Chapter III: Part I: Minor Conflicts (3)
The man's face flamed in a rage begot of whisky. His eyes, rolling and yet keen for ambush, hunted the still door-ways and windows. He walked with the creeping movement of the midnight cat. As it occurred to him, he roared menacing information. The long revolvers in his hands were as easy as straws; they were moved with an electric swiftness. The little fingers of each hand played sometimes in a musician's way. Plain from the low collar of the shirt, the cords of his neck straightened and sank as passion moved him. The only sounds were his terrible invitations. The calm adobes preserved their demeanour at the passing of this small thing in the middle of the street.
There was no offer of fight--no offer of fight. The man called to the sky. There were no attractions. He bellowed and fumed and swayed his revolver here and everywhere.
The dog of the bar-keeper of the Weary Gentleman saloon had not appreciated the advance of events. He yet lay dozing in front of his master's door. At sight of the dog, the man paused and raised his revolver humorously. At sight of the man, the dog sprang up and walked diagonally away, with a sullen head and growling. The man yelled, and the dog broke into a gallop. As it was about to enter an alley, there was a loud noise, a whistling, and something spat the ground directly before it. The dog screamed, and, wheeling in terror, galloped headlong in a new direction. Again there was a noise, a whistling, and sand was kicked viciously before it. Fear-stricken, the dog turned and flurried like an animal in a pen. The man stood laughing, his weapons at his hips.
Ultimately the man was attracted by the closed door of the Weary Gentleman saloon. He went to it, and, hammering with a revolver, demanded drink.
The door remaining imperturbable, he picked a bit of paper from the walk, and nailed it to the framework with a knife. He then turned his back contemptuously upon this popular resort, and, walking to the opposite side of the street and spinning there on his heel quickly and lithely, fired at the bit of paper. He missed it by a half-inch. He swore at himself, and went away. Later, he comfortably fusilladed the windows of his most intimate friend. The man was playing with this town. It was a toy for him.
But still there was no offer of fight. The name of Jack Potter, his ancient antagonist, entered his mind, and he concluded that it would be a glad thing if he should go to Potter's house, and, by bombardment, induce him to come out and fight. He moved in the direction of his desire, chanting Apache scalp music.
When he arrived at it, Potter's house presented the same still, calm front as had the other adobes. Taking up a strategic position, the man howled a challenge. But this house regarded him as might a great stone god. It gave no sign. After a decent wait, the man howled further challenges, mingling with them wonderful epithets.
Presently there came the spectacle of a man churning himself into deepest rage over the immobility of a house. He fumed at it as the winter wind attacks a prairie cabin in the north. To the distance there should have gone the sound of a tumult like the fighting of two hundred Mexicans. As necessity bade him, he paused for breath or to reload his revolvers.
IV
Potter and his bride walked sheepishly and with speed. Sometimes they laughed together shamefacedly and low.
"Next corner, dear," he said finally.
They put forth the efforts of a pair walking bowed against a strong wind. Potter was about to raise a finger to point the first appearance of the new home, when, as they circled the corner, they came face to face with a man in a maroon-coloured shirt, who was feverishly pushing cartridges into a large revolver. Upon the instant the man dropped this revolver to the ground, and, like lightning, whipped another from its holster. The second weapon was aimed at the bridegroom's chest.
There was a silence. Potter's mouth seemed to be merely a grave for his tongue. He exhibited an instinct to at once loosen his arm from the woman's grip, and he dropped the bag to the sand. As for the bride, her face had gone as yellow as old cloth. She was a slave to hideous rites, gazing at the apparitional snake.
The two men faced each other at a distance of three paces. He of the revolver smiled with a new and quiet ferocity. "Tried to sneak up on me!" he said. "Tried to sneak up on me!" His eyes grew more baleful. As Potter made a slight movement, the man thrust his revolver venomously forward. "No; don't you do it, Jack Potter. Don't you move a finger towards a gun just yet. Don't you move an eyelash. The time has come for me to settle with you, and I'm going to do it my own way, and loaf along with no interferin'. So if you don't want a gun bent on you, just mind what I tell you."
Potter looked at his enemy. "I ain't got a gun on me, Scratchy," he said. "Honest, I ain't." He was stiffening and steadying, but yet somewhere at the back of his mind a vision of the Pullman floated--the sea-green figured velvet, the shining brass, silver, and glass, the wood that gleamed as darkly brilliant as the surface of a pool of oil--all the glory of their marriage, the environment of the new estate.
"You know I fight when it comes to fighting, Scratchy Wilson, but I ain't got a gun on me. You'll have to do all the shootin' yourself."
His enemy's face went livid. He stepped forward, and lashed his weapon to and fro before Potter's chest.
"Don't you tell me you ain't got no gun on you, you whelp. Don't tell me no lie like that. There ain't a man in Texas ever seen you without no gun. Don't take me for no kid."
His eyes blazed with light and his throat worked like a pump.
"I ain't takin' you for no kid," answered Potter. His heels had not moved an inch backward. "I'm takin' you for a ---- fool. I tell you I ain't got a gun, and I ain't. If you're goin' to shoot me up, you'd better begin now. You'll never get a chance like this again."
So much enforced reasoning had told on Wilson's rage. He was calmer.
"If you ain't got a gun, why ain't you got a gun?" he sneered. "Been to Sunday school?"
"I ain't got a gun because I've just come from San Anton' with my wife. I'm married," said Potter. "And if I'd thought there was going to be any galoots like you prowling around when I brought my wife home, I'd had a gun, and don't you forget it."
"Married!" said Scratchy, not at all comprehending.
"Yes, married! I'm married," said Potter, distinctly.
"Married!" said Scratchy; seeming for the first time he saw the drooping drowning woman at the other man's side. "No!" he said. He was like a creature allowed a glimpse of another world. He moved a pace backward, and his arm with the revolver dropped to his side. "Is this--is this the lady?" he asked.
"Yes, this is the lady," answered Potter.
There was another period of silence.
"Well," said Wilson at last, slowly, "I s'pose it's all off now?"
"It's all off if you say so, Scratchy. You know I didn't make the trouble."
Potter lifted his valise.
"Well, I 'low it's off, Jack," said Wilson. He was looking at the ground. "Married!" He was not a student of chivalry; it was merely that in the presence of this foreign condition he was a simple child of the earlier plains. He picked up his starboard revolver, and placing both weapons in their holsters, he went away. His feet made funnel-shaped tracks in the heavy sand.
THE WISE MEN
They were youths of subtle mind. They were very wicked according to report, and yet they managed to have it reflect great credit upon them. They often had the well-informed and the great talkers of the American colony engaged in reciting their misdeeds, and facts relating to their sins were usually told with a flourish of awe and fine admiration.
One was from San Francisco and one was from New York, but they resembled each other in appearance. This is an idiosyncrasy of geography.
They were never apart in the City of Mexico, at any rate, excepting perhaps when one had retired to his hotel for a respite, and then the other was usually camped down at the office sending up servants with clamorous messages. "Oh, get up and come on down."
They were two lads--they were called the kids--and far from their mothers. Occasionally some wise man pitied them, but he usually was alone in his wisdom. The other folk frankly were transfixed at the splendour of the audacity and endurance of these kids.
"When do those boys ever sleep?" murmured a man as he viewed them entering a café about eight o'clock one morning. Their smooth infantile faces looked bright and fresh enough, at any rate. "Jim told me he saw them still at it about 4.30 this morning."
"Sleep!" ejaculated a companion in a glowing voice. "They never sleep! They go to bed once in every two weeks." His boast of it seemed almost a personal pride.
"They'll end with a crash, though, if they keep it up at this pace," said a gloomy voice from behind a newspaper.
The Café Colorado has a front of white and gold, in which is set larger plate-glass windows than are commonly to be found in Mexico. Two little wings of willow flip-flapping incessantly serve as doors. Under them small stray dogs go furtively into the café, and are shied into the street again by the waiters. On the side-walk there is always a decorative effect of loungers, ranging from the newly-arrived and superior tourist to the old veteran of the silver mines bronzed by violent suns. They contemplate with various shades of interest the show of the street--the red, purple, dusty white, glaring forth against the walls in the furious sunshine.
One afternoon the kids strolled into the Café Colorado. A half-dozen of the men who sat smoking and reading with a sort of Parisian effect at the little tables which lined two sides of the room, looked up and bowed smiling, and although this coming of the kids was anything but an unusual event, at least a dozen men wheeled in their chairs to stare after them. Three waiters polished tables, and moved chairs noisily, and appeared to be eager. Distinctly these kids were of importance.
Behind the distant bar, the tall form of old Pop himself awaited them smiling with broad geniality. "Well, my boys, how are you?" he cried in a voice of profound solicitude. He allowed five or six of his customers to languish in the care of Mexican bartenders, while he himself gave his eloquent attention to the kids, lending all the dignity of a great event to their arrival. "How are the boys to-day, eh?"
"You're a smooth old guy," said one, eying him. "Are you giving us this welcome so we won't notice it when you push your worst whisky at us?"
Pop turned in appeal from one kid to the other kid. "There, now, hear that, will you?" He assumed an oratorical pose. "Why, my boys, you always get the best that this house has got."
"Yes, we do!" The kids laughed. "Well, bring it out, anyhow, and if it's the same you sold us last night, we'll grab your cash register and run."
Pop whirled a bottle along the bar and then gazed at it with a rapt expression. "Fine as silk," he murmured. "Now just taste that, and if it isn't the best whisky you ever put in your face, why I'm a liar, that's all."
The kids surveyed him with scorn, and poured their allowances. Then they stood for a time insulting Pop about his whisky. "Usually it tastes exactly like new parlour furniture," said the San Francisco kid. "Well, here goes, and you want to look out for your cash register."
"Your health, gentlemen," said Pop with a grand air, and as he wiped his bristling grey moustaches he wagged his head with reference to the cash register question. "I could catch you before you got very far."
"Why, are you a runner?" said one derisively.
"You just bank on me, my boy," said Pop, with deep emphasis. "I'm a flier."
The kids sat down their glasses suddenly and looked at him. "You must be," they said. Pop was tall and graceful and magnificent in manner, but he did not display those qualities of form which mean speed in the animal. His hair was grey; his face was round and fat from much living. The buttons of his glittering white waistcoat formed a fine curve, so that if the concave surface of a piece of barrel-hoop had been laid against Pop it would have touched every button. "You must be," observed the kids again.
"Well, you can laugh all you like, but--no jolly now, boys, I tell you I'm a winner. Why, I bet you I can skin anything in this town on a square go. When I kept my place in Eagle Pass there wasn't anybody who could touch me. One of these sure things came down from San Anton'. Oh, he was a runner he was. One of these people with wings. Well, I skinned 'im. What? Certainly I did. Never touched me."
The kids had been regarding him in grave silence, but at this moment they grinned, and said quite in chorus, "Oh, you old liar!"
Pop's voice took on a whining tone of earnestness. "Boys, I'm telling it to you straight. I'm a flier."
One of the kids had had a dreamy cloud in his eye and he cried out suddenly--"Say, what a joke to play this on Freddie."
The other jumped ecstatically. "Oh, wouldn't it though. Say he wouldn't do a thing but howl! He'd go crazy."
They looked at Pop as if they longed to be certain that he was, after all, a runner. "Now, Pop, on the level," said one of them wistfully, "can you run?"
"Boys," swore Pop, "I'm a peach! On the dead level, I'm a peach."
"By golly, I believe the old Indian can run," said one to the other, as if they were alone in confidence.
"That's what I can," cried Pop.
The kids said--"Well, so long, old man." They went to a table and sat down. They ordered a salad. They were always ordering salads. This was because one kid had a wild passion for salads, and the other didn't care. So at any hour of the day they might be seen ordering a salad. When this one came they went into a sort of executive session. It was a very long consultation. Men noted it. Occasionally the kids laughed in supreme enjoyment of something unknown. The low rumble of wheels came from the street. Often could be heard the parrot-like cries of distant vendors. The sunlight streamed through the green curtains, and made little amber-coloured flitterings on the marble floor. High up among the severe decorations of the ceiling--reminiscent of the days when the great building was a palace--a small white butterfly was wending through the cool air spaces. The long billiard hall led back to a vague gloom. The balls were always clicking, and one could see countless crooked elbows. Beggars slunk through the wicker doors, and were ejected by the nearest waiter. At last the kids called Pop to them.
"Sit down, Pop. Have a drink." They scanned him carefully. "Say now, Pop, on your solemn oath, can you run?"
"Boys," said Pop piously, and raising his hand, "I can run like a rabbit."
"On your oath?"
"On my oath."
"Can you beat Freddie?"
Pop appeared to look at the matter from all sides. "Well, boys, I'll tell you. No man is ever cock-sure of anything in this world, and I don't want to say that I can best any man, but I've seen Freddie run, and I'm ready to swear I can beat him. In a hundred yards I'd just about skin 'im neat--you understand, just about neat. Freddie is a good average runner, but I--you understand--I'm just--a little--bit--better." The kids had been listening with the utmost attention. Pop spoke the latter part slowly and meanfully. They thought he intended them to see his great confidence.
One said--"Pop, if you throw us in this thing, we'll come here and drink for two weeks without paying. We'll back you and work a josh on Freddie! But O!--if you throw us!"
To this menace Pop cried--"Boys, I'll make the run of my life! On my oath!"
The salad having vanished, the kids arose. "All right, now," they warned him. "If you play us for duffers, we'll get square. Don't you forget it."
"Boys, I'll give you a race for your money. Book on that. I may lose--understand, I may lose--no man can help meeting a better man. But I think I can skin him, and I'll give you a run for your money, you bet."
"All right, then. But, look here," they told him, "you keep your face closed. Nobody gets in on this but us. Understand?"
"Not a soul," Pop declared. They left him, gesturing a last warning from the wicker doors.
In the street they saw Benson, his cane gripped in the middle, strolling through the white-clothed jabbering natives on the shady side. They semaphored to him eagerly. He came across cautiously, like a man who ventures into dangerous company.
"We're going to get up a race. Pop and Fred. Pop swears he can skin 'im. This is a tip. Keep it dark. Say, won't Freddie be hot?"
Benson looked as if he had been compelled to endure these exhibitions of insanity for a century. "Oh, you fellows are off. Pop can't beat Freddie. He's an old bat. Why, it's impossible. Pop can't beat Freddie."
"Can't he? Want to bet he can't?" said the kids. "There now, let's see--you're talking so large."
"Well, you----"
"Oh, bet. Bet or else close your trap. That's the way."
"How do you know you can pull off the race? Seen Freddie?"
"No, but----"
"Well, see him then. Can't bet with no race arranged. I'll bet with you all right--all right. I'll give you fellows a tip though--you're a pair of asses. Pop can't run any faster than a brick school-house."
The kids scowled at him and defiantly said--"Can't he?" They left him and went to the Casa Verde. Freddie, beautiful in his white jacket, was holding one of his innumerable conversations across the bar. He smiled when he saw them. "Where you boys been?" he demanded, in a paternal tone. Almost all the proprietors of American cafés in the city used to adopt a paternal tone when they spoke to the kids.
"Oh, been 'round,'" they replied.
"Have a drink?" said the proprietor of the Casa Verde, forgetting his other social obligations. During the course of this ceremony one of the kids remarked--
"Freddie, Pop says he can beat you running."
"Does he?" observed Freddie without excitement. He was used to various snares of the kids.
"That's what. He says he can leave you at the wire and not see you again."
"Well, he lies," replied Freddie placidly.
"And I'll bet you a bottle of wine that he can do it, too."
"Rats!" said Freddie.
"Oh, that's all right," pursued a kid. "You can throw bluffs all you like, but he can lose you in a hundred yards' dash, you bet."
Freddie drank his whisky, and then settled his elbows on the bar.
"Say, now, what do you boys keep coming in here with some pipe-story all the time for? You can't josh me. Do you think you can scare me about Pop? Why, I know I can beat him. He can't run with me. Certainly not. Why, you fellows are just jollying me."
"Are we though!" said the kids. "You daren't bet the bottle of wine."
"Oh, of course I can bet you a bottle of wine," said Freddie disdainfully. "Nobody cares about a bottle of wine, but----"
"Well, make it five then," advised one of the kids.
Freddie hunched his shoulders. "Why, certainly I will. Make it ten if you like, but----"
"We do," they said.
"Ten, is it? All right; that goes." A look of weariness came over Freddie's face. "But you boys are foolish. I tell you Pop is an old man. How can you expect him to run? Of course, I'm no great runner, but then I'm young and healthy and--and a pretty smooth runner too. Pop is old and fat, and then he doesn't do a thing but tank all day. It's a cinch."
The kids looked at him and laughed rapturously. They waved their fingers at him. "Ah, there!" they cried. They meant that they had made a victim of him.
But Freddie continued to expostulate. "I tell you he couldn't win--an old man like him. You're crazy. Of course, I know you don't care about ten bottles of wine, but, then--to make such bets as that. You're twisted."
"Are we, though?" cried the kids in mockery. They had precipitated Freddie into a long and thoughtful treatise on every possible chance of the thing as he saw it. They disputed with him from time to time, and jeered at him. He laboured on through his argument. Their childish faces were bright with glee.
In the midst of it Wilburson entered. Wilburson worked; not too much, though. He had hold of the Mexican end of a great importing house of New York, and as he was a junior partner, he worked. But not too much, though. "What's the howl?" he said.
The kids giggled. "We've got Freddie rattled."
"Why," said Freddie, turning to him, "these two Indians are trying to tell me that Pop can beat me running."
"Like the devil," said Wilburson, incredulously.
"Well, can't he?" demanded a kid.
"Why, certainly not," said Wilburson, dismissing every possibility of it with a gesture. "That old bat? Certainly not. I'll bet fifty dollars that Freddie----"
"Take you," said a kid.
"What?" said Wilburson, "that Freddie won't beat Pop?"
The kid that had spoken now nodded his head.
"That Freddie won't beat Pop?" repeated Wilburson.
"Yes. It's a go?"
"Why, certainly," retorted Wilburson. "Fifty? All right."
"Bet you five bottles on the side," ventured the other kid.
"Why, certainly," exploded Wilburson wrathfully. "You fellows must take me for something easy. I'll take all those kinds of bets I can get. Cer--tain--ly."
They settled the details. The course was to be paced off on the asphalt of one of the adjacent side-streets, and then, at about eleven o'clock in the evening, the match would be run. Usually in Mexico the streets of a city grow lonely and dark but a little after nine o'clock. There are occasional lurking figures, perhaps, but no crowds, lights and noise. The course would doubtless be undisturbed. As for the policeman in the vicinity, they--well, they were conditionally amiable.
The kids went to see Pop; they told him of the arrangement, and then in deep tones they said, "Oh, Pop, if you throw us!"
Pop appeared to be a trifle shaken by the weight of responsibility thrust upon him, but he spoke out bravely. "Boys, I'll pinch that race. Now you watch me. I'll pinch it."
The kids went then on some business of their own, for they were not seen again till evening. When they returned to the neighbourhood of the Café Colorado the usual stream of carriages was whirling along the calle. The wheels hummed on the asphalt, and the coachmen towered in their great sombreros. On the sidewalk a gazing crowd sauntered, the better class self-satisfied and proud, in their Derby hats and cut-away coats, the lower classes muffling their dark faces in their blankets, slipping along in leather sandals. An electric light sputtered and fumed over the throng. The afternoon shower had left the pave wet and glittering. The air was still laden with the odour of rain on flowers, grass, leaves.
In the Café Colorado a cosmopolitan crowd ate, drank, played billiards, gossiped, or read in the glaring yellow light. When the kids entered a large circle of men that had been gesticulating near the bar greeted them with a roar.
"Here they are now!"
"Oh, you pair of peaches!"
"Say, got any more money to bet with?" Colonel Hammigan, grinning, pushed his way to them. "Say, boys, we'll all have a drink on you now because you won't have any money after eleven o'clock. You'll be going down the back stairs in your stocking feet."
Although the kids remained unnaturally serene and quiet, argument in the Café Colorado became tumultuous. Here and there a man who did not intend to bet ventured meekly that perchance Pop might win, and the others swarmed upon him in a whirlwind of angry denial and ridicule.
Pop, enthroned behind the bar, looked over at this storm with a shadow of anxiety upon his face. This widespread flouting affected him, but the kids looked blissfully satisfied with the tumult they had stirred.
Blanco, honest man, ever worrying for his friends, came to them. "Say, you fellows, you aren't betting too much? This thing looks kind of shaky, don't it?"
The faces of the kids grew sober, and after consideration one said--"No, I guess we've got a good thing, Blanco. Pop is going to surprise them, I think."
"Well, don't----"
"All right, old boy. We'll watch out."
From time to time the kids had much business with certain orange, red, blue, purple, and green bills. They were making little memoranda on the back of visiting cards. Pop watched them closely, the shadow still upon his face. Once he called to them, and when they came he leaned over the bar and said intensely--"Say, boys, remember, now--I might lose this race. Nobody can ever say for sure, and if I do, why----"
"Oh, that's all right, Pop," said the kids, reassuringly. "Don't mind it. Do your derndest, and let it go at that."
When they had left him, however, they went to a corner to consult. "Say, this is getting interesting. Are you in deep?" asked one anxiously of his friend.
"Yes, pretty deep," said the other stolidly. "Are you?"
"Deep as the devil," replied the other in the same tone.
They looked at each other stonily and went back to the crowd. Benson had just entered the café. He approached them with a gloating smile of victory. "Well, where's all that money you were going to bet?"
"Right here," said the kids, thrusting into their waistcoat pockets.
At eleven o'clock a curious thing was learned. When Pop and Freddie, the kids and all, came to the little side street, it was thick with people. It seemed that the news of this race had spread like the wind among the Americans, and they had come to witness the event. In the darkness the crowd moved, mumbling in argument.
The principals--the kids and those with them--surveyed this scene with some dismay. "Say--here's a go." Even then a policeman might be seen approaching, the light from his little lantern flickering on his white cap, gloves, brass buttons, and on the butt of the old-fashioned Colt's revolver which hung at his belt. He addressed Freddie in swift Mexican. Freddie listened, nodding from time to time. Finally Freddie turned to the others to translate. "He says he'll get into trouble if he allows this race when all this crowd is here."
There was a murmur of discontent. The policeman looked at them with an expression of anxiety on his broad, brown face.
"Oh, come on. We'll go hold it on some other fellow's beat," said one of the kids. The group moved slowly away debating. Suddenly the other kid cried, "I know! The Paseo!"
"By jiminy," said Freddie, "just the thing. We'll get a cab and go out to the Paseo. S-s-h! Keep it quiet; we don't want all this mob."
Later they tumbled into a cab--Pop, Freddie, the kids, old Colonel Hammigan and Benson. They whispered to the men who had wagered, "The Paseo." The cab whirled away up the black street. There were occasional grunts and groans, cries of "Oh, get off me feet," and of "Quit! you're killing me." Six people do not have fun in one cab. The principals spoke to each other with the respect and friendliness which comes to good men at such times. Once a kid put his head out of the window and looked backward. He pulled it in again and cried, "Great Scott! Look at that, would you!"
The others struggled to do as they were bid, and afterwards shouted, "Holy smoke! Well, I'll be blowed! Thunder and turf!"
Galloping after them came innumerable cabs, their lights twinkling, streaming in a great procession through the night.
"The street is full of them," ejaculated the old colonel.
The Paseo de la Reforma is the famous drive of the city of Mexico, leading to the Castle of Chapultepec, which last ought to be well known in the United States.
It is a fine broad avenue of macadam with a much greater quality of dignity than anything of the kind we possess in our own land. It seems of the old world, where to the beauty of the thing itself is added the solemnity of tradition and history, the knowledge that feet in buskins trod the same stones, that cavalcades of steel thundered there before the coming of carriages.
When the Americans tumbled out of their cabs the giant bronzes of Aztec and Spaniard loomed dimly above them like towers. The four roads of poplar trees rustled weirdly off there in the darkness. Pop took out his watch and struck a match. "Well, hurry up this thing. It's almost midnight."
The other cabs came swarming, the drivers lashing their horses, for these Americans, who did all manner of strange things, nevertheless always paid well for it. There was a mighty hubbub then in the darkness. Five or six men began to pace the distance and quarrel. Others knotted their handkerchiefs together to make a tape. Men were swearing over bets, fussing and fuming about the odds. Benson came to the kids swaggering. "You're a pair of asses." The cabs waited in a solid block down the avenue. Above the crowd the tall statues hid their visages in the night.
At last a voice floated through the darkness. "Are you ready there?" Everybody yelled excitedly. The men at the tape pulled it out straight. "Hold it higher, Jim, you fool," and silence fell then upon the throng. Men bended down trying to pierce the deep gloom with their eyes. From out at the starting point came muffled voices. The crowd swayed and jostled.
The racers did not come. The crowd began to fret, its nerves burning. "Oh, hurry up," shrilled some one.
The voice called again--"Ready there?" Everybody replied--"Yes, all ready. Hurry up!"
There was a more muffled discussion at the starting point. In the crowd a man began to make a proposition. "I'll bet twenty--" but the crowd interrupted with a howl. "Here they come!" The thickly-packed body of men swung as if the ground had moved. The men at the tape shouldered madly at their fellows, bawling, "Keep back! Keep back!"
From the distance came the noise of feet pattering furiously. Vague forms flashed into view for an instant. A hoarse roar broke from the crowd. Men bended and swayed and fought. The kids back near the tape exchanged another stolid look. A white form shone forth. It grew like a spectre. Always could be heard the wild patter. A scream broke from the crowd. "By Gawd, it's Pop! Pop! Pop's ahead!"
The old man spun towards the tape like a madman, his chin thrown back, his grey hair flying. His legs moved like oiled machinery. And as he shot forward a howl as from forty cages of wild animals went toward the imperturbable chieftains in bronze. The crowd flung themselves forward. "Oh, you old Indian! You savage! Did anybody ever see such running?"
"Ain't he a peach! Well!"
"Where's the kids? H-e-y, kids!"
"Look at him, would you? Did you ever think?" These cries flew in the air blended in a vast shout of astonishment and laughter.
For an instant the whole tragedy was in view. Freddie, desperate, his teeth shining, his face contorted, whirling along in deadly effort, was twenty feet behind the tall form of old Pop, who, dressed only in his--only in his underclothes--gained with each stride. One grand insane moment, and then Pop had hurled himself against the tape--victor!
Freddie, fallen into the arms of some men, struggled with his breath, and at last managed to stammer--
"Say, can't--can't--that old--old--man run!"
Pop, puffing and heaving, could only gasp--"Where's my shoes? Who's got my shoes?"
Later Freddie scrambled panting through the crowd, and held out his hand. "Good man, Pop!" And then he looked up and down the tall, stout form. "Hell! who would think you could run like that?"
The kids were surrounded by a crowd, laughing tempestuously.
"How did you know he could run?"
"Why didn't you give me a line on him?"
"Say--great snakes!--you fellows had a nerve to bet on Pop."
"Why, I was cock-sure he couldn't win."
"Oh, you fellows must have seen him run before."
"Who would ever think it?"
Benson came by, filling the midnight air with curses. They turned to jibe him.
"What's the matter, Benson?"
"Somebody pinched my handkerchief. I tied it up in that string. Damn it."
The kids laughed blithely. "Why, hello! Benson," they said.
There was a great rush for cabs. Shouting, laughing, wondering, the crowd hustled into their conveyances, and the drivers flogged their horses toward the city again.
"Won't Freddie be crazy! Say, he'll be guyed about this for years."
"But who would ever think that old tank could run so?"
One cab had to wait while Pop and Freddie resumed various parts of their clothing.
As they drove home, Freddie said--"Well, Pop, you beat me."
Pop said--"That's all right, old man."
The kids, grinning, said--"How much did you lose, Benson?"
Benson said defiantly--"Oh, not so much. How much did you win?"
"Oh, not so much."
Old Colonel Hammigan, squeezed down in a corner, had apparently been reviewing the event in his mind, for he suddenly remarked, "Well, I'm damned!"
They were late in reaching the Café Colorado, but when they did, the bottles were on the bar as thick as pickets on a fence.
THE FIVE WHITE MICE
Freddie was mixing a cock-tail. His hand with the long spoon was whirling swiftly, and the ice in the glass hummed and rattled like a cheap watch. Over by the window, a gambler, a millionaire, a railway conductor, and the agent of a vast American syndicate were playing seven-up. Freddie surveyed them with the ironical glance of a man who is mixing a cock-tail.
From time to time a swarthy Mexican waiter came with his tray from the rooms at the rear, and called his orders across the bar. The sounds of the indolent stir of the city, awakening from its siesta, floated over the screens which barred the sun and the inquisitive eye. From the far-away kitchen could be heard the roar of the old French _chef_, driving, herding, and abusing his Mexican helpers.
A string of men came suddenly in from the street. They stormed up to the bar. There were impatient shouts. "Come now, Freddie, don't stand there like a portrait of yourself. Wiggle!" Drinks of many kinds and colours, amber, green, mahogany, strong and mild, began to swarm upon the bar with all the attendants of lemon, sugar, mint and ice. Freddie, with Mexican support, worked like a sailor in the provision of them, sometimes talking with that scorn for drink and admiration for those who drink which is the attribute of a good bar-keeper.
At last a man was afflicted with a stroke of dice-shaking. A herculean discussion was waging, and he was deeply engaged in it, but at the same time he lazily flirted the dice. Occasionally he made great combinations. "Look at that, would you?" he cried proudly. The others paid little heed. Then violently the craving took them. It went along the line like an epidemic, and involved them all. In a moment they had arranged a carnival of dice-shaking with money penalties and liquid prizes. They clamorously made it a point of honour with Freddie that he should play and take his chance of sometimes providing this large group with free refreshment. With bended heads like football players, they surged over the tinkling dice, jostling, cheering, and bitterly arguing. One of the quiet company playing seven-up at the corner table said profanely that the row reminded him of a bowling contest at a picnic.
After the regular shower, many carriages rolled over the smooth calle, and sent a musical thunder through the Casa Verde. The shop-windows became aglow with light, and the walks were crowded with youths, callow and ogling, dressed vainly according to superstitious fashions. The policemen had muffled themselves in their gnome-like cloaks, and placed their lanterns as obstacles for the carriages in the middle of the street. The city of Mexico gave forth the deep organ-mellow tones of its evening resurrection.
But still the group at the bar of the Casa Verde were shaking dice. They had passed beyond shaking for drinks for the crowd, for Mexican dollars, for dinners, for the wine at dinner. They had even gone to the trouble of separating the cigars and cigarettes from the dinner's bill, and causing a distinct man to be responsible for them. Finally they were aghast. Nothing remained in sight of their minds which even remotely suggested further gambling. There was a pause for deep consideration.
"Well----"
"Well----"
A man called out in the exuberance of creation. "I know! Let's shake for a box to-night at the circus! A box at the circus!" The group was profoundly edified. "That's it! That's it! Come on now! Box at the circus!" A dominating voice cried--"Three dashes--high man out!" An American, tall, and with a face of copper red from the rays that flash among the Sierra Madres and burn on the cactus deserts, took the little leathern cup and spun the dice out upon the polished wood. A fascinated assemblage hung upon the bar-rail. Three kings turned their pink faces upward. The tall man flourished the cup, burlesquing, and flung the two other dice. From them he ultimately extracted one more pink king. "There," he said. "Now, let's see! Four kings!" He began to swagger in a sort of provisional way.
The next man took the cup, and blew softly in the top of it. Poising it in his hand, he then surveyed the company with a stony eye and paused. They knew perfectly well that he was applying the magic of deliberation and ostentatious indifference, but they could not wait in tranquillity during the performance of all these rites. They began to call out impatiently. "Come now--hurry up." At last the man, with a gesture that was singularly impressive, threw the dice. The others set up a howl of joy. "Not a pair!" There was another solemn pause. The men moved restlessly. "Come, now, go ahead!" In the end, the man, induced and abused, achieved something that was nothing in the presence of four kings. The tall man climbed on the foot-rail and leaned hazardously forward. "Four kings! My four kings are good to go out," he bellowed into the middle of the mob, and although in a moment he did pass into the radiant region of exemption, he continued to bawl advice and scorn.
The mirrors and oiled woods of the Casa Verde were now dancing with blue flashes from a great buzzing electric lamp. A host of quiet members of the Anglo-Saxon colony had come in for their pre-dinner cock-tails. An amiable person was exhibiting to some tourists this popular American saloon. It was a very sober and respectable time of day. Freddie reproved courageously the dice-shaking brawlers, and, in return, he received the choicest advice in a tumult of seven combined vocabularies. He laughed; he had been compelled to retire from the game, but he was keeping an interested, if furtive, eye upon it.
Down at the end of the line there was a youth at whom everybody railed for his flaming ill-luck. At each disaster, Freddie swore from behind the bar in a sort of affectionate contempt. "Why, this kid has had no luck for two days. Did you ever see such throwin'?"
The contest narrowed eventually to the New York kid and an individual who swung about placidly on legs that moved in nefarious circles. He had a grin that resembled a bit of carving. He was obliged to lean down and blink rapidly to ascertain the facts of his venture, but fate presented him with five queens. His smile did not change, but he puffed gently like a man who has been running.
The others, having emerged unscathed from this part of the conflict, waxed hilarious with the kid. They smote him on either shoulders. "We've got you stuck for it, kid! You can't beat that game! Five queens!"
Up to this time the kid had displayed only the temper of the gambler, but the cheerful hoots of the players, supplemented now by a ring of guying non-combatants, caused him to feel profoundly that it would be fine to beat the five queens. He addressed a gambler's slogan to the interior of the cup.
"Oh, five white mice of chance,
Shirts of wool and corduroy pants,
Gold and wine, women and sin,
All for you if you let me come in--
Into the house of chance."
Flashing the dice sardonically out upon the bar, he displayed three aces. From two dice in the next throw he achieved one more ace. For his last throw, he rattled the single dice for a long time. He already had four aces; if he accomplished another one, the five queens were vanquished and the box at the circus came from the drunken man's pocket. All the kid's movements were slow and elaborate. For the last throw he planted the cup bottom-down on the bar with the one dice hidden under it. Then he turned and faced the crowd with the air of a conjuror or a cheat.
"Oh, maybe it's an ace," he said in boastful calm. "Maybe it's an ace."
Instantly he was presiding over a little drama in which every man was absorbed. The kid leaned with his back against the bar-rail and with his elbows upon it.
"Maybe it's an ace," he repeated.
A jeering voice in the background said--"Yes, maybe it is, kid!"
The kid's eyes searched for a moment among the men. "I'll bet fifty dollars it is an ace," he said.
Another voice asked--"American money?"
"Yes," answered the kid.
"Oh!" There was a genial laugh at this discomfiture. However, no one came forward at the kid's challenge, and presently he turned to the cup. "Now, I'll show you." With the manner of a mayor unveiling a statue, he lifted the cup. There was revealed naught but a ten-spot. In the roar which arose could be heard each man ridiculing the cowardice of his neighbour, and above all the din rang the voice of Freddie be-rating every one. "Why, there isn't one liver to every five men in the outfit. That was the greatest cold bluff I ever saw worked. He wouldn't know how to cheat with dice if he wanted to. Don't know the first thing about it. I could hardly keep from laughin' when I seen him drillin' you around. Why, I tell you, I had that fifty dollars right in my pocket if I wanted to be a chump. You're an easy lot----"
Nevertheless the group who had won in the theatre-box game did not relinquish their triumph. They burst like a storm about the head of the kid, swinging at him with their fists. "'Five white mice'!" they quoted, choking. "'Five white mice'!"
"Oh, they are not so bad," said the kid.
Afterward it often occurred that a man would jeer a finger at the kid and derisively say--"'Five white mice.'"
On the route from the dinner to the circus, others of the party often asked the kid if he had really intended to make his appeal to mice. They suggested other animals--rabbits, dogs, hedgehogs, snakes, opossums. To this banter the kid replied with a serious expression of his belief in the fidelity and wisdom of the five white mice. He presented a most eloquent case, decorated with fine language and insults, in which he proved that if one was going to believe in anything at all, one might as well choose the five white mice. His companions, however, at once and unanimously pointed out to him that his recent exploit did not place him in the light of a convincing advocate.
The kid discerned two figures in the street. They were making imperious signs at him. He waited for them to approach, for he recognized one as the other kid--the Frisco kid: there were two kids. With the Frisco kid was Benson. They arrived almost breathless. "Where you been?" cried the Frisco kid. It was an arrangement that upon a meeting the one that could first ask this question was entitled to use a tone of limitless injury. "What you been doing? Where you going? Come on with us. Benson and I have got a little scheme."
The New York kid pulled his arm from the grapple of the other. "I can't. I've got to take these sutlers to the circus. They stuck me for it shaking dice at Freddie's. I can't, I tell you."
The two did not at first attend to his remarks. "Come on! We've got a little scheme."
"I can't. They stuck me. I've got to take'm to the circus."
At this time it did not suit the men with the scheme to recognize these objections as important. "Oh, take'm some other time. Well, can't you take'm some other time? Let 'em go. Damn the circus. Get cold feet. What did you get stuck for? Get cold feet."
But despite their fighting, the New York kid broke away from them. "I can't, I tell you. They stuck me." As he left them, they yelled with rage. "Well, meet us, now, do you hear? In the Casa Verde as soon as the circus quits! Hear?" They threw maledictions after him.
In the city of Mexico, a man goes to the circus without descending in any way to infant amusements, because the Circo Teatro Orrin is one of the best in the world, and too easily surpasses anything of the kind in the United States, where it is merely a matter of a number of rings, if possible, and a great professional agreement to lie to the public. Moreover, the American clown, who in the Mexican arena prances and gabbles, is the clown to whom writers refer as the delight of their childhood, and lament that he is dead. At this circus the kid was not debased by the sight of mournful prisoner elephants and caged animals forlorn and sickly. He sat in his box until late, and laughed and swore when past laughing at the comic foolish-wise clown.
When he returned to the Casa Verde there was no display of the Frisco kid and Benson. Freddie was leaning on the bar listening to four men terribly discuss a question that was not plain. There was a card-game in the corner, of course. Sounds of revelry pealed from the rear rooms.
When the kid asked Freddie if he had seen his friend and Benson, Freddie looked bored. "Oh, yes, they were in here just a minute ago, but I don't know where they went. They've got their skates on. Where've they been? Came in here rolling across the floor like two little gilt gods. They wobbled around for a time, and then Frisco wanted me to send six bottles of wine around to Benson's rooms, but I didn't have anybody to send this time of night, and so they got mad and went out. Where did they get their loads?"
In the first deep gloom of the street the kid paused a moment debating. But presently he heard quavering voices. "Oh, kid! kid! Com'ere!" Peering, he recognized two vague figures against the opposite wall. He crossed the street, and they said--"Hello-kid."
"Say, where did you get it?" he demanded sternly. "You Indians better go home. What did you want to get scragged for?" His face was luminous with virtue.
As they swung to and fro, they made angry denials. "We ain' load'! We ain' load'. Big chump. Comonangetadrink."
The sober youth turned then to his friend. "Hadn't you better go home, kid? Come on, it's late. You'd better break away."
The Frisco kid wagged his head decisively. "Got take Benson home first. He'll be wallowing around in a minute. Don't mind me. I'm all right."
"Cerly, he's all right," said Benson, arousing from deep thought. "He's all right. But better take'm home, though. That's ri--right. He's load'. But he's all right. No need go home any more'n you. But better take'm home. He's load'." He looked at his companion with compassion. "Kid, you're load'."
The sober kid spoke abruptly to his friend from San Francisco. "Kid, pull yourself together, now. Don't fool. We've got to brace this ass of a Benson all the way home. Get hold of his other arm."
The Frisco kid immediately obeyed his comrade without a word or a glower. He seized Benson and came to attention like a soldier. Later, indeed, he meekly ventured--"Can't we take cab?" But when the New York kid snapped out that there were no convenient cabs he subsided to an impassive silence. He seemed to be reflecting upon his state, without astonishment, dismay, or any particular emotion. He submitted himself woodenly to the direction of his friend.
Benson had protested when they had grasped his arms. "Washa doing?" he said in a new and guttural voice. "Washa doing? I ain' load'. Comonangetadrink. I----"
"Oh, come along, you idiot," said the New York kid. The Frisco kid merely presented the mien of a stoic to the appeal of Benson, and in silence dragged away at one of his arms. Benson's feet came from that particular spot on the pavement with the reluctance of roots and also with the ultimate suddenness of roots. The three of them lurched out into the street in the abandon of tumbling chimneys. Benson was meanwhile noisily challenging the others to produce any reasons for his being taken home. His toes clashed into the kerb when they reached the other side of the calle, and for a moment the kids hauled him along with the points of his shoes scraping musically on the pavement. He balked formidably as they were about to pass the Casa Verde. "No! No! Leshavanothdrink! Anothdrink! Onemore!"
But the Frisco kid obeyed the voice of his partner in a manner that was blind but absolute, and they scummed Benson on past the door. Locked together the three swung into a dark street. The sober kid's flank was continually careering ahead of the other wing. He harshly admonished the Frisco child, and the latter promptly improved in the same manner of unthinking complete obedience. Benson began to recite the tale of a love affair, a tale that didn't even have a middle. Occasionally the New York kid swore. They toppled on their way like three comedians playing at it on the stage.
At midnight a little Mexican street burrowing among the walls of the city is as dark as a whale's throat at deep sea. Upon this occasion heavy clouds hung over the capital and the sky was a pall. The projecting balconies could make no shadows.
"Shay," said Benson, breaking away from his escort suddenly, "what want gome for? I ain't load'. You got reg'lar spool-fact'ry in your head--you N' York kid there. Thish oth' kid, he's mos' proper shober, mos' proper shober. He's drunk, but--but he's shober."
"Ah, shup up, Benson," said the New York kid. "Come along now. We can't stay here all night." Benson refused to be corralled, but spread his legs and twirled like a dervish, meanwhile under the evident impression that he was conducting himself most handsomely. It was not long before he gained the opinion that he was laughing at the others. "Eight purple dogsh--dogs! Eight purple dogs. Thas what kid'll see in the morn'. Look ou' for 'em. They--"
As Benson, describing the canine phenomena, swung wildly across the sidewalk, it chanced that three other pedestrians were passing in shadowy rank. Benson's shoulder jostled one of them.
A Mexican wheeled upon the instant. His hand flashed to his hip. There was a moment of silence, during which Benson's voice was not heard raised in apology. Then an indescribable comment, one burning word, came from between the Mexican's teeth.
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The Open Boat and Other StoriesChapter III: Part I: Minor Conflicts (3)
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