Chapter I (2)

Berthold smiled. But at the same time his eye-brows twitched, as was his habit when he was painfully or disagreeably affected. It was too late to tell her that as a matter of fact he had come to ask her for her advice, as he used to do in the old days. And at any rate he felt sure of this, he had done wisely in cutting off all retreat as soon as he entered the room by announcing the resignation of his seat as an already accomplished fact, and his journey to Paris as directly imminent. For he now knew for certain that Anna had again escaped him, perhaps for a long time. He did not believe for a minute that any man was capable of winning her really and permanently, and it never entered his head for a minute to be jealous of that elegant young artist who was standing so quietly by the window with his crossed arms. It had happened many times before that Anna had fluttered away for a time, as though fascinated by the magic of an element which was strange to her. Why only two years ago, when she was thinking seriously of going on the stage, and had already begun to learn her parts, he had given her up for a short time as completely lost. Subsequently when she had been compelled to relinquish her artistic projects, owing to the unreliability of her voice, she seemed as if she wanted to come back to him again. But he had deliberately refused to exploit the opportunities of that period. For he wanted before he made her his wife to have won some triumph, either in science or in politics, and to have obtained her genuine admiration. He had been well on the way to it. In the very seat where she was now sitting as she looked him straight in the face with those clear but alas! cold eyes, she had looked at the proofs of his latest medico-philosophical work which bore the title _Preliminary Observations on the Physiognomical Diagnosis of Diseases_. And then, when he finally left science for politics, at the time when he made speeches at election meetings and equipped himself for his new career by serious studies in history and political economy, she had sincerely rejoiced in his energy and his versatility.

All this was now over. She had grown to eye more and more severely those faults of his of which he was quite aware himself, and particularly his tendency to be swept away by the intoxication of his own words, with the result that he came to lose more and more of his self-confidence in his attitude towards her. He was never quite himself when he spoke to her, or in her presence. He was not satisfied with himself to-day either. He was conscious, with an irritation which struck even himself as petty, that he had not given sufficient force to his encounter with Jalaudek in the buffet, and that he ought to have made his detestation of politics ring far more plausibly.

"You are probably quite right, Fräulein Anna," he said, "if you smile at my resigning my seat on account of that silly incident. A parliamentary life without its share of comedy is an absolute impossibility. I should have realised it, played up to it and taken every opportunity of drinking with the fellow who had publicly insulted me. It would have been convenient, Austrian--and possibly even the most correct course to have taken." He felt himself in full swing again and continued with animation. "What it comes to in the end is that there are two methods of doing anything worth doing in politics. The one is a magnificent flippancy which looks on the whole of public life as an amusing game, has no true enthusiasm for anything, and no true indignation against anything, and which regards the people whose misery or happiness are ultimately at stake with consummate indifference. I have not progressed so far, and I don't know that I should ever have succeeded in doing so. Quite frankly, I have often wished I could have. The other method is this: to be ready every single minute to sacrifice one's whole existence, one's life, in the truest sense of the word, for what one believes to be right----"

Berthold suddenly stopped. His father, old Doctor Stauber, had come in and been heartily welcomed. He shook hands with George, who had been introduced to him by Frau Rosner, and looked at him so kindly that George felt himself immediately drawn towards him. He looked younger than he was. His long reddish-yellow beard was only streaked by a few grey hairs, and his smoothly combed long hair fell in thick locks on to his broad neck. The strikingly high forehead gave a kind of majesty to the somewhat thick-set figure with its high shoulders. When his eyes were not making a special point of looking kind or shrewd they seemed to be resting behind the tired lids as though to gather the energy for the next look.

"I knew your mother, Herr Baron," he said to George rather gently.

"My mother, Herr Doctor...?"

"You will scarcely remember it, you were only a little boy of three or four at the time."

"You attended her?" asked George.

"I visited her sometimes as deputy for Professor Duchegg, whose assistant I was. You used to live then in the Habsburgergasse, in an old house that has been pulled down long ago. I could describe to you even to-day the furniture of the room in which I was received by your father ... whose premature death I deeply regret.... There was a bronze figure on the secretary, a knight in armour to be sure with a flag, and a copy of a Vandyck from the Liechtenstein gallery hung on the wall."

"Yes, quite right," said George, amazed at the doctor's good memory.

"But I have interrupted your conversation," continued Doctor Stauber in that droning slightly melancholy and yet superior tone which was peculiar to him, and sat down in the corner of the sofa.

"Doctor Berthold has just been telling us, to our great astonishment," said Herr Rosner, "that he has decided to resign his seat."

Old Stauber directed a quiet look towards his son, which the latter answered with equal quietness. George, who had watched this play of the eyes, had the impression that there prevailed between these two a tacit understanding which did not need any words.

"Yes," said Doctor Stauber. "I wasn't at all surprised. I've always felt as though Berthold were never really quite at home in Parliament, and I am really glad that he has now begun to pine as it were to go back to his real calling. Yes, yes, your real calling, Berthold," he repeated, as though to answer his son's furrowed brow. "You have not prejudiced your future by it, in the least. Nothing makes life so difficult as our frequent belief in consistency ... and our wasting our time in being ashamed of a mistake, instead of owning up to it and simply starting life again on a fresh basis."

Berthold explained that he meant to leave in eight days at the outside. There would be no point in postponing his journey beyond that time, it would be possible too that he might not remain in Paris. His studies might necessitate travelling further afield. Further, he had decided not to make any farewell visits. He had, he added by way of explanation, completely given up all association with certain bourgeois sets, among whom his father had an extensive practice.

"Didn't we meet each other once this winter at Ehrenbergs'?" asked George with a certain amount of satisfaction.

"That's right," answered Berthold. "We are distantly related to the Ehrenbergs you know. The Golowski family is curiously enough the connecting link between us. It would be no good, Herr Baron, if I were to make any attempt to explain it to you in greater detail. I should have to take you on a journey through the registry offices and congregations of Temesvar Tarnopol and similar pleasant localities--and that you mightn't quite fancy."

"Anyway," added old Doctor Stauber in a resigned tone, "the Baron is bound to know that all Jews are related to one another."

George smiled amiably. As a matter of fact it rather jarred on his nerves. There was no necessity at all, in his view, for Doctor Stauber as well officially to communicate to him his membership of the Jewish community. He already knew it and bore him no grudge for it. He bore him no grudge at all for it; but why do they always begin to talk about it themselves? Wherever he went, he only met Jews who were ashamed of being Jews, or the type who were proud of it and were frightened of people thinking they were ashamed of it.

"I had a chat with old Frau Golowski yesterday," continued Doctor Stauber.

"Poor woman," said Herr Rosner.

"How is she?" asked Anna.

"How is she ... you can imagine ... her daughter in prison, her son a conscript--he is living in the barracks at the expense of the State ... just imagine Leo Golowski as a patriot ... and the old man sits in the café and watches the other people playing chess. He himself can't even run nowadays to the ten kreuzers for the chess money."

"Therese's imprisonment must soon be over anyway," said Berthold.

"It still lasts another twelve, fourteen days," replied his father.... "Come, Annerl"--he turned towards the young girl--"it would be really nice of you if you were to show yourself once more in Rembrandtstrasse; the old lady has taken an almost pathetic fancy to you. I really can't understand why," he added with a smile, while he looked at Anna almost tenderly.

She looked straight in front of her and made no answer.

The clock on the wall struck seven. George got up as though he had simply been waiting for the signal.

"Going so soon, Herr Baron?" said Herr Rosner, getting up.

George requested the company not to disturb themselves, and shook hands all round.

"It is strange," said old Stauber, "how your voice reminds one of your poor father."

"Yes, many people have said so," replied George. "I, personally, can't see any trace of it."

"There isn't a man in the world who knows his own voice," remarked old Stauber, and it sounded like the beginning of a popular lecture.

But George took his leave. Anna accompanied him, in spite of his slight remonstrance, into the hall and left the door half open--almost on purpose, so it struck George. "It's a pity we couldn't go on with our music any longer," she said.

"I'm sorry too, Fräulein Anna."

"I liked the song to-day even better than the first time, when I had to accompany myself, only it falls off a bit at the end.... I don't know how to express myself."

"Oh, I know what you mean, the end is conventional. I felt so too. I hope soon to be able to bring you something better than that, Fräulein Anna."

"But don't keep me waiting for it too long."

"I certainly won't. Goodbye, Fräulein Anna." They shook hands with each other and both smiled.

"Why didn't you come to Weissenfeld?" asked Anna lightly.

"I am really sorry, but just consider, Fräulein Anna, I could scarcely get in the mood for society of any kind this year, you can quite appreciate that."

Anna looked at him seriously. "Don't you think," she said, "that perhaps one might have been some help to you in bearing it?"

"There's a draught, Anna," called out Frau Rosner from inside.

"I'm coming in a minute," answered Anna with a touch of impatience. But Frau Rosner had already shut the door.

"When can I come back?" asked George.

"Whenever you like. At any rate ... I really ought to give you a written time-table, so that you may know when I'm at home, but that wouldn't be much good either. I often go for walks or go shopping in town or go to picture galleries or exhibitions----"

"We might do that together one day," said George.

"Oh, yes," answered Anna, took her purse out of her pocket and then took out a tiny note-book.

"What have you got there?" asked George.

Anna smiled and turned over the leaves of a little book. "Just wait.... I meant to go and see the Exhibition of Miniatures in the Royal Library at eleven on Thursday. If you too are interested in miniatures, we might meet there."

"Delighted, I'm sure."

"Right you are then, we can then arrange the next time for you to accompany my singing."

"Done," said George and shook hands with her. It struck him that while Anna was chatting with him here outside, young Doctor Stauber would doubtless be getting irritated or offended inside, and he was surprised that he should be more disturbed by this circumstance than Anna, who struck him as on the whole a perfectly good-natured person. He freed his hand from hers, said good-bye and went.

It was quite dark when George got into the streets. He strolled slowly over the Elizabeth Bridge to the Opera, past the centre of the town and undisturbed by the hubbub and traffic around him, listened mentally to the tune of his song. He thought it strange that Anna's voice which had so pure and sound a tone in a small room, should have no future whatsoever before it on the stage and concert platform, and even stranger that Anna scarcely seemed to mind this tragic fact. But of course he was not quite clear in his mind whether Anna's calmness really reflected her true character.

He had known her more or less casually for some years, but an evening in the previous spring had been the first occasion when they had become rather more intimate. A large party had been got up on that occasion in the Waldsteingarten. They took their meal in the open air under the high chestnut-trees, and they all experienced the pleasure, excitement and fascination of the first warm May evening of the year. George conjured up in his mind all the people who had come: Frau Ehrenberg, the organiser of the party, dressed in an intentionally matronly style, in a dark loose-fitting foulard dress; Hofrat Wilt, wearing as it were the mask of an English statesman with all the sloppy aristocracy of his nonchalant demeanour, and his chronic and somewhat cheap superior manner towards everything and everybody; Frau Oberberger who looked like a rococo marquise with her grey powdered hair, her flashing eyes and her beauty spot on her chin; Demeter Stanzides with his white gleaming teeth and that pale forehead that showed all the weariness of an old race of heroes; Oskar Ehrenberg dressed with a smartness that smacked a great deal of the head clerk in a dressmaking establishment, a great deal of a young music-hall comedian and something, too, of a young society man; Sissy Wyner who kept switching her dark laughing eyes from one man to another, as though she had a merry secret understanding with every single member of the party; Willy Eissler who related in his hoarse jovial voice all kinds of jolly anecdotes of his soldier days and Jewish stories as well; Else Ehrenberg in a white English cloth dress with all the delicate melancholy of the spring flowing around her, while her _grande dame_ movements combined with her baby-face and delicate figure to invest her with an almost pathetic grace; Felician, cold and courteous, with haughty eyes which gazed between the members of the party to the other tables, and from the other tables beyond into the distance; Sissy's mother, young, red-cheeked and a positive chatter-box, who wanted to talk about everything at the same time and to listen to everything at the same time; Edmund Nürnberger with his piercing eyes and his thin mouth curving into that smile of contempt (which had almost become a chronic mask) for that whirligig of life, which he thoroughly saw through, though to his own amazement he frequently discovered that he was playing in the game himself; and then finally Heinrich Bermann in a summer suit that was too loose, with a straw hat that was too cheap and a tie that was too light, who one moment spoke louder than the others and at the next moment was more noticeably silent.

Last of all Anna Rosner had appeared, self-possessed and without any escort, greeted the party with a slight nod and composedly sat down between Frau Ehrenberg and George. "I have asked her for you," said Frau Ehrenberg softly to George, who prior to this evening had scarcely given Anna a single thought. These words, which perhaps only originated in a stray idea of Frau Ehrenberg's, became true in the course of the evening. From the moment when the party got up and started on their merry expedition through the Volksprater George and Anna had remained together everywhere, in the side-shows and also on the journey home to town, which for the fun of the thing was done on foot, and surrounded though they were by all that buzz of jollity and foolishness they had finished by starting a perfectly rational conversation. A few days later he called and brought her as he had promised the piano score of "Eugen Onegin" and some of his songs; on his next visit she sang these songs over to him as well as many of Schubert's, and he was very pleased with her voice. Shortly afterwards they said goodbye to each other for the summer without a single trace of sentimentalism or tenderness. George had regarded Anna's invitation to Weissenfeld as a mere piece of politeness, just in the same way as he had thought his promise to come had been understood; and the atmosphere of to-day's visit when compared with the innocence of their previous acquaintance was bound to strike George as extremely strange.

At the Stephansplatz George saw that he was being saluted by some one standing on the platform of a horse-omnibus. George, who was somewhat short-sighted, did not immediately recognise the man who was saluting him.

"It's me," said the gentleman on the platform.

"Oh, Herr Bermann, good evening." George shook hands with him. "Which way are you going?"

"I'm going into the Prater. I'm going to dine down there. Have you anything special on, Baron?"

"Nothing at all."

"Well, come along with me then."

George swung himself on to the omnibus, which had just begun to move on. They told each other cursorily how they had spent the summer. Heinrich had been in the Salzkammergut and subsequently in Germany, from which he had only come back a few days ago.

"Oh, in Berlin?" hazarded George.

"No."

"I thought perhaps in connection with a new piece----"

"I haven't written a new piece," interrupted Heinrich somewhat rudely. "I was in the Taunus and on the Rhine in several places."

"What's he got to do on the Rhine?" thought George, although the topic did not interest him any further. It struck him that Bermann was looking in front of him in a manner that was not only absent-minded but really almost melancholy.

"And how's your work getting on, my dear Baron?" asked Heinrich with sudden animation, while he drew closer round him the dark grey overcoat which hung over his shoulders.[1] "Have you finished your quintette?"

"My quintette?" repeated George in astonishment. "Have I spoken to you about my quintette, then?"

"No, not you, but Fräulein Else told me that you were working at a quintette."

"I see, Fräulein Else. No, I haven't got much further with it. I didn't feel quite in the mood, as you can imagine."

"Quite," said Heinrich, and was silent for a while. "And your father was still so young," he added slowly.

George nodded in silence.

"How is your brother?" asked Heinrich suddenly.

"Quite well, thanks," answered George somewhat coldly.

Heinrich threw his cigarette over the rail and immediately proceeded to light another. Then he said: "You must be surprised at my inquiring after your brother when I have scarcely ever spoken to him. But he interests me. He represents in my view a type which is absolutely perfect of its kind, and I regard him as one of the happiest men going."

"That may well be," answered George hesitatingly. "But how do you come to think so seeing that you scarcely know him?"

"In the first place his name is Felician Freiherr von Wergenthin-Recco," said Heinrich very seriously, and blew the smoke into the air.

George looked at him with some astonishment.

"Of course your name is Wergenthin-Recco, too," continued Heinrich, "but only George--and that's not the same by a long way, is it? Besides, your brother is very handsome. Of course you haven't got at all a bad appearance. But people whose real point is that they're handsome have really a much better time of it than others whose real point is that they're clever. If you are handsome you are handsome for always, while clever people, or at any rate nine-tenths of them, spend their life without showing a single trace of talent. Yes, that's certainly the case. The line of life is clearer so to speak when one is handsome than when one is a genius. Of course all this could be expressed far better."

George was disagreeably affected. What's the matter with him? he thought. Can he perhaps be jealous of Felician ... on account of Else Ehrenberg?

They got out at the Praterstern. The great stream of the Sunday crowd was flowing towards them. They went towards the Hauptallee, where there was no longer any crush, and strolled slowly on. It had grown cool. George made remarks about the autumnal atmosphere of the evening, the people sitting in the restaurants, the military bands playing in the kiosks.

At first Heinrich answered offhandedly, and subsequently not at all, and finally seemed scarcely to be paying any attention. George thought this rude. He was almost sorry that he had joined Heinrich, all the more so as he made it an almost invariable practice not to respond straight away to casual invitations. The excuse he gave to himself was that it was simply out of absent-mindedness that he had done it on this occasion. Heinrich was walking close to him or even going a few steps in front, as if he were completely oblivious of George's presence. He still held tightly in both hands the overcoat which was swung round him, wore his dark grey felt hat pressed down over his forehead and looked extremely uncouth. His appearance suddenly began to jar keenly on George's nerves. Heinrich Bermann's previous remarks about Felician now struck him as in bad taste, and as quite devoid of tact, and it occurred to him at the psychological moment that practically all he knew of Heinrich's literary productions had gone against the grain. He had seen two pieces of his: one where the scene was laid in the lower strata of society, among artizans or factory workers, and which finished up with murder and fatal blows; the other a kind of satirical society comedy whose first production had occasioned a scandal and which had soon been taken out of the repertoire of the theatre. Anyway George did not then know the author personally, and had taken no further interest in the whole thing. He only remembered that Felician had thought the piece absolutely ridiculous, and that Count Schönstein had expressed the opinion that if he had anything to do with it pieces written by Jews should only be allowed to be performed by the Buda-Pesth Orpheum Company.[2] But Doctor von Breitner in particular, a baptised Jew with a philosophical mind, had given vent to his indignation that such an adventurer of a young man should have dared to have put a world on to the stage that was obviously closed to him, and which it was consequently impossible for him to know anything about.

While George was remembering all this his irritation at the rude conduct and stubborn silence of his companion rose to a genuine sense of enmity, and quite unconsciously he began to think that all the insults which had been previously directed against Bermann had been in fact justified. He now remembered too that Heinrich had been personally antipathetic to him from the beginning, and that he had indulged in some ironic remark to Frau Ehrenberg about her cleverness in having lost no time in adding that young celebrity to the tame lions in her drawing-room. Else, of course, had immediately taken Heinrich's part, and explained that he was an interesting man, was in many respects positively charming, and had prophesied to George that sooner or later he would become good friends with him. And as a matter of fact George had preserved, as the result of that nocturnal conversation on the seat in the Ringstrasse in the spring of this year, a certain sympathy for Bermann which had survived down to the present evening.

They had passed the last inns some time ago. The white high road ran by their side out into the night on a straight and lonely track between the trees, and the very distant music only reached them in more or less broken snatches.

"But where are you going to?" Heinrich exclaimed suddenly, as though he had been dragged there against his will, and stood still.

"I really can't help it," remarked George simply.

"Excuse me," said Heinrich.

"You were so deep in thought," retorted George coolly.

"I wouldn't quite like to say 'deep.' But it often happens that one loses oneself in one's thoughts like this."

"I know," said George, somewhat reconciled.

"They were expecting you in August at Auhof," said Heinrich suddenly.

"Expected? Frau Ehrenberg was certainly kind enough to invite me, but I never accepted. Did you stay there a fairly long time, Herr Bermann?"

"A fairly long time? No. I was up there a few times, but only for an hour or so."

"I thought you stayed there."

"Not a bit of it. I stayed down at the hotel. I only occasionally went up to Auhof. There was too much noise and bustle there for me.... The house was positively packed with visitors. And I can't stand most of the people who go there."

An open fiacre in which a gentleman and lady were sitting passed by.

"Why, that was Oskar Ehrenberg," said Heinrich.

"And the lady?" queried George, looking towards something bright that gleamed through the darkness.

"Don't know her."

They turned their steps through a dark side-avenue. The conversation stuck again. Finally Heinrich began: "Fräulein Else sang a few of your songs to me at Auhof. I'd heard some of them already too, sung by the Bellini, I think."

"Yes, Bellini sang them last winter at a concert."

"Well, Fräulein Else sang those songs and some others of yours as well."

"Who accompanied her, then?"

"I myself, as well as I could. I must tell you, my dear Baron, that as a matter of fact those songs impressed me even more than when I heard them the first time at the concert, in spite of the fact that Fräulein Else has considerably less voice and technique than Fräulein Bellini. Of course one must take into consideration on the other hand that it was a magnificent summer afternoon when Fräulein Else sang your songs. The window was open, there was a view of the mountains and the deep-blue sky opposite ... but anyway, you came in for a more than sufficient share of the credit."

"Very flattering," said George, who felt pained by Heinrich's sarcastic tone.

"You know," continued Heinrich, speaking as he frequently did with clenched teeth and unnecessary emphasis, "you know it is not generally my habit to invite people whom I happen to see in the street to join me in an omnibus, and I prefer to tell you at once that I regarded it as--what does one say?--a sign of fate when I suddenly caught sight of you on the Stephansplatz."

George listened to him in amazement.

"You perhaps don't remember as well as I do," continued Heinrich, "our last conversation on that seat in the Ringstrasse."

George now remembered for the first time that Heinrich had then made a quite casual allusion to the libretto of an opera on which he was busy, and that he had offered himself as the composer of the music with equal casualness and more as a joke than anything else. He answered with deliberate coldness: "Oh yes, I remember."

"Well, that binds you to nothing," answered Heinrich, even more coldly than the other. "All the less so since, to tell you the truth, I've not given my opera libretto a single thought till that beautiful summer afternoon when Fräulein Else sang your song. Anyway, what do you say to our stopping here?"

The restaurant garden which they entered was fairly empty. Heinrich and George sat down in a little arbour next to the green wooden railing and ordered their dinner.

Heinrich leant back, stretched out his legs, looked with probing almost cynical eyes at George, who maintained an obstinate silence, and said suddenly: "I don't think I am making a mistake if I venture to presume that you've not been exactly keen on the things I have done so far."

"Oh," answered George, blushing a little, "what makes you think that?"

"Well, I know my pieces ... and I know you."

"Me!" queried George, feeling almost insulted.

"Certainly," replied Heinrich in a superior manner. "Besides, I have the same feeling with regard to most men, and I regard this faculty as the only indisputable one I've really got. All my others, I think, are fairly problematical. My so-called art in particular is more or less mediocre, and a good deal too could be said against my character. The only thing which gives me a certain amount of confidence is simply the consciousness of being able to see right into people's souls ... right deep down, every one, rogues and honest people, men, women and children, heathens, Jews and Protestants, yes, even Catholics, aristocrats and Germans, although I have heard that that is supposed to be infinitely difficult, not to say impossible, for people like myself."

George gave a slight start. He knew that Heinrich had been subjected to the most violent personal attacks by the clerical and conservative press, particularly with reference to his last piece. "But what's that got to do with me?" thought George. There was another one of them who had been insulted! It was really absolutely impossible to associate with these people on a neutral footing. He said politely, though coldly, with a semi-conscious recollection of old Herr Rosner's retort to young Dr. Stauber: "I really thought that people like you were above attacks of the kind to which you're obviously alluding."

"Really ... you thought that?" queried Heinrich, in that cold almost repulsive manner which was peculiar to him on many occasions. "Well," he went on more gently, "that is the case sometimes. But unfortunately not always. It doesn't need much to wake up that self-contempt which is always lying dormant within us; and once that takes place there isn't a single rogue or a single scoundrel with whom we don't join forces, and quite sincerely too, in attacking our own selves. Excuse me if I say 'we.'"

"Oh, I've frequently felt something of the same kind myself. Of course I have not yet had the opportunity of being exposed to the public as often as you and in the same way."

"Well, supposing you did ... you would never have to go through quite what I did."

"Why not?" queried George, slightly hurt.

Heinrich looked him sharply in the face. "You are the Baron von Wergenthin-Recco."

"So that's your reason! But you must remember that there are a whole lot of people going about to-day who are prejudiced against one for that very reason--and manage to cast in one's teeth the fact of one's being a baron whenever they get a chance."

"Yes, yes, but I think you will agree with me that being ragged for being a baron is a very different matter than being ragged for being a 'Jew,' although the latter--you'll forgive me of course--may at times denote the better aristocracy. Well, you needn't look at me so pitifully," he added with abrupt rudeness. "I am not always so sensitive. I have other moods in which nothing can affect me in any way nor any person either. Then I feel simply this--what do you all know--what do you know about me...." He stopped, proudly, with a scornful look that seemed to pierce through the foliage of the arbour into the darkness. He then turned his head, looked round and said simply to George in quite a new tone: "Just look, we shall soon be the only ones left."

"It is getting quite cold, too," said George.

"I think we might still stroll a bit through the Prater."

"Charmed."

They got up and went. A fine grey cloud hung over a meadow which they passed.

"The fraud of summer doesn't last after nightfall. It'll soon all be over," said Heinrich in a tone of unmitigated melancholy, while he added, as though to console himself: "Well, one will be able to work."

They came into the Wurstelprater. The sound of music rang out from the restaurants, and some of the exuberant gaiety communicated itself to George. He felt suddenly swung out of the dismalness of an inn garden at autumn time and a somewhat painful conversation into a new world. A tout, in front of a merry-go-round, from which a gigantic hurdy-gurdy sent into the open air the pot-pourri cut of the "Troubadour" with all the effect of some fantastic organ, invited people to take a journey to London, Atzgersdorf and Australia. George remembered again the excursion in the spring with the Ehrenberg party. It was on this narrow seat inside the room that Frau Oberberger had sat with Demeter Stanzides, the lion of the evening, by her side, and had probably told him one of her incredible stories: that her mother had been the mistress of a Russian Grand Prince; that she herself had spent a night with an admirer in the Hallstadt cemetery, of course without anything happening; or that her husband, the celebrated traveller, had made conquests of seventeen women in one week in one harem at Smyrna. It was in this carriage upholstered in red velvet, with Hofrat Wilt as her _vis-à-vis_, that Else had lounged with lady-like grace, just as though she were in a carriage on Derby Day, while she yet managed to show by her manner and demeanour that, if it came to the point, she herself could be quite as childish as other persons of happier and less complex temperaments. Anna Rosner with the reins nonchalantly in her hand, looking dignified, but with a somewhat sly face, rode a white Arab; Sissy rocked about on a black horse that not only turned round in a circle with the other animals and carriages, but swung up and down as well. The boldest eyes imaginable flashed and laughed beneath the audacious _coiffure_ with its gigantic black feather hat, while her white skirt fluttered and flew over her low-cut patent leather shoes and open-work stockings. Sissy's appearance had produced so strange an effect on a couple of strangers that they called out to her a quite unambiguous invitation. There had then ensued a short mysterious interview between Willy, who immediately came on the spot, and the two somewhat embarrassed gentlemen, who first tried to save their faces by lighting fresh cigarettes with deliberate nonchalance and then suddenly vanished in the crowd.

Even the side-show with its "Illusions" and "Illuminated Pictures" had special memories for George. It was here, while Daphne was turning into a tree, that Sissy had whispered into his ear a gentle "remember" and thus called to his memory that masked ball at Ehrenberg's at which she had lifted up her lace veil for a fleeting kiss, though presumably he had not been the only one. Then there was the hut where the whole party had had themselves photographed: the three young girls, Anna, Else and Sissy in the pose of classical goddesses and the men at their feet with ecstatic eyes, so that the whole thing looked like the climax of a transformation scene. And while George was thinking of these little episodes there floated up through his memory the way in which he and Anna had said goodbye to-day, and it seemed full of the most pleasant promise.

A striking number of people stood in front of an open shooting gallery. Now the drummer was hit in the heart and beat quick strokes upon his drum, now the glass ball which was dancing to and fro upon a jet of water broke with a slight click, now a _vivandière_ hastily put her trumpet to her mouth and blew a menacing blast, now a little railway thundered out of a door which had sprung open, whizzed over a flying bridge and was swallowed up by another door.

When the crowd began to thin, George and Heinrich made their way to the front and recognised that the good shots were Oskar Ehrenberg and his lady friend. Oskar was just aiming his gun at an eagle which was moving up and down near the ceiling with outstretched wings, and missed for the first time. He laid his weapon down in indignation, gazed round him, saw the two gentlemen behind him and saluted them.

The young lady with her cheek resting on her gun threw a fleeting glance at the new arrivals, then aimed again with great keenness, and pressed the trigger. The eagle drooped its hit wings and did not move any more.

"Bravo," shouted Oskar.

The lady laid the weapon before her on the table. "That's my little lot," she said to the boy who wanted to load again. "I've won."

"How many shots were there?" asked Oskar.

"Forty," answered the boy, "that's eighty kreuzers." Oskar put his hand into his waistcoat pocket, threw a silver gulden down and received with condescension the thanks of the loading boy. "Allow me," he then said, while he placed both his hands on his hips, moved the top of his body slightly in front and put his left foot forward, "Allow me, Amy, to introduce the gentlemen who witnessed your triumph, Baron Wergenthin, Herr von Bermann ... Fräulein Amelie Reiter."

The gentlemen lifted their hats, Amelie returned the greeting by nodding a few times with her head. She wore a simple foulard dress designed in white, and over it a light cloak of bright yellow bordered with lace and a black but extremely lively hat.

"I know Herr von Bermann already," she said. She turned towards him. "I saw you at the first night of your play last winter, when you came on the stage to bow your acknowledgments. I enjoyed myself very much. Don't think I am saying this as a mere compliment."

Heinrich thanked her sincerely.

They walked on further between side-shows which were growing quieter and quieter, past inn gardens which were gradually becoming empty.

Oskar thrust his right arm through his companion's left and then turned to George. "Why didn't you come to Auhof this year? We were all very sorry."

"Unfortunately I didn't feel much in the mood for society."

"Of course, I can quite understand," said Oskar with all proper seriousness. "I was only there myself for a few weeks. In August I strengthened my tired limbs in the waves of the North Sea; I was in the Isle of Wight, you know."

"That must be very nice," said George. "Who is it that always goes there?"

"You're thinking of the Wyners," replied Oskar. "When they used to live in London they went there regularly, but now they only go there every two or three years."

"But they've kept the Y for Austrian consumption as well," said George with a smile.

Oskar was serious. "Old Herr Wyner," he answered, "honestly earned his right to the Y. He went to England in his thirteenth year, became naturalised there and was made a partner when quite a young man in the great steel manufacturing concern which is still called Black & Wyner."

"At any rate he got his wife from Vienna."

"Yes, and when he died seven or eight years ago she came over here with her two children, but James will never get acclimatised here.... Lord Antinous, you know, that's what Frau Oberberger calls him. He is now back at Cambridge again where strangely enough he is studying Greek scholarship. Demeter was a few days in Ventnor, too."

"Stanzides?" added George.

"Do you know Herr von Stanzides, Herr Baron?" asked Amy.

"Oh yes."

"Then he does really exist?" she exclaimed.

"Yes, but just you listen," said Oskar. "She put a lot of money on him this spring at Freudenau, and won a lot of money, and now she inquires if he really exists."

"What makes you have doubts about Stanzides' existence, Fräulein?" asked George.

"Well, you know, whenever I don't know where he is--Oskar, I mean--it's always a case of 'I've an appointment with Stanzides' or 'I'm riding with Stanzides in the Prater.' Stanzides this and Stanzides that, why it sounds more like an excuse than a name."

"You be quiet now, will you?" said Oskar gently.

"Not only does Stanzides exist," explained George, "but he has the most beautiful black moustache and the most fiery black eyes that are to be found anywhere."

"That's quite possible, but when I saw him he looked more like a jack-in-the-box, yellow jacket, green cap, violet sleeves."

"And she won forty gulden on him," added Oskar facetiously.

"And where are the forty gulden?" sighed Fräulein Amelie.... Then she suddenly stood still and exclaimed: "But I've never yet been on it."

"Well, that can be remedied," said Oskar simply.

The Great Wheel was turning slowly and majestically in front of them with its lighted carriages. The young people passed the turnstile, climbed into an empty compartment and swept upwards.

"Do you know, George, whom I got to know this summer?" said Oskar. "The Prince of Guastalla."

"Which one?" asked George.

"The youngest, of course, Karl Friedrich. He was there incognito. He's very thick with Stanzides, an extraordinary man. You take my word for it," he added softly, "if people like us said one hundredth part of the things the prince says, we'd never get out of prison our whole life long."

"Look, Oskar," cried Amy, "at the tables and the people down there. It looks just like a little box, doesn't it? And that mass of lights over there, far off. I'm sure that's going to Prague, don't you think so, Herr Bermann?"

"Possibly," answered Heinrich, knitting his forehead as he stared through the glass wall out into the night.

When they left the compartment and got out into the open air the Sunday hubbub was subsiding.

"Poor little girl," said Oskar Ehrenberg to George, while Amy went on in front with Heinrich, "she has no idea that this is the last time we are going out together in the Prater."

"But why the last time?" asked George, not feeling particularly interested.

"It's got to be," replied Oskar. "Things like this oughtn't to last longer than a year at the outside. Any way, you might buy your gloves from her after December," he added brightly, though with a certain touch of melancholy. "I am setting her up, you know, in a little business. I more or less owe her that, for I took her away from a fairly safe situation."

"A safe one?"

"Yes, she was engaged, to a case-maker. Did you know that there were such people?"

In the meanwhile Amy and Heinrich were standing in front of a narrow moving staircase that went boldly up to a platform and waited for the others. All agreed that they ought not to leave the Prater before going for a ride on the switchback.

They whizzed through the darkness down and up again in the groaning coach under the black tree-tops; and George managed to discover a grotesque motif in 3/4 time in the heavy rhythmic noise.

While he was going down the moving staircase with the others, he knew that the melody should be introduced by an oboe and clarionet and accompanied by a cello and contra bass. It was clearly a _scherzo_ probably for a symphony.

"If I were a capitalist," expounded Heinrich with emphasis, "I would have a switchback built four miles long to go over fields and hills, through forests and dancing-halls; I would also see that there were surprises on the way." Anyway, he thought that the time had come to develop more elaborately the fantastic element in the Wurstelprater. He himself, he informed them, had a rough idea for a merry-go-round that by means of some marvellous machinery was to revolve spiral-fashion above the ground, winding higher and higher till eventually it reached the top of a kind of tower.

Unfortunately he lacked the necessary technical knowledge to explain it in greater detail. As they went on he invented burlesque figures and groups for the shooting galleries, and finally declared that there was a pressing need for a magnificent Punch and Judy show for which original authors should write pieces at once profound and frivolous.

In this way they came to the end of the Prater where Oskar's carriage was waiting. Squashed, but none the less good-tempered, they drove to a wine-restaurant in the town. Oskar ordered champagne in a private room, George sat down by the piano and improvised the theme that had occurred to him on the switchback. Amy lounged back in the corner of the sofa, while Oskar kept whispering things into her ears which made her laugh. Heinrich had grown silent again and twirled his glass slowly between his fingers. Suddenly George stopped playing and let his hands lie on the keys. A feeling of the dreamlike and purposeless character of existence came over him, as it frequently did when he had drunk wine. Ages seemed to have passed since he had come down a badly-lighted staircase in the Paulanergasse, and his walk with Heinrich in the dark autumn avenue lay far away in the distant past. On the other hand he suddenly remembered, as vividly as though the whole thing had happened yesterday, a very young and very depraved individual, with whom he had spent many years ago a few weeks of that happy-go-lucky life which Oskar Ehrenberg was now leading with Amy. She had kept him waiting too long one evening in the street, he had gone away impatiently and had neither heard nor seen anything of her again. How easy life was sometimes....

He heard Amy's soft laugh and turned round. His look encountered that of Oskar, who seemed to be trying to catch his eye over Amy's blonde head. He felt irritated by that look and deliberately avoided it and struck a few chords again in a melancholy ballad-style. He felt a desire to describe all that had happened to him to-day, and looked at the clock over the door. It was past one. He caught Heinrich's eye and they both got up. Oskar pointed to Amy, who had gone to sleep on his shoulder, and intimated by a smile and a shrug of his shoulders that under such circumstances he could not think of going for the present. The two others shook hands with him, whispered good-night and slipped away.

"Do you know what I've done?" said Heinrich. "While you were improvising so extraordinarily finely on that ghastly piano I tried to get the real hang of that libretto that I spoke to you about in the spring."

"Oh, the opera libretto! that _is_ interesting. Won't you tell me?"

Heinrich shook his head. "I should like to, but the unfortunate thing is, as you've already seen, that it's really not yet finished--like most of my other so-called plots."

George looked at him interrogatively. "You had a whole lot of things on hand last spring, when we saw each other last."

"Yes, I have made a lot of notes, but to-day I've done nothing more than sentences ... no words, no, just letters on white paper. It's just as if a dead hand had touched everything. I'm frightened the next time I tackle the thing that it will all fall to pieces like tinder. Yes, I've been going through a bad time, and who knows if there's a better one in store for me?"

George was silent. Then he suddenly remembered the notice in the papers which he had read somewhere or other about Heinrich's father, the former deputy, Doctor Bermann. He suspected that that might be the reason. "Your father is ill, isn't he?" he asked.

Heinrich answered without looking at him. "Yes, my father has been in a mental home since June."

George shook his head sympathetically.

Heinrich continued: "Yes, it's an awful business, even though I wasn't on very intimate terms with him during the last months it is indescribably awful, and goes on being so."

"I can quite understand," said George, "not making any headway with one's work under circumstances like that."

"Yes," answered Heinrich hesitatingly. "But it's not that alone. To be quite frank that business plays a comparatively subordinate part in my present mental condition. I don't want to make myself out better than I am. Better...! Should I be better...!" He gave a short laugh and then went on speaking. "Look here, yesterday I still thought that it was the accumulation of every possible misfortune that depressed me so. But to-day I've had an infallible proof that things of no importance at all, positively silly things in fact, affect me more deeply than very real things like my father's illness. Disgusting, isn't it?"

George looked in front of him. Why do I still go on walking with him, he thought, and why does he take it quite for granted that I should?

Heinrich went on speaking with clenched teeth and unnecessary vehemence of tone. "I received two letters this afternoon. Two letters, yes ... one from my mother, who had visited my father yesterday in the home. This letter contained the news that he is bad--very bad; to come to the point he won't last much longer"--he gave a deep breath--"and as you can imagine that involves all kinds of troubles, responsibilities for my mother and my sister and for myself. But just think of it, another letter came at the same time as that one; it contained nothing of importance so to speak--a letter from a person with whom I have been intimate for two years--and there was a passage in that letter which struck me as a little suspicious--one isolated passage ... otherwise the letter was very affectionate and very nice, like all her other letters ... and now, just imagine, the memory of that one suspicious passage, which another man wouldn't have noticed at all, has been haunting me and torturing me the whole day. I've not been thinking about my father in the lunatic asylum, nor about my mother and sister who are in despair, but only about that unimportant passage in that silly letter from a really by no means brilliant female. It eats up all my strength, it makes me incapable of feeling like a son, like a human being ... isn't it ghastly?"

George listened coldly. It struck him as strange that this taciturn melancholy man should suddenly confide in so casual an acquaintance as himself, and he could not help feeling a painful sense of embarrassment when confronted with this unexpected revelation. He did not have the impression either that any particular sympathy for him on Heinrich's part was the real reason for all these confessions. He rather felt inclined to put it down to a want of tact, a certain natural lack of self-control, something which seemed very well described by the expression "bad breeding," which he had once heard applied to Heinrich--wasn't it by Hofrat Wilt? They went as far as the Burg gate. A starless sky lay over the silent town, there was a slight rustle in the trees of the park, they could hear somewhere or other the noise of a rolling carriage as it drove away into the distance.

As Heinrich was silent again, George stood still and said in as kind a tone as he could: "I must now really say good-bye, dear Herr Bermann."

"Oh," exclaimed Heinrich, "I now see that you've come with me quite a long way--and I've been tactless enough to tell you, or rather myself in your presence, a lot of things which can't interest you in the least.... Forgive me!"

"What is there to forgive?" answered George gently. He felt a little moved by this self-reproach of Heinrich's and held out his hand.

Heinrich took it, said "Good-bye, my dear Baron," and rushed off in a hurry, as though he had suddenly decided that any further word would be bound to be importunate.