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Chapter V: Part 5

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The lower part of the thorax is also much more compressible, and of course more easily injured by ligatures than the upper. In the upper part, the bones form a complete circle; and, from the small obliquity of the ribs, this circle presents a great power of resistance to external pressure. But the last five ribs, called the false ribs, besides being placed more obliquely, become weaker as they decrease in length, and having no support in front, their power of resisting external pressure is probably six times less than that of the true ribs. Hence ligatures applied to this part of the body may contract the natural size of the cavity perhaps one half. Nature, in this instance, has entrusted the belle with a discretionary power, guarding against its abuse, however, by severe penalties. If she chooses to _brave the consequences_, she may always, with the help of lace and cord, produce a great change on this part of her person.

From the great care nature has bestowed to strengthen the outer shell of the thorax, and to combine mobility with strength, we may judge of the importance of the organs within, and of the value of free motion to their healthy action. It is a further proof of this, as Soemmerring observes, that the ribs are the first part of the bony frame-work which nature forms; for, in the unborn child, no other bones except those of the ear are so perfect. The _contents_ of the thorax are,--first, the heart, which is the centre of the circulating system, and which, for the sake of its metaphorical offices, every lady must be anxious to keep from injury;--next, the lungs, which occupy by far the largest space, and of the delicacy of whose operations every one may judge. There are, besides, either within the thorax, or in juxtaposition with it, the stomach, liver, and kidneys, with the œsophagus, the trachea, or windpipe, part of the intestines, and many nerves, all intimately connected with the vital powers. Most of these organs are not only of primary importance in themselves, but, through the nerves, arteries, &c., their influence extends to the head, and the remotest parts of the limbs, so that when they are injured, _health is poisoned at its source_, and the mischief always travels to other parts of the system.

Imagine, now, what is the consequence of applying compression, by corsets of some unyielding material, to a cavity enclosing so many delicate organs, whose free action is essential to health. First, the lowest part of the shell of the thorax yields most; the false ribs, and the lower true ribs, are pressed inwards; the whole viscera in this part of the body, including part of the intestines, are squeezed close together and forced upwards; and, as the pressure is continued above, they are forced higher still. If the lacing is carried further, the breast-bone is raised, and sometimes bent; the collar-bone protrudes its inner extremity; and the shoulder-blades are forced backwards. The under part of the lungs is pressed together, and the entrance of the blood into it hindered; the abdominal viscera, being least protected, suffer severely; the stomach is compressed, its distention prevented, and its situation and form changed, giving rise to imperfect digestion; the blood is forced up to the head, where it generates various complaints; the liver has its shape altered, and its functions obstructed; the bones having their natural motions constrained, distortion ensues, and the high shoulder, the twisted spine, or breast-bone, begins at last to manifest itself through the integuments and the clothes.

Another effect of tight corsets, says the essayist, is, that those who have been long so closely laced, become at last unable to hold themselves erect, or move with comfort without them, but, as is very justly said, _fall together_, in consequence of the natural form and position of the ribs being altered. The muscles of the back are weakened and crippled, and cannot maintain themselves in their natural position for any length of time. The spine, too, no longer accustomed to bear the destined weight of the body, bends and sinks down. Where tight lacing is practised, young women, from fifteen to twenty years of age, are found so dependent upon their corsets, that they faint whenever they lay them aside, and therefore are obliged to have themselves laced before going to sleep. For as soon as the thorax and abdomen are relaxed, by being deprived of their usual support, the blood rushing downwards, in consequence of the diminished resistance to its motion, empties the vessels of the head, and thus occasions fainting.

“From 1760 to about 1770,” says Soemmerring, “it was the fashion in Berlin and other parts of Germany, and also in Holland a few years ago, to apply corsets to children. This practice fell into disuse, in consequence of its being observed, that children who did not wear corsets grew up straight, while those who were treated with this extraordinary care, got by it a high shoulder or a hunch. Many families might be named, in which parental fondness selected the handsomest of several boys to put in corsets, and the result was, that these alone were hunched. The deformity was attributed at first to the improper mode of applying the corsets, till it was discovered that no child thus invested, grew up straight, not to mention the risk of consumption and rupture which were likewise incurred by using them. I, for my part, affirm, that I do not know any woman who, by tight lacing, (that is, by artificial means,) has obtained ‘a fine figure,’ in whom I could not, by accurate examination, point out either a high shoulder, oblique compressed ribs, a lateral incurvation of the spine in the form of an italic _S_, or some other distortion. I have had opportunities of verifying this opinion among ladies of high condition, who, as models of fine form, were brought forward for the purpose of putting me to silence.”

Young ladies in course of time hope to become wives, and wives to become mothers. Even in this last stage, few females have the courage to resist a practice which is in general use, though to them it is trebly injurious. But it is sufficient to glance at this branch of the subject, on which, for obvious reasons, we cannot follow our medical instructer. It is lamentable, however, that mothers who have themselves experienced the bitter fruits of tight lacing, still permit their daughters to indulge in it. There is, in truth, no tyranny like the tyranny of fashion. “I have found mothers of discernment and experience,” says Soemmerring, “who predicted that in their 25th year, a hunch would inevitably be the lot of their daughters, whom they nevertheless allowed to wear corsets, because they were afraid to make their children singular.”

But it is time to speak of the diseases produced by the passion for _slender waists_. “One is astonished,” says Soemmerring, “at the number of diseases which corsets occasion. Those I have subjoined rest on the authority of the most eminent physicians. Tight lacing produces--

“Headach, giddiness, tendency to fainting, pain in the eyes, pain and ringing in the ears, bleeding at the nose, shortness of breath, spitting of blood, consumption, derangement of the circulation, palpitation of the heart, water in the chest, loss of appetite, squeamishness, eructations, vomiting of blood, depraved digestion, flatulence, diarrhœa, colic pains, induration of the liver, dropsy, and rupture. It is also followed by melancholy, hysteria, and many diseases peculiar to the female constitution, which it is not necessary to enumerate in detail.”

But the injury does not fall merely on the inward structure of the body, but also on its outward beauty, and on the temper and feelings with which that beauty is associated. Beauty is in reality but another name for that expression of countenance which is the index of sound health, intelligence, good feelings, and peace of mind. All are aware, that uneasy feelings, existing habitually in the breast, speedily exhibit their signature on the countenance; and that bitter thoughts, or a bad temper, spoil the human face divine of its grace. But it is not so generally known that irksome or painful sensations, though merely of a physical nature, by a law equally certain, rob the temper of its sweetness, and, as a consequence, the countenance of the more ethereal and better part of its beauty. Pope attributes the rudeness of a person usually bland and polished, to the circumstance, that “he had not dined;” in other words, his stomach was in bad order. But there are many other physical pains besides hunger that sour the temper; and, for our part, if we found ourselves sitting at dinner with a man whose body was girt on all sides by board and bone, like the north pole by thick-ribbed ice, we should no more expect to find grace, politeness, amenity, vivacity, and good-humor, in such a companion, than in Prometheus with a vulture battening on his vitals, or in Cerberus, whose task is to growl all day long in his chains.

ON THE LADIES’ PASSION FOR LEVELLING ALL DISTINCTION OF DRESS.

Foreigners observe that there are no ladies in the world more beautiful, or more ill-dressed, than those of England. Our countrywomen have been compared to those pictures, where the face is the work of a Raphael, but the draperies thrown out by some empty pretender, destitute of taste, and entirely unacquainted with design.

If I were a poet, I might observe on this occasion, that so much beauty, set off with all the advantages of dress, would be too powerful an antagonist for the opposite sex; and therefore it was wisely ordered that our ladies should want taste, lest their admirers should entirely want reason.

But, to confess the truth, I do not find they have greater aversion to fine clothes than the women of any other country whatsoever. I cannot fancy that a shopkeeper’s wife in Cheapside has a greater tenderness for the fortune of her husband, than a citizen’s wife in Paris; or that miss in a boarding-school is more an economist in dress than mademoiselle in a nunnery.

Although Paris may be accounted the soil in which almost every fashion takes its rise, its influence is never so general there as with us. They study there the happy method of uniting grace and fashion, and never excuse a woman for being awkwardly dressed, by saying her clothes are in the mode. A Frenchwoman is a perfect architect in dress; she never, with Gothic ignorance, mixes the orders; she never tricks out a squabby Doric shape with Corinthian finery; or, to speak without metaphor, she conforms to general fashion only when it happens not to be repugnant to private beauty.

The English ladies, on the contrary, seem to have no other standard of grace but the run of the town. If fashion gives the word, every distinction of beauty, complexion, of stature, ceases. Sweeping trains, Prussian bonnets, and trollopees, as like each other as if cut from the same piece, level all to one standard. The Mall, the gardens, and playhouses, are filled with ladies in uniform; and their whole appearance shows as little variety of taste as if their clothes were bespoke by the colonel of a marching regiment, or fancied by the artist who dresses the three battalions of guards.

But not only the ladies of every shape and complexion, but of every age too, are possessed of this unaccountable passion for levelling all distinction in dress. The lady of no quality travels first behind the lady of some quality; and a woman of sixty is as gaudy as her grand-daughter. A friend of mine, a good-natured old man, amused me the other day with an account of his journey to the Mall. It seems, in his walk thither, he, for some time, followed a lady, who, as he thought, by her dress, was a girl of fifteen. It was airy, elegant, and youthful. My old friend had called up all his poetry on this occasion, and fancied twenty Cupids prepared for execution in every folding of her white negligee. He had prepared his imagination for an angel’s face;--but what was his mortification to find that the imaginary goddess was no other than his cousin Hannah, some years older than himself!

But to give it in his own words: “After the transports of our first salute,” said he, “were over, I could not avoid running my eye over her whole appearance. Her gown was of cambric, cut short before, in order to discover a high-heeled shoe, which was buckled almost at the toe. Her cap consisted of a few bits of cambric, and flowers of painted paper stuck on one side of her head. Her bosom, that had felt no hand but the hand of time these twenty years, rose, suing to be pressed. I could, indeed, have wished her more than a handkerchief of Paris net, to shade her beauties; for, as Tasso says of the rose-bud, ‘_Quanto si nostra men, tanto e pin bella_.’ A female breast is generally thought most beautiful as it is more sparingly discovered.

“As my cousin had not put on all this finery for nothing, she was at that time sallying out to the Park, where I had overtaken her. Perceiving, however, that I had on my best wig, she offered, if I would squire her there, to send home the footman. Though I trembled for our reception in public, yet I could not, with any civility, refuse; so, to be as gallant as possible, I took her hand in my arm, and thus we marched on together.

“When we made our entry at the Park, two antiquated figures, so polite and so tender, soon attracted the eyes of the company. As we made our way among the crowds, who were out to show their finery as well as we, wherever we came, I perceived we brought good humor with us. The polite could not forbear smiling, and the vulgar burst out into a horse-laugh at our grotesque figures. Cousin Hannah, who was perfectly conscious of the rectitude of her own appearance, attributed all this mirth to the oddity of mine; while I as cordially placed the whole to her account. Thus, from being two of the best-natured creatures alive, before we got half way up the Mall, we both began to grow peevish, and like two mice on a string, endeavored to revenge the impertinence of others upon ourselves. ‘I am amazed, cousin Jeffery,’ says Miss, ‘that I can never get you to dress like a Christian. I knew we should have the eyes of the Park upon us, with your great wig, so frizzled, and yet so beggarly, and your monstrous muff. I hate those odious muffs.’ I could have patiently borne a criticism on all the rest of my equipage; but as I had always a peculiar veneration for my muff, I could not forbear being piqued a little; and throwing my eyes with a spiteful air on her bosom, ‘I could heartily wish, madam,’ replied I, ‘that, for your sake, my muff was cut into a tippet.’

“As my cousin, by this time, was grown heartily ashamed of her gentleman usher, and as I was never very fond of any kind of exhibition myself, it was mutually agreed to retire for a while to one of the seats, and, from that retreat, remark on others as freely as they had remarked on us.

“When seated, we continued silent for some time, employed in very different speculations. I regarded the whole company, now passing in review before me, as drawn out merely for my amusement. For my entertainment, the beauty had, all that morning, been improving her charms: the beau had put on lace, and the young doctor a big wig, merely to please me. But quite different were the sentiments of cousin Hannah: she regarded every well-dressed woman as a victorious rival; hated every face that seemed dressed in good humor, or wore the appearance of greater happiness than her own. I perceived her uneasiness, and attempted to lessen it, by observing that there was no company in the Park to-day. To this she readily assented; ‘and yet,’ says she, ‘it is full enough of scrubs of one kind or another.’ My smiling at this observation gave her spirits to pursue the bent of her inclination, and now she began to exhibit her skill in secret history, as she found me disposed to listen. ‘Observe,’ says she to me, ‘that old woman in tawdry silk, and dressed out beyond the fashion. That is Miss Biddy Evergreen. Miss Biddy, it seems, has money; and as she considers that money was never so scarce as it is now, she seems resolved to keep what she has to herself. She is ugly enough, you see; yet, I assure you, she has refused several offers, to my knowledge, within this twelvemonth. Let me see;--three gentlemen from Ireland, who study the law, two waiting captains, her doctor, and a Scotch preacher, who had liked to have carried her off. All her time is passed between sickness and finery. Thus she spends the whole week in a close chamber, with no other company but her monkey, her apothecary, and cat; and comes dressed out to Park every Sunday, to show her airs, to get new lovers, to catch a new cold, and to make new work for the doctor.

“‘There goes Mrs. Roundabout, I mean the fat lady in the lustring trollopee. Between you and I, she is but a cutler’s wife. See how she’s dressed, as fine as hands and pins can make her, while her two marriageable daughters, like bunters in stuff gowns, are now taking six-penny-worth of tea at the White-conduit house. Odious puss, how she waddles along, with her train two yards behind her! She puts me in mind of my Lord Bantam’s Indian sheep, which are obliged to have their monstrous tails trundled along in a go-cart. For all her airs, it goes to her husband’s heart to see four yards of good lustring wearing against the ground, like one of his knives on a grindstone. To speak my mind, cousin Jeffery, I never liked those tails: for suppose a young fellow should be rude, and the lady should offer to step back in the fright, instead of retiring, she treads upon her train, and falls fairly on her back; and then you know, cousin,--her clothes may be spoiled.

“‘Ah! Miss Mazzard! I knew we should not miss her in the Park; she in the monstrous Prussian bonnet. Miss, though so very fine, was bred a milliner; and might have had some custom, if she had minded her business; but the girl was fond of finery, and, instead of dressing her customers, laid out all her goods in adorning herself. Every new gown she put on impaired her credit; she still, however, went on, improving her appearance, and lessening her little fortune, and is now, you see, become a belle and a bankrupt.’

“My cousin was proceeding in her remarks, which were interrupted by the approach of the very lady she had been so freely describing. Miss had perceived her at a distance, and approached to salute her. I found by the warmth of the two ladies’ protestations, that they had been long intimate, esteemed friends and acquaintance. Both were so pleased at this happy rencounter, that they were resolved not to part for the day. So we all crossed the Park together, and I saw them into a hackney-coach at St. James’s.”

OLIVER GOLDSMITH.

RECIPES.

_Paste of Palermo._

This paste for the hands, to use instead of soap, preserves them from chapping, smooths their surface, and renders them soft.

Taken, pound of soft soap, half a pint of salad oil, the same quantity of spirits of wine, the juice of three lemons, a little silver sand, and a sufficient quantity of what perfume pleases the sense. The oil and soap must be first boiled together in an earthen pipkin. The other ingredients to be added after boiling; and, when cool, amalgamate into a paste with the hands.

_Fard._

This useful paste is good for taking off sunburnings, effects of weather on the face, and accidental cutaneous eruptions. It must be applied at going to bed. First wash the face with its usual ablution, and when dry, rub this fard all over it, and go to rest with it on the skin. This is excellent for almost constant use. Take two ounces of oil of sweet almonds, ditto of spermaceti; melt them in a pipkin over a slow fire. When they are dissolved and mixed, take it off the fire, and stir into it one tablespoonful of fine honey. Continue stirring it till it is cold, and then it is fit for use.

_Lip Salve._

A quarter of a pound of hard marrow from the marrow-bone. Melt it over a slow fire, as it dissolves gradually, pour the liquid marrow into an earthen pipkin; then add to it an ounce of spermaceti, twenty raisins of the sun, stoned, and a small portion of alcanna root, sufficient to color it a bright vermilion. Simmer these ingredients over a slow fire for ten minutes, then strain the whole through muslin; and, while hot, stir into it one teaspoonful of the balsam of Peru. Pour it into the boxes in which it is to remain; it will there stiffen, and become fit for use.

_Lavender Water._

Take of rectified spirits of wine half a pint, essential oil of lavender two drachms, otto of roses five drops. Mix all together in a bottle, and cork it for use.

_Unction de Maintenon._

The use of this is to remove freckles. The mode of application is this:--Wash the face at night with elder-flower water, then anoint it with the unction. In the morning cleanse your skin from its oily adhesion, by washing it copiously in rose-water.

Take of Venice soap an ounce, dissolve it in half an ounce of lemon-juice, to which add of oil of bitter-almonds and deliquidated oil of tartar, each a quarter of an ounce. Let the mixture be placed in the sun till it acquires the consistence of ointment. When in this state, add three drops of the oil of rhodium, and keep it for use.

_Creme de l’Enclos._

This is an excellent wash, to be used night and morning, for the removal of tan.

Take half a pint of milk, with the juice of a lemon, and a spoonful of white brandy, boil the whole, and skim it clear from all scum. When cool, it is ready for use.

_Pommade de Seville._

This simple application is much in request with the Spanish ladies, for taking off the effects of the sun, and to render the complexion brilliant.

Take equal parts of lemon-juice and white of eggs. Beat the whole together in a varnished earthen pipkin, and set on a slow fire. Stir the fluid with a wooden spoon till it has acquired the consistence of soft pomatum. Perfume it with some sweet essence, and before you apply it, carefully wash the face with rice water.

_Beaume à l’Antique._

This is a very fine cure for chapped lips. Take four ounces of the oil of roses, half an ounce of white wax, and half an ounce of spermaceti; melt them in a glass vessel, and stir them with a wooden spoon; pour it out into glass cups for use.

_Wash for the Hair._

This is a cleanser and brightener of the head and hair, and should be applied in the morning.

Beat up the whites of six eggs into a froth, and with that anoint the head close to the roots of the hair. Leave it to dry on; then wash the head and hair thoroughly with a mixture of rum and rose-water in equal quantities.

_Aura and Cephalus._

This curious recipe is of Grecian origin, as its name plainly indicates, and it is said to have been very efficacious in preventing, or even removing, premature wrinkles from the face of the Athenian fair.

Put some powder of the best myrrh upon an iron plate, sufficiently heated to melt the gum gently, and when it liquifies, hold your face over it, at a proper distance to receive the fumes without inconvenience; and that you may reap the whole benefit of the fumigation, cover your head with a napkin. It must be observed, however, that if the applicant feels any headache, she must desist, as the remedy will not suit her constitution, and ill consequences might possibly ensue.

_Madame Recamier’s Pommade._

This was communicated by this lady as being used in France and Italy, by those who professionally, or by choice, are engaged in exercises which require long and great exertions of the limbs, as dancing, playing on instruments, &c.

Take any suitable quantity of _Axungia Cervi_, i. e. the fat of a red stag or hart; add to it the same quantity of olive oil, (Florence oil is preferable to any of the kind,) and half the quantity of virgin wax; melt the whole in an earthen vessel, well glazed, over a slow fire, and, when properly mixed, leave it to cool. This ointment has been applied also with considerable efficacy in cases of rheumatism.

_A Wash for the Face._

This recipe is well known in France, and much extolled by the ladies of that country as efficacious and harmless.

Take equal parts of the seeds of the melon, pompion, gourd, and cucumber, pounded and reduced to powder or meal; add to it fresh cream, sufficient to dilute the flour; beat all up together, adding a sufficient quantity of milk, as it may be required, to make an ointment, and then apply it to the face; leave it there for half an hour, and then wash it off with warm soft water.

_A Paste for the Skin._

This may be recommended in cases when the skin seems to get too loosely attached to the muscles.

Boil the whites of four eggs in rose-water, add to it a sufficient quantity of alum; beat the whole together till it takes the consistence of a paste. This will give, when applied, great firmness to the skin.

_A Wash to give Lustre to the Face._

Infuse wheat-bran well sifted, for three or four hours in white wine vinegar; add to it five yolks of eggs and a grain or two of ambergris, and distil the whole. When the bottle is carefully corked, keep it for twelve or fifteen days before you make use of it.

_Pimpernel Water._

Pimpernel is a most wholesome plant, and often used on the continent for the purpose of whitening the complexion; it is there in so high reputation, that it is said generally, that it ought to be continually on the toilet of every lady who cares for the brightness of her skin.

_Eau de Veau._

Boil a calf’s foot in four quarts of river water till it is reduced to half the quantity. Add half a pound of rice, and boil it with crumb of white bread steeped in milk, a pound of fresh butter, and the whites of five fresh eggs; mix with them a small quantity of camphor and alum, and distil the whole. This recipe may be strongly recommended; it is most beneficial to the skin, which it lubricates and softens to a very comfortable degree. The best manner of distilling these ingredients is in the _balneum mariæ_; that is, in a bottle placed in boiling water.

_Rose Water._

Put some roses into water, add to them a few drops of acid; the vitriolic acid seems to be preferable to any--soon the water will assume both the color and perfume of the roses.

_Another._

Take two pounds of rose-leaves, place them on a napkin tied round the edges of a basin filled with hot water, and put a dish of cold water upon the leaves; keep the bottom water hot, and change the water at top as soon as it begins to grow warm; by this kind of distillation you will extract a great quantity of the essential oil of the roses by a process which cannot be expensive, and will prove very beneficial.

_Virgin Milk._

A publication of this kind would certainly be looked upon as an imperfect performance, if we omitted to say a few words upon this famous cosmetic. It consists of a tincture of benjoin, precipitated by water. The tincture of benjoin is obtained by taking a certain quantity of that gum, pouring spirits of wine upon it, and boiling it till it becomes a rich tincture. If you pour a few drops of this tincture into a glass of water, it will produce a mixture which will assume all the appearance of milk, and retain a very agreeable perfume. If the face is washed with this mixture, it will, by calling the purple stream of the blood to the external fibres of the epidermis, produce on the cheeks a beautiful rosy color; and, if left on the face to dry, it will render it clear and brilliant. It also removes spots, freckles, pimples, erysipelatous eruptions, &c. &c. if they have not been of long standing on the skin.

_Lavender Water._

Take four handfuls of dried lavender flowers, and sprinkle on them one quart of brandy, the same quantity of white wine and rose-water; leave them to remain six days in a large bottle well-corked up; let the liquor be distilled and poured off.

_Sweet-scented Water._

This agreeably-scented water is not only a pleasant cosmetic, but also of great use in nervous disorders.

Put one quart of rose-water, and the same quantity of orange-water, into a large and wide-mouthed glass; strew upon it two handfuls of jessamine flowers, put the glass in the _balneum mariæ_, or on a slow fire, and when it is distilled, add to it a scruple of musk and the same quantity of ambergris.

_Eau d’Ange._

Pound in a mortar fifteen cloves and one pound of cinnamon, and put the whole into a quart of water, with four grains of anniseed; let it stand over a charcoal fire twentyfour hours, then strain off the liquor, and put it up for use. This perfume is most excellent, and will do well for the hands, face, and hair, to which it communicates a very agreeable scent.

_Remedy for the Toothache._

In two drachms of rectified spirits of wine dissolve one drachm of camphire, five grains of prepared opium, and ten drops of oil of box; mix them well, and keep it well corked for use. If the pain arise from a hollow tooth, four or five drops on cotton to be put into the tooth; or six or seven drops to be put on cotton into the ear on the side where the pain is felt. Should the patient not feel easier in a quarter of an hour, the same may be repeated. It has never failed on the second application.

_An excellent Eye-Water._

Take six ounces of rectified spirits of wine, dissolve in it one drachm of camphire, and half a pint of elder-flower water. Wash the eyes night and morning with this liquid; it clears the vision, and strengthens the sight.

_Dentifrice._

The following is one of the best recipes for tooth-powder:--

Take of prepared chalk six ounces, cassia powder, half an ounce, orris-root, an ounce. These are to be well mixed, and may be colored with red lake, or any other innocent substance, according to the fancy of the user. This dentifrice is to be used with a firm brush every morning; the teeth should also be brushed before going to bed, but it is seldom necessary to use the powder more than once a day.

THE END.

Transcriber’s Notes

Minor errors in punctuation and spelling have been corrected.

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The Mirror of the GracesChapter V: Part 5

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