Chapter XVI

In the early afternoon of Sunday I set out upon the visit I had originally intended to pay on the previous day.

Three o'clock found me rather nervously ringing a bell at the door of Filson House in Macquarie Street. Under the brightly polished bell-pull was the name C. F. Rawlence, and the legend: 'Do not ring unless an answer is required.' It was my first experience of such a notice, and I felt uncertain how it was intended to apply. Neither for the moment could I understand why in the world any sane person should ring a bell unless desirous of eliciting a response of some kind. Finally, I decided that it must be a plaintive and exceedingly trustful appeal to the good nature of urchins who might be tempted to ring and run away.

A smiling young Chinaman presently opened the door to me, and said: 'You come top-side alonga me, pease; Mr. Lollance he's in.'

So I walked upstairs behind the silent, felt-shod Asiatic, and wondered what was coming next. I had hitherto associated Chinamen in Australia exclusively with market-gardening and laundry work. The house was not a very high one, but it really was its 'top-side' we walked to, and, arrived there, I was shown into what I thought must certainly be the largest and most magnificent apartment in Sydney.

I dare say the room was thirty feet long by twenty feet wide, without counting the huge fireplace at one end, which formed a room in itself, and did actually accommodate several easy chairs, though I cannot think the weather was ever cold enough in Sydney to admit of people sitting so close to a log fire as these chairs were placed. There were suits of armour, skins of beasts, strange weapons, curious tapestries, and other stock properties of artists' studios, all conventional enough, and yet to me most startling. I had never before visited a studio, and did not know that artists affected these things. The magnificence of it all impressed me enormously. It almost oppressed me with a sense of my own temerity in venturing to visit any one who maintained such state.

'This is what it means to be a famous artist,' I told myself, well assured now, in my innocence, that Mr. Rawlence must be very famous. 'Every one else probably knew it before,' I thought. And just then the great man himself appeared, not at the door behind me, but between heavy curtains which hid some other entrance. He came forward with a welcoming smile. Then, for a moment this gave place to rather blank inquiry. And then the smile returned and broadened.

'Why, it's-- No, it can't be. But it is--my young friend of St. Peter's. I'm delighted. Welcome to Sydney. Sit down, sit down, and let me have your news.'

He reclined in a sidelong way upon a sort of ottoman, and gracefully waved me to an enormous chair facing him.

'There are always a few charitable souls who drop in upon me of a Sunday afternoon, but I'd no idea you would be the first of them to-day.'

Here was a disturbing announcement for me!

'Perhaps it would be more convenient if I came one evening, Mr. Rawlence,' I said awkwardly, half rising from the chair.

'Tut, tut, my dear lad! Sit down, sit down. Why should other visitors disturb you? There will only be good fellows like yourself. Ladies are rarities here on a Sunday. And in any case-- Why, you are quite the man of the world now.' This with kindly admiration. Then he screwed up his eyes, moved his head backward and from side to side, as though to correct his view of a picture. 'Just one point out of the picture. Dare I alter it? May I?' And, stepping forward, he thrust well down in my breast coat pocket Mrs. Gabbitas's gorgeous silk handkerchief. 'Yes,' as he moved backward again, 'that's better. One never can see these things for oneself. But let me make sure of your important news before we are interrupted.'

So I told my story as well as I could, and Mr. Rawlence was in the act of expressing his kindly interest therein, when I heard steps and voices on the stairs below.

'If you're not otherwise engaged you must stay till these fellows go, Nick,' said my host. 'We haven't half finished our talk, you know. And--er--if you should be talking to any one here of--er--your present situation, I should leave it quite vague, if I were you; secretarial work you know--something of that sort. We may have some newspaper men here who might be useful to you one day--you follow me?'

'Ah! Hail! Good of you to have come, Landon. Ah, Foster! Jones! Good men! Do find seats. Oh, let me introduce a new arrival--Mr. Nicholas Freydon; Mr. Landon, the disgracefully well-known painter, Mr. Foster and Mr. Jones, both of the Fourth Estate, though frequently taken for quite respectable members of society. We may not have a Fleet Street here, you know, Freydon, but we have one or two rather decent newspapers, as you may have noticed.'

He turned to the still smiling young Chinaman. 'Let's have cigars and cigarettes, Ah Lun.'

I gathered that I had been presented as a new arrival from England. It was rather startling; but so far I found that an occasional smile was all that seemed expected of me, and I was of course anxious to do my best. 'Good thing I've started smoking,' I thought, as Ah Lun began passing round two massive silver boxes, with cigars and cigarettes. The visitors were mostly young, rather noticeably young, I thought, in view of the greying hair over Mr. Rawlence's temples; and I felt less and less alarmed as I listened to their talk. In fact, shamelessly disrespectful though the idea was, I found myself, after a while, wondering whether Mr. Smith might not have called some of the conversation 'cackle.' And then some technicalities, journalistic and artistic, began to star the talk, and I meekly rebuked my own presumption. But I have no doubt whatever that Mr. Smith would have called most of it 'cackle,' and it is possible he would have been tolerably near the truth.

Within an hour I had been introduced to perhaps a score of visitors, and Ah Lun was just as busy as he could be, serving tea, whisky, wine, soda-water, cigars, cigarettes, sandwiches, and so forth. It was all tremendously exciting to me. The mere sound of so many voices, apart from anything else, I found wonderfully stimulating, if a trifle bewildering.

'This,' I told myself, in a highly impressive, though necessarily inarticulate stage-whisper of thought, 'This is Society; this is what's called the Social Vortex; and I am right in the bubbling centre of it.' And then I thought how wonderful it would have been if Mr. Jokram, of Dursley's School of Arts Committee, and one or two others--say, Sister Agatha, for example--could have been permitted to take a peep between the magnificent curtains, and have a glimpse of me, engaged in brilliant conversation with a celebrity of some kind, whose neck-tie would have made an ample sash for little Nelly Fane--of me, the St. Peter's orphan, in Society!

Truly, I was an innocent and unlicked cub. But I believe I managed to pull through the afternoon without notably disgracing my distinguished host and patron; and, too, without referring even to 'secretarial work.' I might have been heir to a dukedom, a distinguished remittance man, or even a congenital idiot, for all the company was allowed to gather from me as to my means of livelihood.