Chapter V: Part 5
_Father will be dead in a year they say if he doesnt stop drinking and he wont stop he cant stop since I since last summer and then they’ll send Benjy to Jackson I cant cry I cant even cry one minute she was standing in the door the next minute he was pulling at her dress and bellowing his voice hammered back and forth between the walls in waves and she shrinking against the wall getting smaller and smaller with her white face her eyes like thumbs dug into it until he pushed her out of the room his voice hammering back and forth as though its own momentum would not let it stop as though there were no place for it in silence bellowing_
When you opened the door a bell tinkled, but just once, high and clear and small in the neat obscurity above the door, as though it were gauged and tempered to make that single clear small sound so as not to wear the bell out nor to require the expenditure of too much silence in restoring it when the door opened upon the recent warm scent of baking; a little dirty child with eyes like a toy bear’s and two patent-leather pig-tails.
“Hello, sister.” Her face was like a cup of milk dashed with coffee in the sweet warm emptiness. “Anybody here?”
But she merely watched me until a door opened and the lady came. Above the counter where the ranks of crisp shapes behind the glass her neat grey face her hair tight and sparse from her neat grey skull, spectacles in neat grey rims riding approaching like something on a wire, like a cash box in a store. She looked like a librarian. Something among dusty shelves of ordered certitudes long divorced from reality, desiccating peacefully, as if a breath of that air which sees injustice done
“Two of these, please, ma’am.”
From under the counter she produced a square cut from a newspaper and laid it on the counter and lifted the two buns out. The little girl watched them with still and unwinking eyes like two currants floating motionless in a cup of weak coffee Land of the kike home of the wop. Watching the bread, the neat grey hands, a broad gold band on the left forefinger, knuckled there by a blue knuckle.
“Do you do your own baking, ma’am?”
“Sir?” she said. Like that. Sir? Like on the stage. Sir? “Five cents. Was there anything else?”
“No, ma’am. Not for me. This lady wants something.” She was not tall enough to see over the case, so she went to the end of the counter and looked at the little girl.
“Did you bring her in here?”
“No, ma’am. She was here when I came.”
“You little wretch,” she said. She came out around the counter, but she didnt touch the little girl. “Have you got anything in your pockets?”
“She hasnt got any pockets,” I said. “She wasnt doing anything. She was just standing here, waiting for you.”
“Why didnt the bell ring, then?” She glared at me. She just needed a bunch of switches, a blackboard behind her 2 X 2 e 5. “She’ll hide it under her dress and a body’d never know it. You, child. How’d you get in here?”
The little girl said nothing. She looked at the woman, then she gave me a flying black glance and looked at the woman again, “Them foreigners,” the woman said. “How’d she get in without the bell ringing?”
“She came in when I opened the door,” I said. “It rang once for both of us. She couldnt reach anything from here, anyway. Besides, I dont think she would. Would you, sister?” The little girl looked at me, secretive, contemplative. “What do you want? bread?”
She extended her fist. It uncurled upon a nickel, moist and dirty, moist dirt ridged into her flesh. The coin was damp and warm. I could smell it, faintly metallic.
“Have you got a five cent loaf, please, ma’am?”
From beneath the counter she produced a square cut from a newspaper sheet and laid it on the counter and wrapped a loaf into it. I laid the coin and another one on the counter. “And another one of those buns, please, ma’am.”
She took another bun from the case. “Give me that parcel,” she said. I gave it to her and she unwrapped it and put the third bun in and wrapped it and took up the coins and found two coppers in her apron and gave them to me. I handed them to the little girl. Her fingers closed about them, damp and hot, like worms.
“You going to give her that bun?” the woman said.
“Yessum,” I said. “I expect your cooking smells as good to her as it does to me.”
I took up the two packages and gave the bread to the little girl, the woman all iron-grey behind the counter, watching us with cold certitude. “You wait a minute,” she said. She went to the rear. The door opened again and closed. The little girl watched me, holding the bread against her dirty dress.
“What’s your name?” I said. She quit looking at me, but she was still motionless. She didnt even seem to breathe. The woman returned. She had a funny looking thing in her hand. She carried it sort of like it might have been a dead pet rat.
“Here,” she said. The child looked at her. “Take it,” the woman said, jabbing it at the little girl. “It just looks peculiar. I calculate you wont know the difference when you eat it. Here. I cant stand here all day.” The child took it, still watching her. The woman rubbed her hands on her apron. “I got to have that bell fixed,” she said. She went to the door and jerked it open. The little bell tinkled once, faint and clear and invisible. We moved toward the door and the woman’s peering back.
“Thank you for the cake,” I said.
“Them foreigners,” she said, staring up into the obscurity where the bell tinkled. “Take my advice and stay clear of them, young man.”
“Yessum,” I said. “Come on, sister.” We went out. “Thank you, ma’am.”
She swung the door to, then jerked it open again, making the bell give forth its single small note. “Foreigners,” she said, peering up at the bell.
We went on. “Well,” I said, “How about some ice cream?” She was eating the gnarled cake. “Do you like ice cream?” She gave me a black still look, chewing. “Come on.”
We came to the drugstore and had some ice cream. She wouldn’t put the loaf down. “Why not put it down so you can eat better?” I said, offering to take it. But she held to it, chewing the ice cream like it was taffy. The bitten cake lay on the table. She ate the ice cream steadily, then she fell to on the cake again, looking about at the showcases. I finished mine and we went out.
“Which way do you live?” I said.
A buggy, the one with the white horse it was. Only Doc Peabody is fat. Three hundred pounds. You ride with him on the uphill side, holding on. Children. Walking easier than holding uphill. _Seen the doctor yet have you seen Caddy_
_I dont have to I cant ask now afterward it will be all right it wont matter_
Because women so delicate so mysterious Father said. Delicate equilibrium of periodical filth between two moons balanced. Moons he said full and yellow as harvest moons her hips thighs. Outside outside of them always but. Yellow. Feet soles with walking like. Then know that some man that all those mysterious and imperious concealed. With all that inside of them shapes an outward suavity waiting for a touch to. Liquid putrefaction like drowned things floating like pale rubber flabbily filled getting the odour of honeysuckle all mixed up.
“You’d better take your bread on home, hadnt you?”
She looked at me. She chewed quietly and steadily; at regular intervals a small distension passed smoothly down her throat. I opened my package and gave her one of the buns. “Goodbye,” I said.
I went on. Then I looked back. She was behind me. “Do you live down this way?” She said nothing. She walked beside me, under my elbow sort of, eating. We went on. It was quiet, hardly anyone about _getting the odour of honeysuckle all mixed She would have told me not to let me sit there on the steps hearing her door twilight slamming hearing Benjy still crying Supper she would have to come down then getting honeysuckle all mixed up in it_ We reached the corner.
“Well, I’ve got to go down this way,” I said, “Goodbye.” She stopped too. She swallowed the last of the cake, then she began on the bun, watching me across it. “Goodbye,” I said. I turned into the street and went on, but I went to the next corner before I stopped.
“Which way do you live?” I said. “This way?” I pointed down the street. She just looked at me. “Do you live over that way? I bet you live close to the station, where the trains are. Dont you?” She just looked at me, serene and secret and chewing. The street was empty both ways, with quiet lawns and houses neat among the trees, but no one at all except back there. We turned and went back. Two men sat in chairs in front of a store.
“Do you all know this little girl? She sort of took up with me and I cant find where she lives.”
They quit looking at me and looked at her.
“Must be one of them new Italian families,” one said. He wore a rusty frock coat. “I’ve seen her before. What’s your name, little girl?” She looked at them blackly for awhile, her jaws moving steadily. She swallowed without ceasing to chew.
“Maybe she cant speak English,” the other said.
“They sent her after bread,” I said. “She must be able to speak something.”
“What’s your pa’s name?” the first said. “Pete? Joe? name John huh?” She took another bite from the bun.
“What must I do with her?” I said. “She just follows me. I’ve got to get back to Boston.”
“You from the college?”
“Yes, sir. And I’ve got to get on back.”
“You might go up the street and turn her over to Anse. He’ll be up at the livery stable. The marshall.”
“I reckon that’s what I’ll have to do,” I said. “I’ve got to do something with her. Much obliged. Come on, sister.”
We went up the street, on the shady side, where the shadow of the broken façade blotted slowly across the road. We came to the livery stable. The marshall wasnt there. A man sitting in a chair tilted in the broad low door, where a dark cool breeze smelling of ammonia blew among the ranked stalls, said to look at the postoffice. He didn’t know her either.
“Them furriners. I cant tell one from another. You might take her across the tracks where they live, and maybe somebody’ll claim her.”
We went to the postoffice. It was back down the street. The man in the frock coat was opening a newspaper.
“Anse just drove out of town,” he said. “I guess you’d better go down past the station and walk past them houses by the river. Somebody there’ll know her.”
“I guess I’ll have to,” I said. “Come on, sister.” She pushed the last piece of the bun into her mouth and swallowed it. “Want another?” I said. She looked at me, chewing, her eyes black and unwinking and friendly. I took the other two buns out and gave her one and bit into the other. I asked a man where the station was and he showed me. “Come on, sister.”
We reached the station and crossed the tracks, where the river was. A bridge crossed it, and a street of jumbled frame houses followed the river, backed onto it. A shabby street, but with an air heterogeneous and vivid too. In the center of an untrimmed plot enclosed by a fence of gaping and broken pickets stood an ancient lopsided surrey and a weathered house from an upper window of which hung a garment of vivid pink.
“Does that look like your house?” I said. She looked at me over the bun. “This one?” I said, pointing. She just chewed, but it seemed to me that I discerned something affirmative, acquiescent even if it wasn’t eager, in her air. “This one?” I said. “Come on, then.” I entered the broken gate. I looked back at her. “Here?” I said. “This look like your house?”
She nodded her head rapidly, looking at me, gnawing into the damp halfmoon of the bread. We went on. A walk of broken random flags, speared by fresh coarse blades of grass, led to the broken stoop. There was no movement about the house at all, and the pink garment hanging in no wind from the upper window. There was a bell pull with a porcelain knob, attached to about six feet of wire when I stopped pulling and knocked. The little girl had the crust edgeways in her chewing mouth.
A woman opened the door. She looked at me, then she spoke rapidly to the little girl in Italian, with a rising inflexion, then a pause, interrogatory. She spoke to her again, the little girl looking at her across the end of the crust, pushing it into her mouth with a dirty hand.
“She says she lives here,” I said. “I met her down town. Is this your bread?”
“No spika,” the woman said. She spoke to the little girl again. The little girl just looked at her.
“No live here?” I said. I pointed to the girl, then at her, then at the door. The woman shook her head. She spoke rapidly. She came to the edge of the porch and pointed down the road, speaking.
I nodded violently too. “You come show?” I said. I took her arm, waving my other hand toward the road. She spoke swiftly, pointing. “You come show,” I said, trying to lead her down the steps.
“Si, si,” she said, holding back, showing me whatever it was. I nodded again.
“Thanks. Thanks. Thanks.” I went down the steps and walked toward the gate, not running, but pretty fast. I reached the gate and stopped and looked at her for a while. The crust was gone now, and she looked at me with her black, friendly stare. The woman stood on the stoop, watching us.
“Come on, then,” I said. “We’ll have to find the right one sooner or later.”
She moved along just under my elbow. We went on. The houses all seemed empty. Not a soul in sight. A sort of breathlessness that empty houses have. Yet they couldnt all be empty. All the different rooms, if you could just slice the walls away all of a sudden Madam, your daughter, if you please. No. Madam, for God’s sake, your daughter. She moved along just under my elbow, her shiny tight pigtails, and then the last house played out and the road curved out of sight beyond a wall, following the river. The woman was emerging from the broken gate, with a shawl over her head and clutched under her chin. The road curved on, empty. I found a coin and gave it to the little girl. A quarter. “Goodbye, sister,” I said. Then I ran.
I ran fast, not looking back. Just before the road curved away I looked back. She stood in the road, a small figure clasping the loaf of bread to her filthy little dress, her eyes still and black and unwinking. I ran on.
A lane turned from the road. I entered it and after a while I slowed to a fast walk. The lane went between back premises—unpainted houses with more of those gay and startling coloured garments on lines, a barn broken-backed, decaying quietly among rank orchard trees, unpruned and weed-choked, pink and white and murmurous with sunlight and with bees. I looked back. The entrance to the lane was empty. I slowed still more, my shadow pacing me, dragging its head through the weeds that hid the fence.
The lane went back to a barred gate, became defunctive in grass, a mere path scarred quietly into new grass. I climbed the gate into a woodlot and crossed it and came to another wall and followed that one, my shadow behind me now. There were vines and creepers where at home would be honeysuckle. Coming and coming especially in the dusk when it rained, getting honeysuckle all mixed up in it as though it were not enough without that, not unbearable enough. _What did you let him for kiss kiss_
_I didn’t let him I made him watching me getting mad What do you think of that? Red print of my hand coming up through her face like turning a light on under your hand her eyes going bright_
_It’s not for kissing I slapped you. Girl’s elbows at fifteen Father said you swallow like you had a fishbone in your throat what’s the matter with you and Caddy across the table not to look at me. It’s for letting it be some darn town squirt I slapped you you will will you now I guess you say calf rope. My red hand coming up out of her face. What do you think of that scouring her head into the. Grass sticks crisscrossed into the flesh tingling scouring her head. Say calf rope say it_
_I didnt kiss a dirty girl like Natalie anyway_ The wall went into shadow, and then my shadow, I had tricked it again. I had forgot about the river curving along the road. I climbed the wall. And then she watched me jump down, holding the loaf against her dress.
I stood in the weeds and we looked at one another for a while.
“Why didnt you tell me you lived out this way, sister?” The loaf was wearing slowly out of the paper; already it needed a new one. “Well, come on then and show me the house.” _not a dirty girl like Natalie. It was raining we could hear it on the roof, sighing through the high sweet emptiness of the barn._
_There? touching her_
_Not there_
_There? not raining hard but we couldnt hear anything but the roof and as if it was my blood or her blood_
_She pushed me down the ladder and ran off and left me Caddy did_
_Was it there it hurt you when Caddy did ran off was it there_
_Oh_ She walked just under my elbow, the top of her patent leather head, the loaf fraying out of the newspaper.
“If you dont get home pretty soon you’re going to wear that loaf out. And then what’ll your mamma say?” _I bet I can lift you up_
_You cant I’m too heavy_
_Did Caddy go away did she go to the house you cant see the barn from our house did you ever try to see the barn from_
_It was her fault she pushed me she ran away_
_I can lift you up see how I can_
_Oh her blood or my blood Oh_ We went on in the thin dust, our feet silent as rubber in the thin dust where pencils of sun slanted in the trees. And I could feel water again running swift and peaceful in the secret shade.
“You live a long way, dont you. You’re mighty smart to go this far to town by yourself.” _It’s like dancing sitting down did you ever dance sitting down? We could hear the rain, a rat in the crib, the empty barn vacant with horses. How do you hold to dance do you hold like this_
_Oh_
_I used to hold like this you thought I wasnt strong enough didn’t you_
_Oh Oh Oh Oh_
_I hold to use like this I mean did you hear what I said I said_
_oh oh oh oh_
The road went on, still and empty, the sun slanting more and more. Her stiff little pigtails were bound at the tips with bits of crimson cloth. A corner of the wrapping flapped a little as she walked, the nose of the loaf naked. I stopped.
“Look here. Do you live down this road? We havent passed a house in a mile, almost.”
She looked at me, black and secret and friendly.
“Where do you live, sister? Dont you live back there in town?”
There was a bird somewhere in the woods, beyond the broken and infrequent slanting of sunlight.
“Your papa’s going to be worried about you. Dont you reckon you’ll get a whipping for not coming straight home with that bread?”
The bird whistled again, invisible, a sound meaningless and profound, inflexionless, ceasing as though cut off with the blow of a knife, and again, and that sense of water swift and peaceful above secret places, felt, not seen not heard.
“Oh, hell, sister.” About half the paper hung limp. “That’s not doing any good now.” I tore it off and dropped it beside the road. “Come on. We’ll have to go back to town. We’ll go back along the river.”
We left the road. Among the moss little pale flowers grew, and the sense of water mute and unseen. _I hold to use like this I mean I use to hold She stood in the door looking at us her hands on her hips_
_You pushed me it was your fault it hurt me too_
_We were dancing sitting down I bet Caddy cant dance sitting down_
_Stop that stop that_
_I was just brushing the trash off the back of your dress_
_You keep your nasty old hands off of me it was your fault you pushed me down I’m mad at you_
_I dont care she looked at us stay mad she went away_ We began to hear the shouts, the splashings; I saw a brown body gleam for an instant.
_Stay mad. My shirt was getting wet and my hair. Across the roof hearing the roof loud now I could see Natalie going through the garden among the rain. Get wet I hope you catch pneumonia go on home Cowface. I jumped hard as I could into the hogwallow the mud yellowed up to my waist stinking I kept on plunging until I fell down and rolled over in it_ “Hear them in swimming, sister? I wouldn’t mind doing that myself.” If I had time. When I have time. I could hear my watch. _mud was warmer than the rain it smelled awful. She had her back turned I went around in front of her. You know what I was doing? She turned her back I went around in front of her the rain creeping into the mud flatting her bodice through her dress it smelled horrible. I was hugging her that’s what I was doing. She turned her back I went around in front of her. I was hugging her I tell you._
_I dont give a damn what you were doing_
_You dont you dont I’ll make you I’ll make you give a damn. She hit my hands away I smeared mud on her with the other hand I couldn’t feel the wet smacking of her hand I wiped mud from my legs smeared it on her wet hard turning body hearing her fingers going into my face but I couldn’t feel it even when the rain began to taste sweet on my lips_
They saw us from the water first, heads and shoulders. They yelled and one rose squatting and sprang among them. They looked like beavers, the water lipping about their chins, yelling.
“Take that girl away! What did you want to bring a girl here for? Go on away!”
“She wont hurt you. We just want to watch you for a while.”
They squatted in the water. Their heads drew into a clump, watching us, then they broke and rushed toward us, hurling water with their hands. We moved quick.
“Look out, boys; she wont hurt you.”
“Go on away, Harvard!” It was the second boy, the one that thought the horse and wagon back there at the bridge. “Splash them, fellows!”
“Let’s get out and throw them in,” another said. “I aint afraid of any girl.”
“Splash them! Splash them!” They rushed toward us, hurling water. We moved back. “Go on away!” they yelled. “Go on away!”
We went away. They huddled just under the bank, their slick heads in a row against the bright water. We went on. “That’s not for us, is it.” The sun slanted through to the moss here and there, leveller. “Poor kid, you’re just a girl.” Little flowers grew among the moss, littler than I had ever seen. “You’re just a girl. Poor kid.” There was a path, curving along beside the water. Then the water was still again, dark and still and swift. “Nothing but a girl. Poor sister.” _We lay in the wet grass panting the rain like cold shot on my back. Do you care now do you do you_
_My Lord we sure are in a mess get up. Where the rain touched my forehead it began to smart my hand came red away streaking off pink in the rain. Does it hurt_
_Of course it does what do you reckon_
_I tried to scratch your eyes out my Lord we sure do stink we better try to wash it off in the branch_ “There’s town again, sister. You’ll have to go home now. I’ve got to get back to school. Look how late it’s getting. You’ll go home now, wont you?” But she just looked at me with her black, secret, friendly gaze, the half-naked loaf clutched to her breast. “It’s wet. I thought we jumped back in time.” I took my handkerchief and tried to wipe the loaf, but the crust began to come off, so I stopped. “We’ll just have to let it dry itself. Hold it like this.” She held it like that. It looked kind of like rats had been eating it now. _and the water building and building up the squatting back the sloughed mud stinking surfaceward pocking the pattering surface like grease on a hot stove. I told you I’d make you_
_I dont give a goddam what you do_
Then we heard the running and we stopped and looked back and saw him coming up the path running, the level shadows flicking upon his legs.
“He’s in a hurry. We’d—” then I saw another man, an oldish man running heavily, clutching a stick, and a boy naked from the waist up, clutching his pants as he ran.
“There’s Julio,” the little girl said, and then I saw his Italian face and his eyes as he sprang upon me. We went down. His hands were jabbing at my face and he was saying something and trying to bite me, I reckon, and then they hauled him off and held him heaving and thrashing and yelling and they held his arms and he tried to kick me until they dragged him back. The little girl was howling, holding the loaf in both arms. The half-naked boy was darting and jumping up and down, clutching his trousers and someone pulled me up in time to see another stark naked figure come around the tranquil bend in the path running and change direction in midstride and leap into the woods, a couple of garments rigid as boards behind it. Julio still struggled. The man who had pulled me up said, “Whoa, now. We got you.” He wore a vest but no coat. Upon it was a metal shield. In his other hand he clutched a knotted, polished stick.
“You’re Anse, aren’t you?” I said. “I was looking for you. What’s the matter?”
“I warn you that anything you say will be used against you,” he said. “You’re under arrest.”
“I killa heem,” Julio said. He struggled. Two men held him. The little girl howled steadily, holding the bread. “You steala my seester,” Julio said. “Let go, meesters.”
“Steal his sister?” I said. “Why, I’ve been—”
“Shet up,” Anse said. “You can tell that to Squire.”
“Steal his sister?” I said. Julio broke from the men and sprang at me again, but the marshall met him and they struggled until the other two pinioned his arms again. Anse released him, panting.
“You durn furriner,” he said, “I’ve a good mind to take you up too, for assault and battery.” He turned to me again. “Will you come peaceable, or do I handcuff you?”
“I’ll come peaceable,” I said. “Anything, just so I can find someone—do something with—Stole his sister,” I said. “Stole his—”
“I’ve warned you,” Anse said, “He aims to charge you with meditated criminal assault. Here, you, make that gal shut up that noise.”
“Oh,” I said. Then I began to laugh. Two more boys with plastered heads and round eyes came out of the bushes, buttoning shirts that had already dampened onto their shoulders and arms, and I tried to stop the laughter, but I couldnt.
“Watch him, Anse, he’s crazy, I believe.”
“I’ll h-have to qu-quit,” I said, “It’ll stop in a mu-minute. The other time it said ah ah ah,” I said, laughing. “Let me sit down a while.” I sat down, they watching me, and the little girl with her streaked face and the gnawed looking loaf, and the water swift and peaceful below the path. After a while the laughter ran out. But my throat wouldnt quit trying to laugh, like retching after your stomach is empty.
“Whoa, now,” Anse said. “Get a grip on yourself.”
“Yes,” I said, tightening my throat. There was another yellow butterfly, like one of the sunflecks had come loose. After a while I didnt have to hold my throat so tight. I got up. “I’m ready. Which way?”
We followed the path, the two others watching Julio and the little girl and the boys somewhere in the rear. The path went along the river to the bridge. We crossed it and the tracks, people coming to the doors to look at us and more boys materializing from somewhere until when we turned into the main street we had quite a procession. Before the drugstore stood an auto, a big one, but I didn’t recognise them until Mrs Bland said,
“Why, Quentin! Quentin Compson!” Then I saw Gerald, and Spoade in the back seat, sitting on the back of his neck. And Shreve. I didnt know the two girls.
“Quentin Compson!” Mrs Bland said.
“Good afternoon,” I said, raising my hat. “I’m under arrest. I’m sorry I didnt get your note. Did Shreve tell you?”
“Under arrest?” Shreve said. “Excuse me,” he said. He heaved himself up and climbed over their feet and got out. He had on a pair of my flannel pants, like a glove. I didnt remember forgetting them. I didnt remember how many chins Mrs Bland had, either. The prettiest girl was with Gerald in front, too. They watched me through veils, with a kind of delicate horror. “Who’s under arrest?” Shreve said. “What’s this, mister?”
“Gerald,” Mrs Bland said, “Send these people away. You get in this car, Quentin.”
Gerald got out. Spoade hadnt moved.
“What’s he done, Cap?” he said. “Robbed a hen house?”
“I warn you,” Anse said. “Do you know the prisoner?”
“Know him,” Shreve said. “Look here—”
“Then you can come along to the squire’s. You’re obstructing justice. Come along.” He shook my arm.
“Well, good afternoon,” I said. “I’m glad to have seen you all. Sorry I couldnt be with you.”
“You, Gerald,” Mrs Bland said.
“Look here, constable,” Gerald said.
“I warn you you’re interfering with an officer of the law,” Anse said. “If you’ve anything to say, you can come to the squire’s and make cognizance of the prisoner.” We went on. Quite a procession now, Anse and I leading. I could hear them telling them what it was, and Spoade asking questions, and then Julio said something violently in Italian and I looked back and saw the little girl standing at the curb, looking at me with her friendly, inscrutable regard.
“Git on home,” Julio shouted at her, “I beat hell outa you.”
We went down the street and turned into a bit of lawn in which, set back from the street, stood a one storey building of brick trimmed with white. We went up the rock path to the door, where Anse halted everyone except us and made them remain outside. We entered a bare room smelling of stale tobacco. There was a sheet iron stove in the center of a wooden frame filled with sand, and a faded map on the wall and the dingy plat of a township. Behind a scarred littered table a man with a fierce roach of iron grey hair peered at us over steel spectacles.
“Got him, did ye, Anse?” he said.
“Got him, Squire.”
He opened a huge dusty book and drew it to him and dipped a foul pen into an inkwell filled with what looked like coal dust.
“Look here, mister,” Shreve said.
“The prisoner’s name,” the squire said. I told him. He wrote it slowly into the book, the pen scratching with excruciating deliberation.
“Look here, mister,” Shreve said, “We know this fellow. We—”
“Order in the court,” Anse said.
“Shut up, bud,” Spoade said. “Let him do it his way. He’s going to anyhow.”
“Age,” the squire said. I told him. He wrote that, his mouth moving as he wrote. “Occupation.” I told him. “Harvard student, hey?” he said. He looked up at me, bowing his neck a little to see over the spectacles. His eyes were clear and cold, like a goat’s. “What are you up to, coming out here kidnapping children?”
“They’re crazy, Squire,” Shreve said. “Whoever says this boy’s kidnapping—”
Julio moved violently. “Crazy?” he said. “Dont I catcha heem, eh? Dont I see weetha my own eyes—”
“You’re a liar,” Shreve said. “You never—”
“Order, order,” Anse said, raising his voice.
“You fellers shet up,” the squire said. “If they dont stay quiet, turn ’em out, Anse.” They got quiet. The squire looked at Shreve, then at Spoade, then at Gerald. “You know this young man?” he said to Spoade.
“Yes, your honour,” Spoade said. “He’s just a country boy in school up there. He dont mean any harm. I think the marshall’ll find it’s a mistake. His father’s a congregational minister.”
“H’m,” the squire said. “What was you doing, exactly?” I told him, he watching me with his cold, pale eyes. “How about it, Anse?”
“Might have been,” Anse said. “Them durn furriners.”
“I American,” Julio said. “I gotta da pape’.”
“Where’s the gal?”
“He sent her home,” Anse said.
“Was she scared or anything?”
“Not till Julio there jumped on the prisoner. They were just walking along the river path, towards town. Some boys swimming told us which way they went.”
“It’s a mistake, Squire,” Spoade said. “Children and dogs are always taking up with him like that. He cant help it.”
“H’m,” the squire said. He looked out of the window for a while. We watched him. I could hear Julio scratching himself. The squire looked back.
“Air you satisfied the gal aint took any hurt, you, there?”
“No hurt now,” Julio said sullenly.
“You quit work to hunt for her?”
“Sure I quit. I run. I run like hell. Looka here, looka there, then man tella me he seen him giva her she eat. She go weetha.”
“H’m,” the squire said. “Well, son, I calculate you owe Julio something for taking him away from his work.”
“Yes, sir,” I said. “How much?”
“Dollar, I calculate.”
I gave Julio a dollar.
“Well,” Spoade said, “If that’s all—I reckon he’s discharged, your honour?”
The squire didn’t look at him. “How far’d you run him, Anse?”
“Two miles, at least. It was about two hours before we caught him.”
“H’m,” the squire said. He mused a while. We watched him, his stiff crest, the spectacles riding low on his nose. The yellow shape of the window grew slowly across the floor, reached the wall, climbing. Dust motes whirled and slanted. “Six dollars.”
“Six dollars?” Shreve said. “What’s that for?”
“Six dollars,” the squire said. He looked at Shreve a moment, then at me again.
“Look here,” Shreve said.
“Shut up,” Spoade said. “Give it to him, bud, and let’s get out of here. The ladies are waiting for us. You got six dollars?”
“Yes,” I said. I gave him six dollars.
“Case dismissed,” he said.
“You get a receipt,” Shreve said. “You get a signed receipt for that money.”
The squire looked at Shreve mildly. “Case dismissed,” he said without raising his voice.
“I’ll be damned—” Shreve said.
“Come on here,” Spoade said, taking his arm. “Good afternoon, Judge. Much obliged.” As we passed out the door Julio’s voice rose again, violent, then ceased. Spoade was looking at me, his brown eyes quizzical, a little cold. “Well, bud, I reckon you’ll do your girl chasing in Boston after this.”
“You damned fool,” Shreve said, “What the hell do you mean anyway, straggling off here, fooling with these damn wops?”
“Come on,” Spoade said, “They must be getting impatient.”
Mrs Bland was talking to them. They were Miss Holmes and Miss Daingerfield and they quit listening to her and looked at me again with that delicate and curious horror, their veils turned back upon their little white noses and their eyes fleeing and mysterious beneath the veils.
“Quentin Compson,” Mrs Bland said, “What would your mother say? A young man naturally gets into scrapes, but to be arrested on foot by a country policeman. What did they think he’d done, Gerald?”
“Nothing,” Gerald said.
“Nonsense. What was it, you, Spoade?”
“He was trying to kidnap that little dirty girl, but they caught him in time,” Spoade said.
“Nonsense,” Mrs Bland said, but her voice sort of died away and she stared at me for a moment, and the girls drew their breaths in with a soft concerted sound. “Fiddlesticks,” Mrs Bland said briskly, “If that isn’t just like these ignorant lowclass Yankees. Get in, Quentin.”
Shreve and I sat on two small collapsible seats. Gerald cranked the car and got in and we started.
“Now, Quentin, you tell me what all this foolishness is about,” Mrs Bland said. I told them, Shreve hunched and furious on his little seat and Spoade sitting again on the back of his neck beside Miss Daingerfield.
“And the joke is, all the time Quentin had us all fooled,” Spoade said. “All the time we thought he was the model youth that anybody could trust a daughter with, until the police showed him up at his nefarious work.”
“Hush up, Spoade,” Mrs Bland said. We drove down the street and crossed the bridge and passed the house where the pink garment hung in the window. “That’s what you get for not reading my note. Why didnt you come and get it? Mr MacKenzie says he told you it was there.”
“Yessum. I intended to, but I never went back to the room.”
“You’d have let us sit there waiting I dont know how long, if it hadnt been for Mr MacKenzie. When he said you hadnt come back, that left an extra place, so we asked him to come. We’re very glad to have you anyway, Mr MacKenzie.” Shreve said nothing. His arms were folded and he glared straight ahead past Gerald’s cap. It was a cap for motoring in England. Mrs Bland said so. We passed that house, and three others, and another yard where the little girl stood by the gate. She didnt have the bread now, and her face looked like it had been streaked with coaldust. I waved my hand, but she made no reply, only her head turned slowly as the car passed, following us with her unwinking gaze. Then we ran beside the wall, our shadows running along the wall, and after a while we passed a piece of torn newspaper lying beside the road and I began to laugh again. I could feel it in my throat and I looked off into the trees where the afternoon slanted, thinking of afternoon and of the bird and the boys in swimming. But still I couldnt stop it and then I knew that if I tried too hard to stop it I’d be crying and I thought about how I’d thought about I could not be a virgin, with so many of them walking along in the shadows and whispering with their soft girlvoices lingering in the shadowy places and the words coming out and perfume and eyes you could feel not see, but if it was that simple to do it wouldnt be anything and if it wasnt anything, what was I and then Mrs Bland said, “Quentin? Is he sick, Mr MacKenzie?” and then Shreve’s fat hand touched my knee and Spoade began talking and I quit trying to stop it.
“If that hamper is in his way, Mr MacKenzie, move it over on your side. I brought a hamper of wine because I think young gentlemen should drink wine, although my father, Gerald’s grandfather” _ever do that Have you ever done that In the grey darkness a little light her hands locked about_
“They do, when they can get it,” Spoade said. “Hey, Shreve?” _her knees her face looking at the sky the smell of honeysuckle upon her face and throat_
“Beer, too,” Shreve said. His hand touched my knee again. I moved my knee again. _like a thin wash of lilac coloured paint talking about him bringing_
“You’re not a gentleman,” Spoade said. _him between us until the shape of her blurred not with dark_
“No. I’m Canadian,” Shreve said. _talking about him the oar blades winking him along winking the Cap made for motoring in England and all time rushing beneath and they two blurred within the other forever more he had been in the army had killed men_
“I adore Canada,” Miss Daingerfield said. “I think it’s marvellous.”
“Did you ever drink perfume?” Spoade said. _with one hand he could lift her to his shoulder and run with her running Running_
“No,” Shreve said. _running the beast with two backs and she blurred in the winking oars running the swine of Euboeleus running coupled within how many Caddy_
“Neither did I,” Spoade said. _I dont know too many there was something terrible in me terrible in me Father I have committed Have you ever done that We didnt we didnt do that did we do that_
“and Gerald’s grandfather always picked his own mint before breakfast, while the dew was still on it. He wouldnt even let old Wilkie touch it do you remember Gerald but always gathered it himself and made his own julep. He was as crochety about his julep as an old maid, measuring everything by a recipe in his head. There was only one man he ever gave that recipe to; that was” _we did how can you not know it if youll just wait I’ll tell you how it was it was a crime we did a terrible crime it cannot be hid you think it can but wait Poor Quentin youve never done that have you and I’ll tell you how it was I’ll tell Father then itll have to be because you love Father then we’ll have to go away amid the pointing and the horror the clean flame I’ll make you say we did I’m stronger than you I’ll make you know we did you thought it was them but_ _it was me listen I fooled you all the time it was me you thought I was in the house where that damn honeysuckle trying not to think the swing the cedars the secret surges the breathing locked drinking the wild breath the yes Yes Yes yes_ “never be got to drink wine himself, but he always said that a hamper what book did you read that in the one where Geralds rowing suit of wine was a necessary part of any gentlemen’s picnic basket” _did you love them Caddy did you love them When they touched me I died_
one minute she was standing there the next he was yelling and pulling at her dress they went into the hall and up the stairs yelling and shoving at her up the stairs to the bathroom door and stopped her back against the door and her arm across her face yelling and trying to shove her into the bathroom when she came in to supper T. P. was feeding him he started again just whimpering at first until she touched him then he yelled she stood there her eyes like cornered rats then I was running in the grey darkness it smelled of rain and all flower scents the damp warm air released and crickets sawing away in the grass pacing me with a small travelling island of silence Fancy watched me across the fence blotchy like a quilt on a line I thought damn that nigger he forgot to feed her again I ran down the hill in that vacuum of crickets like a breath travelling across a mirror she was lying in the water her head on the sand spit the water flowing about her hips there was a little more light in the water her skirt half saturated flopped along her flanks to the waters motion in heavy ripples going nowhere renewed themselves of their own movement I stood on the bank I could smell the honeysuckle on the water gap the air seemed to drizzle with honeysuckle and with the rasping of crickets a substance you could feel on the flesh
is Benjy still crying
I dont know yes I dont know
poor Benjy
I sat down on the bank the grass was damp a little then I found my shoes wet
get out of that water are you crazy
but she didnt move her face was a white blur framed out of the blur of the sand by her hair
get out now
she sat up then she rose her skirt flopped against her draining she climbed the bank her clothes flopping sat down
why dont you wring it out do you want to catch cold
yes
the water sucked and gurgled across the sand spit and on in the dark among the willows across the shallow the water rippled like a piece of cloth holding still a little light as water does
he’s crossed all the oceans all around the world
then she talked about him clasping her wet knees her face tilted back in the grey light the smell of honeysuckle there was a light in mothers room and in Benjys where T. P. was putting him to bed
do you love him
her hand came out I didnt move it fumbled down my arm and she held my hand flat against her chest her heart thudding
no no
did he make you then he made you do it let him he was stronger than you and he tomorrow Ill kill him I swear I will father neednt know until afterward and then you and I nobody need ever know we can take my school money we can cancel my matriculation Caddy you hate him dont you dont you
she held my hand against her chest her heart thudding I turned and caught her arm
Caddy you hate him dont you
she moved my hand up against her throat her heart was hammering there
poor Quentin
her face looked at the sky it was low so low that all smells and sounds of night seemed to have been crowded down like under a slack tent especially the honeysuckle it had got into my breathing it was on her face and throat like paint her blood pounded against my hand I was leaning on my other arm it began to jerk and jump and I had to pant to get any air at all out of that thick grey honeysuckle
yes I hate him I would die for him I’ve already died for him I die for him over and over again everytime this goes
when I lifted my hand I could still feel crisscrossed twigs and grass burning into the palm
poor Quentin
she leaned back on her arms her hands locked about her knees
youve never done that have you
what done what
that what I have what I did
yes yes lots of times with lots of girls
then I was crying her hand touched me again and I was crying against her damp blouse then she lying on her back looking past my head into the sky I could see a rim of white under her irises I opened my knife
do you remember the day damuddy died when you sat down in the water in your drawers
yes
I held the point of the knife at her throat
it wont take but a second just a second then I can do mine I can do mine then
all right can you do yours by yourself
yes the blades long enough Benjys in bed by now
yes
it wont take but a second Ill try not to hurt
all right
will you close your eyes
no like this youll have to push it harder
touch your hand to it
but she didnt move her eyes were wide open looking past my head at the sky
Caddy do you remember how Dilsey fussed at you because your drawers were muddy
dont cry
Im not crying Caddy
push it are you going to
do you want me to
yes push it
touch your hand to it
dont cry poor Quentin
but I couldnt stop she held my head against her damp hard breast I could hear her heart going firm and slow now not hammering and the water gurgling among the willows in the dark and waves of honeysuckle coming up the air my arm and shoulder were twisted under me
what is it what are you doing
her muscles gathered I sat up
its my knife I dropped it
she sat up
what time is it
I dont know
she rose to her feet I fumbled along the ground
Im going let it go
I could feel her standing there I could smell her damp clothes feeling her there
its right here somewhere
let it go you can find it tomorrow come on
wait a minute I’ll find it
are you afraid to
here it is it was right here all the time
was it come on
I got up and followed we went up the hill the crickets hushing before us
its funny how you can sit down and drop something and have to hunt all around for it
the grey it was grey with dew slanting up into the grey sky then the trees beyond
damn that honeysuckle I wish it would stop
you used to like it
we crossed the crest and went on toward the trees she walked into me she gave over a little the ditch was a black scar on the grey grass she walked into me again she looked at me and gave over we reached the ditch
lets go this way
what for
lets see if you can still see Nancys bones I havent thought to look in a long time have you
it was matted with vines and briers dark
they were right here you cant tell whether you see them or not can you
stop Quentin
come on
the ditch narrowed closed she turned toward the trees
stop Quentin
Caddy
I got in front of her again
Caddy
stop it
I held her
Im stronger than you
she was motionless hard unyielding but still
I wont fight stop youd better stop
Caddy dont Caddy
it wont do any good dont you know it wont let me go
the honeysuckle drizzled and drizzled I could hear the crickets watching us in a circle she moved back went around me on toward the trees
you go on back to the house you neednt come
I went on
why dont you go on back to the house
damn that honeysuckle
we reached the fence she crawled through I crawled through when I rose from stooping he was coming out of the trees into the grey toward us coming toward us tall and flat and still even moving like he was still she went to him
this is Quentin Im wet Im wet all over you dont have to if you dont want to
their shadows one shadow her head rose it was above his on the sky higher their two heads
you dont have to if you dont want to
then not two heads the darkness smelled of rain of damp grass and leaves the grey light drizzling like rain the honeysuckle coming up in damp waves I could see her face a blur against his shoulder he held her in one arm like she was no bigger than a child he extended his hand
glad to know you
we shook hands then we stood there her shadow high against his shadow one shadow
whatre you going to do Quentin
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The sound and the furyChapter V: Part 5
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