Chapter III: Front Matter (3)

I stood beside the surging sea, with lips of silent passion--
I faced you by the surging sea, O brows of mild repression!
I never said--"my darling, stay!"--the moments seemed to bind me
To something stifling all my words for the Girl I left behind me.

The pathos worn by common things--by every wayside flower,
Or Autumn leaf on lonely winds, revives the parting hour.
Ye swooning thoughts without a voice--ye tears which rose to blind me,
Why did she fade into the Dark, the Girl I left behind me.

At night they always come to me, the tender and true-hearted;
And in my dreams we join again the hands which now are parted;
And, looking through the gates of Sleep, the pleasant Moon doth find me
For ever wandering with my Love, the Girl I left behind me.

You know my life is incomplete, O far-off faint Ideal!
When shall I reach you from a depth of darkness which is real?
So I may mingle, soul in soul, with her that Heaven assigned me;
So she may lean upon my love, the Girl I left behind me.

Amongst the Roses

I walked through a Forest, beneath the hot noon,
On Etheline calling and calling!
One said: "She will hear you and come to you soon,
When the coolness, my brother, is falling."
But I whispered: "O Darling, I falter with pain!"
And the thirsty leaves rustled, and hissed for the rain,
Where a wayfarer halted and slept on the plain;
And dreamt of a garden of Roses!
Of a cool sweet place,
And a nestling face
In a dance and a dazzle of Roses.

In the drouth of a Desert, outwearied, I wept,
O Etheline, darkened with dolours!
But, folded in sunset, how long have you slept
By the Roses all reeling with colours?
A tree from its tresses a blossom did shake,
It fell on her face, and I feared she would wake,
So I brushed it away for _her_ sweet sake;
In that garden of beautiful Roses!
In the dreamy perfumes
From ripe-red blooms
In a dance and a dazzle of Roses.

Sunset

It is better, O day, that you go to your rest,
For you go like a guest who was loth to remain!
Swing open, ye gates of the east and the west,
And let out the wild shadows--the night and the rain.

Ye winds, ye are dead, with your voices attuned,
That thrilled the green life in the sweet-scented sheaves,
When I touched a warm hand which has faded, and swooned
To a trance of the darkness, and blight on the leaves.

I had studied the lore in her maiden-like ways,
And the large-hearted love of my Annie was won,
'Ere Summer had passed into passionate days,
Or Autumn made ready her fruits for the Sun.

So my life was complete, and the hours that went by,
And the moon and the willow-wooed waters around,
Might have known that we rested, my Annie and I,
In happiness calm as the slumber of sound.

On Sundays we wandered, as glad as a breeze,
By the rocks and the waves on a glittering beach;
Or we loitered in gardens melodious with bees,
And sucked the sweet pulp of the plum and the peach.

"The Forest will show me the secrets of Fame,"
I said to myself in the gum-shadowed glen,
"I will call every blossom and tree by its name,
And the people shall deem me a man of the men.

"I will gather Roses of Sharon, my Soul,--
The Roses of Sharon so cool and so sweet;
And our brothers shall see me entwining the whole
For a garland to drop at my dear Annie's feet."

It is better, O day, that you go to your rest,
For you go like a guest who was loth to remain!
Swing open, ye gates of the east and the west,
And let out the wild shadows--the night and the rain.

Doubting

A Brother wandered forth with me,
Beside a barren beach:
He harped on things beyond the sea,
And out of reach.

He hinted once of unknown skies,
And then I would not hark,
But turned away from steadfast eyes,
Into the dark.

And said--"an ancient faith is dead
And wonder fills my mind:
I marvel how the blind have led
So long the blind.

"Behold this truth we only know
That night is on the land!
And we a weary way must go
To find God's hand."

I wept--"Our fathers told us, Lord,
That Thou wert kind and just,
But lo! our wailings fly abroad
For broken trust.

"How many evil ones are here
Who mocking go about,
Because we are too faint with fear
To wrestle Doubt!

"Thy riddles are beyond the ken
Of creatures of the sod:
Remember that we are but men,
And Thou art God!

"O, doting world, methinks your stay
Is weaker than a reed!
Our Father turns His face away;
'Tis dark indeed."

The evening woods lay huddled there,
All wrapped in silence strange:
A sudden wind--and lo! the air
Was filled with change.

"Your words are wild," my brother said,
"For God's voice fills the breeze;
Go--hide yourself, as Adam did,
Amongst the trees.

"I pluck the shoes from off my feet,
But dare to look around;
Behold," he said, "my Lord I greet,
On holy ground!"

And God spake through the wind to me--
"Shake off that gloom of Fear,
You fainting soul who could not see
That I was near.

"Why vex me crying day and night?--
You call on me to hark!
But when I bless your world with light,
Who makes it dark?

"Is there a ravelled riddle left
That you would have undone?
What other doubts are there to sift?"
I answered--"None."

"My son, look up, if you would see
The Promise on your way,
And turn a trustful face to me."
I whispered--"Yea."

Geraldine

My head is filled with olden rhymes beside this moaning sea,
But many and many a day has gone since I was dear to thee!
I know my passion fades away, and therefore oft regret
That some who love indeed can part and in the years forget.
Ah! through the twilights when we stood the wattle trees between,
We did not dream of such a time as this, fair Geraldine.

I do not say that all has gone of passion and of pain;
I yearn for many happy thoughts I shall not think again!
And often when the wind is up, and wailing round the eaves,
You sigh for withered Purpose shred and scattered like the leaves,
The Purpose blooming when we met each other on the green;
The sunset heavy in your curls, my golden Geraldine.

I think we lived a loftier life through hours of Long Ago,
For in the largened evening earth our spirits seemed to grow.
Well, that has passed, and here I stand, upon a lonely place,
While Night is stealing round the land, like Time across my face;
But I can calmly recollect our shadowy parting scene,
And swooning thoughts that had no voice--no utterance, Geraldine.

Achan

(From "Jephthah".)

Hath he not followed a star through the darkness,
Ye people who sit at the table of Jephthah?
Oh! turn with the face to a light in the mountains,
Behold it is further from Achan than ever!

"I know how it is with my brothers in Mizpeh,"
Said Achan, the swift-footed runner of Zorah,
"They look at the wood they have hewn for the altar;
And think of a shadow in sackcloth and ashes.

"I know how it is with the daughter of Jephthah,
(O Ada, my love, and the fairest of women!)
She wails in the time when her heart is so zealous
For God who hath stricken the children of Ammon.

"I said I would bring her the odours of Edom,
And armfuls of spices to set at the banquet!
Behold I have fronted the chieftain her father;
And strong men have wept for the leader of thousands!

"My love is a rose of the roses of Sharon,
All lonely and bright as the Moon in the myrtles!
Her lips, like to honeycombs, fill with the sweetness
That Achan the thirsty is hindered from drinking.

"Her women have wept for the love that is wasted
Like wine, which is spilt when the people are wanting,
And hot winds have dried all the cisterns of Elim!
For love that is wasted her women were wailing!

"The timbrels fall silent! And dost thou not hear it,
A voice, like the sound of a lute when we loiter,
And sit by the pools in the valleys of Arnon,
And suck the cool grapes that are growing in clusters?

"She glides, like a myrrh-scented wind, through the willows,
O Ada! behold it is Achan that speaketh:
I know thou art near me, but never can see thee,
Because of the horrible drouth in mine eyelids."

[End of Poems and Songs.]

LEAVES FROM AUSTRALIAN FORESTS

Dedication

To her who, cast with me in trying days,
Stood in the place of health and power and praise;
Who, when I thought all light was out, became
A lamp of hope that put my fears to shame;
Who faced for love's sole sake the life austere
That waits upon the man of letters here;
Who, unawares, her deep affection showed
By many a touching little wifely mode;
Whose spirit, self-denying, dear, divine,
Its sorrows hid, so it might lessen mine--
To her, my bright, best friend, I dedicate
This book of songs--'t will help to compensate
For much neglect. The act, if not the rhyme,
Will touch her heart, and lead her to the time
Of trials past. That which is most intense
Within these leaves is of her influence;
And if aught here is sweetened with a tone
Sincere, like love, it came of love alone.

Prefatory Sonnets

I

I purposed once to take my pen and write,
Not songs, like some, tormented and awry
With passion, but a cunning harmony
Of words and music caught from glen and height,
And lucid colours born of woodland light
And shining places where the sea-streams lie.
But this was when the heat of youth glowed white,
And since I've put the faded purpose by.
I have no faultless fruits to offer you
Who read this book; but certain syllables
Herein are borrowed from unfooted dells
And secret hollows dear to noontide dew;
And these at least, though far between and few,
May catch the sense like subtle forest spells.

II

So take these kindly, even though there be
Some notes that unto other lyres belong,
Stray echoes from the elder sons of song;
And think how from its neighbouring native sea
The pensive shell doth borrow melody.
I would not do the lordly masters wrong
By filching fair words from the shining throng
Whose music haunts me as the wind a tree.
Lo, when a stranger in soft Syrian glooms
Shot through with sunset, treads the cedar dells,
And hears the breezy ring of elfin bells
Far down be where the white-haired cataract booms,
He, faint with sweetness caught from forest smells,
Bears thence, unwitting, plunder of perfumes.

The Hut by the Black Swamp

Now comes the fierce north-easter, bound
About with clouds and racks of rain,
And dry, dead leaves go whirling round
In rings of dust, and sigh like pain
Across the plain.

Now twilight, with a shadowy hand
Of wild dominionship, doth keep
Strong hold of hollow straits of land,
And watery sounds are loud and deep
By gap and steep.

Keen, fitful gusts, that fly before
The wings of storm when day hath shut
Its eyes on mountains, flaw by flaw,
Fleet down by whistling box-tree butt,
Against the hut.

And, ringed and girt with lurid pomp,
Far eastern cliffs start up, and take
Thick steaming vapours from a swamp
That lieth like a great blind lake,
Of face opaque.

The moss that, like a tender grief,
About an English ruin clings--
What time the wan autumnal leaf
Faints, after many wanderings
On windy wings--

That gracious growth, whose quiet green
Is as a love in days austere,
Was never seen--hath never been--
On slab or roof, deserted here
For many a year.

Nor comes the bird whose speech is song--
Whose songs are silvery syllables
That unto glimmering woods belong,
And deep, meandering mountain dells
By yellow wells.

But rather here the wild-dog halts,
And lifts the paw, and looks, and howls;
And here, in ruined forest vaults,
Abide dim, dark, death-featured owls,
Like monks in cowls.

Across this hut the nettle runs,
And livid adders make their lair
In corners dank from lack of suns,
And out of foetid furrows stare
The growths that scare.

Here Summer's grasp of fire is laid
On bark and slabs that rot, and breed
Squat ugly things of deadly shade,
The scorpion, and the spiteful seed
Of centipede.

Unhallowed thunders, harsh and dry,
And flaming noontides, mute with heat,
Beneath the breathless, brazen sky,
Upon these rifted rafters beat
With torrid feet.

And night by night the fitful gale
Doth carry past the bittern's boom,
The dingo's yell, the plover's wail,
While lumbering shadows start, and loom,
And hiss through gloom.

No sign of grace--no hope of green,
Cool-blossomed seasons marks the spot;
But chained to iron doom, I ween,
'Tis left, like skeleton, to rot
Where ruth is not.

For on this hut hath murder writ,
With bloody fingers, hellish things;
And God will never visit it
With flower or leaf of sweet-faced Springs,
Or gentle wings.

September in Australia

Grey Winter hath gone, like a wearisome guest,
And, behold, for repayment,
September comes in with the wind of the West
And the Spring in her raiment!
The ways of the frost have been filled of the flowers,
While the forest discovers
Wild wings, with the halo of hyaline hours,
And the music of lovers.

September, the maid with the swift, silver feet!
She glides, and she graces
The valleys of coolness, the slopes of the heat,
With her blossomy traces;
Sweet month, with a mouth that is made of a rose,
She lightens and lingers
In spots where the harp of the evening glows,
Attuned by her fingers.

The stream from its home in the hollow hill slips
In a darling old fashion;
And the day goeth down with a song on its lips,
Whose key-note is passion.
Far out in the fierce, bitter front of the sea
I stand, and remember
Dead things that were brothers and sisters of thee,
Resplendent September!

The West, when it blows at the fall of the noon
And beats on the beaches,
Is filled with a tender and tremulous tune
That touches and teaches;
The stories of Youth, of the burden of Time,
And the death of Devotion,
Come back with the wind, and are themes of the rhyme
In the waves of the ocean.

We, having a secret to others unknown,
In the cool mountain-mosses,
May whisper together, September, alone
Of our loves and our losses!
One word for her beauty, and one for the grace
She gave to the hours;
And then we may kiss her, and suffer her face
To sleep with the flowers.

High places that knew of the gold and the white
On the forehead of Morning
Now darken and quake, and the steps of the Night
Are heavy with warning.
Her voice in the distance is lofty and loud
Through the echoing gorges;
She hath hidden her eyes in a mantle of cloud,
And her feet in the surges.

On the tops of the hills, on the turreted cones--
Chief temples of thunder--
The gale, like a ghost, in the middle watch moans,
Gliding over and under.
The sea, flying white through the rack and the rain,
Leapeth wild at the forelands;
And the plover, whose cry is like passion with pain,
Complains in the moorlands.

Oh, season of changes--of shadow and shine--
September the splendid!
My song hath no music to mingle with thine,
And its burden is ended;
But thou, being born of the winds and the sun,
By mountain, by river,
Mayst lighten and listen, and loiter and run,
With thy voices for ever!

Ghost Glen

"Shut your ears, stranger, or turn from Ghost Glen now,
For the paths are grown over, untrodden by men now;
Shut your ears, stranger," saith the grey mother, crooning
Her sorcery runic, when sets the half-moon in.

To-night the north-easter goes travelling slowly,
But it never stoops down to that hollow unholy;
To-night it rolls loud on the ridges red-litten,
But it cannot abide in that forest, sin-smitten.

For over the pitfall the moon-dew is thawing,
And, with never a body, two shadows stand sawing--
The wraiths of two sawyers (_step under and under_),
Who did a foul murder and were blackened with thunder!

Whenever the storm-wind comes driven and driving,
Through the blood-spattered timber you may see the saw striving--
You may see the saw heaving, and falling, and heaving,
Whenever the sea-creek is chafing and grieving!

And across a burnt body, as black as an adder,
Sits the sprite of a sheep-dog (was ever sight sadder?)
For, as the dry thunder splits louder and faster,
This sprite of a sheep-dog howls for his master.

"Oh, count your beads deftly," saith the grey mother, crooning
Her sorcery runic, when sets the half-moon in.
And well may she mutter, for the dark, hollow laughter
You will hear in the sawpits and the bloody logs after.

Ay, count your beads deftly, and keep your ways wary,
For the sake of the Saviour and sweet Mother Mary.
Pray for your peace in these perilous places,
And pray for the laying of horrible faces.

One starts, with a forehead wrinkled and livid,
Aghast at the lightnings sudden and vivid;
One telleth, with curses, the gold that they drew there
(Ah! cross your breast humbly) from him whom they slew there:

The stranger, who came from the loved, the romantic
Island that sleeps on the moaning Atlantic,
Leaving behind him a patient home, yearning
For the steps in the distance--never returning;

Who was left in the forest, shrunken and starkly,
Burnt by his slayers (so men have said, darkly),
With the half-crazy sheep-dog, who cowered beside there,
And yelled at the silence, and marvelled, and died there.

Yea, cross your breast humbly and hold your breath tightly,
Or fly for your life from those shadows unsightly,
From the set staring features (cold, and so young, too),
And the death on the lips that a mother hath clung to.

I tell you--that bushman is braver than most men
Who even in daylight doth go through the Ghost Glen,
Although in that hollow, unholy and lonely,
He sees the dank sawpits and bloody logs only.

Daphne

Daphne! Ladon's daughter, Daphne! Set thyself in silver light,
Take thy thoughts of fairest texture, weave them into words of white--
Weave the rhyme of rose-lipped Daphne, nymph of wooded stream and shade,
Flying love of bright Apollo,--fleeting type of faultless maid!
She, when followed from the forelands by the lord of lyre and lute,
Sped towards far-singing waters, past deep gardens flushed with fruit;
Took the path against Peneus, panted by its yellow banks;
Turned, and looked, and flew the faster through grey-tufted thicket ranks;
Flashed amongst high flowered sedges: leaped across the brook, and ran
Down to where the fourfold shadows of a nether glade began;
There she dropped, like falling Hesper, heavy hair of radiant head
Hiding all the young abundance of her beauty's white and red.

Came the yellow-tressed Far-darter--came the god whose feet are fire,
On his lips the name of Daphne, in his eyes a great desire;
Fond, full lips of lord and lover, sad because of suit denied;
Clear, grey eyes made keen by passion, panting, pained, unsatisfied.
Here he turned, and there he halted, now he paused, and now he flew,
Swifter than his sister's arrows, through soft dells of dreamy dew.
Vext with gleams of Ladon's daughter, dashed along the son of Jove,
Fast upon flower-trammelled Daphne fleeting on from grove to grove;
Flights of seawind hard behind him, breaths of bleak and whistling straits;
Drifts of driving cloud above him, like a troop of fierce-eyed Fates!
So he reached the water-shallows; then he stayed his steps, and heard
Daphne drop upon the grasses, fluttering like a wounded bird.

Was there help for Ladon's daughter? Saturn's son is high and just:
Did he come between her beauty and the fierce Far-darter's lust?
As she lay, the helpless maiden, caught and bound in fast eclipse,
Did the lips of god drain pleasure from her sweet and swooning lips?
Now that these and all Love's treasures blushed, before the spoiler, bare,
Was the wrong that shall be nameless done, and seen, and suffered there?
No! for Zeus is King and Father. Weary nymph and fiery god,
Bend the knee alike before him--he is kind, and he is lord!
Therefore sing how clear-browed Pallas--Pallas, friend of prayerful maid,
Lifted dazzling Daphne lightly, bore her down the breathless glade,
Did the thing that Zeus commanded: so it came to pass that he
Who had chased a white-armed virgin, caught at her, and clasped a tree.

The Warrigal

--
* The Dingo, or Wild Dog of Australia.
--

The warrigal's lair is pent in bare,
Black rocks at the gorge's mouth;
It is set in ways where Summer strays
With the sprites of flame and drouth;
But when the heights are touched with lights
Of hoar-frost, sleet, and shine,
His bed is made of the dead grass-blade
And the leaves of the windy pine.

Through forest boles the storm-wind rolls,
Vext of the sea-driv'n rain;
And, up in the clift, through many a rift,
The voices of torrents complain.
The sad marsh-fowl and the lonely owl
Are heard in the fog-wreaths grey,
When the warrigal wakes, and listens, and takes
To the woods that shelter the prey.

In the gully-deeps the blind creek sleeps,
And the silver, showery moon
Glides over the hills, and floats, and fills,
And dreams in the dark lagoon;
While halting hard by the station yard,
Aghast at the hut-flame nigh,
The warrigal yells--and flats and fells
Are loud with his dismal cry.

On the topmost peak of mountains bleak
The south wind sobs, and strays
Through moaning pine and turpentine,
And the rippling runnel ways;
And strong streams flow, and great mists go,
Where the warrigal starts to hear
The watch-dog's bark break sharp in the dark,
And flees like a phantom of fear.

The swift rains beat, and the thunders fleet
On the wings of the fiery gale,
And down in the glen of pool and fen,
The wild gums whistle and wail,
As over the plains and past the chains
Of waterholes glimmering deep,
The warrigal flies from the shepherd's cries,
And the clamour of dogs and sheep.

He roves through the lands of sultry sands,
He hunts in the iron range,
Untamed as surge of the far sea verge,
And fierce and fickle and strange.
The white man's track and the haunts of the black
He shuns, and shudders to see;
For his joy he tastes in lonely wastes
Where his mates are torrent and tree.

Euroclydon

On the storm-cloven Cape
The bitter waves roll,
With the bergs of the Pole,
And the darks and the damps of the Northern Sea:
For the storm-cloven Cape
Is an alien Shape
With a fearful face; and it moans, and it stands
Outside all lands
Everlastingly!

When the fruits of the year
Have been gathered in Spain,
And the Indian rain
Is rich on the evergreen lands of the Sun,
There comes to this Cape
To this alien Shape,
As the waters beat in and the echoes troop forth,
The Wind of the North,
Euroclydon!

And the wilted thyme,
And the patches past
Of the nettles cast
In the drift of the rift, and the broken rime,
Are tumbled and blown
To every zone
With the famished glede, and the plovers thinned
By this fourfold Wind--
This Wind sublime!

On the wrinkled hills,
By starts and fits,
The wild Moon sits;
And the rindles fill and flash and fall
In the way of her light,
Through the straitened night,
When the sea-heralds clamour, and elves of the war,
In the torrents afar,
Hold festival!

From ridge to ridge
The polar fires
On the naked spires,
With a foreign splendour, flit and flow;
And clough and cave
And architrave
Have a blood-coloured glamour on roof and on wall,
Like a nether hall
In the hells below!

The dead, dry lips
Of the ledges, split
By the thunder fit
And the stress of the sprites of the forked flame,
Anon break out,
With a shriek and a shout,
Like a hard, bitter laughter, cracked and thin,
From a ghost with a sin
Too dark for a name!

And all thro' the year,
The fierce seas run
From sun to sun,
Across the face of a vacant world!
And the Wind flies forth
From the wild, white North,
That shivers and harries the heart of things,
And shapes with its wings
A chaos uphurled!

Like one who sees
A rebel light
In the thick of the night,
As he stumbles and staggers on summits afar--
Who looks to it still,
Up hill and hill,
With a steadfast hope (though the ways be deep,
And rough, and steep),
Like a steadfast star--

So I, that stand
On the outermost peaks
Of peril, with cheeks
Blue with the salts of a frosty sea,
Have learnt to wait,
With an eye elate
And a heart intent, for the fuller blaze
Of the Beauty that rays
Like a glimpse for me--

Of the Beauty that grows
Whenever I hear
The winds of Fear
From the tops and the bases of barrenness call;
And the duplicate lore
Which I learn evermore,
Is of Harmony filling and rounding the Storm,
And the marvellous Form
That governs all!

Araluen

--
* A stream in the Braidwood district, New South Wales.
--

River, myrtle rimmed, and set
Deep amongst unfooted dells--
Daughter of grey hills of wet,
Born by mossed and yellow wells;

Now that soft September lays
Tender hands on thee and thine,
Let me think of blue-eyed days,
Star-like flowers and leaves of shine!

Cities soil the life with rust;
Water banks are cool and sweet;
River, tired of noise and dust,
Here I come to rest my feet.

Now the month from shade to sun
Fleets and sings supremest songs,
Now the wilful wood-winds run
Through the tangled cedar throngs.

Here are cushioned tufts and turns
Where the sumptuous noontide lies:
Here are seen by flags and ferns
Summer's large, luxurious eyes.

On this spot wan Winter casts
Eyes of ruth, and spares its green
From his bitter sea-nursed blasts,
Spears of rain and hailstones keen.

Rather here abideth Spring,
Lady of a lovely land,
Dear to leaf and fluttering wing,
Deep in blooms--by breezes fanned.

Faithful friend beyond the main,
Friend that time nor change makes cold;
Now, like ghosts, return again
Pallid, perished days of old.

Ah, the days!--the old, old theme,
Never stale, but never new,
Floating like a pleasant dream,
Back to me and back to you.

Since we rested on these slopes
Seasons fierce have beaten down
Ardent loves and blossoming hopes--
Loves that lift and hopes that crown.

But, believe me, still mine eyes
Often fill with light that springs
From divinity, which lies
Ever at the heart of things.

Solace do I sometimes find
Where you used to hear with me
Songs of stream and forest wind,
Tones of wave and harp-like tree.

Araluen--home of dreams,
Fairer for its flowerful glade
Than the face of Persian streams
Or the slopes of Syrian shade;

Why should I still love it so,
Friend and brother far away?
Ask the winds that come and go,
What hath brought me here to-day.

Evermore of you I think,
When the leaves begin to fall,
Where our river breaks its brink,
And a rest is over all.

Evermore in quiet lands,
Friend of mine beyond the sea,
Memory comes with cunning hands,
Stays, and paints your face for me.

At Euroma

--
* Charles Harpur was buried at Euroma, N.S.W., but this poem refers
to the grave of a stranger whose name is unknown.
--

They built his mound of the rough, red ground,
By the dip of a desert dell,
Where all things sweet are killed by the heat,
And scattered o'er flat and fell;
In a burning zone they left him alone,
Past the uttermost western plain,
And the nightfall dim heard his funeral hymn
In the voices of wind and rain.

The songs austere of the forests drear,
And the echoes of clift and cave,
When the dark is keen where the storm hath been,
Fleet over the far-away grave.
And through the days when the torrid rays
Strike down on a coppery gloom,
Some spirit grieves in the perished leaves,
Whose theme is that desolate tomb.

No human foot or paw of brute
Halts now where the stranger sleeps;
But cloud and star his fellows are,
And the rain that sobs and weeps.
The dingo yells by the far iron fells,
The plover is loud in the range,
But they never come near to the slumberer here,
Whose rest is a rest without change.

Ah! in his life, had he mother or wife,
To wait for his step on the floor?
Did beauty wax dim while watching for him
Who passed through the threshold no more?
Doth it trouble his head? He is one with the dead;
He lies by the alien streams;
And sweeter than sleep is death that is deep
And unvexed by the lordship of dreams.

Illa Creek

A strong sea-wind flies up and sings
Across the blown-wet border,
Whose stormy echo runs and rings
Like bells in wild disorder.

Fierce breath hath vexed the foreland's face,
It glistens, glooms, and glistens;
But deep within this quiet place
Sweet Illa lies and listens.

Sweet Illa of the shining sands,
She sleeps in shady hollows,
Where August flits with flowerful hands,
And silver Summer follows.

Far up the naked hills is heard
A noise of many waters,
But green-haired Illa lies unstirred
Amongst her star-like daughters.

The tempest, pent in moaning ways,
Awakes the shepherd yonder,
But Illa dreams unknown to days
Whose wings are wind and thunder.

Here fairy hands and floral feet
Are brought by bright October;
Here, stained with grapes and smit with heat,
Comes Autumn, sweet and sober.

Here lovers rest, what time the red
And yellow colours mingle,
And daylight droops with dying head
Beyond the western dingle.

And here, from month to month, the time
Is kissed by peace and pleasure,
While Nature sings her woodland rhyme
And hoards her woodland treasure.

Ah, Illa Creek! ere evening spreads
Her wings o'er towns unshaded,
How oft we seek thy mossy beds
To lave our foreheads faded!

For, let me whisper, then we find
The strength that lives, nor falters,
In wood and water, waste and wind,
And hidden mountain altars.

Moss on a Wall

Dim dreams it hath of singing ways,
Of far-off woodland water-heads,
And shining ends of April days
Amongst the yellow runnel-beds.

Stoop closer to the ruined wall,
Whereon the wilful wilding sleeps,
As if its home were waterfall
By dripping clefts and shadowy steeps.

A little waif, whose beauty takes
A touching tone because it dwells
So far away from mountain lakes,
And lily leaves, and lightening fells.

Deep hidden in delicious floss
It nestles, sister, from the heat--
A gracious growth of tender moss
Whose nights are soft, whose days are sweet.

Swift gleams across its petals run
With winds that hum a pleasant tune,
Serene surprises of the sun,
And whispers from the lips of noon.

The evening-coloured apple-trees
Are faint with July's frosty breath.
But lo! this stranger getteth ease,
And shines amidst the strays of Death.

And at the turning of the year,
When August wanders in the cold,
The raiment of the nursling here
Is rich with green and glad with gold.

Oh, friend of mine, to one whose eyes
Are vexed because of alien things,
For ever in the wall moss lies
The peace of hills and hidden springs.

From faithless lips and fickle lights
The tired pilgrim sets his face,
And thinketh here of sounds and sights
In many a lovely forest-place.

And when by sudden fits and starts
The sunset on the moss doth burn,
He often dreams, and, lo! the marts
And streets are changed to dells of fern.

For, let me say, the wilding placed
By hands unseen amongst these stones,
Restores a Past by Time effaced,
Lost loves and long-forgotten tones!

As sometimes songs and scenes of old
Come faintly unto you and me,
When winds are wailing in the cold,
And rains are sobbing on the sea.

Campaspe

Turn from the ways of this Woman! Campaspe we call her by name--
She is fairer than flowers of the fire--
she is brighter than brightness of flame.
As a song that strikes swift to the heart
with the beat of the blood of the South,
And a light and a leap and a smart, is the play of her perilous mouth.
Her eyes are as splendours that break in the rain at the set of the sun,
But turn from the steps of Campaspe--a Woman to look at and shun!

Dost thou know of the cunning of Beauty? Take heed to thyself and beware
Of the trap in the droop in the raiment--the snare in the folds of the hair!
She is fulgent in flashes of pearl, the breeze with her breathing is sweet,
But fly from the face of the girl--there is death in the fall of her feet!
Is she maiden or marvel of marble? Oh, rather a tigress at wait
To pounce on thy soul for her pastime--a leopard for love or for hate.

Woman of shadow and furnace! She biteth her lips to restrain
Speech that springs out when she sleepeth,
by the stirs and the starts of her pain.
As music half-shapen of sorrow, with its wants and its infinite wail,
Is the voice of Campaspe, the beauty at bay with her passion dead-pale.
Go out from the courts of her loving, nor tempt the fierce dance of desire
Where thy life would be shrivelled like stubble
in the stress and the fervour of fire!

I know of one, gentle as moonlight--she is sad as the shine of the moon,
But touching the ways of her eyes are: she comes to my soul like a tune--
Like a tune that is filled with faint voices
of the loved and the lost and the lone,
Doth this stranger abide with my silence: like a tune with a tremulous tone.
The leopard, we call her, Campaspe! I pluck at a rose and I stir
To think of this sweet-hearted maiden--what name is too tender for her?

On a Cattle Track

Where the strength of dry thunder splits hill-rocks asunder,
And the shouts of the desert-wind break,
By the gullies of deepness and ridges of steepness,
Lo, the cattle track twists like a snake!
Like a sea of dead embers, burnt white by Decembers,
A plain to the left of it lies;
And six fleeting horses dash down the creek courses
With the terror of thirst in their eyes.

The false strength of fever, that deadly deceiver,
Gives foot to each famishing beast;
And over lands rotten, by rain-winds forgotten,
The mirage gleams out in the east.
Ah! the waters are hidden from riders and ridden
In a stream where the cattle track dips;
And Death on their faces is scoring fierce traces,
And the drouth is a fire on their lips.

It is far to the station, and gaunt Desolation
Is a spectre that glooms in the way;
Like a red smoke the air is, like a hell-light its glare is,
And as flame are the feet of the day.
The wastes are like metal that forges unsettle
When the heat of the furnace is white;
And the cool breeze that bloweth when an English sun goeth,
Is unknown to the wild desert night.

A cry of distress there! a horseman the less there!
The mock-waters shine like a moon!
It is "Speed, and speed faster from this hole of disaster!
And hurrah for yon God-sent lagoon!"
Doth a devil deceive them? Ah, now let us leave them--
We are burdened in life with the sad;
Our portion is trouble, our joy is a bubble,
And the gladdest is never too glad.

From the pale tracts of peril, past mountain heads sterile,
To a sweet river shadowed with reeds,
Where Summer steps lightly, and Winter beams brightly,
The hoof-rutted cattle track leads.
There soft is the moonlight, and tender the noon-light;
There fiery things falter and fall;
And there may be seen, now, the gold and the green, now,
And the wings of a peace over all.

Hush, bittern and plover! Go, wind, to thy cover
Away by the snow-smitten Pole!
The rotten leaf falleth, the forest rain calleth;
And what is the end of the whole?
Some men are successful after seasons distressful
[Now, masters, the drift of my tale];
But the brink of salvation is a lair of damnation
For others who struggle, yet fail.

To Damascus

Where the sinister sun of the Syrians beat
On the brittle, bright stubble,
And the camels fell back from the swords of the heat,
Came Saul, with a fire in the soles of his feet,
And a forehead of trouble.

And terrified faces to left and to right,
Before and behind him,
Fled away with the speed of a maddening fright
To the cloughs of the bat and the chasms of night,
Each hoping the zealot would fail in his flight
To find him and bind him.

For, behold you! the strong man of Tarsus came down
With breathings of slaughter,
From the priests of the city, the chiefs of the town
(The lords with the sword, and the sires with the gown),
To harry the Christians, and trample, and drown,
And waste them like water.

He was ever a fighter, this son of the Jews--
A fighter in earnest;
And the Lord took delight in the strength of his thews,
For He knew he was one of the few He could choose
To fight out His battles and carry His news
Of a marvellous truth through the dark and the dews,
And the desert lands furnaced!

He knew he was one of the few He could take
For His mission supernal,
Whose feet would not falter, whose limbs would not ache,
Through the waterless lands of the thorn and the snake,
And the ways of the wild--bearing up for the sake
Of a Beauty eternal.

And therefore the road to Damascus was burned
With a swift, sudden brightness;
While Saul, with his face in the bitter dust, learned
Of the sin which he did ere he tumbled, and turned
Aghast at God's whiteness!

Of the sin which he did ere he covered his head
From the strange revelation.
But, thereafter, you know of the life that he led--
How he preached to the peoples, and suffered, and sped
With the wonderful words which his Master had said,
From nation to nation.

Now would we be like him, who suffer and see,
If the Chooser should choose us!
For I tell you, brave brothers, whoever you be,
It is right, till all learn to look further, and see,
That our Master should use us!

It is right, till all learn to discover and class,
That our Master should task us:
For now we may judge of the Truth through a glass;
And the road over which they must evermore pass,
Who would think for the many, and fight for the mass,
Is the road to Damascus.

Bell-Birds

By channels of coolness the echoes are calling,
And down the dim gorges I hear the creek falling;
It lives in the mountain, where moss and the sedges
Touch with their beauty the banks and the ledges;
Through brakes of the cedar and sycamore bowers
Struggles the light that is love to the flowers.
And, softer than slumber, and sweeter than singing,
The notes of the bell-birds are running and ringing.

The silver-voiced bell-birds, the darlings of day-time,
They sing in September their songs of the May-time.
When shadows wax strong and the thunder-bolts hurtle,
They hide with their fear in the leaves of the myrtle;
When rain and the sunbeams shine mingled together
They start up like fairies that follow fair weather,
And straightway the hues of their feathers unfolden
Are the green and the purple, the blue and the golden.

October, the maiden of bright yellow tresses,
Loiters for love in these cool wildernesses;
Loiters knee-deep in the grasses to listen,
Where dripping rocks gleam and the leafy pools glisten.
Then is the time when the water-moons splendid
Break with their gold, and are scattered or blended
Over the creeks, till the woodlands have warning
Of songs of the bell-bird and wings of the morning.

Welcome as waters unkissed by the summers
Are the voices of bell-birds to thirsty far-comers.
When fiery December sets foot in the forest,
And the need of the wayfarer presses the sorest,
Pent in the ridges for ever and ever.
The bell-birds direct him to spring and to river,
With ring and with ripple, like runnels whose torrents
Are toned by the pebbles and leaves in the currents.

Often I sit, looking back to a childhood
Mixt with the sights and the sounds of the wildwood,
Longing for power and the sweetness to fashion
Lyrics with beats like the heart-beats of passion--
Songs interwoven of lights and of laughters
Borrowed from bell-birds in far forest rafters;
So I might keep in the city and alleys
The beauty and strength of the deep mountain valleys,
Charming to slumber the pain of my losses
With glimpses of creeks and a vision of mosses.

A Death in the Bush

The hut was built of bark and shrunken slabs,
That wore the marks of many rains, and showed
Dry flaws wherein had crept and nestled rot.
Moreover, round the bases of the bark
Were left the tracks of flying forest fires,
As you may see them on the lower bole
Of every elder of the native woods.

For, ere the early settlers came and stocked
These wilds with sheep and kine, the grasses grew
So that they took the passing pilgrim in
And whelmed him, like a running sea, from sight.

And therefore, through the fiercer summer months,
While all the swamps were rotten; while the flats
Were baked and broken; when the clayey rifts
Yawned wide, half-choked with drifted herbage past,
Spontaneous flames would burst from thence and race
Across the prairies all day long.

At night
The winds were up, and then, with four-fold speed
A harsh gigantic growth of smoke and fire
Would roar along the bottoms, in the wake
Of fainting flocks of parrots, wallaroos,
And 'wildered wild things, scattering right and left,
For safety vague, throughout the general gloom.

Anon the nearer hillside-growing trees
Would take the surges; thus from bough to bough
Was borne the flaming terror! Bole and spire,
Rank after rank, now pillared, ringed, and rolled
In blinding blaze, stood out against the dead,
Down-smothered dark, for fifty leagues away.

For fifty leagues; and when the winds were strong
For fifty more! But in the olden time
These fires were counted as the harbingers
Of life-essential storms, since out of smoke
And heat there came across the midnight ways
Abundant comfort, with upgathered clouds
And runnels babbling of a plenteous fall.

So comes the southern gale at evenfall
(The swift brick-fielder of the local folk),
About the streets of Sydney, when the dust
Lies burnt on glaring windows, and the men
Look forth from doors of drouth and drink the change
With thirsty haste, and that most thankful cry
Of "Here it is--the cool, bright, blessed rain!"

The hut, I say, was built of bark and slabs,
And stood, the centre of a clearing, hemmed
By hurdle-yards, and ancients of the blacks;
These moped about their lazy fires, and sang
Wild ditties of the old days, with a sound
Of sorrow, like an everlasting wind
Which mingled with the echoes of the noon
And moaned amongst the noises of the night.

From thence a cattle track, with link to link,
Ran off against the fish-pools to the gap
Which sets you face to face with gleaming miles
Of broad Orara*, winding in amongst
Black, barren ridges, where the nether spurs
Are fenced about by cotton scrub, and grass
Blue-bitten with the salt of many droughts.

--
* A tributary of the river Clarence, N.S.W.
--

'Twas here the shepherd housed him every night,
And faced the prospect like a patient soul,
Borne up by some vague hope of better days,
And God's fine blessing in his faithful wife,
Until the humour of his malady
Took cunning changes from the good to bad,
And laid him lastly on a bed of death.

Two months thereafter, when the summer heat
Had roused the serpent from his rotten lair,
And made a noise of locusts in the boughs,
It came to this, that as the blood-red sun
Of one fierce day of many slanted down
Obliquely past the nether jags of peaks
And gulfs of mist, the tardy night came vexed
By belted clouds and scuds that wheeled and whirled
To left and right about the brazen clifts
Of ridges, rigid with a leaden gloom.

Then took the cattle to the forest camps
With vacant terror, and the hustled sheep
Stood dumb against the hurdles, even like
A fallen patch of shadowed mountain snow;
And ever through the curlew's call afar,
The storm grew on, while round the stinted slabs
Sharp snaps and hisses came, and went, and came,
The huddled tokens of a mighty blast
Which ran with an exceeding bitter cry
Across the tumbled fragments of the hills,
And through the sluices of the gorge and glen.

So, therefore, all about the shepherd's hut
That space was mute, save when the fastened dog,
Without a kennel, caught a passing glimpse
Of firelight moving through the lighted chinks,
For then he knew the hints of warmth within,
And stood and set his great pathetic eyes,
In wind and wet, imploring to be loosed.

Not often now the watcher left the couch
Of him she watched, since in his fitful sleep
His lips would stir to wayward themes, and close
With bodeful catches. Once she moved away,
Half-deafened by terrific claps, and stooped
And looked without--to see a pillar dim
Of gathered gusts and fiery rain.

Anon
The sick man woke, and, startled by the noise,
Stared round the room with dull, delirious sight,
At this wild thing and that: for through his eyes
The place took fearful shapes, and fever showed
Strange crosswise lights about his pillow-head.
He, catching there at some phantasmic help,
Sat upright on the bolster with a cry
Of "Where is Jesus? It is bitter cold!"
And then, because the thunder-calls outside
Were mixed for him with slanders of the past,
He called his weeping wife by name, and said,
"Come closer, darling! We shall speed away
Across the seas, and seek some mountain home
Shut in from liars and the wicked words
That track us day and night and night and day."
So waned the sad refrain. And those poor lips,
Whose latest phrases were for peace, grew mute,
And into everlasting silence passed.

As fares a swimmer who hath lost his breath
In 'wildering seas afar from any help--
Who, fronting Death, can never realize
The dreadful Presence, but is prone to clutch
At every weed upon the weltering wave--
So fared the watcher, poring o'er the last
Of him she loved, with dazed and stupid stare;
Half conscious of the sudden loss and lack
Of all that bound her life, but yet without
The power to take her mighty sorrow in.

Then came a patch or two of starry sky,
And through a reef of cloven thunder-cloud
The soft moon looked: a patient face beyond
The fierce impatient shadows of the slopes
And the harsh voices of the broken hills!
A patient face, and one which came and wrought
A lovely silence, like a silver mist,
Across the rainy relics of the storm.

For in the breaks and pauses of her light
The gale died out in gusts: yet, evermore
About the roof-tree on the dripping eaves,
The damp wind loitered, and a fitful drift
Sloped through the silent curtains, and athwart
The dead.

There, when the glare had dropped behind
A mighty ridge of gloom, the woman turned
And sat in darkness, face to face with God,
And said, "I know," she said, "that Thou art wise;
That when we build and hope, and hope and build,
And see our best things fall, it comes to pass
For evermore that we must turn to Thee!
And therefore, now, because I cannot find
The faintest token of Divinity
In this my latest sorrow, let Thy light
Inform mine eyes, so I may learn to look
On something past the sight which shuts and blinds
And seems to drive me wholly, Lord, from Thee."

Now waned the moon beyond complaining depths,
And as the dawn looked forth from showery woods
(Whereon had dropped a hint of red and gold)
There went about the crooked cavern-eaves
Low flute-like echoes, with a noise of wings,
And waters flying down far-hidden fells.
Then might be seen the solitary owl
Perched in the clefts, scared at the coming light,
And staring outward (like a sea-shelled thing
Chased to his cover by some bright, fierce foe),
As at a monster in the middle waste.

At last the great kingfisher came, and called
Across the hollows, loud with early whips,
And lighted, laughing, on the shepherd's hut,
And roused the widow from a swoon like death.

This day, and after it was noised abroad
By blacks, and straggling horsemen on the roads,
That he was dead "who had been sick so long",
There flocked a troop from far-surrounding runs,
To see their neighbour, and to bury him;
And men who had forgotten how to cry
(Rough, flinty fellows of the native bush)
Now learned the bitter way, beholding there
The wasted shadow of an iron frame,
Brought down so low by years of fearful pain,
And marking, too, the woman's gentle face,
And all the pathos in her moaned reply
Of "Masters, we have lived in better days."

One stooped--a stockman from the nearer hills--
To loose his wallet-strings, from whence he took
A bag of tea, and laid it on her lap;
Then sobbing, "God will help you, missus, yet,"
He sought his horse, with most bewildered eyes,
And, spurring, swiftly galloped down the glen.

Where black Orara nightly chafes his brink,
Midway between lamenting lines of oak
And Warra's Gap, the shepherd's grave was built;
And there the wild dog pauses, in the midst
Of moonless watches, howling through the gloom
At hopeless shadows flitting to and fro,
What time the east wind hums his darkest hymn,
And rains beat heavy on the ruined leaf.

There, while the autumn in the cedar trees
Sat cooped about by cloudy evergreens
The widow sojourned on the silent road,
And mutely faced the barren mound, and plucked
A straggling shrub from thence, and passed away,
Heart-broken, on to Sydney, where she took
Her passage in an English vessel bound
To London, for her home of other years.

At rest! Not near, with Sorrow on his grave,
And roses quickened into beauty--wrapt
In all the pathos of perennial bloom;
But far from these, beneath the fretful clay
Of lands within the lone perpetual cry
Of hermit plovers and the night-like oaks,
All moaning for the peace which never comes.

At rest! And she who sits and waits behind
Is in the shadows; but her faith is sure,
And _one_ fine promise of the coming days
Is breaking, like a blessed morning, far
On hills that "slope through darkness up to God."

A Spanish Love Song

From Andalusian gardens
I bring the rose and rue,
And leaves of subtle odour,
To weave a gift for you.
You'll know the reason wherefore
The sad is with the sweet;
My flowers may lie, as I would,
A carpet for your feet!

The heart--the heart is constant;
It holds its secret, Dear!
But often in the night time
I keep awake for fear.
I have no hope to whisper,
I have no prayer to send,
God save you from such passion!
God help you from such end!

You first, you last, you false love!
In dreams your lips I kiss,
And thus I greet your Shadow,
"Take this, and this, and this!"
When dews are on the casement,
And winds are in the pine,
I have you close beside me--
In sleep your mouth is mine.

I never see you elsewhere;
You never think of me;
But fired with fever for you
Content I am to be.
You will not turn, my Darling,
Nor answer when I call;
But yours are soul are body
And love of mine and all!