Chapter VI: Part 6

“That was the first we knew of it, but it is not the proper beginning of the case. The first point of any significance, I should say, is the change that came over M. Renauld shortly after arriving in Merlinville, and which is attested to by several witnesses. We have also to consider his friendship with Madame Daubreuil, and the large sums of money paid over to her. From thence we can come directly to the 23rd May.”

Poirot paused, cleared his throat, and signed to me to write.

“_23rd May.___ M. Renauld quarrels with his son over latter’s wish to marry Marthe Daubreuil. Son leaves for Paris.

“_24th May.___ M. Renauld alters his will, leaving entire control of his fortune in his wife’s hands.

“_7th June.___ Quarrel with tramp in garden, witnessed by Marthe Daubreuil.

“Letter written to M. Hercule Poirot, imploring assistance.

“Telegram sent to Jack Renauld, bidding him proceed by the _Anzora___ to Buenos Ayres.

“Chauffeur, Masters, sent off on a holiday.

“Visit of a lady, that evening. As he is seeing her out, his words are ‘Yes, yes—but for God’s sake go now.…’”

Poirot paused.

“There, Hastings, take each of those facts one by one, consider them carefully by themselves and in relation to the whole, and see if you do not get new light on the matter.”

I endeavoured conscientiously to do as he had said. After a moment or two, I said rather doubtfully:

“As to the first points, the question seems to be whether we adopt the theory of blackmail, or of an infatuation for this woman.”

“Blackmail, decidedly. You heard what Stonor said as to his character and habits.”

“Mrs. Renauld did not confirm his view,” I argued.

“We have already seen that Madame Renauld’s testimony cannot be relied upon in any way. We must trust to Stonor on that point.”

“Still, if Renauld had an affair with a woman called Bella, there seems no inherent improbability in his having another with Madame Daubreuil.”

“None whatever, I grant you, Hastings. But did he?”

“The letter, Poirot. You forget the letter.”

“No, I do not forget. But what makes you think that letter was written to M. Renauld?”

“Why it was found in his pocket and—and—”

“And that is all!” cut in Poirot. “There was no mention of any name to show to whom the letter was addressed. We assumed it was to the dead man because it was in the pocket of his overcoat. Now, _mon ami___, something about that overcoat struck me as unusual. I measured it, and made the remark that he wore his overcoat very long. That remark should have given you to think.”

“I thought you were just saying it for the sake of saying something,” I confessed.

“Ah, _quelle idée!___ Later you observed me measuring the overcoat of M. Jack Renauld. _Eh bien___, M. Jack Renauld wears his overcoat very short. Put those two facts together with a third, namely that M. Jack Renauld flung out of the house in a hurry on his departure for Paris, and tell me what you make of it!”

“I see,” I said slowly, as the meaning of Poirot’s remarks bore in upon me. “That letter was written to Jack Renauld—not to his father. He caught up the wrong overcoat in his haste and agitation.”

Poirot nodded.

“_Précisement!___ We can return to this point later. For the moment let us content ourselves with accepting the letter as having nothing to do with M. Renauld _père___, and pass to the next chronological event.”

“May 23rd,” I read, “M. Renauld quarrels with his son over latter’s wish to marry Marthe Daubreuil. Son leaves for Paris. I don’t see anything much to remark upon there, and the altering of the will the following day seems straightforward enough. It was the direct result of the quarrel.”

“We agree, _mon ami___—at least as to the cause. But what exact motive underlay this procedure of M. Renauld’s?”

I opened my eyes in surprise.

“Anger against his son of course.”

“Yet he wrote him affectionate letters to Paris?”

“So Jack Renauld says, but he cannot produce them.”

“Well, let us pass from that.”

“Now we come to the day of the tragedy. You have placed the events of the morning in a certain order. Have you any justification for that?”

“I have ascertained that the letter to me was posted at the same time as the telegram was despatched. Masters was informed he could take a holiday shortly afterwards. In my opinion the quarrel with the tramp took place anterior to these happenings.”

“I do not see that you can fix that definitely—unless you question Mademoiselle Dabreuil again.”

“There is no need. I am sure of it. And if you do not see that, you see nothing, Hastings!”

I looked at him for a moment.

“Of course! I am an idiot. If the tramp was Georges Conneau, it was after the stormy interview with him that Mr. Renauld apprehended danger. He sent away the chauffeur, Masters, whom he suspected of being in the other’s pay, he wired to his son, and sent for you.”

A faint smile crossed Poirot’s lips.

“You do not think it strange that he should use exactly the same expressions in his letter as Madame Renauld used later in her story? If the mention of Santiago was a blind, why should Renauld speak of it, and—what is more—send his son there?”

“It is puzzling, I admit, but perhaps we shall find some explanation later. We come now to the evening, and the visit of the mysterious lady. I confess that that fairly baffles me, unless it was Madame Daubreuil, as Françoise all along maintained.”

Poirot shook his head.

“My friend, my friend, where are your wits wandering? Remember the fragment of cheque, and the fact that the name Bella Duveen was faintly familiar to Stonor, and I think we may take it for granted that Bella Duveen is the full name of Jack’s unknown correspondent, and that it was she who came to the Villa Geneviève that night. Whether she intended to see Jack, or whether she meant all along to appeal to his father we cannot be certain, but I think we may assume that this is what occurred. She produced her claim upon Jack, probably showed letters that he had written her, and the older man tried to buy her off by writing a cheque. This she indignantly tore up. The terms of her letter are those of a woman genuinely in love, and she would probably deeply resent being offered money. In the end he got rid of her, and here the words that he used are significant.”

“‘Yes, yes, but for God’s sake go now,’” I repeated. “They seem to me a little vehement, perhaps, that is all.”

“That is enough. He was desperately anxious for the girl to go. Why? Not only because the interview was unpleasant. No, it was the time that was slipping by, and for some reason time was precious.”

“Why should it be?” I asked, bewildered.

“That is what we ask ourselves. Why should it be? But later we have the incident of the wrist watch—which again shows us that time plays a very important part in the crime. We are now fast approaching the actual drama. It is half-past ten when Bella Duveen leaves, and by the evidence of the wrist watch we know that the crime was committed, or at any rate that it was staged, before twelve o’clock. We have reviewed all the events anterior to the murder, there remains only one unplaced. By the doctor’s evidence, the tramp, when found, had been dead at least forty-eight hours—with a possible margin of twenty-four hours more. Now, with no other facts to help me than those we have discussed, I place the death as having occurred on the morning of June 7th.”

I stared at him, stupefied.

“But how? Why? How can you possibly know?”

“Because only in that way can the sequence of events be logically explained. _Mon ami___, I have taken you step by step along the way. Do you not now see what is so glaringly plain?”

“My dear Poirot, I can’t see anything glaring about it. I did think I was beginning to see my way before, but I’m now hopelessly fogged.”

Poirot looked at me sadly, and shook his head. “_Mon Dieu!___ But it is _triste!___ A good intelligence—and so deplorably lacking in method. There is an exercise most excellent for the development of the little grey cells. I will impart it to you—”

“For Heaven’s sake, not now! You really are the most irritating of fellows, Poirot. For goodness’ sake, get on and tell me who killed M. Renauld.”

“That is just what I am not sure of as yet.”

“But you said it was glaringly clear?”

“We talk at cross-purposes, my friend. Remember, it is two crimes we are investigating—for which, as I pointed out to you, we have the necessary two bodies. There, there, _ne vous impatientez pas!___ I explain all. To begin with, we apply our psychology. We find three points at which M. Renauld displays a distinct change of view and action—three psychological points therefore. The first occurs immediately after arriving in Merlinville, the second after quarrelling with his son on a certain subject, the third on the morning of June 7th. Now for the three causes. We can attribute No. 1 to meeting Madame Daubreuil. No. 2 is indirectly connected with her since it concerns a marriage between M. Renauld’s son and her daughter. But the cause of No. 3 is hidden from us. We have to deduce it. Now, _mon ami___, let me ask you a question; who do we believe to have planned this crime?”

“Georges Conneau,” I said doubtfully, eyeing Poirot warily.

“Exactly. Now Giraud laid it down as an axiom that a woman lies to save herself, the man she loves, and her child. Since we are satisfied that was Georges Conneau who dictated the lie to her, and as Georges Conneau is not Jack Renauld, follows that the third case is put out of court. And, still attributing the crime to Georges Conneau, the first is equally so. So we are forced to the second—that Madame Renauld lied for the sake of the man she loved—or in other words, for the sake of Georges Conneau. You agree to that.”

“Yes,” I admitted. “It seems logical enough.”

“_Bien!___ Madame Renauld loves Georges Conneau. Who, then, is Georges Conneau?”

“The tramp.”

“Have we any evidence to show that Madame Renauld loved the tramp?”

“No, but—”

“Very well then. Do not cling to theories where facts no longer support them. Ask yourself instead who Madame Renauld _did___ love.”

I shook my head perplexed.

“_Mais, oui___, you know perfectly. Who did Madame Renauld love so dearly that when she saw his dead body, she fell down in a swoon?”

I stared dumbfounded.

“Her husband?” I gasped.

Poirot nodded.

“Her husband—or Georges Conneau, whichever you like to call him.”

I rallied myself.

“But it’s impossible.”

“How ‘impossible?’ Did we not agree just now that Madame Daubreuil was in a position to blackmail Georges Conneau?”

“Yes, but—”

“And did she not very effectively blackmail M. Renauld?”

“That may be true enough, but—”

“And is it not a fact that we know nothing of M. Renauld’s youth and upbringing? That he springs suddenly into existence as a French Canadian exactly twenty-two years ago?”

“All that is so,” I said more firmly, “but you seem to me to be overlooking one salient point.”

“What is it, my friend?”

“Why, we have admitted Georges Conneau planned the crime. That brings us to the ridiculous statement that he planned his own murder!”

“_Eh bien, mon ami___,” said Poirot placidly, “that is just what he did do!”

21 Hercule Poirot on the Case!

In a measured voice, Poirot began his exposition.

“It seems strange to you, _mon ami___, that a man should plan his own death? So strange, that you prefer to reject the truth as fantastic, and to revert to a story that is in reality ten times more impossible. Yes, M. Renauld planned his own death, but there is one detail that perhaps escapes you—he did not intend to die.”

I shook my head, bewildered.

“But no, it is all most simple really,” said Poirot kindly. “For the crime that M. Renauld proposed a murderer was not necessary, as I told you, but a body was. Let us reconstruct, seeing events this time from a different angle.

“Georges Conneau flies from justice—to Canada. There, under an assumed name he marries, and finally acquires a vast fortune in South America. But there is a nostalgia upon him for his own country. Twenty years have elapsed, he is considerably changed in appearance, besides being a man of such eminence that no one is likely to connect him with a fugitive from justice many years ago. He deems it quite safe to return. He takes up his headquarters in England, but intends to spend the summers in France. And ill fortune, that obscure justice which shapes men’s ends, and will not allow them to evade the consequences of their acts, takes him to Merlinville. There, in the whole of France, is the one person who is capable of recognizing him. It is, of course, a gold mine to Madame Daubreuil, and a gold mine of which she is not slow to take advantage. He is helpless, absolutely in her power. And she bleeds him heavily.

“And then the inevitable happens. Jack Renauld falls in love with the beautiful girl he sees almost daily, and wishes to marry her. That rouses his father. At all costs, he will prevent his son marrying the daughter of this evil woman. Jack Renauld knows nothing of his father’s past, but Madame Renauld knows everything. She is a woman of great force of character, and passionately devoted to her husband. They take counsel together. Renauld sees only one way of escape—death. He must appear to die, in reality escaping to another country where he will start again under an assumed name, and where Madame Renauld, having played the widow’s part for a while, can join him. It is essential that she should have control of the money, so he alters his will. How they meant to manage the body business originally, I do not know—possibly an art student’s skeleton—and a fire or something of the kind, but long before their plans have matured an event occurs which plays into their hands. A rough tramp, violent and abusive, finds his way into the garden. There is a struggle, M. Renauld seeks to eject him, and suddenly the tramp, an epileptic, falls down in a fit. He is dead. M. Renauld calls his wife. Together they drag him into the shed—as we know, the event had occurred just outside—and they realize the marvellous opportunity that has been vouchsafed them. The man bears no resemblance to M. Renauld, but he is middle-aged, of a usual French type. That is sufficient.

“I rather fancy that they sat on the bench up there, out of earshot from the house, discussing matters. Their plan was quickly made. The identification must rest solely on Madame Renauld’s evidence. Jack Renauld and the chauffeur (who had been with his master two years) must be got out of the way. It was unlikely that the French women servants would go near the body, and in any case Renauld intended to take measures to deceive any one not likely to appreciate details. Masters was sent off, a telegram despatched to Jack, Buenos Ayres being selected to give credence to the story that Renauld had decided upon. Having heard of me, as a rather obscure elderly detective, he wrote his appeal for help knowing that, when I arrived, the production of the letter would have a profound effect upon the examining magistrate—which, of course, it did.

“They dressed the body of the tramp in a suit of M. Renauld’s and left his ragged coat and trousers by the door of the shed, not daring to take them into the house. And then, to give credence to the tale Madame Renauld was to tell, they drove the aeroplane dagger through his heart. That night, M. Renauld will first bind and gag his wife, and then, taking a spade, will dig a grave in that particular spot of ground where he knows a—how do you call it? bunkair?—is to be made. It is essential that the body should be found—Madame Daubreuil must have no suspicions. On the other hand, if a little time elapses, any dangers as to identity will be greatly lessened. Then, M. Renauld will don the tramp’s rags, and shuffle off to the station, where he will leave, unnoticed, by the 12:10 train. Since the crime will be supposed to have taken place two hours later, no suspicion can possibly attach to him.

“You see now his annoyance at the inopportune visit of the girl Bella. Every moment of delay is fatal to his plans. He gets rid of her as soon as he can, however. Then, to work! He leaves the front door slightly ajar to create the impression that the assassins left that way. He binds and gags Madame Renauld, correcting his mistake of twenty-two years ago, when the looseness of the bonds caused suspicion to fall upon his accomplice, but leaving her primed with essentially the same story as he had invented before, proving the unconscious recoil of the mind against originality. The night is chilly, and he slips on an overcoat over his underclothing, intending to cast it into the grave with the dead man. He goes out by the window, smoothing over the flower bed carefully, and thereby furnishing the most positive evidence against himself. He goes out on to the lonely golf links, and he digs—and then—”

“Yes?”

“And then,” said Poirot gravely, “the justice that he has so long eluded overtakes him. An unknown hand stabs him in the back.… Now, Hastings, you understand what I mean when I talk of _two___ crimes. The first crime, the crime that M. Renauld, in his arrogance, asked us to investigate (ah, but he made a famous mistake there! He misjudged Hercule Poirot!) is solved. But behind it lies a deeper riddle. And to solve that will be difficult—since the criminal in his wisdom, has been content to avail himself of the devices prepared by M. Renauld. It has been a particularly perplexing and baffling mystery to solve. A young hand, like Giraud, who does not place any reliance on the psychology, is almost certain to fail.”

“You’re marvellous, Poirot,” I said, with admiration. “Absolutely marvellous. No one on earth but you could have done it!”

I think my praise pleased him. For once in his life, he looked almost embarrassed.

“Ah, then you no longer despise poor old Papa Poirot? You shift your allegiance back from the human foxhound?”

His term for Giraud never failed to make me smile.

“Rather. You’ve scored over him handsomely.”

“That poor Giraud,” said Poirot, trying unsuccessfully to look modest. “Without doubt it is not all stupidity. He has had _la mauvaise chance___ once or twice. That dark hair coiled round the dagger, for instance. To say the least, it was misleading.”

“To tell you the truth, Poirot,” I said slowly, “even now I don’t quite see—whose hair was it?”

“Madame Renauld’s of course. That is where _la mauvaise chance___ came in. Her hair, dark originally, is almost completely silvered. It might just as easily have been a grey hair—and then, by no conceivable effort could Giraud have persuaded himself it came from the head of Jack Renauld! But it is all of a piece. Always the facts must be twisted to fit the theory! Did not Giraud find the traces of two persons, a man and a woman, in the shed? And how does that fit in with his reconstruction of the case? I will tell you—it does not fit in, and so we shall hear no more of them! I ask you, is that a methodical way of working? The great Giraud! The great Giraud is nothing but a toy balloon—swollen with its own importance. But I, Hercule Poirot, whom he despises, will be the little pin that pricks the big balloon—_comme ça!___” And he made an expressive gesture. Then, calming down, he resumed:

“Without doubt, when Madame Renauld recovers, she will speak. The possibility of her son being accused of the murder never occurred to her. How should it, when she believed him safely at sea on board the _Anzora?___ _Ah! voilà une femme___, Hastings! What force, what self-command! She only made one slip. On his unexpected return: ‘It does not matter—_now___.’ And no one noticed—no one realized the significance of those words. What a terrible part she has had to play, poor woman. Imagine the shock when she goes to identify the body and, instead of what she expects, sees the actual lifeless form of the husband she has believed miles away by now. No wonder she fainted! But since then, despite her grief and her despair, how resolutely she has played her part, and how the anguish of it must wring her. She cannot say a word to set us on the track of the real murderers. For her son’s sake, no one must know that Paul Renauld was Georges Conneau, the criminal. Final and most bitter blow, she has admitted publicly that Madame Daubreuil was her husband’s mistress—for a hint of blackmail might be fatal to her secret. How cleverly she dealt with the examining magistrate when he asked her if there was any mystery in her husband’s past life. ‘Nothing so romantic, I am sure, M. le juge.’ It was perfect, the indulgent tone, the _soupçon___ of sad mockery. At once M. Hautet felt himself foolish and melodramatic. Yes, she is a great woman! If she loved a criminal, she loved him royally!”

Poirot lost himself in contemplation.

“One thing more, Poirot, what about the piece of lead piping?”

“You do not see? To disfigure the victim’s face so that it would be unrecognizable. It was that which first set me on the right track. And that imbecile of a Giraud, swarming all over it to look for match ends! Did I not tell you that a clue of two feet long was quite as good as a clue of two inches?”

“Well, Giraud will sing small now,” I observed hastily, to lead the conversation away from my own shortcomings.

“As I said before, will he? If he has arrived at the right person by the wrong method, he will not permit that to worry him.”

“But surely—” I paused as I saw the new trend of things.

“You see, Hastings, we must now start again. Who killed M. Renauld? Some one who was near the Villa just before twelve o’clock that night, some one who would benefit by his death—the description fits Jack Renauld only too well. The crime need not have been premeditated. And then the dagger!”

I started, I had not realized that point.

“Of course,” I said. “The second dagger we found in the tramp was Mrs. Renauld’s. There _were___ two, then.”

“Certainly, and, since they were duplicates, it stands to reason that Jack Renauld was the owner. But that would not trouble me so much. In fact I have a little idea as to that. No, the worst indictment against him is again psychological—heredity, _mon ami___, heredity! Like father, like son—Jack Renauld, when all is said or done, is the son of Georges Conneau.”

His tone was grave and earnest, and I was impressed in spite of myself.

“What is your little idea that you mentioned just now?” I asked.

For answer, Poirot consulted his turnip-faced watch, and then asked:

“What time is the afternoon boat from Calais?”

“About five, I believe.”

“That will do very well. We shall just have time.”

“You are going to England?”

“Yes, my friend.”

“Why?”

“To find a possible—witness.”

“Who?”

With a rather peculiar smile upon his face, Poirot replied:

“Miss Bella Duveen.”

“But how will you find her—what do you know about her?”

“I know nothing about her—but I can guess a good deal. We may take it for granted that her name _is___ Bella Duveen, and since that name was faintly familiar to M. Stonor, though evidently not in connection with the Renauld family, it is probable that she is on the stage. Jack Renauld was a young man with plenty of money, and twenty years of age. The stage is sure to have been the home of his first love. It tallies, too, with M. Renauld’s attempt to placate her with a cheque. I think I shall find her all right—especially with the help of _this___.”

And he brought out the photograph I had seen him take from Jack Renauld’s drawer. “With love from Bella,” was scrawled across the corner, but it was not that which held my eyes fascinated. The likeness was not first rate—but for all that it was unmistakable to me. I felt a cold sinking, as though some unutterable calamity had befallen me.

It was the face of Cinderella.

22 I Find Love

For a moment or two I sat as though frozen, the photograph still in my hand. Then, summoning all my courage to appear unmoved, I handed it back. At the same time, I stole a quick glance at Poirot. Had he noticed anything? But to my relief he did not seem to be observing me. Anything unusual in my manner had certainly escaped him.

He rose briskly to his feet.

“We have no time to lose. We must make our departure with all despatch. All is well—the sea it will be calm!”

In the bustle of departure, I had no time for thinking, but once on board the boat, secure from Poirot’s observation (he, as usual, was “practising the method most excellent of Laverguier”) I pulled myself together, and attacked the facts dispassionately. How much did Poirot know? Was he aware that my acquaintance of the train and Bella Duveen were one and the same? Why had he gone to the Hôtel du Phare? On my behalf as I had believed? Or had I only fatuously thought so, and was this visit undertaken with a deeper and more sinister purpose?

But in any case, why was he bent on finding this girl? Did he suspect her of having seen Jack Renauld commit the crime? Or did he suspect—but that was impossible! The girl had no grudge against the elder Renauld, no possible motive for wishing his death. What had brought her back to the scene of the murder? I went over the facts carefully. She must have left the train at Calais where I parted from her that day. No wonder I had been unable to find her on the boat. If she had dined in Calais, and then taken a train out to Merlinville, she would have arrived at the Villa Geneviève just about the time that Françoise said. What had she done when she left the house just after ten? Presumably either gone to an hotel, or returned to Calais. And then? The crime had been committed on Tuesday night. On Thursday morning, she was once more in Merlinville. Had she ever left France at all? I doubted it very much. What kept her there—the hope of seeing Jack Renauld? I had told her (as at the time we believed) that he was on the high seas _en route___ to Buenos Ayres. Possibly she was aware that the _Anzora___ had not sailed. But to know that she must have seen Jack. Was that what Poirot was after? Had Jack Renauld, returning to see Marthe Daubreuil, come face to face instead with Bella Duveen, the girl he had heartlessly thrown over?

I began to see daylight. If that were indeed the case, it might furnish Jack with the alibi he needed. Yet under those circumstances his silence seemed difficult to explain. Why could he not have spoken out boldly? Did he fear for this former entanglement of his to come to the ears of Marthe Daubreuil? I shook my head, dissatisfied. The thing had been harmless enough, a foolish boy and girl affair, and I reflected cynically that the son of a millionaire was not likely to be thrown over by a penniless French girl, who moreover loved him devotedly, without a much graver cause.

Altogether I found the affair puzzling and unsatisfactory. I disliked intensely being associated with Poirot in hunting this girl down, but I could not see any way of avoiding it, without revealing everything to him, and this, for some reason, I was loath to do.

Poirot reappeared brisk and smiling at Dover, and our journey to London was uneventful. It was past nine o’clock when we arrived, and I supposed that we should return straight away to our rooms and do nothing till the morning. But Poirot had other plans.

“We must lose no time, _mon ami___. The news of the arrest will not be in the English papers until the day after tomorrow, but still we must lose no time.”

I did not quite follow his reasoning, but I merely asked how he proposed to find the girl.

“You remember Joseph Aarons, the theatrical agent? No? I assisted him in a little matter of a Japanese wrestler. A pretty little problem, I must recount it to you one day. He, without doubt, will be able to put us in the way of finding out what we want to know.”

It took us some time to run Mr. Aarons to earth, and it was after midnight when we finally managed it. He greeted Poirot with every evidence of warmth, and professed himself ready to be of service to us in any way.

“There’s not much about the profession I don’t know,” he said, beaming genially.

“_Eh bien___, M. Aarons, I desire to find a young girl called Bella Duveen.”

“Bella Duveen. I know the name, but for the moment I can’t place it. What’s her line?”

“That I do not know—but here is her photograph.”

Mr. Aarons studied it for a moment, then his face lighted.

“Got it!” He slapped his thigh. “The Dulcibella Kids, by the Lord!”

“The Dulcibella Kids?”

“That’s it. They’re sisters. Acrobats, dancers and singers. Give quite a good little turn. They’re in the provinces somewhere, I believe—if they’re not resting. They’ve been on in Paris for the last two or three weeks.”

“Can you find out for me exactly where they are?”

“Easy as a bird. You go home, and I’ll send you round the dope in the morning.”

With this promise we took leave of him. He was as good as his word. About eleven o’clock the following day, a scribbled note reached us.

“The Dulcibella Sisters are on at the Palace in Coventry. Good luck to you.”

Without more ado, we started for Coventry. Poirot made no inquiries at the theatre, but contented himself with booking stalls for the variety performance that evening.

The show was wearisome beyond words—or perhaps it was only my mood that made it seem so. Japanese families balanced themselves precariously, would-be fashionable men, in greenish evening dress and exquisitely slicked hair, reeled off society patter and danced marvellously, stout prima donnas sang at the top of the human register, a comic comedian endeavoured to be Mr. George Robey and failed signally.

At last the number went up which announced the Dulcibella Kids. My heart beat sickeningly. There she was—there they both were, the pair of them, one flaxen haired, one dark, matching as to size, with short fluffy skirts and immense buster brown bows. They looked a pair of extremely piquant children. They began to sing. Their voices were fresh and true, rather thin and music-hally, but attractive.

It was quite a pretty little turn. They danced neatly, and did some clever little acrobatic feats. The words of their songs were crisp and catchy. When the curtain fell, there was a full meed of applause. Evidently the Dulcibella Kids were a success.

Suddenly I felt that I could remain no longer. I must get out into the air. I suggested leaving to Poirot.

“Go by all means, _mon ami___. I amuse myself, and will stay to the end. I will rejoin you later.”

It was only a few steps from the theatre to the hotel. I went up to the sitting-room, ordered a whisky and soda, and sat drinking it, staring meditatively into the empty grate. I heard the door open, and turned my head, thinking it was Poirot. Then I jumped to my feet. It was Cinderella who stood in the doorway. She spoke haltingly, her breath coming in little gasps.

“I saw you in front. You and your friend. When you got up to go, I was waiting outside and followed you. Why are you here—in Coventry? What were you doing there to-night? Is the man who was with you the—the detective?”

She stood there, the cloak she had wrapped round her stage dress slipping from her shoulders. I saw the whiteness of her cheeks under the rouge, and heard the terror in her voice. And in that moment I understood everything—understood why Poirot was seeking her, and what she feared, and understood at last my own heart.…

“Yes,” I said gently.

“Is he looking for—me?” she half whispered.

Then, as I did not answer for a moment, she slipped down by the big chair, and burst into violent, bitter weeping.

I knelt down by her, holding her in my arms, and smoothing the hair back from her face.

“Don’t cry, child, don’t cry, for God’s sake. You’re safe here. I’ll take care of you. Don’t cry, darling. Don’t cry. I know—I know everything.”

“Oh, but you don’t!”

“I think I do.” And after a moment, as her sobs grew quieter, I asked: “It was you who took the dagger, wasn’t it?”

“Yes.”

“That was why you wanted me to show you round? And why you pretended to faint?”

Again she nodded. It was a strange thought to come to me at the moment, but it shot into my mind that I was glad her motive was what it had been—rather than the idle and morbid curiosity I had accused her of at the time. How gallantly she had played her part that day, inwardly racked with fear and trepidation as she must have been. Poor little soul, bearing the burden of a moment’s impetuous action.

“Why did you take the dagger?” I asked presently.

She replied as simply as a child:

“I was afraid there might be finger-marks on it.”

“But didn’t you remember that you had worn gloves?”

She shook her head as though bewildered, and then said slowly:

“Are you going to give me up to—to the Police?”

“Good God! no.”

Her eyes sought mine long and earnestly, and then she asked in a little quiet voice that sounded afraid of itself:

“Why not?”

It seemed a strange place and a strange time for a declaration of love—and God knows, in all my imagining, I had never pictured love coming to me in such a guise. But I answered simply and naturally enough:

“Because I love you, Cinderella.”

She bent her head down, as though ashamed, and muttered in a broken voice:

“You can’t—you can’t—not if you knew—” And then, as though rallying herself, she faced me squarely, and asked:

“What do you know, then?”

“I know that you came to see Mr. Renauld that night. He offered you a cheque and you tore it up indignantly. Then you left the house—” I paused.

“Go on—what next?”

“I don’t know whether you knew that Jack Renauld would be coming that night, or whether you just waited about on the chance of seeing him, but you did wait about. Perhaps you were just miserable, and walked aimlessly—but at any rate just before twelve you were still near there, and you saw a man on the golf links—”

Again I paused. I had leapt to the truth in a flash as she entered the room, but now the picture rose before me even more convincingly. I saw vividly the peculiar pattern of the overcoat on the dead body of Mr. Renauld, and I remembered the amazing likeness that had startled me into believing for one instant that the dead man had risen from the dead when his son burst into our conclave in the _salon___.

“Go on,” repeated the girl steadily.

“I fancy his back was to you—but you recognized him, or thought you recognized him. The gait and the carriage were familiar to you, and the pattern of his overcoat.” I paused. “You told me in the train on the way from Paris that you had Italian blood in your veins, and that you had nearly got into trouble once with it. You used a threat in one of your letters to Jack Renauld. When you saw him there, your anger and jealousy drove you mad—and you struck! I don’t believe for a minute that you meant to kill him. But you did kill him, Cinderella.”

She had flung up her hands to cover her face, and in a choked voice she said:

“You’re right… you’re right… I can see it all as you tell it.” Then she turned on me almost savagely. “And you love me? Knowing what you do, how can you love me?”

“I don’t know,” I said a little wearily. “I think love is like that—a thing one cannot help. I have tried, I know—ever since the first day I met you. And love has been too strong for me.”

And then suddenly, when I least expected it, she broke down again, casting herself down on the floor and sobbing wildly.

“Oh, I can’t!” she cried. “I don’t know what to do. I don’t know which way to turn. Oh, pity me, pity me, some one, and tell me what to do!”

Again I knelt by her, soothing her as best I could.

“Don’t be afraid of me, Bella. For God’s sake don’t be afraid of me. I love you, that’s true—but I don’t want anything in return. Only let me help you. Love him still if you have to, but let me help you as he can’t.”

It was as though she had been turned to stone by my words. She raised her head from her hands and stared at me.

“You think that?” she whispered. “You think that I love Jack Renauld?”

Then, half laughing, half crying, she flung her arms passionately round my neck, and pressed her sweet wet face to mine.

“Not as I love you,” she whispered. “Never as I love you!”

Her lips brushed my cheek, and then, seeking my mouth, kissed me again and again with a sweetness and fire beyond belief. The wildness of it—and the wonder, I shall not forget—no, not as long as I live!

It was a sound in the doorway that made us look up. Poirot was standing there looking at us.

I did not hesitate. With a bound I reached him and pinioned his arms to his sides.

“Quick,” I said to the girl. “Get out of here. As fast as you can. I’ll hold him.”

With one look at me, she fled out of the room past us. I held Poirot in a grip of iron.

“_Mon ami___,” observed the latter mildly, “you do this sort of thing very well. The strong man holds me in his grasp and I am helpless as a child. But all this is uncomfortable and slightly ridiculous. Let us sit down and be calm.”

“You won’t pursue her?”

“_Mon Dieu!___ no. Am I Giraud? Release me, my friend.”

Keeping a suspicious eye upon him, for I paid Poirot the compliment of knowing that I was no match for him in astuteness, I relaxed my grip, and he sank into an arm-chair, feeling his arms tenderly.

“It is that you have the strength of a bull when you are roused, Hastings! _Eh bien___, and do you think you have behaved well to your old friend? I show you the girl’s photograph and you recognize it, but you never say a word.”

“There was no need if you knew that I recognized it,” I said rather bitterly. So Poirot had known all along! I had not deceived him for an instant.

“Ta-ta! You did not know that I knew that. And tonight you help the girl to escape when we have found her with so much trouble! _Eh bien!___ it comes to this—are you going to work with me or against me, Hastings?”

For a moment or two I did not answer. To break with my old friend gave me great pain. Yet I must definitely range myself against him. Would he ever forgive me, I wondered? He had been strangely calm so far, but I knew him to possess marvellous self-command.

“Poirot,” I said, “I’m sorry. I admit I’ve behaved badly to you over this. But sometimes one has no choice. And in future I must take my own line.”

Poirot nodded his head several times.

“I understand,” he said. The mocking light had quite died out of his eyes, and he spoke with a sincerity and kindness that surprised me. “It is that, my friend, is it not? It is love that has come—not as you imagined it, all cock a hoop with fine feathers, but sadly, with bleeding feet. Well, well—I warned you. When I realized that this girl must have taken the dagger, I warned you. Perhaps you remember. But already it was too late. But, tell me, how much do you know?”

I met his eyes squarely.

“Nothing that you could tell me would be any surprise to me, Poirot. Understand that. But in case you think of resuming your search for Miss Duveen, I should like you to know one thing clearly. If you have any idea that she was concerned in the crime, or was the mysterious lady who called upon Mr. Renauld that night, you are wrong. I travelled home from France with her that day, and parted from her at Victoria that evening so that it is clearly impossible for her to have been in Merlinville.”

“Ah!” Poirot looked at me thoughtfully. “And you would swear to that in a court of law?”

“Most certainly I would.”

Poirot rose and bowed.

“_Mon ami! Vive l’amour!___ It can perform miracles. It is decidedly ingenious what you have thought of there. It defeats even Hercule Poirot!”

23 Difficulties Ahead

After a moment of stress, such as I have just described, reaction is bound to set in. I retired to rest that night on a note of triumph, but I awoke to realize that I was by no means out of the wood. True, I could see no flaw in the alibi I had so suddenly conceived. I had but to stick to my story, and I failed to see how Bella could be convicted in face of it. It was not as though there was any old friendship between us that could be raked up, and which might lead them to suspect that I was committing perjury. It could be proved that in actual fact I had only seen the girl on three occasions. No, I was still satisfied with my idea—had not even Poirot admitted that it defeated him?

But there I felt the need of treading warily. All very well for my little friend to admit himself momentarily nonplussed. I had far too much respect for his abilities to conceive of him as being content to remain in that position. I had a very humble opinion of my wits when it came to matching them against his. Poirot would not take defeat lying down. Somehow or other, he would endeavour to turn the tables on me, and that in the way, and at the moment, when I least expected it.

We met at breakfast the following morning as though nothing had happened. Poirot’s good temper was imperturbable, yet I thought I detected a film of reserve in his manner which was new. After breakfast, I announced my intention of going out for a stroll. A malicious gleam shot through Poirot’s eyes.

“If it is information you seek, you need not be at the pains of deranging yourself. I can tell you all you wish to know. The Dulcibella Sisters have cancelled their contract, and have left Coventry for an unknown destination.”

“Is that really so, Poirot?”

“You can take it from me, Hastings. I made inquiries the first thing this morning. After all, what else did you expect?”

True enough, nothing else could be expected under the circumstances. Cinderella had profited by the slight start I had been able to assure her, and would certainly not lose a moment in removing herself from the reach of the pursuer. It was what I had intended and planned. Nevertheless, I was aware of being plunged into a network of fresh difficulties.

I had absolutely no means of communicating with the girl, and it was vital that she should know the line of defence that had occurred to me, and which I was prepared to carry out. Of course it was possible that she might try to send word to me in some way or another, but I hardly thought it likely. She would know the risk she ran of a message being intercepted by Poirot, thus setting him on her track once more. Clearly her only course was to disappear utterly for the time being.

But, in the meantime, what was Poirot doing? I studied him attentively. He was wearing his most innocent air, and staring meditatively into the far distance. He looked altogether too placid and supine to give me reassurance. I had learned, with Poirot, that the less dangerous he looked, the more dangerous he was. His quiescence alarmed me. Observing a troubled quality in my glance, he smiled benignantly.

“You are puzzled, Hastings? You ask yourself why I do not launch myself in pursuit?”

“Well—something of the kind.”

“It is what you would do, were you in my place. I understand that. But I am not of those who enjoy rushing up and down a country seeking a needle in a haystack, as you English say. No—let Mademoiselle Bella Duveen go. Without doubt, I shall be able to find her when the time comes. Until then, I am content to wait.”

I stared at him doubtfully. Was he seeking to mislead me? I had an irritating feeling that, even now, he was master of the situation. My sense of superiority was gradually waning. I had contrived the girl’s escape, and evolved a brilliant scheme for saving her from the consequences of her rash act—but I could not rest easy in my mind. Poirot’s perfect calm awakened a thousand apprehensions.

“I suppose, Poirot,” I said rather diffidently, “I mustn’t ask what your plans are? I’ve forfeited the right.”

“But not at all. There is no secret about them. We return to France without delay.”

“_We?___”

“Precisely—‘_we!___’ You know very well that you cannot afford to let Papa Poirot out of your sight. Eh, is it not so, my friend? But remain in England by all means if you wish—”

I shook my head. He had hit the nail on the head. I could not afford to let him out of my sight. Although I could not expect his confidence after what had happened, I could still check his actions. The only danger to Bella lay with him. Giraud and the French police were indifferent to her existence. At all costs I must keep near Poirot.

Poirot observed me attentively as these reflections passed through my mind, and gave a nod of satisfaction.

“I am right, am I not? And as you are quite capable of trying to follow me, disguised with some absurdity such as a false beard—which every one would perceive, _bien entendu___—I much prefer that we should voyage together. It would annoy me greatly that any one should mock themselves at you.”

“Very well, then. But it’s only fair to warn you—”

“I know—I know all. You are my enemy! Be my enemy then. It does not worry me at all.”

“So long as it’s all fair and above-board, I don’t mind.”

“You have to the full the English passion for ‘fair-play!’ Now your scruples are satisfied, let us depart immediately. There is no time to be lost. Our stay in England has been short but sufficient. I know—what I wanted to know.”

The tone was light, but I read a veiled menace into the words.

“Still—” I began, and stopped.

“Still—as you say! Without doubt you are satisfied with the part you are playing. Me, I preoccupy myself with Jack Renauld.”

Jack Renauld! The words gave me a start. I had completely forgotten that aspect of the case. Jack Renauld, in prison, with the shadow of the guillotine looming over him! I saw the part I was playing in a more sinister light. I could save Bella—yes, but in doing so I ran the risk of sending an innocent man to his death.

I pushed the thought from me with horror. It could not be. He would be acquitted. Certainly he would be acquitted! But the cold fear came back. Suppose he were not? What then? Could I have it on my conscience—horrible thought! Would it come to that in the end? A decision. Bella or Jack Renauld? The promptings of my heart were to save the girl I loved at any cost to myself. But, if the cost were to another, the problem was altered.

What would the girl herself say? I remembered that no word of Jack Renauld’s arrest had passed my lips. As yet she was in total ignorance of the fact that her former lover was in prison charged with a hideous crime which he had not committed. When she knew, how would she act? Would she permit her life to be saved at the expense of his? Certainly she must do nothing rash. Jack Renauld might, and probably would, be acquitted without any intervention on her part. If so, good. But if he was not.… That was the terrible, the unanswerable problem. I fancied that she ran no risk of the extreme penalty. The circumstances of the crime were quite different in her case. She could plead jealousy and extreme provocation, and her youth and beauty would go for much. The fact that by a tragic mistake it was old Mr. Renauld, and not his son, who paid the penalty would not alter the motive of the crime. But in any case, however lenient the sentence of the Court, it must mean a long term of imprisonment.

No, Bella must be protected. And, at the same time, Jack Renauld must be saved. How this was to be accomplished I did not see clearly. But I pinned my faith to Poirot. He knew. Come what might, he would manage to save an innocent man. He must find some pretext other than the real one. It might be difficult, but he would manage it somehow. And with Bella unsuspected, and Jack Renauld acquitted, all would end satisfactorily.

So I told myself repeatedly, but at the bottom of my heart there still remained a cold fear.

24 “Save Him!”

We crossed from England by the evening boat, and the following morning saw us in Saint-Omer, whither Jack Renauld had been taken. Poirot lost no time in visiting M. Hautet. As he did not seem disposed to make any objections to my accompanying him, I bore him company.

After various formalities and preliminaries, we were conducted to the examining magistrate’s room. He greeted us cordially.

“I was told that you had returned to England, M. Poirot. I am glad to find that such is not the case.”

“It is true that I went there, M. le juge, but it was only for a flying visit. A side issue, but one that I fancied might repay investigation.”

“And it did—eh?”

Poirot shrugged his shoulders. M. Hautet nodded, sighing.

“We must resign ourselves, I fear. That animal Giraud, his manners are abominable, but he is undoubtedly clever! Not much chance of that one making a mistake.”

“You think not, M. le juge?”

It was the examining magistrate’s turn to shrug his shoulders.

“_Eh bien___, speaking frankly—in confidence, _c’est entendu___—can you come to any other conclusion?”

“Frankly, M. le juge, there seem to me to be many points that are obscure.”

“Such as—?”

But Poirot was not to be drawn.

“I have not yet tabulated them,” he remarked. “It was a general reflection that I was making. I liked the young man, and should be sorry to believe him guilty of such a hideous crime. By the way, what has he to say for himself on the matter?”

The magistrate frowned.

“I cannot understand him. He seems incapable of putting up any sort of defence. It has been most difficult to get him to answer questions. He contents himself with a general denial, and beyond that takes refuge in a most obstinate silence. I am interrogating him again tomorrow; perhaps you would like to be present?”

We accepted the invitation with _empressement___.

“A distressing case,” said the magistrate with a sigh. “My sympathy for Madame Renauld is profound.”

“How is Madame Renauld?”