Chapter II: Part 2

but 'Rejected Addresses' should still carry weight. In the burlesque couplet, ascribed in the first edition to the younger Colman and afterwards transferred to Theodore Hook, we have

That John and Mrs. Bull from ale and tea-houses
May shout huzza for Punch's apotheosis.

It need hardly be said that 'tea-houses' like 'grandfathers' has the stress on the antepenultimate.

There are other words of Greek origin which now break the rules, though I believe the infringement to be quite modern. First we have the class beginning with _proto_. It can hardly be doubted that our ancestors followed rule and said 'pr[)o]tocol', and 'pr[)o]totype', and I suspect also 'pr[)o]tomartyr'. There seems, however, to be a general agreement nowadays to keep the Greek omega. As for 'protagonist' the word is so technical and is often so ludicrously misunderstood that writers on the Greek drama would do well to retain the Greek termination and say 'protagonistes'; for 'protagonist' is very commonly mistaken and used for the opposite of 'antagonist'.

Next come words beginning with _hypo_ or _hyph_. In a disyllable the vowel is long by the 'apex' rule, as in 'hyphen'. In longer words it should be short. So once it was, and we still say 'hypocaust', 'hypocrit', 'hypochondria' (whence 'hypped'), 'hypothesis', and others, but a large group of technical and scientific words seems determined to have a long _y_. It looks as though there were a belief that _y_ is naturally long, though the French influence which gives us 't[=y]rant' does not extend to 'tyranny'. I do not know what Mr. Hardy calls his poem, but I hope he follows the old use and calls it 'The D[)y]nasts'. It might be thought that 'd[)y]nasty' was safe, but it is not. Some modern words like 'dynamite' have been misused from their birth.

Another class begins with _hydro-_ from the Greek word for water. None of them seem to be very old, but probably 'hydraulic' began life with a short _y_. Surely Mrs. Malaprop, when she meant 'hysterics' and said 'hydrostatics', must have used the short _y_. Of course 'hydra' which comes from the same root follows the 'apex' rule.

Words beginning with _hyper-_ seem nowadays always to have a long _y_ except that one sometimes hears 'h[)y]perbole' and 'h[)y]perbolical'. Of course both in _hypo-_ and in _hyper-_ the vowel is short in Greek, so that here at least the strange lengthening cannot be ascribed to the Grecians. The false theory of a long _y_ has not affected 'cynic' or 'cynical', while 'Cyril' has been saved by being a Christian name. We may yet hope to retain _y_ short in 'cylinder', 'cynosure', 'lycanthropy', 'mythology', 'pyramid', 'pyrotechnic', 'sycamore', 'synonym', 'typical'. As for 'h[=y]brid' it seems as much a caprice as '[=a]crid', a pronunciation often heard. Though 'acrid' is a false formation it ought to follow 'vivid' and 'florid'. The 'alias' rule enforces a long _y_ in 'hygiene' and 'hygienic'.

On the matter of Greek names the lettern and the pulpit are grievous offenders. Once it was not so. The clergymen of the old type and the scholars of the Oxford Retrogression said T[)i]m[=o]th[)e][)u]s, because they had a sense of English and followed, consciously or unconsciously, the 'alias' rule. If there was ever an error, it was on the lips of some illiterate literate who made three syllables of the word. Now it seems fashionable to say T[=i]m[)o]th[)e][)u]s. The literate was better than this, for he at least had no theory, and frank ignorance is to be forgiven. It is no shame to a man not to know that the second _i_ in 'Villiers' is as mute as that in 'Parliament' or that Bolingbroke's name began with Bull and ended with brook, but when ignorance constructs a theory it is quite another matter. The etymological theory of pronunciation is intolerable. Etymology was a charming nymph even when men had but a distant acquaintance with her, and a nearer view adds to her graces; but when she is dragged reluctant from her element she flops like a stranded mermaid. The curate says 'Deuteron['o]my', and on his theory ought to say 'econ['o]my' and 'etymol['o]gy'. When Robert Gomery--why not give the reverend poetaster his real if less elegant name--published his once popular work, every one called it 'The Omn['i]presence of the De[:i]ty', and Shelley had already written

And, as I look'd, the bright omn['i]presence
Of morning through the orient cavern flowed.

It is true that Ken a century earlier had committed himself to

Thou while below wert yet on high
By Omnipr['e]sent Deity,

and later Coleridge, perhaps characteristically, had sinned with

There is one Mind, one omnipr['e]sent Mind,

but neither the bishop nor the poet would have said 'omnisc['i]ence', or 'omnip['o]tence'.

Another word to show signs of etymological corruption is '[)e]volution'. It seems to have been introduced as a technical term of the art of war, and of course, like 'd[)e]volution', shortened the _e_. The biologists first borrowed it and later seem desirous of corrupting it. Perhaps they think of such words as '[=e]gress', but the long vowel is right in the stressed penultimate.

One natural tendency in English runs strongly against etymology. This is the tendency to throw the stress back, which about a century ago turned 'cont['e]mplate' into 'c['o]ntemplate' and somewhat later 'ill['u]strate' into '['i]llustrate'. Shakespeare and Milton pronounced 'instinct' as we pronounce 'distinct' and 'aspect' as we pronounce 'respect'. Thus Belarius is made to say

'Tis wonder
That an invisible inst['i]nct should frame them
To royalty unlearn'd,

and Milton has

By this new felt attraction and instinct,

and also

In battailous asp['e]ct and neerer view.

The retrogression of the stress is in these instances well established, and we cannot quarrel with it; but against some very recent instances a protest may be made. One seems to be a corruption of the War. In 1884 the _N.E.D._ recognized no pronunciation of it save 'all['y]', as in Romeo's

This gentleman, the prince's neer Alie.

The late Mr. B.B. Rogers in his translations of Aristophanes has of course no other pronunciation. His verses are too good to be spoiled by what began as a vulgarism. Another equally recent vulgarism, not recognized by the _N.E.D._ and bad enough to make George Russell turn in his grave, is 'm['a]gazine' for 'magaz['i]ne'. It is not yet common, but such vulgarisms are apt to climb.

In times not quite so recent the word 'prophecy' has changed, not indeed its stress, but the quantity of its final vowel. When Alford wrote 'The Queen's English', every one lengthened the last vowel, as in the verb, nor do I remember any other pronunciation in my boyhood. Now the _N.E.D._ gives the short vowel only. Alford to his own satisfaction accounted for the long vowel by the diphthong _ei_ of the Greek. It is to be feared that his explanation would involve 'dynast[=y]' and 'polic[=y]', even if it did not oblige us to turn 'Pompey' into 'Pomp[=y]'. In this case it may be suspected that the noun was assimilated to the verb, which follows the analogy of 'magnify' and 'multiply'. The voice of the people which now gives us 'prophec[)y]' seems here to have felt the power of analogy and assuredly will prevail.

_ON PROPER NAMES._

It is to be hoped that except in reading Latin and Greek texts we shall keep to the traditional pronunciation of proper names as it is enshrined in our poetry and other literature. We must continue to lengthen the stressed penultimate vowel in Athos, Cato, Draco, Eros, Hebrus, Lichas, Nero, Otho, Plato, Pylos, Remus, Samos, Titus, Venus, and the many other disyllables wherein it was short in the ancient tongues. On the other hand we shall shorten the originally long stressed antepenultimate vowel in Brasidas, Euripides, Icarus, Lavinia, Lucilius, Lydia, Nicias, Onesimus, Pegasus, Pyramus, Regulus, Romulus, Scipio, Sisyphus, Socrates, Thucydides, and many more.

Quin, and the actors of his day, used to give to the first vowel in 'Cato' the sound of the _a_ in 'father'. They probably thought that they were Italianizing such names. In fact their use was neither Latin nor English. They were like the men of to-day who speak of the town opposite Dover as 'Cally', a name neither French nor English. A town which once sent members to the English Parliament has a right to an English name. Prior rhymed it with 'Alice' and Browning has

When Fortune's malice
Lost her Calais.

Shakespeare, of course, spelt it 'Callis', and this form, which was first evicted by Pope, whom other editors servilely followed, ought to be restored to Shakespeare's text. In the pronunciation of Cato the stage regained the English diphthong in the mouth of Garrick, whose good sense was often in evidence. It is recorded that his example was not at once followed in Scotland or Ireland. If there was any Highlander on the stage it may be hoped that he gave to the vowel the true Latin sound as it appears in 'Mactavish'.

A once well-known schoolmaster, a correspondent of Conington's, had a daughter born to him whom in his unregenerate days he christened Rosa. At a later time he became a purist in quantities, and then he shortened the _o_ and took the voice out of the _s_ and spoke of her and to her as Rossa. The mother and the sisters refused to acknowledge what they regarded as a touch of shamrock and clung persistently to the English flower. The good gentleman did not call his son Sol[=o]mon,[2] though this is the form which ought to be used by those who turn the traditional English 'Elk[)a]nah' into 'Elk[=a]nah', 'Ab[)a]na' into 'Ab[=a]na', and 'Zeb[)u]lun' into 'Zeb[=u]lun'. If they do not know

Poor Elk[)a]nah, all other troubles past,
For bread in Smithfield dragons hiss'd at last,

yet at least they ought to know

Of Abb[)a]na and Pharphar, lucid streams.

The malison of Milton on their heads! If the translators of the Bible had foreseen 'Zeb[=u]lun', they would have chosen some other word than 'princes' to avoid the cacophony of 'the princes of Zeb[=u]lun'.

[Footnote 2: But pedantry would not suggest this. The New Testament has [Greek: Solom[^o]n], and the Latin Christian poets have the _o_ short. True, the Vatican Septuagint has [Greek: Sal[^o]m[^o]n], but there the vowel of the first syllable is _a_.--H.B.]

That these usages were familiar is evident from the pronunciation of proper, especially Biblical, names. Thus 'B[=a]bel' and 'B[)a]bylon', 'N[=i]nus' and 'N[)i]neveh', were spoken as unconsciously as M[=i]chael' and 'M[)i]chaelmas'. Nobody thought of asking the quantity of the Hebrew vowels before he spoke of 'C[=a]leb' and 'B[=a]rak', of 'G[)i]deon' and 'G[)i]lead', of 'D[)e]borah' and 'Ab[)i]melech', of '[=E]phraim' and 'B[=e]lial'. The seeming exceptions can be explained. Thus the priest said 'H[)e]rod' because in the Vulgate he read 'H[)e]rodes', but there was no Greek or Latin form to make him say anything else than 'M[=e]roz', 'P[=e]rez', 'S[=e]rah', 'T[=e]resh'. He said '[)A]dam' because, although the Septuagint and other books retained the bare form of the name, there were other writings in which the name was extended by a Latin termination. There was no like extension to tempt him to say anything but 'C[=a]desh', '[=E]dom', 'J[=a]don', 'N[=a]dab'. I must admit my inability to explain 'Th[)o]mas', but doubtless there is a reason. The abbreviated form was of course first 'Th[)o]m' and then 'T[)o]m'. Possibly the pet name has claimed dominion over the classical form. As in the _herba impia_ of the early botanists, these young shoots sometimes refuse to be 'trash'd for overtopping'.

A story is told of an eccentric Essex rector. He was reading in church the fourth chapter of Judges, and after 'Now D[)e]borah, a prophetess', suddenly stopped, not much to the astonishment of the rustics, for they knew his ways. Then he went on 'Deb[)o]rah? Deb[)o]rah? Deb[=o]rah! Now Deb[=o]rah, a prophetess', and so on. Probably a freak of memory had reminded him that the letter was omega in the Septuagint. It will be remembered that Miss Jenkyns in _Cranford_ liked her sister to call her Deb[=o]rah, 'her father having once said that the Hebrew name ought to be so pronounced', and it will not be forgotten that the good rector was too sound a scholar to read 'Deb[=o]rah' at the lettern.

An anecdote of Burgon's is to the point. He had preached in St. Mary's what he regarded as an epoch-making sermon, and afterwards he walked home to Oriel with Hawkins, the famous Provost. He looked for comment and hoped for praise, but the Provost's only remark was, 'Why do you say Emm[=a]us?' 'I don't know; isn't it Emm[=a]us?' 'No, no; Emm[)a]us, Emm[)a]us.' When Hawkins was young, in the days of George III, every one said Emmaus, and in such matters he would say, 'I will have no innovations in my time.' On the King's lips the phrase, as referring to politics, was foolish, but Hawkins used it with sense.

PS.--I had meant to cite an anecdote of Johnson. As he walked in the Strand, a man with a napkin in his hand and no hat stept out of a tavern and said, 'Pray, Sir, is it irr['e]parable or irrep['a]irable that one should say?'--'The last, I think, Sir, for the adjective ought to follow the verb; but you had better consult my dictionary than me, for that was the result of more thought than you will now give me time for.' The dictionary rightly gives _irr['e]parable_, and both the rule and example of the Doctor's _obiter dicta_ (literally _obiter_) are wrong.

J.S.

MISCELLANEOUS NOTES AND CORRESPONDENCE

* * * * *

ADDENDA TO HOMOPHONES IN TRACT II

Several correspondents complain of the incompleteness of the list of Homophones in Tract II. The object of that list was to convince readers of the magnitude of the mischief, and the consequent necessity for preserving niceties of pronunciation: evidence of its incompleteness must strengthen its plea. The following words may be added; they are set here in the order of the literary alphabet.

Add to Table I (p. 7)

band, [^1] _a tie_, [^2] _a company_.

bend, [^1] _verb_, [^2] _heraldic sub._

bay, [^1] _tree_, [^2] _arm of sea_, [^3] _window_,
[^4] _barking of dog_, and '_at bay_',
[^5] _a dam_, [^6] _of antler_, [^7] _a colour_.

blaze, [^1] _of flame_, [^2] _to sound forth_.

bluff, [^1] _adj. & sub. = broad = fronted_,
[^2] _blinker_, [^3] _sub. and v. confusing_ [^1] _and_ [^2].

boom, [^1] _to hum_, [^2] _= beam_.

cant, [^1] _whine_, [^2] _to tilt_.

chaff, [^1] _of wheat_, [^2] _= chafe (slang)_.

cove, [^1] _a recess_, [^2] _= chap (slang)_.

file, [^1] _string_, [^2] _rasp_, [^3] _= to defile_.

grave, [^1] _sub._, [^2] _adj._

hind, [^1] _fem. of stag_, [^2] _a peasant_, [^3] _adj. of behind_.

limb, [^1] _member_, [^2] _edge_, [^3] limn.

limber, [^1] _shaft of cart (verb in artillery)_,
[^2] _naut. subs._, [^3] _adj. pliant_.

loom, [^1] _subs._, [^2] _v._

nice, gneiss.

ounce, [^1] _animal_, [^2] _a weight_.

plash, [^1] _= pleach_, [^2] _a puddle_.

port, [^1] _demeanour, & military v._,
[^2] _haven_, [^3] _gate & naut.= port-hole_,
[^4] _= larboard_, [^5] _a wine_.

shingle, [^1] _a wooden tile_, [^2] _gravel_,
[^3] (_in pl._) _a disease_.

shrub, [^1] _a bush_, [^2] _a drink_.

smack, [^1] _a sounding blow_, [^2] _a fishing boat_, [^3] _taste_.

throw, throe.

Also note that _so_ should be added to _sew, sow_, and that the words _leech_, _leach_, are not sufficiently credited with etymological variety: [see below p. 33].

To Table II add

when, _wen_.

To Table VIII

The following words, the absence of which has been noted, are not true homophones:--

crack
fool
fume
gentle
interest
palm
stem
trip

To Table IX add

must [^1] _obs? new wine_, [^2] _verb._

To Shakespearean obsoletes p. 27 add

limn, _lost in_ limb.

* * * * *

THE SKILFUL LEECH

The Poet Laureate has pointed out that several useful words have been lost to the English language because their identity in sound with other words renders it impossible to use them without the risk either of being misunderstood or of calling up undesirable associations. It is owing to this cause that English--or, at least, the English of Great Britain--has no word that can correctly be used as a general designation for a member of the healing profession. In America, I believe, the word is 'physician'; but in England that appellation belongs to one branch of the profession exclusively. The most usual term here is 'doctor'; but the M.D. rightly objects to the application of this title to his professional brother who has no degree; and in a university town to say that John Smith is a doctor would be inconveniently ambiguous. 'Medical man' is cumbrous, and has the further disadvantage (in these days) of not being of common gender. Now the lack of any proper word for a meaning so constantly needing to be expressed is certainly a serious defect in modern (insular) English. The Americans have some right to crow over us here; but their 'physician' is a long word; and though it has been good English in the sense of _medicus_ for six hundred years, it ought by etymology to mean what _physicien_ does in French, and _physicist_ in modern English. Our ancestors were better off in this respect than either we or the Americans. The only native word to denote a practiser of the healing art is _leech_, which is better than the foreign 'physician' because it is shorter. It was once a term of high dignity: Chaucer could apply it figuratively to God, as the healer of souls; and even in the sixteenth century a poet could address his lady as 'My sorowes leech'. Why can we not so use it now? Why do we not speak of 'The Royal College of Leeches'? Obviously, because a word of the same form happens to be the name of an ugly little animal of disgusting habits. If I were to introduce my medical attendant to a friend with the words 'This is my leech', the gentleman (or lady) so presented would think I was indulging in the same sort of pleasantry as is used when a coachman is called a 'whip'; and he (or she) would probably not consider the joke to be in the best of taste. Of course all educated people know that it was once not unusual to speak of a man of medicine as a 'leech'; but probably there are many who imagine that this designation was a disparaging allusion to the man's tool of trade, and that it could be applied only to inferior members of the profession. The ancient appellation of the healer is so far obsolete that if I were to answer a question as to a man's profession with the words 'Oh, he is a leech', there would be some risk of being misunderstood to mean that he was a money-lender.

Etymologists generally have regarded the name of the bloodsucking animal as the same word with _leech_ a physician, the assumption being that the animal received its name from its use as a remedial agent. But the early forms, both in English and Low German, show that the words are originally unconnected. The English for _medicus_ was in the tenth century _l['[ae]]ce_ or _l['e]ce_, and in the thirteenth century _leche_; the word for _sanguisuga_ was in the tenth century _lyce_, and in the thirteenth century _liche_. According to phonetic law the latter word should have become _litch_ in modern English; but it very early underwent a punning alteration which made it homophonous with the ancient word for physician. The unfortunate consequence is that the English language has hopelessly lost a valuable word, for which it has never been able to find a satisfactory substitute.

H.B.

DIFFERENTIATION OF HOMOPHONES

On this very difficult question the attitude of a careful English speaker is shown in the following extract from a letter addressed to us:

METAL, METTLE: AND PRINCIPAL, PRINCIPLE

'I find that I do not _naturally_ distinguish _metal_ and _mettle_ in pronunciation, tho' when there is any danger of ambiguity I say _metal_ for the former and _met'l_ for the latter; and I should probably do so (without thinking about it) in a public speech. In my young days the people about me usually pronounced _met'l_ for both. Theoretically I think the distinction is a desirable one to make; the fact that the words are etymologically identical seems to me irrelevant. The words are distinctly two in modern use: when we talk of _mettle_ (meaning spiritedness) there is in our mind no thought whatever of the etymological sense of the word, and the recollection of it, if it occurred, would only be disturbing. So I intend in future to pronounce metal as _met[e]l_ (when I don't forget). And I am not sure that _met[e]l_ is, strictly speaking, a "spelling-pronunciation": It is possible that the difference in spelling originated in a difference of pronunciation, not the other way about. For _metal_ in its literal sense was originally a scientific word, and in that sense may have been pronounced carefully by people who would pronounce it carelessly when they used it in a colloquial transferred sense approaching to slang.

'The question of _principal_ and _principle_ is different. When I was young, educated people in my circle always, I believe, distinguished them; so to this day when I hear principal pronounced as principle it gives me a squirm, tho' I am afraid nearly everybody does it now. That the words are etymologically distinct does not greatly matter; it is of more importance that I have sometimes been puzzled to know which word a speaker meant; if I remember right, I once had to ask.

'It would be worth while to distinguish _flower_ and _flour_ (which originally, like _metal_ and _mettle_, were the same word); yet in practice it is not easy to make the difference audible. The homophony is sometimes inconvenient.'

CORRECTION TO TRACT II

On p. 37 of TRACT II the words 'the Anglo-prussian society which Mr. Jones represents' have given offence and appear to be inaccurate. The German title of the series in which Jones's Dictionary is one has the following arrangement of words facing the English title:

HERAUSGEGEBEN

UND

DER "ASSOCIATION PHON['E]TIQUE INTERNATIONALE" GEWIDMET

VON

H. MICHAELIS,

and this misled me. I am assured that, though the dictionary may be rightly described as Anglo-Prussian, the Phonetic Association is Gallo-Scandinavian. In behalf of the S.P.E. I apologize to the A. Ph. I. for my mistake which has led one of its eminent associates to accuse me of bearing illwill towards the Germans. The logic of that reproach baffles me utterly.

[R.B.]

* * * * *

SOME LEXICAL MATTERS

FAST = QUICK OR FIRM

'An Old Cricketer' writes:

'After reading your remarks on the ambiguity of the word _fast_ (Tract III, p. 12) I read in the report of a Lancashire cricket match that _Makepeace was the only batsman who was fast-footed_. But for the context and my knowledge of the game I should have concluded that Makepeace kept his feet immovably on the crease; but the very opposite was intended. At school we used to translate [Greek: podas [^o]kus Achilleus] "swift-footed Achilles", and I took that to mean that Achilles was a sprinter. I suppose _quick-footed_ would be the epithet for Makepeace.'

SPRINTER is a good word, though _Sprinting Achilles_ could not be recommended.

BRATTLE

A correspondent from Newcastle writes advocating the recognition of the word _brattle_ as descriptive of thunder. It is a good old echo-word used by Dunbar and Douglas and Burns and by modern English writers. It is familiar through the first stanza of Burns's poem 'To a Mouse'.

Wee sleekit cow'rin tim'rous beastie,
O what a panic's in thy breastie.
Thou need na start awa sae hasty
Wi' bickering brattle....

which is not suggestive of thunder. The _N.E.D._ explains this as 'to run with brattling feet, to scamper'.

In Burns's 'A Winter Night', it is the noisy confusion of _biting Boreas_ in the bare trees and bushes:

I thought me on the ourie cattle
Or silly sheep, wha bide this brattle
O' winter war.

It is possible that _brattle_ has fallen into disuse through too indiscriminate application. After Burns's famous poem the word can establish itself only in the sense of a scurrying dry noise: it is too small for thunder.

We would call attention to the principle involved in this judgement, for it is one of the main objects of our society to assist and guide Englishmen in the use of their language by fully exposing the facts that should determine their practice. Every word has its history, and no word can prosper in the speech or writing of those who do not respect its inherited and unalterable associations; these cannot be got rid of by ignoring them. Littr['e] in the preface to his dictionary claims for it this pre-eminent quality of usefulness, that it will enable his countrymen to speak and write good French by acquainting them with historic tradition, and he says that it was enthusiasm for this one purpose that sustained him in his great work. Its object was to harmonize the present use of the language with the past usage, in order that the present usage may possess all the fullness, richness, and certitude which it can have, and which naturally belong to it. His words are: 'Avant tout, et pour ramener [`a] une id['e]e m[`e]re ce qui va [^e]tre expliqu['e] dans la _Pr['e]face_, je dirai, d['e]finissant ce dictionnaire, qu'il embrasse et combine l'usage pr['e]sent de la langue et son usage pass['e], afin de donner [`a] l'usage pr['e]sent toute la pl['e]nitude et la s[^u]ret['e] qu'il comporte.'

It is the intention of our society to offer only expert and well-considered opinion on these literary matters, which are often popularly handled in the newspapers and journals as fit subjects for private taste and uninformed prejudice: and since the Oxford Dictionary has done more fully for English what Littr['e] did for French, our task is comparatively easy. But experts cannot be expected, all of them, to have the self-denying zeal of ['E]mile Littr['e], and the worth of our tracts will probably improve with the increase of our subscribers.

BICKER

As Burns happens to use _bickering_ as his epithet for the mouse's brattle, we may take this word as another illustration of Littr['e]'s principle. The _N.E.D._ gives the original meaning as _skirmish_, and quotes Shakespeare,

If I longer stay
We shall begin our ancient bickerings,

which a man transposing the third and fourth words might say to-day without rising above colloquial speech; but there is another allied signification which Milton has in

Smoak and bickering flame;

and this is followed by many later writers. It would seem therefore, if the word is to have a special sense, that it must be focused in the idea of something that both wavers and skirmishes, and this suggests another word which caught our eye in the dictionary, that is

BRANGLE

It is defined in the _N.E.D._ as 'a brawl, wrangle, squabble' and marked _obsolete_. It seems to differ from its numerous synonyms by the suggestion of what we call a muddle: that is an active wrangling which has become inextricably confused.

SURVIVALS IN LANCASHIRE SPEECH

Mr. Ernest Stenhouse sends us notes on Tract II, from which we extract the following:

'_Poll_ (= to cut the hair) is still familiar in Lancashire. _Tickle_ (unstable) is obsolescent but not yet obsolete. As a child I often heard _meterly_ (= moderately): e.g. _meterly fausse_ (? false) = moderately cunning. It may still be in use. _Bout_ (= without = A.S. butan) is commonly heard.

'The words tabulated in Tract II, p. 34, and the following pairs are not homophones in Lancashire: stork, stalk; pattern, patten; because although the _r_ in stork and pattern is not trilled as in Scotland, it is distinctly indicated by a modification of the preceding vowel, somewhat similar to that heard in the _[(or]e_ words (p. 35).

'Homophony may arise from a failure to make distinctions that are recognized in P.S.P. Thus in Lancashire the diphthong sound in _flow_, _snow_, _bone_, _coal_, _those_, &c., is very often pronounced as a pure vowel (cf. French _eau_, _mot_): hence confusion arises between _flow_ and _flaw_, _sow_ and _saw_, _coal_ and _call_: both these vowel sounds tending to become indistinguishable from the French _eau_.'

FEASIBLE

_Feasible_ is a good example of a word which appears in danger of being lost through incorrect and ignorant use. It can very well happen that a word which is not quite comfortable may feel its way to a useful place in defiance of etymology; and in such cases it is pedantry to object to its instinctive vagaries. But _feasible_ is a well-set comfortable word which is being ignorantly deprived of its useful definite signification. In the following note Mr. Fowler puts its case clearly, and his quotations, being typically illustrative of the manner in which this sort of mischief comes about, are worthy of attention.

'With those who feel that the use of an ordinary word for an ordinary notion does not do justice to their vocabulary or sufficiently exhibit their cultivation, who in fact prefer the stylish to the working word, _feasible_ is now a prime favourite. Its proper sense is "capable of being done, accomplished, or carried out". That is, it means the same as _possible_ in one of the latter's senses, and its true function is to be used instead of _possible_ where that might be ambiguous. _A thunderstorm is possible_ (but not _feasible_). Irrigation is possible (or, indifferently, _feasible_). _A counter-revolution is possible_; i.e., (a) one may for all we know happen, or (b) we can if we choose bring one about; but, if _b_ is the meaning, _feasible_ is better than _possible_ because it cannot properly bear sense _a_, and therefore obviates ambiguity.

'The wrong use of _feasible_ is that in which, by a slipshod extension, it is allowed to have also the other sense of _possible_, and that of _probable_. This is described by the highest authority as "hardly a justifiable sense etymologically, and ... recognized by no dictionary". It is however becoming very common; in all the following quotations, it will be seen that the natural word would be either _possible_ or _probable_, one of which should have been chosen:--Continuing, Mr. Wood said: "I think it is very feasible that the strike may be brought to an end this week, and it is a significant coincidence that ...". / Witness said it was quite feasible that if he had had night binoculars he would have seen the iceberg earlier. / We ourselves believe that this is the most feasible explanation of the tradition. / This would appear to offer a feasible explanation of the scaffold puzzle.'

PROTAGONIST

Mr. Sargeaunt (on p. 26) suggests that we might do well to keep the full Greek form of this word, and speak and write _protagonistes_. Familiarity with _Agonistes_ in the title of Milton's drama, where it is correctly used as equivalent to 'mighty champion', would be misleading, and the rejection of the English form 'protagonist' seems otherwise undesirable. The following remarks by Mr. Fowler show that popular diction is destroying the word; and if ignorance be allowed its way we shall have a good word destroyed.

'The word that has so suddenly become a prime favourite with journalists, who more often than not make it mean champion or advocate or defender, has no right whatever to any of those meanings, and almost certainly owes them to the mistaking of the first syllable (representing Greek [Greek: pr[^o]tos] "first") for [Greek: pro] "on behalf of"--a mistake made easy by the accidental resemblance to _antagonist_. "Accidental", since the Greek [Greek: ag[^o]nist[^e]s] has different meanings in the two words, in one "combatant", but in the other "play-actor". The Greek [Greek: pr[^o]tag[^o]nist[^e]s] means the actor who takes the chief part in a play--a sense readily admitting of figurative application to the most conspicuous personage in any affair. The deuteragonist and tritagonist take parts of second and third importance, and to talk of several protagonists, or of a chief protagonist or the like, is an absurdity. In the newspapers it is a rarity to meet _protagonist_ in a legitimate sense; but two examples of it are put first in the following collection. All the others are outrages on this learned-sounding word, because some of them distinguish between chief protagonists and others who are not chief, some state or imply that there are more protagonists than one in an affair, and the rest use _protagonist_ as a mere synonym for advocate.

'Legitimate uses: _The "cher Hal['e]vy" who is the protagonist of the amazing dialogue. / Marco Landi, the protagonist and narrator of a story which is skilfully contrived and excellently told, is a fairly familiar type of soldier of fortune._

'Absurd uses with _chief_, &c.: _The chief protagonist is a young Nonconformist minister. / Unlike a number of the leading protagonists in the Home Rule fight, Sir Edward Carson was not in Parliament when.... / It presents a spiritual conflict, centred about its two chief protagonists, but shared in by all its characters._

'Absurd plural uses: _One of the protagonists of that glorious fight for Parliamentary Reform in 1866 is still actively among us. / One of these immense protagonists must fall, and, as we have already foreshadowed, it is the Duke. / By a tragic but rapid process of elimination most of the protagonists have now been removed. / As on a stage where all the protagonists of a drama assemble at the end of the last act. / That letter is essential to a true understanding of the relations of the three great protagonists at this period. / The protagonists in the drama, which has the motion and structure of a Greek tragedy_ (Fy! fy!--a Greek tragedy and protagonists?).

'Confusions with _advocate_, &c.: _The new Warden is a strenuous protagonist of that party in Convocation. / Mr ----, an enthusiastic protagonist of militant Protestantism. / The chief protagonist on the company's side in the latest railway strike, Mr ----. / It was a happy thought that placed in the hands of the son of one of the great protagonists of Evolution the materials for the biography of another. / But most of the protagonists of this demand have shifted their ground. / As for what the medium himself or his protagonists may think of them--for etymological purposes that is neither here nor there._

'Perhaps we need not consider the Greek scholar's feelings; he has many advantages over the rest of us, and cannot expect that in addition he shall be allowed to forbid us a word that we find useful. Is it useful? or is it merely a pretentious blundering substitute for words that are useful? _Pro-_ in _protagonist_ is not the opposite of _anti-_; _-agonist_ is not the same as in _antagonist_; _advocate_ and _champion_ and _defender_ and _combatant_ are better words for the wrong senses given to _protagonist_; and _protagonist_ in its right sense of _the_ (not _a_) chief actor in an affair has still work to do if it could only be allowed to mind its own business.'

* * * * *

AMERICAN APPRECIATION

We are glad to reprint the following short extracts from the _New York Times Book Review and Magazine_, September 26, 1920.

'THE CAMPAIGN FOR PURE ENGLISH

'Among those who joined it (the S.P.E.) immediately were
Arthur J. Balfour, A.C. Bradley, Austin Dobson, Thomas Hardy,
J.W. Mackail, Gilbert Murray, Mrs. Humphry Ward, and Mrs.
Wharton.... The rallying of these men and women of letters
was not more significant than the prompt adhesion of the
Professors of English in the various British Universities:
W.M. Dixon, Oliver Elton, E.S. Gordon, C.H. Herford, W.P.
Ker, G.C. Moore-Smith, F.W. Moorman, A. Quiller-Couch, George
Saintsbury, and H.C.K. Wyld....

'There is a peril to the proper development of the language in
offensive affectations, in persistent pedantry, and in other
results of that comprehensive ignorance of the history of
English, which we find plentifully revealed in many of our
grammars. It is high time that men who love the language, who
can use it deftly and forcibly, and who are acquainted with
the principles and the processes of its growth, should raise
the standard of independence....

'It is encouraging to realize that the atrophy of the
word-making habit is less obvious in the United States than
it is in Great Britain.... We cannot but regret that it is
not now possible to credit to their several inventors American
compounds of a delightful expressiveness--_windjammer,
loan-shark, scare-head_, and that more delectable
_pussy-footed_--all of them verbal creations with an
imaginative quality almost Elizabethan in its felicity, and
all of them examples of the purest English.... We Americans
made the compound _farm-hand_, and employ it in preference to
the British [English?] _agricultural labourer_.

'_The attention of the officers of the society may be called
to the late Professor Lounsbury's lively and enlightening_
History of the English Language, _and to Professor George
Philip Krapp's illuminating study of_ Modern English.

BRANDER MATTHEWS.'

* * * * *

REPORT

Of the proceedings of the Society for the first year ending Xmas, 1920.

The Society still remains governed by the small committee of its original founders: the support of the public and the press has been altogether satisfactory: the suggestions and programme which the committee originally put forward have met with nothing but favourable criticism; no opposition has been aroused, and we are therefore encouraged to meet the numerous invitations that we have received from all parts of the English-speaking world to make our activities more widely known. The sale of the Tracts has been sufficient to pay their expenses; and we are in this respect very much indebted to the Oxford University Press for its generous co-operation; for it has enabled us to offer our subscribers good workmanship at a reasonable price. The publication of this Tract IV closes our first 'year': we regret that the prevalent national disturbances have extended it beyond the solar period, but the conditions render explanation and apology needless.

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FINIS

End of Project Gutenberg's Society for Pure English Tract 4, by John Sargeaunt