Chapter VII: Introduction: To the Edition of 1837 (5)

Nay, let us gaze, ev'n till the sense is full,
Upon the rich creation, shadowed so
That not great Nature, in her loftiest pomp
Of living beauty, ever on the sight
Rose more magnificent; nor aught so fair
Hath Fancy, in her wildest, brightest mood,
Imaged of things most lovely, when the sounds
Of this cold cloudy world at distance sink,
And all alone the warm idea lives
Of what is great, or beautiful, or good, 10
In Nature's general plan.
So the vast scope,
O Rubens! of thy mighty mind, and such
The fervour of thy pencil, pouring wide
The still illumination, that the mind
Pauses, absorbed, and scarcely thinks what powers
Of mortal art the sweet enchantment wrought.
She sees the painter, with no human touch,
Create, embellish, animate at will,
The mimic scenes, from Nature's ampler range 20
Caught as by inspiration; while the clouds,
High wandering, and the fairest form of things,
Seem at his bidding to emerge, and burn
With radiance and with life!
Let us, subdued,
Now to the magic of the moment lose
The thoughts of life, and mingle every sense
Ev'n in the scenes before us!
The fresh morn
Of summer shines; the white clouds of the east 30
Are crisped; beneath, the bright blue champaign steams;
The banks, the meadows, and the flowers, send up
An incensed exhalation, like the meek
And holy praise of Him whose soul's deep joy
The lone woods witness. Thou, whose heart is sick
Of vanities; who, in the throng of men,
Dost feel no lenient fellowship; whose eye
Turns, with a languid carelessness, around
Upon the toiling crowd, still murmuring on,
Restless;--oh, think, in summer scenes like these, 40
How sweet the sense of quiet gladness is,
That, like the silent breath of morning, steals
From lowly nooks, and feels itself expand
Amid the works of Nature, to the Power
That made them: to the awful thought of HIM
Who, when the morning stars shouted for joy,
Bade the great sun from tenfold darkness burst,
The green earth roll in light, and solitude
First hear the voice of man, whilst hills and woods
Stood eminent, in orient hues arrayed, 50
His dwelling; and all living Nature smiled,
As in this pictured semblance, beaming full
Before us!
Mark again the various view:
Some city's far-off spires and domes appear,
Breaking the long horizon, where the morn
Sits blue and soft: what glowing imagery
Is spread beneath!--Towns, villages, light smoke,
And scarce-seen windmill-sails, and devious woods,
Chequering 'mid sunshine the grass-level land, 60
That stretches from the sight.
Now nearer trace
The forms of trees distinct--the broad brown oak;
The poplars, that, with silvery trunks, incline,
Shading the lonely castle; flakes of light
Are flung behind the massy groups, that, now
Enlarging and enlarging still, unfold
Their separate beauties. But awhile delay;
Pass the foot-bridge, and listen (for we hear,
Or think we hear her), listen to the song 70
Of yonder milkmaid, as she brims her pail;
Whilst, in the yellow pasture, pensive near,
The red cows ruminate.
Break off, break off, for lo! where, all alarmed,
The small birds,[89] from the late resounding perch,
Fly various, hushed their early song; and mark,
Beneath the darkness of the bramble-bank
That overhangs the half-seen brook, where nod
The flowing rushes, dew-besprent, with breast
Ruddy, and emerald wing, the kingfisher 80
Steals through the dripping sedge away. What shape
Of terrors scares the woodland habitants,
Marring the music of the dawn? Look round;
See, where he creeps, beneath the willowy stump,
Cowering and low, step silent after step,
The booted fowler: keen his look, and fixed
Upon the adverse bank, while, with firm hand,
He grasps the deadly tube; his dog, with ears
Hung back, and still and steady eye of fire,
Points to the prey; the boor, intent, moves on 90
Panting, and creeping close beneath the leaves,
And fears lest ev'n the rustling reeds betray
His footfall; nearer yet, and yet more near,
He stalks. Who now shall save the heedless group,
The speckled partridges, that in the sun,
On yonder hillock green, across the stream,
Bask unalarmed beneath the hawthorn bush,
Whose aged boughs the crawling blackberry
Entwines!
And thus, upon the sweetest scenes 100
Of human loveliness, and social peace
Domestic, when the full fond heart reclines
Upon its hopes, and almost mingles tears
Of joy, to think that in this hollow world
Such bliss should be its portion; then (alas,
The bitter change!), then, with his unheard step,
In darkness shrouded, yet approaching fast,
Death, from amidst the sunny flowers, lifts up
His giant dread anatomy, and smites,
Smites the fair prospect once, whilst every bloom 110
Hangs shrivelled, and a sound of mourning fills
The lone and blasted valley: but no sound
Is here of sorrow or of death, though she,
The country Kate, with shining morning cheek
(Who, in the tumbril, with her market-gear,
Sits seated high), seems to expect the flash
Exploding, that shall lay the innocent
And feathered tenants of the landscape low.
Not so the clown, who, heedless whether life
Or death betide, across the plashy ford 120
Drives slow; the beasts plod on, foot following foot,
Aged and grave, with half-erected ears,
As now his whip above their matted manes
Hangs tremulous, while the dark and shallow stream
Flashes beneath their fetlock: he, astride
On harness saddle, not a sidelong look
Deigns at the breathing landscape, or the maid
Smiling behind; the cold and lifeless calf
Her sole companion: and so mated oft
Is some sweet maid, whose thrilling heart was formed 130
For dearer fellowship. But lift the eye,
And hail the abode of rural ease. The man
Walks forth, from yonder antique hall, that looks
The mistress of the scene; its turrets gleam
Amid the trees, and cheerful smoke is seen,
As if no spectred shape (though most retired
The spot) there ever wandered, stoled in white,
Along the midnight chambers; but quaint Mab
Her tiny revels led, till the rare dawn
Peeped out, and chanticleer his shrill alarm 140
Beneath the window rang, then, with a wink,
The shadowy rout have vanished!
As the morn
Jocund ascends, how lovely is the view
To him who owns the fair domain! The friend
Of his still hours is near, to whom he vowed
His truth; her eyes reflect his bliss; his heart
Beats high with joy; his little children play,
Pleased, in his pathway; one the scattered flowers
Straggling collects, the other spreads its arms, 150
In speechless blandishment, upon the neck
Of its caressing nurse.
Still let us gaze,
And image every form of heartfelt joy
Which scenes like these bestow, that charm the sight,
Yet soothe the spirit. All is quiet here,
Yet cheerful as the green sea, when it shines
In some still bay, shines in its loneliness
Beneath the breeze, that moves, and hardly moves,
The placid surface. 160
On the balustrade
Of the old bridge, that o'er the moat is thrown,
The fisher with his angle leans intent,
And turns, from the bright pomp of spreading plains,
To watch the nimble fry, that glancing oft
Beneath the gray arch shoot! Oh, happiest he
Who steals through life, untroubled as unseen!
The distant city, with its crowded spires,
That dimly shines upon his view, awakes
No thought but that of pleasure more composed, 170
As the winds whisper him to sounder sleep.
He leans upon the faithful arm of her
For whom his youthful heart beat, fondly beat,
When life was new: time steals away, yet health
And exercise are his; and in these shades,
Though sometimes he has mourned a proud world's wrong,
He feels an independence that all cares
Breasts with a carol of content; he hears
The green leaves of his old paternal trees
Make music, soothing as they stir: the elm, 180
And poplar with its silvery trunk, that shades
The green sward of the bank before his porch,
Are to him as companions;--whilst he turns
With more endearment to the living smile
Of those his infants, who, when he is dead,
Shall hear the music of the self-same trees
Waving, till years roll on, and their gray hairs
Go to the dust in peace.
Away, sad thought!
Lo! where the morning light, through the dark wood, 190
Upon the window-pane is flung like fire,
Hail, Life and Hope; and thou, great work of art,
That 'mid this populous and busy swarm
Of men dost smile serene, as with the hues
Of fairest, grandest Nature; may'st thou speak
Not vainly of the endearments and best joys
That Nature yields. The manliest heart that swells
With honest English feelings,--while the eye,
Saddened, but not cast down, beholds far off
The darkness of the onward rolling storm,-- 200
Charmed for a moment by this mantling view,
Its anxious tumults shall suspend: and such,
The pensive patriot shall exclaim, thy scenes,
My own beloved country, such the abode
Of rural peace! and while the soul has warmth,
And voice has energy, the brave arm strength,
England, thou shalt not fall! The day shall come,
Yes, and now is, that thou shalt lift thyself;
And woe to him who sets upon thy shores
His hostile foot! Proud victor though he be, 210
His bloody march shall never soil a flower
That hangs its sweet head, in the morning dew,
On thy green village banks! His mustered hosts
Shall be rolled back in thousands, and the surge
Bury them! Then, when peace illumes once more,
My country, thy green nooks and inmost vales,
It will be sweet amidst the forest glens
To stray, and think upon the distant storm
That howled, but injured not!
At thoughts like these, 220
What heart, what English heart, but shall beat high!
Meantime, its keen flash passed, thine eye intent,
Beaumont, shall trace the master-strokes of art,
And view the assemblage of the finished piece,
As with his skill who formed it: ruder views,
Savage, with solitary pines, hung high
Amid the broken crags (where scowling wait
The fierce banditti), stern Salvator's hand
Shall aptly shade: o'er Poussin's clustering domes,
With ampler umbrage, the black woods shall hang, 230
Beneath whose waving gloom the sudden flash
Of broken light upon the brawling stream
Is flung below.
AÎrial Claude shall paint
The gray fane peering o'er the summer woods,
The azure lake below, or distant seas,
And sails, in the pellucid atmosphere,
Soft gleaming to the morn. Dark on the rock,
Where the red lightnings burst, shall Wilson stand,
Like mighty Shakspeare, whom the imps of fire 240
Await. Nor oh, sweet Gainsborough! shall thee
The Muse forget, whose simple landscape smiles
Attractive, whether we delight to view
The cottage chimney through the high wood peep;
Or beggar beauty stretch her little hand,
With look most innocent; or homeward kine
Wind through the hollow road at eventide,
Or browse the straggling branches.
Scenes like these
Shall charm all hearts, while truth and beauty live, 250
And Nature's pictured loveliness shall own
Each master's varied touch; but chiefly thou,
Great Rubens! shalt the willing senses lead,
Enamoured of the varied imagery,
That fills the vivid canvas, swelling still
On the enraptured eye of taste, and still
New charms unfolding; though minute, yet grand,
Simple, yet most luxuriant; every light
And every shade, greatly opposed, and all
Subserving to one magical effect 260
Of truth and harmony.
So glows the scene;
And to the pensive thought refined displays
The richest rural poem. Oh, may views
So pictured animate thy classic mind,
Beaumont, to wander 'mid Sicilian scenes,
And catch the beauties of the pastoral bard,[90]
Shadowing his wildest landscapes! ∆tna's fires,
Bebrycian rocks, Anapus' holy stream,
And woods of ancient Pan; the broken crag 270
And the old fisher here; the purple vines
There bending; and the smiling boy set down
To guard, who, innocent and happy, weaves,
Intent, his rushy basket, to ensnare
The chirping grasshoppers, nor sees the while
The lean fox meditate her morning meal,
Eyeing his scrip askance; whilst further on
Another treads the purple grapes--he sits,
Nor aught regards, but the green rush he weaves.
O Beaumont! let this pomp of light and shade 280
Wake thee, to paint the woods that the sweet Muse
Has consecrated: then the summer scenes
Of Phasidamus, clad in richer light,
Shall glow, the glancing poplars, and clear fount;
While distant times admire (as now we trace
This summer-mantling view) hoar ∆tna's pines,
The vine-hung grotts, and branching planes, that shade
The silver Arethusa's stealing wave.

[89] The landscape is on so large a scale, that all these circumstances are most accurately delineated.

[90] Theocritus. Alluding to a design of illustrating the _picturesque character_ of the venerable Sicilian, by paintings of Sir George, from new translations of Messrs Sotheby, Rogers, Howley, W. Spencer, and the author.

THE HARP, AND DESPAIR, OF COWPER.

Sweet bard, whose tones great Milton might approve,
And Shakspeare, from high Fancy's sphere,
Turning to the sound his ear,
Bend down a look of sympathy and love;
Oh, swell the lyre again,
As if in full accord it poured an angel's strain!
But oh! what means that look aghast,
Ev'n whilst it seemed in holy trance,
On scenes of bliss above to glance!
Was it a fiend of darkness passed!
Oh, speak--
Paleness is upon his cheek--
On his brow the big drops stand,
To airy vacancy
Points the dread silence of his eye,
And the loved lyre it falls, falls from his nerveless hand!
Come, peace of mind, delightful guest!
Oh, come, and make thy downy nest
Once more on his sad heart!
Meek Faith, a drop of comfort shed;
Sweet Hope, support his aged head;
And Charity, avert the burning dart!
Fruitless the prayer--the night of deeper woes
Seems o'er the head even now to close;
In vain the path of purity he trod,
In vain, in vain,
He poured from Fancy's shell his sweetest hermit strain--
He has no hope on earth: forsake him not, O God!

STANZAS FOR MUSIC.

I trust the happy hour will come, 1
That shall to peace thy breast restore;
And that we two, beloved friend,
Shall one day meet to part no more.

It grieves me most, that parting thus, 2
All my soul feels I dare not speak;
And when I turn me from thy sight,
The tears in silence wet my cheek.

Yet I look forward to the time, 3
That shall each wound of sorrow heal;
When I may press thee to my heart,
And tell thee all that now I feel.{e}

MUSIC.

O Music! if thou hast a charm
That may the sense of pain disarm,
Be all thy tender tones addressed
To soothe to peace my Harriet's breast;
And bid the magic of thy strain
So still the wakeful throb of pain,
That, rapt in the delightful measure,
Sweet Hope again may whisper pleasure,
And seem the notes of Spring to hear,
Prelusive to a happier year!
And if thy magic can restore
The shade of days that smile no more,
And softer, sweeter colours give
To scenes that in remembrance live;
Be to her pensive heart a friend,
And, whilst the tender shadows blend,
Recall, ere the brief trace be lost,
Each moment that she prized the most.
Perhaps, when many a cheerful day
Hereafter shall have stolen away,
If then some old and favourite strain
Should bring back to her thoughts again
The hours when, silent by her side,
I listened to her song and sighed;
Perhaps a long-forgotten name,
A thought, if not a tear may claim;
And when in distant plains away,
Alone I count each lingering day,
She may a silent prayer prefer
For him whose heart once bled for her.

ABSENCE.

OCTOBER 26, 1791.

How shall I cheat the heavy hours, of thee
Deprived, of thy kind looks and converse sweet,
Now that the waving grove the dark storms beat,
And wintry winds sad sounding o'er the lea,[91]
Scatter the sallow leaf! I would believe,
Thou, at this hour, with tearful tenderness
Dost muse on absent images, and press
In thought my hand, and say: Oh do not grieve,
Friend of my heart! at wayward fortune's power;
One day we shall be happy, and each hour
Of pain forget, cheered by the summer ray.
These thoughts beguile my sorrow for thy loss,
And, as the aged pines their dark heads toss,
Oft steal the sense of solitude away.
So am I sadly soothed, yet do I cast
A wishful glance upon the seasons past,
And think how different was the happy tide,
When thou, with looks of love, wert smiling by my side.

[91] Summer-Lees, near Knoyle.

FAIRY SKETCH.

SCENE--NETLEY ABBEY.

There was a morrice on the moonlight plain,
And music echoed in the woody glade,
For fay-like forms, as of Titania's train,
Upon a summer eve, beneath the shade
Of Netley's ivied ruins, to the sound
Of sprightly minstrelsy did beat the ground:--
Come, take hands! and lightly move,
While our boat, in yonder cove,
Rests upon the darkening sea;
Come, take hands, and follow me!

Netley! thy dim and desolated fane
Hath heard, perhaps, the spirits of the night
Shrieking, at times, amid the wind and rain;
Or haply, when the full-orbed moon shone bright,
Thy glimmering aisles have echoed to the song
Of fairy Mab, who led her shadowy masque along.
Now, as to the sprightly sound
Of moonlight minstrelsy we beat the ground;
From the pale nooks, in accent clear,
Now, methinks, her voice I hear,
Sounding o'er the darksome sea;
Come, take hands, and follow me!

Here, beneath the solemn wood,
When faintly-blue is all the sky,
And the moon is still on high,
To the murmurs of the flood,
To the glimpses of the night,
We perform our airy rite;--
Care and pain to us unknown,
To the darkening seas are flown.

Hear no more life's fretful noise,
Heed not here pale Envy's sting,
Far from life's distempered joys;
To the waters murmuring,
To the shadows of the sky,
To the moon that rides on high,
To the glimpses of the night,
We perform our airy rite,
While care and pain, to us unknown,
To the darkening seas are flown.

INSCRIPTION.

Come, and where these runnels fall,
Listen to my madrigal!
Far from all sounds of all the strife,
That murmur through the walks of life;
From grief, inquietude, and fears,
From scenes of riot, or of tears;
From passions, cankering day by day,
That wear the inmost heart away;
From pale Detraction's envious spite,
That worries where it fears to bite;
From mad Ambition's worldly chase,
Come, and in this shady place,
Be thine Contentment's humble joys,
And a life that makes no noise,
Save when fancy, musing long,
Turns to desultory song;[92]
And wakes some lonely melody,
Like the water dripping by.
Come, and where these runnels fall,
Listen to my madrigal!

BREMHILL GARDEN, _Sept. 1808._

[92] "And Fancy, void of sorrow, turns to song."--_Parnell._

PICTURES FROM THEOCRITUS.

FROM IDYL I.

[Greek: Ady ti to psthyrisma], _etc._

Goat-herd, how sweet above the lucid spring
The high pines wave with breezy murmuring!
So sweet thy song, whose music might succeed
To the wild melodies of Pan's own reed.

THYRSIS.

More sweet thy pipe's enchanting melody
Than streams that fall from broken rocks on high.
Say, by the nymphs, that guard the sacred scene,
Where lowly tamarisks shade these hillocks green,
At noontide shall we lie?
No; for o'erwearied with the forest chase,
Pan, the great hunter god, sleeps in this place.
Beneath the branching elm, while thy sad verse,
O Thyrsis! Daphnis' sorrows shall rehearse,
Fronting the wood-nymph's solitary seat,
Whose fountains flash amid the dark retreat;
Where the old statue leans, and brown oaks wave
Their ancient umbrage o'er the pastoral cave;
There will we rest, and thou, as erst, prolong
The sweet enchantment of the Doric song!

FROM THE SAME IDYL.

Mark, where the beetling precipice appears,
The toil of the old fisher, gray with years;
Mark, as to drag the laden net he strains,
The labouring muscle and the swelling veins!
There, in the sun, the clustered vineyard bends,
And shines empurpled, as the morn ascends!
A little boy, with idly-happy mien,
To guard the grapes upon the ground is seen;
Two wily foxes creeping round appear,--
The scrip that holds his morning meal is near,--
One breaks the bending vines; with longing lip,
And look askance, one eyes the tempting scrip.
He plats and plats his rushy net all day,
And makes the vagrant grasshopper his prey;
He plats his net, intent with idle care,
Nor heeds how vineyard, grape, or scrip may fare.

FROM THE SAME.

Where were ye, nymphs, when Daphnis drooped with love?
In fair Peneus' Tempe, or the grove
Of Pindus! Nor your pastimes did ye keep,
Where huge Anapus' torrent waters sweep;
On ∆tna's height, ah! impotent to save,
Nor yet where Akis winds his holy wave!

FROM THE SAME.

Pan, Pan, oh mighty hunter! whether now,
Thou roamest o'er Lyceus' shaggy brow,
Or Moenalaus, outstretched in amplest shade,
Thy solitary footsteps have delayed;
Leave Helice's romantic rock a while,
And haste, oh haste, to the Sicilian isle;
Leave the dread monument, approached with fear,
That Lycaonian tomb the gods revere.
Here cease, Sicilian Muse, the Doric lay;--
Come, Forest King, and bear this pipe away;
Daphnis, subdued by love, and bowed with woe,
Sinks, sinks for ever to the shades below.

FROM IDYL VII.

He left us;--we, the hour of parting come,
To Prasidamus' hospitable home,
Myself and Eucritus, together wend,
With young Amynticus, our blooming friend:
There, all delighted, through the summer day,
On beds of rushes, pillowed deep, we lay;
Around, the lentils, newly cut, were spread;
Dark elms and poplars whispered o'er our head;
A hallowed stream, to all the wood-nymphs dear,
Fresh from the rocky cavern murmured near;
Beneath the fruit-leaves' many-mantling shade,
The grasshoppers a coil incessant made;
From the wild thorny thickets, heard remote,
The wood-lark trilled his far-resounding note;
Loud sung the thrush, musician of the scene,
And soft and sweet was heard the dove's sad note between;
Then yellow bees, whose murmur soothed the ear,
Went idly flitting round the fountain clear.
Summer and Autumn seemed at once to meet,
Filling with redolence the blest retreat,
While the ripe pear came rolling to our feet.

FROM IDYL XXII.

When the famed Argo now secure had passed
The crushing rocks,[93] and that terrific strait
That guards the wintry Pontic, the tall ship
Reached wild Bebrycia's shores; bearing like gods
Her god-descended chiefs. They, from her sides,
With scaling steps descend, and on the shore,
Savage, and sad, and beat by ocean winds,
Strewed their rough beds, and on the casual fire
The vessels place. The brothers, by themselves,
CASTOR and red-haired POLLUX, wander far
Into the forest solitudes. A wood
Immense and dark, shagging the mountain side,
Before them rose; a cold and sparkling fount
Welled with perpetual lapse, beneath its feet,
Of purest water clear; scattering below,
Streams as of silver and of crystal rose,
Bright from the bottom: Pines, of stateliest height,
Poplar, and plane, and cypress, branching wide,
Were near, thick bordered by the scented flowers
That lured the honeyed bee, when spring declines,
Thick swarming o'er the meadows. There all day
A huge man sat, of savage, wild aspect;
His breast stood roundly forward, his broad back
Seemed as of iron, such as might befit
A vast Colossus sculptured. Full to view
The muscles of his brawny shoulders stood,
Like the round mountain-stones the torrent wave
Has polished; from his neck and back hung down
A lion's skin, held by its claws. Him first
The red-haired youth addressed: Hail, stranger, hail,
And say, what tribes unknown inhabit here!
Take to the seas thy Hail: I ask it not,
Who never saw before, or thee, or thine.
Courage! thou seest not men that are unjust
Or cruel.
Courage shall I learn from thee!
Thy heart is savage; thou art passion's slave.
Such as I am thou seest; but land of thine
I tread not.
Come, these hospitable gifts
Accept, and part in peace.
No: not from thee.
My gifts are yet in store.
Say, may we drink
Of this clear fount?
Ask, when wan thirst has parched
Thy lips.
What present shall I give to thee?
None. Stand before me as a man; lift high
Thy brandished arms, and try, weak pugilist,
Thy strength.
But say, with whom shall I contend?
Thou seest him here; nor in his art unskilled.
Then what shall be the prize of him who wins?
Or thou shalt be my slave, or I be thine.
The crested birds so fight.
Whether like birds
Or lions, for no other prize fight we!
He said: and sounded loud his hollow conch;
The gaunt Bebrycian brethren, at the sound,
With long lank hair, come flocking to the shade
Of that vast plain.
Then Castor hied, and called
The hero chiefs from the Magnesian[94] ship.

[93] Rocks which were supposed to strike one against the other, and so crush the ship that attempted to pass between.

[94] So called, from the country where it was built.

SKETCHES IN THE EXHIBITION, 1805.

What various objects strike with various force,
Achilles, Hebe, and Sir Watkin's horse!
Here summer scenes, there Pentland's stormy ridge,
Lords, ladies, Noah's ark, and Cranford bridge!
Some that display the elegant design,
The lucid colours, and the flowing line;
Some that might make, alas! Walsh Porter[95] stare,
And wonder how the devil they got there!

LADY M----VE.

How clear a strife of light and shade is spread!
The face how touched with nature's loveliest red!
The eye, how eloquent, and yet how meek!
The glow subdued, yet mantling on thy cheek!
M----ve! I mark alone thy beauteous face,
But all is nature, dignity, and grace!

HON. MISS MERCER.--HOPNER.

Oh! hide those tempting eyes, that faultless form,
Those looks with feeling and with nature warm;
The neck, the softly-swelling bosom hide,
Nor, wanton gales, blow the light vest aside;
For who, when beauties more than life excite
Silent applause, can gaze without delight!
But innocence, enchanting maid, is thine;
Thine eyes in liquid light unconscious shine;
And may thy breast no other feelings prove,
Than those of sympathy and mutual love!

[95] A gentleman well known for his taste and fine collection.

EXHIBITION, 1807.

BLIND FIDDLER.--WILKIE.

With mirth unfeigned the cottage chimney rings,
Though only vocal with four fiddle-strings:
And see, the poor blind fiddler draws his bow,
And lifts intent his time-denoting toe;
While yonder maid, as blythe as birds in June,
You almost hear her whistle to the tune!
Hard by, a lad, in imitative guise,
Fixed, fiddle-like, the broken bellows plies;
Before the hearth, with looks of honest joy,
The father chirrups to the chattering boy,
And snaps his lifted thumbs with mimic glee,
To the glad urchin on his mother's knee!

MORNING.--TURNER.

Up! for the morning shines with welcome ray,
And to the sunny seabeach let us stray.
What orient hues proclaim the master's hand!
How light the wave upon the half-wet sand!
How beautiful the sun, as still we gaze,
Streams all diffusive through the opening haze!
Artist--when to the thunder's pealing sound,
Fire mixed with hailstones ran upon the ground,
When partial darkness the dread prospect hid,
And sole aspired the aged pyramid--
Sublimity thy genius seemed to guide
O'er Egypt's champaign, desolate and wide;
But here delightful beauty reigns alone,
And decks the morning scene with graces all her own.

KESWICK.--SIR GEORGE BEAUMONT.

How shall I praise thee, Beaumont, whose nice skill
Can mould the soft and shadowy scene at will;
Chastise to harmony each gaudy ray,
Simple, yet grand, the mountain scene display;
The lake where sober evening seems to sleep,
Hills far retiring into umbrage deep;
Blend all with classic, pure, poetic taste,
And strike the more with forms and colours chaste!

MARKET-DAY.--CALCOT.

Through the wood's maze our eyes delighted stray,
To mark the rustics on the market-day.
Beneath the branches winds the long white road;
Here peeps the rustic cottager's abode;
There in the morning sun, the children play,
Or the crone creeps along the dusty way.

SCENE IN FRANCE.--LOUTHERBOURG.

Artist, I own thy genius; but the touch
May be too restless, and the glare too much:
And sure none ever saw a landscape shine,
Basking in beams of such a sun as thine,
But felt a fervid dew upon his phiz,
And panting cried, O Lord, how hot it is!

DEATH OF NELSON.--WEST.

Turn to Britannia's triumphs on the main:
See Nelson, pale and fainting, 'mid the slain,
Whilst Victory sighs, stern in the garb of war,
And points through clouds the rocks of Trafalgar!
Here cease the strain; but while thy hulls shall ride,
Britain, dark shadowing the tumultuous tide,
May other Nelsons, on the sanguine main,
Guide, like a god, the battle's hurricane;
And when the funeral's transient pomp is past,
High hung the banner, hushed the battle's blast,
May the brave character to ages shine,
And Genius consecrate the immortal shrine!

SOUTHAMPTON CASTLE.[96]

INSCRIBED TO THE MARQUIS OF LANSDOWNE.

The moonlight is without; and I could lose
An hour to gaze, though Taste and Splendour here,
As in a lustrous fairy palace, reign!
Regardless of the lights that blaze within,
I look upon the wide and silent sea,
That in the shadowy moonbeam sleeps:
How still,
Nor heard to murmur, or to move, it lies;
Shining in Fancy's eye, like the soft gleam,
The eve of pleasant yesterdays! 10
The clouds
Have all sunk westward, and the host of stars
Seem in their watches set, as gazing on;
While night's fair empress, sole and beautiful,
Holds her illustrious course through the mid heavens
Supreme, the spectacle, for such she looks,
Of gazing worlds!
How different is the scene
That lies beneath this arched window's height!
The town, that murmured through the busy day, 20
Is hushed; the roofs one solemn breadth of shade
Veils; but the towers, and taper spires above,
The pinnets, and the gray embattled walls,
And masts that throng around the southern pier,
Shine all distinct in light; and mark, remote,
O'er yonder elms, St Mary's modest fane.
Oh! if such views may please, to me they shine
How more attractive! but few years have passed,
Since there I saw youth, health, and happiness,
All circling round an aged sire,[97] whose hairs 30
Are now in peace gone down; he was to me
A friend, and almost with a father's smile
Hung o'er my infant Muse. The cheerful voice
Of fellowship, the song of harmony,
And mirth, and wit,[98] were there.
That scene is passed:
Cold death and separation have dissolved
The evening circle of once-happy friends!
So has it ever fared, and so must fare,
With all! I see the moonlight watery tract 40
That shines far off, beneath the forest-shades:
What seems it, but the mirror of that tide,
Which noiseless, 'mid the changes of the world,
Holds its inevitable course, the tide
Of years departing; to the distant eye
Still seeming motionless, though hurrying on
From morn till midnight, bearing, as it flows,
The sails of pleasurable barks! These gleam
To-day, to-morrow other passing sails
Catch the like sunshine of the vernal morn. 50
Our pleasant days are as the moon's brief light
On the pale ripple, passing as it shines!
But shall the pensive bard for this lament,
Who knows how transitory are all worlds
Before His eye who made them!
Cease the strain;
And welcome still the social intercourse
That soothes the world's loud jarring, till the hour
When, universal darkness wrapping all
This nether scene, a light from heaven shall stream 60
Through clouds dividing, and a voice be heard:
Here only pure and lasting bliss is found!

[96] Southampton Castle is a magnificent pile, erected by the Marquis of Lansdowne, commanding the most striking views of the river, the Isle of Wight, the New Forest, _et cet._

[97] Late Dean of Winchester, Dr Newton Ogle.

[98] I speak this of Mr Sheridan, who was often of the party.

THE WINDS.

When dark November bade the leaves adieu,
And the gale sung amid the sea-boy's shrouds,
Methought I saw four winged forms, that flew,
With garments streaming light, amid the clouds;
From adverse regions of the sky,
In dim succession, they went by.
The first, as o'er the billowy deep he passed,
Blew from its brazen trump a far-resounding blast.
Upon a beaked promontory high,
With streaming heart, and cloudy brow severe, 10
Marked ye the father of the frowning year![99]
Dark vapours rolled o'er the tempestuous sky,
When creeping WINTER from his cave came forth;
Stern courier of the storm, he cried, what from the north?

NORTH WIND.

From the vast and desert deeps,
Where the lonely Kraken sleeps,
Where fixed the icy mountains high
Glimmer to the twilight sky;
Where, six lingering months to last, 20
The night has closed, the day is past,
Father, lo, I come, I come:
I have heard the wizard's drum,
And the withered Lapland hag,
Seal, with muttered spell, her bag:
O'er mountains white, and forests sere,
I flew, and with a wink am here.

WINTER.

Spirit of unwearied wing,
From the Baltic's frozen main,
From the Russ's bleak domain, 30
Say, what tidings dost thou bring!
Shouts, and the noise of battle! and again
The winged wind blew loud a deadly blast;
Shouts, and the noise of battle! the long main
Seemed with hoarse voice to answer as he passed.
The moody South went by, and silence kept;
The cloudy rack oft hid his mournful mien,
And frequent fell the showers, as if he wept
The eternal havoc of this mortal scene.
He had heard the yell, and cry, 40
And howling dance of Anarchy,
Where the Rhone, with rushing flood,
Murmured to the main, through blood:--
He seemed to wish he could for ever throw
His misty mantle o'er a world of woe.
But rousing him from his desponding trance,
Cold Eurus blew his sharp and shrilling horn;
In his right hand he bore an icy lance,
That far off glittered in the frost of morn;
The old man knew the clarion from afar, 50
What from the East? he cried.

EAST WIND.

Shouts, and the noise of war!
Far o'er the land hath been my flight,
O'er many a forest dark as night,
O'er champaigns where the Tartar speeds,
O'er Wolga's wild and giant reeds,
O'er the Carpathian summits hoar,
Beneath whose snows and shadows frore,
Poland's level length unfolds
Her trackless woods and wildering wolds, 60
Like a spirit, seeking rest,
I have passed from east to west,
While sounds of discord and lament
Rose from the earth where'er I went.
I care not; hurrying, as in scorn,
I shook my lance, and blew my horn;
The day shows clear; and merrily
Along the Atlantic now I fly.
Who comes in soft and spicy vest,
From the mild regions of the West? 70
An azure veil bends waving o'er his head,
And showers of violets from his hands are shed.
'Tis Zephyr, with a look as young and fair
As when his lucid wings conveyed
That beautiful and gentle maid
Psyche, transported through the air,
The blissful couch of Love's own god to share.
Winter, avaunt! thy haggard eye
Will scare him, as he wanders by,
Him and the timid butterfly. 80
He brings again the morn of May;
The lark, amid the clear blue sky,
Carols, but is not seen so high,
And all the winter's winds fly far away!
I cried: O Father of the world, whose might
The storm, the darkness, and the winds obey,
Oh, when will thus the long tempestuous night
Of warfare and of woe be rolled away!
Oh, when will cease the uproar and the din,
And Peace breathe soft, Summer is coming in! 90

[99] "Then comes the father of the tempest forth."--_Thomson._

ON WILLIAM SOMMERS OF BREMHILL.

When will the grave shelter thy few gray hairs,
O aged man! Thy sand is almost run,
And many a year, in vain, to meet the sun,
Thine eyes have rolled in darkness; want and cares
Have been thy visitants from morn to morn.
While trembling on existence thou dost live,
Accept what human charity can give;
But standing thus, time-palsied, and forlorn,
Like a scathed oak, of all its boughs bereft,
God and the grave are thy best refuge left.
When the bells rung, and summer's smiling ray
Welcomed again the merry Whitsuntide,
And all my humble villagers were gay;
I saw thee sitting on the highway side,
To feel once more the warm sun's blessed beam:
Didst thou then think upon thy own gay prime,
On such a holiday, and the glad time
When thou wert young and happy, like a dream
Now perished! No; the murmured prayer alone
Rose from the trembling lips towards the Throne
Of Mercy; that ere spring returned again,
And the long winter blew its dreary blast,
To sweep the verdure from the fading plain,
Thy burden would be dropped, thy sorrows past!
O blind and aged man, bowed down with cares,
When will the grave shelter thy few gray hairs!

THE VISIONARY BOY.

Oh! lend that lute, sweet Archimage, to me!
Enough of care and heaviness
The weary lids of life depress,
And doubly blest that gentle heart shall be,
That wooes of poesy the visions bland,
And strays forgetful o'er enchanted land!
Oh! lend that lute, sweet Archimage, to me!
So spoke, with ardent look, yet eyebrow sad,
When he had passed o'er many a mountain rude,
And many a wild and weary solitude, 10
'Mid a green vale, a wandering minstrel-lad.
With eyes that shone in softened flame,
With wings and wand, young Fancy came;
And as she touched a trembling lute,
The lone enthusiast stood entranced and mute.
It was a sound that made his soul forego
All thoughts of sadness in a world of woe.
Oh, lend that lute! he cried: Hope, Pity, Love,
Shall listen; and each valley, rock, and grove,
Shall witness, as with deep delight, 20
From orient morn to dewy-stealing night.
My spirit, rapt in trance of sweetness high,
Shall drink the heartfelt sound with tears of ecstasy!
As thus he spoke, soft voices seemed to say,
Come away, come away;
Where shall the heart-sick minstrel stray,
But (viewing all things like a dream)
By haunted wood, or wizard stream?
That, like a hermit weeping,
Amid the gray stones creeping; 30
With voice distinct, yet faint,
Calls on Repose herself to hear its soothing plaint.
For him, romantic Solitude
Shall pile sublime her mountains rude;
For him, with shades more soft impressed,
The lucid lake's transparent breast
Shall show the banks, the woods, the hill,
More clear, more beautiful, more still.
For him more musical shall wave
The pines o'er Echo's moonlit cave; 40
While sounds as of a fairy lyre
Amid the shadowy cliffs expire!
This valley where the raptured minstrel stood
Was shaded with a circling slope of wood,
And rich in beauty, with that valley vied,
Thessalian Tempe, crowned with verdant bay,
Where smooth and clear Peneus winds his way;
And Ossa and Olympus, on each side,
Rise dark with woods; or that Sicilian plain
Which Arethusa's clearest waters lave, 50
By many a haunt of Pan, and wood-nymph's cave,
Lingering and listening to the Doric strain
Of him,[100] the bard whose music might succeed
To the wild melodies of Pan's own reed!
This scene the mistress of the valley held,
Fancy, a magic maid; and at her will,
AÎrial castles crowned the gleaming hill,
Or forests rose, or lapse of water welled.
Sometimes she sat with lifted eye,
And marked the dark storm in the western sky; 60
Sometimes she looked, and scarce her breath would draw,
As fearful things, not to be told, she saw;
And sometimes, like a vision of the air,
On wings of shifting light she floated here and there.
In the breeze her garments flew,
Of the brightest skiey blue,
Lucid as the tints of morn,
When Summer trills his pipe of corn:
Her tresses to each wing descending fall,
Or, lifted by the wind, 70
Stream loose and unconfined,
Like golden threads, beneath her myrtle coronal.
The listening passions stood aloof and mute,
As oft the west wind touched her trembling lute.
But when its sounds the youthful minstrel heard,
Strange mingled feelings, not to be expressed,
Rose undefined, yet blissful, on his breast,
And all the softened scene in sweeter light appeared.
Then Fancy waved her wand, and lo!
An airy troop went beckoning by: 80
Come, from toil and worldly woe;
Come, live with us in vales remote! they cry.
These are the flitting phantasies; the dreams
That lead the heart through all that elfin land,
Where half-seen shapes entice with whispers bland.
Meantime the clouds, impressed with livelier beams,
Roll, in the lucid track of air,
Arrayed in coloured brede, with semblances more fair.
The airy troop, as on they sail,
Thus the pensive stranger hail: 90
In the pure and argent sky,
There our distant chambers lie;
The bed is strewed with blushing roses,
When Quietude at eve reposes,
Oft trembling lest her bowers should fade,
In the cold earth's humid shade.
Come, rest with us! evanishing, they cried--
Come, rest with us! the lonely vale replied.
Then Fancy beckoned, and with smiling mien,
A radiant form arose, like the fair Queen 100
Of Beauty: from her eye divinely bright,
A richer lustre shot, a more attractive light.
She said: With fairer tints I can adorn
The living landscape, fairer than the morn.
The summer clouds in shapes romantic rolled,
And those they edge the fading west, like gold;
The lake that sleeps in sunlight, yet impressed
With shades more sweet than real on its breast;
'Mid baffling stones, beneath a partial ray,
The small brook huddling its uneven way; 110
The blue far distant hills, the silvery sea,
And every scene of summer speaks of me:
But most I wake the sweetest wishes warm,
Where the fond gaze is turned on woman's breathing form.
So passing silent through a myrtle grove,
Beauty first led him to the bower of Love.
A mellow light through the dim covert strayed,
And opening roses canopied the shade.
Why does the hurrying pulse unbidden leap!
Behold, in yonder glade that nymph asleep! 120
The heart-struck minstrel hangs, with lingering gaze,
O'er every charm his eye impassioned strays!
An edge of white is seen, and scarcely seen,
As soft she breathes, her coral lips between;
A lambent ray steals from her half-closed eye,
As her breast heaves a short imperfect sigh.
Sleep, winds of summer, o'er the leafy bower,
Nor move the light bells of the nodding flower;
Lest but a sound of stirring leaves might seem
To break the charm of her delicious dream! 130
And ye, fond, rising, throbbing thoughts, away,
Lest syren Pleasure all the soul betray!
Oh! turn, and listen to the ditty
From the lowly cave of Pity.
On slaughter's plain, while Valour grieves,
There he sunk to rest,
And the ring-dove scattered leaves
Upon his bleeding breast!
Her face was hid, while her pale arms enfold
What seemed an urn of alabaster cold; 140
To this she pressed her heaving bosom bare:
The drops that gathered in the dank abode
Fell dripping, on her long dishevelled hair;
And still her tears, renewed, and silent, flowed:
And when the winds of autumn ceased to swell,
At times was heard a slow and melancholy knell!
'Twas in the twilight of the deepest wood,
Beneath whose boughs like sad Cocytus, famed
Through fabling Greece, from lamentation named[101]
A river dark and silent flowed, there stood 150
A pale and melancholy man, intent
His look upon that drowsy stream he bent,
As ever counting, when the fitful breeze
With strange and hollow sound sung through the trees,
Counting the sallow leaves, that down the current went.
He saw them not:
Earth seemed to him one universal blot.
Sometimes, as most distempered, to and fro
He paced; and sometimes fixed his chilling look
Upon a dreadful book, 160
Inscribed with secret characters of woe;
While gibbering imps, as mocking him, appeared,
And airy laughter 'mid the dusk was heard.
Then Fancy waved her wand again,
And all that valley that so lovely smiled
Was changed to a bare champaign, waste and wild.
"What pale and phantom-horseman rides amain?"
'Tis Terror;--all the plain, far on, is spread
With skulls and bones, and relics of the dead!
From his black trump he blew a louder blast, 170
And earthquakes muttered as the giant passed.
Then said that magic maid, with aspect bland,
'Tis thine to seize his phantom spear,
'Tis thine his sable trumpet to command,
And thrill the inmost heart with shuddering fear.
But hark! to Music's softer sound,
New scenes and fairer views accordant rise:
Above, around,
The mingled measure swells in air, and dies.
Music, in thy charmed shell, 180
What sounds of holy magic dwell!
Oft when that shell was to the ear applied,
Confusion of rich harmonies,
All swelling rose,
That came, as with a gently-swelling tide:
Then at the close,
Angelic voices seemed, aloft,
To answer as it died the cadence soft.
Now, like the hum of distant ocean's stream,
The murmurs of the wond'rous concave seem; 190
And now exultingly their tones prolong
The chorded pÊans of the choral song,
Then Music, with a voice more wildly sweet
Than winds that pipe on the forsaken shore,
When the last rain-drops of the west are o'er,
Warbled: Oh, welcome to my blest retreat,
And give my sounds to the responsive lyre:
With me to these melodious groves retire,
And such pure feelings share,
As, far from noise and folly, soothe thee there. 200
Here Fancy, as the prize were won,
And now she hailed her favourite son,
With energy impatient cried:
The weary world is dark and wide,
Lo! I am with thee still to comfort and to guide.[102]
Nor fear, if, grim before thine eyes,
Pale worldly Want, a spectre, lowers;
What is a world of vanities
To a world as sweet as ours!
When thy heart is sad and lone, 210
And loves to dwell on pleasures flown,
When that heart no more shall bound
At some kind voice's well-known sound,
My spells thy drooping languor shall relieve,
And airy spirits touch thy lonely harp at eve.
Look!--Delight and Hope advancing,
Music joins her thrilling notes,
O'er the level lea come dancing;
Seize the vision as it floats,
Bright-eyed Rapture hovers o'er them, 220
Waving light his seraph wings,
Youth exulting flies before them,
Scattering cowslips as he sings!
Come now, my car pursue,
The wayward Fairy cried;
And high amid the fields of air,
Above the clouds, together we will ride,
And posting on the viewless winds,
So leave the cares of earth and all its thoughts behind.
I can sail, and I can fly, 230
To all regions of the sky,
On the shooting meteor's course,
On a winged griffin-horse!
She spoke: when Wisdom's self drew nigh,
A noble sternness in her searching eye;
Like Pallas helmed, and in her hand a spear,
As not in idle warfare bent, but still,
As resolute, to cope with every earthly ill.
In youthful dignity severe,
She stood: And shall the aspiring mind, 240
To Fancy be alone resigned!
Alas! she cried, her witching lay
Too often leads the heart astray!
Still, weak minstrel, wouldst thou rove,
Drooping in the distant grove,
Forgetful of all ties that bind
Thee, a brother, to mankind?
Has Fancy's feeble voice defied
The ills to poor humanity allied?
Can she, like Wisdom, bid thy soul sustain 250
Its post of duty in a life of pain!
Can she, like meek Religion, bid thee bear
Contempt and hardship in a world of care!
Yet let not my rebuke decry,
In all, her blameless witchery,
Or from the languid bosom tear
Each sweet illusion nourished there.
With dignity and truth, combined,
Still may she rule the manly mind;
Her sweetest magic still impart 260
To soften, not subdue, the heart:
Still may she warm the chosen breast,
Not as the sovereign, but the guest.
Then shall she lead the blameless Muse
Through all her fairest, wildest views;
To mark amid the flowers of morn,
The bee go forth with early horn;
Or when the moon, a softer light
Sheds on the rocks and seas of night,
To hear the circling fairy bands 270
Sing, Come unto these yellow sands!
Sweeter is our light than day,
Fond enthusiast, come away!
Then Chivalry again shall call
The champions to her bannered hall!
The pipe, and song, with many a mingled shout,
Ring through the forest, as the satyr-rout,
Dance round the dragon-chariot of Romance;
Forth pricks the errant knight with rested lance;
Imps, demons, fays, in antic train succeed, 280
The wandering maiden, and the winged steed!
The muttering wizard turns, with haggard look,
The bloody leaves of the accursed book,
Whilst giants, from the gloomy castle tower,
With lifted bats of steel, more dreadful lower!
At times, the magic shall prevail
Of the wild and wonderous tale;
At times, high rapture shall prolong
The deep, enthusiastic song.
Hence, at midnight, thou shalt stray, 290
Where dark ocean flings its spray,
To hear o'er heaven's resounding arch
The Thunder-Lord begin his march!
Or mark the flashes, that present
Some far-off shattered monument;
Whilst along the rocky vale,
Red fires, mingled with the hail,
Run along upon the ground,
And the thunders deeper sound!
The loftier Muse, with awful mien, 300
Upon a lonely rock is seen:
Full is the eye that speaks the dauntless soul;
She seems to hear the gathering tempest roll
Beneath her feet; she bids an eagle fly,
Breasting the whirlwind, through the dark-red sky;
Or, with elated look, lifts high the spear,
As sounds of distant battles roll more near.
Now deep-hushed in holy trance,
She sees the powers of Heaven advance,
And wheels, instinct with spirit, bear 310
God's living chariot through the air;
Now on the wings of morn she seems to rise,
And join the strain of more than mortal harmonies.
Thy heart shall beat exulting as she sings,
And thou shalt cry: Give me an angel's wings!
With sadder sound, o'er Pity's cave,
The willow in the wind shall wave;
And all the listening passions stand, 318
Obedient to thy great command.
With Poesy's sweet charm impressed,
Fancy thus shall warm thy breast;
Still her smiling train be thine,
Still her lovely visions shine,
To cheer, beyond my boasted power,
A sad or solitary hour.
Thus let them soothe a while thy heart,
"Come like shadows, so depart;"
But never may the witching lay
Lead each sense from life astray;
For vain the poet's muse of fire, 330
Vain the magic of his lyre,
Unless the touch subdued impart
Truth and wisdom to the heart!

[100] Theocritus.

[101] "From lamentation named, and loud lament."--_Milton._

[102] I have placed Music last, as I think a perfect musical ear implies the highest degree of cultivation.

CADLAND,[103] SOUTHAMPTON RIVER.

If ever sea-maid, from her coral cave,
Beneath the hum of the great surge, has loved
To pass delighted from her green abode,
And, seated on a summer bank, to sing
No earthly music; in a spot like this,
The bard might feign he heard her, as she dried
Her golden hair, yet dripping from the main,
In the slant sunbeam.
So the pensive bard
Might image, warmed by this enchanting scene, 10
The ideal form; but though such things are not,
He who has ever felt a thought refined;
He who has wandered on the sea of life,
Forming delightful visions of a home
Of beauty and repose; he who has loved,
With filial warmth his country, will not pass
Without a look of more than tenderness
On all the scene; from where the pensile birch
Bends on the bank, amid the clustered group
Of the dark hollies; to the woody shore 20
That steals diminished, to the distant spires
Of Hampton, crowning the long lucid wave.
White in the sun, beneath the forest-shade,
Full shines the frequent sail, like Vanity,
As she goes onward in her glittering trim,
Amid the glances of life's transient morn,
Calling on all to view her!
Vectis[104] there,
That slopes its greensward to the lambent wave,
And shows through softest haze its woods and domes, 30
With gray St Catherine's[105] creeping to the sky,
Seems like a modest maid, who charms the more
Concealing half her beauties.
To the East,
Proud, yet complacent, on its subject realm,
With masts innumerable thronged, and hulls
Seen indistinct, but formidable, mark
Albion's vast fleet, that, like the impatient storm,
Waits but the word to thunder and flash death
On him who dares approach to violate 40
The shores and living scenes that smile secure
Beneath its dragon-watch!
Long may they smile!
And long, majestic Albion (while the sound
From East to West, from Albis[106] to the Po,
Of dark contention hurtles), may'st thou rest,
As calm and beautiful this sylvan scene
Looks on the refluent wave that steals below.

[103] A beautiful seat of Henry Drummond, Esq.

[104] The Isle of Wight.

[105] The highest slowly-rising eminence in the Isle of Wight, seen from the river.

[106] The Elbe.

THE LAST SONG OF CAMOENS.[107]