Chapter I: Preface
In point of size, scope and general interest, this little book is perhaps the least considerable of the score of volumes comprised in The Spanish Series, but the collection would have lacked something of the completeness I have endeavoured to secure for it, if the subject of which it treats had not been included. As is inevitable in a series of this kind, many of the books are devoted to aspects and monuments of Spanish history and achievement, which have served the purpose of writers in all ages, but which could not, on that account, be omitted, while others have an imperative claim to inclusion on the ground that, though of secondary importance, they have never been dealt with elsewhere.
The Tapestries which are here reproduced in greater number and variety than has hitherto been attempted are known to students and connoisseurs the world over, but the measure of that knowledge is limited. Many of the pieces in the possession of the Spanish Crown were acquired by purchase or inheritance, and others were woven in the Netherlands to the command of its Burgundian rulers, Margaret of Austria and Mary of Hungary. The fabrics designed by Goya owed their existence to the extraordinary interest displayed in the products of the looms by Charles III., while the famous Tunis Tapestries were designed and woven by Jan Vermay or Vermeyen, the Court painter and Wilhelm Pannemaker, the celebrated Flemish weaver, under the personal direction of the Emperor Charles V. Vermeyen accompanied the expedition which was launched against Tunis by Charles in 1535 and made his sketches on the spot; the contract given to Pannemaker by his Imperial patron stipulated the amount and quality of the silk and the number and value of the gold and silver threads to be employed; and both designs and finished pieces had to be submitted to the Emperor’s scrutiny and approval before the purchase price was paid.
The Tunis Series was completed in 1554. The Tapestries were displayed in England on the occasion of the marriage of Philip and Mary in that year, and were not seen again in this country until 360 years later. They subsequently figured in all the great functions of the Spanish Court, and it was due to the Emperor’s fear that constant usage would injure the fabrics that a duplicate set, but on a smaller scale, was woven. The twelve pieces were again reproduced, on the same scale as the original frames, in 1740 by order of Philip V. A third copy is preserved in the Museum at Vienna, and a fourth, woven by Pannemaker, was found by the Maréchal de Contades in a castle near Mecklin during the Seven Years War.
This collection of Spanish Royal Tapestries has been steadily accumulating since the thirteenth century, but the practice of weaving was not introduced into Spain until the first quarter of the seventeenth century when a little colony of Flemish weavers, subsidised by the King of Spain, settled at Pastrau in New Castile. A century later, at the invitation of Philip V., Jacques Van Der Goten and his four sons, established themselves in an _atalier_ in Madrid, and in 1776 Goya drew the first of the forty-five designs for Tapestries which, in the following fifteen years, were woven in the Royal workshops of Santa Barbara in Madrid.
Although this wonderful collection has been added to by successive Spanish sovereigns over a period of six centuries, no effort was made to arrange, classify, or catalogue the fabrics until the work was put in hand at the instigation of Alfonso XII., and carried to completion by the late Queen Isabella. In 1903 an album of photographic reproductions of many of the finest specimens was published with historical and descriptive notes by Count Valencia de Don Juan, and this remained the only volume on the subject until 1914, when I prepared an illustrated handbook of the Tunis Series which, by gracious permission of King Alfonso, were displayed at the Anglo-Spanish Exhibition in London. The present book is the first attempt that has been made to present in English a record of the most valuable and interesting examples in the Royal Collection.
ALBERT. F. CALVERT.
“ROYSTON,”
ETON AVENUE,
LONDON.
CONTENTS
CHAP. PAGE
I. HISTORY OF THE ART OF TAPESTRY WEAVING 1
II. THE FOUNDATION OF THE SPANISH ROYAL COLLECTION 14
III. THE GOTHIC TAPESTRIES--SACRED PIECES 18
IV. TAPESTRIES OF THE GOTHIC-RENAISSANCE TRANSITION 24
V. RENAISSANCE TAPESTRIES 55
ILLUSTRATIONS
SUBJECT PLATE
THE STORY OF THE VIRGIN. CARTOONS BY VAN EYCK.
1. Jesus with His Mother 1
2. The Virgin praying 2
3. The Adoration of the Magi 3
4. The presentation of Jesus in the Temple 4
THE STORY OF DAVID AND BATHSHEBA.
1. David sees Bathsheba 5
2. Bathsheba consents to the love of David 6
3. Nathan reproaches David with his sin 7
THE STORY OF ST. JOHN THE BAPTIST.
1. Zacharius recovering his speech 8
2. The child John devotes himself to God 9
3. St. John preaching in the wilderness 10
4. The baptism of our Lord 11
THE PASSION OF OUR LORD. CARTOON BY VAN DE WEYDEN.
In the garden of Olives 12
The Crucifixion 13
The descent from the Cross 14
VICES AND VIRTUES.
1. God rewards worship 15
2. Virtue punishes vice 16
3. Fortune distributes roses 17
4. God rewards those who are devout 18
5. Virtue rewards her votaries 19
6. God distributes honours 20
7. Prudence is commended 21
8. The faithful gain renown 22
9. Infamy is punished 23
10. The law giver delivers judgment 24
THE FOUNDATIONS OF ROME.
1. Romulus and Remus are found 25
2. Remus taken captive 26
3. Romulus becomes King 27
4. Romulus dictates the laws 28
5. Romulus institutes the Feast of Neptune 29
6. Romulus gives the laws to the people 30
7. Hersilia is presented to Romulus 31
CONQUEST OF TUNIS. CARTOONS BY VERMEYEN.
Plan of the campaign 32
Review of the Army 33
Review of the Army (part of) 34
Disembarkation at Goletta 35
The attack on Goletta 36
Fight under Goletta 37
The sortie from Goletta 38
The capture of Goletta 39
The capture of Tunis 40
The sacking of Tunis 41
The re-embarkation at Goletta 42
The Army camping at Pada 43
THE STORY OF ABRAHAM.
1. Three Angels announce to Abraham that Sarah will have a son 44
2. Abraham offering sacrifice 45
SCENES FROM THE REVELATIONS.
1. The Angel throws the beast into the Abyss 46
2. The three horsemen 47
3. St. John and the seven churches of Asia 48
4. St. John and the Temple of God 49
5. Condemnation of the prostitute 50
6. The Angel carrying the Gospel 51
7. The crowd adore the lamb 52
8. The four Angels of Euphrates 53
9. Combat between good and evil spirits 54
THE SEVEN DEADLY SINS.
1. Luxury 55
2. Greediness 56
3. Envy 57
4. Anger 58
ACTS OF THE APOSTLES. CARTOONS BY RAPHAEL.
1. The miraculous draught of fishes 59
2. The miraculous draught of fishes 60
3. The miracle of the paralytic 61
4. The death of Ananias 62
5. The martyrdom of St. Stephen 63
6. The martyrdom of St. Stephen 64
7. The conversion of St. Paul 65
8. The blindness of Elymas 66
9. St Paul at Lystria 67
10. St. Paul in the Temple 68
11. St. Paul at Ephesus 69
12. St. Paul at Ephesus 70
13. St. Paul preaching in Athens 71
14. Christ appears to His Disciples 72
15. Christ choosing St. Peter 73
16. The paralytic 74
17. Death of Ananias 75
18. Conversion of St. Paul 76
19. The blind man Elymas 77
20. St. Paul and St. Barnabas at Lystria 78
THE STORY OF VERTUMNUS AND POMONA.
1. Vertumnus transformed into a husbandman 79
2. Vertumnus takes a fishing rod 80
3. Vertumnus transformed into an agriculturist 81
4. Vertumnus transferred into a gardener 82
5. Vertumnus transformed into a reaper 83
6. Vertumnus at the harvest 84
7. Pomona upbraids Vertumnus 85
8. Vertumnus disguised kisses Pomona 86
9. Vertumnus regains his natural form 87
THE STORY OF SCIPIO AFRICANUS.
1. The capture of Carthage 88
2. Scipio saves his father 89
3. Carthage sends Ambassadors 90
4. The triumph of Scipio 91
5. The banquet 92
6. Scipio gives up his betrothed 93
7. Scipio gives up his betrothed (section) 94
8. Scipio delivers judgment 95
9. The triumph 96
10. Scipio and Hannibal 97
11. The triumph of Scipio 98
THE STORY OF CYRUS.
1. Cyrus takes Astyage prisoner 99
2. Cyrus is recognised by Astyage 100
3. Meeting of Cyrus and the Queen 101
4. Cyrus sends a messenger 102
5. Cyrus unites the Medes and Persians 103
6. Cyrus saves Croesus from the Stake 104
7. The Queen and Cyrus 105
8. Cyrus takes Croesus prisoner 106
9. Cyrus and the Lydians 107
10. Cyrus releases the Hebrews 108
11. Cyrus is entrusted to a Shepherd 109
12. Hystaspe and Amenophis 110
THE STORY OF DIANA.
1. Birth of Diana 111
2. Diana resting 112
3. Diana and Jupiter 113
THE SPHERES.
1. Hercules supports the sky 114
2. Atlas supports the world 115
THE STORY OF DECIUS.
1. Decius raises his country 116
2. Decius sends lictors to Manlius 117
3. Decius bids farewell to the lictors 118
4. Decius departs to fight the Latins 119
5. Decius dedicates himself to the Legions 120
6. Valerius and Decius 121
7. The vision of Decius 122
8. Death of Decius 123
9. Funeral of Decius 124
THE STORY OF VENUS.
1. Offerings to Venus 125
2. The challenge of Cupid and Venus 126
STORY OF THE CREATION OF MAN.
1. God creates man 127
2. Cain kills his brother Abel 128
3. God curses Cain 129
4. The tree of good and evil 130
THE STORY OF TOBIAS.
1. Sarah marries Tobias 131
2. The return of Tobias and Sarah 132
THE SEASONS.
1. Summer 133
2. Winter 134
THE STORY OF SOLOMON.
1. Solomon is annointed King 135
2. Solomon marries an Egyptian Princess 136
3. Solomon and the Queen of Sheba 137
HISTORY OF A MAN’S LIFE.
1. Divinity advocates Temperance to Man 138
2. The Vices repulse Temperance 139
3. Time surrounds him with Prudence 140
4. Virtue triumphant 141
5. Patience humiliates Fortune 142
6. Fortune fights avarice 143
7. Blind Fortune bestows good and evil 144
8. Two ancient philosophers 145
9. Divinity reveals Temperance 146
10. Vice repulses Temperance 147
STORY OF ANTHONY AND CLEOPATRA.
1. Anthony leaves Rome 148
2. Anthony receives homage 149
3. Anthony disposes of Egypt’s treasures 150
4. Cleopatra mocks Anthony’s weakness 151
THE STORY OF ALEXANDER THE GREAT.
1. Alexander and his Doctor Philip 152
2. The battle of Issus 153
3. The siege of Tyre 154
4. Alexander in Carmonia 155
5. Surrender of the Kings of Cyprus and Phœnicia 156
6. Alexander in Asia Minor 157
THE TRIUMPH OF LOVE 158
THE TRIUMPH OF DEATH 159
THE TRIUMPH OF CHASTITY 160
THE STORY OF TOLEMACHUS.
1. The young Tolemachus 161
2. Neptune wrecking Ulysses’ ship 162
THE STORY OF PAUL.
1. St. Paul in the Temple 163
2. St. Paul before Agrippa 164
3. St. Paul executed at Rome 165
TEMPTATION OF ST. ANTHONY.
1. St. Anthony departs for the Retreat 166
2. St. Anthony tempted by the Devil 167
3. Paradise, Purgatory and Hell 168
STORY OF THE EMPEROR OCTAVIUS.
1. Julius Cæsar adopts Octavius 169
2. The battle of Phillippi 170
3. Octavius closes the Temple of War 171
4. Death of Cleopatra 172
THE STORY OF MOSES.
1. Moses and Aaron before Pharoah 173
2. God chooses Moses to deliver Israel 174
3. Moses comes from Mt. Sinai 175
BATTLES OF THE ARCHDUKE ALBERT.
1. Surrender of Hulst 176
2. Ardres surprised by a night attack 177
3. Hulst besieged 178
4. Taking of Calais 179
5. The return of the garrison 180
THE STORY OF THESEUS.
1. Theseus leaves for Crete 181
2. Theseus receives the sword of Ægeus 182
3. Ægeus recognises his son 183
4. Theseus armed with the Mace 184
5. Bacchus marries Ariadne 185
6. Theseus receives the ring of Minos 186
7. Theseus leads the bull of Marathon 187
8. Theseus and the head of Minotaurus 188
THE FUNERAL OF KING TURMUS 189
DIDO AND THE PORTRAIT OF ÆNEAS 190
THE STORY OF SAMPSON.
1. Sampson propounds his riddle 191
2. Sampson is betrayed by Delilah 192
THE STORY OF NOAH.
1. Noah building the Ark 193
2. Noah leaving the Ark 194
THE WAY OF HONOUR.
1. Grace accords immortal crowns 195
2. Virtue accords honour 196
3. Merit receives reward 197
STORY OF ZENOBIA.
1. Nuptial banquet of Zenobia and Odenat 198
2. Zenobia is taken prisoner 199
3. Zenobia led captive 200
STORY OF DON QUIXOTE.
1. Departure of Don Quixote 201
2. Don Quixote and the three Peasant Women 202
3. Princess Micomicona 203
4. Don Quixote is beaten by the Merchants 204
5. Don Quixote is enclosed in a cage 205
6. The Muleteer meets Don Quixote 206
7. Sancho marches to Toboso 207
8. Repetitions of preceding pictures 208
STORY OF PHAETON.
1. Phœbus allows Phaeton to drive the chariot of the sun 209
2. Phaeton drives the chariot of the sun 210
3. Jupiter confounds Phaeton 211
4. The body of Phaeton is recovered 212
CHASTITY PUTS CUPID TO FLIGHT 213
RUSTIC SCENES AFTER GOYA AND BAYEU 214
PANELS AFTER GOYA 215
QUARREL IN AN INN, AFTER GOYA 216
PANELS AFTER TENIERS 217
PANELS AFTER TENIERS 218
PANELS AFTER TENIERS 219
VILLAGE DANCE AFTER TENIERS 220
PANELS AFTER TENIERS 221
DESCENT FROM THE CROSS 222
CHRIST ON THE CROSS 223
THE CRUCIFIXION, BY VAN DER WEYDEN 224
OUR LORD APPEARING TO THE HOLY WOMEN 225
ST. JEROME IN THE DESERT 226
THE ETERNAL FATHER 227
OUR LORD AND ST. VERONICA 228
MARY ANNOINTING THE FEET OF THE SAVIOUR 229
THE CONFUSION OF TONGUES 230
THE LAST SUPPER 231
THE ADORATION OF THE MAGI 232
NEOPTOLEMY SACRIFICES POLYZEMA 233
TIME AND TEMPERANCE RESTRAIN CUPID 234
ULYSSES ACCEPTS THE PRESENTS OF ALCINOUS 235
PENELOPE RECOGNISES ULYSSES 236
COURTIERS PRESENTING THEMSELVES BEFORE A KING 237
CHILDREN PLAYING--XVITH CENTURY 238
DEATH OF CLEOPATRA 239
PORTRAIT OF A WOMAN 240
CALCHAS OF AGAMEMNON 241
A GROVE 242
ON THE BANKS OF A RIVER 243
PRINCE BALTAZAR CARLOS 244
ALLEGORY OF THE TIBER AND ROME 245
IMPERIAL FUNERAL BED OF STATE 246
ROYAL ARMS OF PHILIP V. 247
PANELS 248
A FRIEZE 249
BORDERS OF TAPESTRIES 250
THE PASSION OF OUR LORD 251
DEATH OF ABSALOM 252
THE BIRTH OF CHRIST 253
DESCENT FROM THE CROSS 254
ST. GREGORY’S MASS 255
TRIUMPH OF JOSEPH 256
KING CHARLES III. 257
QUEEN AMELIA AND SAXONY 258
MYTHOLOGICAL SUBJECT 259
AFTER THE VICTORY 260
THE TEMPLE 261
THE COLONNADE 262
THE PALACE 263
FRAGMENTS 264
PANELS 265
PANELS AFTER ANDRES DE AGUIRRE 266
PANELS AFTER TENIERS 267
FRAGMENTS AFTER TENIERS 268
FRAGMENTS AFTER TENIERS 269
PANELS AFTER TENIERS 270
FRAGMENTS AFTER TENIERS 271
FRAGMENTS AFTER TENIERS 272
CHILDREN PLAYING, AFTER GOYA 273
PANELS AFTER GOYA 274
PANELS AFTER GOYA AND BAYEU 275
PANELS AFTER GOYA AND BAYEU 276
CORIOLANUS AND HIS MOTHER 277
THE SPANISH ROYAL TAPESTRIES
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The Spanish Royal TapestriesChapter I: Preface
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