Chapter IV: Part 4

He continued to paint in silence for a while. Presently the Prophet yawned on Dulcie's knees, displaying a pink cavern.

"Better rest," he said, nodding smilingly at Dulcie. She released the cat, who stretched, arched his back, yawned again gravely, and stalked away over the velvety Eastern carpet.

Dulcie got up lithely and followed him on little jade-encrusted, naked feet.

A box of bon-bons lay on the sofa; she picked up Rossetti's poems, turned the leaves with jewel-laden fingers, while with the other hand she groped for a bon-bon, her grey eyes riveted on the pages before her.

During these intervals between poses it was the young man's custom to make chalk sketches of the girl, recording swiftly any unstudied attitude, any unconscious phase of youthful grace that interested him.

Dulcie, in the beginning, diffidently aware of this, had now become entirely accustomed to it, and no longer felt any responsibility to remain motionless while he was busy with red chalk or charcoal.

When she had rested sufficiently, she laid aside her book, hunted up the Prophet, who lazily endured the gentle tyranny, and resumed her place on the model stand.

And so they worked away all the morning, until luncheon was served in the studio by Aristocrates; and Barres in his blouse, and Dulcie in her peacock silk, her jade, and naked feet, gravely or lightly as their moods dictated, discussed an omelette and a pot of tea or chocolate, and the ways and manners and customs of a world which Dulcie now was discovering as a brand new and most enchanting planet.

IX

HER DAY

June was ending in a very warm week. Work in the studio lagged, partly because Dulcie, preparing for graduation, could give Barres little time; partly because, during June, that young man had been away spending the week-ends with his parents and his sister at Foreland Farms, their home.

From one of these visits he returned to the city just in time to read a frantic little note from Dulcie Soane:

"DEAR MR. BARRES, please, _please_ come to my graduation. I do
want _somebody_ there who knows me. And my father is not well. Is
it too much to ask of you? I hadn't the courage to speak to you
about it when you were here, but I have ventured to write because
it will be so lonely for me to graduate without having anybody
there I know.

"DULCIE SOANE."

It was still early in the morning; he had taken a night train to town.

So when he had been freshened by a bath and change of linen, he took his hat and went down stairs.

A heavy, pasty-visaged young woman sat at the desk in the entrance hall.

"Where is Soane?" he inquired.

"He's sick."

"_Where_ is he?"

"In bed," she replied indifferently. The woman's manner just verged on impertinence. He hesitated, then walked across to the superintendent's apartments and entered without knocking.

Soane, in his own room, lay sleeping off the consequences of an evening at Grogan's. One glance was sufficient for Barres, and he walked out.

On Madison Avenue he found a florist, selected a bewildering bouquet, and despatched it with a hasty note, by messenger, to Dulcie at her school. In the note he wrote:

"I shall be there. Cheer up!"

He also sent more flowers to his studio, with pencilled orders to Aristocrates.

In a toy-shop he found an appropriate decoration for the centre of the lunch table.

Later, in a jeweller's, he discovered a plain gold locket, shaped like a heart and inset with one little diamond. A slender chain by which to suspend it was easily chosen; and an extra payment admitted him to the emergency department where he looked on while an expert engraved upon the locket: "Dulcie Soane from Garret Barres," and the date.

After that he went into the nearest telephone booth and called up several people, inviting them to dine with him that evening.

It was nearly ten o'clock now. He took his little gift, stopped a taxi, and arrived at the big brick high-school just in time to enter with the last straggling parents and family friends.

The hall was big and austerely bare, except for the ribbons and flags and palms which decorated it. It was hot, too, though all the great blank windows had been swung open wide.

The usual exercises had already begun; there were speeches from Authority; prayers by Divinity; choral effects by graduating pulchritude.

The class, attired in white, appeared to average much older than Dulcie. He could see her now, in her reconstructed communion dress, holding the big bouquet which he had sent her, one madonna lily of which she had detached and pinned over her breast.

Her features were composed and delicately flushed; her bobbed hair was tucked up, revealing the snowy neck.

One girl after another advanced and read or spoke, performing the particular parlour trick assigned her in the customary and perfectly unremarkable manner characteristic of such affairs.

Rapturous parental demonstrations greeted each effort; piano, violin and harp filled in nobly. A slight haze of dust, incident to pedalistic applause, invaded the place; there was an odour of flowers in the heated atmosphere.

Glancing at a programme which he had found on his seat, Barres read: "Song: Dulcie Soane."

Looking up at her where she sat on the stage, among her comrades in white, he noticed that her eyes were busy searching the audience--possibly for him, he thought, experiencing an oddly pleasant sensation at the possibility.

* * * * *

The time at length arrived for Dulcie to do her parlour trick; she rose and came forward, clasping the big, fragrant bouquet, prettily flushed but self-possessed. The harp began a little minor prelude--something Irish and not very modern. Then Dulcie's pure, untrained voice stole winningly through the picked harp-strings' hesitation:

"Heart of a colleen,
Where do you roam?
Heart of a colleen,
Far from your home?
Laden with love you stole from her breast!
Wandering dove, return to your nest!

Sodgers are sailin'
Away to the wars;
Ladies are wailin'
Their woe to the stars;
Why is the heart of you straying so soon--
Heart that was part of you, Eileen Aroon?

Lost to a sodger,
Gone is my heart!
Lost to a sodger,
Now we must part----
I and my heart--for it journeys afar
Along with the sodgers who sail to the war!

Tears that near blind me
My pride shall dry,----
Wisha! don't mind me!
Lave a lass cry!
Only a sodger can whistle the tune
That coaxes the heart out of Eileen Aroon!"

And Dulcie's song ended.

* * * * *

Almost instantly the audience had divined in the words she sang a significance which concerned them--a warning--perhaps a prophecy. The 69th Regiment of New York infantry was Irish, and nearly every seat in the hall held a relative of some young fellow serving in its ranks.

The applause was impulsive, stormy, persistent; the audience was demanding the young girl's recall; the noise they made became overwhelming, checking the mediating music and baffling the next embarrassed graduate, scheduled to read an essay, and who stood there mute, her manuscript in her hand.

Finally the principal of the school arose, went over to Dulcie, and exchanged a few words with her. Then he came forward, hand lifted in appeal for silence.

"The music and words of the little song you have just heard," he said, "were written, I have just learned, by the mother of the girl who sang them. They were written in Ireland a number of years ago, when Irish regiments were sent away for over-seas service. Neither words nor song have ever been published. Miss Soane found them among her mother's effects.

"I thought the story of the little song might interest you. For, somehow, I feel--as I think you all feel--that perhaps the day may come--may be near--when the hearts of our women, too, shall be given to their soldiers--sons, brothers, fathers--who are 'sailin' away to the wars.' But if that time comes--which God avert!--then I know that every man here will do his duty.... And every woman.... And I know that:

'Tears that near blind you,
Your pride shall dry!----'"

He paused a moment:

"Miss Soane has prepared no song to sing as an encore. In her behalf, and in my own, I thank you for your appreciation. Be kind enough to permit the exercises to proceed."

And the graduating exercises continued.

Barres waited for Dulcie. She came out among the first of those departing, walking all alone in her reconstructed white dress, and carrying his bouquet. When she caught sight of him, her face became radiant and she made her way toward him through the crowd, seeking his outstretched hand with hers, clinging to it in a passion of gratitude and emotion that made her voice tremulous:

"My bouquet--it is so wonderful! I love every flower in it! Thank you with all my heart. You are so kind to have come--so kind to me--so k-kind----"

"It is I who should be grateful, Dulcie, for your charming little song," he insisted. "It was fascinating and exquisitely done."

"Did you really like it?" she asked shyly.

"Indeed I did! And I quite fell in love with your voice, too--with that trick you seem to possess of conveying a hint of tears through some little grace-note now and then.... And there _were_ tears hidden in the words; and in the melody, too.... And to think that your mother wrote it!"

"Yes."

After a short interval of silence he released her hand.

"I have a taxi for you," he said gaily. "We'll drive home in state."

The girl flushed again with surprise and gratitude:

"Are--are _you_ coming, too?"

"Certainly I'm going to take you home. Don't you belong to me?" he demanded laughingly.

"Yes," she said. But her forced little smile made the low-voiced answer almost solemn.

"Well, then!" he said cheerfully. "Come along. What's mine I look after. We'll have lunch together in the studio, if you are too proud to pose for a poor artist this afternoon."

At this her sensitive face cleared and she laughed happily.

"The pride of a high-school graduate!" he commented, as he seated himself beside her in the taxicab. "Can anything equal it?"

"Yes."

"What?"

"Her pride in your--friendship," she ventured.

Which unexpected reply touched and surprised him.

"You dear child!" he said; "I'm proud of your friendship, too. Nothing ought to make a man prouder than winning a young girl's confidence."

"You are so kind," she sighed, touching the blossoms in her bouquet with slender fingers that trembled a little. For she would have offered him a flower from it had she found courage; but it seemed presumptuous and she dropped her hand into her lap again.

* * * * *

Aristocrates opened the door for them: Selinda took her away.

Barres had ordered flowers for the table. In the middle of it a doll stood, attired in academic cap and gown, the Stars and Stripes in one hand, in the other a green flag bearing a gold harp.

When Dulcie came in she stopped short, enchanted at the sight of the decorated table. But when Aristocrates opened the kitchen door and her three cats came trotting in, she was overcome.

For each cat wore a red, white and blue cravat on which was pinned a silk shamrock; and although Strindberg immediately keeled over on the rug and madly attacked her cravat with her hind toes, the general effect remained admirable.

Aristocrates seated Dulcie. Upon her plate was the box containing chain and locket. And the girl cast a swift, inquiring glance across the centre flowers at Barres.

"Yes, it's for you, Dulcie," he said.

She turned quite pale at sight of the little gift. After a silence she leaned on the table with both elbows, shading her face with her hands.

He let her alone--let the first tense moment in her youthful life ebb out of it; nor noticed, apparently, the furtive and swift touch of her best handkerchief to her closed eyes.

Aristocrates brought her a little glass of frosted orange juice. After an interval, not looking at Barres, she sipped it. Then she took the locket and chain from the satin-lined box, read the inscription, closed her lids for a second's silent ecstasy, opened them looking at him through rapturous tears, and with her eyes still fixed on him lifted the chain and fastened it around her slender neck.

The luncheon then proceeded, the Prophet gravely assisting from the vantage point of a neighbouring chair, the Houri, more emotional, promenading earnestly at the heels of Aristocrates. As for Strindberg, she possessed neither manners nor concentration, and she alternately squalled her desires for food or frisked all over the studio, attempting complicated maneuvres with every curtain-cord and tassel within reach.

Dulcie had found her voice again--a low, uncertain, tremulous little voice when she tried to thank him for the happiness he had given her--a clearer, firmer voice when he dexterously led the conversation into channels more familiar and serene.

They talked of the graduating exercises, of her part in them, of her classmates, of education in general.

She told him that since she was quite young she had learned to play the piano by remaining for an hour every day after school, and receiving instruction from a young teacher who needed a little extra pin money.

As for singing, she had had no instruction. Her voice had never been tried, never been cultivated.

"We'll have it tried some day," he said casually.

But Dulcie shook her head, explaining that it was an expensive process and not to be thought of.

"How did you pay for your piano lessons?" he asked.

"I paid twenty-five cents an hour. My mother left a little money for me when I was a baby. I spent it all that way."

"Every bit of it?"

"Yes. I had $500. It lasted me seven years--from the time I was ten to now."

"_Are_ you seventeen? You don't look it."

"I know I don't. My teachers tell me that my mind is very quick but my body is slow. It annoys me to be mistaken for a child of fifteen. And I have to dress that way, too, because my dresses still fit me and clothes are very expensive."

"Are they?"

Dulcie became confidential and loquacious:

"Oh, very. You don't know about girls' clothes, I suppose. But they cost a very great deal. So I've had to wear out dresses I've had ever since I was fourteen and fifteen. And so I can't put up my hair because it would make my dresses look ridiculous; and that renders the situation all the worse--to be obliged to go about with bobbed hair, you see? There doesn't seem to be any way out of it," she ended, with a despairing little laugh, "and I was seventeen last February!"

"Cheer up! You'll grow old fast enough. And now you're going to have a jolly little salary as my model, and you ought to be able to buy suitable clothes. Oughtn't you?"

She did not answer, and he repeated the question. And drew from her, reluctantly, that her father, so far, had absorbed what money she had earned by posing.

A dull red gathered under the young man's cheek-bones, but he said carelessly:

"That won't do. I'll talk it over with your father. I'm very sure he'll agree with me that you should bank your salary and draw out what you need for your personal expenses."

Dulcie sat silent over her fruit and bon-bons. Reaction from the keen emotions of the day had, perhaps, begun to have their effect.

They rose and reseated themselves on the sofa, where she sat in the corner among gorgeous Chinese cushions, her reconstructed dress now limp and shabby, the limp madonna lily hanging from her breast.

It had been for her the happiest day of her life. It had dawned the loneliest, but under the magic of this man's kindness the day was ending like a day in Paradise.

To Dulcie, however, happiness was less dependent upon receiving than upon giving; and like all things feminine, mature and immature, she desired to serve where her heart was enlisted--began to experience the restless desire to give. What? And as the question silently presented itself, she looked up at Barres:

"Could I pose for you?"

"On a day like this! Nonsense, Dulcie. This is your holiday."

"I'd really like to--if you want me----"

"No. Curl up here and take a nap. Slip off your gown so you won't muss it and ask Selinda for a kimono. Because you're going to need your gown this evening," he added smilingly.

"Why? _Please_ tell me why?"

"No. You've had enough excitement. Tell Selinda to give you a kimono. Then you can lie down in my room if you like. Selinda will call you in plenty of time. And after that I'll tell you how we're going to bring your holiday to a gay conclusion."

She seemed disinclined to stir, curled up there, her eyes brilliant with curiosity, her lips a trifle parted in a happy smile. She lay that way for a few moments, looking up at him, her fingers caressing the locket, then she sat up swiftly.

"Must I take a nap?"

"Certainly."

She sprang to her feet, flashed past him, and disappeared in the corridor.

"Don't forget to wake me!" she called back.

"I won't forget!"

When he heard her voice again, conversing with Selinda, he opened the studio door and went down stairs.

Soane, rather the worse for wear, was at the desk, and, standing beside him, was a one-eyed man carrying two pedlar's boxes under his arms. They both looked around quickly when Barres appeared. Before he reached the desk the one-eyed man turned and walked out hastily into the street.

"Soane," said Barres, "I've one or two things to say to you. The first is this: if you don't stop drinking and if you don't keep away from Grogan's, you'll lose your job here."

"Musha, then, Misther Barres----"

"Wait a moment; I'm not through. I advise you to stop drinking and to keep away from Grogan's. That's the first thing. And next, go on and graft as much as you like, only warn your pedlar-friends to keep away from Studio No. 9. Do you understand?"

"F'r the love o' God----"

"Cut out the injured innocence, Soane. I'm telling you how to avoid trouble, that's all."

"Misther Barres, sorr! As God sees me----"

"I can see you, too. I want you to behave, Soane. This is friendly advice. That one-eyed pedlar who just beat it has been bothering me. Other pedlars come ringing at the studio and interrupt and annoy me. You know the rules. If the other tenants care to stand for it, all right. But I'm through. Is that plain?"

"It is, sorr," said the unabashed delinquent. The faintest glimmer of a grin came into his battered eyes. "Sorra a wan o' thim ever lays a hand to No. 9 bell or I'll have his life!"

"One thing more," continued Barres, smiling in spite of himself at the Irish of it all. "I am paying Dulcie a salary----"

"Wisha then----"

"Stop! I tell you that she's in my employment on a salary. Don't ever touch a penny of it again."

"Sure the child's wages----"

"No, they _don't_ belong to the father. Legally, perhaps, but the law doesn't suit me. So if you take the money that she earns, and blow it in at Grogan's, I'll have to discharge her because I won't stand for what you are doing."

"Would you do that, Mr. Barres?"

"I certainly would."

The Irishman scratched his curly head in frank perplexity.

"Dulcie needs clothes suitable to her age," continued Barres. "She needs other things. I'm going to take charge of her savings so don't you attempt to tamper with them. You wouldn't do such a thing, anyway, Soane, if this miserable drink habit hadn't got a hold on you. If you don't quit, it will down you. You'll lose your place here. You know that. Try to brace up. This is a rotten deal you're giving yourself and your daughter."

Soane wept easily. He wept now. Tearful volubility followed--picturesque, lit up with Hibernian flashes, then rambling, and a hint of slyness in it which kept one weeping eye on duty watching Barres all the while.

"All right; behave yourself," concluded Barres. "And, Soane, I shall have three or four people to dinner and a little dancing afterward. I want Dulcie to enjoy her graduating dance."

"Sure, Misther Barres, you're that kind to the child----"

"_Somebody_ ought to be. Do you know that there was nobody she knew to see her graduate to-day, excepting myself?"

"Oh, the poor darling! Sure, I was that busy----"

"Busy sleeping off a souse," said Barres drily. "And by the way, who is that stolid, German-looking girl who alternates with you here at the desk?"

"Miss Kurtz, sorr."

"Oh. She seems stupid. Where did you dig her up?"

"A fri'nd o' mine riccominds her highly, sorr."

"Is that so? Who is he? One of your German pedlar friends at Grogan's? Be careful, Soane. You Sinn Feiners are headed for trouble."

He turned and mounted the stairs. Soane looked after him with an uneasy expression, partly humorous.

"Ah, then, Mr. Barres," he said, "don't be botherin' afther the likes of us poor Irish. Is there anny harrm in a sup o' beer av a Dootchman pays?"

Barres looked back at him:

"A one-eyed Dutchman?"

"Ah, g'wan, sorr, wid yer hokin' an' jokin'! Is it graft ye say? An' how can ye say it, sorr, knowin' me as ye do, Misther Barres?"

The impudent grin on the Irishman's face was too much for the young man. He continued to mount the stairs, laughing.

X

HER EVENING

As he entered the studio he heard the telephone ringing. Presently Selinda marched in:

"A lady, sir, who will not giff her name, desires to spik to Mr. Barres."

"I don't talk to anonymous people," he said curtly.

"I shall tell her, sir?"

"Certainly. Did you make Miss Dulcie comfortable?"

"Yess, sir."

"That's right. Now, take that dress of Miss Dulcie's, go out to some shop on Fifth Avenue, buy a pretty party gown of similar dimensions, and bring it back with you. Take a taxi both ways. Wait--take her stockings and slippers, too, and buy her some fine ones. And some underwear suitable." He went to a desk, unlocked it, and handed the maid a flat packet of bank-notes. "Be sure the things are nice," he insisted.

Selinda, starched, immaculate, frosty-eyed, marched out. She returned a few moments later, wearing jacket and hat.

"Sir, the lady on the telephone hass called again. The lady would inquire of Mr. Barres if perhaps he has recollection of the Fountain of Marie de Medicis."

Barres reddened with surprise and pleasure:

"Oh! Yes, indeed, I'll speak to _that_ lady. Hang up the service receiver, Selinda." And he stepped to the studio telephone.

"Nihla?" he exclaimed in a low, eager voice.

"C'est moi, Thessa! Have you a letter from me?"

"No, you little wretch! Oh, Thessa, you're certainly a piker! Fancy my not hearing one word from you since April!--not a whisper, not a sign to tell me that you are alive----"

"Garry, hush! It was not because I did not wish to see you----"

"Yes, it was! You knew bally well that I hadn't your address and that you had mine! Is that what you call friendship?"

"You don't understand what you are saying. I wanted to see you. It has been impossible----"

"You are not singing and dancing anywhere in New York. I watched the papers. I even went to the Palace of Mirrors to enquire if you had signed with them there."

"Wait! Be careful, please!----"

"Why?"

"Be careful what you say over the telephone. For my sake, Garry. Don't use my former name or say anything to identify me with any place or profession. I've been in trouble. I'm in trouble still. Had you no letter from me this morning?"

"No."

"That is disquieting news. I posted a letter to you last night. You should have had it in your morning mail."

"No letter has come from you. I had no letters at all in the morning mail, and only one or two important business letters since."

"Then I'm deeply worried. I shall have to see you unless that letter is delivered to you by evening."

"Splendid! But you'll have to come to me, Thessa. I've invited a few people to dine here and dance afterwards. If you'll dine with us, I'll get another man to balance the table. Will you?"

After a moment she said:

"Yes. What time?"

"Eight! This is wonderful of you, Thessa!" he said excitedly. "If you're in trouble we'll clear it up between us. I'm so happy that you will give me this proof of friendship."

"You dear boy," she said in a troubled voice. "I should be more of a friend if I kept away from you."

"Nonsense! You promise, don't you?"

"Yes ... Do you realise that to-night another summer moon is to witness our reunion?... I shall come to you once more under a full June moon.... And then, perhaps, no more.... Never.... Unless after the world ends I come to you through shadowy outer space--a ghost drifting--a shred of mist across the moon, seeking you once more!----"

"My poor child," he said laughing, "you must be in no end of low spirits to talk that way."

"It does sound morbid. But I have plenty of courage, Garry. I shall not snivel on the starched bosom of your evening shirt when we meet. Donc, a bientot, monsieur. Soyez tranquille! You shall not be ashamed of me among your guests."

"Fancy!" he laughed happily. "Don't worry, Thessa. We'll fix up whatever bothers you. Eight o'clock! Don't forget!"

"I am not likely to," she said.

* * * * *

Until Selinda returned from her foray along Fifth Avenue, Barres remained in the studio, lying in his armchair, still possessed by the delightful spell, still excited by the prospect of seeing Thessalie Dunois again, here, under his own roof.

But when the slant-eyed and spotlessly blond Finn arrived, he came back out of his retrospective trance.

"Did you get some pretty things for Miss Soane?" he enquired.

"Yess, sir, be-ootiful." Selinda deposited on the table a sheaf of paid bills and the balance of the bank-notes. "Would Mr. Barres be kind enough to inspect the clothes for Miss Soane?"

"No, thanks. You say they're all right?"

"Yess, sir. They are heavenly be-ootiful."

"Very well. Tell Aristocrates to lay out my clothes after you have dressed Miss Dulcie. There will be two extra people to dinner. Tell Aristocrates. Is Miss Dulcie still asleep?"

"Yess, sir."

"All right. Wake her in time to dress her so she can come out here and give me a chance----" He glanced at the clock "Better wake her now, Selinda. It's time for her to dress and evacuate my quarters. I'll take forty winks here until she's ready."

* * * * *

Barres lay dozing on the sofa when Dulcie came in.

Selinda, enraptured by her own efficiency in grooming and attiring the girl, marched behind her, unable to detach herself from her own handiwork.

From crown to heel the transfiguration was absolute--from the point of her silk slipper to the topmost curl on the head which Selinda had dressed to perfection.

For Selinda had been a lady's maid in great houses, and also had a mania for grooming herself with the minute and thorough devotion of a pedigreed cat. And Dulcie emerged from her hands like some youthful sea-nymph out of a bath of foam, snowy-sweet as some fresh and slender flower.

With a shy courage born with her own transfiguration, she went to Barres, where he lay on the sofa, and bent over him.

She had made no sound; perhaps her nearness awoke him, for he opened his eyes.

"Dulcie!" he exclaimed.

"Do I please you?" she whispered.

He sat up abruptly.

"You wonderful child!" he said, frankly astonished. Whereupon he got off the sofa, walked all around her inspecting her.

"What a get-up! What a girl!" he murmured. "You lovely little thing, you astound me! Selinda, you certainly know a thing or two. Take it from me, you do Miss Soane and yourself more credit in your way than I do with paint and canvas."

Dulcie blushed vividly; the white skin of Selinda also reddened with pleasure at her master's enthusiasm.

"Tell Aristocrates to fix my bath and lay out my clothes," he said. "I've guests coming and I've got to hustle!" And to Dulcie: "We're going to have a little party in honour of your graduation. That's what I have to tell you, dear. Does it please you? Do your pretty clothes please you?"

The girl, overwhelmed, could only look at him. Her lips, vivid and slightly parted, quivered as her breath came irregularly. But she found no words--nothing to say except in the passionate gratitude of her grey eyes.

"You dear child," he said gently. Then, after a moment's silence, he eased the tension with his quick smile: "Wonder-child, go and seat yourself very carefully, and be jolly careful you don't rumple your frock, because I want you to astonish one or two people this evening."

Dulcie found her voice:

"I--I'm so astonished at myself that I don't seem real. I seem to be somebody else--long ago!" She stepped close to him, opened her locket for his inspection, holding it out to him as far as the chain permitted. It framed a miniature of a red-haired, grey-eyed girl of sixteen.

"Your mother, Dulcie?"

"Yes. How perfectly it fits into my locket! I carry it always in my purse."

"It might easily be yourself, Dulcie," he said in a low voice. "You are her living image."

"Yes. That is what astonishes me. To-night, for the first time in my life, it occurred to me that I look like this girl picture of my mother."

"You never thought so before?"

"Never." She stood looking down at the laughing face in the locket for a few moments, then, lifting her eyes to his:

"I've been made over, in a day, to look like this.... You did it!"

"Nonsense! Selinda and her curling iron did it."

They laughed a little.

"No," she said, "you have made me. You began to make me all over three months ago--oh, longer ago than that!--you began to remake me the first time you ever spoke to me--the first time you opened your door to me. That was nearly two years ago. And ever since I have been slowly becoming somebody quite new--inside and outside--until to-night, you see, I begin to look like my mother." She smiled at him, drew a deep breath, closed the locket, dropped it on her breast.

"I mustn't keep you," she said. "I wanted to show the picture--so you can understand what you have done for me to make me look like that."

* * * * *

When Barres returned to the studio, freshened and groomed for the evening, he found Dulcie at the piano, playing the little song she had sung that morning, and singing the words under her breath. But she ceased as he came up, and swung around on the piano-stool to confront him with the most radiant smile he had ever seen on a human face.

"What a day this has been!" she said, clasping her hands tightly. "I simply cannot make it seem real."

He laughed:

"It isn't ended yet, either. There's a night to every day, you know. And your graduation party will begin in a few moments."

"I know. I'm fearfully excited. You'll stay near me, won't you?"

"You bet! Did I tell you who are coming? Well, then, you won't feel strange, because I've merely asked two or three men who live in Dragon Court--men you see every day--Mr. Trenor, Mr. Mandel, and Mr. Westmore."

"Oh," she said, relieved.

"Also," he said, "I have asked Miss Souval--that tall, pretty girl who sometimes sits for Mr. Trenor--Damaris Souval. You remember her?"

"Yes."

"Also," he continued, "Mr. Mandel wishes to bring a young married woman who has developed a violent desire for the artistic and informal, but who belongs in the Social Register." He laughed. "It's all right if Corot Mandel wants her. Her name is Mrs. Helmund--Elsena Helmund. Mr. Trenor is painting her."

Dulcie's face was serious but calm.

"And then, to even the table," concluded Barres smilingly, "I invited a girl I knew long ago in Paris. Her name is Thessalie Dunois; and she's very lovely to look upon, Dulcie. I am very sure you will like her."

There was a silence; then the electric bell rang in the corridor, announcing the arrival of the first guest. As Barres rose, Dulcie laid her hand on his arm--a swift, involuntary gesture--as though the girl were depending on his protection.

The winning appeal touched him and amused him, too.

"Don't worry, dear," he said. "You'll have the prettiest frock in the studio--if you need that knowledge to reassure you----"

The corridor door opened and closed. Somebody went into his bedroom with Selinda--that being the only available cloak-room for women.

XI

HER NIGHT

"Thessalie Dunois! This is charming of you!" said Barres, crossing the studio swiftly and taking her hand in both of his.

"I'm so glad to see you, Garry--" she looked past him across the studio at Dulcie, and her voice died out for a moment. "Who is that girl?" she enquired under her breath.

"I'll present you----"

"Wait. _Who_ is she?"

"Dulcie Soane----"

"_Soane?_"

"Yes. I'll tell you about her later----"

"In a moment, Garry." Thessalie looked across the room at the girl for a second or two longer, then turned a troubled, preoccupied gaze on Barres. "Have you a letter from me? I posted it last night."

"Not yet."

The doorbell rang. He could hear more guests entering the corridor beyond. A faint smile--the forced smile of courage--altered Thessalie's features now, until it became a fixed and pretty mask.

"Contrive to give me a moment alone with you this evening," she whispered. "My need is great, Garry."

"Whenever you say! Now?"

"No. I want to talk to that young girl first."

They walked over to where Dulcie stood by the piano, silent and self-possessed.

"Thessa," he said, "this is Miss Soane, who graduated from high school to-day, and in whose honour I am giving this little party." And to Dulcie he said: "Miss Dunois and I were friends when I lived in France. Please tell her about your picture, which you and I are doing." He turned as he finished speaking, and went forward to welcome Esme Trenor and Damaris Souval, who happened to arrive together.

"Oh, the cunning little girl over there!" exclaimed the tall and lovely Damaris, greeting Barres with cordial, outstretched hands. "Where did you find such an engaging little thing?"

"You don't recognise her?" he asked, amused.

"I? No. Should I?"

"She's Dulcie Soane, the girl at the desk down-stairs!" said Barres, delighted. "This is her party. She has just graduated from high school, and she----"

"Belongs to Barres," interrupted Esme Trenor in his drawling voice. "Unusual, isn't she, Damaris?--logical anatomy, ornamental, vague development; nice lines, not obvious--like yours, Damaris," he added impudently. Then waving his lank hand with its over-polished nails: "I like the indefinite accented with one ripping value. Look at that hair!--lac and burnt orange rubbed in, smeared, then wiped off with the thumb! You follow the intention, Barres?"

"You talk too much, Esme," interrupted Damaris tartly. "Who is that lovely being talking to the little Soane girl, Garry?"

"A friend of my Paris days--Thessalie Dunois----" Again he checked himself to turn and greet Corot Mandel, subtle creator and director of exotic spectacles--another tall and rather heavily built man, with a mop of black and shiny hair, a monocle, and sanguine features slightly oriental.

With Corot Mandel had come Elsena Helmund--an attractive woman of thoroughbred origin and formal environment, and apparently fed up with both. For she frankly preferred "grades" to "registered stock," and she prowled through every art and theatrical purlieu from the Mews to Westchester, in eternal and unquiet search for an antidote to the sex-ennui which she erroneously believed to be an intellectual necessity for self-expression.

"Who is that winning child with red hair?" she enquired, nodding informal recognition to the other guests, whom she already knew. "Don't tell me," she added, elevating a quizzing glass and staring at Dulcie, "that this engaging infant has a history already! It isn't possible, with that April smile in her child eyes!"

"You bet she hasn't a history, Elsena," said Barres, frowning; "and I'll see that she doesn't begin one as long as she's in my neighbourhood."

Corot Mandel, who had been heavily inspecting Dulcie through his monocle, now stood twirling it by its frayed and greasy cord:

"I could do something for her--unless she's particularly yours, Barres?" he suggested. "I've seldom seen a better type in New York."

"You idiot. Don't you recognise her? She's Dulcie Soane! You could have picked her yourself if you'd had any flaire."

"Oh, hell," murmured Mandel, disgusted. "And I thought I possessed flaire. Your private property, I suppose?" he added sourly.

"Absolutely. Keep off!"

"Watch me," murmured Corot Mandel, with a wry face, as they moved forward to join the others and be presented to the little guest of the evening.

Westmore came in at the same moment--a short, blond, vigorous young man, who knew everybody except Thessalie, and proceeded to smash the ice in characteristic fashion:

"Dulcie! You beautiful child! How are you, duckey?"--catching her by both hands,--"a little salute for Nunky? Yes?"--kissing her heartily on both cheeks. "I've a gift for you in my overcoat pocket. We'll sneak out and get it after dinner!" He gave her hands a hearty squeeze, turned to the others: "I ought to have been Miss Soane's godfather. So I appointed myself as such. Where are the cocktails, Garry?"

Road-to-ruin cocktails were served--frosted orange juice for Dulcie. Everybody drank her health. Then Aristocrates gracefully condescended to announce dinner. And Barres took out Dulcie, her arm resting light as a snowflake on his sleeve.

There were flowers everywhere in the dining-room; table, buffet, curtains, lustres were gay with early blossoms, exhaling the haunting scent of spring.

"Do you like it, Dulcie?" he whispered.

She merely turned and looked at him, quite unable to speak, and he laughed at her brilliant eyes and flushed cheeks, and, dropping his right hand, squeezed hers.

"It's your party, Sweetness--all yours! You must have a good time every minute!" And he turned, still smiling, to Thessalie Dunois on his left:

"It's quite wonderful, Thessa, to have you here--to be actually seated beside you at my own table. I shall not let you slip away from me again, you enchanting ghost!--and leave me with a dislocated heart."

"Garry, that sounds almost sentimental. We're not, you know."

"How do I know? You never gave me a chance to be sentimental."

She laughed mirthlessly:

"Never gave you a chance? And our brief but headlong career together, monsieur? What was it but a continuous cataract of chances?"

"But we were laughing our silly heads off every minute! I had no opportunity."

That seemed to amuse her and awaken the ever-latent humour in her.

"Opportunity," she observed demurely, "should be created and taken, not shyly awaited with eyes rolled upward and a sucked thumb."

They both laughed outright. Her colour rose; the old humorous challenge was in her eyes again; the subtle mask was already slipping from her features, revealing them in all their charming recklessness.

"You know my creed," she said; "to go forward--laugh--and accept what Destiny sends you--still laughing!" Her smile altered again, became, for a moment, strange and vague. "God knows that is what I am doing to-night," she murmured, lifting her slim glass, in which the gush of sunny bubbles caught the candlelight. "To Destiny--whatever it may be! Drink with me, Garry!"

Around them the chatter and vivacity increased, as Damaris ended a duel of wit with Westmore and prepared for battle with Corot Mandel. Everybody seemed to be irresponsibly loquacious except Dulcie, who sat between Barres and Esme Trenor, a silent, smiling, reserved little listener. For Barres was still conversationally involved with Thessalie, and Esme Trenor, languid and detached, being entirely ignored by Damaris, whom he had taken out, awaited his own proper modicum of worship from his silent little neighbour on his left--which tribute he took for granted was his sacred due, and which, hitherto, he had invariably received from woman.

But nobody seemed to be inclined to worship; Damaris scarcely deigned to notice him, his impudence, perhaps, still rankling. Thessalie, laughingly engaged with Barres, remained oblivious to the fashionable portrait painter. As for Elsena Helmund, that youthful matron was busily pretending to comprehend Corot Mandel's covert orientalisms, and secretly wondering whether they were, perhaps, as improper as Westmore kept whispering to her they were, urging her to pick up her skirts and run.

Esme Trenor permitted a few weary but slightly disturbed glances to rest on Dulcie from time to time, but made no effort to entertain her.

And she, on her part, evinced no symptoms of worshipping him. And all the while he was thinking to himself:

"Can this be the janitor's daughter? Is she the same rather soiled, impersonal child whom I scarcely ever noticed--the thin, immature, negligible little drudge with a head full of bobbed red hair?"

His lack of vision, of finer discernment, deeply annoyed him. Her lack of inclination to worship him, now that she had the God-sent opportunity, irritated him.

"The silly little bounder," he thought, "how can she sit beside me without timidly venturing to entertain me?"

He stole another profoundly annoyed glance at Dulcie. The child was certainly beautiful--a slim, lovely, sensitive thing of qualities so delicate that the painter of pretty women became even more surprised and chagrined that it had taken Barres to discover this desirable girl in the silent, shabby child of Larry Soane.

Presently he lurched part way toward her in his chair, and looked at her with bored but patronising encouragement.

"Talk to me," he said languidly.

Dulcie turned and looked at him out of uninterested grey eyes.

"What?" she said.

"Talk to me," he repeated pettishly.

"Talk to yourself," retorted Dulcie, and turned again to listen to the gay nonsense which Damaris and Westmore were exchanging amid peals of general laughter.

But Esme Trenor was thunderstruck. A deep and painful colour stained his pallid features. Never before had mortal woman so flouted him. It was unthinkable. It really wouldn't do. There must be some explanation for this young girl's monstrous attitude toward offered opportunity.

"I say," he insisted, still very red, "are you bashful, by any chance?"

Dulcie slowly turned toward him again:

"Sometimes I am bashful; not now."

"Oh. Then wouldn't you like to talk to me?"

"I don't think so."

"Fancy! And why not, Dulcie?"

"Because I haven't anything to say to you."

"Dear child, that is the incentive to all conversation--lack of anything to say. You should practise the art of saying nothing politely."

"_You_ should have practised it enough to say good morning to me during these last five years," said Dulcie gravely.

"Oh, I say! You're rather severe, you know! You were just a little thing running about underfoot!--I'm sorry you feel angry----"

"I do not. But how can I have anything to talk to you about, Mr. Trenor, when you have never even noticed me all these years, although often I have handed you your keys and your letters."

"It was quite stupid of me. I'm sorry. But a man, you see, doesn't notice children----"

"Some men do."

"You mean Mr. Barres! That _is_ unkind. Why rub it in, Dulcie? I'm rather an interesting fellow, after all."

"Are you?" she asked absently.

Her honest indifference to him was perfectly apparent to Esme Trenor. This would never do. She must be subdued, made sane, disciplined!

"Do you know," he drawled, leaning lankly nearer, dropping both arms on the cloth, and fixing his heavy-lidded eyes intensely on her,"--do you know--do you guess, perhaps, why I never spoke to you in all these years?"

"You did not trouble yourself to speak to me, I imagine."

"You are wrong. I was _afraid_!" And he stared at her pallidly.

"Afraid?" she repeated, puzzled.

He leaned nearer, confidential, sad:

"Shall I tell you a precious secret, Dulcie? I am a coward. I am a slave of fear. I am afraid of beauty! Isn't that a very strange thing to say? Can you understand the subtlety of that indefinable psychology? Fear is an emotion. Fear of the beautiful is still a subtler emotion. Fear, itself, is beautiful beyond words. Beauty is Fear. Fear is Beauty. Do you follow me, Dulcie?"

"No," said the girl, bewildered.

Esme sighed:

"Some day you will follow me. It is my destiny to be followed, pursued, haunted by loveliness impotently seeking to express itself to me, while I, fearing it, dare only to express my fear with brush and pencil!... _When_ shall I paint you?" he added with sad benevolence.

"What?"

"When shall I try to interpret upon canvas my subtle fear of you?" And, as the girl remained mute: "When," he explained languidly, "shall I appoint an hour for you to sit to me?"

"I am Mr. Barres's model," she said, flushing.

"I shall have to arrange it with him, then," he nodded, wearily.

"I don't think you can."

"Fancy! Why not?"

"Because I do not wish to sit to anybody except Mr. Barres," she said candidly, "and what you paint does not interest me at all."

"Are you familiar with my work?" he asked incredulously.

She shook her head, shrugged, and turned to Barres, who had at last relinquished Thessalie to Westmore.

"Well, Sweetness," he said gaily, "do you get on with Esme Trenor?"

"He talked," she said in a voice perfectly audible to Esme.

Barres glanced toward Esme, secretly convulsed, but that young apostle of Fear had swung one thin leg over the other and was now presenting one shoulder and the back of his head to them both, apparently in delightful conversation with Elsena Helmund, who was fed up on him and his fears.

"You must always talk to your neighbours at dinner," insisted Barres, still immensely amused. "Esme is a very popular man with fashionable women, Dulcie,--a painter in much demand and much adored.... Why do you smile?"

Dulcie smiled again, deliciously.

"Anyway," continued Barres, "you must now give the signal for us to rise by standing up. I'm so proud of you, Dulcie, darling!" he added impulsively; "--and everybody is mad about you!"

"You made me--" she laughed mischievously, "--out of a rag and a bone and a hank of hair!"

"You made yourself out of nothing, child! And everybody thinks you delightful."

"Do _you_?"

"You dear girl!--of course I do. Does it make such a difference to you, Dulcie--my affection for you?"

"Is it--_affection_?"

"It certainly is. Didn't you know it?"

"I didn't--know--what it was."

"Of course it is affection. Who could be with you as I have been and not grow tremendously fond of you?"

"Nobody ever did except you. Mr. Westmore was always nice. But--but you are so kind--I can't express--I--c-can't----" Her emotion checked her.

"Don't try, dear!" he said hastily. "We're going in to have a jolly dance now. You and I begin it together. Don't you let any other fellow take you away!"

She looked up, laughed blissfully, gazing at him with brilliant eyes a little dimmed.

"They'll all be at your heels," he said, beginning to comprehend the beauty he had let loose on the world, "--every man-jack of them, mark my prophecy! But ours is the first dance, Dulcie. Promise?"

"I do. And I promise you the next--please----"

"Well, I'm host," he said doubtfully, and a trifle taken aback. "We'll have some other dances together, anyway. But I couldn't monopolise you, Sweetness."

The girl looked at him silently, then her grey, intelligent eyes rested directly on Thessalie Dunois.

"Will you dance with her?" she asked gravely.

"Yes, of course. And with the others, too. Tell me, Dulcie, did you find Miss Dunois agreeable?"

"I--don't--know."

"Why, you ought to like her. She's very attractive."

"She is quite beautiful," said the girl, watching Thessalie across his shoulder.

"Yes, she really is. What did you and she talk about?"

"Father," replied Dulcie, determined to have no further commerce with Thessalie Dunois which involved a secrecy excluding Barres. "She asked me if he were not my father. Then she asked me a great many stupid questions about him. And about Miss Kurtz, who takes the desk when father is out. Also, she asked me about the mail and whether the postman delivered letters at the desk or in the box outside, and about the tenants' mail boxes, and who distributed the letters through them. She seemed interested," added the girl indifferently, "but I thought it a silly subject for conversation."

Barres, much perplexed, sat gazing at Dulcie in silence for a moment, then recollecting his duty, he smiled and whispered:

"Stand up, now, Dulcie. You are running this show."

The girl flushed and rose, and the others stood up. Barres took her to the studio door, then returned to the table with the group of men.

"Well," he exclaimed happily, "what do you fellows think of Soane's little girl now? Isn't she the sweetest thing you ever heard of?"

"A peach!" said Westmore, in his quick, hearty voice. "What's the idea, Garry? Is it to be her career, this posing business? And where is it going to land her? In the Winter Garden?"

"Where is it going to land _you_?" added Esme impudently.

"Why, I don't know, myself," replied Barres, with a troubled smile. "The little thing always appealed to me--her loneliness and neglect, and--and something about the child--I can't define it----"

"Possibilities?" suggested Mandel viciously. "Take it from me, you're some picker, Garry."

"Perhaps. Anyway, I've given her the run of my place for the last two years and more. And she has been growing up all the while, and I didn't notice it. And suddenly, this spring, I discovered her for the first time.... And--well, look at her to-night!"

"She's your private model, isn't she?" persisted Mandel.

"Entirely," replied Barres drily.

"Selfish dog!" remarked Westmore, with his lively, wholesome laugh. "I once asked her to sit for me--more out of good nature than anything else. And a jolly fine little model she ought to make you, Garry. She's beginning to acquire a figure."

"She's quite wonderful that way, too," nodded Barres.

"Undraped?" inquired Esme.

"A miracle," nodded Barres absently. "Paint is becoming inadequate. I shall model her this summer. I tell you I have never seen anything to compare to her. Never!"

"What else will you do with her?" drawled Esme. "You'll go stale on her some day, of course. Am I next?"

"_No_!... I don't know what she'll do. It begins to look like a responsibility, doesn't it? She's such a fine little girl," explained Barres warmly. "I've grown quite fond of her--interested in her. Do you know she has an excellent mind? And nice, fastidious instincts? She _thinks_ straight. That souse of a father of hers ought to be jailed for the way he neglects her."

"Are you thinking of adopting her?" asked Trenor, with the faintest of sneers, which escaped Barres.

"Adopt a _girl_? Oh, Lord, no! I can't do anything like that. Yet--I hate to think of her future, too ... unless somebody looks out for her. But it isn't possible for _me_ to do anything for her except to give her a good job with a decent man----"

"Meaning yourself," commented Mandel, acidly.

"Well, I _am_ decent," retorted Barres warmly, amid general laughter. "You fellows know what chances she might take with some men," he added, laughing at his own warm retort.

Esme and Corot Mandel nodded piously, each perfectly aware of what chance any attractive girl would run with his predatory neighbour.

"To shift the subject of discourse--that girl, Thessalie Dunois," began Westmore, in his energetic way, "is about the cleverest and prettiest woman I've seen in New York outside the theatre district."

"I met her in France," said Barres, carelessly. "She really is wonderfully clever."

"I shall let her talk to me," drawled Esme, flicking at his cigarette. "It will be a liberal education for her."

Mandel's slow, oriental eyes blinked contempt; he caressed his waxed moustache with nicotine-stained fingers:

"I am going to direct an out-of-door spectacle--a sort of play--not named yet--up your way, Barres--at Northbrook. It's for the Belgians.... If Miss Dunois--unless," he added sardonically, "you have her reserved, also----"

"Nonsense! You cast Thessalie Dunois and she'll make your show for you, Mandel!" exclaimed Barres. "I know and I'm telling you. Don't make any mistake: there's a girl who can make good!"

"Oh. Is she a professional?"

It was on the tip of Barres's tongue to say "Rather!" But he checked himself, not knowing Thessalie's wishes concerning details of her incognito.

"Talk to her about it," he said, rising.

The others laid aside cigars and followed him into the studio, where already the gramophone was going and Aristocrates and Selinda were rolling up the rugs.

* * * * *

Barres and Dulcie danced until the music, twice revived, expired in husky dissonance, and a new disc was substituted by Westmore.