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Chapter XXXI: At Her Feet

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"But all in vain, to thought's tumultuous flow
I strive to give the strength of glowing words;
The waves of feeling, tossing to and fro,
In broken music o'er my heart's loose chords,
Give but their fainting echoes from my soul,
As through its silent depths their wild, swift currents roll."

--AMELIA B. WELBY.

"Hope's precious pearl in sorrow's cup,
Unmelted at the bottom lay,
To shine again when all drunk up,
The bitterness should pass away."

--MOORE'S LOVES OF THE ANGELS.

She pushes back the sliding-doors between her own room and this one, letting the soft, clear light flood its dim recesses, opens the windows admitting the balmy sea breeze and the moonlight. Divided then between suspense and pain she throws upward the lace canopy and stands leaning once more over the empty crib that seems to her now more like a grave.

"It was May, 1870, when we quarreled here over baby's crib," she muses to herself, "and it seems as if years, and years, and years have gone over my head--yet this is only May, 1874. Ah! me."

Did minutes or hours go by? She never knew as she steadied her soul against the rushing, headlong waves of memory that threatened to engulf her in its chilling tide. She had put the past away from her in the excitement of other pursuits and other aims, and now--now it came back, relentless, remorseless, sweeping her quivering heart-strings, atuning all her sensitive nerves to pain.

_Would_ he come? Her helpless heart throbbed a passive denial. _If_ he came, as Lulu had asked her, _would_ she be glad?

She scarcely knew. She loved him--loved him with a pure, deep love that having once given its pledge to last till death, no earthly power could alter. Hers was a very strong and faithful devotion, but human resentment must hold a small place in the human breast as long as life lasts. And Grace Winans, brave, patient, tried by fire as she had been, was still only mortal. If he came, strengthened, purified, enobled by suffering and sad experience, they must still meet, she thinks, with a sharp heart-pang, as over a _grave_--the grave of their child; the winsome baby whom she sees in fancy at his childish play on the nursery rug, toddling over the floor, laughing in her arms, catching at her long, bright curls--what shall she say to the man whose folly has deprived her of all this joy, when he comes to ask forgiveness?

"God help me!" she moans, and drops her hopeless head upon her hands.

"Gracie!"

Does her heart deceive her ears? She glances shyly up, sees _him_ standing not three feet from her, and he lifts the little child by his side, and tossing him into the crib, growing too small for his boyish proportions, says, wistfully:

"Gracie, I have brought him back to you to plead his father's cause."

One long look into the boyish beauty of that face that has not outgrown its infantile bloom, and her arms are about the little form, though silent in her joy as in her grief no word escapes her lips.

"Mamma, my own lovely mamma!" the little boy lisps, tutored thereto no doubt by his father's wisdom, and her only answer is in raining kisses, smiles and tears.

It is so long before she thinks of the silent father that when she turns it is only to find him kneeling at her feet. On the dusk beauty of that proud face she sees the sharp traces of suffering, weariness, almost hopelessness. He takes the small hand that falls passive to her side, touching it lightly to his feverish lips.

"Gracie," she hears in the low, strong accents of despair, "there is nothing I can say for myself--I am at your foot to hear my doom! Whatever you accord me, it cannot be utter despair, since I am blessed beyond measure in having looked even once more on your beloved face."

For minutes she looked down on that bowed head in silence. All the love and pride, all the good and evil in her nature are warring against each other. Shall she let the cruel past go by, or shall she--and then, between her and these tumultuous thoughts, rises the face of one who is an angel in heaven--her lips part to speak, and close mutely; she smiles, then slowly falling like the perfuming petals of a great white rose, her white robes waver to the floor, and her small hand flutters down on his shoulder, and she is kneeling beside him.

He looks up with an unspoken prayer of thanksgiving on his mobile features, and twines strong, loving arms about the form that has fallen unconscious against his breast.

* * * * *

General Winans takes his wife abroad to escape the "nine days wonder." Norah goes with them, in charge of little Earle, her face glowing like a miniature sun with delight at the way that "things," in her homely phraseology "have turned out."

They visit the adopted grandparents of little Earle, and are _feted_ and flattered by them, until sweet Grace in the fullness of her own happiness and her compassion for them, promises them an annual visit. _Deo volent_, from the small idol of her heart and theirs.

And, "by the way," in Paris--"dear, delightful Paris"--where they sojourn awhile, they meet--who else but Major Frank Fontenay, U. S. A., "doing the honeymoon" in most approved style with the "fair Cordelia, the banker's heiress." And thus has the susceptible major consoled himself for Lulu's rejection. It is needless to say that these two couples uniting, "do" the tour of Europe in the most leisurely and pleasant manner, and are duly favored with honors and attentions.

Latest advises from Norfolk report the Winans and Conway families as on the happiest terms. Rumor says, indeed, that the two young mothers have prospectively betrothed the fragile little brown-eyed Grace Willard to the handsome young Earle Willoughby, the hopeful heir of two fortunes. "However these things be," we leave them to the future, which takes care of itself.

* * * * *

And far down a shady path in one of Norfolk's lovely cemeteries there rises a low green grave, over which a costly white marble shaft, never without its daily wreath of fresh white roses through all of summer's golden days, tapers sadly against the blue sky, telling all who care to know that

WILLARD CLENDENON,
AGED 36,
RESTS HERE.

"Nature doth mourn for thee. There is no need
For man to strike his plaintive lyre and fail,
As fail he must if he attempts thy praise."

[THE END]

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October 17, 1896.

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GISMONDA.

BY VICTORIEN SARDOU.

_A Novelization of the Celebrated Play_,

BY A. D. HALL.

The _New York World_ says: To "dramatize" a novel is common work, to "novelize" a play comparatively rare. The latest in this line is "Gismonda," in which Miss Fanny Davenport has been so successful, and Mr. A. D. Hall has told the story in a very interesting manner.

_Philadelphia Press_: The story is an interesting one, and with a plot quite out of the common.

_Portland Oregonian_: A story that holds the interest.

_Denver Republican_: The characters are exceedingly well depicted. "Gismonda" will prove a favorite with the novel-reading public and become one of the popular books of the season.

_Philadelphia Item_: The kind of book which one sits over till he has finished the last word. It is a clever piece of literary work.

_New Orleans Picayune_: It is needless to say, as it is Sardou's creation, that it is of intense interest.

_Buffalo News_: A vivid and powerful story.

_Brooklyn Eagle_: The amplification into the novel is done by Mr. A. D. Hall, who presents a full and interesting picture of modern or rather medieval Greece. The plot is quite original.

_Milwaukee Journal_: While its situations are dramatic, it is by no means stagy.

_Albany Argus_: We have every reason to believe that the excellent novelization will achieve popularity.

_Boston Traveler_: It has basis for great interest.

_Syracuse Herald_: The "novelizator" seems to have acquitted himself fairly well, and to have transformed the play into a highly romantic story.

_Burlington Hawkeye_: Excellent novelization, and without a dull moment from beginning to end.

_Detroit Tribune_: As the play has been a success, the novel will undoubtedly prove one also. The story has a unique plot, and the characters are well depicted.

_Albany Times-Union_: No play produced during the past year has made such an instantaneous and overwhelming success as that of "Gismonda," and we have every reason to believe that the excellent novelization will achieve the same measure of popularity.

* * * * *

=GISMONDA= is No. 1. of "Drama Series," for sale by all Newsdealers,
or will be sent, on receipt of price, 25 cents, to any address
postpaid, by =STREET & SMITH, 25-31 Rose St., New York=.

A GENTLEMAN FROM GASCONY.

BY BICKNELL DUDLEY

_OPINIONS OF THE PRESS_:

_Brooklyn Standard-Union_: A most captivating story.

_Buffalo Times_: The story is full of dramatic situations.

_Pittsburgh Leader_: It is a romance well worth reading.

_Philadelphia Call_: An interesting and graphic story good for seashore, hammock or mountain.

_The New York World_: A very charming novel of the romantic school, full of love and adventure.

_Albany Times_: "A Gentleman from Gascony," by Bicknell Dudley, is an exciting and well-told story.

_The Brooklyn Citizen_: The story is full of fine dramatic situations, and is never lacking in action. The author has the knack of holding the reader's attention throughout the entire story.

_San Francisco Chronicle_: "A Gentleman from Gascony," by Bicknell Dudley, while it at once recalls our dear old friends of the "Three Musketeers," is a bright, clever, well-written and entertaining story. The book gives a graphic and vivid picture of one of the great historic epochs of France.

_Rochester Herald_: It is a positive relief to turn from the morbid fancies of the Madame Grands and the Grant Allens to such a purely romantic love tale as "A Gentleman from Gascony," by Bicknell Dudley, which Street & Smith publish in yellow covers, while deserving of more substantial garb. The story is a formidable rival of Mr. Stanley Weyman's premier effort.

_Louisville Courier-Journal_: It is a thoroughly readable novel that Bicknell Dudley has contributed to current literature under the title of "A Gentleman from Gascony." Although the title recalls Stanley Weyman's "Gentleman of France" and the scenes of both stories are laid in the time of Henri of Navarre, they are not alike, save in the fact that both the "Gentleman of France," and the "Gentleman from Gascony" are heroes in the fullest sense of the term from a romantic standpoint.

_Pittsburgh Press_: Bicknell Dudley has written another story, based on French history, around the time of the St. Bartholomew massacre. It is a tale of adventure with a single hero, who embodies in himself the wile of an Aramis, the strength of a Porthos, and the gallantry of a D'Artagnan. The adventures of the Chevalier de Puycadere are, even if impossible in these days, still redolent of the times of knight errantry, when every good sword won its way and was faithful. Although he was an illustrious chevalier both in love and war, he was certainly no chevalier d'industrie, and happily comes out triumphant.

_The Argus_, Albany, N. Y.: The hero is a young Gascon full of dash and courage, of good blood but impoverished estates, who comes to Paris to seek his fortune. This he accomplishes after many adventures, sometimes by bravado, sometimes by bravery. There is a strong love story between Gabrielle de Vrissac, a maid of honor to the Queen of Navarre, and the Gascon, Raoul de Puycadere. Many historical characters figure among them--Henri of Navarre, Marguerite de Valois, Catherine de Medicis, and Charles IX., and Admiral Coliquy. The author, Bicknell Dudley, exhibits literary ability of the very first order.

_Baltimore American_: "A Gentleman from Gascony," by Bicknell Dudley. This is a tale of the time of Charles IX., the story opening in the year 1572. Raoul de Puycadere is of a noble family, but his possessions have been squandered by his ancestors, and he leaves for Paris to better his position at court. He arrives on the eve of the massacre of St. Bartholomew, and his lady love, Gabrielle, having heard of the contemplated killing, binds a sign on his arm to protect him. By great good luck he is made equerry to the King of Navarre, and between his duties as equerry and his lovemaking passes through many exciting adventures.

"A Gentleman from Gascony" is No. 11 of the Criterion Series. For
sale by all booksellers and newsdealers, or sent postage free on
receipt of price, fifty cents, by the publishers.

STREET & SMITH,
25 to 31 Rose Street, New York.

Richard Forrest, Bachelor.

By Clement R. Marley.

_PRESS OPINIONS_:

"'Richard Forrest, Bachelor,' by Clement R. Marley, is a bright and pleasing story. The love story of the old bachelor, whose heart was so long steeled to woman's charms, but who succumbs at last to the girl who attempts to take the life of his best friend because she imagines he wronged her young and beautiful sister, is prettily told."--_Boston Times._

"'Richard Forrest, Bachelor,' is a story whose narration is simple and direct, but it has also a freshness and vivacity which add greatly to its charms. The characters are well drawn."--_Newark Advertiser._

"An entertaining story, telling of the capture of the heart of an old bachelor."--_New York Press._

"A story of most unconventional type. The theme is good, and it is well told. It is all very natural and true to life, and when all is said and done it lingers in the mind as a pleasant memory."--_Nashville American._

"'Richard Forrest, Bachelor,' is a very pleasing love story, most entertainingly told."--_Fort Worth Gazette._

"The author tells a very unconventional story in 'Richard Forrest, Bachelor,' and it is very entertaining."--_Brooklyn Eagle._

"In 'Richard Forrest, Bachelor,' the author gives a very pretty story. There are strong religious sentiments, and the author puts forth some well-defined ideas on the social relations of men and women."--_Philadelphia Call._

"A novel of more than usual interest is 'Richard Forrest, Bachelor.' It describes scenes and incidents that may be seen and experienced by any one in similar circumstances. There is much that is strange and stirring in the story, yet nature is not departed from either in the incidents or characters introduced."--_Brooklyn Citizen._

"A well-told tale of sustained interest and dramatic character."--_Sacramento Record-Union._

"The author tells the story of an old bachelor's love. He gets well along in life invulnerable to Cupid's dart, and then he detects the woman of his heart's choice in an attempt upon the life of his bosom friend, to avenge an imaginary wrong. It is very true to life."--_Atlanta Journal._

"'Richard Forrest, Bachelor,' is after the style of 'Mr. Barnes of New York,' but is rather better written."--_Hartford Times._

* * * * *

RICHARD FORREST, BACHELOR, is No. 16 of "Criterion Series," for sale
by all Booksellers or Newsdealers or sent postpaid to any address on
receipt of price, 50 cents, by the publishers,

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The Criterion Series.

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In presenting this series of high-class novels to the public we take pride in announcing that every number will be of the highest merit, printed in the best style on the first quality of paper. This series will be our best, both as regards contents and appearance.

6--Miss Caprice. By the author of Dr. Jack.
7--Baron Sam. By the author of Dr. Jack.
8--Monsieur Bob. By the author of Dr. Jack.
9--The Colonel by Brevet. By the author of Dr. Jack.
10--Major Matterson of Kentucky. By the author of Dr. Jack.
11--A Gentleman from Gascony. By Bicknell Dudley.
12--A Daughter of Delilah. By Robert Lee Tyler.
13--The Nabob of Singapore. By the author of Dr. Jack.
14--The Bachelor of the Midway. By the author of Dr. Jack.
15--None but the Brave. By Robert Lee Tyler.
16--Richard Forrest, Bachelor. By Clement R. Marley.
17--Mrs. Bob. By the author of Dr. Jack.
18--The Great Mogul. By the author of Dr. Jack.
19--A Yale Man. By Robert Lee Tyler.
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4--The Crime of a Countess. By Nick Carter.
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6--A Woman's Hand. By Nick Carter.
7--Fighting Against Millions. By Nick Carter.
8--The Piano Box Mystery. By Nick Carter.
9--A Stolen Identity. By Nick Carter.
10--The Great Enigma. By Nick Carter.
11--The Gambler's Syndicate. By Nick Carter.
12--Playing a Bold Game. By Nick Carter.
13--The American Marquis. By Nick Carter.
14--Tracked Across the Atlantic (new). By Nick Carter.
15--The Mysterious Mail Robbery (new). By Nick Carter.
16--Brant Adams, the Emperor of Detectives. By Old Sleuth.
17--Bruce Angelo, the City Detective. By Old Sleuth.
18--Van, the Government Detective. By Old Sleuth.
19--Old Stonewall, the Colorado Detective. By Judson R. Taylor.
20--The Masked Detective. By Judson R. Taylor.
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22--Tom and Jerry. By Judson R. Taylor.
23--The Swordsman of Warsaw. By Judson R. Taylor.
24--Detective Bob Bridger. By R. M. Taylor.
25--The Poker King. By Marline Manly.
26--Old Specie, the Treasury Detective. By Marline Manly.
27--The Vestibule Limited Mystery. By Marline Manly.
28--Caught in the Net. By Emile Gaboriau.
29--The Champdoce Mystery. By Emile Gaboriau.
30--The Detective's Dilemma. By Emile Gaboriau.
31--The Detective's Triumph. By Emile Gaboriau.
32--The Widow's Lerouge. By Emile Gaboriau.
33--The Clique of Gold. By Emile Gaboriau.
34--File 113. By Emile Gaboriau.
35--A Chance Discovery. By Nick Carter.
36--A Deposit Vault Puzzle. By Nick Carter.
37--Evidence by Telephone. By Nick Carter.
38--The Red Lottery Ticket. By Fortune du Boisgobey.
39--The Steel Necklace. By Fortune du Boisgobey.
40--The Convict Colonel. By Fortune du Boisgobey.
41--(vol. I) The Crime of the Opera House. By Fortune du Boisgobey.
41--(vol. II) The Crime of the Opera House. By Fortune du Boisgobey.

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Transcriber's note:

This story was originally serialized in Street & Smith's _New York Weekly_ from July 4, 1881 to September 26, 1881.

Added table of contents.

Some inconsistent hyphenation (e.g. "chambermaid" vs. "chamber-maid") has been retained from the original.

Archaic spellings ("vail", "staid", etc.) retained from the original.

Several missing periods and a letter 'y' (probably attributable to light printing) have been added to the "Catalogue" on the inside front cover.

Page 14, corrected comma to period after "husband, Senator Winans."

Page 16, inserted "as" into "cold as death."

Page 17, corrected "you" to "your" in "your wishes are always mine, Paul."

Page 18, added missing close single quote after "I told you so?"

Page 22, corrected typographical error "peaae" in "domestic peace and love."

Page 24, corrected comma to period after "I think I am mad to-night."

Page 31, added missing close single quote after "when I was a little child?"

Page 32, corrected "ole miss'" to "ole mis'" for consistency in 'from the said "ole mis'."' Corrected Mars to Marse in "Glad to see you, Marse Bruce." Corrected typographical error "commennted" in "commented the merry little darkey."

Page 35, corrected "Gray" to "Grey" in "passionate love for Grace Grey." Corrected typographical error "worldy" in "scruple of worldly pride." Removed unnecessary comma after "splendid" in "dreary, splendid home."

Page 42, corrected typographical error "tesolve" in "resolve was taken."

Page 43, corrected "Gray" to "Grey" in "when Grace Grey had."

Page 46, added missing close quote after "Miss Story!" Changed "you" to "your" in "your contemptible innuendoes."

Page 50, grammatical mismatch between "consequences" and "has" retained from original.

Page 51, corrected "had have" to "have had" in "ought to have had more manliness."

Page 54, added missing quote before "or his servants would not." Removed unnecessary comma after "honest black face."

Page 56, added missing quote after "Waiting!" Corrected "William" to "Willard" in "Willard Clendenon could not withhold."

Page 57, corrected typographical error "conjucture" in "the scandal, the conjecture."

Page 61, removed duplicate "and" from "and try, do."

Page 62, corrected "Child Harold" to "Childe Harold" at head of chapter VIII.

Page 64, changed "wrong" to "wronged" in "poor wronged and injured girl."

Page 65, retained unusual contraction "musn't" from original.

Page 67, corrected typographical error "your" in "the man you're talking of."

Page 68, changed ! to ? after "that new song I sent you yesterday?"

Page 70, removed stray period and space before question mark in "her husband again?"

Page 72, corrected typographical error "privilged" in "privileged domestic."

Page 73, corrected typographical error "embarassing" in "momentary embarrassing silence."

Page 79, changed ? to ! after "What a long speech this is!"

Page 80, retained unusual spelling "skillfuly" from original.

Page 81, corrected comma to period after "first saw Grace."

Page 84, corrected double "whom" in "whom he had left talking."

Page 87, corrected "pean" to "pæan." Removed unnecessary quote before "That other!"

Page 90, corrected comma to period after "alien from your heart."

Page 93, removed unnecessary quote before "Well" in "that affair. Well."

Page 100, moved quote from after "Ah!" to before it in "Ah! Fontenay."

Page 101, changed single to double quote after "No--yes."

Page 112, corrected typographical error "brused" in "her brused heart."

Page 120, corrected single to double quote before "a single stream of all her soft brown hair."

Page 123, corrected typographical error "Gethsemene" in "Garden of Gethsemane." Added missing close single quote after "seek and ye shall find."

Page 125, added missing close quote after ""And, indeed, Grace."

Page 128, corrected comma to period after "you--have not seen you."

Page 130, corrected typographical error "alway" in "They always remind me."

Page 136, corrected typographical error "dimunitive" in "a diminutive silver comb."

Page 138, corrected comma to period after "keep it from breaking."

Page 144, removed unnecessary period between _ad infinitum_ and question mark.

Page 147, corrected "Mr." to "Mrs." in "Mrs. Conway, who was very well pleased."

Page 149, added missing quote before "this is----"

Page 154, removed duplicate "and often" from "and often society was scandalized."

Page 156, retained unusual spelling "detatched" from original. Added missing quote before "And this was about the time."

Page 157, corrected "Pure as due" to "Pure as dew" and "Winan's" to "Winans'" in "Paul Winans' pictured face."

Page 158, added missing close quote after "It is all _rue_!"

Page 159, corrected "thing" to "things" in "how evanescent are all things."

Page 162, added missing quote before "It is rather a nice little jaunt."

Page 164, corrected typographical error "Bt" in "But no, I shall not die."

Page 165, corrected comma to period after "indomitable young spirit."

Page 168, added missing quote before "Down with the fever--died this evening."

Page 173, corrected "it" to "its" in "fever in its worst." Corrected typographical error "indefatigible."

Page 175, corrected typographical error "restrospections" in "half-bitter retrospections."

Page 176, corrected typographical error "belive" in "I believe I wrote you."

Page 178, corrected "passes-by" to "passers-by". Corrected comma to period after "pinned across the left breast."

Page 180, added missing quote before "Your father told me two months." Corrected "dusk" to "dusky" in "her dusky eyes."

Page 181, added space to "DeVere" in "Miss De Vere, cannot you suppose."

Page 189, corrected typographical error "heaver" in "The heavier cross the easier dying."

Page 193, added missing quote after "Why? ah, why?"

Page 194, capitalized sentence beginning "Many gentle conversations."

Page 196, corrected "left for France" to "left for London."

Page 201, removed unnecessary quote after "Little sister, be strong." Added missing comma in "Gracie, say 'I promise.'"

Page 203, removed unnecessary quote before "It was enough."

Page 205, corrected typographical error "retutning" in "her returning smile." Changed "father care" to "father's care."

Page 209, corrected comma to period after "as long as life lasts."

Page 210, added missing close single quote after "have turned out."

Maine Central Railroad ad, retained incorrect spelling "wierd" from original.

Gentleman from Gascony ad, removed duplicate "a" from "There is a strong love story." Changed comma to period after publisher address at very end.

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The Senator's BrideChapter XXXI: At Her Feet

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