Chapter IX: Part 9

"Sure I don't," said Jude in the manner of one who has abundant knowledge in reserve. "But they say that the sheriff and Sinclair have become regular bunkies. Don't do nothing hardly but sit and chin with each other over in the jail. Ever know Kern to do that before?"

They shook their heads.

"Which is a sign that Sinclair may be all right," said the sober Whitey.

"Which is a sign that he might have something on the sheriff," said Jude Cartwright. "I don't say that he _has_, mind you, but it looks kind of queer. He yanked a prisoner away from the sheriff one day, and the next day he's took for murder. Did the sheriff have much to do with his taking? No, he didn't. By all accounts it was Arizona that done the taking, planning and everything. And after Sinclair is took, what does the sheriff do? He gets on the trail of Arizona and has him checked in for murder of another gent. Maybe Arizona is guilty, maybe he ain't. But it kind of looks as if they was something between Sinclair and Kern, don't it?"

At this bold exposition of possibilities they paused.

"Kern is figured tolerable straight," declared Whitey.

"Sure he is. That's because he don't talk none and does his work. Besides, he's a killer. That's his job. So is Sinclair a killer. Maybe he did fight Quade square, but Quade ain't the only one. Why, boys, this Sinclair has got a record as long as my arm."

In silence they sat around the table, each man thinking hard. The professional gunman gets scant sympathy from ordinary cowpunchers.

"Now I dropped in at the jail," said the man of the great freckles, "and come to think about it, I heard Sinclair singing, and I seen him polishing his spurs."

"Sure, he's getting ready for a ride," put in Cartwright.

There was a growl from the others. They were slowly turning their interest from the game to Cartwright.

"What d'you mean a ride?"

"Got another hundred," said Cartwright calmly, "that when the morning comes it won't find Sinclair in the jail."

At once they were absolutely silenced, for money talks in an eloquent voice. Deliberately Cartwright counted out the two stacks of shimmering twenty-dollar gold pieces, five to a stack.

"One hundred that he don't hang; another hundred that he ain't in the jail when the morning comes. Any takers, boys? It had ought to be easy money--if everything's square."

Whitey made a move, but finally merely raised his hand and rubbed his chin. He was watching that gold on the table with catlike interest. A man _must_ know something to be so sure.

"I'd like to know," murmured the man of the freckles disconnectedly.

"Well," said Cartwright, "they ain't much of a mystery about it. For one thing, if the sheriff was plumb set on keeping them two, why didn't he take 'em over to Woodville today, where they's a jail they couldn't bust out of, eh?"

Again they were silenced, and in an argument, when a man falls silent, it simply means that he is thinking hard on the other side.

"But as far as I'm concerned," went on Cartwright, yawning again, "it don't make no difference one way or another. Sour Creek ain't my town, and I don't care if it gets the ha-ha for having its jail busted open. Of course, after the birds have flown, the sheriff will ride hard after 'em--on the wrong trail!"

Whitey raised his slender, agile, efficient hand.

"Gents," he said, "something has got to be done. This man Cartwright is giving us the truth! He's got his hunch, and hunches is mostly always right."

"Speak out, Whitey," said the man with the freckles encouragingly. "I like your style of thinking."

Nodding his acknowledgments, Whitey said:

"The main thing seems to be that Sinclair and Arizona is old hands at killing. And they had ought to be hung. Well, if the sheriff ain't got the rope, maybe we could help him out, eh?"

34

The moment her husband was gone, Jig dropped back in her chair and buried her face in her arms, weeping. But there is a sort of sad happiness in making sacrifices for those we love, and presently Jig was laughing through her tears and trembling as she wiped the tears away. After a time she was able to make herself ready for another appearance in the street of Sour Creek. She practiced back and forth in her room that exaggerated swagger, jerked her sombrero rakishly over one eye, cocked up her cartridge belt at one side, and swung down the stairs.

She went straight to the jail and met the sheriff at the door, where he sat, smoking a stub of a pipe. He gaped widely at the sight of her, smoke streaming up past his eyes. Then he rose and shook hands violently.

"All I got to say, Jig," he remarked, "is that the others was the ones that made the big mistake. When I went and arrested you, I was just following in line. But I'm sorry, and I'm mighty glad that you been found to be O.K."

Wanly she smiled and thanked him for his good wishes.

"I'd like to see Sinclair," she said.

Kern's amiability increased.

"The best thing I know about you, Jig, is that you ain't turning Sinclair down, now that he's in trouble. Go right back in the jail. Him and Arizona is chinning. Wait a minute. I guess I got to keep an eye on you to see you don't pass nothing through the bars. Keep clean back from them bars, Jig, and then you can talk all you want. I'll stay here where I can watch you but can't hear. Is that square?"

"Nothing squarer in the world," said Jig and went in.

She left the sheriff grinning vacantly into the dark. There was a peculiar something in Jig's smile that softened men.

But when she stepped into the sphere of the lantern light that spread faintly through the cell, she was astonished to see Arizona and Sinclair kneeling opposite each other, shooting dice with abandon and snapping of the fingers. They rose, laughing at the sight of her, and came to the bars.

"But you aren't worried?" asked Jig. "You aren't upset by all this?"

It was Arizona who answered, a strangely changed Arizona since his entrance into the jail.

"Look here," he said gaily, "why should we be worryin'? Ain't we got a good sound roof over our heads, with a set of blankets to sleep in?"

He smiled at tall Sinclair, then changed his voice.

"Things fell through," he said softly, glancing at the far-off shadowy figure of the sheriff. "Sorry, but we'll work this out yet."

"I know," she answered. She lowered her voice to caution. "I'm only going to stay a moment to keep away suspicions. Listen! Something is going to happen tonight that will set you both free. Don't ask me what it is. But, among those cottonwoods behind the blacksmith shop, I'm going to have two good horses saddled and ready for you. One will be your roan, Arizona. And I'll have a good horse for you, Riley. And when you're free start for those horses."

Sinclair laid hold on the bars with his big hands and pressed his face close to the iron, staring at her.

"You ain't coming along with us?" he asked.

"I--no."

"Are you going to stay here?"

"Perhaps! I don't know--I haven't made up my mind."

"Has Cartwright--"

She broke away from those entangling questions. "I must go."

"But you'll be at the place with the horses?"

"Yes."

"Then so long till the time comes. And--you're a brick, Jig!"

Once outside the jail, she set to work at once. As for getting the roan, it was the simplest thing in the world. There was no one in the stable behind the hotel, and no one to ask questions. She calmly saddled the roan, mounted him, and rode by a wider detour to the cottonwoods behind the blacksmith shop.

Her own horse was to be for Sinclair. But before she took him, she went into the hotel, and the first man she found on the veranda was Cartwright. He came to her at once, shifting away from the others.

"How are things?"

"Good," said Cartwright. "Ain't you heard 'em talking?"

Here and there about the hotel, men stood in knots of three and four, talking in low voices.

"Are they talking about _that_?"

"Sure they are," said Cartwright, relieved. "You ain't heard nothing?"

"Not a word."

"Then the thing for you to do is to keep under cover. You don't want to get mixed up in this thing, eh?"

"I suppose not."

"Keep out of sight, honey. The crowd will start pretty soon and tear things loose." He could not resist one savage thrust. "A rope, or a pair of ropes, will do the work."

"Ropes?"

"One to tie Kern, and one to tie his deputy," he explained smoothly. "Where you going now?"

"Getting their retreat ready," she whispered excitedly. "I've already warned them where to go to get the horses."

She waved to him and stepped back into the night, convinced that all was well. As for Cartwright, he hesitated, staring after her. After all, if his plan developed, it would be wise for him to allow the others to do the work of mischief. He had no wish to be actively mixed up with a lynching party. Sometimes there were after results. And if he had done no more than talk, there would be small hold upon him by the law.

Moreover, things were going smoothly under the guidance of Whitey. The pale-faced man had thrown himself body and soul into the movement. It was a rare thing to see Whitey excited. Other men were readily impressed. After a time, when anger had reached a certain point where men melt into hot action, these fixed figures of men would sweep into fluid action. And then the fates of Arizona and Sinclair would be determined.

It pleased Cartwright more than any action of his life to feel that he had stirred up this movement. It pleased him still more to know that he could now step back and watch the work of ruin go on. It was like disturbing the one small stone which starts the avalanche, which eventually smashes the far-off forest.

So much was done, then. And now why not make sure that the very last means of retreat for the pair was blocked? The girl went to get the horses. And if, by the one chance in twenty, the two should actually break out of the jail, it would remain to Cartwright to kill the horses or the men. He did not care which.

He slipped behind the hotel and presently saw the girl come out of the stable with her horse. He followed, skulking softly behind her until he reached the appointed place among the cottonwoods. The trees grew tall and thick of trunk, and about their bases was a growth of dense shrubbery. It was a simple thing to conceal two saddled horses in a hollow which sank into the edge of the shrubbery.

Cartwright's first desire was to couch himself in shooting distance. Then he remembered that shooting with a revolver by moonlight was uncertain work. He slipped away to the hotel and got a rifle ready enough. Men were milling through the lower rooms of the hotel. The point of discussion had long since been passed. The ringleaders had made up their minds. They went about with faces so black that those who were asked to join, hardly had the courage to question. There was broad-voiced rumor growing swiftly. Something was wrong--something was very wrong. It was like that mysterious whisper which goes through the forest before the heavy storm strikes. Something was terribly wrong and must be righted.

How the ringleaders had reasoned, nobody paused to ask. It was sufficient that a score of men were saying: "The sheriff figures on letting Sinclair and Arizona go."

A typical scene between two men. They meet casually, one man whistling, the other thoughtful.

"What's the bad luck?" asks the whistler.

"No time for whistling," says the other.

"Say, what you mean?"

"I ask you just this," said the gloomy man, with a mystery of much knowledge in his face: "Are gents around here going to be murdered, and the murderers go free?"

"Well?"

"Sinclair and Arizona--that's what's up! They're going to bust loose."

"I dunno about Arizona, but Sinclair, they say, is a square shooter."

"Who told you that? Sinclair himself? He's got a rep as long as my arm. He's a bad one, son!"

"You don't say!"

"I do say. And something has got to be done, or Sour Creek won't be a decent man's town no more."

"Let me in." Off they went arm in arm.

Cartwright saw half a dozen little interviews of this nature, as he entered the hotel. Men were excited, they hardly knew why. There is no need for reason in a mob. One has only to cry, "Kill!" and the mob will start of its own volition to find something that may be slain. Also, a mob has no conscience and no remorse. It is the nearest thing to a devil that exists, and it is also the nearest thing to the divine mercy and courage. It is braver than the bravest man; it is more timorous than the most fearful; it is fiercer than a lion, gentler than a lamb. All these things by turns, and each one to the exclusion of all the others.

Now the thunderclouds were piling on the horizon, and Cartwright could feel the electricity in the air. He went to Pop.

"I got to have a rifle."

"What for?"

"You know," said Cartwright significantly.

The hotelkeeper nodded. He brought out an old Winchester, still mobile of action and deadly. With that weapon under his arm, Cartwright started back, but then he remembered that there were excellent chances of missing even with a rifle, when he was shooting through the shadows and by the treacherous moonlight. It would be better, far better, to have his horse with him. Then, if he actually succeeded in wounding one or both of them, he could run his victim down, or, perhaps, keep up a steady fire of rifle shots from the rear, that would bring half the town pouring out to join in the chase.

So he swung back to the stables, saddled his horse, trotted it around in a comfortably wide detour, and, coming within sound distance of the cottonwoods behind the blacksmith shop, he dismounted and led his horse into a dense growth of shrubbery. That close approach would have been impossible without alarming the girl, had it not been for a stiff wind blowing across into his face, completely muffling the noise of his coming. In the bushes he ensconced himself safely. Only a few yards away he kept his eye on the opening among the cottonwoods, behind which the girl and the two horses moved from time to time, growing more and more visible, as the moon climbed above the horizon mist.

He tightened his grip on the rifle and amused himself with drawing beads on stumps and bright bits of foliage, from time to time. He must be ready for any sort of action if the two should ever appear.

While he waited, sounds reached his ear from the town, sounds eloquent of purpose. He listened to them as to beautiful music. It was a low, distinct, and continuous humming sound. Voices of men went into it, low as the growl of an angered dog, and there was a background of slamming doors, and footsteps on verandas. Sour Creek was mustering for the assault.

35

Now that sound had entered the jail, and it had a peculiar effect. It was like that distant murmuring of the storm which walks over the treetops far away. It made the sheriff and his two prisoners lift their heads and look at one another in silence, for the sheriff was most unprofessionally tilted back in a chair, with his feet braced against the bars of the cell, while he chatted with his bad men about men, women, and events. The sheriff had a distinct curiosity to learn how Arizona had recovered so suddenly from his "blue funk."

Unquestionably the fat man had recovered. His voice was as steady now as any man's, and the old, insolent glitter was in his eyes. He squared his shoulders and blew his smoke straight at the face of the sheriff, as he talked. What caused it, the sheriff could not tell, this rehabilitation of a fighting man, but he connected the influence of Sinclair with the change.

By this time Sinclair himself was the more restless of the two. While Arizona sat at ease on the bunk, the tall man ranged up and down the cell, with long, noiseless steps, turning quickly back and forth beside the bars. He had spent his nervous energy cheering up Arizona, until the latter was filled with a reckless, careless courage. What would happen Arizona could not guess, but Sinclair had assured him that something _would_ happen, and he trusted implicitly to the word of his tall companion. Sooner or later he would learn that they were hopeless, and Sinclair dreaded the breakdown which he knew would follow that discovery.

In his heart Sinclair knew that there would be no hope, no chance. The girl, he felt, had been swept off her feet with some absurd dream of freeing them. For his own part he had implicit faith in the strength of the toolproof steel of the bars on the one hand, and the gun of the sheriff on the other. As long as they held, they would keep their prisoners. The key to freedom was the key to the sheriff's heart, and Sinclair was too much of a man to whine.

He had come to the end of his trail, and that was evident in the restlessness of his walking to and fro. The love of the one thing on earth that he cared for was his, according to Arizona, and there was nothing to make the fat man lie. It seemed to Riley Sinclair that, at the very moment he had set his hands upon priceless gold, the treasure was crumbling to dead sand. He had lost her by the very thing that won her.

In the midst of his pacing he stopped and lifted his head, just as the sheriff and Arizona did the same thing. The far-off murmur hummed and moaned toward them, gathering strength. Then the sheriff pushed back his chair and went to the front of the jail. They heard him give directions to his deputy to find out what the murmuring meant. When Kern returned he was patently worried.

"Gents," he said, "I've heard that same sort of a sound twice before, and it means business." None of the three spoke again until the door of the jail was burst open, and the deputy came on them, running.

"Kern," he gasped, as he reached the sheriff, "they're coming."

"Who?"

"Every man in Sour Creek. They tried to get me with 'em. I told 'em I'd stay and then slipped off. They want both of these. They want 'em bad. They're going to fight to get 'em!"

"Do they want to grab Arizona and Sinclair?" asked the sheriff, with surprising lack of emotion. "Don't think they're guilty?"

"You're wrong. They think they're sure guilty, and they're going to lynch 'em."

He whispered this, but his panting made the words louder than he thought. Sinclair heard; and by the shudder of Arizona, he knew that his companion had heard as well.

Now came the low-pitched voice of the sheriff: "Are you with me, Pat?"

The deputy receded. "Why, man, you ain't going to fight the whole town?"

"I'd fight the whole town," said the sheriff smoothly, "but I don't need you with me. You're through, partner. Close the door soft when you go out!"

Pat made no argument, offered no sentimental protest of devotion. He was glad of any excuse, and he retreated at once. After him went the sheriff, and Sinclair heard the heavy door of the jail locked. Kern came back, carrying a bundle. Outside, the murmuring had increased at a single leap to a roar. The rush for the jail was beginning.

Arizona shrank back against the wall, his little eyes glaring desperately at Sinclair, his last hope in the emergency. But Sinclair looked to the sheriff. The bundle in the arms of the latter unrolled and showed two cartridge belts, with guns appended. Next, still in silence, the sheriff unlocked the door to the cell.

"Sinclair!"

The tall cowpuncher leaped beside him. Arizona skirted away to one side stealthily.

"None of that!" commanded Kern. "No crooked work, Arizona. I'm giving you a fighting chance for your lives."

Here he tossed a gun and belt to Sinclair. The latter without a word buckled it on.

"Now, quick work, boys," said the sheriff. "It's going to be the second time in my life that prisoners have got away and tied me up. Understand? They ain't going to be no massacre if I can help it. Gents like Sinclair don't come in pairs, and he's going to have a fighting chance. Boys, tie me up fast and throw me in the corner. I'll tell 'em that you slugged me through the bars and got the keys away. You hear?"

As he spoke he threw Arizona a gun and belt, and the latter imitated Sinclair in buckling it on. But the fat man then made for the door of the cell. Outside the rush reached the entrance to the jail and split on it. The voices leaped into a tumult.

"By thunder," demanded Arizona, "are you going to wait for _that_?"

"You want Kern to get into trouble?" asked Sinclair. "Grab this end and tie his ankles, while I fix his hands."

Frantically they worked together.

"Are you comfortable, sheriff?"

He lay securely trussed in a corner of the passageway.

"Dead easy, boys. Now what's your plan?"

"Is there a back way out?"

"No way in or out but the front door. You got to wait till they smash it. There they start now! Then dive out, as they rush. They won't be expecting nothing like that. But gag me first."

Hastily Sinclair obeyed. The door of the jail was shaking and groaning under the attack from without, and the shouts were a steady roar. Then he hurried to the front of the little building. Arizona was already there, gun in hand, watching the door bulge under the impact. Evidently they had caught up a heavy timber, and a dozen men were pounding it against the massive door. Sinclair caught the gun arm of his companion.

"Fatty," he said hastily, "gunplay will spoil everything. We got to take 'em by surprise. Fast running will save us, maybe. Fast shooting ain't any good when it's one man agin' fifty, and these boys mean business."

Arizona reluctantly let his gun drop back in its holster. He nodded to Sinclair. The latter gave his directions swiftly, speaking loudly to make his voice carry over the roar of the crowd.

"When the door goes down, which it'll do pretty pronto, I'll dive out from this side, and you run from the other side, straight into the crowd. I'll turn to the right, and you turn to the left. The minute you're around the corner of the building shoot back over your shoulder, or straight into the air. It'll make 'em think that you've stopped and are going to fight 'em off from the corner. They'll take it slow, you can bet. Then beat it straight on for the cottonwoods behind the blacksmith shop."

"They'll drop us the minute we show."

"Sure, we got the long chance, and nothing more. Is that good enough for you?"

He was rewarded in the dimness by a glint in the eyes of Arizona, and then the fat man gripped his hand.

"You and me agin' the world."

In the meantime the door was bulging in the center under blows of increasing weight. A second battering ram was now brought into play, and the rain of blows was unceasing. Still between shocks, the door sprang back, but there was a telltale rattle at every blow. Finally, as a yell sprang up from the crowd at the sight, the upper hinge snapped loudly, and the door sagged in. Both timbers were now apparently swung at the same moment. Under the joint impact the door was literally lifted from its last hinge and hurled inward. And with it lunged the two battering rams and the men who had wielded them. They tumbled headlong, carried away by the very weight of their successful blow.

"Now!" called Sinclair, and he sprang with an Indian yell over the heads of the sprawling men in the doorway and into the thick of the crowd.

Half a dozen of the drawn guns whipped up at the sight, but no one could make sure in the half-light of the identity of the man who had dashed out. Their imaginations placed the two prisoners safely behind the bars inside. Before they could think twice, a second figure leaped through the doorway and passed them in the opposite direction.

Then they awakened to the fact, but they awakened in confusion. A dozen shots blazed in either direction, but they were wild, snapshots of men taken off balance.

Two leaps took Sinclair through the thick of the astonished men before him. He came to the scattering edges and saw a man dive at him. The cowpuncher beat the butt of his gun into the latter's face and sped on, whipping around the corner of the little jail, with bullets whistling after him.

His own gun, as he leaped out of sight, he fired into the ground, and he heard a similar shot from the far side of the building. Those two shots, as he had predicted, checked the pursuers one vital second and kept them milling in front of the jail. Then they spilled out around the corners, each man running low, his gun ready.

But Sinclair, deep in the darkness of the tree shadows behind the jail, was already out of sight. He caught a glimpse of Arizona sprinting ahead of him for dear life. They reached the cottonwoods together and were greeted by a low shout from the girl; she was running out from the shelter, dragging the horses after her.

Arizona went into his saddle with a single leap. Sinclair paused to take the jump, with his hand on the pommel, and as he lifted himself up with a jump, a gun blazed in point-blank range from the nearest shrubbery.

There was a yell from Arizona, not of pain, but of rage. They saw his gun glistening in his hand, and, swerving his horse to disturb the aim of the marksman, his weapon's first report blended with the second shot from the bushes, a tongue of darting flame. Straight at the flash of a target Arizona had fired, and there was an answering yell. Out of the dark of the shrubbery a great form leaped, with a grotesque shadow beneath it on the moon-whitened ground.

"Cartwright!" cried Sinclair, as the big man collapsed and became a shapeless, inanimate black heap.

Straight ahead Arizona was already spurring, and Sinclair waved once to the white face of Jig, then shot after his companion, while the trees and shrubbery to their left emitted a sudden swarm of men and barking guns.

But to strike a rapidly moving object with a revolver is never easy, and to strike by the moonlight is difficult indeed. A dangerous flight of slugs bored the air around the fugitives for the first hundred yards of their flight, but after that the firing ceased, as the men of Sour Creek ran for their horses.

Straight on into the night rode the pair.

* * * * *

One year had made Arizona a little plumper, and one year had drawn Riley Sinclair more lean and somber, when they rode out on the shoulder of a flat-topped mountain and looked down into the hollow, where the late afternoon sun was already sending broad shadows out from every rise of ground. Sour Creek was a blur and a twinkle of glass in the distance.

"Come to think of it," said Arizona, "it's just one year today. Riley, was it that that brung you back here, and me, unknowing?"

The tall man made no answer, but shaded his eyes to peer down into the valley, and Arizona made no attempt to pursue the conversation. He was long since accustomed to the silences of his traveling mate. Seeing that Sinclair showed no disposition either to speak or move, he left the big cowpuncher to himself and started off through the trees in search of game. The sign of a deer caught his eye and hurried him on into a futile chase, from which he returned in the early dark of the evening. He was guided by the fire which Sinclair had kindled on the shoulder, but to his surprise, as he drew nearer, the fire dwindled, very much as if Riley had entirely forgotten to replenish it with dry wood.

A year of wild life had sharpened the caution of Arizona. That neglect of his fire was by no means in keeping with the usual methods of Sinclair. Before he came to the last spur of the hill, Arizona dismounted and stole up on foot. He listened intently. There was not a sound of anyone moving about. There was only an occasional crackle of the dying fire. When he came to the edge of the shoulder, Arizona raised his head cautiously to peer over.

He saw a faintly illumined picture of Riley Sinclair, sitting with his hat off, his face raised, and such a light in his face that there needed no play of the fire to tell its meaning. Beside him sat a girl, more distinct, for she was dressed in white, and the fire gleamed and curled and modeled her hair and cast a highlight on her chin, her throat, and her hand in the brown hand of Sinclair.

Arizona winced down out of sight and stole back under the trees.

"Doggone me," he said to his horse, "they both remembered the day."