workshop. Then he said to himself that this day he could not think of saying it to her, for to-day Donna Elisa was happy. Her tongue wagged and her face beamed.

Gaetano asked himself when he had seen her so. Ever since the famine had come, it had been as if they had lived without light in one of the caves of Etna.

Why had Gaetano not been with her in the square and heard the music? asked Donna Elisa. Why did he never come to hear and see her brother, Don Ferrante? Gaetano, who only saw him when he stood in the shop with his tufts of hair and his short jacket, did not know what kind of a man he was. He considered him an ugly old tradesman, who had a wrinkled face and a rough beard. No one knew Don Ferrante who had not seen him on Sunday, when he conducted the music.

That day he had donned a new uniform. He wore a three-cornered hat with green, red, and white feathers, silver on his collar, silver-fringed epaulets, silver braid on his breast, and a sword at his side. And when he stepped up to the conductor’s platform the wrinkles had been smoothed out of his face and his figure had grown erect. He could almost have been called handsome.

When he had led _Cavalleria_, people had hardly been able to breathe. What had Gaetano to say to that, that the big houses round the market-place had sung too? From the black Palazzo Geraci, Donna Elisa had distinctly heard a love song, and from the convent, empty as it was, a beautiful hymn had streamed out over the market-place.

And when there was a pause in the music the handsome advocate Favara, who had been dressed in a black velvet coat and a big broad-brimmed hat and a bright red necktie, had gone up to Don Ferrante, and had pointed out over the open side of the square, where Etna and the sea lay. “Don Ferrante,” he had said, “you lift us toward the skies, just as Etna does, and you carry us away into the eternal, like the infinite sea.”