Chapter II: Part 2

There was an inexpressible charm in the sadness of this desolation which chimed strangely with Eckhardt's own life, now but a memory of its former self.

It was a wonderful night. Scarce a breath of air stirred the dying leaves. The vault of the sky was unobscured, arching deep-blue over the higher rising moon. To southward the beacon fires from the Tor di Vergera blazed like a red star low down in the horizon. Wrapt in deep thought, Eckhardt followed the narrow road, winding his way through a wilderness of broken arches and fallen porticoes, through a region studded with convents, cloisters and the ruins of antiquity. Gray mists began to rise over housetops and vineyards, through which at intervals the Tiber gleamed like a yellow serpent in the moonlight. Near the Ripetta long spirals of dark smoke curled up to the azure night-sky and the moon cast a glory on the colossal statue of the Archangel Michael, where it stood on the gloomy keep of Castel San Angelo. The rising night-wind rustled in organ-tones among the cypress trees; the fountains murmured, and in a silvery haze the moon hung over the slumbering city.

Slowly Eckhardt continued the ascent of the Palatine and he had scarcely reached the summit, when out of the ruins there rose a shadow, and he found himself face to face with Benilo, the Grand Chamberlain.

"By St. Peter and St. Paul and all the saints I can remember!" exclaimed the latter, "is it Eckhardt, the Margrave, or his ghost? But no matter which,--no man more welcome!"

"I am but myself," replied Eckhardt, as he grasped the proffered hand.

"Little did I hope to meet you here," Benilo continued, regarding Eckhardt intently. "I thought you far away among the heathen Poles."

"I hate the Romans so heartily, that now and then I love to remind them of my presence."

"Ay! Like Timon of Athens, you would bequeath to them your last fig-tree, that they may hang themselves from its branches," Benilo replied with a smile.

"I should require a large orchard. Is Rome at peace?"

"The burghers wrangle about goats' wool, the monks gamble for a human soul, and the devil stands by and watches the game," replied Benilo.

"Have you surprised any strange rumours during my absence?" questioned Eckhardt guardedly.

"They say much or little, as you will," came the enigmatic reply. "I have heard your name from the lips of one, who seldom speaks, save to ill purpose."

Eckhardt nodded with a grim smile, while he fixed his eyes on his companion. Slowly they lost themselves in the wilderness of crumbling arches and porticoes.

At last Eckhardt spoke, a strange mixture of mirth and irony in his tones.

"But your own presence among these ruins? Has Benilo, the Grand Chamberlain become a recluse, dwelling among flitter mice and jack-daws?"

"I have not sipped from the fount of the mystics," Benilo replied. "But often at the hour of dusk I seek the solitudes of the Palatine, which chime so strangely with my weird fancies. Here I may roam at will and without restraint,--here I may revel in the desolation, enlivened only now and then by the shrill tones of a shepherd's pipe; here I may ramble undisturbed among the ruins of antiquity, pondering over the ancient greatness of Rome, pondering over the mighty that have fallen.--I have just completed an Ode--all but the final stanzas. It is to greet Otto upon his return. The Archbishop of Cologne announced the welcome tidings of the king's convalescence--truly, a miracle of the saint!"

Eckhardt had listened attentively, then he remarked drily:

"Let each man take his own wisdom and see whither it will lead him. Otto is still pursuing a mocking phantom under the ruins of crumbled empires, but to find the bleached bones of some long-forgotten Caesar! Truly, a worthy cause, in which to brave the danger of Alpine snows and avalanches--and the fever of the Maremmas."

"We both try to serve the King--each in his way," Benilo replied, contritely.

Eckhardt extended his hand.

"You are a poet and a philosopher. I am a soldier and a German.--I have wronged you in thought--forgive and forget!"

Benilo readily placed his hand in that of his companion. After a pause Eckhardt continued:

"My business in Rome touches neither emperor nor pope. Once, I too, wooed the fair Siren Rome. But the Siren proved a Vampire.--Rome is a enamel house.--Her caress is Death."

There was a brief silence.

"'Tis three years since last we strode these walks," Eckhardt spoke again. "What changes time has wrought!"

"Have the dead brought you too back to Rome?" queried Benilo with averted gaze.

"Even so," Eckhardt replied, as he strode by Benilo's side. "The dead! Soon I too shall exchange the garb of the world for that of the cloister."

The Chamberlain stared aghast at his companion.

"You are not serious?" he stammered, with well-feigned surprise.

Eckhardt nodded.

"The past is known to you!" he replied with a heavy sigh. "Since she has gone from me to the dark beyond, I have striven for peace and oblivion in every form,--in the turmoil of battle, before the shrines of the Saints.--In vain! I have striven to tame this wild passion for one dead and in her grave. But this love cannot be strangled as a lion is strangled, and the skill of the mightiest athlete avails nothing in such a struggle. The point of the arrow has remained in the wound. Madness, to wander for ever about a grave, to think eternally, fatefully of one who cannot see you, cannot hear you, one who has left earth in all the beauty and splendour of youth."

A pause ensued, during which neither spoke.

They walked for some time in silence among the gigantic ruins of the Palatine. Like an alabaster lamp the moon hung in the luminous vault of heaven. How peacefully fair beneath the star-sprinkled violet sky was this deserted region, bordered afar by tall, spectral cypress-trees whose dark outlines were clearly defined against the mellow luminance of the ether. At last Eckhardt and his companion seated themselves on the ruins of a shattered portico, which had once formed the entrance to a temple of Saturnus.

Each seemed to be occupied with his own thoughts, when Eckhardt raised his head and gazed inquiringly at his companion, who had likewise assumed a listening attitude. Through the limpid air of the autumnal night, like faint echoes from dream-land, there came softly vibrating harp-tones, mingled with the clash of tinkling cymbals, borne aloft from distant groves. Faint ringing chimes, as of silver bells, succeeded these broken harmonies, followed by another clash of cymbals, stormily persistent, then dying away on the evanescent breezes.

A strange, stifling sensation oppressed Eckhardt's heart, as he listened to these bells. They seemed to remind him of things which had long passed out of his life, the peaceful village-chimes in his far-away Saxon land, the brief dream of the happy days now for ever gone. But hark! had he not heard these sounds before? Had they not caressed his ears on the night, when accompanying the king from Aix-la-Chapelle to Merseburg, they passed the fateful Hoerselberg in Thuringia?

Eckhardt made the sign of the cross, but the question rising to his lips was anticipated by Benilo, who pointed towards a remote region of the Aventine, just as the peals of the chiming bells, softened by distance into indistinct tremulous harmonies, and the clarion clearness of the cymbals again smote the stillness with their strangely luring clangour.

"Yonder lies the palace of Theodora," Benilo remarked indifferently.

Eckhardt listened with a strange sensation.

He remembered the pageant he had witnessed in the Navona, the pageant, from whose more minute contemplation he had been drawn by the incident with Gian Vitelozzo.

"Who is the woman?" he questioned with some show of interest.

"Regarding that matter there is considerable speculation," replied Benilo.

"Have you any theory of your own?"

The Chamberlain shrugged his shoulders.

"Heard you ever of a remote descendant of Marozia, still living in Italy?"

"I thought they had all been strangled long ago."

"But if there were one, deem you, that the harlot-blood which flowed in the veins of her mother and all the women of her house would be sanctified by time, a damp convent-cell, and a rosary?"

"I know nothing of a surviving limb of that lightning-blasted trunk."

"Did not the direct line of Marozia end with John XI, whom she succeeded in placing in the chair of St. Peter, ere she herself was banished to a convent, where she died?" questioned Benilo.

"So it is reported! And this woman's name is?"

"Theodora!"

"You know her?"

Benilo met Eckhardt's gaze unflinchingly.

"I have visited her circle," he replied indifferently.

Eckhardt nodded. He understood.

Dexterously changing the subject Benilo continued after a pause.

"If you had but some heart-felt passion, to relieve your melancholy; if you could but love somebody or something," he spoke sympathetically. "Truly, it was never destined for the glorious career of Eckhardt to end behind the bleak walls of a cloister."

Eckhardt bowed his head.

"Philosophy is useless. Strange ailments require strange cures."

For some time they gazed in silence into the moonlit night. Around them towered colossal relics of ancient grandeur, shattered walls, naked porticoes. Wildernesses of broken arches stretched interminably into the bluish haze, amidst woods and wild vegetation, which had arisen as if to reassert their ancient possessions of the deserted site.

At last Eckhardt spoke, hesitatingly at first, as one testing his ground, gradually with firmer purpose, which seemed to go straight to the heart of his companion.

"There is much about Ginevra's sudden death that puzzles me, a mystery which I have in vain endeavoured to fathom. The facts are known to you, I can pass them over, dark as everything seems to me at this very moment. So quickly, so mysteriously did she pass out of my life, that I could not, would not trust the testimony of my senses. I left the house on the Caelian hill on that fateful night, and though I felt as if my eyes were bursting from my head, they did not shed a single tear. Where I went, or what I did, I could not tell. I walked about, as one benumbed, dazed, as it sometimes happens, when the cleaving stroke of an iron mace falls upon one's helmet, deafening and blinding. This I remember--I passed the bridge near the tower of Nona and, ascending the Borgo, made for the gate of San Sebastian. The monks of Della Regola soon appeared, walking two by two, accompanied by a train of acolytes, chanting the Miserere, and bearing the coffin covered with a large pall of black velvet."

Eckhardt paused, drawing a deep breath. Then he continued, slowly:

"All this did not rouse me from the lethargy which had benumbed my senses. Only the one thought possessed me: Since we had been severed in life, in death at least we could be united. We were both journeying to the same far-off land, and the same tomb would give us repose together. I followed the monks with a triumphant but gloomy joy, feeling myself already transported beyond the barriers of life. Ponte Sisto and Trastevere passed, we entered San Pancrazio."

There was another pause, Benilo listening intently.

"The body placed in the chapel, prior to the performance of the last rites," Eckhardt continued, "I hurried away from the place and wandered all night round the streets like a madman, ready to seek my own destruction. But the hand of Providence withheld me from the crime. I cannot describe what I suffered; the agony, the despair, that wrung my inmost heart. I could no longer support a life that seemed blighted with the curse of heaven, and I formed the wildest plans, the maddest resolutions in my whirling brain. For a strange, terrible thought had suddenly come over me. I could not believe that Ginevra was dead. And the longer I pondered, the greater became my anxiety and fear. Late in the night I returned to the chapel. I knelt in the shadow of the vaulted arches, leaning against the wall, while the monks chanted the Requiem. I heard the 'Requiescat in Pace,' I saw them leave the chapel, but I remained alone in the darkness, for there was no lamp save the lamp of the Virgin. At this moment a bell tolled. The sacristan who was making the rounds through the church, preparatory to closing, passed by me. He saw me, without recognizing who I was, and said: 'I close the doors.' 'I shall remain,' I answered. He regarded me fixedly, then said: 'You are bold! I will leave the door ajar--stay, if you will!' And without speaking another word he was out. I paid little heed to him, though his words had strangely stirred me. What did he mean? After a few moments my reasoning subsided, but my determination grew with my fear. Everything being still as the grave, I approached the coffin, cold sweat upon my brow. Removing the pall which covered it, I drew my dagger which was strong and sharp, intending to force open the lid, when suddenly I felt a stinging, benumbing pain on my head, as from the blow of a cudgel. How long I lay unconscious, I know not. When after some days I woke from the swoon, the monks had raised a heavy stone over Ginevra's grave, during the night of my delirium. I left Rome, as I thought, for ever. But strange misgivings began to haunt my sleep and my waking hours. Why had they not permitted me to see once more the face I had so dearly loved, ere they fastened down for ever the lid of the coffin? 'Tis true, they contended that the ravages of the fever to which she had succumbed had precipitated the decomposition of her body. Still--the more I ponder over her death, the more restless grows my soul. Thus I returned to Rome, even against my own wish and will. I will not tarry long. Perchance some light may beam on the mystery which has terrified my dreams, from a source, least expected, though so far I have in vain sought for the monk who conducted the last rites, and whose eyes saw what was denied to mine."

There was a dead silence, which lasted for a space, until it grew almost painful in its intensity. At last Benilo spoke.

"To return to the night of her interment. Was there no one near you, to dispel those dread phantoms which maddened your brain?"

"I had suffered no one to remain. I wished to be alone with my grief."

"But whence the blow?"

"The masons had wrenched away an iron bar, in walling up the old entrance. Had the height been greater, I would not be here to tell the tale."

Benilo drew a deep breath. He was ghastly pale.

"But your purpose in Rome?"

"I will find the monk who conducted the last rites--I will have speech with Nilus, the hermit. If all else fails, the cloister still remains."

"Let me entreat you not to hasten the irrevocable step. Neither your king nor your country can spare their illustrious leader."

"Otto has made his peace with Rome. He has no further need of me," Eckhardt replied with bitterness. "But this I promise. I shall do nothing, until I have had speech with the holy hermit of Gaeta. Whatever he shall enjoin, thereby will I abide. I shall do nothing hastily, or ill-advised."

They continued for a time in silence, each wrapt in his own thoughts. Without one ray of light beaming on his course, Eckhardt beheld a thousand vague and shadowy images passing before his eyes. That subterranean love, so long crouched at his soul's stairway, had climbed a few steps higher, guided by some errant gleam of hope. The weight of the impossible pressed no longer so heavily upon him, since he had lightened his burden by the long withheld confession. The vertigo of fatality had seized him. By a succession of irregular and terrible events he believed himself hurried towards the end of his goal. A mighty wave had lifted him up and bore him onward.

"Whither?"

From the distance, borne aloft on the wings of the night-wind, came faintly the chant of pilgrims from secluded shrines on the roadway. Eckhardt's mind was made up. He would seek Nilus, the hermit. Perchance he would point out to him the road to peace and set at rest the dread misgivings, which tortured him beyond endurance. This boon obtained, what mattered all else? The End of Time was nigh. It would solve all mysteries which the heart yearned to know.

And while Benilo seemed to muse in silence over the strange tale which his companion had poured into his ear, the latter weighed a resolve which he dared not even breathe, much less confide to human ear. Truly, the task required of Nilus was great.

At last Eckhardt and Benilo parted for the night. Eckhardt went his way, pondering, and wondering what the morrow would bring, and Benilo returned among the ruins of the Palatine, where he remained seated for a time, staring up at the starry night-sky, as if it contained the solution of all that was dark and inscrutable in man's existence.

*CHAPTER IV*

*THE WANTON COURT OF THEODORA*

A strange restlessness had seized the Chamberlain, after his meeting with the German commander. The moon illumined the desolate region with her white beams, dividing the silent avenues into double edged lines of silvery white, and bluish shadows. The nocturnal day with its subdued tints disguised and mantled the desolation. The mutilated columns, the roofs, crumbled beneath the torrents and thunders of centuries, were less conspicuous than when seen in the clear, merciless light of the sun. The lost parts were completed by the half tints of shadows; only here and there a brusque beam of light marked the spot, where a whole edifice had crumbled away. The silent genii of Night seemed to have repaired the ancient city to some representation of fantastic life.

As he hurried along the slopes of the hill, Benilo fancied at times that he beheld vague forms, lurking in the shadows; but they seemed to vanish the moment he approached. Low whisperings, an undefined hum, floated through the silence. First he attributed the noises to a fluttering in his ears, to the sighing of the night-wind or to the flight of some snake or lizard through the nettles. In nature all things live, even death; all things make themselves heard, even silence. Never before had Benilo felt such an involuntary terror. Once or twice he precipitately changed his course, hurrying down some narrow lane, between desolate looking rows of houses, low and ill-favoured, whose inmates recruited themselves from the lowest types of the mongrel population of Rome.

At the Agrippina below the bridge of Nero he paused and gave a sigh of relief. The phantoms seemed to have vanished. No breath of life broke the stillness. As on a second Olympus the marble palaces of the Caesars towered on the summit of the Capitoline hill, glistening white in the ghostly moonlight. Below, the Tiber sent his sluggish waves down toward Ostia, rocking the fleet of numberless boats and barges which swung lazily at their moorings.

Benilo found himself in a quarter of Rome which had been abandoned for centuries. Ruins of temples and porticoes were strewn in the waste which he traversed. Here at least he could breathe more freely. No one was likely to surprise his presence in these solitudes. The superstition of the age prevented the Romans from frequenting the vale between Mounts Aventine and Testaccio after dark, for it was believed to be the abode of evil spirits.

As the Chamberlain made his way through the wilderness of fallen columns, shattered porticoes, and tangles of myrrh and acanthus, the faint clash of cymbals, like the echo of some distant bacchanalia, fell upon his ear. A strange fitful melody, rising and falling with weird thrilling cadence, was borne upon the perfumed breezes.

He had not advanced very far, when through an avenue of tall spectral cypress trees he emerged upon a smooth and level lawn, shut in by black groups of cedar, through the entwined branches of which peeped the silver moon.

Traversing a broad marble terrace, garlanded with a golden wealth of orange trees and odorous oleanders, Benilo approached a lofty building, surrounded at some distance by a wall of the height of half-grown palms. A great gate stood ajar, which appeared to be closely guarded. Leaning against one of the massive pillars which supported it, stood an African of giant stature, in scarlet tunic and white turban, who, turning his gleaming eyeballs on Benilo, nodded by way of salutation. Entering the forbidden grounds, the Chamberlain found himself in a spacious garden which he traversed with quick, elastic step, as one familiar with the locality.

As Benilo advanced under the leafy branches, swaying in melancholy relief against the blue-green sky, the sight of thousands of coloured lamps hanging in long festoons from tree to tree first caused him to start and to look about. A few moments later he was walking between quaintly clipped laurel and yew-bushes, which bordered the great avenue starred with semi-circular lights, where bronze and marble statues held torches and braziers of flame.

Sounds of joy and merry-making fell upon his ear, causing a frown, like a black shadow, to flit over his face, deepening by stages into ill-repressed rage. In whichever manner the dark prophecies concerning the Millennium may have affected the Romans and the world at large, it was quite evident they disturbed not the merry circle assembled in the great hall beyond.

At last Benilo found himself at the entrance of a vast circular hall. The picture which unfolded itself to his gaze was like a fairy fantasy. Gilded doors led in every direction into vast corridors, ending in a peri-style supported by pillars. These magnificent oval halls admitted neither the light of day nor the season of the year. The large central hall, at the threshold of which Benilo stood, reviewing the spectacle before him, had no windows. Silver candelabra, perpetually burning behind transparent curtains of sea-green gauze diffused a jewel-like radiance.

And here, in the drowsy warmth, lounging on divans of velvet, their feet sunk in costly Indian and Persian carpets, drinking, gossiping, and occasionally bursting into fitful snatches of song, revelled a company of distinguished men, richly clad, representatives of the most exclusive Roman society of the time. They seemed bent upon no other purpose save to enjoy the pleasure of the immediate hour. Africans in fantastic attire carried aloft flagons and goblets, whose crystalline sheen reflected the crimson glow of the spicy Cyprian.

Benilo's arrival had not been noticed. In the shadow of the entrance he viewed the brilliant picture with its changing tints, its flash of colour, its glint of gold, the enchanting women, who laughingly gossipped and chatted with their guests, freed from the least restraint in dress or manner, thus adding the last spark to the fire of the purple Chianti. But as he gazed round the circle, the shade of displeasure deepened in Benilo's countenance.'

Bembo, the most renowned wit in the seven-hilled city, had just recited one of his newest and most poignant epigrams, sparing neither emperor nor pope, and had been rewarded by the loud applause of his not too critical audience and a smile from the Siren, who, in the absence of the hostess, seemed to preside over that merry circle. With her neck and shoulders half veiled in transparent gauze, revealing rather than concealing the soft, undulating lines of her supple body and arms, her magnificent black hair knotted up at the back of her head and wreathed with ivy, Roxane smiled radiantly from the seat of honour, which she had usurped, the object of mad desire of many a one present, of eager admiration to all. A number of attendants moved quickly and noiselessly about the spacious hall, decorated with palms and other tropical plants, while among the revellers the conversation grew more lively every moment.

In the shadow of the great door Benilo paused and listened.

"Where is the Queen of the Groves?" Roffredo, a dissolute youth, questioned his neighbour, who divided his attention between the fair nymph by his side and the goblet which trembled in his hands.

"Silence!" replied the personage to whom the young noble had addressed himself, with a meaning glance.

Roffredo and the girl by his side glanced in the direction indicated by the speaker.

"Benilo," replied the Patrician. "Is he responsible for Theodora's absence?"

Oliverotto uttered a coarse laugh.

Then he added with a meaning glance:

"I will enlighten you at some other time. But is it true that you have rescued some errant damsel from Vitelozzo's clutches? Why do you not gladden our eyes with so chaste a morsel?"

Roffredo shrugged his shoulders.

"Who knows, whether it was the vulture's first visit to the dove's nest?" he replied with a disgusting smile. "'Tis not a matter of much consequence."

Benilo heard the lie and the empty boast. He hated the prating youth for reasons of his own, but cared not to interfere at this stage, unconscious that his presence had been remarked.

"Is she fair?" questioned the girl by Roffredo's side.

"Some might call her so," replied the latter.

The girl pouted and raised the goblet to her lips.

"Reveal her name to us!" croaked Bembo, who, though at some distance, had heard every word of the discourse. "And I will forthwith dedicate to her five and twenty stanzas on her virtue!"

"Who spoke the fatal word?" laughed Roxane, who presided over the circle. "What is amusing you so much, you ancient wine-cask?" She then turned to the poet, whose rather prosaic circumference well justified the epithet.

"The old theme--women!" croaked Bembo good-humouredly.

"Forget it!" shouted Roffredo, draining his goblet. "Rather than listen to your tirades, they would grasp the red hot hand of the devil."

"Ah! We live in a sorry age and it behooves us to think of the end," Roxane sighed with a mock air of contrition, which called forth a general outburst of mirth.

"You are the very one to ponder over the most convenient mode of exit into the beyond," sneered the Lord of Gravina.

"What have we here?" rasped Bembo. "Who dares to speak of death in this assembly?"

"Nay, we would rather postpone the option till it finds us face to face with that villainous concoction you served us, to make us forget your more villainous poetry," shouted Oliverotto, hobbling across the hall and slapping the poet on the back. "I knew not that Roman soil produced so vile vintage!"

"'Twas Lacrymae Christi," remonstrated Bembo. "Would you have Ambrosia with every epigram on your vileness?"

"Nay, it was Satan's own brew," shrieked the baron, his voice strident as that of a cat, which has swallowed a fish bone.

And Oliverotto clinked his goblet and cast amorous glances right and left out of small watery eyes.

Bembo regarded him contemptuously.

"By the Cross! You are touched up and painted like a wench! Everything about you is false, even to your wit! Beware, fair Roxane,--he is ogling you as a bullfrog does the stars!"

At this stage an intermezzo interrupted the light, bantering tone of conversation. A curtain in the background parted. A bevy of black haired girls entered the hall, dressed in airy gowns, which revealed every line, every motion of their bodies. They encircled the guests in a mad whirl, inclining themselves first to one, then to the other. They were led by one, garbed as Diana, with the crescent moon upon her forehead, her black hair streaming about the whiteness of her statuesque body like dark sea-waves caressing marble cliffs. Taking advantage of this stage of the entertainment Benilo crossed the vast hall unnoticed and sat apart from the revellers in gloomy silence, listening with ill-concealed annoyance to the shouts of laughter and the clatter of irritating tongues. The characteristic wantonness of his features had at this moment given place to a look of weariness and suffering, a seemingly unaccustomed expression; it was a look of longing, the craving of a passion unsatisfied, a hope beyond his hope. Many envied him for his fame and profligacy, others read in his face the stamp of sullen cruelty, which vented itself wherever resistance seemed useless; but there was none to sound his present mood.

Benilo had not been at his chosen spot very long, when some one touched him on the shoulder. Looking up, he found himself face to face with an individual, wrapt in a long mantle, the colour of which was a curious mixture of purple and brown. His face was shaded by a conical hat, a quaint combination of Byzantine helmet and Norse head-gear, being provided with a straight, sloping brim, which made it impossible to scrutinize his features. This personage was Hezilo, a wandering minstrel seemingly hailing from nowhere. At least no one had penetrated the mystery which enshrouded him.

"Are you alone insensible to the charms of these?" And Benilo's interlocutor pointed to the whirling groups.

"I was thinking of one who is absent," Benilo replied, relapsing into his former listless attitude.

"Why not pluck the flowers that grow in your path, waiting but your will and pleasure?"

Benilo clenched his hands till the nails were buried in the flesh.

"Have you ever heard of an Eastern drug, which mirrors Paradise before your senses?"

Hezilo shook his head. "What of it?"

"He who becomes its victim is doomed irretrievably. While under its baleful spell, he is happy. Deprive him of it and the horrors of hell are upon him. No rest! No peace! And like the fiend addicted to the drug is the thrice accursed wretch who loves Theodora."

Hezilo regarded the Chamberlain strangely.

"Benilo deploring the inconstancy of woman," he said with noiseless laugh. Then, beckoning to one of the attendants, he took from the salver thus offered to him a goblet, which he filled with the dark crimson wine.

"Drink and forget," he cried. "You will find it even better than your Eastern drug."

Benilo shook his head and pushed away the proffered wine.

"Your advice comes too late!"

For a moment neither spoke. Benilo, busied with his own thoughts, sat listening to the boisterous clamour of the revellers, while the harper's gaze rested unseen upon him.

After a pause he broke the silence.

"How chanced it," he said, placing his hand affectionately on the other's shoulder, "that Benilo, who has broken all ten commandments and, withal, hearts untold, Benilo, who could have at his feet every woman in Rome, became woman's prey, her abject slave? That he is grovelling in the dust, where he might be lord and master? That he whines and whimpers, where he should command?"

Benilo turned fiercely upon his interlocutor.

"Who dares say that I whine and whimper and grovel at her feet? Fools all! On a mountain pass the trip is easier down than up! Know you what it means to love a woman with mad consuming passion, but to be cast aside for some blatant ass, to catch a few crumbs of favour tossed in one's face? Men like that rhyming zebra Bembo, who sings of love, which he has never felt."

"Still you have not answered my question," said the harper with quiet persistence. "Why are you the slave where you should be the master? Theodora is whimsical, heartless, cruel; still she is a woman."

"She is a devil, a heartless beautiful devil who grinds the hearts of men beneath her feet and laughs. Sometimes she taunts me till I could strangle her--ah! But I placed myself in the demon's power and having myself broken the compact which bound me to her, body and soul--from the lord I was, I have sunk to the slave I am,--you see, I speak free from the heart, what little she has left of it."

The harper nodded.

"Why not leave Rome for a time?" he said. "Your absence might soften Theodora's heart. Your sins, whatever they were, will appear less glaring in the haze of the distance."

Benilo looked up like an infuriated tiger.

"Has she appointed you my guardian?" he laughed harshly.

"I have had no words with her," replied the harper. "But one with eyes to see, cannot help but sound your ailment."

The Chamberlain relaxed.

"The drug is in the blood," he replied wearily.

"Then win her back, if you can," said the harper.

Benilo clenched his hands while he glared up at the other. "It is a game between the devil and despair, and the devil has the deal."

"A losing game for you, should either win."

Benilo nodded.

"I know it! Yet one single word would make me master where I am the slave."

"And you waver?"

"Silence!" growled Benilo. "Tempt me no more!"

Their discourse at this point was rudely interrupted by the clamour of the guests, bent upon silencing Bembo's exuberance, whose tongue, like a ribbon in the wind, fluttered incessantly. He bore himself with the airs of some orator of antiquity, rolling his eyes until they showed the whites beneath, and beating the air with his short, chubby arms.

"If Bembo is to be believed there is not in all Rome one faithful wife nor one innocent girl," roared the lord of Bracciano, a burly noble who was balancing a dainty dancer on his knee, while she held his faun-like head encircled with her arms.

"Pah!" cried Guido da Fermo, a baron whose chief merit consisted in infesting the roads in the Patrimony of St. Peter. "There are some, but they are scarce, remarkably scarce!"

"Make your wants known at the street corners," exclaimed Roffredo, taking the cue. "And I wager our fair Queen would be the first to claim the prize."

And the young Patrician whose face revealed traces of grossest debauchery gazed defiantly round the hall, as if challenging some one to take up the gauntlet, if he dared.

"Be careful!" whispered the girl Nelida, his companion. "Benilo is looking at you!"

Roffredo laughed boisterously.

"Theodora's discarded lover? Why should I muffle my speech to please his ear?"

The girl laughed nervously.

"Because the tongue of a fool, when long enough, is a rope to hang him by,--and he loves her still!"

"He loves her still," drawled the half-intoxicated Patrician, turning his head toward the spot where Benilo sat listening with flaming eyes. "The impudence!"

And he staggered to his feet, holding aloft the goblet with one hand, while the other encircled the body of the dancing girl, who tried in vain to silence him.

"Fill your goblets," he shouted,--"fill your goblets full--to the brim."

He glanced round the hall with insolent bravado, while Benilo, who had not lost a word the other had spoken, leaned forward, his thin lips straightening in a hard white line, while his narrowing eyelids and his trembling hands attested his pent up ire louder than words.

"A toast to the absent," shrieked Roffredo. "A toast to the most beautiful and the most virtuous woman in Rome, a toast to--"

He paused for an instant, for a white-cheeked face close to his, whispered:

"Stop! On your life be silent!"

But Roffredo paid no heed.

He whirled the crystal goblet round his head, spilling some of the contents over the girl, who shrank from it, as from an evil omen. The purple Chianti looked like blood on her white skin.

"To Theodora!" shouted the drunken youth, as all except Benilo raised their goblets to join in the toast. "To Theodora, the Wanton Queen, whose eyes are aglow with hell's hot fire, whose scarlet lips would kiss the fiend, whose splendid arms would embrace the devil, were he passing fair to look upon!"

He came no further.

"May lightning strike you in your tracks!" Benilo howled, insane with long suppressed rage, as he hurled a heavy decanter he had snatched from the board, at the head of the offender.

A shrill outcry, dying away into a moan, then into silence, the crash of broken flagons, a lifeless form gliding from his paralyzed arms to the floor, roused Roffredo to the reality of what had happened. The heavy decanter having missed its aim, had struck the girl Nelida squarely in the forehead, and the dark stream of blood which flowed over her eyes, her face, her neck, down her arms, her airy gown, mingled with the purple wine from the Patrician's spilled goblet.

It was a ghastly sight. In an instant pandemonium reigned in the hall. The painted women shrieked and rushed for safety behind columns and divans, leaving the men to care for the dying girl, whom Bembo and Oliverotto tenderly lifted to a divan, where the former bandaged the terribly gashed head.

While he did so the poor dancing girl breathed her last.

The awful sight had effectually sobered Benilo. For a moment the drunken noble stared as one petrified on the deed he had wrought, then the sharp blade of his poniard hissed from its scabbard and with a half smothered outcry of fury he flew at Roffredo's throat.

"This is your deed, you lying cur!" he snarled into the trembling youth's face, whom the catastrophe had completely unnerved and changed into a blanched coward. "Retract your lying boast or I'll send you to hell ere you can utter a Pater-Noster!"

With the unbounded fury of a maniac who has broken his chains and against whose rage no mortal strength may cope, Benilo brought Roffredo down on the floor, where he knelt on his breast, holding his throat in a vice-like grip, which choked any words the prostrate youth might endeavour to speak.

The terror of the deed, which had cast its pall over the merry revellers, and the suddenness of the attack on Roffredo had so completely paralyzed those present, that none came to the rescue of the prostrate man, who vainly struggled to extricate himself from his opponent's clutches. His eyes ablaze with rage, Benilo had set the point of his dagger against the chest of his victim, whom now no power on earth seemed able to save, as his cowardly associates made no effort to stay the Chamberlain's hand.

He who had seen Benilo, in the palace on the Aventine, composing an ode in the hall of audience, would have been staggered at the complete transformation from a diplomatic courtier to a fiend incarnate, his usually sedate features distorted with mad passion and rage. A half-choked outcry of brute fear and despair failed to bring any one to the prostrate boaster's aid, most of those present, including the women, thronging round the dead girl Nelida, and Roffredo's fate seemed sealed. But at that moment, something happened to stay Benilo's uplifted hand.

*CHAPTER V*

*THE WAGER*

At the moment when Benilo had raised his poniard, to drive it through his opponent's heart, the diaphanous curtains dividing the great hall from the rest of the buildings were flung aside and in the entrance there appeared a woman like some fierce and majestic fury, who at a moment's glance took in the whole scene and its import. Her manner was that of a queen, of a queen who was wont to bend all men to her slightest caprice. Every eye in the large hall was bent upon her and every soul felt a thrill of wonder and admiration. The ivory pallor of her face was enhanced by the dark gloss of her raven hair. The slumbrous starry eyes were meant to hold the memories of a thousand love-thoughts. A dim suffused radiance seemed to hover like an aureole above her dazzling white brow, crowning the perfect oval of her face, adorned with a clustering wealth of raven-black tresses. She was arrayed in a black, silk-embroidered diaphanous robe, the most sumptuous the art of the Orient could supply. Of softest texture, it revealed the matchless contours of her form and arms, of her regal throat, heightening by the contrast the ivory sheen of her satin-skin.

But those eyes which, when kindled with the fires of love, might have set marble aflame, were blazing with the torches of wrath, as looking round the hall, she darted a swift inquiring glance at the chief offenders, one of whom could not have spoken had he wished to, for Benilo was fairly strangling him.

The rest of the company had instinctively turned their faces towards the Queen of the Groves, endeavouring at the same time to hide the sight of the dead girl from her eyes by closely surrounding the couch, with their backs to the victim. But their consternation as well as the very act betrayed them. From the struggling men on the floor, Theodora's gaze turned to the affrighted company and she half guessed the truth. Advancing towards her guests, she pushed their unresisting forms aside, raised the cover from the dead girl with the bloody bandage over the still white face, bent over it quickly to kiss the dark, silken hair, then she demanded an account of the deed. One of the women reported in brief and concise terms what had happened before she arrived. At the sight of this flower, broken and destroyed, Theodora's anger seemed for a moment to subside, like a trampled spark, before a great pity that rose in her heart. In an instant the whole company rushed upon her with excited gestures and before the Babel of jabbering tongues, each striving to tell his or her story in a voice above the rest, the Fury returned.

Theodora stamped her foot and commanded silence. At the sight of the woman, Benilo's arms had fallen powerlessly by his side and Roffredo, taking advantage of an unwatched moment, had pushed the Chamberlain off and staggered to his feet.

"Whose deed is this?" Theodora demanded, holding aloft the covering of the couch.

"It was my accursed luck! The decanter was intended for this lying cur, whose black heart I will wrench out of his body!"

And Benilo pointed to the shrinking form of Roffredo.

"What had he done?"

"He had insulted you!"

"That proves his courage!" she replied with a withering glance of contempt.

Then she beckoned to the attendants.

"Have the girl removed and summon the Greek--though I fear it is too late."

There was a ring of regret in her tones. It vanished as quickly as it had come.

The body of Nelida, the dancing girl, was carried away and the guests resumed their seats. Roxane had reluctantly abandoned her usurped place of honour. A quick flash, a silent challenge passed between the two women, as Theodora took her accustomed seat.

"A glass of wine!" she commanded imperiously, and Roffredo, reassured, rushed to the nearest attendant, took a goblet from the salver and presented it to the Queen of the Groves.

"Ah! Thanks, Roffredo! So it was you who insulted me in my absence?" she said with an undertone of irony in her voice, which had the rich sound of a deep-toned bell.

"I said you would embrace the devil, did he but appear in presentable countenance!" Roffredo replied contritely, but with a vicious side glance at Benilo.

An ominous smile curved Theodora's crimson lips.

"The risk would be slight, since I have kept company with each of you," she replied. "And our virtuous Benilo took up the gauntlet?"

Her low voice was soft and purring, yet laden with the poison sting of irony, as through half-closed lids she glanced towards the Chamberlain, who sat apart in moody silence like a spectre at the feast.

Benilo scented danger in her tone and answered cautiously:

"Only a coward will hear the woman he loves reviled with impunity."

Theodora bowed with mock courtesy.

"If you wish to honour me with this confession, I care as little for the one as the other. From your temper I judge some innocent dove had escaped your vulture's talons."

Benilo met the challenge in her smouldering look and answered with assumed indifference:

"Your spies have misinformed you! But I am in no mood to constitute the target of your jests!"

"There is but one will which rules these halls," Theodora flashed out. "If obedience to its mandates is distasteful to you, the gates are open--spread your pinions and fly away!"

She flung back her head and their eyes met.

Benilo turned away, uttering a terrible curse between his clenched teeth.

There was a deep hush in the hall, as if the spirit of the dead girl was haunting the guests. The harps played a plaintive melody, which might indeed have stolen from some hearth of ashes, when stirred by the breath of its smouldering spark, like phantom-memories from another world, that seemed to call to Theodora's inner consciousness, each note a foot-step, leading her away beyond the glint and glitter of the world that surrounded her, to a garden of purity and peace in the dim, long-forgotten past. Theodora sat in a reverie, her strange eyes fixed on nothingness, her red lips parted, disclosing two rows of teeth, small, even, pearly, while her full, white bosom rose and fell with quickened respiration.

"The Queen of the Groves is in a pensive mood to-night," sneered the Lord of Bracciano, who had been engaged in mentally weighing her charms against those of Roxane.

Theodora sighed.

"I may well be pensive, for I have seen to-day, what I had despaired of ever again beholding in Rome--can you guess what it is?"

Shouts of laughter broke, a jarring discord, harshly upon her speech.

"We are perishing with curiosity," shouted, as with one voice, the debauched nobles and their feminine companions.

"In the name of pity, save our lives!" begged a girl nearest to Theodora's seat.

"Can you guess?" the Queen of the Groves repeated simply, as she gazed round the assembly.

All sorts of strange answers were hurled at the throne of the Queen of the Groves. She heeded them not. Perhaps she did not even hear them.

At last she raised her head.

Without commenting on the guesses of her guests, she said:

"I have seen in Rome to-day--a man!"

Benilo squirmed. The rest of the guests laughed harshly and Bembo, the Poet asked with a vapid grin:

"And is the sight so wondrous that the Queen of Love sits dreaming among her admirers like a Sphinx in the African desert?"

"Had he horns?" shouted the Lord of Bracciano.

"Or a cloven hoof?" cried Oliverotto.

"What was he like?" sneered a third.

Theodora turned upon her questioners, a dash of scorn in her barbed reply.

"I speak of a man, not reptiles like you--you all!"

"Mercy, oh queen, mercy!" begged the apoplectic poet, amid the noisy clamour of his jeering companions. But heedless of their jabbering tongues Theodora continued earnestly:

"Not such men as the barons of Rome are pleased to call themselves, cowardly, vicious,--beasts, who believe not in God nor the devil, and whose aim in life is but to clothe their filthy carcass in gaudy apparel and appease the cravings of their lust and their greed! I speak of a man, something the meaning of which is as dark to you as the riddle of the Sphinx."

The company gazed at each other in mute bewilderment.

Theodora was indeed in a most singular mood.

"Are we not at the Court of Theodora?" shouted the Lord of Bracciano, who was experiencing some inconvenience in the feat of embracing with his short arms the two women between whom he was seated. "Or has some sudden magic transported us to the hermitage of the mad monk, who predicts the End of Time?"

"Nay," Benilo spoke up for the first time since Theodora's rebuke had silenced him, "perhaps our beautiful Queen of Love has in store for her guests just such a riddle as the one the Sphinx proposed to the son of Iokaste--with but a slight variation."

The illiterate high-born rabble of Rome did not catch the drift of the Patrician's speech, but the pallor on Theodora's cheeks deepened.

Roxane alone turned to the speaker.

"And the simile?" she asked in her sweet siren-voice, tremulous with the desire to clash with her more beautiful rival.

Benilo shrugged his shoulders, but he winced under Theodora's deadly gaze.

"The simile?" he replied with a jarring laugh. "It is this, that incest and adultery are as old as the Athenian asses, that never died, and that the Sphinx eventually drowned herself in the Aegean Sea."

Theodora made no reply, but relapsed into her former state of thoughtfulness. As she turned from Benilo, her eyes met those of Roxane, and again the two women flashed defiance at each other.

Again the laughter of the revellers rose, louder than before.

"By the Cross," shouted the poet, "the Queen of Love will take the veil."

"Has she chosen the convent, whose nuns she will cause to be canonized by her exemplary life and glorious example," jeered Roxane.

"We shall sing a thousand Aves and buy tapers as large as her unimpeached virtue!" cried another of the women.

"I fear one nunnery is damned from chapel to refectory," growled Benilo, keeping his eyes on the floor, as if fearful of meeting those he instinctively felt burning upon him.

"Silence!" cried Theodora at last, stamping her foot on the floor, while a glow of hot resentment flushed her cheeks. "Your merriment and clamour only draws the sharper line between you and that other, of whom I spoke."

Roffredo looked up with a smile of indolence.

"And who is the demi-god?" he drawled lazily.

She measured him with undisguised scorn and contempt.

"The name! The story!" bellowed several individuals, raising their goblets and half spilling their contents in their besotten mood.

In a strange voice, melodious as the sound of AEolian harps when the night wind passes over their strings, amid profound silence Theodora related to her assembled guests the incident of the runaway steeds in which she had so prominently figured, the chariot having been her own,--the occupant herself. She omitted not a detail of the stranger's heroic deed, passing from her own thrilling experience to Vitelozzo's assault upon one of the New Vestals, and his discomfiture at the hand of him who had saved her life.

"And while your Roman scum hissed and hooted and raised not a finger in the girl's defence, her rescuer alone braved Vitelozzo's fury--I saw him whisper something into the ruffian's ear and the mighty lord skulked away like a frightened cur. By heaven, I have seen a man!" the Queen of the Groves concluded ecstatically, disdaining to dwell on her own rescue.

For a lingering moment there hovered silence on the assembly. Gradually it gave way to a flutter of questions.

"Who is he?" queried one.

"What is he like?" shouted another.

Theodora did not heed the questions. Only her lovely face, framed by hair dark as the darkest midnight, had grown a shade more pale and pensive.

Suddenly she turned to the last questioner, a woman.

"What was he like?" she replied. "Tall, and in the prime of manhood; his face concealed by his vizor."

The woman sighed amorously. The men nodded to each other with meaning glances. The danger of the convent seemed passed.

Benilo, who during Theodora's narrative had proven an ideal listener, of a sudden clenched his fist and gazed round for the harper, who sat in a remote corner of the hall.

Another moment's musing, then the Chamberlain ground his teeth together with the fierce determination to carry out at all hazards, what he had resolved in his mind. Theodora herself was playing into his hands.

"Do you know this incomparable hero, this modern Theseus?" he drawled out slowly and with deliberate impudence, addressing the Queen of the Groves.

Theodora's gaze was sharp as steel.

"What is it to you?" she hissed.

Benilo shrugged his shoulders disdainfully.

"Nothing whatever! I also know him!"

There was something in his tone, which struck the ever-watchful ear of Theodora like a danger-knell.

"You know him?" echoed a chorus of voices from every part of the great hall.

He waved back the eager questioners.

"I know him!" he declared emphatically, then he was silent.

Theodora seemed to have grown nervous.

"Are you serious?"

"Never more so!" Benilo replied, with a slight peculiar hardening of the lips.

"Is he a Roman?" cried a voice.

"All Romans according to our fair Queen's judgment, are curs and degenerates," Benilo drawled insultingly.

Theodora nodded.

"Even so," she replied coldly.

"This demi-god, however, is also slightly known to you," the Chamberlain continued, now fairly facing the Queen of Love, "even though he has not yet found his way to your bowers."

Theodora winced.

"Why do you taunt me?" she flashed back angrily.

Benilo heeded her not. Instead of replying, he addressed himself to the company, speaking in a dry, half-bantering tone, while Theodora watched him like a tigress.

"Once upon a time, the Queen of Love boasted that mortal man did not breathe who would resist her charms. Now there is at this hour one man here in Rome, whom even the matchless Theodora dare not summon to her circle, one man before whose 'No' her vain-glorious boast would break like a bubble, one man whose soul she may not sap and send to hell! And this one man is even the hero of her dreams, her rescuer,--the rescuer of a maiden of spotless virtue, the vanquisher of a giant! Do I speak truth, divine Theodora?"