Chapter VIII: Appendix: Carmina Festiva (7)

Brother of the greatest poets, true to nature, true to art;
Lover of Immortal Love, uplifter of the human heart;
Who shall cheer us with high music, who shall sing, if thou depart?

Silence here--for love is silent, gazing on the lessening sail;
Silence here--for grief is voiceless when the mighty minstrels fail;
Silence here--but far beyond us, many voices crying, Hail!

"IN MEMORIAM"

The record of a faith sublime,
And hope, through clouds, far-off discerned;
The incense of a love that burned
Through pain and doubt defying Time:

The story of a soul at strife
That learned at last to kiss the rod,
And passed through sorrow up to God,
From living to a higher life:

A light that gleams across the wave
Of darkness, down the rolling years,
Piercing the heavy mist of tears--
A rainbow shining o'er a grave.

VICTOR HUGO

1802-1902

Heart of France for a hundred years,
Passionate, sensitive, proud, and strong,
Quick to throb with her hopes and fears,
Fierce to flame with her sense of wrong!
You, who hailed with a morning song
Dream-light gilding a throne of old:
You, who turned when the dream grew cold,
Singing still, to the light that shone
Pure from Liberty's ancient throne,
Over the human throng!
You, who dared in the dark eclipse,--
When the pygmy heir of a giant name
Dimmed the face of the land with shame,--
Speak the truth with indignant lips,
Call him little whom men called great,
Scoff at him, scorn him, deny him,
Point to the blood on his robe of state,
Fling back his bribes and defy him!

You, who fronted the waves of fate
As you faced the sea from your island home,
Exiled, yet with a soul elate,
Sending songs o'er the rolling foam,
Bidding the heart of man to wait
For the day when all should see
Floods of wrath from the frowning skies
Fall on an Empire founded in lies,
And France again be free!
You, who came in the Terrible Year
Swiftly back to your broken land,
Now to your heart a thousand times more dear,--
Prayed for her, sung to her, fought for her,
Patiently, fervently wrought for her,
Till once again,
After the storm of fear and pain,
High in the heavens the star of France stood clear!

You, who knew that a man must take
Good and ill with a steadfast soul,
Holding fast, while the billows roll
Over his head, to the things that make
Life worth living for great and small,
Honour and pity and truth,
The heart and the hope of youth,
And the good God over all!
You, to whom work was rest,
Dauntless Toiler of the Sea,
Following ever the joyful quest
Of beauty on the shores of old Romance,
Bard of the poor of France,
And warrior-priest of world-wide charity!
You who loved little children best
Of all the poets that ever sung,
Great heart, golden heart,
Old, and yet ever young,
Minstrel of liberty,
Lover of all free, winged things,
Now at last you are free,--
Your soul has its wings!
Heart of France for a hundred years,
Floating far in the light that never fails you,
Over the turmoil of mortal hopes and fears
Victor, forever victor, the whole world hails you!

March, 1902.

LONGFELLOW

In a great land, a new land, a land full of labour and riches and
confusion,
Where there were many running to and fro, and shouting, and striving
together,
In the midst of the hurry and the troubled noise, I heard the voice of
one singing.

"What are you doing there, O man, singing quietly amid all this tumult?
This is the time for new inventions, mighty shoutings, and blowings of
the trumpet."
But he answered, "I am only shepherding my sheep with music."

So he went along his chosen way, keeping his little flock around him;
And he paused to listen, now and then, beside the antique fountains,
Where the faces of forgotten gods were refreshed with musically falling
waters;

Or he sat for a while at the blacksmith's door, and heard the cling-clang
of the anvils;
Or he rested beneath old steeples full of bells, that showered their
chimes upon him;
Or he walked along the border of the sea, drinking in the long roar of
the billows;

Or he sunned himself in the pine-scented shipyard, amid the tattoo of
the mallets;
Or he leaned on the rail of the bridge, letting his thoughts flow with
the whispering river;
He hearkened also to ancient tales, and made them young again with his
singing.

Then a flaming arrow of death fell on his flock, and pierced the heart
of his dearest!
Silent the music now, as the shepherd entered the mystical temple of
sorrow:
Long he tarried in darkness there: but when he came out he was singing.

And I saw the faces of men and women and children silently turning toward
him;
The youth setting out on the journey of life, and the old man waiting
beside the last mile-stone;
The toiler sweating beneath his load; and the happy mother rocking her
cradle;

The lonely sailor on far-off seas; and the gray-minded scholar in his
book-room;
The mill-hand bound to a clacking machine; and the hunter in the forest;
And the solitary soul hiding friendless in the wilderness of the city;

Many human faces, full of care and longing, were drawn irresistibly
toward him,
By the charm of something known to every heart, yet very strange and
lovely,
And at the sound of his singing wonderfully all their faces were
lightened.

"Why do you listen, O you people, to this old and world-worn music?
This is not for you, in the splendour of a new age, in the democratic
triumph!
Listen to the clashing cymbals, the big drums, the brazen trumpets of
your poets."

But the people made no answer, following in their hearts the simpler
music:
For it seemed to them, noise-weary, nothing could be better worth the
hearing
Than the melodies which brought sweet order into life's confusion.

So the shepherd sang his way along, until he came unto a mountain:
And I know not surely whether the mountain was called Parnassus,
But he climbed it out of sight, and still I heard the voice of one
singing.

January, 1907.

THOMAS BAILEY ALDRICH

I

BIRTHDAY VERSES, 1906

Dear Aldrich, now November's mellow days
Have brought another _Festa_ round to you,
You can't refuse a loving-cup of praise
From friends the fleeting years have bound to you.

Here come your Marjorie Daw, your dear Bad Boy,
Prudence, and Judith the Bethulian,
And many more, to wish you birthday joy,
And sunny hours, and sky cerulean!

Your children all, they hurry to your den,
With wreaths of honour they have won for you,
To merry-make your threescore years and ten.
You, old? Why, life has just begun for you!

There's many a reader whom your silver songs
And crystal stories cheer in loneliness.
What though the newer writers come in throngs?
You're sure to keep your charm of only-ness.

You do your work with careful, loving touch,--
An artist to the very core of you,--
You know the magic spell of "not-too-much":
We read,--and wish that there was more of you.

And more there is: for while we love your books
Because their subtle skill is part of you;
We love _you_ better, for our friendship looks
Behind them to the human heart of you.

II

MEMORIAL SONNET, 1908

This is the house where little Aldrich read
The early pages of Life's wonder-book
With boyish pleasure: in this ingle-nook
He watched the drift-wood fire of Fancy shed
Bright colour on the pictures blue and red:
Boy-like he skipped the longer words, and took
His happy way, with searching, dreamful look
Among the deeper things more simply said.

Then, came his turn to write: and still the flame
Of Fancy played through all the tales he told,
And still he won the laurelled poet's fame
With simple words wrought into rhymes of gold.
Look, here's the face to which this house is frame,--
A man too wise to let his heart grow old!

EDMUND CLARENCE STEDMAN

(Read at His Funeral, January 21, 1908)

Oh, quick to feel the lightest touch
Of beauty or of truth,
Rich in the thoughtfulness of age,
The hopefulness of youth,
The courage of the gentle heart,
The wisdom of the pure,
The strength of finely tempered souls
To labour and endure!

The blue of springtime in your eyes
Was never quenched by pain;
And winter brought your head the crown
Of snow without a stain.
The poet's mind, the prince's heart,
You kept until the end,
Nor ever faltered in your work,
Nor ever failed a friend.

You followed, through the quest of life,
The light that shines above
The tumult and the toil of men,
And shows us what to love.
Right loyal to the best you knew,
Reality or dream,
You ran the race, you fought the fight,
A follower of the Gleam.

We lay upon your folded hands
The wreath of asphodel;
We speak above your peaceful face
The tender word _Farewell!_
For well you fare, in God's good care,
Somewhere within the blue,
And know, to-day, your dearest dreams
Are true,--and true,--and true!

TO JAMES WHITCOMB RILEY

ON HIS "BOOK OF JOYOUS CHILDREN"

Yours is a garden of old-fashioned flowers;
Joyous children delight to play there;
Weary men find rest in its bowers,
Watching the lingering light of day there.

Old-time tunes and young love-laughter
Ripple and run among the roses;
Memory's echoes, murmuring after,
Fill the dusk when the long day closes.

Simple songs with a cadence olden--
These you learned in the Forest of Arden:
Friendly flowers with hearts all golden--
These you borrowed from Eden's garden.

This is the reason why all men love you;
Truth to life is the finest art:
Other poets may soar above you--
You keep close to the human heart.

December, 1903.

RICHARD WATSON GILDER

IN MEMORIAM

Soul of a soldier in a poet's frame,
Heart of a hero in a body frail;
Thine was the courage clear that did not quail
Before the giant champions of shame
Who wrought dishonour to the city's name;
And thine the vision of the Holy Grail
Of Love, revealed through Music's lucid veil,
Filling thy life with heavenly song and flame.

Pure was the light that lit thy glowing eye,
And strong the faith that held thy simple creed.
Ah, poet, patriot, friend, to serve our need
Thou leavest two great gifts that will not die:
Above the city's noise, thy lyric cry,--
Amid the city's strife, thy noble deed.

November, 1909.

THE VALLEY OF VAIN VERSES

The grief that is but feigning,
And weeps melodious tears
Of delicate complaining
From self-indulgent years;
The mirth that is but madness,
And has no inward gladness
Beneath its laughter straining,
To capture thoughtless ears;

The love that is but passion
Of amber-scented lust;
The doubt that is but fashion;
The faith that has no trust;
These Thamyris disperses,
In the Valley of Vain Verses
Below the Mount Parnassian,--
And they crumble into dust.

MUSIC

MUSIC

I

PRELUDE

1

Daughter of Psyche, pledge of that wild night
When, pierced with pain and bitter-sweet delight,
She knew her Love and saw her Lord depart,
Then breathed her wonder and her woe forlorn
Into a single cry, and thou wast born!
Thou flower of rapture and thou fruit of grief;
Invisible enchantress of the heart;
Mistress of charms that bring relief
To sorrow, and to joy impart
A heavenly tone that keeps it undefined,--
Thou art the child
Of Amor, and by right divine
A throne of love is thine,
Thou flower-folded, golden-girdled, star-crowned Queen,
Whose bridal beauty mortal eyes have never seen!

2

Thou art the Angel of the pool that sleeps,
While peace and joy lie hidden in its deeps,
Waiting thy touch to make the waters roll
In healing murmurs round the weary soul.
Ah, when wilt thou draw near,
Thou messenger of mercy robed in song?
My lonely heart has listened for thee long;
And now I seem to hear
Across the crowded market-place of life,
Thy measured foot-fall, ringing light and clear
Above unmeaning noises and unruly strife.
In quiet cadence, sweet and slow,
Serenely pacing to and fro,
Thy far-off steps are magical and dear,--
Ah, turn this way, come close and speak to me!
From this dull bed of languor set my spirit free,
And bid me rise, and let me walk awhile with thee.

II

INVOCATION

Where wilt thou lead me first?
In what still region
Of thy domain,
Whose provinces are legion,
Wilt thou restore me to myself again,
And quench my heart's long thirst?
I pray thee lay thy golden girdle down,
And put away thy starry crown:
For one dear restful hour
Assume a state more mild.
Clad only in thy blossom-broidered gown
That breathes familiar scent of many a flower,
Take the low path that leads through pastures green;
And though thou art a Queen,
Be Rosamund awhile, and in thy bower,
By tranquil love and simple joy beguiled,
Sing to my soul, as mother to her child.

III

PLAY SONG

O lead me by the hand,
And let my heart have rest,
And bring me back to childhood land,
To find again the long-lost band
Of playmates blithe and blest.

Some quaint, old-fashioned air,
That all the children knew,
Shall run before us everywhere,
Like a little maid with flying hair,
To guide the merry crew.

Along the garden ways
We chase the light-foot tune,
And in and out the flowery maze,
With eager haste and fond delays,
In pleasant paths of June.

For us the fields are new,
For us the woods are rife
With fairy secrets, deep and true,
And heaven is but a tent of blue
Above the game of life.

The world is far away:
The fever and the fret,
And all that makes the heart grow gray,
Is out of sight and far away,
Dear Music, while I hear thee play
That olden, golden roundelay,
"Remember and forget!"

IV

SLEEP SONG

Forget, forget!
The tide of life is turning;
The waves of light ebb slowly down the west:
Along the edge of dark some stars are burning
To guide thy spirit safely to an isle of rest.
A little rocking on the tranquil deep
Of song, to soothe thy yearning,
A little slumber and a little sleep,
And so, forget, forget!

Forget, forget,--
The day was long in pleasure;
Its echoes die away across the hill;
Now let thy heart beat time to their slow measure,
That swells, and sinks, and faints, and falls, till all is still.
Then, like a weary child that loves to keep
Locked in its arms some treasure,
Thy soul in calm content shall fall asleep,
And so forget, forget.

Forget, forget,--
And if thou hast been weeping,
Let go the thoughts that bind thee to thy grief:
Lie still, and watch the singing angels, reaping
The golden harvest of thy sorrow, sheaf by sheaf;
Or count thy joys like flocks of snow-white sheep
That one by one come creeping
Into the quiet fold, until thou sleep,
And so forget, forget!

Forget, forget,--
Thou art a child and knowest
So little of thy life! But music tells
The secret of the world through which thou goest
To work with morning song, to rest with evening bells:
Life is in tune with harmony so deep
That when the notes are lowest
Thou still canst lay thee down in peace and sleep,
For God will not forget.

V

HUNTING SONG

Out of the garden of playtime, out of the bower of rest,
Fain would I follow at daytime, music that calls to a quest.
Hark, how the galloping measure
Quickens the pulses of pleasure;
Gaily saluting the morn
With the long, clear note of the hunting-horn,
Echoing up from the valley,
Over the mountain side,--
Rally, you hunters, rally,
Rally, and ride!

Drink of the magical potion music has mixed with her wine,
Full of the madness of motion, joyful, exultant, divine!
Leave all your troubles behind you,
Ride where they never can find you,
Into the gladness of morn,
With the long, clear note of the hunting-horn,
Swiftly o'er hillock and hollow,
Sweeping along with the wind,--
Follow, you hunters, follow,
Follow and find!

What will you reach with your riding? What is the charm of the chase?
Just the delight and the striding swing of the jubilant pace.
Danger is sweet when you front her,--
In at the death, every hunter!
Now on the breeze the mort is borne
In the long, clear note of the hunting-horn,
Winding merrily, over and over,--
Come, come, come!
Home again, Ranger! home again, Rover!
Turn again, home!

VI

DANCE-MUSIC

1

Now let the sleep-tune blend with the play-tune,
Weaving the mystical spell of the dance;
Lighten the deep tune, soften the gay tune,
Mingle a tempo that turns in a trance.
Half of it sighing, half of it smiling,
Smoothly it swings, with a triplicate beat;
Calling, replying, yearning, beguiling,
Wooing the heart and bewitching the feet.
Every drop of blood
Rises with the flood,
Rocking on the waves of the strain;
Youth and beauty glide
Turning with the tide--
Music making one out of twain,
Bearing them away, and away, and away,
Like a tone and its terce--
Till the chord dissolves, and the dancers stay,
And reverse.

Violins leading, take up the measure,
Turn with the tune again,--clarinets clear
Answer their pleading,--harps full of pleasure
Sprinkle their silver like light on the mere.
Semiquaver notes,
Merry little motes,
Tangled in the haze
Of the lamp's golden rays,
Quiver everywhere
In the air,
Like a spray,--
Till the fuller stream of the might of the tune,
Gliding like a dream in the light of the moon,
Bears them all away, and away, and away,
Floating in the trance of the dance.

2

Then begins a measure stately,
Languid, slow, serene;
All the dancers move sedately,
Stepping leisurely and straitly,
With a courtly mien;
Crossing hands and changing places,
Bowing low between,
While the minuet inlaces
Waving arms and woven paces,--
Glittering damaskeen.
Where is she whose form is folden
In its royal sheen?
From our longing eyes withholden
By her mystic girdle golden,
Beauty sought but never seen,
Music walks the maze, a queen.

VII

WAR-MUSIC

Break off! Dance no more!
Danger is at the door.
Music is in arms.
To signal war's alarms.

Hark, a sudden trumpet calling
Over the hill!
Why are you calling, trumpet, calling?
What is your will?

Men, men, men!
Men who are ready to fight
For their country's life, and the right
Of a liberty-loving land to be
Free, free, free!
Free from a tyrant's chain,
Free from dishonor's stain,
Free to guard and maintain
All that her fathers fought for,
All that her sons have wrought for,
Resolute, brave, and free!

Call again, trumpet, call again,
Call up the men!

Do you hear the storm of cheers
Mingled with the women's tears
And the tramp, tramp, tramp of marching feet?
Do you hear the throbbing drum
As the hosts of battle come
Keeping time, time, time to its beat?
O Music give a song
To make their spirit strong
For the fury of the tempest they must meet.

The hoarse roar
Of the monster guns;
And the sharp bark
Of the lesser guns;
The whine of the shells,
The rifles' clatter
Where the bullets patter,
The rattle, rattle, rattle
Of the mitrailleuse in battle,
And the yells
Of the men who charge through hells
Where the poison gas descends,
And the bursting shrapnel rends
Limb from limb
In the dim
Chaos and clamor of the strife
Where no man thinks of his life
But only of fighting through,
Blindly fighting through, through!

'Tis done
At last!
The victory won,
The dissonance of warfare past!

O Music mourn the dead
Whose loyal blood was shed,
And sound the taps for every hero slain;
Then lead into the song
That made their spirit strong,
And tell the world they did not die in vain.

Thank God we can see, in the glory of morn,
The invincible flag that our fathers defended;
And our hearts can repeat what the heroes have sworn,
That war shall not end till the war-lust is ended.
Then the bloodthirsty sword shall no longer be lord
Of the nations oppressed by the conqueror's horde,
But the banners of Liberty proudly shall wave
O'er the _world_ of the free and the lands of the brave.

May, 1916.

VIII

THE SYMPHONY

Music, they do thee wrong who say thine art
Is only to enchant the sense.
For every timid motion of the heart,
And every passion too intense
To bear the chain of the imperfect word,
And every tremulous longing, stirred
By spirit winds that come we know not whence
And go we know not where,
And every inarticulate prayer
Beating about the depths of pain or bliss,
Like some bewildered bird
That seeks its nest but knows not where it is,
And every dream that haunts, with dim delight,
The drowsy hour between the day and night,
The wakeful hour between the night and day,--
Imprisoned, waits for thee,
Impatient, yearns for thee,
The queen who comes to set the captive free!
Thou lendest wings to grief to fly away,
And wings to joy to reach a heavenly height;
And every dumb desire that storms within the breast
Thou leadest forth to sob or sing itself to rest.

All these are thine, and therefore love is thine.
For love is joy and grief,
And trembling doubt, and certain-sure belief,
And fear, and hope, and longing unexpressed,
In pain most human, and in rapture brief
Almost divine.
Love would possess, yet deepens when denied;
And love would give, yet hungers to receive;
Love like a prince his triumph would achieve;
And like a miser in the dark his joys would hide.
Love is most bold,
He leads his dreams like armèd men in line;
Yet when the siege is set, and he must speak,
Calling the fortress to resign
Its treasure, valiant love grows weak,
And hardly dares his purpose to unfold.
Less with his faltering lips than with his eyes
He claims the longed-for prize:
Love fain would tell it all, yet leaves the best untold.
But thou shalt speak for love. Yea, thou shalt teach
The mystery of measured tone,
The Pentecostal speech
That every listener heareth as his own.
For on thy head the cloven tongues of fire,--
Diminished chords that quiver with desire,
And major chords that glow with perfect peace,--
Have fallen from above;
And thou canst give release
In music to the burdened heart of love.

Sound with the 'cellos' pleading, passionate strain
The yearning theme, and let the flute reply
In placid melody, while violins complain,
And sob, and sigh,
With muted string;
Then let the oboe half-reluctant sing
Of bliss that trembles on the verge of pain,
While 'cellos plead and plead again,
With throbbing notes delayed, that would impart
To every urgent tone the beating of the heart.
So runs the andante, making plain
The hopes and fears of love without a word.
Then comes the adagio, with a yielding theme
Through which the violas flow soft as in a dream,
While horns and mild bassoons are heard
In tender tune, that seems to float
Like an enchanted boat
Upon the downward-gliding stream,
Toward the allegro's wide, bright sea
Of dancing, glittering, blending tone,
Where every instrument is sounding free,
And harps like wedding-chimes are rung, and trumpets blown
Around the barque of love
That rides, with smiling skies above,
A royal galley, many-oared,
Into the happy harbour of the perfect chord.

IX

IRIS

Light to the eye and Music to the ear,--
These are the builders of the bridge that springs
From earth's dim shore of half-remembered things
To reach the heavenly sphere
Where nothing silent is and nothing dark.
So when I see the rainbow's arc
Spanning the showery sky, far-off I hear
Music, and every colour sings:
And while the symphony builds up its round
Full sweep of architectural harmony
Above the tide of Time, far, far away I see
A bow of colour in the bow of sound.
Red as the dawn the trumpet rings;
Blue as the sky, the choir of strings
Darkens in double-bass to ocean's hue,
Rises in violins to noon-tide's blue,
With threads of quivering light shot through and through;
Green as the mantle that the summer flings
Around the world, the pastoral reeds in tune
Embroider melodies of May and June.
Purer than gold,
Yea, thrice-refinèd gold,
And richer than the treasures of the mine,
Floods of the human voice divine
Along the arch in choral song are rolled.
So bends the bow complete:
And radiant rapture flows
Across the bridge, so full, so strong, so sweet,
That the uplifted spirit hardly knows
Whether the Music-Light that glows
Within the arch of tones and colours seven,
Is sunset-peace of earth or sunrise-joy of Heaven.

X

SEA AND SHORE

Music, I yield to thee
As swimmer to the sea,
I give my spirit to the flood of song!
Bear me upon thy breast
In rapture and at rest,
Bathe me in pure delight and make me strong;
From strife and struggle bring release,
And draw the waves of passion into tides of peace.

Remembered songs most dear
In living songs I hear,
While blending voices gently swing and sway,
In melodies of love,
Whose mighty currents move
With singing near and singing far away;
Sweet in the glow of morning light,
And sweeter still across the starlit gulf of night.

Music, in thee we float,
And lose the lonely note
Of self in thy celestial-ordered strain,
Until at last we find
The life to love resigned
In harmony of joy restored again;
And songs that cheered our mortal days
Break on the shore of light in endless hymns of praise.

December, 1901--May, 1903--May, 1916.

MASTER OF MUSIC

(In memory of Theodore Thomas, 1905)

Glory architect, glory of painter, and sculptor, and bard,
Living forever in temple and picture and statue and song,--
Look how the world with the lights that they lit is illumined and
starred;
Brief was the flame of their life, but the lamps of their art burn
long!

Where is the Master of Music, and how has he vanished away?
Where is the work that he wrought with his wonderful art in the air?
Gone,--it is gone like the glow on the cloud at the close of the day!
The Master has finished his work and the glory of music is--where?

Once, at the wave of his wand, all the billows of musical sound
Followed his will, as the sea was ruled by the prophet of old:
Now that his hand is relaxed, and his rod has dropped to the ground,
Silent and dark are the shores where the marvellous harmonies rolled!

Nay, but not silent the hearts that were filled by that life-giving sea;
Deeper and purer forever the tides of their being will roll,
Grateful and joyful, O Master, because they have listened to thee;
The glory of music endures in the depths of the human soul.

THE PIPES O' PAN

Great Nature had a million words,
In tongues of trees and songs of birds,
But none to breathe the heart of man,
Till Music filled the pipes o' Pan.

1909.

TO A YOUNG GIRL SINGING

Oh, what do you know of the song, my dear,
And how have you made it your own?
You have caught the turn of the melody clear,
And you give it again with a golden tone,
Till the wonder-word and the wedded note
Are flowing out of your beautiful throat
With a liquid charm for every ear:
And they talk of your art,--but for you alone
The song is a thing, unheard, unknown;
You only have learned it by rote.

But when you have lived for awhile, my dear,
I think you will learn it anew!
For a joy will come, or a grief, or a fear,
That will alter the look of the world for you;
And the lyric you learned as a bit of art,
Will wake to life as a wonderful part
Of the love you feel so deep and true;
And the thrill of a laugh or the throb of a tear,
Will come with your song to all who hear;
For then you will know it by heart.

April, 1911.

THE OLD FLUTE

The time will come when I no more can play
This polished flute: the stops will not obey
My gnarled fingers; and the air it weaves
In modulations, like a vine with leaves
Climbing around the tower of song, will die
In rustling autumn rhythms, confused and dry.
My shortened breath no more will freely fill
This magic reed with melody at will;
My stiffened lips will try and try in vain
To wake the liquid, leaping, dancing strain;
The heavy notes will falter, wheeze, and faint,
Or mock my ear with shrillness of complaint.

Then let me hang this faithful friend of mine
Upon the trunk of some old, sacred pine,
And sit beneath the green protecting boughs
To hear the viewless wind, that sings and soughs
Above me, play its wild, aerial lute,
And draw a ghost of music from my flute!

So will I thank the gods; and most of all
The Delian Apollo, whom men call
The mighty master of immortal sound,--
Lord of the billows in their chanting round,
Lord of the winds that fill the wood with sighs,
Lord of the echoes and their sweet replies,
Lord of the little people of the air
That sprinkle drops of music everywhere,
Lord of the sea of melody that laves
The universe with never silent waves,--
Him will I thank that this brief breath of mine
Has caught one cadence of the song divine;
And these frail fingers learned to rise and fall
In time with that great tune which throbs thro' all;
And these poor lips have lent a lilt of joy
To songless men whom weary tasks employ!
My life has had its music, and my heart
In harmony has borne a little part,
And now I come with quiet, grateful breast
To Death's dim hall of silence and of rest.

Freely rendered from the French of Auguste Angellier, 1911.

THE FIRST BIRD O' SPRING

TO OLIVE WHEELER

Winter on Mount Shasta,
April down below;
Golden hours of glowing sun,
Sudden showers of snow!
Under leafless thickets
Early wild-flowers cling;
But, oh, my dear, I'm fain to hear
The first bird o' Spring!

Alders are in tassel,
Maples are in bud;
Waters of the blue McCloud
Shout in joyful flood;
Through the giant pine-trees
Flutters many a wing;
But, oh, my dear, I long to hear
The first bird o' Spring!

Candle-light and fire-light
Mingle at "the Bend;"
'Neath the roof of Bo-hai-pan
Light and shadow blend.
Sweeter than a wood-thrush
A maid begins to sing;
And, oh, my dear, I'm glad to hear
The first bird o' Spring!

The Bend, California, April 29, 1913.

THE HOUSE OF RIMMON

A DRAMA IN FOUR ACTS

DRAMATIS PERSONAE

BENHADAD: King of Damascus. REZON: High Priest of the House of Rimmon. SABALLIDIN: A Noble. HAZAEL } IZDUBHAR } Courtiers. RAKHAZ } SHUMAKIM: The King's Fool. ELISHA: Prophet of Israel. NAAMAN: Captain of the Armies of Damascus. RUAHMAH: A Captive Maid of Israel. TSARPI: Wife to Naaman. KHAMMA } NUBTA } Attendants of Tsarpi.

Soldiers, Servants, Citizens, etc., etc.

SCENE: _Damascus and the Mountains of Samaria._

TIME: 850 _B. C._