The Psychology of Singing
by OpenStories
Original author: David C. Taylor
"The Psychology of Singing" by David C. Taylor is a scientific publication written in the early 20th century. This work seeks to bridge the gap between theoretical understanding and practical instruction in voice culture by analyzing and critiquing existing methods of vocal training through a psychological and scientific lens. The book examines the mechanics of tone production, the physiological aspects of the voice, and the psychological elements involved in effective vocal training. At the start of the book, the author introduces the complexities surrounding the science of voice culture, lamenting the disconnect between established theory and actual teaching practices. He argues that while the anatomy and mechanics of the voice are well understood, the psychological aspects crucial for effective vocal management are often overlooked. Taylor emphasizes the necessity for a comprehensive understanding of voice training that includes both empirical observation—through attentive listening to singers—and adherence to psychological principles, rather than solely mechanical methods. The opening chapters set the stage for a critical examination of popular vocal methodologies and propose a new direction grounded in imitation and psychological insight.
The Psychology of Singing, by David C. Taylor. Republished by OpenStories from Project Gutenberg eBook #21957.
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29 Chapters
- 1.Preface922 words
- 2.Part III: contains a summary of all present knowledge of the voice710 words
- 3.Part I: Modern Methods of Instruction in Singing189 words
- 4.Chapter I: Tone-Production and Voice Culture3,137 words
- 5.Chapter II: Breathing and Breath-Control2,614 words
- 6.Chapter III: Registers and Laryngeal Action3,701 words
- 7.Chapter IV: Resonance2,339 words
- 8.Chapter V: Empirical Materials of Modern Methods4,445 words
- 9.Chapter VI: A General View of Modern Voice Culture2,548 words
- 10.Chapter I: Mechanical Vocal Management as the Basis of Voice Culture1,338 words
- 11.Chapter II: The Fallacy of the Doctrine of Breath-Control1,419 words
- 12.Chapter III: The Fallacies of Forward Emission, Chest Resonance, and Nasal Resonance840 words
- 13.Chapter IV: The Futility of the Materials of Modern Methods861 words
- 14.Chapter V: The Error of the Theory of Mechanical Vocal Management2,431 words
- 15.Chapter I: The Means of Empirical Observation of the Voice1,977 words
- 16.Chapter II: Sympathetic Sensations of Vocal Tone2,306 words
- 17.Chapter III: Empirical Knowledge of the Voice1,794 words
- 18.Chapter IV: The Traditional Precepts of the Old Italian School2,049 words
- 19.Chapter V: Empirical Knowledge in Modern Voice Culture2,125 words
- 20.Chapter VI: Scientific Knowledge of the Voice4,405 words
- 21.Chapter I: The Correct Vocal Action1,759 words
- 22.Chapter II: The Causes of Throat Stiffness and of Incorrect Vocal Action2,606 words
- 23.Chapter III: Throat Stiffness and Incorrect Singing2,319 words
- 24.Chapter IV: The True Meaning of Vocal Training2,842 words
- 25.Chapter V: Imitation the Rational Basis of Voice Culture2,309 words
- 26.Chapter VI: The Old Italian Method3,089 words
- 27.Chapter VII3,814 words
- 28.Chapter VIII: The Materials of Rational Instruction in Singing3,734 words
- 29.Chapter IX: Outlines of a Practical Method of Voice Culture2,257 words