Chapter XVII: A Yellow Journal (3)

They took a drink. There was quite a line of them. Joe asked the bartender what he would have. The men warmed towards him. They took several more drinks with him and he was happy. Sadness put his arm about his shoulder and told him, with tears in his eyes, that he looked like a cousin of his that had died.

"Aw, shut up, Sadness!" said some one else. "Be respectable."

Sadness turned his mournful eyes upon the speaker. "I won't," he replied. "Being respectable is very nice as a diversion, but it 's tedious if done steadily." Joe did not quite take this, so he ordered another drink.

A group of young fellows came in and passed up the stairs. "Shearing another lamb?" said one of them significantly.

"Well, with that gang it will be well done."

Thomas and Joe left the crowd after a while, and went to the upper floor, where, in a long, brilliantly lighted room, tables were set out for drinking-parties. At one end of the room was a piano, and a man sat at it listlessly strumming some popular air. The proprietor joined them pretty soon, and steered them to a table opposite the door.

"Just sit down here, Mr. Hamilton," he said, "and you can see everybody that comes in. We have lots of nice people here on smoker nights, especially after the shows are out and the girls come in."

Joe's heart gave a great leap, and then settled as cold as lead. Of course, those girls would n't speak to him. But his hopes rose as the proprietor went on talking to him and to no one else. Mr. Turner always made a man feel as if he were of some consequence in the world, and men a good deal older than Joe had been fooled by his manner. He talked to one in a soft, ingratiating way, giving his whole attention apparently. He tapped one confidentially on the shoulder, as who should say, "My dear boy, I have but two friends in the world, and you are both of them."

Joe, charmed and pleased, kept his head well. There is a great deal in heredity, and his father had not been Maurice Oakley's butler for so many years for nothing.

The Banner Club was an institution for the lower education of negro youth. It drew its pupils from every class of people and from every part of the country. It was composed of all sorts and conditions of men, educated and uneducated, dishonest and less so, of the good, the bad, and the--unexposed. Parasites came there to find victims, politicians for votes, reporters for news, and artists of all kinds for colour and inspiration. It was the place of assembly for a number of really bright men, who after days of hard and often unrewarded work came there and drunk themselves drunk in each other's company, and when they were drunk talked of the eternal verities.

The Banner was only one of a kind. It stood to the stranger and the man and woman without connections for the whole social life. It was a substitute--poor, it must be confessed--to many youths for the home life which is so lacking among certain classes in New York.

Here the rounders congregated, or came and spent the hours until it was time to go forth to bout or assignation. Here too came sometimes the curious who wanted to see something of the other side of life. Among these, white visitors were not infrequent,--those who were young enough to be fascinated by the bizarre, and those who were old enough to know that it was all in the game. Mr. Skaggs, of the New York _Universe_, was one of the former class and a constant visitor,--he and a "lady friend" called "Maudie," who had a penchant for dancing to "Rag-time" melodies as only the "puffessor" of such a club can play them. Of course, the place was a social cesspool, generating a poisonous miasma and reeking with the stench of decayed and rotten moralities. There is no defence to be made for it. But what do you expect when false idealism and fevered ambition come face to face with catering cupidity?

It was into this atmosphere that Thomas had introduced the boy Joe, and he sat there now by his side, firing his mind by pointing out the different celebrities who came in and telling highly flavoured stories of their lives or doings. Joe heard things that had never come within the range of his mind before.

"Aw, there 's Skaggsy an' Maudie--Maudie 's his girl, y' know, an' he 's a reporter on the N' Yawk _Universe_. Fine fellow, Skaggsy."

Maudie--a portly, voluptuous-looking brunette--left her escort and went directly to the space by the piano. Here she was soon dancing with one of the coloured girls who had come in.

Skaggs started to sit down alone at a table, but Thomas called him, "Come over here, Skaggsy."

In the moment that it took the young man to reach them, Joe wondered if he would ever reach that state when he could call that white man Skaggsy and the girl Maudie. The new-comer soon set all of that at ease.

"I want you to know my friend, Mr. Hamilton, Mr. Skaggs."

"Why, how d' ye do, Hamilton? I 'm glad to meet you. Now, look a here; don't you let old Thomas here string you about me bein' any old 'Mr!' Skaggs. I 'm Skaggsy to all of my friends. I hope to count you among 'em."

It was such a supreme moment that Joe could not find words to answer, so he called for another drink.

"Not a bit of it," said Skaggsy, "not a bit of it. When I meet my friends I always reserve to myself the right of ordering the first drink. Waiter, this is on me. What 'll you have, gentlemen?"

They got their drinks, and then Skaggsy leaned over confidentially and began talking.

"I tell you, Hamilton, there ain't an ounce of prejudice in my body. Do you believe it?"

Joe said that he did. Indeed Skaggsy struck one as being aggressively unprejudiced.

He went on: "You see, a lot o' fellows say to me, 'What do you want to go down to that nigger club for?' That 's what they call it,--'nigger club.' But I say to 'em, 'Gentlemen, at that nigger club, as you choose to call it, I get more inspiration than I could get at any of the greater clubs in New York.' I 've often been invited to join some of the swell clubs here, but I never do it. By Jove! I 'd rather come down here and fellowship right in with you fellows. I like coloured people, anyway. It 's natural. You see, my father had a big plantation and owned lots of slaves,--no offence, of course, but it was the custom of that time,--and I 've played with little darkies ever since I could remember."

It was the same old story that the white who associates with negroes from volition usually tells to explain his taste.

The truth about the young reporter was that he was born and reared on a Vermont farm, where his early life was passed in fighting for his very subsistence. But this never troubled Skaggsy. He was a monumental liar, and the saving quality about him was that he calmly believed his own lies while he was telling them, so no one was hurt, for the deceiver was as much a victim as the deceived. The boys who knew him best used to say that when Skaggs got started on one of his debauches of lying, the Recording Angel always put on an extra clerical force.

"Now look at Maudie," he went on; "would you believe it that she was of a fine, rich family, and that the coloured girl she 's dancing with now used to be her servant? She 's just like me about that. Absolutely no prejudice."

Joe was wide-eyed with wonder and admiration, and he could n't understand the amused expression on Thomas's face, nor why he surreptitiously kicked him under the table.

Finally the reporter went his way, and Joe's sponsor explained to him that he was not to take in what Skaggsy said, and that there had n't been a word of truth in it. He ended with, "Everybody knows Maudie, and that coloured girl is Mamie Lacey, and never worked for anybody in her life. Skaggsy 's a good fellah, all right, but he 's the biggest liar in N' Yawk."

The boy was distinctly shocked. He was n't sure but Thomas was jealous of the attention the white man had shown him and wished to belittle it. Anyway, he did not thank him for destroying his romance.

About eleven o'clock, when the people began to drop in from the plays, the master of ceremonies opened proceedings by saying that "The free concert would now begin, and he hoped that all present, ladies included, would act like gentlemen, and not forget the waiter. Mr. Meriweather will now favour us with the latest coon song, entitled 'Come back to yo' Baby, Honey.'"

There was a patter of applause, and a young negro came forward, and in a strident, music-hall voice, sung or rather recited with many gestures the ditty. He could n't have been much older than Joe, but already his face was hard with dissipation and foul knowledge. He gave the song with all the rank suggestiveness that could be put into it. Joe looked upon him as a hero. He was followed by a little, brown-skinned fellow with an immature Vandyke beard and a lisp. He sung his own composition and was funny; how much funnier than he himself knew or intended, may not even be hinted at. Then, while an instrumentalist, who seemed to have a grudge against the piano, was hammering out the opening bars of a march, Joe's attention was attracted by a woman entering the room, and from that moment he heard no more of the concert. Even when the master of ceremonies announced with an air that, by special request, he himself would sing "Answer,"--the request was his own,--he did not draw the attention of the boy away from the yellow-skinned divinity who sat at a near table, drinking whiskey straight.

She was a small girl, with fluffy dark hair and good features. A tiny foot peeped out from beneath her rattling silk skirts. She was a good-looking young woman and daintily made, though her face was no longer youthful, and one might have wished that with her complexion she had not run to silk waists in magenta.

Joe, however, saw no fault in her. She was altogether lovely to him, and his delight was the more poignant as he recognised in her one of the girls he had seen on the stage a couple of weeks ago. That being true, nothing could keep her from being glorious in his eyes,--not even the grease-paint which adhered in unneat patches to her face, nor her taste for whiskey in its unreformed state. He gazed at her in ecstasy until Thomas, turning to see what had attracted him, said with a laugh, "Oh, it 's Hattie Sterling. Want to meet her?"

Again the young fellow was dumb. Just then Hattie also noticed his intent look, and nodded and beckoned to Thomas.

"Come on," he said, rising.

"Oh, she did n't ask for me," cried Joe, tremulous and eager.

His companion went away laughing.

"Who 's your young friend?" asked Hattie.

"A fellah from the South."

"Bring him over here."

Joe could hardly believe in his own good luck, and his head, which was getting a bit weak, was near collapsing when his divinity asked him what he 'd have? He began to protest, until she told the waiter with an air of authority to make it a little "'skey." Then she asked him for a cigarette, and began talking to him in a pleasant, soothing way between puffs.

When the drinks came, she said to Thomas, "Now, old man, you 've been awfully nice, but when you get your little drink, you run away like a good little boy. You 're superfluous."

Thomas answered, "Well, I like that," but obediently gulped his whiskey and withdrew, while Joe laughed until the master of ceremonies stood up and looked sternly at him.

The concert had long been over and the room was less crowded when Thomas sauntered back to the pair.

"Well, good-night," he said. "Guess you can find your way home, Mr. Hamilton;" and he gave Joe a long wink.

"Goo'-night," said Joe, woozily, "I be a' ri'. Goo'-night."

"Make it another 'skey," was Hattie's farewell remark.

* * * * *

It was late the next morning when Joe got home. He had a headache and a sense of triumph that not even his illness and his mother's reproof could subdue.

He had promised Hattie to come often to the club.

X

A VISITOR FROM HOME

Mrs. Hamilton began to question very seriously whether she had done the best thing in coming to New York as she saw her son staying away more and more and growing always farther away from her and his sister. Had she known how and where he spent his evenings, she would have had even greater cause to question the wisdom of their trip. She knew that although he worked he never had any money for the house, and she foresaw the time when the little they had would no longer suffice for Kitty and her. Realising this, she herself set out to find something to do.

It was a hard matter, for wherever she went seeking employment, it was always for her and her daughter, for the more she saw of Mrs. Jones, the less she thought it well to leave the girl under her influence. Mrs. Hamilton was not a keen woman, but she had a mother's intuitions, and she saw a subtle change in her daughter. At first the girl grew wistful and then impatient and rebellious. She complained that Joe was away from them so much enjoying himself, while she had to be housed up like a prisoner. She had receded from her dignified position, and twice of an evening had gone out for a car-ride with Thomas; but as that gentleman never included the mother in his invitation, she decided that her daughter should go no more, and she begged Joe to take his sister out sometimes instead. He demurred at first, for he now numbered among his city acquirements a fine contempt for his woman relatives. Finally, however, he consented, and took Kit once to the theatre and once for a ride. Each time he left her in the care of Thomas as soon as they were out of the house, while he went to find or to wait for his dear Hattie. But his mother did not know all this, and Kit did not tell her. The quick poison of the unreal life about her had already begun to affect her character. She had grown secretive and sly. The innocent longing which in a burst of enthusiasm she had expressed that first night at the theatre was growing into a real ambition with her, and she dropped the simple old songs she knew to practise the detestable coon ditties which the stage demanded.

She showed no particular pleasure when her mother found the sort of place they wanted, but went to work with her in sullen silence. Mrs. Hamilton could not understand it all, and many a night she wept and prayed over the change in this child of her heart. There were times when she felt that there was nothing left to work or fight for. The letters from Berry in prison became fewer and fewer. He was sinking into the dull, dead routine of his life. Her own letters to him fell off. It was hard getting the children to write. They did not want to be bothered, and she could not write for herself. So in the weeks and months that followed she drifted farther away from her children and husband and all the traditions of her life.

After Joe's first night at the Banner Club he had kept his promise to Hattie Sterling and had gone often to meet her. She had taught him much, because it was to her advantage to do so. His greenness had dropped from him like a garment, but no amount of sophistication could make him deem the woman less perfect. He knew that she was much older than he, but he only took this fact as an additional sign of his prowess in having won her. He was proud of himself when he went behind the scenes at the theatre or waited for her at the stage door and bore her off under the admiring eyes of a crowd of gapers. And Hattie? She liked him in a half-contemptuous, half-amused way. He was a good-looking boy and made money enough, as she expressed it, to show her a good time, so she was willing to overlook his weakness and his callow vanity.

"Look here," she said to him one day, "I guess you 'll have to be moving. There 's a young lady been inquiring for you to-day, and I won't stand for that."

He looked at her, startled for a moment, until he saw the laughter in her eyes. Then he caught her and kissed her. "What 're you givin' me?" he said.

"It 's a straight tip, that 's what."

"Who is it?"

"It 's a girl named Minty Brown from your home."

His face turned brick-red with fear and shame. "Minty Brown!" he stammered.

Had that girl told all and undone him? But Hattie was going on about her work and evidently knew nothing.

"Oh, you need n't pretend you don't know her," she went on banteringly. "She says you were great friends down South, so I 've invited her to supper. She wants to see you."

"To supper!" he thought. Was she mocking him? Was she restraining her scorn of him only to make his humiliation the greater after a while? He looked at her, but there was no suspicion of malice in her face, and he took hope.

"Well, I 'd like to see old Minty," he said. "It 's been many a long day since I 've seen her."

All that afternoon, after going to the barber-shop, Joe was driven by a tempest of conflicting emotions. If Minty Brown had not told his story, why not? Would she yet tell, and if she did, what would happen? He tortured himself by questioning if Hattie would cast him off. At the very thought his hand trembled, and the man in the chair asked him if he had n't been drinking.

When he met Minty in the evening, however, the first glance at her reassured him. Her face was wreathed in smiles as she came forward and held out her hand.

"Well, well, Joe Hamilton," she exclaimed, "if I ain't right-down glad to see you! How are you?"

"I 'm middlin', Minty. How 's yourself?" He was so happy that he could n't let go her hand.

"An' jes' look at the boy! Ef he ain't got the impidence to be waihin' a mustache too. You must 'a' been lettin' the cats lick yo' upper lip. Did n't expect to see me in New York, did you?"

"No, indeed. What you doin' here?"

"Oh, I got a gent'man friend what 's a porter, an' his run 's been changed so that he comes hyeah, an' he told me, if I wanted to come he 'd bring me thoo fur a visit, so, you see, hyeah I am. I allus was mighty anxious to see this hyeah town. But tell me, how 's Kit an' yo' ma?"

"They 're both right well." He had forgotten them and their scorn of Minty.

"Whaih do you live? I 'm comin' roun' to see 'em."

He hesitated for a moment. He knew how his mother, if not Kit, would receive her, and yet he dared not anger this woman, who had his fate in the hollow of her hand.

She saw his hesitation and spoke up. "Oh, that 's all right. Let by-gones be by-gones. You know I ain't the kin' o' person that holds a grudge ag'in anybody."

"That 's right, Minty, that 's right," he said, and gave her his mother's address. Then he hastened home to prepare the way for Minty's coming. Joe had no doubt but that his mother would see the matter quite as he saw it, and be willing to temporise with Minty; but he had reckoned without his host. Mrs. Hamilton might make certain concessions to strangers on the score of expediency, but she absolutely refused to yield one iota of her dignity to one whom she had known so long as an inferior.

"But don't you see what she can do for us, ma? She knows people that I know, and she can ruin me with them."

"I ain't never bowed my haid to Minty Brown an' I ain't a-goin' to do it now," was his mother's only reply.

"Oh, ma," Kitty put in, "you don't want to get talked about up here, do you?"

"We 'd jes' as well be talked about fu' somep'n we did n't do as fu' somep'n we did do, an' it would n' be long befo' we 'd come to dat if we made frien's wid dat Brown gal. I ain't a-goin' to do it. I 'm ashamed o' you, Kitty, fu' wantin' me to."

The girl began to cry, while her brother walked the floor angrily.

"You 'll see what 'll happen," he cried; "you 'll see."

Fannie looked at her son, and she seemed to see him more clearly than she had ever seen him before,--his foppery, his meanness, his cowardice.

"Well," she answered with a sigh, "it can't be no wuss den what 's already happened."

"You 'll see, you 'll see," the boy reiterated.

Minty Brown allowed no wind of thought to cool the fire of her determination. She left Hattie Sterling's soon after Joe, and he was still walking the floor and uttering dire forebodings when she rang the bell below and asked for the Hamiltons.

Mrs. Jones ushered her into her fearfully upholstered parlour, and then puffed up stairs to tell her lodgers that there was a friend there from the South who wanted to see them.

"Tell huh," said Mrs. Hamilton, "dat dey ain't no one hyeah wants to see huh."

"No, no," Kitty broke in.

"Heish," said her mother; "I 'm goin' to boss you a little while yit."

"Why, I don't understan' you, Mis' Hamilton," puffed Mrs. Jones. "She 's a nice-lookin' lady, an' she said she knowed you at home."

"All you got to do is to tell dat ooman jes' what I say."

Minty Brown downstairs had heard the little colloquy, and, perceiving that something was amiss, had come to the stairs to listen. Now her voice, striving hard to be condescending and sweet, but growing harsh with anger, floated up from below:

"Oh, nevah min', lady, I ain't anxious to see 'em. I jest called out o' pity, but I reckon dey 'shamed to see me 'cause de ol' man 's in penitentiary an' dey was run out o' town."

Mrs. Jones gasped, and then turned and went hastily downstairs.

Kit burst out crying afresh, and Joe walked the floor muttering beneath his breath, while the mother sat grimly watching the outcome. Finally they heard Mrs. Jones' step once more on the stairs. She came in without knocking, and her manner was distinctly unpleasant.

"Mis' Hamilton," she said, "I 've had a talk with the lady downstairs, an' she 's tol' me everything. I 'd be glad if you 'd let me have my rooms as soon as possible."

"So you goin' to put me out on de wo'd of a stranger?"

"I 'm kin' o' sorry, but everybody in the house heard what Mis' Brown said, an' it 'll soon be all over town, an' that 'ud ruin the reputation of my house."

"I reckon all dat kin be 'splained."

"Yes, but I don't know that anybody kin 'splain your daughter allus being with Mr. Thomas, who ain't even divo'ced from his wife." She flashed a vindictive glance at the girl, who turned deadly pale and dropped her head in her hands.

"You daih to say dat, Mis' Jones, you dat fust interduced my gal to dat man and got huh to go out wid him? I reckon you 'd bettah go now."

And Mrs. Jones looked at Fannie's face and obeyed.

As soon as the woman's back was turned, Joe burst out, "There, there! see what you 've done with your damned foolishness."

Fannie turned on him like a tigress. "Don't you cuss hyeah befo' me; I ain't nevah brung you up to it, an' I won't stan' it. Go to dem whaih you larned it, an whaih de wo'ds soun' sweet." The boy started to speak, but she checked him. "Don't you daih to cuss ag'in or befo' Gawd dey 'll be somep'n fu' one o' dis fambly to be rottin' in jail fu'!"

The boy was cowed by his mother's manner. He was gathering his few belongings in a bundle.

"I ain't goin' to cuss," he said sullenly, "I 'm goin' out o' your way."

"Oh, go on," she said, "go on. It 's been a long time sence you been my son. You on yo' way to hell, an' you is been fu' lo dese many days."

Joe got out of the house as soon as possible. He did not speak to Kit nor look at his mother. He felt like a cur, because he knew deep down in his heart that he had only been waiting for some excuse to take this step.

As he slammed the door behind him, his mother flung herself down by Kit's side and mingled her tears with her daughter's. But Kit did not raise her head.

"Dey ain't nothin' lef' but you now, Kit;" but the girl did not speak, she only shook with hard sobs.

Then her mother raised her head and almost screamed, "My Gawd, not you, Kit!" The girl rose, and then dropped unconscious in her mother's arms.

Joe took his clothes to a lodging-house that he knew of, and then went to the club to drink himself up to the point of going to see Hattie after the show.

XI

BROKEN HOPES

What Joe Hamilton lacked more than anything else in the world was some one to kick him. Many a man who might have lived decently and become a fairly respectable citizen has gone to the dogs for the want of some one to administer a good resounding kick at the right time. It is corrective and clarifying.

Joe needed especially its clarifying property, for though he knew himself a cur, he went away from his mother's house feeling himself somehow aggrieved, and the feeling grew upon him the more he thought of it. His mother had ruined his chance in life, and he could never hold up his head again. Yes, he had heard that several of the fellows at the club had shady reputations, but surely to be the son of a thief or a supposed thief was not like being the criminal himself.

At the Banner he took a seat by himself, and, ordering a cocktail, sat glowering at the few other lonely members who had happened to drop in. There were not many of them, and the contagion of unsociability had taken possession of the house. The people sat scattered around at different tables, perfectly unmindful of the bartender, who cursed them under his breath for not "getting together."

Joe's mind was filled with bitter thoughts. How long had he been away from home? he asked himself. Nearly a year. Nearly a year passed in New York, and he had come to be what he so much desired,--a part of its fast life,--and now in a moment an old woman's stubbornness had destroyed all that he had builded.

What would Thomas say when he heard it? What would the other fellows think? And Hattie? It was plain that she would never notice him again. He had no doubt but that the malice of Minty Brown would prompt her to seek out all of his friends and make the story known. Why had he not tried to placate her by disavowing sympathy with his mother? He would have had no compunction about doing so, but he had thought of it too late. He sat brooding over his trouble until the bartender called with respectful sarcasm to ask if he wanted to lease the glass he had.

He gave back a silly laugh, gulped the rest of the liquor down, and was ordering another when Sadness came in. He came up directly to Joe and sat down beside him. "Mr. Hamilton says 'Make it two, Jack,'" he said with easy familiarity. "Well, what 's the matter, old man? You 're looking glum."

"I feel glum."

"The divine Hattie has n't been cutting any capers, has she? The dear old girl has n't been getting hysterical at her age? Let us hope not."

Joe glared at him. Why in the devil should this fellow be so sadly gay when he was weighted down with sorrow and shame and disgust?

"Come, come now, Hamilton, if you 're sore because I invited myself to take a drink with you, I 'll withdraw the order. I know the heroic thing to say is that I 'll pay for the drinks myself, but I can't screw my courage up to the point of doing so unnatural a thing."

Young Hamilton hastened to protest. "Oh, I know you fellows now well enough to know how many drinks to pay for. It ain't that."

"Well, then, out with it. What is it? Have n't been up to anything, have you?"

The desire came to Joe to tell this man the whole truth, just what was the matter, and so to relieve his heart. On the impulse he did. If he had expected much from Sadness he was disappointed, for not a muscle of the man's face changed during the entire recital.

When it was over, he looked at his companion critically through a wreath of smoke. Then he said: "For a fellow who has had for a full year the advantage of the education of the New York clubs, you are strangely young. Let me see, you are nineteen or twenty now--yes. Well, that perhaps accounts for it. It 's a pity you were n't born older. It 's a pity most men are n't. They would n't have to take so much time and lose so many good things learning. Now, Mr. Hamilton, let me tell you, and you will pardon me for it, that you are a fool. Your case is n't half as bad as that of nine-tenths of the fellows that hang around here. Now, for instance, my father was hung."

Joe started and gave a gasp of horror.

"Oh, yes, but it was done with a very good rope and by the best citizens of Texas, so it seems that I really ought to be very grateful to them for the distinction they conferred upon my family, but I am not. I am ungratefully sad. A man must be very high or very low to take the sensible view of life that keeps him from being sad. I must confess that I have aspired to the depths without ever being fully able to reach them.

"Now look around a bit. See that little girl over there? That 's Viola. Two years ago she wrenched up an iron stool from the floor of a lunch-room, and killed another woman with it. She 's nineteen,--just about your age, by the way. Well, she had friends with a certain amount of pull. She got out of it, and no one thinks the worse of Viola. You see, Hamilton, in this life we are all suffering from fever, and no one edges away from the other because he finds him a little warm. It 's dangerous when you 're not used to it; but once you go through the parching process, you become inoculated against further contagion. Now, there 's Barney over there, as decent a fellow as I know; but he has been indicted twice for pocket-picking. A half-dozen fellows whom you meet here every night have killed their man. Others have done worse things for which you respect them less. Poor Wallace, who is just coming in, and who looks like a jaunty ragpicker, came here about six months ago with about two thousand dollars, the proceeds from the sale of a house his father had left him. He 'll sleep in one of the club chairs to-night, and not from choice. He spent his two thousand learning. But, after all, it was a good investment. It was like buying an annuity. He begins to know already how to live on others as they have lived on him. The plucked bird's beak is sharpened for other's feathers. From now on Wallace will live, eat, drink, and sleep at the expense of others, and will forget to mourn his lost money. He will go on this way until, broken and useless, the poor-house or the potter's field gets him. Oh, it 's a fine, rich life, my lad. I know you 'll like it. I said you would the first time I saw you. It has plenty of stir in it, and a man never gets lonesome. Only the rich are lonesome. It 's only the independent who depend upon others."

Sadness laughed a peculiar laugh, and there was a look in his terribly bright eyes that made Joe creep. If he could only have understood all that the man was saying to him, he might even yet have turned back. But he did n't. He ordered another drink. The only effect that the talk of Sadness had upon him was to make him feel wonderfully "in it." It gave him a false bravery, and he mentally told himself that now he would not be afraid to face Hattie.

He put out his hand to Sadness with a knowing look. "Thanks, Sadness," he said, "you 've helped me lots."

Sadness brushed the proffered hand away and sprung up. "You lie," he cried, "I have n't; I was only fool enough to try;" and he turned hastily away from the table.

Joe looked surprised at first, and then laughed at his friend's retreating form. "Poor old fellow," he said, "drunk again. Must have had something before he came in."

There was not a lie in all that Sadness had said either as to their crime or their condition. He belonged to a peculiar class,--one that grows larger and larger each year in New York and which has imitators in every large city in this country. It is a set which lives, like the leech, upon the blood of others,--that draws its life from the veins of foolish men and immoral women, that prides itself upon its well-dressed idleness and has no shame in its voluntary pauperism. Each member of the class knows every other, his methods and his limitations, and their loyalty one to another makes of them a great hulking, fashionably uniformed fraternity of indolence. Some play the races a few months of the year; others, quite as intermittently, gamble at "shoestring" politics, and waver from party to party as time or their interests seem to dictate. But mostly they are like the lilies of the field.

It was into this set that Sadness had sarcastically invited Joe, and Joe felt honoured. He found that all of his former feelings had been silly and quite out of place; that all he had learned in his earlier years was false. It was very plain to him now that to want a good reputation was the sign of unpardonable immaturity, and that dishonour was the only real thing worth while. It made him feel better.

He was just rising bravely to swagger out to the theatre when Minty Brown came in with one of the club-men he knew. He bowed and smiled, but she appeared not to notice him at first, and when she did she nudged her companion and laughed.

Suddenly his little courage began to ooze out, and he knew what she must be saying to the fellow at her side, for he looked over at him and grinned. Where now was the philosophy of Sadness? Evidently Minty had not been brought under its educating influences, and thought about the whole matter in the old, ignorant way. He began to think of it too. Somehow old teachings and old traditions have an annoying way of coming back upon us in the critical moments of life, although one has long ago recognised how much truer and better some newer ways of thinking are. But Joe would not allow Minty to shatter his dreams by bringing up these old notions. She must be instructed.

He rose and went over to her table.

"Why, Minty," he said, offering his hand, "you ain't mad at me, are you?"

"Go on away f'om hyeah," she said angrily; "I don't want none o' thievin' Berry Hamilton's fambly to speak to me."

"Why, you were all right this evening."

"Yes, but jest out o' pity, an' you was nice 'cause you was afraid I 'd tell on you. Go on now."

"Go on now," said Minty's young man; and he looked menacing.

Joe, what little self-respect he had gone, slunk out of the room and needed several whiskeys in a neighbouring saloon to give him courage to go to the theatre and wait for Hattie, who was playing in vaudeville houses pending the opening of her company.

The closing act was just over when he reached the stage door. He was there but a short time, when Hattie tripped out and took his arm. Her face was bright and smiling, and there was no suggestion of disgust in the dancing eyes she turned up to him. Evidently she had not heard, but the thought gave him no particular pleasure, as it left him in suspense as to how she would act when she should hear.

"Let 's go somewhere and get some supper," she said; "I 'm as hungry as I can be. What are you looking so cut up about?"

"Oh, I ain't feelin' so very good."

"I hope you ain't lettin' that long-tongued Brown woman bother your head, are you?"

His heart seemed to stand still. She did know, then.

"Do you know all about it?"

"Why, of course I do. You might know she 'd come to me first with her story."

"And you still keep on speaking to me?"

"Now look here, Joe, if you 've been drinking, I 'll forgive you; if you ain't, you go on and leave me. Say, what do you take me for? Do you think I 'd throw down a friend because somebody else talked about him? Well, you don't know Hat Sterling. When Minty told me that story, she was back in my dressing-room, and I sent her out o' there a-flying, and with a tongue-lashing that she won't forget for a month o' Sundays."

"I reckon that was the reason she jumped on me so hard at the club." He chuckled. He had taken heart again. All that Sadness had said was true, after all, and people thought no less of him. His joy was unbounded.

"So she jumped on you hard, did she? The cat!"

"Oh, she did n't say a thing to me."

"Well, Joe, it 's just like this. I ain't an angel, you know that, but I do try to be square, and whenever I find a friend of mine down on his luck, in his pocket-book or his feelings, why, I give him my flipper. Why, old chap, I believe I like you better for the stiff upper lip you 've been keeping under all this."

"Why, Hattie," he broke out, unable any longer to control himself, "you 're--you 're----"

"Oh, I 'm just plain Hat Sterling, who won't throw down her friends. Now come on and get something to eat. If that thing is at the club, we 'll go there and show her just how much her talk amounted to. She thinks she 's the whole game, but I can spot her and then show her that she ain't one, two, three."

When they reached the Banner, they found Minty still there. She tried on the two the same tactics that she had employed so successfully upon Joe alone. She nudged her companion and tittered. But she had another person to deal with. Hattie Sterling stared at her coldly and indifferently, and passed on by her to a seat. Joe proceeded to order supper and other things in the nonchalant way that the woman had enjoined upon him. Minty began to feel distinctly uncomfortable, but it was her business not to be beaten. She laughed outright. Hattie did not seem to hear her. She was beckoning Sadness to her side. He came and sat down.

"Now look here," she said, "you can't have any supper because you have n't reached the stage of magnificent hunger to make a meal palatable to you. You 've got so used to being nearly starved that a meal don't taste good to you under any other circumstances. You 're in on the drinks, though. Your thirst is always available.--Jack," she called down the long room to the bartender, "make it three.--Lean over here, I want to talk to you. See that woman over there by the wall? No, not that one,--the big light woman with Griggs. Well, she 's come here with a story trying to throw Joe down, and I want you to help me do her."

"Oh, that 's the one that upset our young friend, is it?" said Sadness, turning his mournful eyes upon Minty.

"That 's her. So you know about it, do you?"

"Yes, and I 'll help do her. She must n't touch one of the fraternity, you know." He kept his eyes fixed upon the outsider until she squirmed. She could not at all understand this serious conversation directed at her. She wondered if she had gone too far and if they contemplated putting her out. It made her uneasy.

Now, this same Miss Sterling had the faculty of attracting a good deal of attention when she wished to. She brought it into play to-night, and in ten minutes, aided by Sadness, she had a crowd of jolly people about her table. When, as she would have expressed it, "everything was going fat," she suddenly paused and, turning her eyes full upon Minty, said in a voice loud enough for all to hear,--

"Say, boys, you 've heard that story about Joe, have n't you?"

They had.

"Well, that 's the one that told it; she 's come here to try to throw him and me down. Is she going to do it?"

"Well, I guess not!" was the rousing reply, and every face turned towards the now frightened Minty. She rose hastily and, getting her skirts together, fled from the room, followed more leisurely by the crestfallen Griggs. Hattie's laugh and "Thank you, fellows," followed her out.

* * * * *

Matters were less easy for Joe's mother and sister than they were for him. A week or more after this, Kitty found him and told him that Minty's story had reached their employers and that they were out of work.

"You see, Joe," she said sadly, "we 've took a flat since we moved from Mis' Jones', and we had to furnish it. We 've got one lodger, a race-horse man, an' he 's mighty nice to ma an' me, but that ain't enough. Now we 've got to do something."

Joe was so smitten with sorrow that he gave her a dollar and promised to speak about the matter to a friend of his.

He did speak about it to Hattie.

"You 've told me once or twice that your sister could sing. Bring her down here to me, and if she can do anything, I 'll get her a place on the stage," was Hattie's answer.

When Kitty heard it she was radiant, but her mother only shook her head and said, "De las' hope, de las' hope."

XII

"ALL THE WORLD'S A STAGE"

Kitty proved herself Joe's sister by falling desperately in love with Hattie Sterling the first time they met. The actress was very gracious to her, and called her "child" in a pretty, patronising way, and patted her on the cheek.

"It 's a shame that Joe has n't brought you around before. We 've been good friends for quite some time."

"He told me you an' him was right good friends."

Already Joe took on a new importance in his sister's eyes. He must be quite a man, she thought, to be the friend of such a person as Miss Sterling.

"So you think you want to go on the stage, do you?"

"Yes, 'm, I thought it might be right nice for me if I could."

"Joe, go out and get some beer for us, and then I 'll hear your sister sing."

Miss Sterling talked as if she were a manager and had only to snap her fingers to be obeyed. When Joe came back with the beer, Kitty drank a glass. She did not like it, but she would not offend her hostess. After this she sang, and Miss Sterling applauded her generously, although the young girl's nervousness kept her from doing her best. The encouragement helped her, and she did better as she became more at home.

"Why, child, you 've got a good voice. And, Joe, you 've been keeping her shut up all this time. You ought to be ashamed of yourself."

The young man had little to say. He had brought Kitty almost under a protest, because he had no confidence in her ability and thought that his "girl" would disillusion her. It did not please him now to find his sister so fully under the limelight and himself "up stage."

Kitty was quite in a flutter of delight; not so much with the idea of working as with the glamour of the work she might be allowed to do.

"I tell you, now," Hattie Sterling pursued, throwing a brightly stockinged foot upon a chair, "your voice is too good for the chorus. Gi' me a cigarette, Joe. Have one, Kitty?--I 'm goin' to call you Kitty. It 's nice and homelike, and then we 've got to be great chums, you know."

Kitty, unwilling to refuse anything from the sorceress, took her cigarette and lighted it, but a few puffs set her off coughing.

"Tut, tut, Kitty, child, don't do it if you ain't used to it. You 'll learn soon enough."

Joe wanted to kick his sister for having tried so delicate an art and failed, for he had not yet lost all of his awe of Hattie.

"Now, what I was going to say," the lady resumed after several contemplative puffs, "is that you 'll have to begin in the chorus any way and work your way up. It would n't take long for you, with your looks and voice, to put one of the 'up and ups' out o' the business. Only hope it won't be me. I 've had people I 've helped try to do it often enough."

She gave a laugh that had just a touch of bitterness in it, for she began to recognise that although she had been on the stage only a short time, she was no longer the all-conquering Hattie Sterling, in the first freshness of her youth.

"Oh, I would n't want to push anybody out," Kit expostulated.

"Oh, never mind, you 'll soon get bravely over that feeling, and even if you did n't it would n't matter much. The thing has to happen. Somebody 's got to go down. We don't last long in this life: it soon wears us out, and when we 're worn out and sung out, danced out and played out, the manager has no further use for us; so he reduces us to the ranks or kicks us out entirely."

Joe here thought it time for him to put in a word. "Get out, Hat," he said contemptuously; "you 're good for a dozen years yet."

She did n't deign to notice him, save so far as a sniff goes.

"Don't you let what I say scare you, though, Kitty. You 've got a good chance, and maybe you 'll have more sense than I 've got, and at least save money--while you 're in it. But let 's get off that. It makes me sick. All you 've got to do is to come to the opera-house to-morrow and I 'll introduce you to the manager. He 's a fool, but I think we can make him do something for you."

"Oh, thank you, I 'll be around to-morrow, sure."

"Better come about ten o'clock. There 's a rehearsal to-morrow, and you 'll find him there. Of course, he 'll be pretty rough, he always is at rehearsals, but he 'll take to you if he thinks there 's anything in you and he can get it out."

Kitty felt herself dismissed and rose to go. Joe did not rise.

"I 'll see you later, Kit," he said; "I ain't goin' just yet. Say," he added, when his sister was gone, "you 're a hot one. What do you want to give her all that con for? She 'll never get in."

"Joe," said Hattie, "don't you get awful tired of being a jackass? Sometimes I want to kiss you, and sometimes I feel as if I had to kick you. I 'll compromise with you now by letting you bring me some more beer. This got all stale while your sister was here. I saw she did n't like it, and so I would n't drink any more for fear she 'd try to keep up with me."

"Kit is a good deal of a jay yet," Joe remarked wisely.

"Oh, yes, this world is full of jays. Lots of 'em have seen enough to make 'em wise, but they 're still jays, and don't know it. That 's the worst of it. They go around thinking they 're it, when they ain't even in the game. Go on and get the beer."

And Joe went, feeling vaguely that he had been sat upon.

Kit flew home with joyous heart to tell her mother of her good prospects. She burst into the room, crying, "Oh, ma, ma, Miss Hattie thinks I 'll do to go on the stage. Ain't it grand?"

She did not meet with the expected warmth of response from her mother.

"I do' know as it 'll be so gran'. F'om what I see of dem stage people dey don't seem to 'mount to much. De way dem gals shows demse'ves is right down bad to me. Is you goin' to dress lak dem we seen dat night?"

Kit hung her head.

"I guess I 'll have to."

"Well, ef you have to, I 'd ruther see you daid any day. Oh, Kit, my little gal, don't do it, don't do it. Don't you go down lak yo' brothah Joe. Joe 's gone."

"Why, ma, you don't understand. Joe 's somebody now. You ought to 've heard how Miss Hattie talked about him. She said he 's been her friend for a long while."

"Her frien', yes, an' his own inimy. You need n' pattern aftah dat gal, Kit. She ruint Joe, an' she 's aftah you now."

"But nowadays everybody thinks stage people respectable up here."

"Maybe I 'm ol'-fashioned, but I can't believe in any ooman's ladyship when she shows herse'f lak dem gals does. Oh, Kit, don't do it. Ain't you seen enough? Don't you know enough already to stay away f'om dese hyeah people? Dey don't want nothin' but to pull you down an' den laugh at you w'en you 's dragged in de dust."

"You must n't feel that away, ma. I 'm doin' it to help you."

"I do' want no sich help. I 'd ruther starve."

Kit did not reply, but there was no yielding in her manner.