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Chapter X: Prologue (1)

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There once lived a knight, who was mournful and bent,
His cheeks white as snow were, and hollow;
He totter’d and stagger’d wherever he went,
A vain vision attempting to follow.
He seem’d so clumsy and awkward and gauche,
That the flowers and girls, when they saw him approach,
Their merriment scarcely could swallow.

From his room’s darkest corner he often ne’er stirr’d,
Esteeming the sight of men shocking,
And extended his arms, without speaking a word,
As though some vain phantom were mocking.
But scarce had the hour of midnight drawn near,
When a wonderful singing and noise met his ear,
And he heard at the door a strange knocking.

His mistress then secretly enters the room,
In a dress made of foam of the ocean;
She glows like a rosebud, so sweet is her bloom,
Her jewell’d veil’s ever in motion;
Her golden locks play round her form slim and tall,
Their eyes meet with rapture, and straightway they fall
In each other’s arms with devotion.

In his loving embraces the knight holds her fast,
The dullard with passion is glowing;
He reddens, the dreamer awakens at last,
And bolder and bolder he’s growing.
But she grows more saucy and mocking instead,
And gently and softly she covers his head,
Her white jewell’d veil o’er him throwing.

To a watery palace of crystal bright
The knight on a sudden is taken;
His eyes are dazzled by radiant light,
By his wits he is well-nigh forsaken.
But the nymph holds him closely embraced by her side
The knight is the bridegroom, the nymph is the bride
While her maidens the lute’s notes awaken.

So sweetly they play and so sweetly they sing,
In the dance they are moving so lightly,
That the knight before long finds his senses take wing,
He embraces his sweet one more tightly--
When all of a sudden the lights disappear,
And the knight’s once more sitting in solitude drear
In his poet’s low garret unsightly.

1.

’Twas in the beauteous month of May,
When all the flowers were springing,
That first within my bosom
I heard love’s echo ringing.

’Twas in the beauteous month of May,
When all the birds were singing,
That first I to my sweetheart
My vows of love was bringing.

2.

From out of my tears all burning
Many blooming flowerets break,
And all my sighs combining
A chorus of nightingales make.

And if thou dost love me, my darling,
To thee shall the flowerets belong;
Before thy window shall echo
The nightingale’s tuneful song.

3.

The rose and the lily, the dove and the sun,
I loved them all dearly once, every one;
I love them no longer, I love now alone
The small one, the neat one, the pure one, mine own.
Yes, she herself, the fount of all love,
Is the rose and the lily, the sun and the dove.

4.

When gazing on thy beauteous eyes
All thought of sorrow straightway flies;
But when I kiss thy mouth so sweet,
My cure is perfect and complete.

When leaning on thy darling breast,
I feel with heavenly rapture blest;
But when thou sayest: “I love thee!”
I begin weeping bitterly.

5.

Thy face, so lovely and serene,
In vision I have lately seen;
So like an angel’s ’tis, and meek,
Though bitter grief has blanch’d thy cheek.

Thy lips alone, they still are red;
Death soon will kiss them pale and dead;
The heavenly light will soon be o’er
That from thine eyes is wont to pour.

6.

O lean thy beauteous cheek on mine,
That our tears together may mingle!
Against my bosom press thou thine,
That their flames may no longer be single

And when with the flame is mingled at last
The stream of our tears all burning,
And mine arm is lovingly round thee cast,--
I’ll die of my love’s sweet yearning.

7.

I’ll dip my spirit discreetly
In the cup of the lily down here;
The lily shall sing to me sweetly
A song of my mistress dear.

The song shall tremble and quiver,
Like that delicious kiss,
Of which her mouth was the giver
In a wondrous moment of bliss.

8.

The stars in yonder heavens
Immovably have stood
For thousands of years, regarding
Each other in sad loving mood.

They speak a mysterious language
That’s rich and sweet to the ear;
Yet no philologist living
Can make its meaning clear.

But I’ve learnt it, and ne’er will forget it,
Whatever the time and place;
As my grammar I used for the purpose
My own dear mistress’s face.

9.

On song’s exulting pinion
I’ll bear thee, my sweetheart fair,
Where Ganges holds his dominion,--
The sweetest of spots know I there.

There a red blooming garden is lying
In the moonlight silent and clear;
The lotos flowers are sighing
For their sister so pretty and dear

The violets prattle and titter,
And gaze on the stars high above
The roses mysteriously twitter
Their fragrant stories of love.

The gazelles so gentle and clever
Skip lightly in frolicsome mood
And in the distance roars ever
The holy river’s loud flood.

And there, while joyously sinking
Beneath the palm by the stream,
And love and repose while drinking
Of blissful visions we’ll dream.

10.

The lotos flower is troubled
At the sun’s resplendent light
With sunken head and sadly
She dreamily waits for the night.

The moon appears as her wooer,
She wakes at his fond embrace;
For him she kindly uncovers
Her sweetly flowering face.

She blooms and glows and glistens,
And mutely gazes above;
She weeps and exhales and trembles
With love and the sorrows of love.

11.

In the Rhine, that beautiful river,
The sacred town of Cologne,
With its vast cathedral, is ever
Full clearly mirror’d and shown.

A picture on golden leather
In that fair cathedral is seen;
On my life, so sad altogether,
It hath cast its rays serene.

The flowers and angels hover
Round our dear Lady there;
Her eyes, lips, cheeks, all over
Resemble my mistress fair.

12.

Thou lov’st me not, thou tellest me.--
It troubles me but slightly;
But when thy beauteous face I see,
No king’s heart beats more lightly.

Thou hatest me, thy red lips say
With well-pretended snarling;
But when sweet kisses they convey,
I’m comforted, my darling.

13.

Full lovingly thou must embrace me,
My mistress beauteous and sweet!
With pliant form interlace me,
And with thine arms and thy feet.

The fairest of snakes e’er created
With vigour encircles anon,
And clasps and twines round the elated
And happy Laocoon.

14.

Swear not at all, but only kiss!
All woman’s oaths I hold amiss;
Thy word is sweet, but sweeter far
The kisses that my guerdon are.
These keep I, while thy words but seem
A passing cloud, or fragrant dream.

* * * * *

Now then, my loved one, swear away!
I’ll credit all that thou dost say;
And when I sink upon thy breast,
I’ll think that I am truly blest;
I’ll think that, love, eternally
And even longer, thou’lt love me.

15.

Upon my mistress’s eyes so clear
I write the fairest cantatas;
Upon my mistress’s mouth sincere
I write the best of terzinas;
Upon my mistress’s cheeks so dear
I write the cleverest stanzas;
And had my mistress a heart, upon it
I soon would write a charming sonnet.

16.

The world’s an ass, the world can’t see,
And grows more stupid daily:
It says, my darling child, of thee,--
Thou livest far too gaily.

The world’s an ass, the world can’t see,
Thy character not knowing;
It knows not how sweet thy kisses be,
How rapturously glowing.

17.

Loved one--gladly would I know it,--
Art thou but a vision fair,
Such as in his brain the poet
Loves in summer to prepare?

No! such eyes of magic splendour,
Lips so rosy and so warm,
Such a child, so sweet and tender,
Never did the poet form.

Basilisks and vampires gory,
Dragons, monsters of the earth,
Suchlike evil beasts of story
In the poet’s fire have birth.

But thyself, thy wiles insidious,
And thy face, so sweet and staid,
And thy kindly looks perfidious,--
These the poet never made.

18.

Gleams my love in beauty’s splendour,
Like the child of ocean foam;
As his bride my mistress tender
Is a stranger taking home.

Though ’tis treason, don’t abuse it,
Heart, thou much-enduring one!
Bear it, bear it, and excuse it,
What the beauteous fool hath done.

19.

I’ll not be angry, though my heart should break,
Evermore lost one! no complaint I’ll make.
Though thou may’st sparkle ’neath thy diamonds bright,
No ray can pierce thy heart’s unceasing night.

I’ve known it long. In vision saw I thee,
How night thy heart doth fill unceasingly,
And how the serpent at thy heart doth gnaw,--
How wretched, love, thou art, too well I saw.

20.

Thou’rt wretched, yes!--but no complaint I’ll make;--
My love, we both, alas, must wretched be!
Till death our poor afflicted hearts doth break,
My love, we both, alas, must wretched be!

I see the scorn that round thy mouth doth play,
I see thine eyes that glance so haughtily,
I see the pride that doth thy bosom sway,--
Yet thou art wretched, wretched e’en as I.

Grief lurks around thy mouth, unseen indeed,
With hidden tears thine eyes can scarcely see,
And secret wounds on thy proud bosom feed--
My love, we both, alas, must wretched be!

21.

The flutes and fiddles are sounding,
The trumpets ringing clear;
In the wedding dance is bounding
My heart’s own mistress dear.

The shawms and kettle-drums vying
In noisy chorus I hear;
But meanwhile good angels are sighing
And weeping many a tear.

22.

Thou scarcely could’st have forgotten it faster,
That I of thine heart so long was the master;
Thine heart so false, so small, and so sweet,
A sweeter and falser I never shall meet.

Thou now hast forgotten the love and disaster
That made my heart throb all the faster;
I know not if love was the greatest, or woe;
That both were great, full well I know.

23.

O if the tiny flowers
But knew of my wounded heart,
Their tears, like mine, in showers
Would fall, to cure the smart.

If knew the nightingales only
That I’m so mournful and sad,
They would cheer my misery lonely
With their notes so tuneful and glad.

If the golden stars high o’er us
But knew of my bitter woe,
They would speak words of comfort in chorus,
Descending hither below.

Not one of these can allay it,
One only knows of my smart;
’Tis she, I grieve to say it,
Who thus hath wounded my heart.

24.

O why have the roses lost their hue,
Sweet love, O tell me why?
Why mutely thus do the violets blue
In the verdant meadows sigh?

O why doth the lark up high in the air
With a voice so mournful sing?
O why doth each fragrant floweret fair
Exhale like a poisonous thing?

O wherefore looks the sun to-day
On the fields, so full of gloom?
O why doth the earth appear so grey,
And dreary as a tomb?

Why feel I myself so mournful and weak,--
Sweet love, I put it to thee?
My own sweet darling, sweet love, O speak,--
O wherefore leavest thou me?

25.

For thine ear many tales they invented,
And loud complaints preferred;
But how my soul was tormented,
Of this they said not a word.

They prated of mischief and evil,
And mournfully shook their head;
They liken’d poor me to the devil,
And thou didst believe what they said.

But, O; the worst and the saddest,
Of this they nothing knew;
The saddest and the maddest
In my heart was hidden from view.

26.

The linden blossom’d, the nightingale sung,
The sun was laughing with radiance bright;
Thou kissed’st me then, while thine arm round me clung,
To thy heaving bosom thou pressed’st me tight.

The raven was screeching, the leaves fast fell,
The sun gazed cheerlessly down on the sight;
We coldly said to each other “Farewell!”
Thou politely didst make me a curtsey polite.

27.

We have felt for each other emotions soft,
And yet our tempers always were matching,
At “man and wife” we have play’d full oft,
And yet ne’er took to fighting and scratching.
We have shouted together, together been gay,
And tenderly kiss’d and fondled away.
At last we play’d in forest and dell
At hide and seek, like sister and brother.
And managed to hide ourselves so well,
That never since then have we seen each other.

28.

I’ve no belief in the heavens
Of which the parsons rave;
In thine eyes believe I only,
In their heavenly light I lave.

I’ve no belief in the Maker
Of whom the parsons rave;
In thine heart believe I only,
No other God will I have.

I’ve no belief in the devil,
In hell or the pains of hell;
In thine eyes believe I only,
And thine evil heart as well.

29.

To me thou wert faithful and steady,
And madest for me supplication;
In my troubles and sad tribulation
Thy comfort always was ready.

Food and drink thou gav’st me in payment,
And plenty of money didst lend me,
And also a passport didst send me,
As well as some changes of raiment.

From heat and from coldness unpleasant
May heaven, my dear one, long guard thee,
And may it never reward thee
The kindness shown me at present!

30.

The earth had long been avaricious,
But May, when she came, gave with great prodigality,
And all things now smile with rapture delicious,
But I for laughter have no partiality.

The blue bells are ringing, their beauty displaying,
The birds, as in fables, talk sentimentality;
I take no pleasure in all they are saying,
And I am quite wretched in sober reality.

All men I detest, and now cannot meet one,
Not even my friend, with the least cordiality,
And this all because my amiable sweet one
They “madam” entitle, with chilling formality.

31.

And when I so long, so long had delay’d,
In foreign lands had in reveries stay’d,
My loved one found it too long to wait,
And sew’d herself a wedding-dress straight,
And then embraced in her arms, willy-nilly,
As bridegroom, the youth in the world the most silly.

My loved one is so beauteous and soft,
Before me still hovers her image oft;
Her rosy cheeks, her violet eyes
That all the year round glow bright as the skies.
That I could fly from such charming attractions
Was the silliest far of my silliest actions.

32.

The lovely eyes of violet blue,
The beauteous cheeks of rosy hue,
The hands so like white lilies too,--
All these still sweetly blossom and bloom,
The heart alone is cold as the tomb.

33.

The earth is so fair, and the heavens so bright,
The breezes are breathing with soothing might
The blooming fields with flowers are dight,
In the morning dew all radiant with light,
All men are rejoicing that meet my sight--
My bed in the grave I fain would be pressing,
The corpse of my mistress dear caressing.

34.

When in the tomb, my mistress fair,
The chilly tomb, thou must hide thee.
I’ll soon descend to rejoin thee there,
And fondly nestle beside thee.

I wildly will press thee, embrace thee, and kiss
My pale, cold, fearful-to-see love!
I’ll tremble, weep, shout with rapturous bliss,
And soon be a corpse like thee, love.

The dead will arise, when midnight is nigh,
And dance in airy troops lightly;
But we in the tomb will quietly lie,
Thine arms embracing me tightly.

The dead will arise, when the loud trump of doom
To bliss or to torment is calling;
But regardless of all, we’ll remain in the tomb,
Still clasp’d in embraces enthralling.

35.

A lonely fir tree is standing
On a northern barren height;
It sleeps, and the ice and snow-drift
Cast round it a garment of white.

It dreams of a slender palm-tree,
Which far in the Eastern land
Beside a precipice scorching
In silent sorrow doth stand.

36.

Fair, bright, golden constellation,
Seek my love’s far habitation;
Tell her that I still am true,
Sick at heart and palefaced too.

37.

(_The head speaks._)

Ah, were I but the footstool e’en
On which my loved one’s foot doth rest,
I ne’er to grumble should be seen,
However hard I might be press’d.

(_The heart speaks._)

Ah, were I but the cushion soft
Wherein her pins she’s wont to stick,
And ’twere her will to prick me oft,
I should rejoice at every prick.

(_The song speaks._)

Ah, were I but the paper dear
Wherewith she’s wont her hair to curl,
I’d gently whisper in her ear
The thoughts that in me live and whirl.

38.

Since my darling one has left me,
Power of laughing is bereft me;
Blockheads fain would raise a joke,
But no laughter can provoke.

Since I’ve lost my darling one,
Power of weeping, too, is gone;
Though my heart with sorrow deep
Wellnigh breaks, I cannot weep.

39.

My little songs do I utter
From out of my great, great sorrow;
Some tinkling pinions they borrow,
And tow’rd her bosom they flutter.

They found it, and over it hover’d,
But soon return’d they, complaining,
And yet to tell me disdaining
What they in her bosom discover’d.

40.

Sweet darling, beloved by me solely,
The thoughts in my memory dwell
That once I possess’d thee wholly,
Thy soul and body as well.

Thy body, so young and tender,
I need, beyond all doubt;
Thy soul to the tomb I’ll surrender,
I’ve plenty of soul without.

I’ll cut my soul in sunder,
And half of it breathe into thee,
And when I embrace thee,--O wonder!--
One soul and body we’ll be.

41.

The blockheads, their holidays keeping,
Are walking through forest and plain;
They shout, and like kittens are leaping,
And hail sweet Nature again.

They gaze, with glances that glisten,
On each romantic thing;
With ears like asses they listen
To hear the sparrows sing.

My chamber window to darken,
With black cloth I hang it by day;
To the signal my spirits straight hearken,
Day-visits they hasten to pay.

My olden love also draws nigh me,
From the realms of the dead she appears;
She, weeping, sits gently close by me,
And softens my bosom to tears.

42.

Many visions of times long vanish’d
Arise from out of their tomb,
And show me how once in thy presence
I lived in my life’s young bloom.

All day I mournfully totter’d
Through the streets, as though in a dream
The people gazed on me with wonder,
So silent and sad did I seem.

The night-time suited me better,
Deserted the streets were then,
And I and my shadow together
We wandered in silence again.

With footsteps echoing loudly
I wander’d over the bridge;
The moon with solemn look hail’d me
As she burst through the cloudy ridge.

I stood in front of thy dwelling,
And fondly gazed up on high;
I gazed up towards thy window,
My heart breathed many a sigh.

Well know I that thou from the window
Full often hast gazed below,
And in the moonlight hast seen me
Stand fix’d, the image of woe.

43.

A youth once loved a maiden,
Who loved another instead;
The other himself loved another,
And with the latter did wed.
The maiden, in scornful anger,
Straight married the first of the men
Who happened to come across her,--
The youth was heart-broken then.
’Tis only an old, old story,
And yet it ever seems new;
The heart of him whom it pictures
Will soon be broken in two.

44.

Friendship, love, philosophers’ stone,--
These three things men value alone.
I, too, valued and sought them ever,
But, alas, discovered them never.

45.

On hearing the strains enthralling
That my loved one sang to me erst,
With torments fierce and appalling
My heart is ready to burst.
Impell’d by a gloomy yearning
I seek in the forest relief,
And there in tears hotly burning
I quench my anguish and grief.

46.

The child of a king in dream have I seen;
How tear-stain’d and pallid her face is,
As we quietly sit ’neath the linden green,
Held fast in each other’s embraces!

“Thy father’s throne is nothing to me,
Nor yet his sceptre all golden,
And diamond crown; for nothing but thee,
Sweet love, will I be beholden.”

“That may not be,” the maiden replied,
For I in my grave am lying,
And only by night can I be by thy side,
To thy loving caresses replying.”

47.

Sweet love, in fond converse together
In the light canoe sat we,
Still the night was, and calm was the weather,
As we skimm’d o’er the wide-spreading sea.

The fair spirit-islands before us
In the glimmering moonlight lay;
Sweet tones came floating o’er us,
While the mists were dancing in play.

On danced they with merrier motion,
And sweeter still sounded the song;
But over the boundless ocean
We mournfully floated along.

48.

From older legends springing,
Appears a snow-white band
With joyous strains, and singing,
From some far magic-land,

Where flowers in glowing splendour
Pine in the evening sun,
And bridal glances tender
Cast sweetly every one;

Where all the trees, uniting
In chorus, shout below,
And bubbling brooks delighting
The ear, like music flow;

And love-songs fierce and burning
Unheard of bliss impart,
Till sweet and wondrous yearning
Befools the throbbing heart.

Ah, could I thither travel,
And ease my aching breast,
And all my grief unravel,
And there be free and blest!

That land, whence care and trouble
Are banish’d, that in dreams
Oft see I, like a bubble
Dissolves, when morning beams.

49.

I’ve loved thee long, and I love thee still
And e’en if the world were shatter’d,
My glowing love would glisten and thrill,
Though widely earth’s ruins were scatter’d.

* * * * *

And when I thus have loved thee so well
Till the hour of death has sounded,
I’ll take with me e’en to my tomb’s dark cell
My love-pangs fierce and unbounded.

50.

In the glimmering summer morning
I pace the garden alone;
The flowers are whisp’ring and speaking,
But silently wander I on.

The flowers are whisp’ring and speaking,
My form with compassion they scan:
O pray be kind to our sister,
Thou mournful and pale-faced man!

51.

Her dark attire thus wearing
My love appears to my sight
Like a tale of sorrow despairing
That’s told in the long summer night:

“In the magical garden there wander
“Two lovers mute and alone;
“Sweet sing the nightingales yonder,
“The moonbeams are over them thrown.

“Like a statue the maiden stands mildly,
“At her feet the faithful knight lies;
“The forest giant comes wildly,
“The sorrowing maiden soon flies.

“Soon the knight on the ground lies all gory,
“The giant goes home at his ease--”
And when I am buried, the story
Is ended as soon as you please.

52.

They often have vex’d me sadly
And worried me early and late;
While some with their love have annoy’d me,
The others pursued me with hate.

My bread they have utterly poison’d,
And poison’d my cup too of late;
While some with their love have annoy’d me,
The others pursued me with hate.

But she who more than all others
Has vex’d me, and worried, and chafed,
She only with hate ne’er pursued me,
She only her love ne’er vouchsafed.

53.

There lies the glow of summer
Upon thy cheek confess’d,
And in thine heart cold winter
Has made its place of rest.

All this will soon be alter’d,
My dearest love and best,
The winter on thy cheek be,
The summer in thy breast!

54.

When two fond lovers are parted,
They give each other the hand,
To weep and to sigh beginning,
And losing all self-command.

But not one single tear wept we,
No Ah! or Alas! did we sigh;
Our tears and our sighs both together
Too surely came by-and-by.

55.

They sat round the tea-table drinking
And speaking of love a great deal;
The men of æsthetics were thinking,
The ladies more prone were to feel.

“All love ought to be but platonical”
The wither’d old counsellor said;
His wife by a smile quite ironical
Rejoin’d, and then sighed “Ah!” instead.

Said the canon with visage dejected:
“Love ne’er should be suffered to go
“Too far, or the health is affected;”
The maiden then simper’d: “How so?”

The Countess her sad feelings vented,
Said “Love is a passion, I’m sure,”
And then to the Baron presented
His cup with politeness demure.

A place was still empty at table;
My darling, ’twas thou wert away;
Thou hadst been so especially able
The tale of thy love, sweet, to say.

56.

My songs with poison are tainted,
But how could it otherwise be?
My blossoming life thou hast poison’d,
And made it hateful to me.

My songs with poison are tainted,
But how could it otherwise be?
In my heart many serpents I carry,
And thee too, my dearest love, thee.

57.

I dreamt once more the vision of yore:
The time was a fair May even,
We sat ’neath the linden, and there we swore
To be faithful, in presence of heaven.

And once and again we plighted our troth,
And titter’d, caress’d, kiss’d so dearly;
And lest I should fail to remember my oath,
My hand thou then bittest severely.

O sweetest love, with the eyes so bright,
O sweet one, so fair and so biteful!
The swearing was doubtless all proper and right
But the biting was rather too spiteful!

58.

I stand on the brow of the mountain,
And sentimentally sigh.
“O were I only a bird now!”
I many a thousand times cry.

O were I only a swallow,
My darling, to thee would I fly,
And soon a nest would I build me,
Thy lattice window hard by.

O were I a nightingale only,
I would fly, my darling, to thee,
And sing my sweet songs by night-time
Perch’d high in the green linden tree.

O were I only a bullfinch,
I would fly straight into thy heart;
To the bullfinch thou always wert kindly,
And healest the bullfinch’s smart.[7]

59.

My carriage is traversing slowly
The greenwood merry and bright,
Through flowering valleys, like magic
Illumed by the sun’s glowing light.

I’m sitting and thinking and dreaming,
And muse on my mistress dear;
When, nodding their heads at the window,
Three shadowy figures appear.

They skip and they make wry grimaces,
So scoffing and yet so shy;
And twirling mist-like together,
They titter and haste swiftly by.

60.

In vision I lately was weeping,
I dreamt thou wert laid in thy grave;
I awoke, and the tears unceasing
My cheeks continued to lave.

In vision I lately was weeping,
I dreamt I was left, love, by thee;
I awoke, and weeping continued
Both long and bitterly.

In vision I lately was weeping,
I dreamt thou wert kind as of yore;
I awoke, and my tears in torrents
Continued to flow as before.

61.

All night in vision behold I thee,
And see thee greeting me kindly;
And loudly weeping then throw I me
Before thy sweet feet blindly.

With sorrowing looks thou stand’st in my view,
Thy fair locks mournfully shaking;
While teardrops bright of pearly hue
From thy dear eyes are breaking.

A gentle word thou dost secretly say,
And givest a cypress-wreath sweetly;
I awake, and the wreath has vanish’d away,
And the word is forgotten completely.

62.

’tis autumn, the night’s dark and gloomy
With rain and tempest above;
Where tarries,--O tell it unto me,--
My poor and sorrowing love?

By the window I see her reclining,
In her chamber lonely and drear,
And out in the night, sadly pining,
She looks with many a tear.

63.

The trees in the autumn wind rustle,
The night is humid and cold;
I ride all alone in the forest,
And round me my grey cloak I fold.

And as I am riding, before me
My thoughts unrestrainedly roam;
They lightly and airily bear me
To my own dear mistress’s home.

The dogs are barking, the servants
With glittering torches appear;
I climb up the winding staircase,
My spurs ring loudly and clear.

In her bright-lighted tapestry chamber,
So full of magical charms,
My own sweet darling awaits me,
I hasten into her arms.

The wind in the leaves is sighing,
The oak thus whispers to me:
“What means, thou foolish young horseman,
“Thy foolish reverie?”

64.

A glittering star is falling
From its shining home in the air;
The star of love ’tis surely
That I see falling there.

The blossoms and leaves in plenty
From the apple tree fall each day;
The merry breezes approach them,
And with them merrily play.

The swan in the pool is singing,
And up and down doth he steer,
And, singing gently ever,
Dips under the water clear.

All now is silent and darksome,
The leaves and blossoms decay,
The star has crumbled and vanish’d,
The song of the swan died away.

65.

The Dream-God brought me to a castle vast,
Where magic fragrance reign’d and lights were gleaming,
And through its mazy-winding chambers pass’d
A chequer’d throng, still onward, onward streaming.
The pale crowd seek the exit-portal fast,
Wringing their hands, and full of terror screaming,
And knights and maidens mingle in the throng,
And I myself am with them borne along.

But suddenly I stand alone, for, lo,
The crowd hath vanish’d and from sight departed;
I wander on, and through the chambers go,
All strangely winding, silent and deserted;
My foot is leaden, and I scarcely know
How to escape, thus sadden’d and faint-hearted.
At length the farthest portal I descry,
And seek to pass--great heavens, what meets mine eye!

It was my love, who at the door did stand,
Grief on her lips, her brow in tribulation.
I sought to fly,--she beckon’d with her hand,
Whether to warn me, or in indignation;
Yet gleam’d her eye like some sweet glowing brand,
Setting my heart and brain in conflagration.
And as she gazed with looks of passion deep,
Blended with sternness, I awoke from sleep.

66.

The midnight was cold, in plaintive mood
I wander’d mournfully through the wood;
I shook the trees from out of their sleep,
They shook their heads with pity deep.

67.

Beneath the crossway buried,
The suicide lies here,
Where grows a charming blue flow’ret,
The culprit-flower so dear.

I stood by the crossway sighing,
The night was chilly and drear,
While slowly moved in the moonlight
The culprit-flower so dear.

68.

Wheresoe’er I go, there darkles
Round me gloom and utter night,
Now that there no longer sparkles
On me, love, thine eyes’ sweet light.

Quench’d are all the golden blisses
That love’s star upon me smil’d;
’Neath my feet the dread abyss is,--
Night primeval, take thy child!

69.

Night lay upon mine eyelids,
Upon my mouth lay lead;
I in my grave was lying,
With frozen heart and head.

How long it was I know not
That I in slumber lay;
I woke and heard a knocking
Upon my grave one day.

“Wilt thou not rise up, Henry?
“The Judgment Day is this,
“The dead have all arisen,
“To taste of endless bliss.”

I cannot rise, my darling,
For I have lost my sight;
Mine eyes, through very weeping,
Are veil’d in darkest night.

“I’ll kiss away the darkness,
“My Henry, from thine eyes;
“The angels shalt thou see then,
“The glory of the skies.”

I cannot rise, my darling,
The wound is bleeding yet,
Made by thee in my bosom
With one sharp word and threat.

“My hand all gently, Henry,
“I’ll lay upon thy heart;
“It then will bleed no longer,
“And heal’d will be the smart.”

I cannot rise, my darling,
My head still bleeds amain!
’Twas there the bullet enter’d,
When thou wert from me ta’en.

“With my long tresses, Henry,
“I’ll stanch the bleeding wound,
“And drive the blood-stream backwards,
“And make thy head thus sound.”

So gently, sweetly pray’d she,
I could not spurn her prayer;
I sought to rise and hasten
To join my mistress fair.

Then all my wounds ’gan bleeding,
Then, wildly rushing, broke
From head and breast the bloodstream,
And lo!--from sleep I woke.

70.

The numbers old and evil,
The dreams so harrowing,
Let’s bury all together,--
A mighty coffin bring!

I’ll place there much, but say not
What ’tis, till all is done;
The coffin must be larger
Than Heidelberg’s vast tun.

And also bring a death-bier,
Of boards full stout and sound;
They also must be longer
Than Mayence bridge renown’d.

And also bring twelve giants
Whose strength of limb excels
Saint Christopher’s, whose shrine in
Cologne Cathedral dwells.

The coffin they must carry,
And sink beneath the wave;
For such a mighty coffin
Must have a mighty grave.

Why was the coffin, tell me,
So great and hard to move?
I in it placed my sorrows,
And in it placed my love.

THE GODS’ TWILIGHT.

Fair May has come with her bright golden radiance
And silken gales and fragrant spicy odours,
And kindly lures us with her snowy blossoms,
And from a thousand blue-eyed violets greets us,
And spreads abroad her flowery verdant carpet,
With morning dew and sunshine interwoven,
And summons all her favourite human children.
At her first call the bashful people come;
The men in haste put on their nankeen breeches,
And Sunday coats with golden glassy buttons;
The women don the white of innocence,
The youths take care to curl their spring-mustachios,
The maidens bid their bosoms softly heave;
The city poets cram into their pockets
Paper, lead-pencil, and lorgnette; and gaily
The eddying moving crowd draw near the gateway,
And lie at ease on the green turf beyond,
Amazed to see how much the trees have sprouted,--
Play with the tender colour’d flowerets fair,
List to the song of merry birds above them,
And shout exulting tow’rds the vault of heaven.

To me came also May, and three times knock’d she
Against my door and cried: “Behold sweet May!
“Thou palefaced dreamer, come, I fain would kiss thee!”
But I my door kept bolted, and I cried:
“In vain thou seek’st to tempt me, evil stranger.
“I long have seen thee through, I’ve seen through also
“The fabric of the world, and seen too much,
“And much too deep, and fled is all my pleasure,
“And endless torments quiver in my heart.
“I see through all the stony hard outsides
“Of human houses and of human bosoms,
“And see in both deceit and woe and falsehood.
“I’ve learnt to read the thoughts on every face,--
“All evil! In the maiden’s shamefaced blushes
“I see the trembling of a secret lust;
“On the inspired and haughty head of youth
“I see the laughing chequer’d fool’s cap jingling;
“And caric’tures alone and sickly shadows
“I see upon this earth, and live in doubt
“Whether a madhouse ’tis, or hospital.
“The old earth’s crust I see through but too plainly
“As though it were of crystal,--see the horrors
“Which May is vainly striving to conceal
“With pleasing verdure. There I see the dead;
“They lie beneath, in their small coffins prison’d,
“With hands together folded, eyes wide open,
“White is their garment, white their face as well,
“And yellow worms from out their lips are crawling.
“I see the son with his loved mistress sitting
“And toying with her on his father’s grave.
“Derisive songs the nightingales are singing,
“The gentle meadow flow’rets laugh with malice,
“And the dead father moveth in his grave,
“While the old mother-earth with pain doth shudder.”
O thou poor earth, thy sorrows know I well!
I see the glow that in thy breast is heaving,
Thy thousand veins I see all bleeding freely,
And see thy gaping wounds all, all torn open,
While flames and smoke and blood stream wildly forth.
I see thy proud defiant giant-children,
Primeval monsters, from dark gulfs arising
And swinging ruddy torches in their hands.
Their iron scaling-ladders they advance,
And wildly rush to storm the forts of heaven,
And swarthy dwarfs climb after them; with crackling
Each golden star on high like dust is scatter’d.
With daring hand they tear the golden curtain
From God’s own tent; the blessèd troops of angels
Fall headlong down with howling at the sight.
The pale God sits upon his awful throne,
Tears from his head his crown, and tears his hair.--
Still onward, onward press the savage crew,
The giants fiercely hurl their blazing torches
Into the realms of heaven, the dwarfs strike wildly
With flaming scourges on the angels’ backs,
Who twist and writhe in ecstasy of anguish,
And by the hair are seized and whirl’d away.
And my own angel likewise see I there,
With his blond locks, his sweet expressive features,
With everlasting love around his mouth,
And with beatitude in his blue eyes.
A fearful hideous swarthy goblin comes,
Tears him from off the ground, my poor pale angel,
Grins as he ogles his fair noble limbs,
And clasps him firmly in his soft embraces,--
A yell re-echoes through the universe,
The pillars crash, and earth and heaven are hurl’d
Headlong together, and old night is lord.

RATCLIFF.[8]

The Dream-God brought me to a landscape fair
Where weeping willows nodded me a welcome
With their long verdant arms, and where the flowers
Gazed on me mutely with wise sisters’ eyes,
Where the birds’ twittering resounded sweetly,
Where the dogs’ barking seem’d to me familiar,
And voices kindly greeted me, and figures,
Like an old friend, and yet where everything
Appear’d so strange, beyond description strange.
Before a pretty country-house I stood,
My bosom in me moving, but my head
All peaceful, and the dust with calmness shook I
From off my travelling garments; shrilly sounded
The bell I rang, and then the door was open’d.

Inside were men and women, many faces
To me well known. Still sorrow lay on all,
And secret fearful grief. With strange emotion,
Wellnigh with looks of pity, on me gazed they
Till my own soul with terror was pervaded,
As though foreboding some unknown misfortune.
Old Margaret I straightway recognized,
Gazed on her fixedly, but yet she spake not.
“Where is Maria?” ask’d I, yet she spake not,
But softly seized my hand, and led me on
Through many a long and brightly-lighted chamber,
Where splendour, pomp, and deathlike silence reign’d
And to a darksome room at length she brought me,
And, with her face averted from me, pointed
Toward the form that sat upon the sofa.
“Art thou Maria?” ask’d I. Inwardly
I was myself astounded at the firmness
With which I spoke. Like stone and hollow
Sounded a voice: “That is the name they call me.”
A piercing agony straight froze me through,
For that cold hollow tone, alas, was yet
The once enchanting voice of my Maria!
And yonder woman in pale lilac dress,
In negligent attire, with unveil’d bosom,
With glassy staring eyes, like leather seeming
The muscles of the cheeks of her white face,--
Alas, that woman once was the most lovely,
The blooming, pleasing, sweet and kind Maria!
“Your travels have been long” she said aloud
In cold, unpleasing, but familiar accents,--
“You look no longer languishing, my friend,
“You’re well in health, your loins and calves elastic.
“Show your solidity.” A silly smile
Play’d the while round her yellow, pallid mouth.
In my confusion utter’d I these accents:
“I’ve been inform’d that thou art married now?”
“Ah yes!” she carelessly replied with laughing:
“I have a stick of wood that’s cover’d over
“With leather, call’d a husband. Still, for all that,
“Wood is but wood!” And then she laugh’d perversely
Till chilling anguish through my spirit ran,
And doubt upon me seized:--are those the modest,
The flowery-modest lips of my Maria?
But presently she rose, took quickly up
From off the chair her cashmere shawl, and threw it
Around her neck, my arm took hold of then,
Drew me away, and through the open housedoor,
And led me on through thicket, field, and meadow.

The sun’s red glowing disk already downward
Was hast’ning, and its purple rays were beaming
Over the trees and flowers, and o’er the river
That flow’d majestically in the distance.
“See’st thou the large and golden eye that’s floating
“In the blue water?” cried Maria quickly.
“Hush, thou poor creature!” said I, as I spied
In the dim twilight a strange wondrous motion.
Figures of mist arose from out the plain,
And with white tender arms embraced each other;
The violets eyed each other tenderly,
The lily cups with yearning bent together;
A loving glow in every rose was gleaming,
The pinks would fain in their own breath be kindled,
In blissful odours revell’d every flower,
And every one wept silent tears of rapture,
And all exulting shouted: Love! Love! Love!
The butterflies were fluttering, and the shining
Gold beetles humm’d their gentle fairy songs,
The winds of evening whisper’d, and the oaks
All rustled, and the nightingale sang sweetly;
And amid all the whispering, rustling, singing,
Prated away, with thin cold soundless voice,
The faded woman hanging on my arm:
“I know your nightly longing for the castle;
“Every long shadow is a simpleton,
“That nods and signs precisely as one wishes;
“The blue coat is an angel; but the red coat
“With his drawn sword, is very hostile to you.”
And many other things in this strange fashion
Continued she to say, till, tired at length,
She sat down with me on the mossy bank
That stands beneath the ancient noble oak-tree.
Together there we sat, both sad and silent,
And gazed upon each other, growing sadder.
The oak, as with a dying sigh, was murmuring;
Deep-grieving, sang the nightingale down on us.
But through the leaves a ruddy light was piercing,
And flicker’d round Maria’s pallid face,
And lured a glow from out her rigid eyes,
Until with her old darling voice thus spoke she:
“How knewest thou that I am so unhappy?
“I read it lately in thy strange wild numbers.”

An ice-cold feeling pierced my breast, I shudder’d
At my own mad delirium, which the future
Saw through, my brain grew giddy with alarm,
And through sheer terror I awoke from sleep.

DONNA CLARA.

In the evening-shaded garden
Rambles the Alcalde’s daughter;
Kettle-drums and trumpets loudly
Echo from the lofty castle.

“Wearisome I find the dances,
“And the honied words of flatt’ry,
“And the knights, who so gallantly
“Tell me I the sun resemble.

“Everything is hateful to me
“Since I by the beaming moonlight
“Saw the Knight whose lute allured me
“To the window every evening.

“As he stood, so slim, but daring,
“And his eyes shot lightning glances
“From his pale and noble features,
“Truly he Saint George resembled.”

In this manner Donna Clara
Thought, and on the ground then looked she;
When she raised her eyes, the handsome
Unknown Knight was standing by her.

Pressing hands with loving whispers
Wander they beneath the moonlight,
And the zephyr gently woos them,
Wondrously the roses greet them.

Wondrously the roses greet them,
Like love’s messengers all glowing.--
“But, my loved one, prythee tell me
“Why so suddenly thou redden’st?”

“’Twas the flies that stung me, dearest,
“And the flies are, all the summer,
“Quite as much detested by me
“As the long-nosed Jewish fellows.”

“Never mind the flies and Jews, dear,”
Said the Knight, with fond caresses.
From the almond-trees are falling
Thousand white and fleecy blossoms.

Thousand white and fleecy blossoms
Their sweet fragrance shed around them.
“But, my loved one, prythee tell me
“Is thy heart devoted to me?”

“Yes, I truly love thee, dearest,
“And I swear it by the Saviour
“Whom the God-detested Jews erst
“Wickedly and vilely murder’d.”

“Never mind the Jews and Saviour,”
Said the Knight, with fond caresses.
In the distance snow-white lilies
Dreamily, light-bathed, are bending.

Bathed in light the snow-white lilies
Gaze upon the stars above them:
“But, my loved one, prythee tell me
“Hast thou not a false oath taken?”

“Falsehood is not in me, dearest,
“Since within my breast there flows not
“E’en one single drop of Moor’s blood,
“Or of dirty Jew’s blood either.”

“Never mind the Moors and Jews, dear,”
Said the Knight, with fond caresses;
And he to a myrtle bower
Leads the fair Alcalde’s daughter.

With the nets of love so tender,
He hath secretly enclosed her!
Short their words and long their kisses,
And their hearts are overflowing.

Like a wedding-song all-melting
Sings the nightingale, the dear one;
Glowworms on the ground are moving,
As if in the torch-dance circling.

Silence reigns within the bower,
Nought is heard except the stealthy
Whispers of the cunning myrtles,
And the breathing of the flowerets.

But soon kettle-drums and trumpets
Echo from the lofty castle,
And, awakening, Clara quickly
From the Knight’s arm frees her person.

“Hark, they’re calling me, my dearest,
Yet before we part, thou need’st must
Thy dear name to me discover
Which thou hast so long concealèd.”

And the Knight, with radiant smiling,
Kiss’d the fingers of his Donna,
Kiss’d her lips and kiss’d her forehead,
And at last these words he uttered:

“I, Señora, I, your loved one,
Am the son of the much honour’d
Great and learned scribe, the Rabbi
Israel of Saragossa.”

ALMANSOR.

1.

In fair Cordova’s cathedral,
Stand the columns, thirteen hundred,--
Thirteen hundred giant-columns
Bear the mighty dome in safety.

And on dome and walls and columns
From the very top to bottom
The Koran’s Arabian proverbs
Twine in wise and flowery fashion.

Moorish Kings erected whilome
This vast house to Allah’s glory,
Yet in many parts ’tis alter’d
In the darksome whirl of ages.

On the turret where the watchman
Summon’d unto prayer the people,
Now the Christian bell is sounding
With its melancholy murmur.

On the steps whereon the faithful
Used to sing the Prophet’s sayings,
Now baldpated priests exhibit
All the mass’s trivial wonders.

How they twirl before the colour’d
Puppets, full of antic capers,
Midst the incense smoke and ringing,
While the senseless tapers sparkle!

In fair Cordova’s cathedral
Stands Almansor ben Abdullah,
Viewing silently the columns,
And these words in silence murmuring:

“O ye columns, strong, gigantic,
“Once adorn’d in Allah’s glory,
“Now must ye pay humble homage
“To this Christendom detested.

“To the times have ye submitted,
“And ye bear the burden calmly;
“Still more reason for the weaker
“To be patient all the sooner.”

And Almansor ben Abdullah
Bent his head with face unruffled
O’er the font so decorated
In fair Cordova’s cathedral.

2.

The cathedral left he quickly,
On his wild steed speeding onward,
While his moist locks and the feathers
In his hat the wind is moving.

On the road to Alcolea,
By the side of Guadalquivir,
Where the snowy almond blossoms,
And the fragrant golden orange,

Thither bastes the merry rider,
Piping, singing, laughing gaily,
And the birds all swell the chorus,
And the torrent’s noisy waters.

In the fort at Alcolea
Dwelleth Clara de Alvares;
In Navarre her sire is fighting,
And she revels in her freedom.

And afar Almansor heareth
Sounds of kettle-drums and trumpets,
And the castle lights beholds he
Glittering through the trees’ dark shadows.

In the fort at Alcolea
Dance twelve gaily trick’d-out ladies
With twelve knights attired as gaily,
But Almansor’s the best dancer.

As if wing’d by merry fancies,
Round about the hall he flutters,
Knowing how to all the ladies
To address sweet flattering speeches.

Isabella’s lovely hands he
Kisses quickly, and then leaves her,
And before Elvira stands he,
Looking in her face so archly.

He in turns assures each lady
That he heartily adores her;
“On the true faith of a Christian”
Swears he thirty times that evening.

3.

In the fort at Alcolea
Merriment and noise have ceased now
Knights and ladies all have vanish’d,
And the lights are all extinguish’d.

Donna Clara and Almansor
In the hall above still linger,
And one single lamp is throwing
On them both its feeble lustre.

On the seat the lady’s sitting,
And the knight upon the footstool,
And his head, by sleep o’erpower’d,
On her darling knees is resting.

From a golden flask some rose-oil
Pours the lady, sadly musing,
On Almansor’s dark-brown tresses,--
From his inmost bosom sighs he.

With her soft lips then the lady
Gives a sweet kiss, sadly musing,
On Almansor’s dark-brown tresses,--
And his brow is clouded over.

From her light eyes tears in torrents
Weeps the lady, sadly musing,
On Almansor’s dark-brown tresses,--
And his lips begin to quiver.

And he dreams he’s once more standing
With his head bent down and weeping
In fair Cordova’s cathedral,
Many gloomy voices hearing.

All the lofty giant-columns
Hears he murmuring full of anger,--
That no longer will they bear it,
And they totter and they tremble.

And they wildly fall together,
Pale turn all the priests and people,
Crashing falls the dome upon them,
And the Christian gods wail loudly.

THE PILGRIMAGE TO KEVLAAR

1.

The mother stood by the window,
The son in bed lay he.
“Wilt thou not rise up, William,
“The fair procession to see?”--

“I am so ill, my mother,
“I neither see nor hear;
“I think of my poor dead Gretchen,
“My heart is breaking near.”

“Arise, let’s go to Kevlaar,
“Take book and rosary too;
“The mother of God will heal thee,
“And cure thy sick heart anew.”

In church-like tones they are singing,
The banners flutter on high;
At Cologne on the Rhine this happens,
The proud procession moves by.

The crowd the mother follows,
Her son she leadeth now,
And both of them sing in chorus:
“O Mary, blessed be thou!”

2.

The mother of God at Kevlaar
Her best dress wears to-day;
Full much hath she to accomplish,
So great the sick folks’ array.

The sick folk with them are bringing,
As offerings fitting and meet,
Strange limbs of wax all fashion’d,
Yes, waxen hands and feet.

And he who a wax hand offers,
Finds cured in his hand the wound,
And he who a wax foot proffers,
Straight finds his foot grow sound.

To Kevlaar went many on crutches
Who now on the tight rope skip,
And many a palsied finger
O’er the viol doth merrily trip.

The mother took a waxlight,
And out of it fashion’d a heart:
“My son, take that to God’s mother,
“And she will cure thy smart.”

The son took sighing the wax-heart,
Went with sighs to the shrine so blest,
The tears burst forth from his eyelids,
The words burst forth from his breast:

“Thou highly-favour’d blest one!
“Thou pure and godlike maid!
“Thou mighty queen of heaven,
“To thee my woes be display’d!

“I with my mother was dwelling
“In yonder town of Cologne,
“The town that many a hundred
“Fair churches and chapels doth own.

“And near us there dwelt my Gretchen,
“Who, alas! is dead to-day;
“O, Mary, I bring thee a wax-heart,
“My heart’s wounds cure, I pray.

“My sick heart cure, O cure thou,
“And early and late my vow
“I’ll pay, and sing with devotion:
“‘O Mary, blessed be thou!’”

3.

The poor sick son and his mother
In their little chamber slept,
The mother of God to their chamber
All lightly, lightly crept.

She bent herself over the sick one,
Her hand with action light
Upon his heart placed softly,
Smiled sweetly and vanish’d from sight.

The mother saw all in her vision,
Saw this and saw much more;
From out of her slumber woke she,
The hounds were baying full sore.

Her son was lying before her,
And dead her son he lay,
While over his pale cheeks gently
The light of morning did play.

Her hands the mother folded,
She felt she knew not how;
With meekness sang she and softly:
“O Mary, blessed be thou!”

THE DREAM.

(From _Salon_.)

A vision I dreamt of a lovely child.
She wore her hair in tresses;
In the blue nights of summer so calm and mild
We sat in the greenwood’s recesses.

In mutual rapture and torture we vied,
We loved and exchanged loving kisses;
The yellow stars in the heavens all sigh’d
And seem’d to envy our blisses.

I now am awake, and around me gaze
In the darkness, alone and despairing;
The stars in the heavens are shedding their rays
In silence and all-uncaring.

_NEW POEMS._

1. SERAPHINA.

1.

When at evening in the forest,
In the dreamlike wood I rove,
Ever doth thy slender figure
Close beside me softly move.

See I not thy gentle features?
Is it not thy veil that stirs?
Can it be the moonlight only
Breaking through the gloomy firs?

Can it be mine own tears only
That I hear all-lightly flow?
Or my loved one, dost thou really
Close beside me weeping go?

2.

O’er the silent strand of ocean
Night appears in gloomy splendour
From the clouds the moon is breaking,
As the waves these whispers send her

“Yonder mortal, is he foolish,
“Or is he by love tormented,
“That he looks so sad, yet joyous,
“So distress’d, yet so contented?”

But the moon, with smiles replying,
Loudly said: “Full well I know it;
“He is both in love and foolish,
“And moreover is a poet.”

3.

’Tis surely a snowwhite seamew
That I see fluttering there
Just over the darksome billows;
The moon stands high in the air.

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The poems of Heine; CompleteChapter X: Prologue (1)

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