Chapter VII: Manners and Customs (4)

The chase of the gazelle is not shown on the sculptures. In modern times they are taken by the grayhound and the falcon, separately or in conjunction, the two being often trained to hunt together. They are somewhat difficult to run down with dogs only, except immediately after they have drunk water in hot weather. That the Assyrians sometimes captured them, appears by a hunting scene which Mr. Layard discovered at Khorsabad, where an attendant is represented carrying a gazelle on his shoulders, and holding a hare in his right hand. [PLATE CXXIV., Fig. 1.] As gazelles are very abundant both in the Sinjar country and in the district between the Tigris and the Zagros range, we may suppose that the Assyrians sometimes came upon them unawares, and transfixed them with their arrows before they could make their escape. They may also have taken them in nets, as they were accustomed to take deer; but we have no evidence that they did so.

The hare is seen very commonly in the hands of those who attend upon the huntsmen. It is always represented as very small in proportion to the size of the men, whence we may perhaps conclude that the full-grown animal was less esteemed than the leveret. As the huntsmen in these representations have neither nets nor dogs, but seem to obtain their game solely by the bow, we must presume that they were expert enough to strike the hare as it ran.

There is no difficulty in making such a supposition as this, since the Assyrians have left us an evidence of their skill as marksmen which implies even greater dexterity. The game which they principally sought in the districts where they occasionally killed the hare and the gazelle seems to have been the partridge; and this game they had to bring down when upon the wing. We see the sportsmen in the sculptures aiming their arrows at the birds as they mount into the air [PLATE CXXIV., Fig. 21,] and in one instance we observe one of the birds in the act of falling to the ground, transfixed by a well aimed shaft. Such skill is not uncommon among savage hunting tribes, whose existence depends on the dexterity with which they employ their weapons; but it is rarely that a people which has passed out of this stage, and hunts for sport rather than subsistence, retains its old expertness.

Hunting the hare with dogs was probably not very common, as it is only in a single instance that the Assyrian remains exhibit a trace of it. On one of the bronze dishes discovered by Mr. Layard at Nimrud may be seen a series of alternate dogs and hares, which shows that coursing was not unknown to the Assyrians. [PLATE CXXIV., Fig. 3.] The dog is of a kind not seen elsewhere in the remains of Assyrian art. The head bears a resemblance to that of the wolf; but the form generally is that of a coarse grayhound, the legs and neck long, the body slim, and the tail curved at the end; offering thus a strong contrast to the ordinary Assyrian hound, which has been already represented more than once.

Nets may sometimes have been employed for the capture of small game, such as hares and rabbits, since we occasionally see beaters or other attendants carrying upon poles, which they hold over their shoulders, nets of dimensions far too small for them to have been used in the deer-hunts, with balls of string and pegs wherewith to extend them. [PLATE CXXIV., Fig. 4.] The nets in this case are squared at the ends, and seem to have been about eight or nine feet long, and less than a foot in height. They have large meshes, and, like the deer nets, are bordered both at top and bottom with a strong cord, to which the net-work is attached. Like the classical [evodia], they were probably placed across the runs of the animals, which, being baffled by then and turned from their accustomed tracks, would grow bewildered, and fall an easy prey to the hunters. Or, possibly, several of them may have been joined together, and a considerable space may then have been enclosed, within which the game may have been driven by the beaters. The ease of these three weak and tinnier animals, the gazelle, the hare, and the partridge, was not regarded as worthy of the monarch. When the king is represented as present, he takes no part in it, but merely drives in his chariot through the woods where the sportsmen are amusing themselves. Persons, however, of a good position, as appears from their dress and the number of their attendants, indulged in the sport, more especially eunuchs, who were probably those of the royal household. It is not unlikely that the special object was to supply the royal table with game.

The Assyrians do not seem to have had much skill as fishermen. They were unacquainted with the rod, and fished by means of a simple line thrown into the water, one end of which was held in the hand. [PLATE CXXV., Figs. 1, 2.] No float was used, and the bait must consequently have sunk to the bottom, unless prevented from so doing by the force of the stream. This method of fishing was likewise known and practised in Egypt, where, however, it was far more common to angle with a rod. Though Assyrian fish-hooks have not been found, there can be no doubt that that invention was one with which they were acquainted, as were both the Egyptians and the early Chaldaeans.

Fishing was carried on both in rivers and in stews or ponds. The angler sometimes stood or squatted upon the bank; at other times, not content with commanding the mere edge of the water, he plunged in, and is seen mid-stream, astride upon an inflated skin, quietly pursuing his avocation. [PLATE CXXVI., Fig. 1.] Occasionally he improved his position by amounting upon a raft, and, seated at the stern, with his back to the rower, threw out his line and drew the fish from the water. Now and then the fisherman was provided with a plaited basket, made of rushes or flags, which was fastened round his neck with a string, and hung at his back, ready to receive the produce of his exertions.

It does not appear that angling was practised by the Assyrians the way that the monuments show it to have been practised in Egypt, as an amusement of the rich. The fishermen are always poorly clothed, and seem to have belonged to the class which worked for its living. It is remarkable that do not anywhere in the sculptures see nets used for fishing; but perhaps we ought not to conclude from this that they were never so employed in Assyria. The Assyrian sculptors represented only occasionally the scenes of common everyday life; and we are seldom justified in drawing a negative conclusion as to the peaceful habits of the people on any point from the mere fact that the bas-reliefs contain no positive evidence on the subject.

A few other animals were probably, but not certainly, chased by the Assyrians, as especially the ostrich and the bear. The gigantic bird, which remained in Mesopotamia as late as the time of Xenophon, was well known to the Assyrian artists, who could scarcely have represented it with so much success, unless its habits had been described by hunters. The bear is much less frequent upon the remains than the ostrich; but its occurrence and the truthfulness of its delineation where it occurs, indicate a familiarity which may no doubt be due to other causes, but is probably traceable to the intimate knowledge acquired by those who hunted it. [PLATE CXXVI., Fig. 2.]

Of the other amusements and occupations of the Assyrians our knowledge is comparatively scanty; but some pages may be here devoted to their music, their navigation, their commerce, and their agriculture. On the first and second of these a good deal of light is thrown by the monuments, while some interesting facts with respect to the third and fourth may be gathered both from this source and also from ancient writers.

That the Babylonians, the neighbors of the Assyrians, and, in a certain sense, the inheritors of their empire, had a passion for music, and delighted in a great variety of musical instruments, has long been known and admitted. The repeated mention by Daniel, in his third chapter, of the cornet, flute, harp sackbut, psaltery, dulcimer, and all kinds of music--or, at any rate, of a number of instruments for which those terms were once thought the best English equivalents--has familiarized us with the fact that in Babylonia, as early as the sixth century B.C., musical instruments of many different kinds were in use. It is also apparent from the book of Psalms, that a variety of instruments were employed by the Jews. And we know that in Egypt as many as thirteen or fourteen different kinds were common. In Assyria, if there was not so much variety as this, there were at any rate eight or nine quite different sorts, some stringed, some wind, some merely instruments of percussion. In the early sculptures, indeed, only two or three musical instruments are represented. One is a kind of harp, held between the left arm and the side, and played with one hand by means of a quill or _plectrum_. [PLATE CXXVI., Fig. 3.] Another is a lyre, played by the hand; while a third is apparently cymbal. But in the later times we see besides these instruments--a harp of a different make played with both hands, two or three kinds of lyre, the double pipe, the guitar or cithern, the tambourine, a nameless instrument, and more than one kind of drum.

The harp of the early ages was a triangular instrument, consisting of a horizontal board which seems to have been about three feet in length, an upright bar inserted into one end of the board, commonly surmounted by an imitation of the human hand, and a number of strings which crossed diagonally from the board to the bar, and, passing through the latter, hung down some way, terminating in tassels of no great size. The strings were eight, nine, or ten in number, and (apparently) were made fast to the board, but could be tightened or relaxed by means of a row of pegs inserted into the upright bar, round which the strings were probably wound. No difference is apparent in the thickness of the strings; and it would seem therefore that variety of tone was produced solely by difference of length. It is thought that this instrument must have been suspended round the player’s neck. It was carried at the left side, and was played (as already observed) with a quill or electrum held in the right hand, while the left hand seems to have been employed in pressing the strings so as to modify the tone, or stop the vibrations, of the notes. The performers on this kind of harp, and indeed all other Assyrian musicians, are universally represented as standing while they play.

The harp of later times was constructed, held, and played differently. It was still triangular, or nearly so; but the frame now consisted of a rounded and evidently hollow, sounding-board, to which the strings were attached with the help of pegs, and a plain bar whereto they were made fast below, and from which their ends depended like a fringe. The number of strings was greater than in the earlier harp, being sometimes as many as seventeen. The instrument was carried in such a way that the strings were perpendicular and the bar horizontal, while the sounding-board projected forwards at an angle above the player’s head. It was played by the naked hand, without a plectrum; and both hands seem to have found their employment in pulling the strings. [PLATE CXXVII., Fig. 1.]

Three varieties of the lyre are seen in the Assyrian sculptures. One of them is triangular, or nearly so, and has only four strings, which, being carried from one side of the triangle to the other, parallel to the base, are necessarily of very unequal length. Its frame is apparently of wood, very simple, and entirely devoid of ornament. This sort of lyre has been found only in the latest sculptures. [PLATE CXXVI., Fig. 4.]

Another variety nearly resembles in its general shape the lyre of the Egyptians. It has a large square bottom or sounding-board, which is held, like the Egyptian, under the left elbow, two straight arms only slightly diverging, and a plain cross-bar at top. The number of strings visible in the least imperfect representation is eight; but judging by the width of the instrument, we may fairly assume that the full complement was nine or ten. The strings run from the cross-bar to the sounding-board, and must have been of a uniform length. This lyre was played by both hands, and for greater security was attached by a band passing round the player’s neck. [PLATE CXXVII., Fig. 2.]

The third sort of lyre was larger than either of the others, and considerably more elaborate. It had probably a sounding-board at bottom, like the lyre just described, though this, being carried under the left elbow, is concealed in the representations. Hence there branched out two curved arms, more or less ornamented, which were of very unequal length; and these were joined together by a cross-bar, also curved, and projecting considerably beyond the end of the longer of the two arms. Owing to the inequality of the arms, the cross-bar sloped at an angle to the base, and the strings, which passed from the one to the other, consequently differed in length. The number of the strings in this lyre seems to have been either five or seven. [PLATE CXXVIII., Figs. 2, 3.]

The Assyrian guitar is remarkable for the small size of the hollow body or sounding-board, and the great proportionate length of the neck or handle. There is nothing to show what was the number of the strings, nor whether they were stretched by pegs and elevated by means of a bridge. Both hands seen to be employed in playing the instrument, which is held across the chest in a sloping direction, and was probably kept in place by a ribbon or strap passed round the neck. [PLATE CXXVIII., Fig. 1.]

It is curious that in the Assyrian remains, while the double pipe is common, we find no instance at all either of the flute or of the single pipe. All three were employed in Egypt, and occur on the monuments of that country frequently; and though among the Greeks and Romans the double pipe was more common than the single one, yet the single pipe was well known, and its employment was not unusual. The Greeks regarded the pipe as altogether Asiatic, and ascribed its invention to Marsyas the Phrygian, or to Olympus, his disciple. We may conclude from this that they at any rate learnt the invention from Asia; and in their decided preference of the double over the single pipe we may not improbably have a trace of the influence which Assyria exercised over Asiatic, and thus even over Greek, music. [PLATE CXXVIII., Fig. 1.]

The Assyrian double pipe was short, probably not exceeding ten or twelve inches in length. It is uncertain whether it was really a single instrument consisting of two tubes united by a common mouthpiece, or whether it was not composed of two quite separate pipes, as was the case with the double pipes of the Greeks and Romans.

The two pipes constituting a pair seem in Assyria to have been always of the same length, not, like the Roman “right” and “left pipes,” of unequal length, and so of different pitches. They were held and played, like the classical one, with either hand of the performer. There can be little doubt that they were in reality quite straight, though sometimes they have been awkwardly represented as crooked by the artist.

The tambourine of the Assyrian was round, like that in common use at the present day; not square, like the ordinary Egyptian. It seems to have consisted simply of a skin stretched on a circular frame, and to have been destitute altogether of the metal rings or balls which produce the jingling sound of the modern instrument. It was held at bottom by the left hand in a perpendicular position, and was struck at the side with the fingers of the right. [PLATE CXXIX., Fig. 1.]

Assyrian cymbals closely resembled those in common use throughout the East at the present day. They consisted of two hemispheres of metal, probably of bronze, running off to a point, which was elongated into a bar or handle. The player grasped a cymbal in each hand, and either clashed theme together horizontally, or else, holding one cupwise in his left, brought the other down upon it perpendicularly with his right. [PLATE CXXX., Fig. 1.]

Two drums are represented on the Assyrian sculptures.

One is a small instrument resembling the _tubbul_, now frequently used by Eastern dancing girls. The other is of larger size, like the _tubbul_ at top, but descending gradually in the shape of an inverted cone, and terminating almost in a point at bottom. Both were carried in front, against the stomach of the player--attached, apparently, to his girdle; and both were played in the same way, namely, with the fingers of the open hands on the top. [PLATE CXXX., Fig. 2.]

A few instruments carried by musicians are of an anomalous appearance, and do not admit of identification with any known species. One, which is borne by a musician in a processional scene belonging to the time of Sennacherib, resembles in shape a bag turned upside-down. By the manner in which it is held, we may conjecture that it was a sort of rattle--a hollow square box of wood or metal, containing stones or other hard substances which produced a jingling noise when shaken. But the purpose of the semicircular bow which hangs from the box is difficult to explain, unless we suppose that it was merely a handle by which to carry the instrument when not in use. Rattles of different kinds are found among the musical instruments of Egypt; and one of them consists of a box with a long handle attached to it. The jingling noise produced by such instruments may have corresponded to the sound now emitted by the side-rings of the tambourine.

Another curious-looking instrument occurs in a processional scene of the time of Asshur-bani-pal, which has been compared to the modern _santour_, a sort of dulcimer. It consisted (apparently) of a number of strings, certainly not fewer than ten stretched over a hollow case or sounding-board. The musician seems to have struck the strings with a small bar or hammer held in his right hand, while at the same time he made some use of his left hand in pressing them so as to produce the right note. It is clear that this instrument must have been suspended round the neck, though the Assyrian artist has omitted to represent the belt which kept it in place. [PLATE CXXIX., Fig. 2.]

In addition to all these various instruments, it is possible that the Assyrians may have made use of a sort of horn. An object is represented on a slab of Sennacherib’s which is certainly either a horn or a speaking-trumpet. It is carried by one of the supervisors of the works in a scene representing the conveyance of a colossal bull to its destination. In shape it no doubt resembles the modern speaking-trumpet, but it is almost equally near to the tuba or military trumpet of the Greeks and Romans. This will appear sufficiently on a comparison of the two representations, one of which is taken from Mr. Layard’s representation of Sennacherib’s slab, while the other is from a sculpture on the column of Trajan. As we have no mention of the speaking-trumpet in any ancient writer, as the shape of the object under consideration is that of a known ancient instrument of music, and as an ordinary horn would have been of great use in giving signals to workmen engaged as the laborers are upon the sculpture, it seems best to regard the object in question as such a horn--an instrument of great power, but of little compass--more suitable therefore for signal-giving than for concerts. [PLATE CXXX., Fig. 3.]

Passing now from the instruments of the Assyrians to the general features and character of their music, we may observe, in the first place, that while it is fair to suppose them acquainted with each form of the triple symphony, there is only evidence that they knew of two forms out of the three--viz, the harmony of instruments, and that of instruments and voices in combination. Of these two they seem greatly to have preferred the concert of instruments without voices; indeed, one instance alone shows that they were not wholly ignorant of the more complex harmony. Even this leaves it doubtful whether they themselves practised it: for the singers and musicians represented as uniting their efforts are not Assyrians, but Susianians, who come out to greet their conquerors, and do honor to the new sovereign who has been imposed on them, with singing, playing, and dancing.

Assyrian bands were variously composed. The simplest consisted of two harpers. A band of this limited number seems to have been an established part of the religious ceremonial on the return of the monarch from the chase, when a libation was poured over the dead game. The instrument in use on these occasions was the antique harp, which was played, not with the hand, but with the _plectrum_. A similar band appears on one occasion in a triumphal return from a military expedition belonging to the time of Sennacherib. [PLATE CXXI.]

In several instances we find bands of three musicians. In one case all three play the lyre. The musicians here are certainly captives, whom the Assyrians have borne off front their own country. It has been thought that their physiognomy is Jewish, and that the lyre which they bear in their hands may represent that “kind of harp” which the children of the later captivity hung up upon the willows when they wept by the rivers of Babylon. There are no sufficient grounds, however, for this identification. The lyre may be pronounced foreign, since it is unlike any other specimen; but its ornamentation with an animal head is sufficient to show that it is not Jewish. And the Jewish _kinnor_ was rather a harp than a lyre, and had certainly more than four strings. Still, the employment of captives as musicians is interesting, though we cannot say that the captives are Jews. It shows us that the Assyrians, like the later Babylonians, were in the habit of “requiring” music from their prisoners, who, when transported into a “strange land,” had to entertain their masters with their native melodies.

Another band of three exhibits to us a harper, a player on the lyre, and a player on the double pipe. A third shows a harper, a player on the lyre, and a musician whose instrument is uncertain. In this latter case it is quite possible that there may originally have been more musicians than three, for the sculpture is imperfect, terminating in the middle of a figure.

Bands of four performers are about as common as bands of three. On an obelisk belonging to the time of Asshur-izir-pal we see a band composed of two cymbal-players and two performers on the lyre. A slab of Sennacherib’s exhibits four harpers arranged in two pairs, all playing with the _plectrum_ on the antique harp. Another of the same date, which is incomplete, shows us a tambourine-player, a cymbal-player, a player on the nondescript instrument which has been called a sort of rattle, and another whose instrument cannot be distinguished. In a sculpture of a later period, which is represented above, we see a band of four, composed of a tambourine-player, two players on two different sorts of lyres, and a cymbal-player.

It is not often that we find representations of bands containing more than four performers. On the sculptures hitherto discovered there seem to be only three instances where this number was exceeded. A bas-relief of Sennacherib’s showed five players, of whom two had tambourines; two, harps of the antique pattern; and one, cymbals. Another, belonging to the time of his grandson, exhibited a band of seven, three of whom played upon harps of the later fashion, two on the double pipe, one on the guitar, and one on the long drum with the conical bottom. Finally, we have the remarkable scene represented in the illustration, a work of the sane date, where no fewer than twenty-six performers are seen uniting their efforts. Of these, eleven are players on instruments, while the remaining fifteen are vocalists. The instruments consist of seven harps, two double pipes, a small drum or tubbel, and the curious instrument which has been compared to the modern _santour_. The players are all men, six out of the eleven being eunuchs. The singers consist of six women and nine children of various ages, the latter of whom seem to accompany their singing, as the Hebrews and Egyptians sometimes did, with clapping of the hands. Three out of the first four musicians are represented with one leg raised, as if dancing to the measure. [PLATE CXXXII., Fig. I.]

Bands in Assyria had sometimes, though not always, time-keepers or leaders, who took the direction of the performance. These were commonly eunuchs, as indeed were the greater number of the musicians. They held in one hand a double rod or wand, with which most probably they made their signals, and stood side by side facing the performers. [PLATE CXXXII., Fig. 2.]

The Assyrians seem to have employed music chiefly for festive and religious purposes. The favorite instrument in the religious ceremonies was the antique harp, which continued in use as a sacred instrument from the earliest to the latest times. On festive occasions the lyre was preferred, or a mixed band with a variety of instruments. In the quiet of domestic life the monarch and his sultana were entertained with concerted music played by a large number of performers: while in processions and pageants, whether of a civil or of a military character, bands were also very generally employed, consisting of two, three, four, five, or possibly more, musicians. Cymbals, the tambourine, and the instrument which has been above regarded as a sort of rattle, were peculiar to these processional occasions: the harp, the lyre, and the double pipe had likewise a place in them.

In actual war, it would appear that music was employed very sparingly, if at all, by the Assyrians. No musicians are ever represented in the battle-scenes: nor are the troops accompanied by any when upon the march. Musicians are only seen conjoined with troops in one or two marching processions, apparently of a triumphal character. It may consequently be doubted whether the Assyrian armies, when they went out on their expeditions, were attended, like the Egyptian and Roman armies, by military bands. Possibly, the musicians in the processional scenes alluded to belong to the court rather than to the camp, and merely take part as civilians in a pageant, wherein a share is also assigned to the soldiery.

In proceeding, as already proposed, to speak of the navigation of the Assyrians, it must be at once premised that it is not as mariners, but only as fresh-water sailors, that they come within the category of navigators at all. Originally an inland people, they had no power, in the earlier ages of their history, to engage in any but the secondary and inferior kind of navigation; and it would seem that, by the time when they succeeded in opening to themselves through their conquests a way to the Mediterranean and the Indian Ocean, their habits had become so fixed in this respect that they no longer admitted of change. There is satisfactory evidence which shows that they left the navigation of the two seas at the two extremities of their empire to the subject nations--the Phoenicians and the Babylonians contenting themselves with the profits without sharing the dangers of marine voyages, while their own attention was concentrated upon their two great rivers--the Tigris and the Euphrates, which formed the natural line of communication between the seas in question.

The navigation of these streams was important to the Assyrians in two ways. In the first place it was a military necessity that they should be able, _readily and without delay_, to effect the passage of both of them, and also of their tributaries, which were frequently too deep to be forded. Now from very early times it was probably found tolerably easy to pass an army over a great river by swimming, more especially with the aid of inflated skins, which would be soon employed for the purpose. But the _materiel_ of the army--the provisions, the chariots, and the siege machines--was not so readily transported, and indeed could only be conveyed across deep rivers by means of bridges, rafts, or boats. On the great streams of the Tigris and Euphrates, with their enormous spring floods, no bridge, in the ordinary sense of the word, is possible. Bridges of boats are still the only ones that exist on either river below the point at which they issue from the gorges of the mountains. And these would be comparatively late inventions, long subsequent to the employment of single ferry boats. Probably the earliest contrivance for transporting the chariots, the stores, and the engines across a river was a raft, composed hastily of the trees and bushes growing in the neighborhood of the stream, and rendered capable of sustaining a considerable weight by the attachment to it of a number of inflated skins. A representation of such a raft, taken from a slab of Sennacherib, has been already given. Rafts of this kind are still largely employed in the navigation of the Mesopotamian streams, and, being extremely simple in their construction, may reasonably be supposed to have been employed by the Assyrians from the very foundation of their empire.

To these rafts would naturally have succeeded boats of one kind or another. As early as the time of Tiglath-Pileser I. (ab. B.C. 1120) we find a mention of boats as employed in the passage of the Euphrates. These would probably be of the kind described by Herodotus, and represented on one of the most ancient bas-reliefs--round structures like the Welsh coracles, made of wickerwork and covered with skins, smeared over with a coating of bitumen. Boats of this construction were made of a considerable size. The one represented contains a chariot, and is navigated by two men. [PLATE CXXXIII., Fig. 1.] In the later sculptures the number of navigators is raised to four, and the boats carry a heavy load of stone or other material. The mode of propulsion is curious and very unusual. The rowers sit at the stem and stern, facing each other, and while those at the stem pull, those at the stern must have pushed, as Herodotus tells us that they did. The make of the oars is also singular. In the earliest sculptures they are short poles, terminating in a head, shaped like a small axe or hammer; in the later, below this axe-like appendage, they have a sort of curved blade, which is, however, not solid, but perforated, so as to form a mere framework, which seems to require filling up. [PLATE CXXXIII., Fig. 3.]

Beside these round boats, which correspond closely with the _kufas_ in use upon the Tigris and Euphrates at the present day, the Assyrians employed for the passage of rivers, even in very early times, a vessel of a more scientific construction. The early bas-reliefs exhibit to us, together with the _kufas_, a second and much larger vessel, manned with a crew of seven men--a helmsman and six rowers, three upon either side and capable of conveying across a broad stream two chariots at a time, or a chariot and two or three passengers. This vessel appears to have been made of planks. It was long, and comparatively narrow. It had a flattish bottom, and was rounded off towards the stem and stern, much as boats are rounded off towards the bows at the present day. It did not possess either mast or sail, but was propelled wholly by oars, which were of the same shape as those used anciently by the rowers in the round boats. In the steersman’s hand is seen an oar of a different kind. It is much longer than the rowing oars, and terminates in an oval blade, which would have given it considerable power in the water. [PLATE CXXXIII., Fig. 4.] The helmsman steered with both hands; and it seems that his oar was lashed to an upright post near the stern of the vessel.

It is evident that before armies could look habitually to being transported across the Mesopotamian streams, wherever they might happen to strike them in their expeditions, by boats of these two kinds, either ferries must have been established at convenient intervals upon them, or traffic along their courses by means of boats must have been pretty regular. An Assyrian army did not carry its boats with it, as a modern army does its pontoons. Boats were commonly found in sufficient numbers on the streams themselves when an army needed them, and were impressed, or hired, to convey the troops across. And thus we see that the actual navigation of the streams had another object besides the military one of transport from bank to bank. Rivers are Nature’s roads; and we may be sure that the country had not been long settled before a water communication began to be established between towns upon the river-courses, and commodities began to be transported by means of them. The very position of the chief towns upon time banks of the streams was probably connected with this sort of transport, the rivers furnishing the means by which large quantities of building material could be conveniently concentrated at a given spot, and by which supplies could afterwards be regularly received from a distance. We see in the Assyrian sculptures the conveyance of stones, planks, etc. along the rivers, as well as the passage of chariots, horses, and persons across them. Rafts and round boats were most commonly used for this purpose. When a mass of unusual size, as a huge paving-stone, or a colossal bull or lion, had to be moved, a long, flat-bottomed boat was employed, which the mass sometimes more than covered. In this case, as there was no room for rower’s, trackers were engaged, who dragged the vessel along by means of ropes, which were fastened either to the boat itself or to its burden. [PLATE CXXXIII., Fig. 2.]

During the later period of the monarchy various improvements took place in Assyrian boat-building. The Phoenician and Cyprian expeditions of the later kings made the Assyrians well acquainted with the ships of first-rate nautical nations; and they seem to have immediately profited by this acquaintance, in order to improve the appearance and the quality of their own river boats. The clumsy and inelegant long-boat of the earlier times, as replaced, even for ordinary traffic, by a light and graceful fabric, which was evidently a copy from Phoenician models. Modifications, which would seem trifling if described, changed the whole character of the vessels, in which light and graceful curves took the place of straight lines and angles only just rounded off. The stem and stern were raised high above the body of the boat, and were shaped like fishes’ tails or carved into the heads of animals. [PLATE CXXXIII., Fig. 2.] Oars, shaped nearly like modern ones, came into vogue, and the rowers were placed so as all to look one way, and to pull instead of pushing with their oars. Finally, the principle of the bireme was adopted, and river-galleys were constructed of such a size that they had to be manned by thirty rowers, who sat in two tiers one above the other at the sides of the galley, while the centre part, which seems to have been decked, was occupied by eight or ten other persons.

In galleys of this kind the naval architecture of the Assyrians seems to have culminated. They never, so far as appears, adopted for their boats the inventions with which their intercourse with Phoenicia had rendered them perfectly familiar, of masts, and sails. This is probably to be explained from the extreme rapidity of the Mesopotamian rivers, on which sailing boats are still uncommon. The unfailing strength of rowers was needed in order to meet and stem the force of the currents; and this strength being provided in abundance, it was not thought necessary to husband it or eke it out by the addition of a second motive power. Again, the boats, being intended only for peaceful purposes, were unprovided with beaks, another invention well known to the Assyrians, and frequently introduced into their sculptures in the representations of Phoenician vessels. [PLATE CXXXIII., Fig. 5.]

In the Assyrian biremes the oars of the lower tier were worked through holes in the vessel’s sides. This arrangement would of course at once supply a fulcrum and keep the oars in their places. But it is not so easy to see how the oar of a common row-boat, or the uppermost tier of a bireme, obtained their purchase on the vessel, and were prevented from slipping along its side. Assyrian vessels had no rowlocks, and in general the oars are represented as simply rested without any support on the upper edge of the bulwark. But this can scarcely have been the real practice; and one or two representations, where a support is provided, may be fairly regarded as showing what the practice actually was. In the figure of a _kufa_, or round boat, already given, it will be seen that one oar is worked by means of a thong, like the [--] or [--] of the Greeks, which is attached to a ring in the bulwark. In another bas-relief, several of the oars of similar boats are represented as kept in place by means of two pegs fixed into the top of the bulwark and inclined at an angle to one another. [PLATE CXXXIII., Fig. 6.] Probably one or other of these two methods of steadying the oar was in reality adopted in every instance.

With regard to Assyrian commerce, it must at the outset be remarked that direct notices in ancient writers of any real authority are scanty in the extreme. The prophet Nahum says indeed, in a broad and general way, of Nineveh, “Thou hast multiplied thy merchants above the stars of heaven;” and Ezekiel tells us, more particularly, that Assyrian merchants, along with others, traded with Tyre “in blue clothes, and broidered work, and in chests of rich apparel.” But, except these two, there seem to be no notices of Assyrian trade in any contemporary or quasi-contemporary author. Herodotus, writing nearly two hundred years after the empire had come to an end, mentions casually that “Assyrian wares” had in very ancient times been conveyed by the Phoenicians to Greece, and there sold to the inhabitants. He speaks also of a river traffic in his own day between Armenia and Babylon along the course of the Euphrates, a fact which indirectly throws light upon the habits of earlier ages. Diodorus, following Ctesias, declares that a number of cities were established from very ancient times on the banks of both the Tigris and the Euphrates, to serve as marts of trade to the merchants who imported into Assyria the commodities of Media and Paraetacene. Among the most important of these marts, as we learn from Strabo, were Tiphsach or Thapsacus on the Euphrates, and Opis upon the Tigris.

It is from notices thus scanty, partial, and incidental, eked out by probability, and further helped by a certain number of important facts with respect to the commodities actually used in the country, whereof evidence has been furnished to us by the recent discoveries, that we have to form our estimate of the ancient commerce of the Assyrians. The Inscriptions throw little or no light upon the subject. They record the march of armies against foreign enemies, and their triumphant return laden with plunder and tribute, sometimes showing incidentally what products of a country were most in request among the Assyrians; but they contain no accounts of the journeys of merchants, or of the commodities which entered or quitted the country in the common course of trade.

The favorable situation of Assyria for trade has often attracted remark. Lying on the middle courses of two great navigable streams, it was readily approached by water both from the north-west and from the south-east. The communication between the Mediterranean and the Southern or Indian Ocean naturally--almost necessarily--followed this route. If Europe wanted the wares and products of India, or if India required the commodities of Europe, by far the shortest and easiest course was the line from the eastern Mediterranean across Northern Syria, and thence by one or other of the two great streams to the innermost recess of the Persian Gulf. The route by the Nile, the canal of Neco, and the Red Sea, was decidedly inferior, more especially on account of the dangerous navigation of that sea, but also because it was circuitous, and involved a voyage in the open ocean of at least twice the length of the other.

Again, Assyria lay almost necessarily on the line of land communication between the north-east and the south-west. The lofty Armenian mountain-chains--Niphates and the other parallel ranges--towards the north, and the great Arabian Desert towards the south, offered difficulties to companies of land-traders which they were unwilling to face, and naturally led them to select routes intermediate between these two obstacles, which could not fail to pass through some part or other of the Mesopotamian region.

The established lines of land trade between Assyria and her neighbors were probably very numerous, but the most important must have been some five or six. One almost certainly led from the Urumiyeh basin over the _Keli-shin_ pass (lat. 37°, long. (45° nearly)), descending on Rowandiz, and thence following the course of the Greater Zab to Herir, whence it crossed the plain to Nineveh. At the summit of the Kell-shin pass is a pillar of dark blue stone, six feet in height, two in breadth, and one in depth, let into a basement block of the same material, and covered with a cuneiform inscription in the Scythic character. At a short distance to the westward on the same route is another similar pillar. The date of the inscriptions falls within the most flourishing time of the Assyrian empire, and their erection is a strong argument in favor of the use of this route (which is one of the very few possible modes of crossing the Zagros range) in the time when that empire was in full vigor.

Another line of land traffic probably passed over the same mountain-range considerably further to the south. It united Assyria with Media, leading from the Northern Ecbatana (Takht-i-Suleiman) by the Banneh pass to Suleimaniyeh, and thence by Kerkuk and Altura-Kiupri to Arbela and Nineveh.

There may have been also a route up the valley of the Lesser Zab, by Koi-Sinjah and over the great Kandil range into Lajihan. There are said to be Assyrian remains near Koi-Sinjah, at a place called the Bihisht and Jehennen (“the Heaven and Hell”) of Nimrud, but no account has been given of them by any European traveller.

Westward there were probably two chief lines of trade with Syria and the adjacent countries. One passed along the foot of the Sinjar range by Sidikan (_Arban_) on the Khabour to Tiphsach (or Thapsacus) on the Euphrates, where it crossed the Great River. Thence it bent southwards, and, passing through Tadmor, was directed upon Phoenicia most likely by way of Damascus. Another took a more northern line by the Mons Masius to Harran and Seruj, crossing the Euphrates at Bir, and thence communicating both with Upper Syria and with Asia Minor. The former of these two routes is marked as a line of traffic by the foreign objects discovered in such abundance at Arban, by the name Tiphsach, which means “passage,” and by the admitted object of Solomon in building Tadmor. The other rests on less direct evidence; but there are indications of it in the trade of Harran with Tyre which is mentioned by Ezekiel, and in the Assyrian remains near Seruj, which is on the route from Harran to the Bir fordway.

Towards the north, probably, the route most used was that which is thought by many to be the line followed by Xenophon, first up the valley of the Tigris to Til or Tilleh, and then along the Bitlis Chai to the lake of Van and the adjacent country. Another route may have led from Nineveh to Nisibis, thence through the Jebel Tur to Diarbekr, and from Diarbekr up the Western Tigris to Arghana, Kharput, Malatiyeh, and Asia Minor. Assyrian remains have been found at various points along this latter line, while the former is almost certain to have connected the Assyrian with the Armenian capital.

Armenian productions would, however, reach Nineveh and the other great central cities mainly by the Tigris, down which they could easily have been floated from Tilleh. or even from Diarbekr. Similarly, Babylonian and Susianian productions, together with the commodities which either or both of those countries imported by sea, would find their way into Assyria up the courses of the two streams, which were navigated by vessels capable of stemming the force of the current, at least as high as Opis and Thapsacus.

We may now proceed to inquire what were the commodities which Assyria, either certainly or probably, imported by these various lines of land and water communication. Those of which we seem to have some indication in the existing remains are gold, tin, ivory, lead, stones of various kinds, cedar-wood, pearls, and engraved seals.

Many articles in gold have been recovered at the various Assyrian sites where excavations have been made; and indications have been found of the employment of this precious metal in the ornamentation of palaces and of furniture. The actual quantity discovered has, indeed, been small; but this may be accounted for without calling in question the reality of that extraordinary wealth in the precious metals which is ascribed by all antiquity to Assyria. This wealth no doubt flowed in, to a considerable extent, from the plunder of conquered nations and the tribute paid by dependent monarchs. But the quantity obtained in this way would hardly have sufficed to maintain the luxury of the court and at the same time to accumulate, so that when Nineveh was taken there was “none end” of the store. It has been suggested that “mines of gold were probably once worked within the Assyrian dominions,” although no gold is now known to be produced anywhere within her limits. But perhaps it is more probable that, like Judaea and Phoenicia, she obtained her gold in a great measure from commerce, taking it either from the Phoenicians, who derived it both from Arabia and from the West African coast, or else from the Babylonians, who may have imported it by sea from India.

Tin, which has not been found in a pure state in the remains of the Assyrians, but which enters regularly as an element into their bronze, where it forms from one-tenth to one-seventh of the mass, was also, probably, an importation. Tin is a comparatively rare metal. Abundant enough in certain places, it is not diffused at all widely over the earth’s surface. Neither Assyria itself nor any of the neighboring countries are known to have ever produced this mineral. Phoenicia certainly imported it, directly or indirectly, from Cornwall and the Scilly Isles, which therefore became first known in ancient geography as the Cassiterides or “Tin Islands.” It is a reasonable supposition that the tin wherewith the Assyrians hardened their bronze was obtained by their merchants from the Phoenicians in exchange for textile fabrics and (it may be) other commodities. If so, we may believe that in many instances the produce of our own tin mines which left our shores more than twenty-five centuries ago, has, after twice travelling a distance of many thousand miles, returned to seek a final rest in its native country.

Ivory was used by the Assyrians extensively in their furniture, and was probably supplied by them to the Phoenicians and the Greeks. It was no doubt sometimes brought to them by subject nations as tribute; but this source of supply is not sufficient to account, at once, for the consumption in Assyria itself, and for the exports from Assyria to foreign countries. A regular trade for ivory seems to have been carried on from very early times between India and Dedan (Bahrein,?) in the Persian Gulf. The travelling companies of the Dedanim, who conveyed this precious merchandise from their own country to Phoenicia, passed probably along the course of the Euphrates, and left a portion of their wares in the marts upon that stream, which may have been thence conveyed to the great Assyrian cities. Or the same people may have traded directly with Assyria by the route of the Tigris. Again, it is quite conceivable--indeed, it is probable--that there was a land traffic between Assyria and Western India by the way of Cabal, Herat, the Caspian Gates, and Media. Of this route we have a trace in the land animals engraved upon the well-known Black Obelisk, where the combination of the small-eared or Indian elephant and the rhinoceros with the two-humped Bactrian camel, sufficiently marks the line by which the productions of India, occasionally at, any rate, reached Assyria. The animals themselves were, we may be sure, very rarely transported. Indeed, it is not till the very close of the Persian empire that we find elephants possessed--and even then in scanty numbers--by the western Asiatic monarchs. But the more portable products of the Indus region, elephants’ tusks, gold, and perhaps shawls and muslins, are likely to have passed to the west by this route with far greater frequency.

The Assyrians were connoisseurs in hard stones and gems, which they seem to have imported from all quarters. The lapis lazuli, which is found frequently among the remains as the material of seals, combs, rings, jars, and other small objects, probably came from Bactria or the adjacent regions, whence alone it is procurable at the present day. The cornelian used for cylinders may have come from Babylonia, which, according to Pliny furnished it of the best quality in the more ancient times. The agates or onyxes may have been imported from Susiana, where they were found in the bed of the Choaspes (_Kerkhah_), or they may possibly have been brought from India. Other varieties are likely to have been furnished by Armenia, which is rich in stones; and hence too was probably obtained the _shamir_, or emery-stone, by means of which the Assyrians were enabled to engrave all the other hard substances known to them.

That cedar-wood was imported into Assyria is sufficiently indicated by the fact that, although no cedars grew in the country, the beams in the palaces were frequently of this material. It may not, however, have been exactly an article of commerce, since the kings appear to have cut it after their successful expeditions into Syria, and to have carried it off from Lebanon and Amanus as part of the plunder of the country.

Pearls, which have been found in Assyrian ear rings, must have been procured from the Persian Gulf, one of the few places frequented by the shell-fish which produces then. The pearl fisheries in these parts were pointed out to Nearchus, the admiral of Alexander, and had no doubt been made to yield their treasures to the natives of the coasts and islands from a remote antiquity. The familiarity of the author of the book of Job with pearls is to be ascribed to the ancient trade in them throughout the regions adjoining the Gulf, which could not fail to bring them at an early date to the knowledge of the Hebrews.

Engraved stones, generally in the shape of scarabs, seem to have been largely imported from Egypt into Assyria, where they were probably used either as amulets or as seals. They have been found in the greatest plenty at Arban on the lower Khabour, the ancient Sidikan or Shadikanni, which lies nearly at the extreme west of the Assyrian territory; but many specimens have likewise been obtained from Nineveh and other of the central Assyrian cities.