Chapter I: The Religious Domain of Romantic Art
1. The Redemption history of Christ 302
(_a_) The principle of Love as paramount in this religious sphere. How far Art in such a sphere is a superfluity 303
(_b_) From a certain aspect the appearance of Art is necessary 303
(_c_) The aspect of contingency in the particularity of an individual Person as such Divine 304
[(_α_) The presentment by artists of the exterior personality of Christ 304
(_β_) The conflict inherent in the religious growth, viewed as a process, though determining that process universally, is concentrated in the history of _one_ person in the first instance 306
(_γ_) The feature of death only regarded here as a point of transition to self-reconcilement] 308
2. Religious Love 309
(_a_) Conception of the Absolute as Love 309
(_b_) Form of Love as self-concentrated emotion. Affiliation of such with sensuous presentment 310
(_c_) Love as the Ideal of romantic art 310
[(_α_) Christ as Divine Love 311
(_β_) Form most compatible with Art the love of mother. Mary, mother of Jesus 311
(_γ_) Love of Christ's disciples and the Christian community] 313
3. The Spirit of the Community 313
(_a_) The Martyrs 315
(_b_) Penance and conversion within the soul 320
(_c_) Miracles and Legends 323
CHAPTER II
CHIVALRY
Introduction 325
1. Honour 332
(_a_) Notion of same. Contrast between Greek and modern art in this respect 332
(_b_) Vulnerability of same 335
(_c_) Reparation demanded. Honour a mode of self-subsistency which is self-reflective 336
2. Love 337
(_a_) Fundamental conception of. Illustrations from poetry 337
(_b_) Collisions of the same 341
[(_α_) That between honour and love 341
(_β_) That between the supreme spiritual forces of state, family, etc., and love 342
(_γ_) Opposition between love and external conditions in the prose of life and the prejudice of others] 342
(_c_) Limitation of contingency inherent in the conception itself 343
3. Fidelity 345
(_a_) Loyalty of service 346
(_b_) The nature of its co-ordination with a social order either in the world of Chivalry or the modern 347
(_c_) Nature of its collisions. Illustrations. The "Cid," etc. 348
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The Philosophy of Fine Art, volume 2 (of 4)Chapter I: The Religious Domain of Romantic Art
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