Chapter III: Part 3

At Washington, members of the House of Representatives, in addition to a fixed salary and liberal allowance for railway fares, have various little pickings, in the way, for example, of stationery, which is supplied _ad libitum_ for their private use. Another privilege, indispensable to the due performance of their labours, is a bath. Attached to the Legislative Chamber is one of the most luxurious bathing establishments in the world. Anything, from the ordinary cold tub to the most elaborate Turkish bath, is at the disposal of members. The prospect of being able to retire from a heated debate and enjoy the long luxury of a Turkish bath is sufficient to make a British M. P.'s mouth water. Of course, there is the difficulty about the imminence of divisions. The sound of the division bell, suddenly clanging through the various chambers of a Turkish bath, would cause dire consternation. But daily use would suggest a means of minimizing possible inconvenience. There might, for example, come into existence such a thing as a bath pair, corresponding with the present dinner pair.

[Sidenote: A DRESSING-ROOM TRAGEDY.]

It will appear scarcely credible that the House of Commons, though widely known as the best club in the world, lacks the accommodation, common to an ordinary club, of dressing-rooms where members may change their clothes for dinner. The convenience of such an arrangement is particularly obvious in the case of a body of men, the majority of whom dine out during the Session, and are frequently, by the imminence of a division, kept waiting about to within a quarter of an hour of the time at which they are due for dinner. Ministers have their private room. But for this purpose it is of less use to them than to the private member. They are not supposed to dine out whilst the House is in Session, and if they, greatly daring, dine, they avail themselves of the privilege of presenting themselves in morning dress. Occasionally one lends his room to a private friend, hard pressed to keep a dinner engagement, possible only if he can save the time involved in going home to dress.

A few Sessions ago, a well-known Q.C. had an exciting adventure consequent upon changing his dress at the House. He had arranged with a friend in the Ministry, who had a chamber near the top of the staircase leading into Palace Yard, to use it as a dressing-room. He anxiously watched the course of the debate as it proceeded over seven o'clock, hoping it would conclude in time for him to run into his friend's room, and slip into his dinner-dress in time to keep his appointment. At half-past seven things began to look bad. A member, usually good for at least half an hour, had risen to continue the debate. On second thoughts, here was a chance. Suppose he were to retire now, change his clothes, and be ready to drive off as soon as the division lobby was cleared?

He acted on the idea with characteristic promptitude, and had reached an exceedingly critical stage in the change of raiment, when the division bell rang. The member in possession of the House when he left it had been unexpectedly merciful, had brought his remarks within the limits of ten minutes, and the division was called. Only three minutes elapse between the clearing of the House for a division and the putting of the question. Supposing the Q.C. to be fully dressed, there was only time comfortably to reach the House from the Minister's room. He was certainly not dressed, and it was a nice question whether it would be a shorter process to go back to the chrysalis state of morning dress, or proceed to complete the butterfly development upon which he had embarked when almost paralyzed by the sound of the division bell. One thing was clear, he must take part in the division. An issue depended on it which would not incline the Whips to accept frivolous excuse for abstention.

Again a happy thought occurred to him. Suppose he were to put on an overcoat and so hide his collarless condition? But his overcoat was in the cloak-room, a flight lower down. The spectacle of a learned and somewhat adipose Q.C. rushing downstairs in shirt and trousers might lead to misapprehension. There was, however, nothing else to be done, and the flight was successfully accomplished. The hon. member safely reached the cloak-room, was helped on with his coat, and, with collar turned up closely buttoned at the throat, he passed through the Division Lobby, an object of much sympathy to his friends, who thought his cold must be bad indeed to justify this extreme precaution on a summer night.

[Sidenote: PRIVILEGE.]

It is a well-known fact, much appreciated in quarters personally concerned, that no action for libel may be based upon words spoken in the House of Commons. This understanding has been confirmed by an action to which Mr. Arthur Balfour was an involuntary party. In the course of debate, in which he took part as Chief Secretary, he had spoken disrespectfully of a midwife in the south of Ireland. The lady's friends rallied round her, and guaranteed funds to cover the expenses of a civil action for damages brought against the Chief Secretary. Had the case come before a Cork jury, as was inevitable if it went to trial, it would doubtless have proved a profitable transaction for the plaintiff. Mr. Balfour appealed to a higher Court, on the ground that the words spoken in Parliamentary debate are privileged. The Court sustained this view, and the trial was set aside.

I have high judicial authority for the statement that in spite of this rule the position of a member of Parliament in the matter of libel is not impregnable. He is quite safe, not only as far as words spoken in the House are concerned, but is not responsible for their publication in the newspapers, or their subsequent appearance in "Hansard." "Hansard," however, is accustomed to send to each member a report of his speech, leaving to him the option of revision. If the proof be not returned within a few days it is assumed that no correction is desired, and the speech goes down to posterity in the form it was handed in by the reporter. When a member has revised his speech the fact is intimated by a star.

It is herein the distinction in the matter of legal liability is established. A member having voluntarily revised his speech is assumed, by the fresh and independent action taken outside the House of Commons, to have assumed a liability he would otherwise have escaped. An action would lie against him, not for the speech delivered in Parliament, but for the publication of the libel under his revision, and upon his authority, in a widely circulated periodical. _Verb. sap._

[Sidenote: A PRECIOUS VOLUME.]

A glance over any volume of "Hansard" shows that it is only the new or inconsiderable member, whose speeches are not likely to become the texts of subsequent debate, who is at pains to revise reports of his Parliamentary utterances. Old Parliamentary hands like Mr. Gladstone, Mr. Balfour, and Mr. Chamberlain are, in the first place, too busy, and, in the second, too wise, to commit themselves to the task.

Mr. Chamberlain once suffered from yielding to the temptation to secure an accurate report of his deliverances on important political questions. In 1885, on the precipice below which unexpectedly lay the fissure in the Liberal Party, Messrs. Routledge brought out a series of volumes containing reports of the speeches of some six or eight statesmen on questions of the day. It was an "authorized" edition, the various contributors revising their speeches. At this epoch Mr. Chamberlain was the risen hope of the Radical Party. His vigorous argument and incisive invective were directed against the Conservative Party, its history, ancient and modern. It is from this little volume that Mr. Gladstone, in his speech at Edinburgh just before the Winter Session, drew the citation of Mr. Chamberlain's indictment of the House of Lords. It was not the first time it had been remembered. But Mr. Gladstone's joyous discovery sent it trumpet-tongued throughout the English-speaking world. It is this compilation that rescued from the obscurity of daily newspaper reports the happily conceived, perfectly phrased, and now classical similitude drawn between Mr. Gladstone and a mountain.

"Sometimes I think," Mr. Chamberlain said in a passage the perfect literary form of which tempts to quotation, "that great men are like mountains, and that we do not appreciate their magnitude while we are still close to them. You have to go to a distance to see which peak it is that towers above its fellows; and it may be that we shall have to put between us and Mr. Gladstone a space of time before we shall know how much greater he has been than any of his competitors for fame and power. I am certain that justice will be done to him in the future, and I am not less certain that there will be a signal condemnation of the men who, moved by motives of party spite, in their eagerness for office, have not hesitated to treat with insult and indignity the greatest statesman of our time--who have not allowed even his age, which entitles him to their respect, or his high personal character, or his long services to his Queen and his country, to shield him from the vulgar affronts and the lying accusations of which he has nightly been made the subject in the House of Commons. He, with his great magnanimity, can afford to forget and forgive these things. Those whom he has served so long it behoves to remember them, to resent them, and to punish them."

The speech in which this gem lies entombed was delivered at Birmingham, on the 4th June, 1885. In the intervening nine years Mr. Chamberlain has had opportunities of regarding the mountain from other points of view, and has discovered quite new aspects.

This volume of Mr. Chamberlain's speeches has long been out of print. The shilling edition and the half-crown edition command considerably enhanced prices on the rare occasions when they come upon the market. There is one precious copy in the Library in the House of Commons, the condition of which testifies to the frequency of reference. The existence of such a record may be occasionally embarrassing to the politician, but if Mr. Chamberlain were vain, it must be gratifying to the man. It is only a strong personality that could evoke such testimony of eager interest.

[Sidenote: LORDS IN THE COMMONS.]

It is pretty to note the deathless attraction the House of Commons has for members who have left it to take their seats in another place. They may be peers privileged to sit in the stately Chamber at the other side of the Octagon Hall. But their hearts, untravelled, fondly turn to the plainer Chamber in which is set the Speaker's Chair. Even the Duke of Devonshire has not been able wholly to resist the spell. Whilst he was still member for Rossendale, it was only a heroic, predominant sense of duty that brought him down to the Commons. Since he became a peer scarcely an evening passes in the Session that he does not look in, chatting with friends in the Lobby, sometimes sitting out an hour of debate, watched from the gallery over the clock. Lord Rowton never had a seat in the Commons other than that under the gallery allotted to the Private Secretary of the Leader of the House. But in earlier days he had much business in the Lobby of the House of Commons, and when in town and in attendance on the House of Lords, he rarely misses the opportunity of revisiting his old haunts.

It is many years since Lord Morris was "the boy for Galway," representing the county through several Sessions. Through that avenue he joked his way, first to be Solicitor-General, then Attorney-General, next Lord Chief Justice of Ireland, and finally Lord of Appeal, with a life peerage. During the debates in the Commons last Session on the Home Rule Bill he was in constant attendance. Even when the subject-matter of debate is not one that touches the heart of a patriot, the ex-member for Galway is regularly seen in the Lobby of the House of Commons, his presence being indicated by a ripple of laughter in the group surrounding him.

For some Sessions after the House of Commons suffered the irreparable loss of the counsel of Sir Richard Cross, the Lobby was occasionally suffused by the air of wisdom and respectability inseparable from the presence of Lord Cross. Last Session he intermitted this habit, the Lobby becoming in his absence almost a resort for the frivolous. Lord Monk-Bretton is another old Commoner who has not entirely overcome the habit of strolling into the Lobby of the House in whose Chair of Committees he once sat. Lord Playfair, another ex-Chairman of Committees, is often seen there. The Earl of Aberdeen, before Canada claimed him, was almost nightly in the Lobby and corridors of the House of Commons, albeit he was not drawn thither by personal recollections of former memberships. Dukes, except his Grace of Devonshire, rarely descend on the level of the Lobby, and no Bishop has been seen there since the Bishop of London, looking in surplice and bands after debate in the House of Lords, was accosted by Mr. McClure and genially invited to take a glass of sherry and bitters.

[Sidenote: OLD WHIPS AND NEW.]

Lord Battersea has rather cut the place in which he long lingered as a Whip, and Lord Dartmouth is not often seen in the place where through many Sessions Lord Lewisham used to walk about, Whips' book in hand, endeavouring to keep a House through the dinner hour. Lord Kensington is a regular frequenter of the Lobby, and instinctively takes his stand near the door leading to the staircase where through many Sessions he kept guard, barring the passage of unpaired members. Lord Kensington is not a man of supercilious manner, but there was something of unmistakable scorn in his eyes when they first alighted on the screen which his successors in the Ministerial Whips' seat last Session introduced. Certainly a searching wind creeps up the staircase from Palace Yard when it is wintry weather. But Lord Kensington sat there from 1880 to 1885 without so much as a rug on his knees. A more degenerate race are inconsolable without some contrivance for warding off the draught. In ordinary circumstances this object might easily be attained. A screen of fair proportions flanking the bench by the Whips' side would be fully effective. But this is the main entrance to the Lobby. A full-sized screen would be impossible. Accordingly, a something has been made considerably too tall for the base upon which it stands. The consequence is embarrassing, sometimes appalling. Either the Thing falls outward when the glass door is opened, scaring the new arrival, or it flops inward, threatening to crush Mr. Causton, and cut off, in its flower, a useful life.

[Sidenote: LORD DENMAN AND MR. ATKINSON.]

Lord Cranbrook has long got over the habit once dominant of revisiting the scenes in which his political fortunes were established. Lord Denman never had a seat in the Commons, but his sad, grey figure, crowned with the purple smoking cap, was familiar in the Lobby in the last Parliament. The attraction for him was removed when Mr. Farmer-Atkinson retired from the political stage. In the former member for Boston, Lord Denman found a kindred spirit. They made a pact together whereby the peer was to take charge of the Commoner's Bills when they reached the Upper House, Mr. Atkinson performing a kindred service for his noble friend when his Woman's Suffrage Bill had run the gauntlet of the Lords. It came to pass that opportunity was not forthcoming on either side for fulfilment of this pledge. The Peers would not pass Lord Denman's Bill, nor did the Commons encourage Mr. Atkinson's legislative efforts. Still, they took counsel together, prepared for emergencies. Sometimes they would be found in consultation by the big brass gates that shut off the House of Lords from common people. Oftener Lord Denman, having fuller leisure, sought Mr. Atkinson in the Lobby of the Commons. Beyond particular measures for the good of the country in which they were interested, they cherished a dream of a combination between really sensible men of both Houses, who, rising above party purposes and prejudices, should devote themselves heart and soul to placing the empire on a sounder foundation.

The development of this plan was interrupted by officious friends placing some restraint on the movements of Mr. Farmer-Atkinson, and his (only temporary it is to be hoped) withdrawal from public life.

[Sidenote: TWO UMBRELLAS.]

Lord Herschell, once a regular frequenter of the Lobby, does not often find time to look in now that he is Lord Chancellor, and in addition to the ordinary weighty calls of his office, has in hand the revision of the Commission of the Peace. Another peer, once a constant visitor, who has abandoned the place, is the Earl of Ravensworth. He was long known in the House of Commons as Lord Eslington, a representative of the highest type of county member. When he succeeded to the peerage he spent more time in the Lobby of the Commons than on the red benches of the House of Lords. Whatever the season of the year or the prospect of the weather, he brought his umbrella with him, a heavily constructed article, capable of sustaining the weight of a properly tall man when he leaned upon it, whilst he conversed with a circle of friends.

The only member whose faithful attachment to his umbrella equalled Lord Ravensworth's was the late Mr. Tom Collins. Judging from the shade of the gingham, the determination of the bulge in the middle where it was tied round with a piece of tape, and the worn condition of the ferrule, the umbrella dated back to the epoch of the Great Exhibition. So dear was it to the heart of its owner that he would not risk accident or loss by leaving it to take its chance with the miscellaneous multitude in the cloak-room. Like Lord Ravensworth, he carried it with him in all weathers, and before entering the House to take part in the solemn institution of prayers, he reverently deposited it behind the chair of the principal doorkeeper. Mr. Collins was not a man of abnormally suspicious nature. All his colleagues in the House of Commons were honourable men. Still, human nature is weak. To see an umbrella like that hanging loosely on a peg, or to find it ready to hand mixed up with a lot of ordinary articles, might prove too strong a temptation for a weak brother. Mr. Collins spared many a possible pang by placing his umbrella out of range of casual sight in personal charge of the doorkeeper.

[Sidenote: SOME OTHER PEERS.]

I never saw Lord Salisbury in the Lobby, and do not recall any time when his burly figure was seen looking down from the gallery on the arena in which the first Lord Robert Cecil played a lively part. Earl Spencer comes over occasionally for consultation with his colleagues. Lord Rosebery, with the cares of the Empire on his shoulders, finds time occasionally to look in at the House, for a seat in which, as he has sometimes hinted, he would gladly barter his coronet.

_A Bohemian Artists' Club._

BY ALFRED T. STORY.

London numbers many societies for artists; but there is not another so quaint in its style and so characteristic in all its methods as the Langham Sketching Club, or, as it is called in brief parlance, and, in fact, more correctly, "The Langham," for the Sketching Club is in reality only a part of the whole. It is a very modest and retiring body, and does not make much ado, or call public attention to itself by the usual and popular methods of gaining notoriety.

These have always been its leading characteristics. It thought so little of itself, indeed, in the first instance that it allowed itself to be ushered into existence in a lowly shed at the bottom of a mews, or in a stonemason's yard, as some say. This humble abode was situated in Clipstone Street, Fitzroy Square, and the society's nativity took place what time the Sailor King ruled the land, some eight years before Her present Gracious Majesty ascended the throne.

It was started by eight men, who wished by co-operation and emulation to improve themselves and each other in the art which they had adopted as their profession; and it is significant of the oddity which has ever characterized the society and its proceedings that, no sooner had the resolution been carried confining its membership to the eight founders, than it admitted a ninth. These nine original members were: W. Kidd, F. Gary, J. C. Zeitter, A. M. Huffam, John Knight, William Purser, William Derby, J. Mimpriss, and William Brough, the latter being the honorary secretary.

According to the rules they framed for their governance, the society was to be "for the study of artistic human figures." It was to meet three times a week, in the evening, and work for a couple of hours. Each member on joining was called upon to subscribe ten shillings; after which, his contribution consisted in paying his share of the expenses. These were totted up at the end of the week, and then and there settled. Fines were imposed for non-attendance, unless the absentee were able to produce good and sufficient reason for his non-appearance; and for a long time to come the chief business of the committee appears to have been to impose these fines, then remit them, or discuss the means of enforcing their payment upon men who were generally light-hearted, except when weighed down by the lightness of their pockets. Peace be to their souls! If there were not many Michael Angelos among them, there was an infinite amount of good-fellowship.

The actual date of this simple and democratic constitution was March 9, 1830; but it had no sooner been framed than--as in the case of another and more famous constitution--it was found necessary to go to work and tinker it into shape and usability. Hence, between then and now, it has undergone many changes, albeit nothing has been done to detract from its broad fundamental characteristics. The club (for such, in fact, it is) may be said to combine the greatest amount of good-fellowship with the least possible restraint by rule and regulation.

A year after the society's foundation a somewhat radical change took place. It had quickly been found impossible to confine its membership to the original nine founders, and the number was gradually increased to fifteen. Now it was decided to divide the society into members and subscribers; the former paying a pound a quarter and constituting the governing body; while the latter paid twenty-seven shillings and had no part whatever in the management--in this also following the example of our national Constitution as it then was.

At first members and subscribers were alike ten in number; but in course of time the members were increased to fifteen, and a larger proportion of subscribers admitted. This rule still obtains. A still further development took place a month or two later, when it was decided to elect a president, the first gentleman to be accorded the honour being Mr. Knight.

Curiously enough, until this time it had never occurred to the members that their society was without a name. The fact having been accidentally discovered, it was resolved to adopt as style and title, "The Artists' Society for the Study of Historical, Poetic, and Rustic Figures."

From time to time the number of evenings devoted to study was gradually increased, until every week-day evening was occupied. Further developments had in the meantime taken place. In 1841, on the suggestion of William J. Müller, the study of the antique was included in what we may call the curriculum. This involved the renting of another room (the society was still in its mews) at a cost of £25 a year. About the same time the study of the nude was introduced, and became henceforth a leading feature of the society. In 1838 an attempt had been made to form a society for ladies, in conjunction with the Artists' Society, "for the study of costume and the draped figure," but although started with some _éclat_, it appears before long to have ended without regret a brief and forlorn existence.

We soon begin to come across historical names. In 1835 Haydon presents the society with a drawing of "The Gate Beautiful," by Raphael, made by his pupil, C. Landseer. Mr. D. V. Riviere is elected, also a Mr. F. Cruikshank, though he appears never to have attended. Two years later Mr. E. Corbould becomes a subscriber, and in the year following, the well-known watercolourist, Frank W. Topham, and Mr. W. Riviere. In 1839 Dodgson and Lee were elected subscribers; and the same year the veteran Louis Haghe, still living, was made president.

_From the Picture by G. G. Kilbourne_]

During these early years courses of lectures on various subjects connected with art were given by competent gentlemen. Mr. W. R. Toase, F.L.S., discoursed on "Anatomy," illustrated by living models; Mr. Benjamin R. Green lectured on "Perspective"; Mr. C. H. Smith, on the "Importance of Trifles in Historical Design"; Mr. George Foggo, on "Pictorial Composition"; and last, though not least, a Mr. R. Cull (one fancies there should have been an "s" to this name), on "Phrenology as Applicable to Art." At that time phrenology was in high favour, was patronized by the great and the learned, and generally regarded as going to do wonders. Many artists in those days, Blake and Linnell among the number, devoted some attention to it; but now, with the exception of one leading Academician, it would be difficult to find any artist who had given so much as a passing glance at the science: if they had, we should at least have been spared the sight of such monstrosities of heads as we now see.

In 1841, under the presidency of John Absolon, another veteran member who is still amongst us, it was decided to elect a certain number of honorary members, and Mr. James R. Planché, the dramatist and authority on costume and heraldry, was the first gentleman chosen. In honour of this election a conversazione was held, to which a number of distinguished guests were invited. This was the first entertainment of the kind given by the society. Since then it has become noted for its gatherings of a similar nature.

At one time the rule was to hold one every quarter. This was when the treasury was in good order. When funds were low it was necessary to be satisfied with two, or even one, a year. They were--and are still--the very simplest of affairs, and Bohemian to the last degree. For this reason it is that they are so much enjoyed by those who have the luck to get an invitation. The invariable fare is bread and cheese and salad--_au naturel_--with ale and stout _ad lib._, or, as a facetious member once put it, _ad lip_. Anything of the nature of ceremony is altogether dispensed with; and as there is always a crush, the feast generally assumes the form of a scramble. City magnates have been known to take part in these _sans façon_ regales, and to confess afterwards that they found them more amusing and enjoyable than a Guildhall banquet; while fashionable R. A.'s and A. R. A.'s have been seen to retire into a corner with a hunk of bread and cheese in one hand and a pot of porter in the other, and set to like costers--showing that we are all built much on the same mould, under the clothes.

_Drawn by W. H. Pike_.]

On these occasions the members exhibit their works--sketches that have been done in the classroom, or pictures destined for one or other of the exhibitions--and receive the useful, and generally very generous, criticisms of their friends. Then, to round off the evening, there are singing, music, and recitations, or it may be a bit of character acting. Once we had the pleasure of seeing a well-known A. R. A. and another equally clever artist dress up from the club wardrobe (which is a rich and varied one) as "Black Sall" and "Dusty Jim," and give an improvised dance, to the infinite delight alike of members and guests.

But--to go back a little--in 1842 the most characteristic feature of all in connection with the society had its beginning, namely, the Sketching Club. This is, in reality, quite distinct from the society, although members may belong to it; but its membership is recruited chiefly from outside, and is practically unlimited. The club meets every Friday evening, a subject--or, perhaps, two--is given, and each artist realizes it as best he can. The sketch has to be completed in two hours, and when the time is up, there is a general examination of work, with free criticism, suggestion, and so forth. They may be done in any manner--in oil, water-colours, black and white, or modelled in clay. It is a capital school; every man is put on his mettle, and, of course, does his best. Not a few pictures, now celebrated, had their beginnings on these evenings.

Work being done, supper is discussed; the fare consisting of a cold joint, bread and cheese, with, of course, ale and stout to wash them down. It is at this time that new members are elected. Before a candidate can be chosen he has to submit a sketch. This is carried round by the honorary secretary and shown to each member in turn, his vote for or against the candidate being thus taken.

These suppers are always interesting, and sometimes very amusing, as they can hardly help being when so many men of varied talent, and some of absolute genius, are constantly meeting together and exchanging views. Sometimes, while the others are talking, or "chaffing," one member will be quietly jotting down some characteristic faces in his sketch-book, or taking a sly note on his cuff. At other times the fun becomes a little uproarious, and the wildest pranks are indulged in.

_Drawn by Robt. Sauber._]

On one occasion the late Charles Keene and Mr. Stacy Marks, both of whom were members for many years, had a jumping match. A rod was laid lightly from the rail round which the members work to a box at a height of about three and a half feet from the ground. Marks cleared the rod with ease at a standing jump. Keene, though he tried several times, could not quite accomplish the feat. When he seemed to be on the point of giving up the contest an artist named Wingfield, "a fellow of infinite jest," and a great character to boot, said, very quietly, "Take a pinch of snuff, Mr. Keene; that will enable you to do it." The suggestion was given with such placid _sangfroid_ that it convulsed the room. Keene, however, did not take the hint.

Keene was elected a full member of the society in 1853, though he had already been a subscribing member for several years. He was one of the quietest of men, and seldom had much to say for himself; howbeit, he did occasionally come out with a dry, caustic remark, that told like one of the sly, humorous touches of his pencil; as, for instance, when he bade an old woman who was castigating her ill-mannered donkey, hired for the evening as a model, that she might spare the rod there, as none of them minded his behaviour, because they were not any more thin-skinned than her "moke."

Tenniel, Keene's coadjutor on _Punch_, was president of the society so far back as 1849.

Among other distinguished or notable men who have been, or still are, members, may be mentioned Mr. Poole, R.A., some of whose sketches are as grand as many of his finished pictures are weak. He was a fellow-member with H. B. Pyne and James Müller. The latter was president in 1844, and died during his year of office, killed, as it was thought at the time, by the scant justice done to him by the Academy; his works, now so highly esteemed, being invariably "skied." While his pictures now fetch thousands, he died in debt to the society. Alfred Fripp, the watercolour painter, and Fred Goodall became members about the same time. Between 1846 and 1848, Stanfield, junr., W. Goodall, W. Dyce, H. J. Boddington, and A. J. Lewis joined the society, and J. P. Knight, R.A., was elected an honorary member. A little while previously the same honour had been conferred upon Mr. G. Field, the colour manufacturer, and Mr. J. H. Rogers, lecturer on anatomy.

_Drawn by J. Finnemore._]

In 1860 the society removed from the quarters it occupied in Clipstone Street to its present abode in the Langham Chambers, Portland Place. Of the men who were then members not many are left, but we may name Charles Cattermole, nephew of the famous George Cattermole, and for many years hon. secretary of the society, and J. A. Fitzgerald, son of Byron's "hoarse" Fitzgerald,[1] and almost as noted as his father for his histrionic gifts. Several who were then members have since left, notably Mr. Lawlor, the sculptor, the late Vicat Cole, R.A., and F. Weekes. A. J. Stark also was a member at that time. G. Kilburne joined the society shortly after it removed to Langham Chambers; B. W. Leader, R.A., Henry Telbin, the scene painter, and C. Armitage joined a year later; while between then and 1865, Robert Landells, a man of great ability, who went through the Franco-German War as artist for the _Illustrated London News_, E. T. Coleman, J. T. Watson, F. Lawson, W. M. Wyllie, G. G. Kilburne, E. Law, the engraver, James Gow, and Fred Barnard became members or subscribers. Later, Sir James Linton joined the society, the late Mr. C. B. Birch, A.R.A., and William Linnell, son of the famous Linnell, and himself a distinguished painter.

[1] See "English Bards and Scotch Reviewers":

Still must I hear? Shall hoarse Fitzgerald bawl
His creaking couplets in a tavern hall?

There is generally, just before "sending-in day," a special conversazione, at which members exhibit their pictures before forwarding them to the Academy to be accepted or rejected. In many cases, of course, this is the only "show" they get; but not a few famous pictures have there been submitted to public criticism for the first time. At one such conversazione Mr. Stacy Marks exhibited his famous "Gargoyle" before it went to the Royal Academy. Mr. Calderon, R.A., thus exhibited his "Coming of Age," and Fred Walker his celebrated "Philip in Church," the picture which was the beginning of his fame. Calderon was a member of the Sketching Club; as was also Mr. Poynter, R.A. Fred Walker was a regular member of the society. At one time Mr. W. Gilbert, since become famous in another line of art, was a member, though not for long. He had not yet found his true _forte_, and so was trying his hand with the brush. What he did was chiefly in the comic vein. He was an amusing companion, however, and noted as a _raconteur_.

An amusing story is told in this connection, albeit not of Mr. Gilbert: At one of the Friday night suppers there was present an artist who had been abroad for some time in connection with one of the illustrated papers. He had been half round the world, and was, naturally, expected to have much to say about his travels. But, no; not a word. "What did you see in China, Mr. Ixe? What in Japan? Did you like the Assyrian maidens, or the _Vrows_ of Batavia?" Thus was he questioned on every side. But, like the needy knife-grinder, he had no story to tell. Meanwhile, at the other end of the table was an artist who had that afternoon been as far as Bedford Park, and was bursting with adventures. "Fitz could make a better book of travels out of a walk up Hammersmith Broadway than Ixe from a tour round the world," remarked one of the wits of the club.

_From the Picture by Carl Haug_.]

This is the time to hear from the artists' own lips their varied experiences--often highly amusing--in the pursuit of their profession. One, who has a supreme hatred of dealers, tells how he once had one delivered completely into his hands, _and he did not drown him_. He and three others had taken a walk up the Wharfe to enjoy its beauties, one of them being a dealer. The dealer and another eventually found themselves on the wrong side of the stream, far from a bridge, and it was necessary, in order to avoid a long détour, to wade across. The dealer was no longer young, was unused to the water, except as a beverage, being a teetotaler, and feared all sorts of evils as the result of wetting his feet. He managed to get across in safety, however.

"He reached our side of the river all right," continued the narrator; "but as the bank was steep, he had to appeal to me to give him a hand up; and I weakly did so, instead of putting a mop on him. I could easily have done so, the water being quite deep enough to put him out of his misery. But I didn't do it. Of course, I felt considerable chagrin when I had let him escape. Then, to make matters worse, he asked me for some of my whisky: he knew I carried a little in a bottle--'for my stomach's sake.' Naturally, having been so weak as to let him get out of the water, I could not refuse the whisky. And what do you think he did? He washed his feet with it to prevent him catching cold! I implore of you, should it fall to the lot of any of you to have your enemy delivered into your hands in that way, do not do as I did, but _put a mop on him_."

It is only needful to begin storytelling in this way to bring out an endless variety. The mention of the Wharfe reminded one man of a deep pool below a waterfall on a northern stream, where he had a most gruesome experience. He had planted his easel, and was beginning to work upon the scene--the waterfall, the black pool, dark surrounding trees, and a blurred and reddening evening sky--when suddenly he perceived a dark object bobbing up and down just in front of the fall. Up and down it danced with the motion of the water, gyrating slowly at the same time. At first he thought it must be a dead dog; then it dawned upon him--and the thought produced an uncanny feeling--that it might be a man's head. Suddenly a stronger wave, a more violent gyration, and there was no longer any doubt. A man's face, with its dead, glassy eyes and streaming hair, was presented to his gaze--and he instantly sprang to his feet and ran, leaving easel, canvas, palette, and brushes to take care of themselves.

Another man tells how, when he was busy upon a choice bit of landscape, a couple of yokels approached, and, after watching for a short time, moved off, remarking that it was a pity such a broad-shouldered fellow could not find something better to do than waste his time like that.

_Drawn by W. A. Breakspear._]

Naturally, there are some stock anecdotes told of fellow-members, which never cease to create a laugh. One hears of the sculptor who, having been too deep in his potations, made his way home late at night with a large codfish under one arm and a lobster under the other, and who found them lying in bed beside him when he awoke in the morning.

_Drawn by Robert Sauber._]

Another artist, presumably in a similar condition of benignity, arriving home very late, softly unlocks the street door, goes up stairs, very softly enters his bedroom, and undresses--very softly, so as not to disturb his wife, and finally creeps into bed--likewise very softly and gently; to be startled by his better half asking him--very softly and gently, no doubt--if he is aware that he has got into bed with his top-hat on!

One member always raises a hearty laugh by his imitation of a brother member--a man of the greatest good humour, but of third-rate ability--who, debating with another artist on the great Whistler question, thus sums the matter up: "If Whistler is right, then you, and me, and Michael Angelo are all wrong."

Sometimes in this way one may pick up some interesting anecdotes of the men of a past generation. Holland, the famous landscape painter, who was once a member, used to have many anecdotes about Turner. On one occasion he was sitting near to him at dinner, when a lady observed to him that she admired his pictures very much, although she could not say that she understood them. "Don't you wish you had the brains to do so?" replied Turner--a little rudely, it must be confessed.

_Drawn by W. Douglas Almond._]

Members take it in turns to "set" the models, who generally pose for an hour, then take a short rest, and afterwards sit for another hour. They are placed on a raised platform under a top light, the artists being ranged in a semicircle facing them. No one is allowed to speak to the model except the member whose duty it is to set him or her, and the utmost silence is enjoined. Some of the models take great interest in the work of the artists, and like to see what they have made them look like. Many curious characters are found amongst them, and the stories of their humours and oddities are endless and infinitely diverting.

Not the least amusing is that of the man who had posed for apostles and saints so long that he could not be induced to sit for a common coster.

"It would be such a come-down, sir," he said, with a rueful countenance. There is also a story--possibly apocryphal--of a model who had got beyond sitting deploring his changed estate, in that he who had sat for "lords and cardinals" was reduced to "wet-nursing a kangaroo" (having obtained employment at the Zoo).

But perhaps the best story of a model is one that used to be told by Sir Edwin Landseer. It concerned a man named Bishop, a man who will be remembered by nearly all the older generation of artists. Bishop was a bit of a favourite with Landseer, and often sat for him. Once when so employed he thus addressed the famous animal painter: "Sir Ed'n," said he, "I sees from the papers as you of'n dines with Her Gracious Majesty at Buckingham Palace, and as you gets on very well wi' her. Now, Sir Ed'n, I've been a-thinking--if you wouldn't mind the trouble--you might do me and my misses a very good turn--a very good turn, you might. You know, Sir Ed'n, my misses is a rare good washer, and if, next time you dines with Her Majesty--just when you gets cosy like, arter dinner--if you would just pervail on her to give my misses her washing, it would set us up, it would. Now, Sir Ed'n, you'll pard'n me for a-mentionin' of it, but if you could do that for us, we'd take it very kind like."

It is not stated whether the request was ever put to Her Majesty.

_From a Photo by Scott & Sons, Exeter._]

It would be unpardonable to conclude without making mention of some of the artists who are at present members, many of whose names are doubtless familiar to readers of the illustrated papers and periodicals, or from their pictures in the exhibitions. Among the number may be noted W. Breakspear, Dudley Hardy, Robert Sauber, George C. Haité (president of the Sketching Club), Bernard Evans, J. Finnemore, W. Pike, Edward C. Clifford, and W. Douglas Almond--the last two holding the positions respectively of honorary secretary and curator of the society.

_From a Photo by Russell & Sons._]

_All the artists whose drawings have been used to illustrate
the above article are members of the Society or of the
Sketching Club, or both._

_Portraits of Celebrities at Different Times of their Lives._

THE REVEREND CANON H. SCOTT HOLLAND.

BORN 1847.

_From a Daguerrotype._]

_From a Photograph._]

_From a Photo, by Sutcliffe, Whitby._]

_From a Photo by Elliott & Fry._]

The Rev. Canon Henry Scott Holland was born at Ledbury, Herefordshire, and was educated at Eton and Balliol College, Oxford. He was ordained at Cuddesdon in 1872, and was afterwards Theological Tutor at Christ Church. In 1882 he was appointed Canon of Truro and Examining Chaplain to the Bishop, and in 1884 was made Canon of St. Paul's. Canon Holland has published several volumes of sermons, an article on "Justin Martyr" in the "Dictionary of Christian Biography," and an essay in "Lux Mundi."

LORD ROSEBERY.

BORN 1847.

_From a Photo by Hills and Saunders._]

_From a Photo by Hills & Saunders, Eton._]

_From a Photo by Russell & Sons, Baker Street._]

_From a Photo by Elliott & Fry._]

The right Hon. Archibald Philip Primrose, Earl of Rosebery, LL.D., P.C., was born in London, and received his education at Eton, our first portrait showing him at that time. He was appointed Under-Secretary of State for the Home Department in August, 1881. He resigned the Under-Secretaryship in 1883 and became First Commissioner of Works. In 1886 he was appointed Secretary of State for Foreign Affairs, and succeeded Mr. Gladstone as Prime Minister in March of this year.

MR. JUSTICE WILLS.

BORN 1828.

_From a Photo by Maull & Fox._]

_From a Photo by Disderi, Paris._]

_From a Photograph._]

_From a Photo by H. J. Whitlock, Birmingham._]

_From a Photo by Elliott & Fry._]

The Hon. Sir Alfred Wills entered the Middle Temple, by which Inn he was called to the Bar in 1851. He was made a Q.C. in 1872, and was appointed Judge in 1884. He was made President of the Railway Commission in 1888. Mr. Justice Wills was one of the founders, and is one of the six remaining original members, of the Alpine Club, and nearly all the happiest recollections of his life are connected with the Alps, and more especially with his own Alpine home.

SIR CHARLES DILKE, M.P.

BORN 1843.

_From a Daguerreotype by Antoine Claudet, 107, Regent Street, W._]

_From a Photo by Antoine Claudet, 107, Regent Street, W._]

_From a Photo by John Watkins, Parliament Street, W._]

_From a Photo by Dickinson, 114, New Bond Street, W._]

The Right Hon. Sir Chas. Wentworth Dilke, Bart., was born at Chelsea September 4, 1843, being a grandson of Charles Wentworth Dilke, the critic. He was educated at Trinity Hall, Cambridge; he graduated as senior legalist in January, 1866. In the same year he was called to the Bar at the Middle Temple. In 1868 he published a book in two vols., "Greater Britain: A Record of Travel in English-speaking Countries During 1866-67," which deals with his observations during his travels round the world. In 1868 he was elected as Radical member for Chelsea. Among his many legislative achievements was the creation of School Boards directly elected by the ratepayers. In December, 1882, he was made President of the Local Government Board, with a seat in the Cabinet. In 1885 he married Mrs. Mark Pattison. In 1887 he published "The Present Position of European Politics"; in 1888, "The British Army," and in 1890, "Problems of Greater Britain." In the General Election of 1892 he was returned M.P. for Forest of Dean.

LADY DILKE.

_From a Painting by Miss Atkins._]

_From a Painting by W. B. Scott._]

_From a Painting by Victor Pollet._]

_From a Photo by Elliot & Fry._]

Lady Dilke (_née_ Emilia Frances Strong), daughter of Major Henry Strong, H.E.I.C.S., was born at Ilfracombe in 1842. She was educated by Miss Bodwick, sister of the celebrated African traveller, and received much friendly teaching in drawing from Mr. Mulready, R.A. She married first, in 1862, the Rev. Mark Pattison, Rector of Lincoln College, Oxford (who died on July 30th, 1884); and secondly, in 1885, the Right Hon. Sir Charles Wentworth Dilke, Bart. Lady Dilke was long a writer in the _Saturday_ and _Westminster Reviews_, and afterwards, on the foundation of the _Academy_, she edited the Art section for one or two years, and also supplied original articles during that time. In 1879, Lady Dilke published a work in two volumes illustrated by herself, and entitled "The Renaissance of Art in France." In 1881 she wrote a biography of Sir Frederick Leighton for the series of "Modern Artists," edited by Mr. Dumas; and in 1882 she lectured at the Birmingham and Midland Institute on "The Industrial Policy of Colbert." In 1884 she published in French, through the Librairie de l'Art, a monograph on Claude. Lady Dilke subsequently published "The Shrine of Death," a volume of stories, in 1886, and "Art in the Modern State," in 1888. In subsequent years she contributed several stories to the _Universal Review_, and wrote in the _Fortnightly Review_ and the _New Review_ on Trade Unions for Women, in which she takes a deep interest.

_The Oxford and Cambridge Union Societies._

I.--OXFORD.

BY J. B. HARRIS-BURLAND.

The Oxford Union Society is one of the two most important debating clubs in England, the other being the sister Society at Cambridge. It has been estimated that nearly a fifth of the present House of Commons, and a very considerable number of the House of Lords, have aired their early efforts in the great debating hall in New Inn Hall Street. It might not be uninteresting to our readers to know something of the school in which so many distinguished speakers have been trained.

As the United Debating Society, its foundation dates from 1823; but in 1825 it was broken up to exclude turbulent members, and reconstituted under its present name. It is nominally a social club, with reading, writing, billiard, dining, and smoking rooms, and a good library of 25,000 volumes. But its true importance lies in the debates which are held once a week in term time.

_From a Photo by C. Court Cole, Oxford._]

The new debating hall is an exceedingly fine room, lit with the electric light, and decorated with the portraits of the distinguished men who have filled the President's chair, and presented by themselves. There are two of Mr. Gladstone, one as the "rising hope of those stern and unbending Tories," and one as the great leader of the Liberals of England.

At one end of the hall three chairs of carved oak are raised on a daïs, the central one higher than either of the others. Here sits the President, with the Treasurer and Librarian on either side of him, and the Secretary at a table at his feet. An electric bell is fixed to the President's chair, with which he warns speakers that their allotted time is drawing to a close. Members have been known to speak for twenty minutes without launching into their subject, so the bell is not without its use.

The gallery is reserved for visitors, chiefly ladies, and is crowded on the night of an important debate. It has a reputation of being unsafe, and whenever it is unusually full, someone is sure to rise in private business and ask if any steps have been taken to strengthen it. The alarm of the fair occupants is only allayed by the assurance of its complete stability.

The Society consists of over 900 subscribing and 20,000 life members. Its officers are elected by ballot, and canvassing is strictly forbidden on pain of a heavy fine. It seems, however, to be a disputed point as to what constitutes canvassing. There is considerable keenness at election time, which occurs every term. The Librarian and Junior Treasurer hold office for a year; the President, Secretary, and members of Standing and Library Committees, for a term only.

_From a Photo by C. Court Cole, Oxford._]

As the money which the Society receives and spends is no small sum, it has been thought advisable to have as a permanent Senior Treasurer one who does not come and go as undergraduates do. So the £3,000 odd, which comes in yearly to the funds, is watched over by a Don. He is, however, only a servant of the Society, and has no power of himself. Nominally politics have nothing to do with the voting, and the officers are often men of different views, but in reality the political clubs of the 'Varsity exercise no mean influence on the ballot. However, popularity and distinction are still of the most weight, though it was said that one club "ran" the elections for several years, and it is curious to note that the last-elected President, Librarian, and Junior Treasurer all belong to the same club.