Chapter II: Part 2

In short, Virgil Hoyt's view of the world is whimsical, and he likes to be bothered neither with the disagreeable nor the mysterious. That is the reason he loathes and detests going to a house of mourning to photograph a corpse. The bad taste of it offends him, but above all, he doesn't like the necessity of shouldering, even for a few moments, a part of the burden of sorrow which belongs to some one else. He dislikes sorrow, and would willingly canoe five hundred miles up the cold Canadian rivers to get rid of it. Nevertheless, as assistant photographer, it is often his duty to do this very kind of thing.

Not long ago he was sent for by a rich Jewish family to photograph the remains of the mother, who had just died. He was put out, but he was only an assistant, and he went. He was taken to the front parlor, where the dead woman lay in her coffin. It was evident to him that there was some excitement in the household, and that a discussion was going on. But Hoyt said to himself that it didn't concern him, and he therefore paid no attention to it.

The daughter wanted the coffin turned on end in order that the corpse might face the camera properly, but Hoyt said he could overcome the recumbent attitude and make it appear that the face was taken in the position it would naturally hold in life, and so they went out and left him alone with the dead.

The face of the deceased was a strong and positive one, such as may often be seen among Jewish matrons. Hoyt regarded it with some admiration, thinking to himself that she was a woman who had known what she wanted, and who, once having made up her mind, would prove immovable. Such a character appealed to Hoyt. He reflected that he might have married if only he could have found a woman with strength of character sufficient to disagree with him. There was a strand of hair out of place on the dead woman's brow, and he gently pushed it back. A bud lifted its head too high from among the roses on her breast and spoiled the contour of the chin, so he broke it off. He remembered these things later with keen distinctness, and that his hand touched her chill face two or three times in the making of his arrangements.

Then he took the impression, and left the house.

He was busy at the time with some railroad work, and several days passed before he found opportunity to develop the plates. He took them from the bath in which they had lain with a number of others, and went energetically to work upon them, whistling some very saucy songs he had learned of the guide in the Red River country, and trying to forget that the face which was presently to appear was that of a dead woman. He had used three plates as a precaution against accident, and they came up well. But as they developed, he became aware of the existence of something in the photograph which had not been apparent to his eye in the subject. He was irritated, and without attempting to face the mystery, he made a few prints and laid them aside, ardently hoping that by some chance they would never be called for.

However, as luck would have it,--and Hoyt's luck never had been good,--his employer asked one day what had become of those photographs. Hoyt tried to evade making an answer, but the effort was futile, and he had to get out the finished prints and exhibit them. The older man sat staring at them a long time.

“Hoyt,” he said, “you're a young man, and very likely you have never seen anything like this before. But I have. Not exactly the same thing, perhaps, but similar phenomena have come my way a number of times since I went in the business, and I want to tell you there are things in heaven and earth not dreamt of--”

“Oh, I know all that tommy-rot,” cried Hoyt, angrily, “but when anything happens I want to know the reason why and how it is done.”

“All right,” answered his employer, “then you might explain why and how the sun rises.”

But he humored the young man sufficiently to examine with him the baths in which the plates were submerged, and the plates themselves. All was as it should be; but the mystery was there, and could not be done away with.

Hoyt hoped against hope that the friends of the dead woman would somehow forget about the photographs; but the idea was unreasonable, and one day, as a matter of course, the daughter appeared and asked to see the pictures of her mother.

“Well, to tell the truth,” stammered Hoyt, “they didn't come out quite--quite as well as we could wish.”

“But let me see them,” persisted the lady. “I'd like to look at them anyhow.”

“Well, now,” said Hoyt, trying to be soothing, as he believed it was always best to be with women,--to tell the truth he was an ignoramus where women were concerned,--“I think it would be better if you didn't look at them. There are reasons why--” he ambled on like this, stupid man that he was, till the lady naturally insisted upon seeing the pictures without a moment's delay.

So poor Hoyt brought them out and placed them in her hand, and then ran for the water pitcher, and had to be at the bother of bathing her forehead to keep her from fainting.

For what the lady saw was this: Over face and flowers and the head of the coffin fell a thick veil, the edges of which touched the floor in some places. It covered the features so well that not a hint of them was visible.

“There was nothing over mother's face!” cried the lady at length.

“Not a thing,” acquiesced Hoyt. “I know, because I had occasion to touch her face just before I took the picture. I put some of her hair back from her brow.”

“What does it mean, then?” asked the lady.

“You know better than I. There is no explanation in science. Perhaps there is some in--in psychology.”

“Well,” said the young woman, stammering a little and coloring, “mother was a good woman, but she always wanted her own way, and she always had it, too.”

“Yes.”

“And she never would have her picture taken. She didn't admire her own appearance. She said no one should ever see a picture of her.”

“So?” said Hoyt, meditatively. “Well, she's kept her word, hasn't she?”

The two stood looking at the photographs for a time. Then Hoyt pointed to the open blaze in the grate.

“Throw them in,” he commanded. “Don't let your father see them--don't keep them yourself. They wouldn't be agreeable things to keep.”

“That's true enough,” admitted the lady. And she threw them in the fire. Then Virgil Hoyt brought out the plates and broke them before her eyes.

And that was the end of it--except that Hoyt sometimes tells the story to those who sit beside him when his pipe is lighted.

A CHILD OF THE RAIN

IT was the night that Mona Meeks, the dressmaker, told him she didn't love him. He couldn't believe it at first, because he had so long been accustomed to the idea that she did, and no matter how rough the weather or how irascible the passengers, he felt a song in his heart as he punched transfers, and rang his bell punch, and signalled the driver when to let people off and on.

Now, suddenly, with no reason except a woman's, she had changed her mind. He dropped in to see her at five o'clock, just before time for the night shift, and to give her two red apples he had been saving for her. She looked at the apples as if they were invisible and she could not see them, and standing in her disorderly little dressmaking parlor, with its cuttings and scraps and litter of fabrics, she said:

“It is no use, John. I shall have to work here like this all my life--work here alone. For I don't love you, John. No, I don't. I thought I did, but it is a mistake.”

“You mean it?” asked John, bringing up the words in a great gasp.

“Yes,” she said, white and trembling and putting out her hands as if to beg for his mercy. And then--big, lumbering fool--he turned around and strode down the stairs and stood at the corner in the beating rain waiting for his car. It came along at length, spluttering on the wet rails and spitting out blue fire, and he took his shift after a gruff “Good night” to Johnson, the man he relieved.

He was glad the rain was bitter cold and drove in his face fiercely. He rejoiced at the cruelty of the wind, and when it hustled pedestrians before it, lashing them, twisting their clothes, and threatening their equilibrium, he felt amused. He was pleased at the chill in his bones and at the hunger that tortured him. At least, at first he thought it was hunger till he remembered that he had just eaten. The hours passed confusedly. He had no consciousness of time. But it must have been late,--near midnight,--judging by the fact that there were few persons visible anywhere in the black storm, when he noticed a little figure sitting at the far end of the car. He had not seen the child when she got on, but all was so curious and wild to him that evening--he himself seemed to himself the most curious and the wildest of all things--that it was not surprising that he should not have observed the little creature.

She was wrapped in a coat so much too large that it had become frayed at the bottom from dragging on the pavement. Her hair hung in unkempt stringiness about her bent shoulders, and her feet were covered with old arctics, many sizes too big, from which the soles hung loose.

Beside the little figure was a chest of dark wood, with curiously wrought hasps. From this depended a stout strap by which it could be carried over the shoulders. John Billings stared in, fascinated by the poor little thing with its head sadly drooping upon its breast, its thin blue hands relaxed upon its lap, and its whole attitude so suggestive of hunger, loneliness, and fatigue, that he made up his mind he would collect no fare from it.

“It will need its nickel for breakfast,” he said to himself. “The company can stand this for once. Or, come to think of it, I might celebrate my hard luck. Here's to the brotherhood of failures!” And he took a nickel from one pocket of his great-coat and dropped it in another, ringing his bell punch to record the transfer.

The car plunged along in the darkness, and the rain beat more viciously than ever in his face. The night was full of the rushing sound of the storm. Owing to some change of temperature the glass of the car became obscured so that the young conductor could no longer see the little figure distinctly, and he grew anxious about the child.

“I wonder if it's all right,” he said to himself. “I never saw living creature sit so still.”

He opened the car door, intending to speak with the child, but just then something went wrong with the lights. There was a blue and green flickering, then darkness, a sudden halting of the car, and a great sweep of wind and rain in at the door. When, after a moment, light and motion reasserted themselves, and Billings had got the door together, he turned to look at the little passenger. But the car was empty.

It was a fact. There was no child there--not even moisture on the seat where she had been sitting.

“Bill,” said he, going to the front door and addressing the driver, “what became of that little kid in the old cloak?”

“I didn't see no kid,” said Bill, crossly. “For Gawd's sake, close the door, John, and git that draught off my back.”

“Draught!” said John, indignantly, “where's the draught?”

“You've left the hind door open,” growled Bill, and John saw him shivering as a blast struck him and ruffled the fur on his bear-skin coat. But the door was not open, and yet John had to admit to himself that the car seemed filled with wind and a strange coldness.

However, it didn't matter. Nothing mattered! Still, it was as well no doubt to look under the seats just to make sure no little crouching figure was there, and so he did. But there was nothing. In fact, John said to himself, he seemed to be getting expert in finding nothing where there ought to be something.

He might have stayed in the car, for there was no likelihood of more passengers that evening, but somehow he preferred going out where the rain could drench him and the wind pommel him. How horribly tired he was! If there were only some still place away from the blare of the city where a man could lie down and listen to the sound of the sea or the storm--or if one could grow suddenly old and get through with the bother of living--or if--

The car gave a sudden lurch as it rounded a curve, and for a moment it seemed to be a mere chance whether Conductor Billings would stay on his platform or go off under those fire-spitting wheels. He caught instinctively at his brake, saved himself, and stood still for a moment, panting.

“I must have dozed,” he said to himself.

Just then, dimly, through the blurred window, he saw again the little figure of the child, its head on its breast as before, its blue hands lying in its lap and the curious box beside it. John Billings felt a coldness beyond the coldness of the night run through his blood. Then, with a half-stifled cry, he threw back the door, and made a desperate spring at the corner where the eerie thing sat.

And he touched the green carpeting on the seat, which was quite dry and warm, as if no dripping, miserable little wretch had ever crouched there.

He rushed to the front door.

“Bill,” he roared, “I want to know about that kid.”

“What kid?”

“The same kid! The wet one with the old coat and the box with iron hasps! The one that's been sitting here in the car!”

Bill turned his surly face to confront the young conductor.

“You've been drinking, you fool,” said he. “Fust thing you know you'll be reported.”

The conductor said not a word. He went slowly and weakly back to his post and stood there the rest of the way leaning against the end of the car for support. Once or twice he muttered:

“The poor little brat!” And again he said, “So you didn't love me after all!”

He never knew how he reached home, but he sank to sleep as dying men sink to death. All the same, being a hearty young man, he was on duty again next day but one, and again the night was rainy and cold.

It was the last run, and the car was spinning along at its limit, when there came a sudden soft shock. John Billings knew what that meant. He had felt something of the kind once before. He turned sick for a moment, and held on to the brake. Then he summoned his courage and went around to the side of the car, which had stopped. Bill, the driver, was before him, and had a limp little figure in his arms, and was carrying it to the gaslight. John gave one look and cried:

“It's the same kid, Bill! The one I told you of!”

True as truth were the ragged coat dangling from the pitiful body, the little blue hands, the thin shoulders, the stringy hair, the big arctics on the feet. And in the road not far off was the curious chest of dark wood with iron hasps.

“She ran under the car deliberate!” cried Bill. “I yelled to her, but she looked at me and ran straight on!”

He was white in spite of his weather-beaten skin.

“I guess you wasn't drunk last night after all, John,” said he.

“You--you are sure the kid is--is there?” gasped John.

“Not so damned sure!” said Bill.

But a few minutes later it was taken away in a patrol wagon, and with it the little box with iron hasps.

THE ROOM OF THE EVIL THOUGHT

THEY called it the room of the Evil Thought. It was really the pleasantest room in the house, and when the place had been used as the rectory, was the minister's study. It looked out on a mournful clump of larches, such as may often be seen in the old-fashioned yards in Michigan, and these threw a tender gloom over the apartment.

There was a wide fireplace in the room, and it had been the young minister's habit to sit there hours and hours, staring ahead of him at the fire, and smoking moodily. The replenishing of the fire and of his pipe, it was said, would afford him occupation all the day long, and that was how it came about that his parochial duties were neglected so that, little by little, the people became dissatisfied with him, though he was an eloquent young man, who could send his congregation away drunk on his influence. However, the calmer pulsed among his parish began to whisper that it was indeed the influence of the young minister and not that of the Holy Ghost which they felt, and it was finally decided that neither animal magnetism nor hypnotism were good substitutes for religion. And so they let him go.

The new rector moved into a smart brick house on the other side of the church, and gave receptions and dinner parties, and was punctilious about making his calls. The people therefore liked him very much--so much that they raised the debt on the church and bought a chime of bells, in their enthusiasm. Every one was lighter of heart than under the ministration of the previous rector. A burden appeared to be lifted from the community. True, there were a few who confessed the new man did not give them the food for thought which the old one had done, but, then, the former rector had made them uncomfortable! He had not only made them conscious of the sins of which they were already guilty, but also of those for which they had the latent capacity. A strange and fatal man, whom women loved to their sorrow, and whom simple men could not understand! It was generally agreed that the parish was well rid of him.

“He was a genius,” said the people in commiseration. The word was an uncomplimentary epithet with them.

When the Hanscoms moved in the house which had been the old rectory, they gave Grandma Hanscom the room with the fireplace. Grandma was well pleased. The roaring fire warmed her heart as well as her chill old body, and she wept with weak joy when she looked at the larches, because they reminded her of the house she had lived in when she was first married. All the forenoon of the first day she was busy putting things away in bureau drawers and closets, but by afternoon she was ready to sit down in her high-backed rocker and enjoy the comforts of her room.

She nodded a bit before the fire, as she usually did after luncheon, and then she awoke with an awful start and sat staring before her with such a look in her gentle, filmy old eyes as had never been there before. She did not move, except to rock slightly, and the Thought grew and grew till her face was disguised as by some hideous mask of tragedy.

By and by the children came pounding at the door.

“Oh, grandma, let us in, please. We want to see your new room, and mamma gave us some ginger cookies on a plate, and we want to give some to you.”

The door gave way under their assaults, and the three little ones stood peeping in, waiting for permission to enter. But it did not seem to be their grandma--their own dear grandma--who arose and tottered toward them in fierce haste, crying:

“Away, away! Out of my sight! Out of my sight before I do the thing I want to do! Such a terrible thing! Send some one to me quick, children, children! Send some one quick!”

They fled with feet shod with fear, and their mother came, and Grandma Hanscom sank down and clung about her skirts and sobbed:

“Tie me, Miranda. Make me fast to the bed or the wall. Get some one to watch me. For I want to do an awful thing!”

They put the trembling old creature in bed, and she raved there all the night long and cried out to be held, and to be kept from doing the fearful thing, whatever it was--for she never said what it was.

The next morning some one suggested taking her in the sitting-room where she would be with the family. So they laid her on the sofa, hemmed around with cushions, and before long she was her quiet self again, though exhausted, naturally, with the tumult of the previous night. Now and then, as the children played about her, a shadow crept over her face--a shadow as of cold remembrance--and then the perplexed tears followed.

When she seemed as well as ever they put her back in her room. But though the fire glowed and the lamp burned, as soon as ever she was alone they heard her shrill cries ringing to them that the Evil Thought had come again. So Hal, who was home from college, carried her up to his room, which she seemed to like very well. Then he went down to have a smoke before grandma's fire.

The next morning he was absent from breakfast. They thought he might have gone for an early walk, and waited for him a few minutes. Then his sister went to the room that looked upon the larches, and found him dressed and pacing the floor with a face set and stern. He had not been in bed at all, as she saw at once. His eyes were bloodshot, his face stricken as if with old age or sin or--but she could not make it out. When he saw her he sank in a chair and covered his face with his hands, and between the trembling fingers she could see drops of perspiration on his forehead.

“Hal!” she cried, “Hal, what is it?”

But for answer he threw his arms about the little table and clung to it, and looked at her with tortured eyes, in which she fancied she saw a gleam of hate. She ran, screaming, from the room, and her father came and went up to him and laid his hands on the boy's shoulders. And then a fearful thing happened. All the family saw it. There could be no mistake. Hal's hands found their way with frantic eagerness toward his father's throat as if they would choke him, and the look in his eyes was so like a madman's that his father raised his fist and felled him as he used to fell men years before in the college fights, and then dragged him into the sitting-room and wept over him.

By evening, however, Hal was all right, and the family said it must have been a fever,--perhaps from overstudy,--at which Hal covertly smiled. But his father was still too anxious about him to let him out of his sight, so he put him on a cot in his room, and thus it chanced that the mother and Grace concluded to sleep together downstairs.

The two women made a sort of festival of it, and drank little cups of chocolate before the fire, and undid and brushed their brown braids, and smiled at each other, understandingly, with that sweet intuitive sympathy which women have, and Grace told her mother a number of things which she had been waiting for just such an auspicious occasion to confide.

But the larches were noisy and cried out with wild voices, and the flame of the fire grew blue and swirled about in the draught sinuously, so that a chill crept upon the two. Something cold appeared to envelop them--such a chill as pleasure voyagers feel when a berg steals beyond Newfoundland and glows blue and threatening upon their ocean path.

Then came something else which was not cold, but hot as the flames of hell--and they saw red, and stared at each other with maddened eyes, and then ran together from the room and clasped in close embrace safe beyond the fatal place, and thanked God they had not done the thing that they dared not speak of--the thing which suddenly came to them to do.

So they called it the room of the Evil Thought. They could not account for it. They avoided the thought of it, being healthy and happy folk. But none entered it more. The door was locked.

One day, Hal, reading the paper, came across a paragraph concerning the young minister who had once lived there, and who had thought and written there and so influenced the lives of those about him that they remembered him even while they disapproved.

“He cut a man's throat on board ship for Australia,” said he, “and then he cut his own, without fatal effect--and jumped overboard, and so ended it. What a strange thing!”

Then they all looked at one another with subtle looks, and a shadow fell upon them and stayed the blood at their hearts.

The next week the room of the Evil Thought was pulled down to make way for a pansy bed, which is quite gay and innocent, and blooms all the better because the larches, with their eternal murmuring, have been laid low and carted away to the sawmill.

STORY OF THE VANISHING PATIENT

THERE had always been strange stories about the house, but it was a sensible, comfortable sort of a neighborhood, and people took pains to say to one another that there was nothing in these tales--of course not! Absolutely nothing! How could there be? It was a matter of common remark, however, that considering the amount of money the Nethertons had spent on the place, it was curious they lived there so little. They were nearly always away,--up North in the summer and down South in the winter, and over to Paris or London now and then,--and when they did come home it was only to entertain a number of guests from the city. The place was either plunged in gloom or gayety. The old gardener who kept house by himself in the cottage at the back of the yard had things much his own way by far the greater part of the time.

Dr. Block and his wife lived next door to the Nethertons, and he and his wife, who were so absurd as to be very happy in each other's company, had the benefit of the beautiful yard. They walked there mornings when the leaves were silvered with dew, and evenings they sat beside the lily pond and listened for the whip-poor-will. The doctor's wife moved her room over to that side of the house which commanded a view of the yard, and thus made the honeysuckles and laurel and clematis and all the masses of tossing greenery her own. Sitting there day after day with her sewing, she speculated about the mystery which hung impalpably yet undeniably over the house.

It happened one night when she and her husband had gone to their room, and were congratulating themselves on the fact that he had no very sick patients and was likely to enjoy a good night's rest, that a ring came at the door.

“If it's any one wanting you to leave home,” warned his wife, “you must tell them you are all worn out. You've been disturbed every night this week, and it's too much!”

The young physician went downstairs. At the door stood a man whom he had never seen before.

“My wife is lying very ill next door,” said the stranger, “so ill that I fear she will not live till morning. Will you please come to her at once?”

“Next door?” cried the physician. “I didn't know the Nethertons were home!”

“Please hasten,” begged the man. “I must go back to her. Follow as quickly as you can.”

The doctor went back upstairs to complete his toilet.

“How absurd,” protested his wife when she heard the story. “There is no one at the Nethertons'. I sit where I can see the front door, and no one can enter without my knowing it, and I have been sewing by the window all day. If there were any one in the house, the gardener would have the porch lantern lighted. It is some plot. Some one has designs on you. You must not go.”

But he went. As he left the room his wife placed a revolver in his pocket.

The great porch of the mansion was dark, but the physician made out that the door was open, and he entered. A feeble light came from the bronze lamp at the turn of the stairs, and by it he found his way, his feet sinking noiselessly in the rich carpets. At the head of the stairs the man met him. The doctor thought himself a tall man, but the stranger topped him by half a head. He motioned the physician to follow him, and the two went down the hall to the front room. The place was flushed with a rose-colored glow from several lamps. On a silken couch, in the midst of pillows, lay a woman dying with consumption. She was like a lily, white, shapely, graceful, with feeble yet charming movements. She looked at the doctor appealingly, then, seeing in his eyes the involuntary verdict that her hour was at hand, she turned toward her companion with a glance of anguish. Dr. Block asked a few questions. The man answered them, the woman remaining silent. The physician administered something stimulating, and then wrote a prescription which he placed on the mantel-shelf.

“The drug store is closed to-night,” he said, “and I fear the druggist has gone home. You can have the prescription filled the first thing in the morning, and I will be over before breakfast.”

After that, there was no reason why he should not have gone home. Yet, oddly enough, he preferred to stay. Nor was it professional anxiety that prompted this delay. He longed to watch those mysterious persons, who, almost oblivious of his presence, were speaking their mortal farewells in their glances, which were impassioned and of unutterable sadness.

He sat as if fascinated. He watched the glitter of rings on the woman's long, white hands, he noted the waving of light hair about her temples, he observed the details of her gown of soft white silk which fell about her in voluminous folds. Now and then the man gave her of the stimulant which the doctor had provided; sometimes he bathed her face with water. Once he paced the floor for a moment till a motion of her hand quieted him.

After a time, feeling that it would be more sensible and considerate of him to leave, the doctor made his way home. His wife was awake, impatient to hear of his experiences. She listened to his tale in silence, and when he had finished she turned her face to the wall and made no comment.

“You seem to be ill, my dear,” he said. “You have a chill. You are shivering.”

“I have no chill,” she replied sharply. “But I--well, you may leave the light burning.”

The next morning before breakfast the doctor crossed the dewy sward to the Netherton house. The front door was locked, and no one answered to his repeated ringings. The old gardener chanced to be cutting the grass near at hand, and he came running up.

“What you ringin' that door-bell for, doctor?” said he. “The folks ain't come home yet. There ain't nobody there.”

“Yes, there is, Jim. I was called here last night. A man came for me to attend his wife. They must both have fallen asleep that the bell is not answered. I wouldn't be surprised to find her dead, as a matter of fact. She was a desperately sick woman. Perhaps she is dead and something has happened to him. You have the key to the door, Jim. Let me in.”

But the old man was shaking in every limb, and refused to do as he was bid.

“Don't you never go in there, doctor,” whispered he, with chattering teeth. “Don't you go for to 'tend no one. You jus' come tell me when you sent for that way. No, I ain't goin' in, doctor, nohow. It ain't part of my duties to go in. That's been stipulated by Mr. Netherton. It's my business to look after the garden.”

Argument was useless. Dr. Block took the bunch of keys from the old man's pocket and himself unlocked the front door and entered. He mounted the steps and made his way to the upper room. There was no evidence of occupancy. The place was silent, and, so far as living creature went, vacant. The dust lay over everything. It covered the delicate damask of the sofa where he had seen the dying woman. It rested on the pillows. The place smelled musty and evil, as if it had not been used for a long time. The lamps of the room held not a drop of oil.

But on the mantel-shelf was the prescription which the doctor had written the night before. He read it, folded it, and put it in his pocket.

As he locked the outside door the old gardener came running to him.

“Don't you never go up there again, will you?” he pleaded, “not unless you see all the Nethertons home and I come for you myself. You won't, doctor?”

“No,” said the doctor.

When he told his wife she kissed him, and said:

“Next time when I tell you to stay at home, you must stay!”

THE PIANO NEXT DOOR

BABETTE had gone away for the summer; the furniture was in its summer linens; the curtains were down, and Babette's husband, John Boyce, was alone in the house. It was the first year of his marriage, and he missed Babette. But then, as he often said to himself, he ought never to have married her. He did it from pure selfishness, and because he was determined to possess the most illusive, tantalizing, elegant, and utterly unmoral little creature that the sun shone upon. He wanted her because she reminded him of birds, and flowers, and summer winds, and other exquisite things created for the delectation of mankind. He neither expected nor desired her to think. He had half-frightened her into marrying him, had taken her to a poor man's home, provided her with no society such as she had been accustomed to, and he had no reasonable cause of complaint when she answered the call of summer and flitted away, like a butterfly in the morning sunshine, to the place where the flowers grew.

He wrote to her every evening, sitting in the stifling, ugly house, and poured out his soul as if it were a libation to a goddess. She sometimes answered by telegraph, sometimes by a perfumed note. He schooled himself not to feel hurt. Why should Babette write? Does a goldfinch indict epistles; or a humming-bird study composition; or a glancing, red-scaled fish in summer shallows consider the meaning of words?

He knew at the beginning what Babette was--guessed her limitations--trembled when he buttoned her tiny glove--kissed her dainty slipper when he found it in the closet after she was gone--thrilled at the sound of her laugh, or the memory of it! That was all. A mere case of love. He was in bonds. Babette was not. Therefore he was in the city, working overhours to pay for Babette's pretty follies down at the seaside. It was quite right and proper. He was a grub in the furrow; she a lark in the blue. Those had always been and always must be their relative positions.

Having attained a mood of philosophic calm, in which he was prepared to spend his evenings alone--as became a grub--and to await with dignified patience the return of his wife, it was in the nature of an inconsistency that he should have walked the floor of the dull little drawing-room like a lion in cage. It did not seem in keeping with the position of superior serenity which he had assumed, that, reading Babette's notes, he should have raged with jealousy, or that, in the loneliness of his unkempt chamber, he should have stretched out arms of longing. Even if Babette had been present, she would only have smiled her gay little smile and coquetted with him. She could not understand. He had known, of course, from the first moment, that she could not understand! And so, why the ache, ache, ache of the heart! Or WAS it the heart, or the brain, or the soul?

Sometimes, when the evenings were so hot that he could not endure the close air of the house, he sat on the narrow, dusty front porch and looked about him at his neighbors. The street had once been smart and aspiring, but it had fallen into decay and dejection. Pale young men, with flurried-looking wives, seemed to Boyce to occupy most of the houses. Sometimes three or four couples would live in one house. Most of these appeared to be childless. The women made a pretence at fashionable dressing, and wore their hair elaborately in fashions which somehow suggested boarding-houses to Boyce, though he could not have told why. Every house in the block needed fresh paint. Lacking this renovation, the householders tried to make up for it by a display of lace curtains which, at every window, swayed in the smoke-weighted breeze. Strips of carpeting were laid down the front steps of the houses where the communities of young couples lived, and here, evenings, the inmates of the houses gathered, committing mild extravagances such as the treating of each other to ginger ale, or beer, or ice-cream.

Boyce watched these tawdry makeshifts at sociability with bitterness and loathing. He wondered how he could have been such a fool as to bring his exquisite Babette to this neighborhood. How could he expect that she would return to him? It was not reasonable. He ought to go down on his knees with gratitude that she even condescended to write him.

Sitting one night till late,--so late that the fashionable young wives with their husbands had retired from the strips of stair carpeting,--and raging at the loneliness which ate at his heart like a cancer, he heard, softly creeping through the windows of the house adjoining his own, the sound of comfortable melody.

It breathed upon his ear like a spirit of consolation, speaking of peace, of love which needs no reward save its own sweetness, of aspiration which looks forever beyond the thing of the hour to find attainment in that which is eternal. So insidiously did it whisper these things, so delicately did the simple and perfect melodies creep upon the spirit--that Boyce felt no resentment, but from the first listened as one who listens to learn, or as one who, fainting on the hot road, hears, far in the ferny deeps below, the gurgle of a spring.

Then came harmonies more intricate: fair fabrics of woven sound, in the midst of which gleamed golden threads of joy; a tapestry of sound, multi-tinted, gallant with story and achievement, and beautiful things. Boyce, sitting on his absurd piazza, with his knees jambed against the balustrade, and his chair back against the dun-colored wall of his house, seemed to be walking in the cathedral of the redwood forest, with blue above him, a vast hymn in his ears, pungent perfume in his nostrils, and mighty shafts of trees lifting themselves to heaven, proud and erect as pure men before their Judge. He stood on a mountain at sunrise, and saw the marvels of the amethystine clouds below his feet, heard an eternal and white silence, such as broods among the everlasting snows, and saw an eagle winging for the sun. He was in a city, and away from him, diverging like the spokes of a wheel, ran thronging streets, and to his sense came the beat, beat, beat of the city's heart. He saw the golden alchemy of a chosen race; saw greed transmitted to progress; saw that which had enslaved men, work at last to their liberation; heard the roar of mighty mills, and on the streets all the peoples of earth walking with common purpose, in fealty and understanding. And then, from the swelling of this concourse of great sounds, came a diminuendo, calm as philosophy, and from that, nothingness.

Boyce sat still for a long time, listening to the echoes which this music had awakened in his soul. He retired, at length, content, but determined that upon the morrow he would watch--the day being Sunday--for the musician who had so moved and taught him.

He arose early, therefore, and having prepared his own simple breakfast of fruit and coffee, took his station by the window to watch for the man. For he felt convinced that the exposition he had heard was that of a masculine mind. The long, hot hours of the morning went by, but the front door of the house next to his did not open.

“These artists sleep late,” he complained. Still he watched. He was too much afraid of losing him to go out for dinner. By three in the afternoon he had grown impatient. He went to the house next door and rang the bell. There was no response. He thundered another appeal. An old woman with a cloth about her head answered the door. She was very deaf, and Boyce had difficulty in making himself understood.

“The family is in the country,” was all she would say. “The family will not be home till September.”

“But there is some one living here?” shouted Boyce.

“_I_ live here,” she said with dignity, putting back a wisp of dirty gray hair behind her ear. “It is my house. I sublet to the family.”

“What family?”

But the old creature was not communicative.

“The family that lives here,” she said.

“Then who plays the piano in this house?” roared Boyce. “Do you?”

He thought a shade of pallor showed itself on her ash-colored cheeks. Yet she smiled a little at the idea of her playing.

“There is no piano,” she said, and she put an enigmatical emphasis to the words.

“Nonsense,” cried Boyce, indignantly. “I heard a piano being played in this very house for hours last night!”

“You may enter,” said the old woman, with an accent more vicious than hospitable.

Boyce almost burst into the drawing-room. It was a dusty and forbidding place, with ugly furniture and gaudy walls. No piano nor any other musical instrument stood in it. The intruder turned an angry and baffled face to the old woman, who was smiling with ill-concealed exultation.

“I shall see the other rooms,” he announced. The old woman did not appear to be surprised at his impertinence.

“As you please,” she said.

So, with the hobbling creature, with her bandaged head, for a guide, he explored every room of the house, which being identical with his own, he could do without fear of leaving any apartment unentered. But no piano did he find!

“Explain,” roared Boyce at length, turning upon the leering old hag beside him. “Explain! For surely I heard music more beautiful than I can tell.”

“I know nothing,” she said. “But it is true I once had a lodger who rented the front room, and that he played upon the piano. I am poor at hearing, but he must have played well, for all the neighbors used to come in front of the house to listen, and sometimes they applauded him, and sometimes they were still. I could tell by watching their hands. Sometimes little children came and danced. Other times young men and women came and listened. But the young man died. The neighbors were angry. They came to look at him and said he had starved to death. It was no fault of mine. I sold his piano to pay his funeral expenses--and it took every cent to pay for them too, I'd have you know. But since then, sometimes--still, it must be nonsense, for I never heard it--folks say that he plays the piano in my room. It has kept me out of the letting of it more than once. But the family doesn't seem to mind--the family that lives here, you know. They will be back in September. Yes.”

Boyce left her nodding her thanks at what he had placed in her hand, and went home to write it all to Babette--Babette who would laugh so merrily when she read it!

AN ASTRAL ONION

WHEN Tig Braddock came to Nora Finnegan he was red-headed and freckled, and, truth to tell, he remained with these features to the end of his life--a life prolonged by a lucky, if somewhat improbable, incident, as you shall hear.

Tig had shuffled off his parents as saurians, of some sorts, do their skins. During the temporary absence from home of his mother, who was at the bridewell, and the more extended vacation of his father, who, like Villon, loved the open road and the life of it, Tig, who was not a well-domesticated animal, wandered away. The humane society never heard of him, the neighbors did not miss him, and the law took no cognizance of this detached citizen--this lost pleiad. Tig would have sunk into that melancholy which is attendant upon hunger,--the only form of despair which babyhood knows,--if he had not wandered across the path of Nora Finnegan. Now Nora shone with steady brightness in her orbit, and no sooner had Tig entered her atmosphere, than he was warmed and comforted. Hunger could not live where Nora was. The basement room where she kept house was redolent with savory smells; and in the stove in her front room--which was also her bedroom--there was a bright fire glowing when fire was needed.

Nora went out washing for a living. But she was not a poor washerwoman. Not at all. She was a washerwoman triumphant. She had perfect health, an enormous frame, an abounding enthusiasm for life, and a rich abundance of professional pride. She believed herself to be the best washer of white clothes she had ever had the pleasure of knowing, and the value placed upon her services, and her long connection with certain families with large weekly washings, bore out this estimate of herself--an estimate which she never endeavored to conceal.

Nora had buried two husbands without being unduly depressed by the fact. The first husband had been a disappointment, and Nora winked at Providence when an accident in a tunnel carried him off--that is to say, carried the husband off. The second husband was not so much of a disappointment as a surprise. He developed ability of a literary order, and wrote songs which sold and made him a small fortune. Then he ran away with another woman. The woman spent his fortune, drove him to dissipation, and when he was dying he came back to Nora, who received him cordially, attended him to the end, and cheered his last hours by singing his own songs to him. Then she raised a headstone recounting his virtues, which were quite numerous, and refraining from any reference to those peculiarities which had caused him to be such a surprise.

Only one actual chagrin had ever nibbled at the sound heart of Nora Finnegan--a cruel chagrin, with long, white teeth, such as rodents have! She had never held a child to her breast, nor laughed in its eyes; never bathed the pink form of a little son or daughter; never felt a tugging of tiny hands at her voluminous calico skirts! Nora had burnt many candles before the statue of the blessed Virgin without remedying this deplorable condition. She had sent up unavailing prayers--she had, at times, wept hot tears of longing and loneliness. Sometimes in her sleep she dreamed that a wee form, warm and exquisitely soft, was pressed against her firm body, and that a hand with tiniest pink nails crept within her bosom. But as she reached out to snatch this delicious little creature closer, she woke to realize a barren woman's grief, and turned herself in anguish on her lonely pillow.

So when Tig came along, accompanied by two curs, who had faithfully followed him from his home, and when she learned the details of his story, she took him in, curs and all, and, having bathed the three of them, made them part and parcel of her home. This was after the demise of the second husband, and at a time when Nora felt that she had done all a woman could be expected to do for Hymen.

Tig was a preposterous baby. The curs were preposterous curs. Nora had always been afflicted with a surplus amount of laughter--laughter which had difficulty in attaching itself to anything, owing to the lack of the really comic in the surroundings of the poor. But with a red-headed and freckled baby boy and two trick dogs in the house, she found a good and sufficient excuse for her hilarity, and would have torn the cave where echo lies with her mirth, had that cave not been at such an immeasurable distance from the crowded neighborhood where she lived.

At the age of four Tig went to free kindergarten; at the age of six he was in school, and made three grades the first year and two the next. At fifteen he was graduated from the high school and went to work as errand boy in a newspaper office, with the fixed determination to make a journalist of himself.

Nora was a trifle worried about his morals when she discovered his intellect, but as time went on, and Tig showed no devotion for any woman save herself, and no consciousness that there were such things as bad boys or saloons in the world, she began to have confidence. All of his earnings were brought to her. Every holiday was spent with her. He told her his secrets and his aspirations. He admitted that he expected to become a great man, and, though he had not quite decided upon the nature of his career,--saving, of course, the makeshift of journalism,--it was not unlikely that he would elect to be a novelist like--well, probably like Thackeray.

Hope, always a charming creature, put on her most alluring smiles for Tig, and he made her his mistress, and feasted on the light of her eyes. Moreover, he was chaperoned, so to speak, by Nora Finnegan, who listened to every line Tig wrote, and made a mighty applause, and filled him up with good Irish stew, many colored as the coat of Joseph, and pungent with the inimitable perfume of “the rose of the cellar.” Nora Finnegan understood the onion, and used it lovingly. She perceived the difference between the use and abuse of this pleasant and obvious friend of hungry man, and employed it with enthusiasm, but discretion. Thus it came about that whoever ate of her dinners, found the meals of other cooks strangely lacking in savor, and remembered with regret the soups and stews, the broiled steaks, and stuffed chickens of the woman who appreciated the onion.