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Chapter III

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It was strange how Maggie felt steadied and encouraged in the presence of something at least resembling danger. So long as Laurie was merely tiresome and foolish, she distrusted herself, she made little rules and resolutions, and deliberately kept herself interiorly detached from him. But now that there was something definite to look to, her sensitiveness vanished.

As to what that something was, she did not trust herself to decide. Father Mahon had given her a point to work at--the fact that the thing, as a serious pursuit, was forbidden; as to what the reality behind was, whether indeed there were any reality at all, she did not allow herself to consider. Laurie was in a state of nerves sufficiently troublesome to bring a letter from his friend and guide; and he was in that state through playing tricks on forbidden ground; that was enough.

Her interview with Father Mahon precipitated her half-formed resolution; and after tea she went upstairs to write to Mr. Cathcart.

It was an unconventional thing to do, but she was sufficiently perturbed to disregard that drawback, and she wrote a very sensible letter, explaining first who she was; then, without any names being mentioned, she described her adopted brother's position, and indicated his experiences: she occupied the last page in asking two or three questions, and begging for general advice.

* * * * *

Mrs. Baxter displayed some symptoms after dinner which the girl recognized well enough. They comprised a resolute avoidance of Laurie's name, a funny stiff little air of dignity, and a touch of patronage. And the interpretation of these things was that the old lady did not wish the subject to be mentioned again, and that, interiorly, she was doing her best ignore and forget it. Maggie felt, again, vaguely comforted; it left her a freer hand.

* * * * *

She lay awake a long time that night.

Her room was a little square one on the top of the stairs, above the smoking-room where she had that odd scene with Laurie a month or so before, and looking out upon the yew walk that led to the orchard. It was a cheerful little place enough, papered in brown, hung all over with water colors, with her bed in one corner; and it looked a reassuring familiar kind of place in the firelight, as she lay open-eyed and thinking.

It was not that she was at all frightened; it was no more than a little natural anxiety; and half a dozen times in the hour or two that she lay thinking, she turned resolutely over in bed, dismissed the little pictures that her mind formed in spite of herself, and began to think of pleasant, sane subjects.

But the images recurred. They were no more than little vignettes--Laurie talking to a severe-looking tall man with a sardonic smile; Laurie having tea with Mrs. Stapleton; Laurie in an empty room, looking at a closed door....

It was this last picture that recurred three or four times at the very instant that the girl was drowsing off into sleep; and it had therefore that particular vividness that characterizes the thoughts when the conscious attention is dormant. It had too a strangely perturbing effect upon her; and she could not imagine why.

After the third return of it her sense of humor came to the rescue: it was too ridiculous, she said, to be alarmed at an empty room and Laurie's back. Once more she turned on her side, away from the firelight, and resolved, if it recurred again, to examine the details closely.

Again the moments passed: thought followed thought, in those quiet waves that lull the mind towards sleep; finally once more the picture was there, clear and distinct.

Yes; she would look at it this time.

It was a bare room, wainscoted round the walls a few inches up, papered beyond in some common palish pattern. Laurie stood in the center of the uncarpeted boards, with his back turned to her, looking, it seemed, with an intense expectation at the very dull door in the wall opposite him. He was in his evening dress, she saw, knee-breeches and buckles all complete; and his hands were clenched, as they hung held out a little from his sides, as he himself, crouching a little, stared at the door.

She, too, looked at the door, at its conventional panels and its brass handle; and it appeared to her as if both he and she were expectant of some visitor. The door would open presently, she perceived; and the reason why Laurie was so intent upon the entrance, was that he, no more than she, had any idea as to the character of the person who was to come in. She became quite interested as she watched--it was a method she followed sometimes when wooing sleep--and she began, in her fancy, to go past Laurie as if to open the door. But as she passed him she was aware that he put out a hand to check her, as if to hold her back from some danger; and she stopped, hesitating, still looking, not at Laurie, but at the door.

She began then, with the irresponsibility of deepening sleep, to imagine instead what lay beyond the door--to perceive by intuitive vision the character of the house. She got so far as understanding that it was all as unfurnished as this room, that the house stood solitary among trees, and that even these, and the tangled garden that she determined must surround the house, were as listening and as expectant as herself and the waiting figure of the boy. Once more, as if to verify her semi-passive imaginative excursion, she moved to the door....

Ah! what nonsense it was. Here she was, wide awake again, in her own familiar room, with the firelight on the walls.

... Well, well; sleep was a curious thing; and so was imagination....

... At any rate she had written to Mr. Cathcart.

_Chapter XI_

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The NecromancersChapter III

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