Chapter L: H. S (1)

_Hartford, Con. Sept. 10, 1834_.

ORIGINAL LITERARY NOTICES.

AMIR KHAN, AND OTHER POEMS: the remains of Lucretia Maria Davidson, who died at Plattsburg, N. Y. August 27, 1825, aged 16 years and 11 months. With a Biographical Sketch, by Samuel F. B. Morse, A. M. _New York: G. & C. & H. Carvill_--1829.

We believe that this little volume, although published several years since, has but recently found its way to this side of the Potomac. Our attention has been attracted towards it by some notice of its contents in the Richmond Enquirer, whose principal editor we will do him the justice to say, has always manifested a lively interest in the productions of American genius. Mr. Ritchie is entitled to the more praise for his efforts in behalf of domestic literature, not only on account of his active and absorbing labors as a political writer, but because, also, we are sorry to add, the subject is one in which southern taste and intelligence have, for the most part, evinced but little concern. It is but too common for our leading men, professional as well as others, to affect something like a sneer at every native attempt in the walks of polite literature. Their example, we fear, has imparted a tone to the reading circles generally, and has served to beget that inordinate appetite for every thing _foreign_ which has either obtained a fashionable currency abroad--or occasioned some _excitement_ in that busy, noisy, gossipping class of society, whose merit is so vastly disproportioned to its influence. We have often known the sentimental trash and profane ribaldry of some popular Englishman eagerly sought after, and as eagerly devoured, whilst the pure and genuine productions of native genius have remained neglected on the bookseller's shelf, and quietly surrendered to oblivion. That this does, in some measure, proceed from an unenlightened and uncultivated public taste, we do not doubt; but it is much more the fruit of a slavish and inglorious dependence upon accidental circumstances,--a spiritless, and we might add, a cowardly apprehension of appearing _singular_--that is, of not chiming in with the shallow, vain and heartless tittle-tattle of the self-styled _beau monde_ and _corps elite_ of society. It is not the fault of the bookseller. The undertaker, who prepares the coffin and shroud, has as little participation in the death of the person for whom they are intended. The bookseller is but the caterer of the public palate; and if that palate is diseased, he is no more answerable for it, than the milliners and mantuamakers who are busily occupied in deforming the fairest part of creation, are censurable for the false taste of their customers.

We did not intend by the foregoing observations, to bespeak any extraordinary share of public favor towards the poems of Miss Davidson. What we have said in relation to the neglect of American talent, was designed to have a general and not particular application. Notwithstanding we hear that the poems before us have been extravagantly praised beyond the Atlantic, we are not so intoxicated by a little foreign flattery as to believe that they are destined to immortality. Some may console themselves, if they please, for the whole ocean of obloquy and contempt cast upon us from the British press, by regarding with favorable eyes this little rivulet of praise bestowed upon the juvenile efforts of a lovely and interesting girl. We are not of that number; we shall endeavor to decide upon the work before us, unbiassed by trans-atlantic opinion--and we shall render precisely that judgment which we would have done if that opinion had been pronounced in the usual tone of British arrogance and contumely.

Regarding the volume before us as a literary production merely, and supposing it to have been the offspring of a matured mind, we do not think that it possesses any considerable merit. Estimating its contents, however, as the first lispings of a child of genius,--as furnishing proofs of the existence of that ethereal spark which, under favorable circumstances, might have been kindled into a brilliant flame, we do consider it as altogether extraordinary. We do not say that these poems are equal to the early productions of Chatterton, Henry Kirke White, or Dermody, those prodigies of precocious talent,--but we entertain not a shadow of doubt if Miss Davidson had lived, that she would have ranked among the highest of her own sex in poetical excellence. In forming a correct judgment upon the offspring of her muse, her youth is not alone to be considered. She had also to contend with those remorseless enemies of mental effort,--poverty, sorrow, and ill health; and it is, perhaps, a circumstance in her history not unworthy of notice, that possessing a high degree of personal beauty, and being on that account the object of much admiration and attention, she did not suffer herself to be withdrawn from the purer sources of intellectual enjoyment. Love indeed, seems to have found no permanent lodgment in her heart. It might have stolen to the threshold and infused some of its gentle influences, but she seems to have been resolved to cast off the silken cord before it was too firmly bound around her. Thus in the piece which bears the title of _Cupid's Bower_, written in her fifteenth year.

"Am I in fairy land?--or tell me, pray,
To what love-lighted bower I've found my way?
Sure luckless wight was never more beguiled
In woodland maze, or closely-tangled wild.

And is this Cupid's realm?--if so, good by!
Cupid, and Cupid's votaries, I fly;
No offering to his altar do I bring,
No bleeding heart--or hymeneal ring."

The longest, most elaborate, and perhaps best of her poems, is that which gives the principal title to the volume. _Amir Khan_ is a simple oriental tale, written in her sixteenth year, and is worked up with surprising power of imagery for one so young. The most fastidious and critical reader could not fail to be struck with its resemblance to the gorgeous magnificence of Lalla Rookh; a resemblance, to be sure, which no more implies equality of merit than does the brilliancy of the mock diamond establish its value with that of the real gem. We give the opening passage from the poem as a fair specimen of the rest, and from which the reader may form a correct opinion of the style and composition.

"Brightly o'er spire, and dome, and tower,
The pale moon shone at midnight hour,
While all beneath her smile of light
Was resting there in calm delight;
Evening with robe of stars appears,
Bright as repentant Peri's tears,
And o'er her turban's fleecy fold
Night's crescent streamed its rays of gold,
While every chrystal cloud of heaven,
Bowed as it passed the queen of even.
Beneath--calm Cashmere's lovely vale
Breathed perfumes to the sighing gale;
The amaranth and tuberose,
Convolvulus in deep repose,
Bent to each breeze which swept their bed,
Or scarcely kissed the dew and fled;
The bulbul, with his lay of love;
Sang mid the stillness of the grove;
The gulnare blushed a deeper hue,
And trembling shed a shower of dew,
Which perfumed e'er it kiss'd the ground,
Each zephyr's pinion hovering round.
The lofty plane-tree's haughty brow
Glitter'd beneath the moon's pale glow;
And wide the plantain's arms were spread,
The guardian of its native bed."

We venture to assert that if Thomas Moore had written Amir Khan at the age of sixteen, there are thousands by whom it would be read and admired who would hardly condescend to open Miss Davidson's volume; and that too, without being able to assign any other or better reason than that Moore is a distinguished and popular British bard, whereas the other was an obscure country girl, who lived and died in the state of New York.

The lines to the memory of Henry Kirk White, which were composed at thirteen, are much superior to many elegiac stanzas written by poets of some reputation at twenty-five or thirty. Of all her minor pieces however, those which were written at fifteen seem to us to possess the greatest merit, if we except the _Coquette_, a very spirited production in imitation of the Scottish dialect, composed in her fourteenth year. The following are the two first stanzas:

"I hae nae sleep, I hae nae rest,
My Ellen's lost for aye;
My heart is sair and much distressed,
I surely soon must die.

I canna think o' wark at a',
My eyes still wander far,
_I see her neck like driven snaw,
I see her flaxen hair._"

The image of the snowy neck and flaxen hair of the beautiful but unkind fair one, presented so strongly to the rejected lover, as to prevent his performing his daily work, strikes us as highly poetical and true to nature, as we doubt not all genuine lovers will testify. Burns wrote many, very many verses, which were much superior, but Burns wrote some also, which were not so good. _Ruth's answer to Naomi_, must be allowed, we think, to be a good paraphrase of that most affecting passage of scripture. We must give the whole to the reader.

"Entreat me not, I must not hear,
Mark but this sorrow-beaming tear;
Thy answer's written deeply now
On this warm cheek and clouded brow;
'Tis gleaming o'er this eye of sadness
Which only near _thee_ sparkles gladness.

The hearts _most_ dear to us are gone,
And _thou_ and _I_ are left alone;
Where'er thou wanderest, I will go,
I'll follow thee through joy or wo;
Shouldst thou to other countries fly,
Where'er thou lodgest, there will I.

Thy people shall my people be,
And to thy God, I'll bend the knee;
Whither thou fliest, will I fly,
And where thou diest, I will die;
And the same sod which pillows thee
Shall freshly, sweetly bloom for me."[1]

[Footnote 1: We subjoin the passage of scripture paraphrased by Miss Davidson, and also another paraphrase which has been ascribed to the Hon. R. H. Wilde of Georgia. Our readers can compare and decide between them.

"And Ruth said, entreat me not to leave thee, or to return from following after thee: for whither thou goest, I will go: and where thou lodgest, I will lodge: thy people shall be my people, and thy God my God. Where thou diest will I die, and there will I be buried."

Nay, do not ask!--entreat not--no!
O no! I will not leave thy side,
Whither thou goest--I will go--
Where thou abidest--I'll abide.

Through life--in death--my soul to thine
Shall cleave as fond, as first it clave--
Thy home--thy people--shall be mine--
Thy God my God--thy grave my grave.]

We present an extract from a piece called "_Woman's Love_," as a specimen of Miss Davidson's management of blank verse, a form of poetic diction which Montgomery thinks the most unmanageable of any. The fair authoress might not herself have experienced that holy passion, but she certainly knew how deep and imperishable it is when once planted in the female bosom.

"Love is
A beautiful feeling in a woman's heart,
When felt, as only woman love _can_ feel!
_Pure, as the snow-fall, when its latest shower_
_Sinks on spring-flowers; deep, as a cave-locked fountain;_
_And changeless as the cypress' green leaves;_
_And like them, sad!_--She nourished
Fond hopes and sweet anxieties, and fed
A passion unconfessed, till he she loved
Was wedded to another. Then she grew
Moody and melancholy; one alone
Had power to soothe her in her wanderings,
Her gentle sister;--but that sister died,
And the unhappy girl was left alone,
A _maniac_. She would wander far, and shunned
Her own accustomed dwelling; and her haunt
Was that dead sister's grave: and that to her
Was as a home."

We have italicised such of the lines as we think breathe the air and spirit of genuine poetry. The snow flake has often been used as the emblem of purity; but the snow flake reposing on beds of vernal blossoms, is to us original as well as highly poetical. The "cave-locked fountain" too, with its lone, deep, and quiet waters, seems to us to express with force that profound and melancholy sentiment which the writer intended to illustrate.

We shall conclude our selections with the one addressed _to a lady whose singing resembled that of an absent sister_.

"Oh! touch the chord yet once again,
Nor chide me, though I weep the while;
Believe me, that deep, seraph strain
Bore with it memory's moonlight smile.

It murmured of an absent friend;
The voice, the air, 'twas all her own;
And hers those wild, sweet notes, which blend
In one mild, murmuring, touching tone.

And days and months have darkly passed,
Since last I listened to her lay;
And sorrow's cloud its shade hath cast,
Since then, across my weary way.

Yet still the strain comes sweet and clear,
Like seraph-whispers, lightly breathing;
Hush, busy memory,--sorrow's tear
Will blight the garland thou art wreathing.

'Tis sweet, though sad--yes, I will stay,
I cannot tear myself away.
I thank thee, lady, for the strain,
The tempest of my soul is still;
Then touch the chord yet once again,
For thou canst calm the storm at will."

We beg the reader to bear it in mind that these are the productions of a young, inexperienced, and almost uneducated girl, and that they are not to be tried by the tests which are usually applied to more matured efforts. In conclusion, we will say in the language of Dr. Morse, her biographer, "that her defects will be perceived to be those of youth and inexperience, while in invention, and in that mysterious power of exciting deep interest, of enchaining the attention, and keeping it alive to the end of the story; in that adaptation of the measure to the sentiment, and in the sudden change of measure to suit a sudden change of sentiment, in wild and romantic description, and in the congruity of the accompaniments to her characters, all conceived with great purity and delicacy, she will be allowed to have discovered uncommon maturity of mind; and her friends to have been warranted in forming very high expectations of her future distinction."

We are pleased to learn that it is in contemplation by Miss Davidson's friends, to publish a new and improved edition of her works, with various additions from her unpublished manuscripts.

THE PILGRIMS OF THE RHINE; by the author of Pelham, Eugene Aram, &c. _New York: Published by Harper & Brothers_--1834.

Mr. Bulwer's novels have acquired no inconsiderable degree of popularity in the circles of fashionable literature. Whether they are destined to survive the temporary admiration bestowed on them, is at this time a subject of speculation; but in the next generation, will become matter of fact. We are among those who think that they will quietly glide into that oblivious ocean, which is destined to receive a large proportion of the ever multiplying productions of this prolific age. We do not say this either, in disparagement of many of those labors of the mind which even intrinsic excellence cannot save from perishing. Great and valuable as some of them undoubtedly are, such is the onward march of intellect, and such the endless creations which fancy and genius are continually rearing for man's gratification and improvement,--to say nothing of the almost illimitable progress of science, that posterity will find no room for the thousandth part of our present stock of literature. We do not anticipate that Mr. Bulwer's writings will be among the select few which will outlive the general wreck; because, unless we are much mistaken, he is one of those authors who write more for present than permanent fame. This is emphatically the age of great moral and mental excitability. It is a period of incessant restlessness and activity; and he who would expect to command much attention, must seek to gratify the appetite for novelty and variety, even at the expense of good sense, sound morality and correct taste. We incline to the opinion that Mr. Bulwer has forgotten, that society in the aggregate, frequently resembles the individual man; and that whilst it often experiences paroxysms of unnatural excitement, there are long lucid intervals of returning reason and sober simplicity. The volume before us is not calculated, we think, to leave any lasting impression, either of good or evil. Whilst it certainly abounds in felicitous language, and contains passages of fine sentiment, it is grossly defective both in plot and machinery; and if it were worth while to descend to minute criticism, it would be easy to point out many examples of false morality as well as false taste. Mr. Bulwer seems to have been aware, in his preface, that he was making a bold experiment upon popular favor, and accordingly he claims the reader's "indulgence for the superstitions he has incorporated with his tale--for the floridity of his style, and the redundance of his descriptions." As if somewhat apprehensive, however, that that indulgence might not possibly be granted, he assures the public that "various reasons have conspired to make this the work, above all others that he has written, which has given him the most delight (though not unmixed with melancholy,) in producing, and in which his mind, for the time, has been the most completely absorbed." A popular writer, thus bespeaking the public approbation in advance, by stamping his last production with his own decided preference, could not expect to be treated uncourteously by his readers. In the first sentence of the second chapter too, the author declares as follows: "I wish only for such readers as give themselves heart and soul up to me: if they begin to cavil, I have done with them; their fancy should put itself entirely under my management." Now whether it proceeded from a spirit of perverseness or not, we cannot tell; but we resolved when we read this passage, neither to surrender our heart, fancy or judgment to Mr. Bulwer's guidance. On the contrary, we determined to read the book and decide on its merits, in the spirit of perfect impartiality and entire independence. The story upon which the work is founded--at least that part of it which treats of mortal affairs, consists of the simplest materials. Trevylyan, a gentleman of "a wild, resolute and active nature, who had been thrown upon the world at the age of sixteen, and had passed his youth in alternate pleasure, travel and solitary study," falls in love with Gertrude Vane, a young girl, described as "the loveliest person that ever dawned upon a poet's vision." A fatal disease, "consumption in its most beautiful shape," had set its seal upon her, and yet Trevylyan loved with an irresistible passion. With the consent, rather than by the advice of the faculty and her friends, the young and interesting invalid, attended by her father and lover, goes upon a pilgrimage up the beautiful and romantic Rhine. From that pilgrimage she never returned; but in one of those wild and legendary spots which impart such interest to that celebrated stream--a spot selected by herself as her last grassy couch, she breathed out her gentle spirit, and quietly sunk to her lasting repose. Such is the simple thread upon which Mr. Bulwer has contrived to weave a variety of German legends and fairy fictions, having no necessary connection with the main story, except that the principal episodes were suggested by some remarkable scenery or some castellated ruin on the banks of the Rhine. The _underplot_, if it may be so called, or the adventures of Nymphalin, queen of the fairies, and her Elfin court, is altogether unworthy of Mr. Bulwer's genius. It is rather a bungling attempt to revive the exploded machinery of supernatural agency; and we moreover do not perceive any possible connection or sympathy between these imaginary beings and the principal personages of the tale. Apart from other considerations, the actions and conversations of these roving elves are destitute of all interest and attraction; and nothing in our eyes appears more preposterous than the introduction of the Lord Treasurer into Queen Nymphalin's train. We always thought that the fairies were mischievous spirits--sometimes a little wicked, and often very benevolent; but never before did we suspect that this ideal population of the world of fancy, manifested any concern in the dry subject of finance, or in the _unfairy-like_ establishment of a regular exchequer. The story of "The Wooing of Master Fox," related for the amusement of Queen Nymphalin, making every allowance for the author's design in introducing it, is to our taste unutterably disgusting and ridiculous.

We have no objection to the occasional use of the fairy superstition in tales of fancy; no more than we have to the frequent classical allusions to heathen mythology which distinguish the best writers. They are pleasing and beautiful illustrations, when happily introduced. But we do protest against lifting the veil from the world of imagination, and investing its shadowy beings with the common place attributes, the vulgar actions and frivolous dialogue of mere mortals. It is in truth dispelling the illusion in which the spirit of poetry delights to indulge. It takes away the most powerful charm from the cool and sequestered grotto, the shady grove or moonlit bower. It vulgarises the world of romance, and reduces the region of mind to a level with brute sense, or even coarser matter.

Condemning as we do, in perfect good faith, these exceptionable portions of Mr. Bulwer's volume, we take pleasure in awarding due praise to some of the legends and stories introduced into the work, and which are for the most part related by Trevylyan for the amusement of Gertrude. Of these, we give the decided preference to "The Brothers" and "The Maid of Malines." The latter indeed, strikes us as so finished an illustration of some of the noble qualities of woman kind, that we have determined to present it entire for the benefit of our readers.

THE MAID OF MALINES.

It was noonday in the town of Malines, or Mechlin, as the English usually term it: the Sabbath bell had summoned the inhabitants to divine worship; and the crowd that had loitered round the Church of St. Rembauld, had gradually emptied itself within the spacious aisles of the sacred edifice.

A young man was standing in the street, with his eyes bent on the ground, and apparently listening for some sound; for, without raising his looks from the rude pavement, he turned to every corner of it with an intent and anxious expression of countenance; he held in one hand a staff, in the other a long slender cord, the end of which trailed on the ground; every now and then he called, with a plaintive voice, "Fido, Fido, come back! Why hast thou deserted me?" Fido returned not: the dog, wearied of confinement, had slipped from the string, and was at play with his kind in a distant quarter of the town, leaving the blind man to seek his way as he might to his solitary inn.

By and by a light step passed through the street, and the young stranger's face brightened--

"Pardon me," said he, turning to the spot where his quick ear had caught the sound, "and direct me, if you are not by chance much pressed for a few moment's time, to the hotel _Mortier d'or_."

It was a young woman, whose dress betokened that she belonged to the middling class of life, whom he thus addressed. "It is some distance hence, sir," said she, "but if you continue your way straight on for about a hundred yards, and then take the second turn to your right hand--"

"Alas!" interrupted the stranger, with a melancholy smile, "your direction will avail me little; my dog has deserted me, and I am blind!"

There was something in these words, and in the stranger's voice, which went irresistibly to the heart of the young woman. "Pray forgive me," she said, almost with tears in her eyes, "I did not perceive your--" misfortune, she was about to say, but she checked herself with an instinctive delicacy. "Lean upon me, I will conduct you to the door; nay, sir," observing that he hesitated, "I have time enough to spare, I assure you."

The stranger placed his hand on the young woman's arm, and though Lucille was naturally so bashful that even her mother would laughingly reproach her for the excess of a maiden virtue, she felt not the least pang of shame, as she found herself thus suddenly walking through the streets of Malines, alone with a young stranger, whose dress and air betokened him of a rank superior to her own.

"Your voice is very gentle," said he, after a pause, "and that," he added, with a slight sigh, "is the criterion by which I only know the young and the beautiful." Lucille now blushed, and with a slight mixture of pain in the blush, for she knew well that to beauty she had no pretension. "Are you a native of this town?" continued he. "Yes, sir; my father holds a small office in the customs, and my mother and I eke out his salary by making lace. We are called poor, but we do not feel it, sir."

"You are fortunate: there is no wealth like the heart's wealth, content," answered the blind man mournfully.

"And Monsieur," said Lucille, feeling angry with herself that she had awakened a natural envy in the stranger's mind, and anxious to change the subject--"and Monsieur, has he been long at Malines?"

"But yesterday. I am passing through the Low Countries on a tour; perhaps you smile at the tour of a blind man--but it is wearisome even to the blind to rest always in the same place. I thought during church time, when the streets were empty, that I might, by the help of my dog, enjoy safely, at least the air, if not the sight of the town; but there are some persons, methinks, who cannot even have a dog for a friend."

The blind man spoke bitterly,--the desertion of his dog had touched him to the core. Lucille wiped her eyes. "And does Monsieur travel then alone?" said she; and looking at his face more attentively than she had yet ventured to do, she saw that he was scarcely above two-and-twenty. "His father, his _mother_," she added, with an emphasis on the last word, "are they not with him?"

"I am an orphan," answered the stranger; "and I have neither brother nor sister."

The desolate condition of the blind man quite melted Lucille; never had she been so strongly affected. She felt a strange flutter at the heart--a secret and earnest sympathy, that attracted her at once towards him. She wished that heaven had suffered her to be his sister.

The contrast between the youth and the form of the stranger, and the affliction which took hope from the one, and activity from the other, increased the compassion he excited. His features were remarkably regular, and had a certain nobleness in their outline; and his frame was gracefully and firmly knit, though he moved cautiously and with no cheerful step.

They had now passed into a narrow street leading towards the hotel, when they heard behind them the clatter of hoofs; and Lucille, looking hastily back, saw that a troop of the Belgian horse was passing thro' town.

She drew her charge close by the wall, and trembling with fear for him, she stationed herself by his side. The troop passed at a full trot through the street; and at the sound of their clanging arms, and the ringing hoofs of their heavy chargers, Lucille might have seen, had she looked at the blind man's face, that its sad features kindled with enthusiasm, and his head was raised proudly from its wonted and melancholy bend. "Thank heaven," she said, as the troop had nearly passed them, "the danger is over!" Not so. One of the last two soldiers who rode abreast, was unfortunately mounted on a young and unmanageable horse. The rider's oaths and digging spur only increased the fire and impatience of the charger; he plunged from side to side of the narrow street.

"_Gardez vous_," cried the horseman, as he was borne on to the place where Lucille and the stranger stood against the wall; "are ye mad--why do you not run?"

"For heaven's sake, for mercy sake, he is blind!" cried Lucille, clinging to the stranger's side.

"Save yourself, my kind guide!" said the stranger. But Lucille dreamt not of such desertion. The trooper wrested the horse's head from the spot where they stood; with a snort, as he felt the spur, the enraged animal lashed out with its hind legs; and Lucille, unable to save _both_, threw herself before the blind man, and received the shock directed against him; her slight and delicate arm fell shattered by her side--the horseman was borne onward. "Thank God, _you_ are saved!" was poor Lucille's exclamation; and she fell, overcome with pain and terror, into the arms which the stranger mechanically opened to receive her.

"My guide, my friend!" cried he, "you are hurt, you--"

"No, sir," interrupted Lucille, faintly, "I am better, I am well. _This_ arm, if you please--we are not far from your hotel now."

But the stranger's ear, tutored to every inflection of voice, told him at once of the pain she suffered; he drew from her by degrees the confession of the injury she had sustained; but the generous girl did not tell him it had been incurred solely in his protection. He now insisted on reversing their duties, and accompanying _her_ to her home; and Lucille, almost fainting with pain, and hardly able to move, was forced to consent. But a few steps down the next turning stood the humble mansion of her father--they reached it--and Lucille scarcely crossed the threshold, before she sank down, and for some minutes was insensible to pain. It was left to the stranger to explain, and to beseech them immediately to send for a surgeon, "the most skilful--the most practised in town," said he. "See, I am rich, and this is the least I can do to atone to your generous daughter for not forsaking even a stranger in peril."

He held out his purse as he spoke, but the father refused the offer; and it saved the blind man some shame that he could not see the blush of honest resentment with which so poor a species of remuneration was put aside.

The young man staid till the surgeon arrived, till the arm was set; nor did he depart until he had obtained a promise from the mother, that he should learn the next morning how the sufferer had passed the night.

The next morning, indeed, he had intended to quit a town that offers but little temptation to the traveller; but he tarried day after day, until Lucille herself accompanied her mother to assure him of her recovery.

You know, or at least I do, dearest Gertrude, that there _is_ such a thing as love at the first meeting--a secret and unaccountable affinity between persons (strangers before,) which draws them irresistibly together. If there were truth in Plato's beautiful phantasy, that our souls were a portion of the stars, it might be, that spirits thus attracted to each other, have drawn their original light from the same orb; and they thus but yearn for a renewal of their former union. Yet, without recurring to such ideal solutions of a daily mystery, it was but natural that one in the forlorn and desolate condition of Eugene St. Amand, should have felt a certain tenderness for a person who had so generously suffered for his sake.

The darkness to which he was condemned did not shut from his mind's eye the haunting images of ideal beauty; rather, on the contrary, in his perpetual and unoccupied solitude, he fed the reveries of an imagination naturally warm, and a heart eager for sympathy.

He had said rightly that his only test of beauty was in the melody of voice; and never had a softer or a more thrilling tone than that of the young maiden touched upon his ear. Her exclamation, so beautifully denying self, so devoted in its charity, "Thank God, _you_ are saved!" uttered too, in the moment of her own suffering, rang constantly upon his soul, and he yielded, without precisely defining their nature, to vague and delicious sentiments, that his youth had never awakened to till then. And Lucille--the very accident that had happened to her on his behalf, only deepened the interest she had already conceived for one who, in the first flush of youth, was thus cut off from the glad objects of life, and led to a night of years, desolate and alone. There is, to your beautiful and kindly sex, a perpetual and gushing _lovingness to protect_. This makes them the angels of sickness, the comforters of age, the fosterers of childhood; and this feeling, in Lucille peculiarly developed, had already inexpressibly linked her compassionate nature to the lot of the unfortunate traveller. With ardent affections, and with thoughts beyond her station and her years, she was not without that modest vanity which made her painfully susceptible to her own deficiencies in beauty. Instinctively conscious of how deeply she herself could love, she believed it impossible that she could ever be so loved in return. This stranger, so superior in her eyes to all she had yet seen, was the first out of her own household who had ever addressed her in that voice, which by tones, not words, speaks that admiration most dear to a woman's heart. To _him_ she was beautiful, and her lovely mind spoke out undimmed by the imperfections of her face. Not, indeed, that Lucille was wholly without personal attraction; her light step and graceful form were elastic with the freshness of youth, and her mouth and smile had so gentle and tender an expression, that there were moments when it would not have been the blind only who would have mistaken her to be beautiful. Her early childhood had indeed given the promise of attractions, which the small-pox, that then fearful malady, had inexorably marred. It had not only seared the smooth skin and the brilliant hues, but utterly changed even the character of the features. It so happened that Lucille's family were celebrated for beauty, and vain of that celebrity; and so bitterly had her parents deplored the effects of the cruel malady, that poor Lucille had been early taught to consider them far more grievous than they really were, and to exaggerate the advantages of that beauty, the loss of which was considered by her parents so heavy a misfortune. Lucille too, had a cousin named Julie, who was the wonder of all Malines for her personal perfections; and as the cousins were much together, the contrast was too striking not to occasion frequent mortification to Lucille. But every misfortune has something of a counterpoise; and the consciousness of personal inferiority, had meekened, without souring, her temper--had given gentleness to a spirit that otherwise might have been too high, and humility to a mind that was naturally strong, impassioned, and energetic.

And yet Lucille had long conquered the one disadvantage she most dreaded in the want of beauty. Lucille was never known but to be loved. Wherever came her presence, her bright and soft mind diffused a certain inexpressible charm; and where she was not, a something was missing from the scene which not even Julie's beauty could replace.

"I propose," said St. Amand to Madame le Tisseur, Lucille's mother, as he sat in her little salon,--for he had already contracted that acquaintance with the family which permitted him to be led to their house, to return the visits Madame le Tisseur had made him, and his dog, once more returned a penitent to his master, always conducted his steps to the humble abode, and stopped instinctively at the door,--"I propose," said St. Amand, after a pause, and with some embarrassment, "to stay a little while longer at Malines; the air agrees with me, and I like the quiet of the place; but you are aware, Madame, that at a hotel among strangers, I feel my situation somewhat cheerless. I have been thinking"--St. Amand paused again--"I have been thinking that if I could persuade some agreeable family to receive me as a lodger, I would fix myself here for some weeks. I am easily pleased."

"Doubtless there are many in Malines who would be too happy to receive such a lodger."

"Will you receive me?" said St. Amand, abruptly. "It was of your family I thought."

"Of us? Monsieur is too flattering, but we have scarcely a room good enough for you."

"What difference between one room and another can there be to me? That is the best apartment to my choice in which the human voice sounds most kindly."

The arrangement was made, and St. Amand came now to reside beneath the same roof as Lucille. And was she not happy that _he_ wanted so constant an attendance? was she not happy that she was ever of use? St. Amand was passionately fond of music: he played himself with a skill that was only surpassed by the exquisite melody of his voice; and was not Lucille happy when she sat mute and listening to such sounds as at Malines were never heard before? Was she not happy in gazing on a face to whose melancholy aspect her voice instantly summoned the smile? Was she not happy when the music ceased, and St. Amand called "Lucille?" Did not her own name uttered by that voice, seem to her even sweeter than the music? Was she not happy when they walked out in the still evenings of summer, and her arm thrilled beneath the light touch of one to whom she was so necessary? Was she not proud in her happiness, and was there not something like worship in the gratitude she felt to him, for raising her humble spirit to the luxury of feeling herself loved?

St. Amand's parents were French; they had resided in the neighborhood of Amiens, where they had inherited a competent property, to which he had succeeded about two years previous to the date of my story.

He had been blind from the age of three years. "I know not," said he, as he related these particulars to Lucille one evening when they were alone; "I know not what the earth may be like, or the heaven, or the rivers whose voice at least I can hear, for I have no recollection beyond that of a confused, but delicious blending of a thousand glorious colors--a bright and quick sense of joy--A VISIBLE MUSIC. But it is only since my childhood closed that I have mourned, as I now unceasingly mourn, for the light of day. My boyhood passed in a quiet cheerfulness; the least trifle then could please and occupy the vacancies of my mind; but it was as I took delight in being read to,--as I listened to the vivid descriptions of poetry,--as I glowed at the recital of great deeds,--as I was made acquainted by books, with the energy, the action, the heat, the fervor, the pomp, the enthusiasm of life, that I gradually opened to the sense of all I was forever denied. I felt that I existed, not lived; and that, in the midst of the Universal Liberty, I was sentenced to a prison, from whose blank walls there was no escape. Still, however, while my parents lived, I had something of consolation; at least I was not alone. They died, and a sudden and dread solitude--a vast and empty dreariness settled upon my dungeon. One old servant only, who had nursed me from my childhood, who had known me in my short privilege of light, by whose recollections my mind could grope back its way through the dark and narrow passages of memory, to faint glimpses of the sun, was all that remained to me of human sympathies. It did not suffice, however, to content me with a home where my father and my mother's kind voice were _not_. A restless impatience, an anxiety to move, possessed me; and I set out from my home, journeying whither I cared not, so that at least I could change an air that weighed upon me like a palpable burthen. I took only this old attendant as my companion; he too died three months since at Bruxelles, worn out with years. Alas! I had forgotten that he was old, for I saw not his progress to decay; and now, save my faithless dog, I was utterly alone, till I came hither and found _thee_."

Lucille stooped down to caress the dog; she blest the desertion that had led to a friend who never could desert.

But however much and however gratefully St. Amand loved Lucille, her power availed not to chase the melancholy from his brow, and to reconcile him to his forlorn condition.

"Ah, would that I could see thee! Would that I could look upon a face that my heart vainly endeavors to delineate."

"If thou couldst," sighed Lucille, "thou wouldst cease to love me."

"Impossible!" cried St. Amand, passionately; "however the world may find thee, _thou_ wouldst become my standard of beauty, and I should judge not of thee by others, but of others by thee."

He loved to hear Lucille read to him; and mostly he loved the descriptions of war, of travel, of wild adventure, and yet they occasioned him the most pain. Often she paused from the page as she heard him sigh, and felt that she would even have renounced the bliss of being loved by him, if she could have restored to him that blessing, the desire for which haunted him as a spectre.

Lucille's family were Catholic, and, like most in their station, they possessed the superstitions, as well as the devotion of the faith. Sometimes they amused themselves of an evening by the various legends and imaginary miracles of their calendar: and once, as they were thus conversing with two or three of their neighbors, "The Tomb of the Three Kings of Cologne" became the main topic of their wandering recitals. However strong was the sense of Lucille, she was, as you will readily conceive, naturally influenced by the belief of those with whom she had been brought up from her cradle, and she listened to tale after tale of the miracles wrought at the consecrated tomb, as earnestly and undoubtingly as the rest.

And the Kings of the East were no ordinary saints; to the relics of the Three Magi, who followed the Star of Bethlehem, and were the first potentates of the earth who adored its Saviour, well might the pious Catholic suppose that a peculiar power and a healing sanctity would belong. Each of the circle (St. Amand, who had been more than usually silent, and even gloomy during the day, had retired to his apartment, for there were some moments, when in the sadness of his thoughts, he sought that solitude which he so impatiently fled from at others)--each of the circle had some story to relate equally veracious and indisputable, of an infirmity cured, or a prayer accorded, or a sin atoned for at the foot of the holy tomb. One story peculiarly affected Lucille; the narrator, a venerable old man with gray locks, solemnly declared himself a witness of its truth.

A woman at Anvers had given birth to a son, the offspring of an illicit connexion, who came into the world deaf and dumb. The unfortunate mother believed the calamity a punishment for her own sin. "Ah, would," said she, "that the affliction had fallen only upon me! Wretch that I am, my innocent child is punished for my offence!" This idea haunted her night and day: she pined and could not be comforted. As the child grew up, and wound himself more and more round her heart, its caresses added new pangs to her remorse; and at length (continued the narrator) hearing perpetually of the holy fame of the Tomb of Cologne, she resolved upon a pilgrimage barefoot to the shrine. "God is merciful," said she, "and he who called Magdaline his sister, may take the mother's curse from the child." She then went to Cologne; she poured her tears, her penitence, and her prayers, at the sacred tomb. When she returned to her native town, what was her dismay as she approached her cottage to behold it a heap of ruins!--its blackened rafters and yawning casements betokened the ravages of fire. The poor woman sunk upon the ground utterly overpowered. Had her son perished? At that moment she heard the cry of a child's voice, and, lo! her child rushed to her arms, and called her "mother!"

He had been saved from the fire which had broken out seven days before; but in the terror he had suffered, the string that tied his tongue had been loosened; he had uttered articulate sounds of distress; the curse was removed, and one word at least the kind neighbors had already taught him, to welcome his mother's return. What cared she now that her substance was gone, that her roof was ashes; she bowed in grateful submission to so mild a stroke; her prayer had been heard, and the sin of the mother was visited no longer on the child.

I have said, dear Gertrude, that this story made a deep impression upon Lucille. A misfortune so nearly akin to that of St. Amand, removed by the prayer of another, filled her with devoted thoughts, and a beautiful hope. "Is not the tomb still standing?" thought she; "is not God still in heaven? He who heard the guilty, may he not hear the guiltless? Is he not the God of love? Are not the affections the offerings that please him best? and what though the child's mediator was his mother, can even a mother love her child more tenderly than I love Eugene? But if, Lucille, thy prayer be granted, if he recover his sight, _thy_ charm is gone, he will love thee no longer. No matter! be it so; I shall at least have made him happy!"

Such were the thoughts that filled the mind of Lucille; she cherished them till they settled into resolution, and she secretly vowed to perform her pilgrimage of love. She told neither St. Amand nor her parents of her intention; she knew the obstacles such an annunciation would create. Fortunately, she had an aunt settled at Bruxelles, to whom she had been accustomed, once in every year, to pay a month's visit, and at that time she generally took with her the work of a twelve-month's industry, which found a readier sale at Bruxelles than Malines. Lucille and St. Amand were already betrothed; their wedding was shortly to take place; and the custom of the country leading parents, however poor, to nourish the honorable ambition of giving some dowry with their daughters, Lucille found it easy to hide the object of her departure, under the pretence of taking the lace to Bruxelles, which had been the year's labor of her mother and herself; it would sell for sufficient at least to defray the preparations for the wedding.

"Thou art ever right, child," said Madame Le Tisseur; "the richer St. Amand is, why the less oughtest thou to go a beggar to his house."

In fact, the honest ambition of the good people was excited; their pride had been hurt by the envy of the town and the current congratulations on so advantageous a marriage; and they employed themselves in counting up the fortune they should be able to give to their only child, and flattering their pardonable vanity with the notion that there would be no such great disproportion in the connexion after all. They were right, but not in their own view of the estimate; the wealth that Lucille brought was what fate could not lessen,--reverse could not reach,--the ungracious seasons could not blight its sweet harvest,--imprudence could not dissipate,--fraud could not steal one grain from its abundant coffers! Like the purse in the fairy tale, its use was hourly, its treasure inexhaustible!

St. Amand alone was not to be won to her departure; he chafed at the notion of a dowry: he was not appeased even by Lucille's representation, that it was only to gratify and not to impoverish her parents. "And _thou_, too, canst leave me!" he said, in that plaintive voice which had made his first charm to Lucille's heart. "It is a second blindness."

"But for a few days; a fortnight at most, dearest Eugene!"

"A fortnight! you do not reckon time as the blind do," said St. Amand, bitterly.

"But listen, listen, dear Eugene," said Lucille, weeping. The sound of her sobs restored him to a sense of his ingratitude. Alas, he knew not how much he had to be grateful for. He held out his arms to her; "Forgive me," said he. "Those who can see nature know not how terrible it is to be alone."

"But my mother will not leave you."

"She is not you!"

"And Julie," said Lucille, hesitatingly.

"What is Julie to me?"

"Ah, you are the only one, save my parents, who could think of me in her presence."

"And why, Lucille?"

"Why! She is more beautiful than a dream."

"Say not so. Would I could see, that I might prove to the world how much more beautiful thou art. There is no music in _her_ voice."

The evening before Lucille departed, she sat up late with St. Amand and her mother. They conversed on the future; they made plans; in the wide sterility of the world, they laid out the garden of household love, and filled it with flowers, forgetful of the wind that scatters and the frost that kills. And when, leaning on Lucille's arm, St. Amand sought his chamber, and they parted at his door, which closed upon her, she fell down on her knees at the threshold, and poured out the fulness of her heart in a prayer for his safety, and the fulfilment of her timid hope.

At daybreak she was consigned to the conveyance that performed the short journey from Malines to Bruxelles. When she entered the town, instead of seeking her aunt, she rested at an auberge in the suburbs, and confiding her little basket of lace to the care of its hostess, she set out alone, and on foot, upon the errand of her heart's lovely superstition. And erring though it was, her faith redeemed its weakness--her affection made it even sacred. And well may we believe, that the eye which reads all secrets scarce looked reprovingly on that fanaticism, whose only infirmity was love.

So fearful was she, lest, by rendering the task too easy, she might impair the effect, that she scarcely allowed herself rest or food. Sometimes, in the heat of noon, she wandered a little from the road-side, and under the spreading lime-tree surrendered her mind to its sweet and bitter thoughts; but ever the restlessness of her enterprise urged her on, and faint, weary, and with bleeding feet, she started up and continued her way. At length she reached the ancient city, where a holier age has scarce worn from the habits and aspects of men the Roman trace. She prostrated herself at the tomb of the Magi: she proffered her ardent but humble prayer to Him before whose son those fleshless heads (yet to faith at least preserved) had, nearly eighteen centuries ago, bowed in adoration. Twice every day, for a whole week, she sought the same spot, and poured forth the same prayer. The last day an old priest, who, hovering in the church, had observed her constantly at devotion, with that fatherly interest which the better ministers of the Catholic sect (that sect which has covered the earth with the mansions of charity) feel for the unhappy, approached her as she was retiring with moist and downcast eyes, and saluting her, assumed the privilege of his order, to inquire if there was aught in which his advice or aid could serve. There was something in the venerable air of the old man which encouraged Lucille; she opened her heart to him; she told him all. The good priest was much moved by her simplicity and earnestness. He questioned her minutely as to the peculiar species of blindness with which St. Amand was afflicted; and after musing a little while, he said, "Daughter, God is great and merciful, we must trust in his power, but we must not forget that he mostly works by mortal agents. As you pass through Louvain in your way home, fail not to see there a certain physician, named Le Kain. He is celebrated through Flanders for the cures he has wrought among the blind, and his advice is sought by all classes from far and near. He lives hard by the Hotel de Ville, but any one will inform you of his residence. Stay, my child, you shall take him a note from me; he is a benevolent and kindly man, and you shall tell him exactly the same story (and with the same voice) you have told to me."