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Chapter XVII: The Turn of the Tide

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Lights in a country house at night are often the signal of birth or death, sometimes of both. The old red house threw its beacon from almost every window that night, and seemed mutely to defy the onslaught of enveloping darkness, whether Plutonic or Stygian. Time was when Parson Thayer's library lamp burned nightly into the little hours, and through the uncurtained windows the churchyard ghosts, had they wandered that way, could have seen his long thin form, wrapped in a paisley cloth dressing-gown, sitting in the glow. He would have been reading some old leather-bound volume, and would have remained for hours almost as quiet and noiseless as the ghosts themselves. Now he had stepped across his threshold and joined them, and new spirits had come to burn the light in the old red house.

Agatha, half-dressed, had slept, and woke feeling that the night must be far advanced. The house was very still, with no sound or echo of the incoherent tones which, for now many days, had come from the room down the hall. She lit a candle, and the sputtering match seemed to fill the house with noise. Her clock indicated a little past midnight. It was only twenty minutes since she had lain down, but she was wide awake and refreshed. While she was pinning up her hair in a big mass on the top of her head, she heard in the hall slow, steady steps, firm but not heavy, even as in daytime. Susan Stoddard did not tiptoe.

Agatha was at the door before she could knock.

"You had better come for a few minutes," Mrs. Stoddard said. The tones were, in themselves, an adjuration to faith and fortitude.

"Yes, I will come," said Agatha. They walked together down the dimly lighted hall, each woman, in her own way, proving how strong and efficient is the discipline of self-control.

In the sick-room a screen shaded the light from the bed, which had been pulled out almost into the middle of the room. Near the bed was a table with bottles, glasses, a covered pitcher, and on the floor an oxygen tank. Doctor Thayer's massive figure was in the shadow close to the bed, and Aleck Van Camp leaned over the curved footboard. James lay on his pillow, a ghost of a man, still as death itself. As Agatha grew accustomed to the light, she saw that his eyes were closed, the lips under the ragged beard were drawn and slightly parted; his forehead was the pallid forehead of death-in-life. Neither the doctor nor Aleck moved or turned their gaze from the bed as Agatha and Mrs. Stoddard entered. The air was still, and the profound silence without was as a mighty reservoir for the silence within.

Agatha stood by the footboard beside Aleck, while Mrs. Stoddard, getting a warm freestone from the invisible Mr. Hand in the hall, placed it beneath the bedclothes. Aleck Van Camp dropped his head, covering his face with his hands. Agatha, watching, by and by saw a change come over the sick man's face. She held her breath, it seemed, for untold minutes, while Doctor Thayer reached his hand to the patient's heart and leaned over to observe more closely his face.

"See!" she whispered to Aleck, touching his shoulder lightly, "he is looking at us." When Aleck looked up James was indeed looking at them with large, serious, half-focussed eyes. It was as if he were coming back from another world where the laws of vision were different, and he was only partially adjusted to the present conditions. He moved his hands feebly under the bedclothes, where they were being warmed by the freestone, and then tried to moisten his lips. Agatha took a glass of water from the table, looked about for a napkin, but, seeing none, wet the tips of her fingers and placed them gently over James's lips. His eyes followed her at first, but closed for an instant as she came near. When they opened again, they looked more natural. As he felt the comfort of the water on his lips, his features relaxed, and a look of recognition illumined his face. His eyes moved from Agatha to Aleck, who was now bending over him, and back to Agatha. The look was a salute, happy and peaceful. Then his eyes closed again.

For an hour Agatha and Aleck kept their watch, almost fearing to breathe. Doctor Thayer worked, gave quiet orders, tested the heartbeats, let no movement or symptom go unnoticed. For a time James kept even the doctor in doubt whether he was slipping into the Great Unknown or into a deep and convalescent sleep. By the end of the hour, however, Jimsy had decided for natural sleep, urged thereto, perhaps, by that unseen playwright who had decreed another time for the curtain; or perhaps he was kept by Doctor Thayer's professional persuasions, in defiance of the prompter's signal. However the case, the heart slowly but surely began to take up its job like an honest force-pump, the face began to lose its death-like pallor, the breathing became more nearly normal. Doctor Thayer, with Mrs. Stoddard quiet and efficient at his elbow, worked and tested and worked again, and finally sat moveless for some minutes, watch in hand, counting the pulsations of James's heart. At the end of the time he laid the hand carefully back under the clothes, put his watch in his pocket, and finally got up and looked around the room.

Mrs. Stoddard was pouring something into a measuring glass. Agatha was standing by the window, looking out into the blue night; and Aleck could be seen through the half-open door, pacing up and down the hall. Doctor Thayer turned to his sister.

"Give him his medicine on the half-hour, and then you go to bed. That man Hand will do now." Then he went to the door and addressed Aleck. "Well, Mr. Van Camp, unless something unexpected turns up, I think your cousin will live to jump overboard again."

Offhand as the words were, there was unmistakable satisfaction, happiness, even triumph in his voice, and he returned Aleck's hand-clasp with a vise-like grip. His masculinity ignored Agatha, or pretended to; but she had followed him to the door. As the old man clasped hands with Aleck, he heard behind him a deep, "O Doctor!" The next instant Agatha's arms were around his neck, and the back of his bald head was pressed against something that could only have been a cheek. Surprising as this was, the doctor did not stampede; but by the time he had got clear of Aleck and had reached up his hand to find the cheek, it was gone, and the arms, too. Susan Stoddard somehow got mixed up in the general _Te Deum_ in the hall, and for the first time, now that the fight was over, allowed her feminine feelings--that is, a few tears--to come to the surface.

Aleck, however, went to pieces, gone down in that species of mental collapse by which deliberate, judicial men become reckless, and strong men become weak. He stepped softly back into the bedroom and leaned again over the curved footboard, his face quite miserable. He went nearer, and held his ear down close to the bedclothes, to hear for himself the regular beating of the heart. Slowly he convinced himself that the doctor's words might possibly be true, at least. He turned to Hand, who had come in and was adjusting the shades, and asked him: "Do _you_ believe he's asleep?" in the tone of one who demands an oath.

"Oh, yes, sir; he's sleeping nicely, Mr. Van Camp. I saw the change the moment I came in."

Aleck still hesitated to leave, fearful, apparently, lest he might take the blessed sleep away with him. As he stood by the bed, a low but distinct whistle sounded outside, then, after a moment's interval, was repeated. Aleck lifted his head at the first signal, took another look at James and one at Hand, then light as a cat he darted from the room and down the stairs, leaving the house through one of the tall windows in the parlor. Mr. Chamberlain was standing near the lilac bushes, his big figure outlined dimly in the darkness.

"Shut up!" Aleck whispered fiercely, as he ran toward him. "He's just got to sleep, Chamberlain; gone to sleep, like a baby. Don't make an infernal racket!"

"Oh, I didn't know. Didn't mean to make a racket," began Chamberlain, when Aleck plumped into him and shook him by the shoulders.

"He's asleep--like a baby!" he reiterated. And Chamberlain, wise comrade, took Aleck by the arm and tramped him off over the hill to settle his nerves. They walked for an hour arm in arm over the road that lay like a gray ribbon before them in the night, winding up slantwise along the rugged country.

Dawn was awake on the hills a mile away, and by and by Aleck found tongue to tell the story of the night, which was good for him. He talked fast and unevenly, and even extravagantly. Chamberlain listened and loved his friend in a sympathy that spoke for itself, though his words were commonplace enough. By the time they had circled the five-mile road and were near the house again, Aleck was something like himself, though still unusually excited. Chamberlain mentioned casually that Miss Reynier had been anxious about him, and that all his friends at the big hotel had worried. Finally, he, Chamberlain, had set out for the old red house, thinking he could possibly be of service; in any case glad to be near his friend.

"And, by the way," Chamberlain added; "you may be interested to hear that accidentally I got on the track of that beggar who ate the hermit's eggs. Took a tramp this morning, and found him held up at a kind of sailor's inn, waiting for money. Grouchy old party; no wonder his men shipped him."

Aleck at first took but feeble interest in Chamberlain's discoveries; he was still far from being his precise, judicial self. He let Chamberlain talk on, scarcely noticing what he said, until suddenly the identity of the man whom Chamberlain was describing came home to him. Agatha's story flashed back in his memory. He stopped short in his tracks, halting his companion with a stretched-out forefinger.

"Look here, Chamberlain," he said, "I've been half loony and didn't take in what you said. If that's the owner or proprietor of the _Jeanne D'Arc_--a man known as Monsieur Chatelard, French accent, blond, above medium size, prominent white teeth--we want him right away. He kidnapped Miss Redmond in New York, and I shouldn't wonder if he kidnapped old Jim and stole the yacht besides. He's a bad one."

Mr. Chamberlain had the air of humoring a lunatic. "Well, what's to be done? Is it a case for the law? Is there any evidence to be had?"

"Law! Evidence!" cried Aleck. "I should think so. You go to Big Simon, Chamberlain, and find out who's sheriff, and we'll get a warrant and run him down. Heavens! A man like that would sell his mother!"

Chamberlain looked frankly skeptical, and would not budge until Aleck had related every circumstance that he knew about Agatha's involuntary flight from New York. He was all for going to the red house and interviewing Agatha herself, but Aleck refused to let him do that.

"She's worn out and gone to bed; you can't see her. But it's straight, you take my word. We must catch that scoundrel and bring him here for identification--to be sure there's no mistake. And if it is he, it'll be hot enough for him."

Chamberlain doubted whether it was the same man, and put up objections seriatim to each proposition of Aleck's, but finally accepted them all. He made a point, however, of going on his quest alone.

"You go back to the red house and go to bed, and I'll round up Eggs. I think I know how the trick can be done."

Aleck was stubborn about accompanying Chamberlain, but the Englishman plainly wouldn't have it. He told Aleck he could do it better alone, and led him by the arm back to the old red house, where the kitchen door stood hospitably open. Sallie was at work in her pantry. The kettle was singing on the stove, and the milk had already come from a neighbor's dairy.

Sallie's temper may not have been ideal, but at least she was not of those who are grouchy before breakfast. She served Aleck and Chamberlain in the kitchen with homely skill, giving them both a wholesome and pleasant morning after their night of gloom.

"You can't do anything right all day if you start behindhand," she replied when Aleck remarked upon her early rising. "Besides, I was up last night more than once, watching for Miss Redmond. The young man's sleeping nicely, she says."

She went cheerfully about her kitchen work, giving the men her best, womanlike, and asking nothing in return, not even attention. They took her service gratefully, however, and there was enough of Eve in Sallie to know it.

"By the way, Chamberlain," said Aleck, "we must get a telegram off to the family in Lynn." He wrote out the address and shoved it across Sallie's red kitchen tablecloth. "And tell them not to think of coming!" adjured Aleck. "We don't want any more of a swarry here than we've got now." Chamberlain undertook to send the message; and since he had contracted to catch the criminal of the _Jeanne D'Arc_, he was eager to be off on his hunt.

"Good-by, old man. You go to bed and get a good sleep. I'll stop at the hotel and leave word for Miss Reynier. And you stay here, so I'll know where you are. I may want to find you quick, if I land that bloomin' beggar."

"Thanks," said Aleck weakly. "I'll turn in for an hour or so, if Sallie can find me a bed."

Mr. Chamberlain made several notes on an envelope which he pulled from his pocket, gravely thanked Sallie for her breakfast and lifted his hat to her when he departed. Aleck dropped into a chair and was stupidly staring at the stove when Sallie returned from a journey to the pump in the yard.

"You'll like to take a little rest, Mr. Van Camp," she said, "and I know just the place where you'll not hear a sound from anywhere--if you don't mind there not being a carpet. I'll go up right away and show you the room before I knead out my bread." So she conducted Aleck to a big, clean attic under the rafters, remote and quiet. He was exhausted, not from lack of sleep--he had often borne many hours of wakefulness and hard work without turning a hair--but from the jarring of a live nerve throughout the night of anxiety. The past, and the relationships of youth and kindred were sacred to him, and his pain had overshadowed, for the hour at least, even the newer claims of his love for Mélanie Reynier.

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The Stolen SingerChapter XVII: The Turn of the Tide

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