Chapter XLI: Part III (2)
We took boat near the lighthouse at the point of the right horn of the bay, which makes a sort of natural port for Genoa; but the wind was high, and the waves long and rough, so that I did not feel quite recompensed by the view of the city, splendid as it was, for the danger apparently incurred. The boatman (I had only one) encouraged me, saying, we were quite safe; but I was not a little glad when we gained the shore, though Shelley and Byron--one of them at least who seemed to have courted agitation from every quarter--would have probably rejoiced in such a situation. More than once, I believe, were they both in extreme danger even on the Lake of Geneva. Every man, however, has his fears of some kind or other, and, no doubt, they had theirs. Of all men whom I have ever known, Coleridge had the most of passive courage in bodily trial, but no one was so easily cowed when moral firmness was required in miscellaneous conversation or in the daily intercourse of social life.
300.
'_How lovely_--_didst thou appear, Savona_' (ll. 209-11).
There is not a single bay along this beautiful coast that might not raise in a traveller a wish to take up his abode there; each as it succeeds seems more inviting than the other; but the desolated convent on the cliff in the bay of Savona struck my fancy most; and had I, for the sake of my own health or of that of a dear friend, or any other cause, been desirous of a residence abroad, I should have let my thoughts loose upon a scheme of turning some part of this building into a habitation, provided as far as might be with English comforts. There is close by it a row, or avenue (I forget which), of tall cypresses. I could not forbear saying to myself, 'What a sweet family walk, or one for lonely musings, would be found under the shade!' but there probably the trees remain little noticed and seldom enjoyed.
301. /p '_This flowering Broom's dear Neighbourhood_' (l. 378). p/
The Broom is a great ornament through the months of March and April to the vales and hills of the Apennines, in the wild part of which it blows in the utmost profusion, and of course successively at different elevations as the season advances. It surpasses ours in beauty and fragrance; but, speaking from my own limited observation only, I cannot affirm the same of several of their wild Spring flowers, the primroses in particular, which I saw not unfrequently but thinly scattered and languishing as compared with ours.
302. _The Religious Movement in the English Church_.
In the printed Notes there is the following on Aquapendente: 'It would be ungenerous not to advert to the religious movement that, since the composition of these verses in 1837, has made itself felt, more or less strongly, throughout the English Church; a movement that takes for its first principle a devout deference to the voice of Christian antiquity. It is not my office to pass judgment on questions of theological detail; but my own repugnance to the spirit and system of Romanism has been so repeatedly, and I trust feelingly, expressed that I shall not be suspected of a leaning that way, if I do not join in the grave charges, thrown out, perhaps, in the heat of controversy, against the learned and pious men to whose labours I allude. I speak apart from controversy, but with a strong faith in the moral temper which would elevate the present by doing reverence to the past. I would draw cheerful auguries for the English Church from this movement as likely to restore among us a tone of piety more earnest and real than that produced by the mere formalities of the understanding, refusing, in a degree which I cannot but lament, that its own temper and judgment shall be controlled by those of antiquity.' From the I.F. MSS. we learn that the preceding note was written by the Rev. F.W. Faber, D.D., as thus: 'The Note at the close of the poem upon the Oxford movement was intrusted to my friend Mr. Frederick Faber. I told him what I wished to be said, and begged that as he was intimately acquainted with several of the Leaders of it, he would express my thought in the way least likely to be taken amiss by them. Much of the work they are undertaking was grievously wanted, and God grant their endeavours may continue to prosper as they have done.'
302[a]. *'_The Pine-tree of Monte Mario_,' [II.]
Rescued by Sir G. Beaumont from destruction. Sir G. Beaumont told me that when he first visited Italy, pine-trees of this species abounded; but that on his return thither, which was more than thirty years after, they had disappeared from many places where he had been accustomed to admire them, and had become rare all over the country, especially in and about Rome. Several Roman villas have within these few years passed into the hands of foreigners, who, I observed with pleasure, have taken care to plant this tree, which in course of years will become a great ornament to the city and to the general landscape.
May I venture to add here, that having ascended the Monte Mario I could not resist embracing the trunk of this interesting monument of my departed friend's feelings for the beauties of nature and the power of that art which he loved so much and in the practice of which he was so distinguished.
[Among the printed Notes is the following--Within a couple of hours of my arrival at Rome, I saw from Monte Pincio the Pine-tree as described in the Sonnet; and while expressing admiration at the beauty of its appearance, I was told by an acquaintance of my fellow-traveller, who happened to join us at the moment, that a price had been paid for it by the late Sir G. Beaumont, upon condition that the proprietor should not act upon his known intention of cutting it down.]
303. '_Is this, ye gods_.' [III. l. 1.]
Sight is at first a sad enemy to imagination, and to those pleasures belonging to old times with which some exertions of that power will always mingle. Nothing perhaps brings this truth home to the feelings more than the city of Rome, not so much in respect to the impression made at the moment when it is first seen and looked at as a whole, for then the imagination may be invigorated, and the mind's eye quickened to perceive as much as that of the imagination; but when particular spots or objects are sought out, disappointment is, I believe, invariably felt. Ability to recover from this disappointment will exist in proportion to knowledge, and the power of the mind to reconstruct out of fragments and parts, and to make details in the present subservient to more adequate comprehension of the past.
304. '_At Rome_.'
'They who have seen the noble Roman's scorn.' [VII. l. 1.]
I have a private interest in this sonnet, for I doubt whether it would ever have been written, but for the lively picture given me by Anna Ricketts of what they had witnessed of the indignation and sorrow expressed by some Italian noblemen of their acquaintance upon the surrender, which circumstances had obliged them to make, of the best portion of their family mansions to strangers.
305. *_At Albano_. [IX]
This sonnet is founded on simple fact, and was written to enlarge, if possible, the views of those who can see nothing but evil in the intercessions countenanced by the Church of Rome. That they are in many respects lamentably pernicious must be acknowledged; but, on the other hand, they who reflect while they see and observe cannot but be struck with instances which will prove that it is a great error to condemn in all cases such mediation, as purely idolatrous. This remark bears with especial force upon addresses to the Virgin.
306. *_Cuckoo at Laverna_. [XIV.]
May 25th, 1837. Among a thousand delightful feelings connected in my mind with the voice of the cuckoo, there is a personal one which is rather melancholy. I was first convinced that age had rather dulled my hearing, by not being able to catch the sound at the same distance as the younger companions of my walks; and of this failure I had proof upon the occasion that suggested these verses. I did not hear the sound till Mr. Robinson had twice or thrice directed my attention to it.
307. _Camaldoli_. [XV.]
This famous sanctuary was the original establishment of Saint Romualdo, (or Rumwald, as our ancestors saxonised the name) in the 11th century, the ground (campo) being given by a Count Maldo. The Camaldolensi, however, have spread wide as a branch of Benedictines, and may therefore be classed among the _gentlemen_ of the monastic orders. The society comprehends two orders, monks and hermits; symbolised by their arms, two doves drinking out of the same cup. The monastery in which the monks here reside is beautifully situated, but a large unattractive edifice, not unlike a factory. The hermitage is placed in a loftier and wilder region of the forest. It comprehends between 20 and 30 distinct residences, each including for its single hermit an inclosed piece of ground and three very small apartments. There are days of indulgence when the hermit may quit his cell, and when old age arrives, he descends from the mountain and takes his abode among the monks.
My companion had, in the year 1831, fallen in with the monk, the subject of these two sonnets, who showed him his abode among the hermits. It is from him that I received the following particulars. He was then about 40 years of age, but his appearance was that of an older man. He had been a painter by profession, but on taking orders changed his name from Santi to Raffaello, perhaps with an unconscious reference as well to the great Sanzio d'Urbino as to the archangel. He assured my friend that he had been 13 years in the hermitage and had never known melancholy or ennui. In the little recess for study and prayer, there was a small collection of books. 'I read only,' said he, 'books of asceticism and mystical theology.' On being asked the names of the most famous mystics, he enumerated _Scaramelli, San Giovanni della Croce, St. Dionysius the Areopayite_ (supposing the work which bears his name to be really his), and with peculiar emphasis _Ricardo di San Vittori_. The works of _Saint Theresa _are also in high repute among ascetics. These names may interest some of my readers.
We heard that Raffaello was then living in the convent; my friend sought in vain to renew his acquaintance with him. It was probably a day of seclusion. The reader will perceive that these sonnets were supposed to be written when he was a young man.
308. _Monk-visitors of Camaldoli_.
'What aim had they the pair of Monks?' (XVII. l. 1.)
In justice to the Benedictines of Camaldoli, by whom strangers are so hospitably entertained, I feel obliged to notice, that I saw among them no other figures at all resembling, in size and complexion, the two monks described in this Sonnet. What was their office, or the motive which brought them to this place of mortification, which they could not have approached without being carried in this or some other way, a feeling of delicacy prevented me from inquiring. An account has before been given of the hermitage they were about to enter. It was visited by us towards the end of the month of May; yet snow was lying thick under the pine-trees, within a few yards of the gate.
309. *_At Vallombrosa_. [XVIII.]
I must confess, though of course I did not acknowledge it in the few lines I wrote in the strangers' book kept at the Convent, that I was somewhat disappointed at Vallombrosa. I had expected, as the name implies, a deep and narrow valley, over-shadowed by enclosing hills: but the spot where the convent stands is in fact not a valley at all, but a cove or crescent open to an extensive prospect. In the book before mentioned I read the notice in the English language, that if any one would ascend the steep ground above the convent, and wander over it, he would be abundantly rewarded by magnificent views. I had not time to act upon the recommendation, and only went with my young guide to a point, nearly on a level with the site of the convent, that overlooks the Vale of Arno for some leagues.
To praise great and good men has ever been deemed one of the worthiest employments of poetry; but the objects of admiration vary so much with time and circumstances, and the noblest of mankind have been found, when intimately known, to be of characters so imperfect, that no eulogist can find a subject which he will venture upon with the animation necessary to create sympathy, unless he confines himself to a particular act, or he takes something of a one-sided view of the person he is disposed to celebrate. This is a melancholy truth, and affords a strong reason for the poetic mind being chiefly exercised in works of fiction. The poet can then follow wherever the spirit of admiration leads him, unchecked by such suggestions as will be too apt to cross his way if all that he is prompted to utter is to be tested by fact. Something in this spirit I have written in the note attached to the Sonnet on the King of Sweden; and many will think that in this poem, and elsewhere, I have spoken of the author of 'Paradise Lost' in a strain of panegyric scarcely justifiable by the tenour of some of his opinions, whether theological or political, and by the temper he carried into public affairs, in which, unfortunately for his genius, he was so much concerned.
[Among the printed Notes is this--The name of Milton is pleasingly connected with Vallombrosa in many ways. The pride with which the Monk, without any previous question from me, pointed out his residence, I shall not readily forget. It may be proper here to defend the Poet from a charge which has been brought against him, in respect to the passage in 'Paradise Lost' where this place is mentioned. It is said, that he has erred in speaking of the trees there being deciduous, whereas they are, in fact, pines. The fault-finders are themselves mistaken: the natural woods of the region of Vallombrosa are deciduous and spread to a great extent; those near the convent are, indeed, mostly pines; but they are avenues of trees planted within a few steps of each other, and thus composing large tracts of wood, plots of which are periodically cut down. The appearance of those narrow avenues, upon steep slopes open to the sky, on account of the height which the trees attain by being forced to grow upwards, is often very impressive. My guide, a boy of about fourteen years old, pointed this out to me in several places.]
310. *_Sonnet at Florence_. [XIX.]
'Under the shadow of a stately pile.'
Upon what evidence the belief rests that this stone was a favourite seat of Dante, I do not know; but a man would little consult his own interest as a traveller, if he should busy himself with doubts as to the fact. The readiness with which traditions of this character are received, and the fidelity with which they are preserved from generation to generation, are an evidence of feelings honourable to our nature. I remember now, during one of my rambles in the course of a college vacation, I was pleased at being shown at ---- a seat near a kind of rocky cell at the source of the river ----, on which it was said that Congreve wrote his _Old Bachelor_. One can scarcely hit on any performance less in harmony with the scene; but it was a local tribute paid to intellect by those who had not troubled themselves to estimate the moral worth of that author's comedies. And why should they? he was a man distinguished in his day, and the sequestered neighbourhood in which he often resided was perhaps as proud of him as Florence of her Dante. It is the same feeling, though proceeding from persons one cannot bring together in this way without offering some apology to the shade of the great visionary.
311. *_The Baptist_. [XX.]
It was very hot weather during the week we stayed at Florence; and, having never been there before, I went through much hard service, and am not, therefore, _ashamed_ to confess, I fell asleep before this picture, and sitting with my back towards the Venus de Medicis. Buonaparte, in answer to one who had spoken of his being in a sound sleep up to the moment when one of his great battles was to be fought, as a proof of the calmness of his mind and command over anxious thoughts, said frankly, 'that he slept because, from bodily exhaustion, he could not help it.' In like manner it is noticed that criminals, on the night previous to their execution, seldom awake before they are called, a proof that the body is the master of us far more than we need be willing to allow.
Should this note by any possible chance be seen by any of my countrymen who might have been in the Gallery at the time (and several persons were there) and witnessed such an indecorum, I hope he will give up the opinion which he might naturally have formed to my prejudice.
312. *_Florence_.
'Rapt above earth,' and the following one. [XXI.-II.]
However, at first, these two Sonnets from M. Angelo may seem in their spirit somewhat inconsistent with each other, I have not scrupled to place them side by side as characteristic of their great author, and others with whom he lived. I feel, nevertheless, a wish to know at what periods of his life they were respectively composed. The latter, as it expresses, was written in his advanced years, when it was natural that the Platonism that pervades the one should give way to the Christian feeling that inspired the other. Between both, there is more than poetic affinity.
312a. *_Among the Ruins of a Convent in the Apennines_. [XXIII.]
The political revolutions of our time have multiplied on the Continent objects that unavoidably call forth reflections such as are expressed in these verses, but the ruins in those countries are too recent to exhibit in anything like an equal degree the beauty with which time and Nature have invested the remains of our convents and abbeys. These verses, it will be observed, take up the beauty long before it is matured, as one cannot but wish it may be among some of the desolations of Italy, France, and Germany.
313. *_Sonnets after leaving Italy_. [XXV.]
I had proof in several instances that the Carbonari, if I may still call them so, and their favourers, are opening their eyes to the necessity of patience, and are intent upon spreading knowledge actively, but quietly as they can. May they have resolution to continue in this course, for it is the only one by which they can truly benefit their country.
We left Italy by the way which is called the 'Nuova Strada d'Allemagna,' to the east of the high passes of the Alps, which take you at once from Italy into Switzerland. The road leads across several smaller heights, and winds down different vales in succession, so that it was only by the accidental sound of a few German words I was aware we had quitted Italy; and hence the unwelcome shock alluded to in the two or three last lines of the Sonnet with which this imperfect series concludes.
314. *_Composed at Rydal on May morning_, 1838.
This and the following Sonnet [now XXVI.] were composed on what we call the 'far terrace' at Rydal Mount, where I have murmured out many thousands of my verses.
315. *_Pillar of Trajan_. [XXVIII.]
These verses had better, perhaps, be transferred to the class of 'Italian Poems.' I had observed in the newspaper that 'The Pillar of Trajan' was given as a subject for a Prize Poem in English verse. I had a wish, perhaps, that my son, who was then an undergraduate at Oxford, should try his fortune; and I told him so: but he, not having been accustomed to write verse, wisely declined to enter on the task; whereupon I showed him these lines as a proof of what might, without difficulty, be done on such a subject.
316. *_The Egyptian Maid_.
In addition to the short notice prefixed to this poem, it may be worth while here to say, that it rose out of a few words casually used in conversation by my nephew Henry Hutchinson. He was describing with great spirit the appearance and movement of a vessel which he seemed to admire more than any other he had ever seen, and said her name was the Water Lily. This plant has been my delight from my boyhood, as I have seen it floating on the lake; and that conversation put me upon constructing and composing the poem. Had I not heard those words it would never have been written. The form of the stanza is new, and is nothing but a repetition of the first five lines as they were thrown off, and is, perhaps, not well suited to narrative, and certainly would not have been trusted to had I thought at the beginning that the poem would have gone to such a length. [The short note referred to _supra_ is as follows: 'For the names and persons in the following poem see the _History of the Renowned Prince Arthur and his Knights of the Round Table_; for the rest the author is answerable; only it may be proper to add that the Lotus, with the bust of the goddess appearing to rise out of the full-blown flower, was suggested by the beautiful work of ancient art once included among the Townley Marbles, and now in the British Museum.']
XIII. THE RIVER DUDDON: A SERIES OF SONNETS.
317. _Introduction_.
The River Duddon rises upon Wrynose Fell, on the confines of Westmoreland, Cumberland, and Lancashire: and, having served as a boundary to the two last counties for the space of about twenty-five miles, enters the Irish Sea, between the Isle of Walney and the Lordship of Millum.
318. '_The River Duddon_.'
A Poet, whose works are not yet known as they deserve to be, thus enters upon his description of the 'Ruins of Rome:'
'The rising Sun
Flames on the ruins in the purer air
Towering aloft;'
and ends thus--
'The setting sun displays
His visible great round, between yon towers,
As through two shady cliffs.'
Mr. Crowe, in his excellent loco-descriptive Poem, 'Lewesdon Hill,' is still more expeditious, finishing the whole on a May-morning, before breakfast.
'Tomorrow for severer thought, but now
To breakfast, and keep festival to-day.'
No one believes, or is desired to believe, that those Poems were actually composed within such limits of time; nor was there any reason why a prose statement should acquaint the Reader with the plain fact, to the disturbance of poetic credibility. But, in the present case, I am compelled to mention, that the above series of Sonnets was the growth of many years;--the one which stands the 14th was the first produced; and others were added upon occasional visits to the Stream, or as recollections of the scenes upon its banks awakened a wish to describe them. In this manner I had proceeded insensibly, without perceiving that I was trespassing upon ground pre-occupied, at least as far as intention went, by Mr. Coleridge; who, more than twenty years ago, used to speak of writing a rural Poem, to be entitled 'The Brook,' of which he has given a sketch in a recent publication. But a particular subject cannot, I think, much interfere with a general one; and I have been further kept from encroaching upon any right Mr. C. may still wish to exercise, by the restriction which the frame of the Sonnet imposed upon me, narrowing unavoidably the range of thought, and precluding, though not without its advantages, many graces to which a freer movement of verse would naturally have led.
May I not venture, then, to hope, that, instead of being a hindrance, by anticipation of any part of the subject, these Sonnets may remind Mr. Coleridge of his own more comprehensive design, and induce him to fulfil it?--There is a sympathy in streams,--'one calleth to another;' and I would gladly believe, that 'The Brook' will, ere long, murmur in concert with 'The Duddon.' But, asking pardon for this fancy, I need not scruple to say, that those verses must indeed be ill-fated which can enter upon such pleasant walks of Nature, without receiving and giving inspiration. The power of waters over the minds of Poets has been acknowledged from the earliest ages;--through the 'Flumina amem sylvasque inglorius' of Virgil, down to the sublime apostrophe to the great rivers of the earth, by Armstrong, and the simple ejaculation of Burns, (chosen, if I recollect right, by Mr. Coleridge, as a motto for his embryo 'Brook,')--
The Muse nae Poet ever fand her,
Till by himsel' he learned to wander
Adown some trotting burn's meander
AND NA' THINK LANG.'
319. *_The Sonnets on the River Duddon_.
It is with the little River Duddon as it is with most other rivers, Ganges and Nile not excepted,--many springs might claim the honour of being its head. In my own fancy, I have fixed its rise near the noted Shire Stones placed at the meeting point of the counties Westmoreland, Cumberland, and Lancashire. They stand by the wayside, on the top of the Wrynose Pass, and it used to be reckoned a proud thing to say, that by touching them at the same time with feet and hands, one had been in three counties at once. At what point of its course the stream takes the name of Duddon, I do not know. I first became acquainted with the Duddon, as I have good reason to remember, in early boyhood. Upon the banks of the Derwent, I had learnt to be very fond of angling. Fish abound in that large river,--not so in the small streams in the neighbourhood of Hawkshead; and I fell into the common delusion, that the farther from home the better sport would be had. Accordingly, one day I attached myself to a person living in the neighbourhood of Hawkshead, who was going to try his fortune, as an angler, near the source of the Duddon. We fished a great part of the day with very sorry success, the rain pouring torrents; and long before we got home, I was worn out with fatigue; and if the good man had not carried me on his back, I must have lain down under the best shelter I could find. Little did I think then it would have been my lot to celebrate, in a strain of love and admiration, the stream which for many years I never thought of without recollections of disappointment and distress.
During my college vacation, and two or three years afterwards, before taking my bachelor's degree, I was several times resident in the house of a near relative, who lived in the small town of Broughton. I passed many delightful hours upon the banks of this river, which becomes an estuary about a mile from that place. The remembrances of that period are the subject of the 21st Sonnet. The subject of the 27th Sonnet is, in fact, taken from a tradition belonging to Rydal Hall, which once stood, as is believed, upon a rocky and woody hill on the right hand as you go from Rydal to Ambleside, and was deserted, from the superstitious fear here described, and the present site fortunately chosen instead. The present Hall was erected by Sir Michael le Fleming, and it may be hoped that at some future time there will be an edifice more worthy of so beautiful a position. With regard to the 30th Sonnet, it is odd enough that this imagination was realised in the year 1840, when I made a tour through this district with my wife and daughter, Miss Fenwick and her niece, and Mr. and Miss Quillinan. Before our return from Seathwaite Chapel, the party separated. Mrs. Wordsworth, while most of us went further up the stream, chose an opposite direction, having told us that we would overtake her on our way to Ulpha. But she was tempted out of the main road to ascend a rocky eminence near it, thinking it impossible we should pass without seeing her. This however unfortunately happened; and then ensued vexation and distress, especially to me, which I should be ashamed to have recorded, for I lost my temper entirely. Neither I nor those who were with me saw her again till we reached the Inn at Broughton, seven miles. This may perhaps in some degree excuse my irritability on the occasion, for I could not but think she had been much to blame. It appeared, however, on explanation, that she had remained on the rock, calling out and waving her handkerchief as we were passing, in order that we also might ascend and enjoy a prospect which had much charmed her. 'But on we went, her signals proving vain.' How then could she reach Broughton before us? When we found she had not gone on to Ulpha Kirk, Mr. Quillinan went back in one of the carriages in search of her. He met her on the road, took her up, and by a shorter way conveyed her to Broughton, where we were all re-united and spent a happy evening.
I have many affecting remembrances connected with this stream. These I forbear to mention, especially things that occurred on its banks during the latter part of that visit to the sea-side, of which the former part is detailed in my Epistle to Sir George Beaumont.
[The following additional notices of his latter excursion to the banks of the Duddon are from a letter to Lady Frederick Bentinck.
'You will have wondered, dear Lady Frederick, what is become of me. I have been wandering about the country, and only returned yesterday. Our tour was by Keswick, Scale Hill, Buttermere, Loweswater, Ennerdale, Calder Abbey, Wastdale, Eskdale, the Vale of Duddon, Broughton, Furness Abbey, Peele Castle, Ulverston, &c.; we had broken weather, which kept us long upon the road, but we had also very fine intervals, and I often wished you had been present. We had such glorious sights! one, in particular, I never saw the like of. About sunset we were directly opposite that large, lofty precipice at Wastwater, which is called the Screes. The ridge of it is broken into sundry points, and along them, and partly along the side of the steep, went driving a procession of yellow vapoury clouds from the sea-quarter towards the mountain Scawfell. Their colours I have called yellow, but it was exquisitely varied, and the shapes of the rocks on the summit of the ridge varied with the density or thinness of the vapours. The effect was most enchanting; for right above was steadfastly fixed a beautiful rainbow. We were a party of seven, Mrs. Wordsworth, my daughter, and Miss Fenwick included, and it would be difficult to say who was most delighted. The Abbey of Furness, as you well know, is a noble ruin, and most happily situated in a dell that entirely hides it from the surrounding country. It is taken excellent care of, and seems little dilapidated since I first knew it, more than half a century ago.][1]
[1] _Memoirs_, ii. 97-8.
320. _The Wild Strawberry: Sympson_. [Sonnet VI. ll. 9-10.]
'There bloomed the strawberry of the wilderness,
The trembling eyebright showed her sapphire blue.'
These two lines are in a great measure taken from 'The Beauties of Spring, a Juvenile Poem,' by the Rev. Joseph Sympson. He was a native of Cumberland, and was educated in the vale of Grasmere, and at Hawkshead school: his poems are little known, but they contain passages of splendid description; and the versification of his 'Vision of Alfred' is harmonious and animated. In describing the motions of the Sylphs, that constitute the strange machinery of his Poem, he uses the following illustrative simile:
--'Glancing from their plumes
A changeful light the azure vault illumes.
Less varying hues beneath the Pole adorn
The streamy glories of the Boreal morn,
That wavering to and fro their radiance shed
On Bothnia's gulf with glassy ice o'erspread,
Where the lone native, as he homeward glides,
On polished sandals o'er the imprisoned tides,
And still the balance of his frame preserves,
Wheeled on alternate foot in lengthening curves,
Sees at a glance, above him and below,
Two rival heavens with equal splendour glow.
Sphered in the centre of the world he seems;
For all around with soft effulgence gleams;
Stars, moons, and meteors, ray opposed to ray,
And solemn midnight pours the blaze of day.'
He was a man of ardent feeling, and his faculties of mind, particularly his memory, were extraordinary. Brief notices of his life ought to find a place in the History of Westmoreland.
321. '_Return' and 'Seathwaite Chapel_.' [Sonnets XVII. and XVIII.]
The EAGLE requires a large domain for its support: but several pairs, not many years ago, were constantly resident in this country, building their nests in the steeps of Borrowdale, Wastdale, Ennerdale, and on the eastern side of Helvellyn. Often have I heard anglers speak of the grandeur of their appearance, as they hovered over Red Tarn, in one of the coves of this mountain. The bird frequently returns, but is always destroyed. Not long since, one visited Rydal lake, and remained some hours near its banks: the consternation which it occasioned among the different species of fowl, particularly the herons, was expressed by loud screams. The horse also is naturally afraid of the eagle.--There were several Roman stations among these mountains; the most considerable seems to have been in a meadow at the head of Windermere, established, undoubtedly, as a check over the Passes of Kirkstone, Dunmailraise, and of Hardknot and Wrynose. On the margin of Rydal lake, a coin of Trajan was discovered very lately.--The ROMAN FORT here alluded to, called by the country people '_Hardknot Castle_,' is most impressively situated half-way down the hill on the right of the road that descends from Hardknot into Eskdale. It has escaped the notice of most antiquarians, and is but slightly mentioned by Lysons.--The DRUIDICAL CIRCLE is about half a mile to the left of the road ascending Stone-side from the vale of Duddon: the country people call it '_Sunken Church_.'
The reader who may have been interested in the foregoing Sonnets, (which together may be considered as a Poem,) will not be displeased to find in this place a prose account of the Duddon, extracted from Green's comprehensive _Guide to the Lakes_, lately published. 'The road leading from Coniston to Broughton is over high ground, and commands a view of the River Duddon; which, at high water, is a grand sight, having the beautiful and fertile lands of Lancashire and Cumberland stretching each way from its margin. In this extensive view, the face of Nature is displayed in a wonderful variety of hill and dale; wooded grounds and buildings; amongst the latter Broughton Tower, seated on the crown of a hill, rising elegantly from the valley, is an object of extraordinary interest. Fertility on each side is gradually diminished, and lost in the superior heights of Blackcomb, in Cumberland, and the high lands between Kirkby and Ulverstone.
'The road from Broughton to Seathwaite is on the banks of the Duddon, and on its Lancashire side it is of various elevations. The river is an amusing companion, one while brawling and tumbling over rocky precipices, until the agitated water becomes again calm by arriving at a smoother and less precipitous bed, but its course is soon again ruffled, and the current thrown into every variety of form which the rocky channel of a river can give to water.'--_Vide Green's Guide to the Lakes_, vol. i. pp. 98-100.
After all, the traveller would be most gratified who should approach this beautiful Stream, neither at its source, as is done in the Sonnets, nor from its termination; but from Coniston over Walna Scar; first descending into a little circular valley, a collateral compartment of the long winding vale through which flows the Duddon. This recess, towards the close of September, when the after-grass of the meadow is still of a fresh green, with the leaves of many of the trees faded, but perhaps none fallen, is truly enchanting. At a point elevated enough to show the various objects in the valley, and not so high as to diminish their importance, the stranger will instinctively halt. On the foreground, a little below the most favourable station, a rude foot-bridge is thrown over the bed of the noisy brook foaming by the wayside. Russet and craggy hills, of bold and varied outline, surround the level valley, which is besprinkled with grey rocks plumed with birch trees. A few homesteads are interspersed, in some places peeping out from among the rocks like hermitages, whose site has been chosen for the benefit of sunshine as well as shelter; in other instances, the dwelling-house, barn, and byre compose together a cruciform structure, which, with its embowering trees, and the ivy clothing part of the walls and roof like a fleece, call to mind the remains of an ancient abbey. Time, in most cases, and Nature everywhere, have given a sanctity to the humble works of man that are scattered over this peaceful retirement. Hence a harmony of tone and colour, a consummation and perfection of beauty, which would have been marred had aim or purpose interfered with the course of convenience, utility, or necessity. This unvitiated region stands in no need of the veil of twilight to soften or disguise its features. As it glistens in the morning sunshine, it would fill the spectator's heart with gladsomeness. Looking from our chosen station, he would feel an impatience to rove among its pathways, to be greeted by the milkmaid, to wander from house to house, exchanging 'good-morrows' as he passed the open doors; but, at evening, when the sun is set, and a pearly light gleams from the western quarter of the sky, with an answering light from the smooth surface of the meadows; when the trees are dusky, but each kind still distinguishable; when the cool air has condensed the blue smoke rising from the cottage chimneys; when the dark mossy stones seem to sleep in the bed of the foaming brook; _then_, he would be unwilling to move forward, not less from a reluctance to relinquish what he beholds, than from an apprehension of disturbing, by his approach, the quietness beneath him. Issuing from the plain of this valley, the brook descends in a rapid torrent passing by the churchyard of Seathwaite. The traveller is thus conducted at once into the midst of the wild and beautiful scenery which gave occasion to the Sonnets from the 14th to the 20th inclusive. From the point where the Seathwaite brook joins the Duddon, is a view upwards, into the pass through which the river makes its way into the plain of Donnerdale. The perpendicular rock on the right bears the ancient British name of THE PEN; the one opposite is called WALLA-BARROW CRAG, a name that occurs in other places to designate rocks of the same character. The _chaotic_ aspect of the scene is well marked by the expression of a stranger, who strolled out while dinner was preparing, and at his return, being asked by his host, 'What way he had been wandering?' replied, 'As far as it is _finished_!'
The bed of the Duddon is here strewn with large fragments of rocks fallen from aloft; which, as Mr. Green truly says, 'are happily adapted to the many-shaped waterfalls,' (or rather water-breaks, for none of them are high,) 'displayed in the short space of half a mile.' That there is some hazard in frequenting these desolate places, I myself have had proof; for one night an immense mass of rock fell upon the very spot where, with a friend, I had lingered the day before. 'The concussion,' says Mr. Green, speaking of the event, (for he also, in the practice of his art, on that day sat exposed for a still longer time to the same peril,) 'was heard, not without alarm, by the neighbouring shepherds.' But to return to Seathwaite Churchyard: it contains the following inscription:
In memory of the Reverend Robert Walker, who died the 25th of June,
1802, in the 93d year of his age, and 67th of his curacy at
Seathwaite.
'Also, of Anne his wife, who died the 28th of January, in the 93d
year of her age.'
In the parish-register of Seathwaite Chapel, is this notice:
'Buried, June 28th, the Rev. Robert Walker. He was curate of
Seathwaite sixty-six years. He was a man singular for his
temperance, industry, and integrity.'
This individual is the Pastor alluded to, in the eighteenth Sonnet, as a worthy compeer of the country parson of Chaucer, &c. In the seventh book of the _Excursion_, an abstract of his character is given, beginning--
'A Priest abides before whose life such doubts
Fall to the ground;--'
and some account of his life, for it is worthy of being recorded, will not be out of place here.
322. _Memoir of the Rev. Robert Walker_.
('Pastor,' in Book vii. of 'The Excursion.')
In the year 1709, Robert Walker was born at Under-crag, in Seathwaite; he was the youngest of twelve children. His eldest brother, who inherited the small family estate, died at Under-crag, aged ninety-four, being twenty-four years older than the subject of this Memoir, who was born of the same mother. Robert was a sickly infant; and, through his boyhood and youth, continuing to be of delicate frame and tender health, it was deemed best, according to the country phrase, to _breed him a scholar_; for it was not likely that he would be able to earn a livelihood by bodily labour. At that period few of these dales were furnished with schoolhouses; the children being taught to read and write in the chapel; and in the same consecrated building, where he officiated for so many years both as preacher and schoolmaster, he himself received the rudiments of his education. In his youth he became schoolmaster at Loweswater; not being called upon, probably, in that situation, to teach more than reading, writing, and arithmetic. But, by the assistance of a 'Gentleman' in the neighbourhood, he acquired, at leisure hours, a knowledge of the classics, and became qualified for taking holy orders. Upon his ordination, he had the offer of two curacies: the one, Torver, in the vale of Coniston,--the other, Seathwaite, in his native vale. The value of each was the same, _viz_., five pounds _per annum_: but the cure of Seathwaite having a cottage attached to it, as he wished to marry, he chose it in preference. The young person on whom his affections were fixed, though in the condition of a domestic servant, had given promise, by her serious and modest deportment, and by her virtuous dispositions, that she was worthy to become the helpmate of a man entering upon a plan of life such as he had marked out for himself. By her frugality she had stored up a small sum of money, with which they began house-keeping. In 1735 or 1736, he entered upon his curacy; and, nineteen years afterwards, his situation is thus described, in some letters to be found in the _Annual Register_ for 1760, from which the following is extracted:--
'To MR. ----.
'Coniston, July 26, 1754.
'Sir,--I was the other day upon a party of pleasure, about five or six miles from this place, where I met with a very striking object, and of a nature not very common. Going into a clergyman's house (of whom I had frequently heard), I found him sitting at the head of a long square table, such as is commonly used in this country by the lower class of people, dressed in a coarse blue frock, trimmed with black horn buttons; a checked shirt, a leathern strap about his neck for a stock, a coarse apron, and a pair of great wooden-soled shoes plated with iron to preserve them (what we call clogs in these parts), with a child upon his knee, eating his breakfast; his wife, and the remainder of his children, were some of them employed in waiting upon each other, the rest in teasing and spinning wool, at which trade he is a great proficient; and moreover, when it is made ready for sale, will lay it, by sixteen or thirty-two pounds' weight, upon his back, and on foot, seven or eight miles, will carry it to the market, even in the depth of winter. I was not much surprised at all this, as you may possibly be, having heard a great deal of it related before. But I must confess myself astonished with the alacrity and the good humour that appeared both in the clergyman and his wife, and more so at the sense and ingenuity of the clergyman himself...'
Then follows a letter from another person, dated 1755, from which an extract shall be given.
'By his frugality and good management, he keeps the wolf from the door, as we say; and if he advances a little in the world, it is owing more to his own care, than to anything else he has to rely upon. I don't find his inclination is running after further preferment. He is settled among the people, that are happy among themselves; and lives in the greatest unanimity and friendship with them; and, I believe, the minister and people are exceedingly satisfied with each other; and indeed how should they be dissatisfied when they have a person of so much worth and probity for their pastor? A man who, for his candour and meekness, his sober, chaste, and virtuous conversation, his soundness in principle and practice, is an ornament to his profession, and an honour to the country he is in; and bear with me if I say, the plainness of his dress, the sanctity of his manners, the simplicity of his doctrine, and the vehemence of his expression, have a sort of resemblance to the pure practice of primitive Christianity.'
We will now give his own account of himself, to be found in the same place.
'FROM THE REV. ROBERT WALKER.
'Sir,--Yours of the 26th instant was communicated to me by Mr. C----, and I should have returned an immediate answer, but the hand of Providence, then laying heavy upon an amiable pledge of conjugal endearment, hath since taken from me a promising girl, which the disconsolate mother too pensively laments the loss of; though we have yet eight living, all healthful, hopeful children, whose names and ages are as follows:--Zaccheus, aged almost eighteen years; Elizabeth, sixteen years and ten months; Mary, fifteen; Moses, thirteen years and three months; Sarah, ten years and three months; Mabel, eight years and three months; William Tyson, three years and eight months; and Anne Esther, one year and three months; besides Anne, who died two years and six months ago, and was then aged between nine and ten; and Eleanor, who died the 23d inst., January, aged six years and ten months. Zaccheus, the eldest child, is now learning the trade of tanner, and has two years and a half of his apprenticeship to serve. The annual income of my chapel at present, as near as I can compute it, may amount to about 17_l._, of which is paid in cash, viz., 5_l._ from the bounty of Queen Anne, and 5_l._ from W.P., Esq., of P----, out of the annual rents, he being lord of the manor; and 3_l._ from the several inhabitants of L----, settled upon the tenements as a rent-charge; the house and gardens I value at 4_l._ yearly, and not worth more; and I believe the surplice fees and voluntary contributions, one year with another, may be worth 3_l._; but as the inhabitants are few in number, and the fees very low, this last-mentioned sum consists merely in free-will offerings.
'I am situated greatly to my satisfaction with regard to the conduct and behaviour of my auditory, who not only live in the happy ignorance of the follies and vices of the age, but in mutual peace and good-will with one another, and are seemingly (I hope really too) sincere Christians, and sound members of the Established Church, not one dissenter of any denomination being amongst them all. I got to the value of 40_l._ for my wife's fortune, but had no real estate of my own, being the youngest son of twelve children, born of obscure parents; and, though my income has been but small, and my family large, yet, by a providential blessing upon my own diligent endeavours, the kindness of friends, and a cheap country to live in, we have always had the necessaries of life. By what I have written (which is a true and exact account, to the best of my knowledge,) I hope you will not think your favour to me, out of the late worthy Dr. Stratford's effects, quite misbestowed, for which I must ever gratefully own myself,
Sir, 'Your much obliged and most obedient humble Servant, 'R.W., Curate of S----.
'To Mr. C., of Lancaster.'
About the time when this letter was written the Bishop of Chester recommended the scheme of joining the curacy of Ulpha to the contiguous one of Seathwaite, and the nomination was offered to Mr. Walker; but an unexpected difficulty arising, Mr. W., in a letter to the Bishop, (a copy of which, in his own beautiful handwriting, now lies before me,) thus expresses himself. 'If he,' meaning the person in whom the difficulty originated, 'had suggested any such objection before, I should utterly have declined any attempt to the curacy of Ulpha; indeed, I was always apprehensive it might be disagreeable to my auditory at Seathwaite, as they have been always accustomed to double duty, and the inhabitants of Ulpha despair of being able to support a schoolmaster who is not curate there also; which suppressed all thoughts in me of serving them both.' And in a second letter to the Bishop he writes:
'My Lord,--I have the favour of yours of the 1st instant, and am exceedingly obliged on account of the Ulpha affair: if that curacy should lapse into your Lordship's hands, I would beg leave rather to decline than embrace it; for the chapels of Seathwaite and Ulpha, annexed together, would be apt to cause a general discontent among the inhabitants of both places; by either thinking themselves slighted, being only served alternately, or neglected in the duty, or attributing it to covetousness in me; all which occasions of murmuring I would willingly avoid.' And in concluding his former letter, he expresses a similar sentiment upon the same occasion, 'desiring, if it be possible, however, as much as in me lieth, to live peaceably with all men.'
* * * * *
The year following, the curacy of Seathwaite was again augmented; and, to effect this augmentation, fifty pounds had been advanced by himself; and, in 1760, lands were purchased with eight hundred pounds. Scanty as was his income, the frequent offer of much better benefices could not tempt Mr. W. to quit a situation where he had been so long happy, with a consciousness of being useful. Among his papers I find the following copy of a letter, dated 1775, twenty years after his refusal of the curacy of Ulpha, which will show what exertions had been made for one of his sons.
'May it please your Grace,--Our remote situation here makes it difficult to get the necessary information for transacting business regularly; such is the reason of my giving your Grace the present trouble.
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The Prose Works of William WordsworthChapter XLI: Part III (2)
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