Chapter VII: The Indian Village
When Custaloga left his companion in that wild gully of the woods, he began his journey with all that caution and circumspection for which his race have so long been widely celebrated. His ear drank in every sound, he trod the woods with the lightness of a fawn, his feet scarcely stirred the leaves and twigs which covered the ground, and his arms were so held as to avoid all chance of contact with the trees.
There was something singularly solemn in the aspect of the forest through which the red-man glided noiselessly, stealthily, as a snake does through the tall prairie grass or the thick under-brush. For some time his path led through the thicket that skirted the side of the stream. This, however, he crossed at the first convenient opportunity, and plunged deep into the forest itself. It now became truly a matter of wonder how he guided himself, how he found his way. All was darkness, gloom, and night. There was not a sound to tell that nature was not dead. Not an owl hooted, not a wild beast was heard to roar; and the gentle sighing of trees in the light air that prevailed, was all that told that nature still lived and ruled creation.
But Custaloga moved along with the unerring instinct of a woodman, one of the first features of whose woodcraft was to find his way where no man else could guide himself. When one has become in some degree accustomed to the forest and the prairie, it is singular with what ease he penetrates in a direct line through wilds where there seems no guide.
But the moss on the trees, the pebbles in the path, the color of the bark, the twinkling of a star, the point of a rock, are indications to the hunter as sure as sign-post or road. As, however, Custaloga proceeded, he slackened his pace, until at last he paused, looked round, and then seated himself at the foot of a tree. He was now on the summit of a gentle slope, very thickly wooded, but with scarcely any undergrowth of bushes.
Custaloga had rested himself for about five minutes, and had in that time gained breath and considered the course now to be adopted. He began by hiding his rifle behind a tree, whence he could easily snatch it, but where, from several trunks being together, no one could very easily see it in passing.
He then lay flat on his face, his ear to the ground. The change from the stillness of night in that gloomy thicket to what he now heard, was very singular and striking. He seemed quite surrounded by busy life, by some phantasmagorial life, through which he could hear murmuring, whispering, buzzing, but which he could not see. The gentle wind which prevailed came up the slope, and brought with it sounds of warriors gravely talking, of maidens laughing, of women scolding, of dogs growling over a bone--all the usual manifestations, in fact, of Indian life.
“Ugh,” muttered Custaloga, whose Wyandot caution had served him well.
Generally speaking, it would have been quite safe for the Indian warrior to have approached the camp of the Shawnees at that advanced hour of the night without many precautions, the Indians not being in the habit of sitting up much after dark. But, on the present occasion, something out of the common doubtless made them more than usually excited, and Custaloga at once made up his mind that it was, as he had expected, to this village Amy had been brought, and that the warriors were telling the stories and narratives of their adventures while smoking their pipes over the camp-fires.
Having gone so far and learned so much, the Wyandot was not a man to retreat without making sure of the fact he was so deeply anxious to know, and by which he intended guiding his future proceedings. Instead, therefore, of retreating when he discovered that the Indians had not retired to the shelter of their wigwams, he merely determined to act with extreme caution and circumspection, clearly, however, showing, that he did not intend to retreat. He now kept nothing on him but the small breech-cloth of the Shawnee warrior on the war-path, fastened his hunting-knife in his belt, tightened the thongs of his moccasins, and began quietly descending the slope toward the village. It was a position and an hour which would have sorely tried the nerves of any, save a borderman or an Indian.
He had advanced a hundred yards before the voices, which had been so plain above when he lay on the ground, became again audible. He now seemed a vision of the night, so solemnly did he stalk on toward the edge of the clearing. In a few minutes he stood as near as was consistent with safety to the Indian village of Wya-na-mah, a kind of outpost of Chillicothe.
A large, natural opening in the forest, where an arid soil or some accident had prevented the thick growth of trees, or which in days gone by had been cleared, had been selected by the Shawnees for their town. About thirty wigwams had been arranged in a semi-circle round an open grass-plot, much worn, however, and stubbly; and behind these a rude stockade was visible, which also extended round in front, leaving only two entrances to the village, which were guarded by hungry dogs.
There were two fires on the open plot in the center, round one of which about twenty warriors were collected, while as many women and girls were congregated near the other.
It was a wild and singular scene. Around, the dark and gloomy forest; above, the sky, now illumined by the rising moon; and there, the conical huts of the terrible red-skins lying still and yet marked in the moonlight; and their owners, those grim and ghastly warriors who during that day had wrought so much evil and done so much mischief--mischief never to be forgotten--sitting there like peaceful citizens in their pleasant homesteads, talking, laughing, chattering, thus at eventide, without any of that gravity and solemnity assumed at times for a purpose. It was truly a subject for the pencil of a Murillo or a Claude. And the merry group of girls, and the sedate and sad women, were, with the children, the dogs, and the other little addenda of the scene, singularly picturesque.
Custaloga stood in the deep shadow of the trees, about thirty yards from the fire around which the women were congregated. It was evident, from the stockade being, in some instances, built close to the trees, which thus could easily have afforded dangerous cover to the lurking foe, that the Indians considered themselves tolerably secure up in Wya-na-mah or that they trusted chiefly to their scouts outlying in the forest.
And Custaloga looked in vain, amid that group of tawny girls and bowed and chastened women; for the form of Amy. His quick and piercing eyes wandered everywhere around the camp, but not a sign of her existence could be seen in any direction, nor of any thing else which that day had been stolen from the Crow’s Nest, the property of the Silent Hunter.
Still, from a few words he was able to distinguish, he was satisfied that Amy was concealed in one of the huts; but his determination was so great to be certain of this fact, that, utterly disregarding all ideas of danger, he determined to enter the camp itself before he departed, and satisfy himself upon this point. The manner of Custaloga was not at this instant that of an Indian warrior. He seemed rather one of the children of the pale-faces, so impatient did he appear.
But with a shake of the head he kept down the rising feeling of boyish impatience which had moved him, and stood close to the tree which afforded him shelter--so closely, indeed, that he seemed part and parcel of it. He appeared a statue, not a man; so motionless, so upright, and yet so graceful was his mien.
He listened to the talk of the girls, he heard the guttural tones of the warriors, the bark of the dogs over their bones, and then suddenly he started, despite his self-possession, as a howl resounded through the forest--a wail, a howl of woe, uttered by one long practiced in such screeching. A deathlike pause ensued, the warriors were all silent, the girls laughed no more, as all waited for the explanation of this noise.
A woman came staggering from out a wigwam, her hair disheveled, a tomahawk in her hand, and advanced, still howling and wailing, toward the warriors, who rose to receive her with a marked politeness which would have done credit to the most civilized society. Having reached the group, she halted, and was immediately inclosed by the circle of women, who kept at a respectful distance, still near enough to hear distinctly. Custaloga himself felt inclined to advance; but he contented himself with gliding forward to another tree, and then stood still, leaning forward, listening with rapt attention.
“Cosama was a brave--no hunter,” she began, “ever made his wigwam warmer, or kept it better supplied with meat--he was never the last on the war-path, his cry was always heard on the battle-field; his wife and little ones were happy, for they knew the husband and father was a brave. And where is Cosama now? Is his voice heard at the council-fire to-night? Will his cry ever wake the echoes in the forest again? No. He went forth, on the first day of the moon, to fight the sneaking pale-faces, and yesterday he fell into an ambush, and the great warrior, Cosama the brave, the Quivering Spear, died by the hand of a squaw. Wah! The wigwam of Rice-stalk is empty; no more shall the voice of Cosama bid his woman go fetch the game in the forest; no more shall his boy run to meet him on the edge of the wood, and learn to be a brave at the sound of his voice. Cosama was a brave, but he died by the hand of a squaw. A woman of the pale-faces is in yonder tent, a pappoose is by her side; they are alive, and Cosama is unavenged.”
Custaloga shuddered, clutched his knife, and drew back for a bound. His eyes glared, his form seemed to swell, and one would have said he was about to do reckless battle with the whole tribe.
To be continued in Dime Novel 143, and in addition to a complete Novel.
* * * * *
BEADLE’S Standard Dime Publications
NOVELS SERIES.
1. Malaeska.
2. The Privateer’s Cruise.
3. Myra, the Child of Adoption.
4. Alice Wilde.
5. The Golden Belt.
6. Chip, the Cave Child.
7. The Reefer of ’76.
8. Seth Jones.
9. The Slave Sculptor.
10. The Backwoods Bride.
11. The Prisoner of La Vintresse.
12. Bill Biddon, the Trapper.
13. Cedar Swamp.
14. The Emerald Necklace.
15. The Frontier Angel.
16. Uncle Ezekiel.
17. Madge Wylde.
18. Nat Todd.
19. Massasoit’s Daughter.
20. Florida, or, the Iron Will.
21. Sybil Chase.
22. The Maid of Esopus.
23. Winifred Winthrop.
24. The Trail Hunters.
25. The Peon Prince.
26. The Brethren of the Coast.
27. The Daughter of Liberty.
28. King Barnaby.
29. The Forest Spy.
30. Putnam Pomfret’s Ward.
31. The Double Hero.
32. Irona, or, Life on the Border.
33. Maum Guinea. (20 cents.)
34. Ruth Margerie.
35. East and West.
36. The Rifleman of the Miami.
37. Godbold, the Spy.
38. The Wrong Man.
39. The Land Claim.
40. The Unionist’s Daughter. (20c.)
41. The Hunter’s Cabin.
42. The King’s Man.
43. The Allens.
44. Agnes Falkland.
45. Esther; or, the Oregon Trail.
46. The Wreck of the Albion.
47. Tim Bumble’s Charge.
48. Oonomoo, the Huron.
49. The Gold Hunters.
50. The Black Ship.
51. The Two Guards.
52. Single Eye.
53. Hates and Loves.
54. Myrtle, the Child of the Prairie.
55. Off and On.
56. Ahmo’s Plot.
57. The Scout.
58. The Mad Hunter.
59. Kent, the Ranger.
60. Jo Daviess’ Client.
61. Laughing Eyes.
62. The Unknown.
63. The Indian Princess.
64. The Rangers of the Mohawk.
65. The Wrecker’s Prize.
66. The Hunter’s Vow.
67. Indian Jim.
68. The Brigantine.
69. Black Hollow.
70. The Indian Queen.
71. The Lost Trail.
72. The Moose Hunter.
73. The Silver Bugle.
74. The Cruiser of the Chesapeake.
75. The Hunter’s Escape
76. The Scout’s Prize.
77. Quindaro.
78. The Rival Scouts.
79. The Schuylkill Rangers.
80. Eagle Eye.
81. The Two Hunters.
82. The Mystic Canoe.
83. The Golden Harpoon.
84. The Seminole Chief.
85. The Fugitives.
86. Red Plume.
87. On the Deep.
88. Captain Molly.
89. Star Eyes.
90. Cast Away.
91. The Lost Cache.
92. The Twin Scouts.
93. The Creole Sisters.
94. The Mad Skipper.
95. Eph Peters.
96. Little Moccasin.
97. The Doomed Hunter.
98. Ruth Harland.
99. Overboard.
100. Karaibo.
101. The Maid of Wyoming.
102. Hearts Forever.
103. Big Foot, the Guide.
104. Guilty or Not Guilty.
105. The Man in Green.
106. Simple Phil.
107. The Peddler Spy.
108. The Last Ship.
109. Kidnapped.
110. The Hidden Home.
111. The Shawnees’ Foe.
112. The Falcon Rover.
113. Rattlepate.
114. Ned Starling.
115. The Sons of Liberty.
116. Port at Last.
117. The Mohegan Maiden.
118. The Water Waif.
119. The Five Champions.
120. The Hunchback.
121. The Vailed Benefactress.
122. Barden, the Ranger.
123. The Missing Bride.
124. Sumter’s Scouts.
125. The Hunted Life.
126. Old Jupe.
127. Bald Eagle.
128. The Gulch Miners.
129. Blackeyes.
130. Brave Heart.
131. The Wrecker’s Daughter.
132. Old Honesty.
133. Yankee Eph.
134. Foul-weather Jack.
135. The Cherokee Chief.
136. The Indian-Hunters.
137. The Traitor Spy.
138. Tim, the Scout.
139. The Border Foes.
140. Sheet-Anchor Tom.
141. The Helpless Hand.
LIBRARY.
1. The White-faced Pacer.
2. The Blacksmith of Antwerp.
3. The Maiden Martyr.
4. The Loyalist.
5. The Country Cousin.
6. The Messenger.
FICTION.
1. The Marked Bullet.
2. The Outlaw Brothers.
3. The Willing Captive.
4. The Deer Hunters.
5. The Dacotah Queen.
6. Missing Jo.
7. Gottlieb Gottsoock.
8. Prairie Chick.
9. Roving Ben.
BIOGRAPHIES.
1. Garibaldi.
2. Daniel Boone.
3. Kit Carson.
4. Anthony Wayne.
5. David Crockett.
6. Winfield Scott.
7. Pontiac.
8. John C. Fremont.
9. John Paul Jones.
10. Marquis de Lafayette.
11. Tecumseh.
12. General George B. McClellan.
13. Parson Brownlow.
14. Abraham Lincoln.
15. Ulysses S Grant.
MEN OF THE TIME, Nos. 1, 2 and 3.
SCHOOL SERIES.
1. American Speaker.
2. National Speaker.
3. Patriotic Speaker.
4. Comic Speaker.
5. Elecutionist.
6. Humorous Speaker.
7. Standard Speaker.
DIALOGUES, Nos. 1, 2, 3, 4, 5 and 6.
Melodist.
School Melodist.
HAND-BOOKS OF GAMES.
Guide to Curling and Skating.
Yachting and Rowing.
Riding and Driving.
Chess Instructor.
Book of Cricket and Football.
Base-Ball Player for 1867.
Guide to Swimming.
Book of Croquet.
FAMILY SERIES.
1. Cook Book.
2. Recipe Book.
3. Housewife’s Manual.
4. Family Physician.
5. Dressmaking and Millinery.
POPULAR HAND-BOOKS.
1. Letter-Writer.
2. Book of Etiquette.
3. Book of Verses.
4. Book of Dreams.
SONG BOOKS.
Song Books. Nos. 1 to 90.
Pocket Songsters, Nos. 1 to 6.
MISCELLANEOUS.
Dime Tales, Nos. 1 to 12.
Grant’s and Sherman’s Reports.
Books of Fun, Nos. 1, 2 and 3.
Robinson Crusoe, (Illustrated).
The New House that Jack Built.
* * * * *
BEADLE’S DIME PUBLICATIONS.
What is said of them by Competent Judges.
We were agreeably surprised, on looking over the series of these works, to find how much excellent matter is given for that now defunct article, the dime, but still purchasable at ten cents. History, Fiction, and Useful Works--some of which are suitable for Schools--are to be found in this remarkably cheap series of publications. Of one thing we can assure our readers--that nothing immoral, or of a _slang_ nature, is published in them. So, if you want a cheap and good ten cents’ worth, get one of BEADLE’S DIME BOOKS.--LOUIS A. GODEY, _Godey’s Lady’s Book_.
One of the most successful enterprises of modern times in the literary world was inaugurated with the introduction of the “Dime” publications of the well-known firm of Beadle and Company.... Their success has been unprecedented, but not undeserved, for we believe it has been their conscientious aim to cultivate the popular taste up to a higher standard of literature than was the case before they took the field. Yellow-covered literature was therefore so aptly described as “cheap and nasty;” but the publications of this house, though the cheapest of the cheap, have proved that that desirable quality is not inconsistent with a high order of literary merit, and an irreproachable standard of morality.--_Buffalo Commercial Advertiser._
Why these works, (Beadle’s Dime Books), are popular is a problem, quite as much for the moralist and student of national character as for the critic. It is a satisfaction that, being so, they are, without exception, so far as we can judge, unexceptionably moral.... They do not even obscurely pander to vice, or excite the passions.--_North American Review_, July, 1864.
These works are of a high moral character, and are written in a popular and entertaining style. They are certain to find their way into the home circle, and when once they have made room for themselves in the English heart, they are certain to find an ever-ready welcome.--_London (England) American._
Since the time that Fenimore Cooper wrote his Indian tales, few works of fiction have excited greater attention or given greater satisfaction to the reader of romance, forcibly reminding us of those works of the above deceased author which have won for him a world-wide celebrity. The Indian and genuine Yankee character, together with that of the sturdy backwoodsman and settler, are graphically drawn.--_Examiner_, Brighton, England.
Beadle and Company deserve all credit for their series of Dime Publications, as in no case have they allowed a work of poisonous character to pass through their hands to the public. Evil is not glossed over in any instance with a veneer of virtue, to mimic the genuine. A general observation on American light literature will apply to the publications of Beadle and Company.--Rondout, N. Y., _Courier_.
In his series of Dime Publications, Beadle has struck upon a new path--at once excellent and original. By this means he has brought much of the very best of our current literature within the reach of all. His publications embrace History, Biography, Adventure and Romance, and nothing of a worthless or immoral tendency is issued from his presses.--_Perrysburg, O., Journal._
Beadle’s Dime Publications, by their combined cheapness, excellence and beauty, have become familiar to the American public. They are, doubtless, the most popular series of books ever issued in this country. This popularity is due quite as much to the high standard of merit maintained in each work as to the exceeding cheapness of the little volumes. Literary and moral excellence are primary requisites for all contributions to the series, as well as dramatic interest, power and beauty of story. Hence the popularity and permanent value of these now conceded household and public favorites; and the general reader, the teacher, the parent and the scholar, may rest assured that in securing any of Beadle’s publications, they have what will prove eminently satisfactory.--_Mt. Carmel (Ill.) Register._
The wonder is how they can afford to furnish so much for so little; but they do, upon receipt of the sum designated.--_Gazette_, Williamsport, Pa.
The publishers are issuing a series of Dime Books, which contains a large amount of interesting and useful reading, at a very small expense.--_Standard_, Kendallville, Ind.
* * * * *
Transcriber’s Notes:
An earlier shorter version of this story appeared in Elizabeth Oakes Smith, “The Sagamore of Saco: A Legend of Maine,” _Graham’s American Monthly Magazine of Literature and Art_, Vol. XXXIII, No. 1, July, 1848. This is available online from Project Gutenberg.
Punctuation has been made consistent.
Variations in spelling and hyphenation were retained as they appear in the original publication, except that obvious typographical errors have been corrected.
The following changes were made:
p. 52: crone changed to croon (to croon, in)
Back cover: of assumed for unclear original text (veneer of virtue,)
End of Project Gutenberg's The Sagamore of Saco, by Mrs. E. Oakes Smith
Comments
Log in to leave a comment.
The Sagamore of SacoChapter VII: The Indian Village
0%13 min left in chapter