Chapter XII: The Moth and the Flame
"Misled by Fancy's meteor-ray
By passion driven:
But yet the light that led astray
Was light from heaven."
--Burns.
A little before dusk the three companions started upon their evening's business. The horses and carriage were waiting at the door and they mounted to their seats. David was embarrassed by the novelty of the situation, and Pepeeta by his presence; but the quack was in his highest spirits. He saluted the bystanders with easy familiarity, ostentatiously flung the hostler a coin, flourished his whip and excited universal admiration for his driving.
During the turn which they took around the city for an advertisement, he indoctrinated his pupil with the principles of his art.
"People to-day are just what they were centuries ago. G-g-gull 'em just as easy. Make 'em think the moon is made of g-g-green cheese--way to catch larks is to p-p-pull the heavens down--extract sunbeams from c-c-cucumbers and all the rest! There's one master-weakness, Davy. They all think they are sick, or if they d-d-don't, you can make 'em!"
"What! Make a well man think he is sick?" the Quaker asked in astonishment.
"Sure! That's the secret of success. I can pick out the strongest man in the c-c-crowd and in five minutes have pains shooting through him like g-g-greased lightning. They are all like jumping-jacks to the man that knows them. You watch me pull the string and you-you'll see them wig-wig-wiggle."
"It seems a pity to take advantage of such weakness in our fellow men," said David, whose heart began to suffer qualms as he contemplated this rascality and his own connection with it.
"Fellow men! They are no fellows of mine. They are nuts for me to c-c-crack. They are oysters for me to open!" responded the quack, as he drove gaily into the public square and checked the horses, who stood with their proud necks arched, champing their bits and looking around at the crowd as if they shared their master's contempt.
Pepeeta descended from the carriage and made her way hastily into the tent which had already been pitched for her. The doctor lighted his torch and set his stock of goods in order while David, obeying his directions, began to move among the people to study their habits. Elbowing his way here and there, he contemplated the crowd in the light of the quack's philosophy, and as he did so received a series of painful mental shocks.
"The first principle in the art of painting a picture is to know where to sit down;" in other words, everything depends upon the point of view. Now that David began to look for evidences of the weaknesses and follies of his fellow men, he saw them everywhere. For the first time in his life he observed that startling prevalence of animal types which always communicates such a shock to the mind of him who has never discovered it before. Every countenance suddenly seemed to be the face of a beast, but thinly and imperfectly veiled. There were foxes and tigers and wolves, there were bulldogs and monkeys and swine. He had always seen, or thought he saw, upon the foreheads of his fellow men some evidence of that divinity which had been communicated to them when God breathed into the great first father the breath of life; but now he shuddered at the sight of those thick lips and drooping jaws, those dull or crafty eyes, those sullen, sodden, gargoyle features, as men do at beholding monstrosities.
A few weeks ago he would have felt a profound pity at this discovery, but so rapid and radical had been the alteration in his feelings that he was now seized by a sudden revulsion and contempt. "Are these creatures really men?" he asked himself. He stood there among them taller, straighter, keener, handsomer than them all, and the old feelings that have made men aristocrats and tyrants in every age of the world, surged in his heart and hardened it against them.
By this time the quack had finished his few simple preparations, and, standing erect before his audience, began the business of the evening.
Having observed the habits of the game, David now chose a favorable position to study those of the hunter. He watched with an almost breathless interest every expression upon that sinister face and listened with a boundless interest to every word that fell from those treacherous lips.
He was not long in justifying the quack's honest criticism of his own oratory. His voice lacked the vibrant tones of a musical instrument and his rhetoric that fluency, without which the highest effects of eloquence can never be attained. By speaking very slowly and deliberately he avoided stammering, but this always acted like a dragging anchor upon the movement of his thought. These were radical defects, but in every other respect he was a consummate artist. He arrested the attention of his hearers with an inimitable skill and held it with an irresistible power.
His piercing eye noted every expression on the faces of his hearers, and seemed to read the inmost secrets of their hearts. He perceived the slightest inclination to purchase, and was as keen to see a hand steal towards a pocket-book as a cat to see a mouse steal out of its hole.
He coaxed, he wheedled, he bantered, he abused,--he even threatened. He fulfilled his promise to the letter, "to make the well men think that they were sick," and many a stalwart frontiersman whose body was as sound as an ox, began to be conscious of racking pains.
Nor were those legitimate arts of oratory the only ones which this arch-knave practiced.
"I gave you two dollars, and you only gave me change for one," cried a thin-faced, stoop-shouldered, helpless-looking fellow, who had just purchased a bottle of the "Balm of the Blessed Islands."
With lightning-like legerdemain the quack had shuffled this bill to the bottom of his pile, and lifting up the one that lay on top, exposed it to the view of his audience.
"That's a lie!" he said, in his slow, impressive manner. "There is always such a man as this in every crowd. Some one is always trying to take advantage of those who, like myself, are living for the public good. Gentlemen, you saw me lay the b-b-bill he gave me down upon the top! Here it is; judge for yourselves. That is a bad man! Beware of him!"
The bold effrontery of the quack silenced the timid customer, who could only blush and look confused. His blushes and confusion condemned him and the crowd hustled him away from the wagon. They believed him guilty and he half believed it of himself.
David, who had seen the bill and knew the victim's innocence but not the doctor's fraud, pressed forward to defend him. The quack stopped and silenced him with an inimitable wink, and then instantly and with consummate art diverted his auditors with a series of droll stories which he always reserved for emergencies like this. They were old and thread-bare, but this was the reason he chose them. He had one for every circumstance and occasion.
There was a man standing in an outer circle of the crowd around whose forehead was a bandage. "Come here, my friend," said the quack. "How did you get this wound? Don't want to tell? Oh! well, that is natural. A horse kicked him, no doubt; never got it in a row! No! No! Couldn't any one hit him! Reminds me of the man who saw a big black-and-blue spot on his boy's forehead. 'My son,' said he, 'I thought I told you not to fight? How did you get this wound?' 'I bit it, father,' replied the boy.
"'Bit it!' exclaimed the old man in astonishment, 'how could you bite yourself upon the forehead?'
"'I climbed onto a chair,' says he.
"And have you been climbing on a chair to bite your forehead, too, my friend?" he asked with humorous gravity, while a loud guffaw went up from the crowd.
"Well," he continued soothingly, "whether you did it or not, just let me rub a little of this b-b-balm upon it, and by to-morrow morning it will be well. There! that's right. One dollar is all it costs. You don't want it? What the d-d-deuce did you let me open the b-b-bottle for? I'll leave it to the crowd if that is fair? There, that is right. Pay for it like a man. It's worth double its price. Thank you. By to-morrow noon you will b-b-be sending me a testimonial to its value. Do you want to hear some of my testimonials, gentlemen?"
The crowd shuffled and stood over on its other foot. The doctor, putting an enormous pair of spectacles upon his nose, took up a piece of paper and pretended to read slowly and carefully to avoid stammering:
"'Dr. Aesculapius.
"'Dear Sir: I was wounded in the Mexican war. I have been unable to walk without crutches for many years; but after using your liniment, I ran for office!' Think of it, gentlemen, the day of miracles has not passed. 'I lost my eyesight four years ago, but used a bottle of your "wash" and saw wood.' Saw wood, gentlemen, what do you think of that? He saw wood! 'Some time ago I lost the use of both arms; but a kind friend furnished me with a box of your pills, and the next day I struck a man for ten dollars.' There is a triumph of the medical art, my friends. And yet even this is surpassed by the following: 'I had been deaf for many years, stone deaf; but after using your ointment, I heard that my aunt had died and left me ten thousand dollars.' Think of it, gentlemen, ten thousand dollars! And a written guarantee goes with every bottle, that the first thing a stone-deaf man will hear after using this medicine will be that his aunt has died and left him ten thousand dollars."
During all these varied operations, David had never taken his eyes from the face of the quack. Even his quick wit had often been baffled by the almost superhuman adroitness of this past grandmaster of his art.
The novelty of the scene, the skill of the principal actor, the rapid growth of the piles of coin and bills, the frantic desire of the people to be gulled, all served to obscure those elements which were calculated to appeal to the Quaker's conscience. He felt like one awakened from a dream. While he was still in the half dazed condition of such an awakening, the quack gave him a sign that this part of his lesson was ended, and following the direction of the thumb which he threw over his shoulder towards Pepeeta's tent, he eagerly took his way thither.
Before the door stood several groups of young men and maidens, talking under their breath as if in the presence of some august deity. Now and then a couple disentangled itself from the crowd, and with visible trepidation entered. As they reappeared, their friends gathered about them and besought them to disclose the secrets they had discovered.
Some of them giggled and simpered, others laughed boisterously and skeptically, while others still, looked scared and anxious. It was evident that even those who tried to make light of what they had seen and heard were moved by something awe-inspiring.
David listened to their silly talk, observed their bold demeanor and their vulgar manners, while the impression of weakness, of stupidity, of the lowness and beastiality of humanity made upon his mind by the aged and the mature, was intensified by his observation of the young and callow.
He did not anywhere see a spark of true nobility. He did not hear a word of wisdom. Everything was moving on a low, material and animal plane. He felt that manhood and womanhood was not what he had believed it to be.
From the outside of the gypsy's tent, he could make but few discoveries of her method; and he waited impatiently until the last curious couple had departed. When they had disappeared, he entered.
At the opposite side of the tent and reclining upon a low divan was the gypsy. Above her head a tallow candle was burning dimly. Before her was a rough table covered with a shawl, upon which were scattered cups of tea with floating grounds, ivory dice, cards, coins and other implements of the "Black Art."
Pepeeta sprang to her feet when she saw who her visitor was, and exhibited the clearest signs of agitation. David's own emotions were not less violent, for although the gypsy's surroundings were poor and mean, they served rather to enhance than to diminish her exquisite beauty. Her shoulders and arms were bare, and on her wrists were gold bracelets of writhing serpents in whose eyes gleamed diamonds. On her fingers and in her ears were other costly stones. Her dress was silk, and rustled when she moved, with soft and sibilant sounds.
"The doctor has sent me here to study the methods by which you do your work," said David approaching the table and gazing at her with undisguised admiration.
"You should have come before. How can you study my methods when I am not practicing them? And any way, you have no faith in them. Have you? I always had until I heard your sermon in the little meeting house."
"And have you lost it now?"
"It has been sadly shaken."
"You can at least show me how you practice the art, even if you have lost your faith in it. I too have lost a faith; but we must live. What are these cards for?"
"If you wish me to show you, you may shuffle and cut them, but I would rather tell your fortune by your hand, for I have more faith in palmistry than in cards."
He extended his hand; she took it, and with her right forefinger began to trace the lines. Her gaze had that intensity with which a little child peers into the mechanism of a watch or an astronomer into the depths of space.
A thrill of emotion shot through the frame of the Quaker at the touch of those delicate and beautiful fingers.
The contrast between his own hands and hers was marked enough to be almost ridiculous. Hers were tiny, soft and white. His were large, brown and calloused. He thought to himself, "It is as if two little white mice were playing about an enormous trap which in a moment may seize them."
Neither of them, spoke. The delicate finger of the gypsy moved over the lines of the palm like that of a little school-girl over the pages of a primer. They did not realize how dangerous was that proximity, nor how fatal that touch. Through those two poles of Nature's most powerful battery, the magnetic and mysterious current of love was passing.
"What do you see?" said David, at last.
"Shall I tell you?" she asked, lifting her eyes to his.
"If you please," he said.
"I will do so if you wish; but if the story of your life is really written in the palm of your hands, it is sad indeed, and you would be happier if you knew it not."
"But it is not written there. I do not believe it, nor do you."
"Let us hope that it is not," she answered, and began the following monologue in a low musical monotone:
"Marked as it is with the signs of toil, this hand has still retained all those characteristics that an artist would choose as a model. It is perfect in its form. The palm is of medium size, the fingers without knots, the third phalanges are all long and pointed, and the thumb is beautifully shaped. Whoever possesses a hand like this must be guided by ideals. He is a worshiper of the sublime and beautiful. He disdains small achievements, embarks enthusiastically upon forlorn hopes, and is spurred to victory by the fervor of his desires.
"See this thumb! How finely it is pointed. The first phalanx is short, and indicates that above all other things he is a man of heart and will be dominated by his affections. He will yield to temptations, perhaps; but the second phalanx is long and reveals a power of reason and logic which will probably triumph at last."
Not a single word of all this had David heard. Her voice sounded to him like the low droning of bees in a meadow, and he had been watching the movements of her fingers, as he used to watch the dartings of the minnows in the pools of the brook which ran through his farm.
"How smooth the fingers are! And how they taper to the cone," continued Pepeeta. "Here is this one of Jupiter, for example. How plainly it tells of religiousness and perhaps of fanaticism! The Sun finger is not long. Nay, it is not long enough. There is too little love of glory here. And the Saturnian finger is too long. The life is too much under the dominion of Fate or Destiny. The Mercurial finger is short. He will be firm in his friendships. The moons all correspond. They, also, are too large. The Mount of Venus, here at the base of the thumb, is excessively developed, and indicates capacity for gentleness, for chivalry, for tenderness and love. The Mount of the Moon is small. That is good. There will be no disturbance of the brain, no propensity towards lunacy. Mars is not excessive, but it is strong, and he will be bold and courageous, but not quarrelsome."
The pleasant murmur of the voice, the gentle pressure of her hand, her nearness and her beauty, had rendered the Quaker absolutely oblivious to her words.
"Let me now examine the lines," she continued. "Here is the line of the heart. It passes clear across the palm. It is well marked at every point and is most pronounced upon the upper side. The love will not be a sensual passion, but look! it is joined to the head below the finger of Saturn. It is the sign of a violent death! Heavens!"
As she uttered this exclamation, she pressed the hand convulsively between her own, and looked up into his face.
The involuntary and sudden action recalled him to his consciousness. "What did you say?" he asked.
"Have you not been listening?" she replied, repressing both her anxiety and her annoyance.
"No; was it a good story or a bad one which you were reading?"
"It was both."
"Well--it is no matter, those accidental marks can have no significance."
"Do you think so?"
"I am sure."
"You do not believe in any signs?"
"None."
"You know that the traveler on the desert told the Bedouin that he did not, and yet from the foot prints of the camels the Bedouin deciphered the whole history of a caravan."
Astonished at her reply, David did not answer.
"And then, you know," she continued, "there are the weather signs."
"Yes--that is so."
"And what are the letters of a book but signs?"
"You are right again."
"And is not hardness a sign of something in a stone, and heat of something in fire? And are not deeds the sign of some quality in a man's soul, and the expressions of his face signs of emotions of his heart?"
"They are."
"So that by his gait and gestures each man says: 'I am a farmer--a quack--a Quaker--a soldier--a priest'?"
"This, too, is true."
"Why, then, should not the character and destiny of the man disclose itself in signs and marks upon his hands?"
David was too much astonished by these words to answer. They revealed a mental power which he had not even suspected her of possessing. He discovered that while she was as ignorant as a child in the realms of thought to which she had been unaccustomed, in her sphere of experience and reflection she was both shrewd and deep.
"You have thought much about this matter," he said.
"Too much, perhaps."
"It is deeper than I knew."
"And so is everything deeper than we know. Tell me, if you can, why it is that having met you I have lost faith in my art, and having met me you have lost faith in your religion."
"It is strange."
"Something must be true. Do you not think so?"
"I have begun to doubt it."
"I believe that what _you_ said is true."
As they stood thus confronting each other, they would have presented a study of equal interest to the artist or to the philosopher. There was both a poem and a picture in their attitude. Grace and beauty revealed themselves on every feature and in every movement. They had arrived at one of those dramatic points in their life-journey, where all the tragic elements of existence seem to converge. Agitated by incomprehensible and delicious emotions, confronting insoluble problems, longing, hoping, fearing, they hovered over the ocean of life like two tiny sparrows swept out to sea by a tempest.
The familiar objects and landmarks had all vanished. As children rise in the morning to find the chalk lines, inside of which they had played their game of "hop-scotch," washed out by the rain, they had awakened to find that the well known pathways and barriers over which and within which they had been accustomed to move had all been obliterated. They had nothing to guide them and nothing to restrain them except what was written in their hearts, and this mysterious hieroglyph they had not yet learned to decipher.
They were awakened from their reveries by the footsteps of the quack, and by his raucous voice summoning them back into the world of realities from which they had withdrawn so completely.
"Well, little wife," he said, "how is b-b-business?"
"Fair," she said, gathering up a double hand-full of change and passing it over to him indifferently.
The question fell upon the ears of the Quaker like a thunder bolt. It was to him the first intimation that Pepeeta was not the daughter of the quack. "His wife!" The heart of the youth sank in his bosom. Here was a new and unexpected complication. What should he do? It was too late to turn back now. The die had been cast, and he must go forward.
The doctor rattled on with an unceasing flow of talk, while the mind of the Quaker plunged into a series of violent efforts to adjust itself to this new situation. He tried to force himself to be glad that he had been mistaken. He for the first time fully admitted the significance of the qualms which he felt at permitting himself to regard this strolling gypsy with such feelings as had been in his heart.
"But now," he said to himself, "I can go forward with less compunction. I can gratify my desire for excitement and adventure with perfect safety. I will stay with them for a while, and when I am tired can leave them without any entanglements." When the situation had been regarded for a little while from this point of view, he felt happier and more care-free than for weeks. He solaced his disappointment with the reflection that he should still be near Pepeeta, but no longer in any danger.
At this profound reflection of the young moth hovering about the flame, let the satirist dip his pen in acid, and the pessimist in gall! There is enough folly and stupidity in the operations of the human mind to provoke the one to contempt and the other to despair.
The cuttle-fish throws out an inky substance to conceal itself from its enemies; but the soul ejects an opaque vapor in which to hide from itself! In this mist of hallucination which rises and envelopes us, the whole appearance of life alters. Passion and desire repress the judgment and pervert the conscience. Conclusions that are illogical, expectations that are irrational and confidences that are groundless to the most final and fatal absurdity seem as natural and reasonable as intuitions.
It is not in human nature to escape this perversion of thought and feeling under the stress of temptation. One may as well try to prevent the rise of temperature in the blood in the rage of fever. There are times when even the upright in heart must withdraw to the safe covert of the inner sanctuary and there fervently put up the master prayer of the soul, "Lord, lead me not into temptation!" But if necessity or duty calls them out into the midst of life's dangers, let them remember that what they feel in the calm retreat, is not what will surge through their disordered intellects and their bounding pulses when they come within the reach of those fearful fascinations!
It was such a prayer that David had need of when he gave his hand to the gypsy.
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The Redemption of David CorsonChapter XII: The Moth and the Flame
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