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Chapter IV: Part 4

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I feel that he is right, the honest fellow. But it's stronger than I am, I cannot make up my mind to go. And yet this is not a cheerful life that I lead here in these great cold rooms where no one ever comes, where every one slinks into a corner without speaking. What would you have? We know one another too well, that's the whole of it. Up to last year we had meetings of the council of supervision, meetings of stockholders, stormy, uproarious meetings, genuine battles of savages, whose yells could be heard at the Madeleine. And subscribers used to come too, several times a week, indignant because they had never heard anything from their money. Those were the times when our Governor came out strong. I have seen people go into his office, monsieur, as fierce as wolves thirsty for blood, and come out, after a quarter of an hour, milder than sheep, satisfied, reassured, and their pockets comforted with a few bank-notes. For there was the cunning of the thing: to ruin with money the poor wretches who came to demand it. To-day the shareholders of the _Caisse Territoriale_ never stir. I think that they are all dead or resigned to their fate. The council never meets. We have sessions only on paper; it is my duty to make up a so-called balance-sheet--always the same--of which I make a fresh copy every three months. We never see a living soul, except that at rare intervals some subscriber to the Paoli statue drops down on us from the wilds of Corsica, anxious to know if the monument is progressing; or perhaps some devout reader of the _Vérité Financière_, which disappeared more than two years ago, comes with an air of timidity to renew his subscription, and requests that it be forwarded a little more regularly, if possible. There is a confidence which nothing weakens. When one of those innocent creatures falls in the midst of our half-starved band, it is something terrible. We surround him, we embrace him, we try to get his name on one of our lists, and, in case he resists, if he will subscribe neither to the Paoli monument nor to the Corsican railways, then those gentry perform what they call--my pen blushes to write it--what they call "the drayman trick."

This is how it is done: we always have in the office a package prepared beforehand, a box tied with stout string which arrives, presumably from some railway station, while the visitor is there. "Twenty francs cartage," says the one of us who brings in the package. (Twenty francs, or some times thirty, according to the victim's appearance.) Every one at once begins to fumble in his pocket. "Twenty francs cartage! I haven't it."--"Nor I--What luck!" Some one runs to the counting-room.--Closed! They look for the cashier. Gone out. And the hoarse voice of the drayman waxing impatient in the ante-room: "Come, come, make haste." (I am generally selected for the drayman's part, because of my voice.) What is to be done? Send back the package? the Governor won't like that. "Messieurs, I beg you to allow me," the innocent victim ventures to observe, opening his purse.--"Ah! monsieur, if you would."--He pays his twenty francs, we escort him to the door, and as soon as his back is turned we divide the fruit of the crime, laughing like brigands.

Fie! Monsieur Passajon. Such performances at your time of life! Oh! _Mon Dieu_! I know all about it. I know that I should honor myself much more if I left this vile place. But, what then? why, I must abandon all that I have at stake here. No, it is not possible. It is urgently necessary that I remain, that I keep a close watch, that I am always on hand to have the advantage of a windfall, if one should come. Oh! I swear by my ribbon, by my thirty years of academic service, if ever an affair like this of the Nabob makes it possible for me to recoup my losses, I will not wait a moment, I will take myself off in hot haste to look after my little vineyard near Monbars, cured forever of my speculative ideas. But alas! that is a very chimerical hope,--played out, discredited, well known as we are on 'Change, with our shares no longer quoted at the Bourse, our obligations fast becoming waste paper, such a wilderness of falsehood and debts, and the hole that is being dug deeper and deeper. (We owe at this moment three million five hundred thousand francs. And yet that three millions is not what embarrasses us. On the other hand it is what keeps us up; but we owe the concierge a little bill of a hundred and twenty five francs for postage stamps, gas and the like. That's the dangerous thing.) And they would have us believe that a man, a great financier like this Nabob, even though he was just from the Congo or had come from the moon this very day, is fool enough to put his money in such a trap. Nonsense! Is it possible? Tell that story elsewhere, my dear Governor.

IV.

A DÉBUT IN SOCIETY.

"Monsieur Bernard Jansoulet!"

That plebeian name, proudly announced by the liveried footman in a resounding voice, rang through Jenkins's salons like the clash of cymbals, like one of the gongs that announce fantastic apparitions in a fairy play. The candles paled, flames flashed from every eye, at the dazzling prospect of Oriental treasures, of showers of pearls and sequins let fall by the magic syllables of that name, but yesterday unknown.

Yes, it was he, the Nabob, the richest of the rich, the great Parisian curiosity, flavored with that spice of adventure that is so alluring to surfeited multitudes. All heads were turned, all conversation was interrupted; there was a grand rush for the door, a pushing and jostling like that of the crowds on the quay at a seaport, to watch the arrival of a felucca with a cargo of gold.

Even the hospitable Jenkins, who was standing in the first salon to receive his guests, despite his usual self-possession abruptly left the group of men with whom he was talking and bore away to meet the galleons.

"A thousand times, a thousand times too kind. Madame Jenkins will be very happy, very proud. Come and let me take you to her."

And in his haste, in his vainglorious delight, he dragged Jansoulet away so quickly that the latter had no time to present his companion, Paul de Géry, whom he was introducing into society. The young man was well pleased to be overlooked. He glided into the mass of black coats which was forced farther and farther back by every new arrival, and was swallowed up in it, a prey to the foolish terror that every young provincial feels on his first appearance in a Parisian salon, especially when he is shrewd and intelligent and does not wear the imperturbable self-assurance of the bumpkin like a coat of mail beneath his linen buckler.

You, Parisians of Paris, who, ever since you were sixteen have exhibited your youth at the receptions of all classes of society, in your first black coat with your crush-hat on your hip,--you, I say, have no conception of that anguish, compounded of vanity, timidity and recollections of romantic books, which screws our teeth together, embarrasses our movements, makes us for a whole evening a statue between two doors, a fixture in a window-recess, a poor, pitiful, wandering creature, incapable of making his existence manifest otherwise than by changing his position from time to time, preferring to die of thirst rather than go near the sideboard, and going away without having said a word, unless we may have stammered one of those incoherent absurdities which we remember for months, and which makes us, when we think of it at night, utter an _ah!_ of frantic shame and bury our face in the pillow.

Paul de Géry was a martyr of that type. In his province he had always lived a very retired life, with a pious, melancholy old aunt, until the time when, as a student of law, originally destined for a profession in which his father had left an excellent reputation, he had been induced to frequent the salons of some of the counsellors of the court, old-fashioned, gloomy dwellings, with dingy hangings, where he made a fourth hand at whist with venerable ghosts. Jenkins' evening party was therefore a début in society for that provincial, whose very ignorance and Southern adaptability made him first of all a keen observer.

From the place where he stood he watched the interesting procession, still in progress at midnight, of Jenkins' guests, the whole body of the fashionable physician's patients; the very flower of society, a large sprinkling of politics and finance, bankers, deputies, a few artists, all the jaded ones of Parisian high life, pale and wan, with gleaming eyes, saturated with arsenic like gluttonous mice, but insatiably greedy of poison and of life. Through the open salon and the great reception-room, the doors of which had been removed, he could see the stairway and landing, profusely decorated with flowers along the sides, where the long trains were duly spread, their silky weight seeming to force back the décolleté busts of their wearers in that graceful ascending motion which caused them to appear, little by little, until they burst upon one in the full bloom of their splendor. As the couples reached the top of the stairs they seemed to make their entrance on the stage; and that was doubly true, for every one left on the last step the frowns, the wrinkles of deep thought the air of weariness and all traces of anger or depression, to display a tranquil countenance, a smile playing over the placid features. The men exchanged hearty grasps of the hand, warm fraternal greetings; the women, thinking only of themselves, with little affected shrugs, with a charming simper and abundant play of the eyes and shoulders, murmured a few meaningless words of greeting:

"Thanks! Oh! thanks--how kind you are."

Then the couples separated, for an evening party is no longer, as it used to be, an assemblage of congenial persons, in which the wit of the women compelled the force of character, the superior knowledge, the very genius of the men to bow gracefully before it, but a too numerous mob in which the women, who alone are seated, whisper together like captives in the harem, and have no other enjoyment than that of being beautiful or of seeming to be. De Géry, after wandering through the doctor's library, the conservatory and the billiard room, where there was smoking, tired of dull, serious conversation, which seemed to him to be out of keeping in such a festal scene and in the brief hour of pleasure--some one had asked him carelessly and without looking at him, what was doing at the Bourse that day--approached the door of the main salon, which was blockaded by a dense mass of black coats, a surging sea of heads packed closely together and gazing.

An enormous room, handsomely furnished, with the artistic taste characteristic of the master and mistress of the house. A few old pictures against the light background of the draperies. A monumental chimney-piece, decorated with a fine marble group, "The Seasons" by Sébastien Ruys, about which long green stalks, with lacelike edges, or of the stiffness of carved bronze, bent toward the mirror as toward a stream of limpid water. On the low chairs groups of women crowded together, blending the vaporous hues of their dresses, forming an immense nosegay of living flowers, above which gleamed bare white shoulders, hair studded with diamonds, drops of water on the brunettes, glistening reflections on the blondes, and the same intoxicating perfume, the same confused, pleasant buzzing, made by waves of heat and intangible wings, that caresses all the flowers in the garden in summer. At times a little laugh, ascending in that luminous atmosphere, a quicker breath, made plumes and curls tremble, and attracted attention to a lovely profile. Such was the aspect of the salon.

A few men were there, very few, all persons of distinction, laden with years and decorations, talking on the arm of a divan or leaning over the back of a chair with the condescending air we assume in conversing with children. But amid the placid murmur of the private conversations, one voice rang out, loud and discordant, the voice of the Nabob, who was threading his way through that social conservatory with the self-assurance due to his immense fortune and a certain contempt for woman which he had brought with him from the Orient.

At that moment, sprawling upon a chair, with his great yellow-gloved hands awkwardly clasped, he was talking with a very beautiful woman, whose unusual face--much animation upon features of a severe cast--was noticeable by reason of its pallor among the surrounding pretty faces, just as her dress, all white, classic in its draping and moulded to her graceful, willowy figure, contrasted with much richer costumes, not one of which had its character of bold simplicity. De Géry, from his corner, gazed at that smooth, narrow forehead beneath the fringe of hair brushed low, those long, wide-open eyes of a deep blue, an abysmal blue, that mouth which ceased to smile only to relax its classic outline in a weary, spiritless expression. All in all, the somewhat haughty aspect of an exceptional being.

Some one near him mentioned her name--Felicia Ruys. Thereupon he understood the rare attraction of that girl, inheritress of her father's genius, whose new-born celebrity had reached as far as his province, with the halo of a reputation for great beauty. While he was gazing at her, admiring her slightest movement, a little puzzled by the enigma presented by that beautiful face, he heard a whispered conversation behind him.

"Just see how affable she is with the Nabob! Suppose the duke should come!"

"Is the Duc de Mora expected?"

"To be sure. The party is given for him; to have him meet Jansoulet."

"And you think that the duke and Mademoiselle Ruys--"

"Where have you come from? It's a liaison known to all Paris. It dates from the last Salon, for which she did his bust."

"And what about the duchess?"

"Pshaw! she has seen many others. Ah! Madame Jenkins is going to sing."

There was a commotion in the salon, a stronger pressure in the crowd toward the door, and conversation ceased for a moment. Paul de Géry drew a long breath. The words he had just overheard had oppressed his heart. He felt as if he himself were spattered, sullied by the mud unsparingly thrown upon the ideal he had formed for himself of that glorious youth, ripened in the sun of art and endowed with such penetrating charm. He moved away a little, changed his position. He dreaded to hear some other calumny. Madame Jenkins' voice did him good, a voice famous in Parisian salons, a voice that, with all its brilliancy, was in no sense theatrical, but seemed like speech, thrilling with emotion, striking resonant, unfamiliar chords. The singer, a woman of from forty to forty-five years of age, had magnificent hair of the color of ashes, refined, somewhat weak features, and an expression of great amiability. Still beautiful, she was dressed with the costly taste of a woman who has not abandoned the idea of pleasing. Nor had she abandoned it; she and the doctor--she was then a widow--had been married some ten years, and they seemed still to be enjoying the first months of their joint happiness. While she sang a Russian folk-song, as wild and sweet as the smile of a Slav, Jenkins artlessly manifested his pride without attempt at concealment, his broad face beamed expansively; and she, every time that she leaned forward to take breath, turned in his direction a timid, loving glance which sought him out over the music she held in her hand. And when she had finished, amid a murmur of delight and admiration, it was touching to see her secretly press her husband's hand, as if to reserve for herself a little corner of private happiness amid that great triumph. Young de Géry was taking comfort in the sight of that happy couple, when suddenly a voice murmured by his side--it was not the same voice that had spoken just before:

"You know what people say--that the Jenkinses are not married."

"What nonsense!"

"True, I assure you--it seems that there's a genuine Madame Jenkins somewhere, but not this one who has been exhibited to us. By the way, have you noticed--"

The conversation continued in an undertone. Madame Jenkins approached, bowing and smiling, while the doctor, stopping a salver as it passed, brought her a glass of bordeaux with the zeal of a mother, an impresario, a lover. Slander, slander, ineffaceable stain! Now Jenkins' attentions seemed overdone to the provincial. He thought that there was something affected, studied in them, and at the same time he fancied that he noticed in the thanks she expressed to her husband in a low tone a dread, a submissiveness derogatory to the dignity of a lawful wife, happy and proud in an unassailable position. "Why, society is a hideous thing!" said de Géry to himself in dismay, his hands as cold as ice. The smiles that encompassed him seemed to him like mere grimacing. He was ashamed and disgusted. Then suddenly his soul rose in revolt: "Nonsense! it isn't possible!" And, as if in answer to that exclamation, the voice of slander behind him continued carelessly: "After all, you know, I am not sure. I simply repeat what I hear. Look, there's Baronne Hemerlingue. He has all Paris here, this Jenkins."

The baroness came forward on the doctor's arm; he had rushed forward to meet her, and, despite his perfect control over his features, he seemed a little perturbed and disconcerted. It had occurred to the excellent Jenkins to take advantage of his party to make peace between his friend Hemerlingue and his friend Jansoulet, his two wealthiest patients, who embarrassed him seriously with their internecine warfare. The Nabob asked nothing better. He bore his former chum no malice. Their rupture had come about as a result of Hemerlingue's marriage with one of the favorites of the former bey. "A woman's row, in fact," said Jansoulet; and he would be very glad to see the end of it, for any sort of ill-feeling was burdensome to that exuberant nature. But it seemed that the baron was not anxious for a reconciliation; for, notwithstanding the promise he had given Jenkins, his wife appeared alone, to the Irishman's great chagrin.

She was a tall, thin, fragile personage, with eyebrows like a bird's feathers, a youthful, frightened manner, thirty years striving to seem twenty, with a head-dress of grasses and grain drooping over jet black hair thickly strewn with diamonds. With her long lashes falling over white cheeks of the wax-like tint of women who have lived long in the seclusion of a cloister, a little embarrassed in her Parisian garb, she bore less resemblance to a former occupant of a harem than to a nun who had renounced her vows and returned to the world. A touch of devotion, of sanctity in her carriage, a certain ecclesiastical trick of walking with downcast eyes, elbows close to the sides and hands folded, manners which she had acquired in the ultra-religious environment in which she had lived since her conversion and her recent baptism, completed the resemblance. And you can imagine whether worldly curiosity was rampant around that ex-odalisque turned fervent Catholic, as she entered the room, escorted by a sacristan-like figure with a livid face and spectacles, Maître Le Merquier, Deputy for Lyon, Hemerlingue's man of business, who attended the baroness when the baron was "slightly indisposed," as upon this occasion.

When they entered the second salon, the Nabob walked forward to meet her, expecting to descry in her wake the bloated face of his old comrade, to whom it was agreed that he should offer his hand. The baroness saw him coming and became whiter than ever. A steely gleam shot from under her long lashes. Her nostrils dilated, rose and fell, and as Jansoulet bowed, she quickened her pace, holding her head erect and rigid, letting fall from her thin lips a word in Arabic which no one else could understand, but in which the poor Nabob, for his part, understood the bitter insult; for when he raised his head his swarthy face was of the color of terra-cotta when it comes from the oven. He stood for a moment speechless, his great fists clenched, his lips swollen with anger. Jenkins joined him, and de Géry, who had watched the whole scene from a distance, saw them talking earnestly together with a preoccupied air.

The attempt had miscarried. The reconciliation, so cleverly planned, would not take place. Hemerlingue did not want it. If only the duke did not break his word! It was getting late. La Wauters, who was to sing the "Night" aria from the _Magic Flute_, after the performance at her theatre, had just arrived all muffled up in her lace hood.

And the minister did not come.

But it was a promise and everything was understood. Monpavon was to take him up at the club. From time to time honest Jenkins drew his watch, as he tossed an absent-minded _bravo_ to the bouquet of limpid notes that gushed from La Wauters' fairy lips, a bouquet worth three thousand francs, and absolutely wasted, in common with the other expenses of the festivity, if the duke did not come.

Suddenly both wings of the folding-doors were thrown open:

"His Excellency the Duc de Mora!"

A prolonged thrill of excitement greeted him, respectful curiosity drawn up in a double row, instead of the brutal crowding that had impeded the passage of the Nabob.

No one could be more skilled than he in the art of making his appearance in society, of walking gravely across a salon, ascending the tribune with smiling face, imparting solemnity to trifles and treating serious matters lightly; it was a résumé of his attitude in life, a paradoxical distinction. Still handsome, despite his fifty-six years,--a beauty attributable to refined taste and perfect proportion, in which the grace of the dandy was intensified by something of a soldierly character in the figure and the haughty expression of the face,--he appeared to admirable advantage in the black coat, whereon, in Jenkins' honor, he had placed a few of his decorations, which he never displayed except on days of official functions. The sheen of the linen and the white cravat, the unpolished silver of the decorations, the softness of the thin, grayish hair, gave added pallor to the face, the most bloodless of all the bloodless faces assembled that evening under the Irishman's roof.

He led such a terrible life! Politics, gambling in every form, on the Bourse and at baccarat, and the reputation of a lady-killer which he must maintain at any price. Oh! he was a typical patient of Jenkins, and he certainly owed that visit in princely state to the inventor of the mysterious Pearls, which gave to his eyes that glance of flame, to his whole being that extraordinary pulsing vivacity.

"My dear duke, allow me to present to you--"

Monpavon, solemn of face, with padded calves, attempted to make the introduction so anxiously expected; but His Excellency, in his preoccupation, did not hear and kept on toward the large salon, borne onward by one of those electric currents that break the monotony of social life. As he passed, and while he paid his respects to the fair Madame Jenkins, the women leaned forward with alluring glances, soft laughter, intent upon making a favorable impression. But he saw only one, Felicia, who stood in the centre of a group of men, holding forth as if in her own studio, and tranquilly sipping a sherbet as she watched the duke's approach. She welcomed him with perfect naturalness. Those who stood by discreetly withdrew. But, in spite of what de Géry had overheard concerning their alleged relations, there seemed to be only a good-fellowship entirely of the mind between them, a playful familiarity.

"I called at your house, Mademoiselle, on my way to the Bois."

"So I understood. You even went into the studio."

"And I saw the famous group--my group."

"Well?"

"It is very fine. The greyhound runs like a mad dog. The fox is admirably done. But I didn't quite understand. You told me that it was the story of us two."

"And so it is! Look carefully. It's a fable that I read in--You don't read Rabelais, Monsieur le Duc?"

"Faith, no. He is too vulgar."

"Well, I have learned to read him. Very ill-bred, you know! Oh! very. My fable, then, is taken from Rabelais. This is it: Bacchus has made a wonderful fox that cannot possibly be overtaken. Vulcan, for his part, has given a dog of his making the power to overtake any animal that he pursues. 'Now,' as my author says, 'suppose that they meet.' You see what a wild and interminable race will result. It seems to me, my dear duke, that destiny has brought us face to face in like manner, endowed with contrary qualities, you, who have received from the gods the gift of reaching all hearts, and I, whose heart will never be taken."

She said this, looking him fairly in the face, almost laughing, but slim and erect in her white tunic, which seemed to protect her person against the liberties of his wit. He, the conqueror, the irresistible, had never met one of that audacious, self-willed race. So he enveloped her in all the magnetic currents of his seductive charm, while around them the murmur of the fête, the flute-like laughter, the rustling of satins and strings of pearls played an accompaniment to that duet of worldly passion and juvenile irony.

In a moment he rejoined:

"But how did the gods extricate themselves from that scrape?"

"By changing the two coursers to stone."

"By heaven," said he, "that is a result which I refuse to accept. I defy the gods to turn my heart to stone."

A flame darted from his eyes, extinguished instantly at the thought that people were looking at them.

In truth many people were looking at them, but no one with such deep interest as Jenkins, who prowled around them, impatient and chafing, as if he were angry with Felicia for monopolizing the important guest of the evening. The girl laughingly remarked upon the fact to the duke:

"They will say that I am appropriating you."

She pointed to Monpavon standing expectantly by the Nabob, who, from afar, bestowed upon His Excellency the submissive, imploring gaze of a great faithful dog. Thereupon the Minister of State remembered what had brought him there. He bowed to Felicia and returned to Monpavon, who was able at last to present "his honorable friend, Monsieur Bernard Jansoulet." His Excellency bowed; the parvenu humbled himself lower than the earth; then they conversed for a moment.

It was an interesting group to watch. Jansoulet, tall and strongly built, with his vulgar manners, his tanned skin, his broad back, bent as if it had become rounded for good and all in the salaams of Oriental sycophancy, his short fat hands bursting through his yellow gloves, his abundant pantomime, his Southern exuberance causing him to cut off his words as if with a machine. The other, of noble birth, a thorough man of the world, elegance itself, graceful in the least of his gestures, which were very rare by the way, negligently letting fall incomplete sentences, lighting up his grave face with a half smile, concealing beneath the most perfect courtesy his boundless contempt for men and women; and that contempt was the main element of his strength. In an American parlor the antithesis would have been less offensive. The Nabob's millions would have established equilibrium and even turned the scale in his favor. But Paris does not as yet place money above all the other powers, and, to be convinced of that fact, one had only to see that stout merchant frisking about with an amiable smile before the great nobleman, and spreading beneath his feet, like the courtier's ermine cloak, his dense parvenu's pride.

From the corner in which he had taken refuge, de Géry was watching the scene with interest, knowing what importance his friend attached to this presentation, when chance, which had so cruelly given the lie all the evening to his artless neophyte's ideas, brought to his ears this brief dialogue, in that sea of private conversations in which every one hears just the words that are of interest to him:

"The least that Monpavon can do is to introduce him to some decent people. He has introduced him to so many bad ones. You know that he's just tossed Paganetti and his whole crew into his arms."

"The poor devil! Why, they'll devour him."

"Pshaw! it's only fair to make him disgorge a little. He stole so much down there among the Turks."

"Really, do you think so?"

"Do I think so! I have some very precise information on that subject from Baron Hemerlingue, the banker who negotiated the last Tunisian loan. He knows some fine stories about this Nabob. Just fancy--"

And the stream of calumny began to flow. For fifteen years Jansoulet had plundered the late bey shamefully. They mentioned the names of contractors and cited divers swindles characterized by admirable coolness and effrontery; for instance, the story of a musical frigate--yes, it really played tunes--intended as a dining-room ornament, which he bought for two hundred thousand francs and sold again for ten millions; a throne sold to the bey for three millions, whereas the bill could be seen on the books of a house furnisher of Faubourg Saint-Honoré, and amounted to less than a hundred thousand francs; and the most comical part of it was that the bey's fancy changed and the royal seat, having fallen into disgrace before it had even been unpacked, was still in its packing-case at the custom-house in Tripoli.

Furthermore, aside from these outrageous commissions on the sale of the most trivial playthings, there were other far more serious accusations, but equally authentic, as they all came from the same source. In addition to the seraglio there was a harem of European women, admirably equipped for His Highness by the Nabob, who should be a connoisseur in such matters, as he had been engaged in the most extraordinary occupations in Paris before his departure for the Orient: ticket speculator, manager of a public ball at the barrier, and of a house of much lower reputation. And the whispering terminated in a stifled laugh,--the coarse laugh of two men in private conversation.

The young provincial's first impulse, on hearing those infamous slanders, was to turn and cry out:

"You lie!"

A few hours earlier he would have done it without hesitation, but since he had been there he had learned to be suspicious, sceptical. He restrained himself therefore and listened to the end, standing in the same spot, having in his heart an unconfessed desire to know more of the man in whose service he was. As for the Nabob, the perfectly unconscious subject of that ghastly chronicle, he was quietly playing a game of écarté with the Due de Mora in a small salon to which the blue hangings and two shaded lamps imparted a meditative air.

O wonderful magic of the galleon! The son of the dealer in old iron alone at a card-table with the first personage of the Empire! Jansoulet could hardly believe the Venetian mirror in which were reflected his resplendent, beaming face and that august cranium, divided by a long bald streak. So it was that, in order to show his appreciation of that great honor, he strove to lose as many thousand-franc notes as he decently could, feeling that he was the winner none the less, and proud as Lucifer to see his money pass into those aristocratic hands, whose every movement he studied while they were cutting, dealing, or holding the cards.

A circle formed around them, but at a respectful distance, the ten paces required for saluting a prince; that was the audience of the triumph at which the Nabob was present as if in a dream, intoxicated by the fairy-like strains slightly muffled in the distance, the songs that reached his ears in detached phrases, as if they passed over a resonant sheet of water, the perfume of the flowers that bloom so strangely toward the close of Parisian balls, when the late hour, confusing all notions of time, and the weariness of the sleepless night communicate to brains which have become more buoyant in a more nervous atmosphere a sort of youthful giddiness. The robust nature of Jansoulet, that civilized savage, was more susceptible than another to these strange refinements; and he had to exert all his strength to refrain from inaugurating with a joyful hurrah an unseasonable out-pouring of words and gestures, from giving way to the impulse of physical buoyancy which stirred his whole being; like the great mountain dogs which are thrown into convulsions of epileptic frenzy by inhaling a single drop of a certain essence.

* * *

"It is a fine night and the sidewalks are dry. If you like, my dear boy, we will send away the carriage and go home on foot," said Jansoulet to his companion as they left Jenkins' house.

De Géry eagerly assented. He needed to walk, to shake off in the sharp air the infamies and lies of that society comedy which left his heart cold and oppressed, while all his life-blood had taken refuge in his temples, of whose swollen veins he could hear the beating. He walked unsteadily, like a poor creature who has been operated on for cataract and in the first terror of recovered vision dares not put one foot before the other. But with what a brutal hand the operation had been performed! And so that great artist with the glorious name, that pure, wild beauty, the mere sight of whom had agitated him like a supernatural apparition, was simply a courtesan. Madame Jenkins, that imposing creature, whose manner was at once so proud and so sweet, was not really Madame Jenkins. That illustrious scientist, so frank of feature and so hospitable, had the impudence to live publicly in shameless concubinage. And Paris suspected it, yet that did not prevent Paris from attending their parties. Last of all, this Jansoulet, so kind-hearted and generous, for whom he felt such a burden of gratitude in his heart, had to his knowledge fallen into the hands of a crew of bandits, being himself a bandit, and quite worthy of the scheme devised to make him disgorge his millions.

Was it possible; must he believe it?

A sidelong glance at the Nabob, whose huge frame filled the whole sidewalk, suddenly revealed to him something low and common that he had not before noticed in that gait to which the weight of the money in his pockets gave a decided lurch. Yes, he was the typical adventurer from the South, moulded of the slime that covers the quays of Marseille, trodden hard by all the vagabonds who wander from seaport to seaport. Kind-hearted, generous, forsooth! as prostitutes are, and thieves. And the gold that flowed into that luxurious and vicious receptacle, spattering everything, even the walls, seemed to him now to bring with it all the dregs, all the filth of its impure and slimy source. That being so, there was but one thing for him, de Géry, to do, and that was to go, to leave as soon as possible the place where he ran the risk of compromising his name, all that there was of his patrimony. Of course. But there were the two little brothers down yonder in the provinces,--who would pay for their schooling? Who would keep up the modest home miraculously restored by the handsome salary of the oldest son, the head of the family? The words "head of the family" cast him at once into one of those inward combats in which self-interest and conscience are the contending parties--the one strong, brutal, attacking fiercely with straight blows, the other retreating, breaking the measure by suddenly withdrawing its weapon--while honest Jansoulet, the unconscious cause of the conflict, strode along beside his young friend, inhaling the fresh air delightedly with the lighted end of his cigar.

He had never been so happy that he was alive. And that evening at Jenkins', his own début in society as well as Paul's, had left upon him an impression of arches erected as if for a triumph, of a curious crowd, of flowers thrown in his path. So true is it that things exist only through the eyes that see them. What a success! The duke, just as they parted, urging him to come and see his gallery; which meant that the doors of the hôtel de Mora would be open to him within a week. Felicia Ruys consenting to make a bust of him, so that at the next exposition the junk-dealer's son would have his portrait in marble by the same great artist whose name was appended to that of the Minister of State. Was not this the gratification of all his childish vanities?

Revolving thus their thoughts, cheerful or sinister, they walked on side by side, preoccupied, distraught, so that Place Vendôme, silent and flooded by a cold, blue light, rang beneath their feet before they had spoken a word.

"Already!" said the Nabob. "I would have liked to walk a little farther. What do you say?" And as they walked around the square two or three times, he emitted in puffs the exuberant joy with which he was full to overflowing.

"How fine it is! What pleasure to breathe! God's thunder! I wouldn't give up my evening for a hundred thousand francs. What a fine fellow that Jenkins is! Do you like Felicia Ruys' type of beauty? For my part, I dote on it. And the duke, what a perfect great nobleman! so simple, so amiable. That is fashionable Paris, eh, my son?"

"It's too complicated for me--it frightens me," said Paul de Géry in a low voice.

"Yes, yes, I understand," rejoined the other, with adorable conceit. "You aren't used to it yet, but one soon gets into it, you know! See how perfectly at my ease I am after only a month."

"That's because you had been in Paris before. You used to live here."

"I? Never in my life. Who told you that?"

"Why, I thought so," replied the young man, and added, as a multitude of thoughts came crowding into his mind:

"What have you ever done to this Baron Hemerlingue? There seems to be a deadly hatred between you."

The Nabob was taken aback for a moment. That name Hemerlingue, suddenly obtruded upon his joy, reminded him of the only unpleasant episode of the evening.

"To him, as to everybody else," he said in a sad voice, "I never did anything but good. We began life together in a miserable way. We grew and prospered side by side. When he attempted to fly with his own wings I always assisted him, supported him as best I could. It was through me that he had the contract for supplying the fleet and army for ten years; almost the whole of his fortune comes from that. And then one fine morning that idiot of a cold-blooded Bearnese must go and fall in love with an odalisque whom the bey's mother had turned out of the harem! She was a handsome, ambitious hussy; she made him marry her, and naturally, after that excellent marriage, Hemerlingue had to leave Tunis. They had made him believe that I egged the bey on to forbid him the country. That is not true. On the contrary, I persuaded His Highness to allow the younger Hemerlingue--his first wife's child--to remain at Tunis to look after their interests there, while the father came to Paris to establish his banking-house. But I was well repaid for my kindness. When my poor Ahmed died and the _mouchir_, his brother, ascended the throne, the Hemerlingues, being restored to favor, never ceased to try to injure me in the eyes of the new master. The bey was always pleasant with me, but my influence was impaired. Ah well! in spite of all that, in spite of all the tricks Hemerlingue has played on me and is playing on me still, I was ready to offer him my hand to-night. Not only did the villain refuse it, but he sent his wife to insult me,--an uncivilized, vicious beast, who can never forgive me for refusing to receive her at Tunis. Do you know what she called me there to-night when she passed me? 'Robber and son of a dog.' The harlot had the face to call me that. As if I didn't know my Hemerlingue, who's as cowardly as he is fat. But, after all, let them say what they choose. I snap my fingers at 'em. What can they do against me? Destroy my credit with the bey? That makes no difference to me. I have no more business in Tunis, and I shall get away from there altogether as soon as possible. There's only one city, one country in the world, and that is Paris, hospitable, open-hearted Paris, with no false modesty, where any intelligent man finds room to do great things. And, you see, de Géry, I propose to do great things. I've had enough of business life. I have worked twenty years for money; now I am greedy for respect, glory, renown. I mean to be a personage of some consequence in the history of my country, and that will be an easy matter for me. With my great fortune, my knowledge of men and of affairs, with what I feel here in my head, I can aspire to anything and reach any eminence. So take my advice, my dear boy, don't leave me,"--one would have said he was answering his young companion's secret thought,--"stick loyally to my ship. The spars are stanch and the hold is full of coal. I swear to you that we will sail far and fast, damme!"

The artless Southerner thus discharged his plans into the darkness with an abundance of expressive gestures, and from time to time, as they paced the vast, deserted square, majestically surrounded by its tightly-closed silent palaces, he looked up toward the bronze man on the column, as if calling to witness that great upstart, whose presence in the heart of Paris justifies the most extravagant ambitions and renders all chimeras probable.

There is in youth a warmth of heart, a craving for enthusiasm which are aroused by the slightest breath. As the Nabob spoke, de Géry felt his suspicions vanishing and all his sympathy reviving with an infusion of pity. No, surely that man was no vile knave, but a poor deluded mortal whose fortune had gone to his head, like a wine too powerful for a stomach that has long slaked its thirst with water. Alone in the midst of Paris, surrounded by enemies and sharpers, Jansoulet reminded him of a pedestrian laden with gold passing through a wood haunted by thieves, in the dark and unarmed. And he thought that it would be well for the protégé to watch over the patron without seeming to do so, to be the clear-sighted Telemachus of that blind Mentor, to point out the pitfalls to him, to defend him against the brigands, in short to assist him to fight in that swarm of nocturnal ambuscades which he felt to be lurking savagely about the Nabob and his millions.

V.

THE JOYEUSE FAMILY.

Every morning in the year, at precisely eight o'clock, a new and almost uninhabited house in an out-of-the-way quarter of Paris was filled with shouts and cries and happy laughter that rang clear as crystal in the desert of the hall.

"Father, don't forget my music."

"Father, my embroidery cotton."

"Father, bring us some rolls."

And the father's voice calling from below:

"Yaia, throw down my bag."

"Well, upon my word! he's forgotten his bag."

Thereupon there was joyous haste from top to bottom of the house, a running to and fro of all those pretty faces, heavy-eyed with sleep, of all those touzled locks which they put in order as they ran, up to the very moment when a half-dozen of young girls, leaning over the rail, bade an echoing farewell to a little old gentleman neatly dressed and well brushed, whose florid face and slight figure disappeared at last in the convolutions of the staircase. M. Joyeuse had gone to his office. Thereupon the whole flock of fugitives from the bird-cage ran quickly up to the fourth floor, and, after locking the door, gathered at an open window to catch another glimpse of the father. The little man turned, kisses were exchanged at a distance, then the windows were closed; the new, deserted house became quiet once more except for the signs dancing their wild saraband in the wind on the unfinished street, as if they too were stirred to gayety by all that manoeuvring. A moment later the photographer on the fifth floor came down to hang his show-case at the door, always the same, with the old gentleman in the white cravat surrounded by his daughters in varied groups; then he went upstairs again in his turn, and the perfect calm succeeding that little matutinal tumult suggested the thought that "the father" and his young ladies had returned to the show-case, where they would remain motionless and smiling, until evening.

From Rue Saint-Ferdinand to Messieurs Hemerlingue and Son's, his employers, M. Joyeuse had a walk of three-quarters of an hour. He held his head erect and stiff, as if he were afraid of disarranging the lovely bow of his cravat, tied by his daughters, or his hat, put on by them; and when the oldest, always anxious and prudent, turned up the collar of his overcoat just as he was going out, to protect him against the vicious gust of wind at the street corner, M. Joyeuse, even when the temperature was that of a hothouse, never turned it down until he reached the office, like the lover fresh from his mistress's embrace, who dares not stir for fear of losing the intoxicating perfume.

The excellent man, a widower for some years, lived for his children alone, thought only of them, went out into the world surrounded by those little blond heads, which fluttered confusedly around him as in a painting of the Assumption. All his desires, all his plans related to "the young ladies" and constantly returned to them, sometimes after long detours; for M. Joyeuse--doubtless because of his very short neck and his short figure, in which his bubbling blood had but a short circuit to make--possessed an astonishingly fertile imagination. Ideas formed in his mind as rapidly as threshed straw collects around the hopper. At the office the figures kept his mind fixed by their unromantic rigidity; but once outside, it took its revenge for that inexorable profession. The exercise of walking and familiarity with a route of which he knew by heart the most trivial details, gave entire liberty to his imaginative faculties, and he invented extraordinary adventures, ample material for twenty newspaper novels.

Suppose, for example, that M. Joyeuse were walking through Faubourg Saint-Honoré, on the right hand sidewalk--he always chose that side--and espied a heavy laundress's cart going along at a smart trot, driven by a countrywoman whose child, perched on a bundle of linen, was leaning over the side.

"The child!" the good man would exclaim in dismay, "look out for the child!"

His voice would be lost in the clatter of the wheels and his warning in the secret design of Providence. The cart would pass on. He would look after it for a moment, then go his way; but the drama begun in his mind would go on unfolding itself there with numberless sudden changes. The child had fallen. The wheels were just about to pass over him. M. Joyeuse would dart forward, save the little creature on the very brink of death, but the shaft would strike himself full in the breast, and he would fall, bathed in his blood. Thereupon he would see himself carried to the druggist's amid the crowd that had collected. They would place him on a litter and carry him home, then suddenly he would hear the heart-rending cry of his daughters, his beloved daughters, upon seeing him in that condition. And that cry would go so straight to his heart, he would hear it so distinctly, so vividly: "Papa, dear papa!" that he would repeat it himself in the street, to the great surprise of the passers-by, in a hoarse voice which would wake him from his manufactured nightmare.

Would you like another instance of the vagaries of that prodigious imagination? It rains, it hails; beastly weather. M. Joyeuse has taken the omnibus to go to his office. As he takes his seat opposite a species of giant, with brutish face and formidable biceps, M. Joyeuse, an insignificant little creature, with his bag on his knees, draws in his legs to make room for the enormous pillars that support his neighbor's monumental trunk. In the jolting of the vehicle and the pattering of the rain on the windows, M. Joyeuse begins to dream. And suddenly the colossus opposite, who has a good-natured face enough, is amazed to see the little man change color and glare at him with fierce, murderous eyes, gnashing his teeth. Yes, murderous eyes in truth, for at that moment M. Joyeuse is dreaming a terrible dream. One of his daughters is sitting there, opposite him, beside that annoying brute, and the villain is putting his arm around her waist under her cloak.

"Take your hand away, monsieur," M. Joyeuse has already said twice. The other simply laughs contemptuously. Now he attempts to embrace Élise.

"Ah! villain!"

Lacking strength to defend his daughter, M. Joyeuse, foaming with rage, feels in his pocket for his knife, stabs the insolent knave in the breast, and goes away with head erect, strong in the consciousness of his rights as an outraged father, to make his statement at the nearest police-station.

"I have just killed a man in an omnibus!"

The poor fellow wakes at the sound of his own voice actually uttering those sinister words, but not at the police-station; he realizes from the horrified faces of the passengers that he must have spoken aloud, and speedily avails himself of the conductor's call: "Saint-Philippe--Panthéon--Bastille," to alight, in dire confusion and amid general stupefaction.

That imagination, always on the alert, gave to M. Joyeuse's face a strangely feverish, haggard expression, in striking contrast to the faultlessly correct dress and bearing of the petty clerk. He lived through so many passionate existences in a single day. Such waking dreamers as he, in whom a too restricted destiny holds in check unemployed forces, heroic faculties, are more numerous than is generally supposed. Dreaming is the safety valve through which it all escapes, with a terrible spluttering, an intensely hot vapor and floating images which instantly disappear. Some come forth from these visions radiant, others downcast and abashed, finding themselves once more on the commonplace level of everyday life. M. Joyeuse was of the former class, constantly soaring aloft to heights from which one cannot descend without being a little shaken by the rapidity of the journey.

Now, one morning when our _Imaginaire_ had left his house at the usual hour and under the usual circumstances, he started upon one of his little private romances as he turned out of Rue Saint-Ferdinand. The end of the year was close at hand, and, perhaps it was the sight of a board shanty under construction in the neighboring woodyard that made him think of "New Year's gifts." And thereupon the word _bonus_ planted itself in his mind, as the first landmark in an exciting story. In the month of December all Hemerlingue's clerks received double pay, and in small households, you know, a thousand ambitious or generous projects are based upon such windfalls,--presents to be given, a piece of furniture to be replaced, a small sum tucked away in a drawer for unforeseen emergencies.

The fact is that M. Joyeuse was not rich. His wife, a Mademoiselle de Saint-Amand, being tormented with aspirations for worldly grandeur, had established the little household on a ruinous footing, and in the three years since her death, although _Grandmamma_ had managed affairs so prudently, they had not been able as yet to save anything, the burden of the past was so heavy. Suddenly the excellent man fancied that the honorarium would be larger than usual that year on account of the increased work necessitated by the Tunisian loan. That loan was a very handsome thing for his employers, too handsome indeed, for M. Joyeuse had taken the liberty to say at the office that on that occasion "Hemerlingue and Son had shaved the Turk a little too close."

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The Nabob, Vol. 1 (of 2)Chapter IV: Part 4

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