Chapter I: Childhood (2)
"Yes," I said; "it is morally justifiable so long as our object is to take no articles save those which are used for an illegal purpose."
"Exactly. Since it is morally justifiable I have only to consider the question of personal risk. Surely a gentleman should not lay much stress upon this when a lady is in most desperate need of his help?"
"You will be in such a false position."
"Well, that is part of the risk. There is no other possible way of regaining these letters. The unfortunate lady has not the money, and there are none of her people in whom she could confide. To-morrow is the last day of grace, and unless we can get the letters to-night this villain will be as good as his word and will bring about her ruin. I must, therefore, abandon my client to her fate or I must play this last card. Between ourselves, Watson, it's a sporting duel between this fellow Milverton and me. He had, as you saw, the best of the first exchanges; but my self-respect and my reputation are concerned to fight it to a finish."
"Well, I don't like it; but I suppose it must be," said I. "When do we start?"
"You are not coming."
"Then you are not going," said I. "I give you my word of honour--and I never broke it in my life--that I will take a cab straight to the police-station and give you away unless you let me share this adventure with you."
"You can't help me."
"How do you know that? You can't tell what may happen. Anyway, my resolution is taken. Other people beside you have self-respect and even reputations."
Holmes had looked annoyed, but his brow cleared, and he clapped me on the shoulder.
"Well, well, my dear fellow, be it so. We have shared the same room for some years, and it would be amusing if we ended by sharing the same cell. You know, Watson, I don't mind confessing to you that I have always had an idea that I would have made a highly efficient criminal. This is the chance of my lifetime in that direction. See here!" He took a neat little leather case out of a drawer, and opening it he exhibited a number of shining instruments. "This is a first-class, up-to-date burgling kit, with nickel-plated jemmy, diamond-tipped glass-cutter, adaptable keys, and every modern improvement which the march of civilization demands. Here, too, is my dark lantern. Everything is in order. Have you a pair of silent shoes?"
"I have rubber-soled tennis shoes."
"Excellent. And a mask?"
"I can make a couple out of black silk."
"I can see that you have a strong natural turn for this sort of thing. Very good; do you make the masks. We shall have some cold supper before we start. It is now nine-thirty. At eleven we shall drive as far as Church Row. It is a quarter of an hour's walk from there to Appledore Towers. We shall be at work before midnight. Milverton is a heavy sleeper and retires punctually at ten-thirty. With any luck we should be back here by two, with the Lady Eva's letters in my pocket."
Holmes and I put on our dress-clothes, so that we might appear to be two theatre-goers homeward bound. In Oxford Street we picked up a hansom and drove to an address in Hampstead. Here we paid off our cab, and with our great-coats buttoned up, for it was bitterly cold and the wind seemed to blow through us, we walked along the edge of the Heath.
"It's a business that needs delicate treatment," said Holmes. "These documents are contained in a safe in the fellow's study, and the study is the ante-room of his bed-chamber. On the other hand, like all these stout, little men who do themselves well, he is a plethoric sleeper. Agatha--that's my _fiancee_--says it is a joke in the servants' hall that it's impossible to wake the master. He has a secretary who is devoted to his interests and never budges from the study all day. That's why we are going at night. Then he has a beast of a dog which roams the garden. I met Agatha late the last two evenings, and she locks the brute up so as to give me a clear run. This is the house, this big one in its own grounds. Through the gate--now to the right among the laurels. We might put on our masks here, I think. You see, there is not a glimmer of light in any of the windows, and everything is working splendidly."
With our black silk face-coverings, which turned us into two of the most truculent figures in London, we stole up to the silent, gloomy house. A sort of tiled veranda extended along one side of it, lined by several windows and two doors.
"That's his bedroom," Holmes whispered. "This door opens straight into the study. It would suit us best, but it is bolted as well as locked, and we should make too much noise getting in. Come round here. There's a greenhouse which opens into the drawing-room."
The place was locked, but Holmes removed a circle of glass and turned the key from the inside. An instant afterwards he had closed the door behind us, and we had become felons in the eyes of the law. The thick, warm air of the conservatory and the rich, choking fragrance of exotic plants took us by the throat. He seized my hand in the darkness and led me swiftly past banks of shrubs which brushed against our faces. Holmes had remarkable powers, carefully cultivated, of seeing in the dark. Still holding my hand in one of his he opened a door, and I was vaguely conscious that we had entered a large room in which a cigar had been smoked not long before. He felt his way among the furniture, opened another door, and closed it behind us. Putting out my hand I felt several coats hanging from the wall, and I understood that I was in a passage. We passed along it, and Holmes very gently opened a door upon the right-hand side. Something rushed out at us and my heart sprang into my mouth, but I could have laughed when I realized that it was the cat. A fire was burning in this new room, and again the air was heavy with tobacco smoke. Holmes entered on tip-toe, waited for me to follow, and then very gently closed the door. We were in Milverton's study, and a _portiere_ at the farther side showed the entrance to his bedroom.
It was a good fire, and the room was illuminated by it. Near the door I saw the gleam of an electric switch, but it was unnecessary, even if it had been safe, to turn it on. At one side of the fireplace was a heavy curtain, which covered the bay window we had seen from outside. On the other side was the door which communicated with the veranda. A desk stood in the centre, with a turning chair of shining red leather. Opposite was a large bookcase, with a marble bust of Athene on the top. In the corner between the bookcase and the wall there stood a tall green safe, the firelight flashing back from the polished brass knobs upon its face. Holmes stole across and looked at it. Then he crept to the door of the bedroom, and stood with slanting head listening intently. No sound came from within. Meanwhile it had struck me that it would be wise to secure our retreat through the outer door, so I examined it. To my amazement it was neither locked nor bolted! I touched Holmes on the arm, and he turned his masked face in that direction. I saw him start, and he was evidently as surprised as I.
"I don't like it," he whispered, putting his lips to my very ear. "I can't quite make it out. Anyhow, we have no time to lose."
"Can I do anything?"
"Yes; stand by the door. If you hear anyone come, bolt it on the inside, and we can get away as we came. If they come the other way, we can get through the door if our job is done, or hide behind these window curtains if it is not. Do you understand?"
I nodded and stood by the door. My first feeling of fear had passed away, and I thrilled now with a keener zest than I had ever enjoyed when we were the defenders of the law instead of its defiers. The high object of our mission, the consciousness that it was unselfish and chivalrous, the villainous character of our opponent, all added to the sporting interest of the adventure. Far from feeling guilty, I rejoiced and exulted in our dangers. With a glow of admiration I watched Holmes unrolling his case of instruments and choosing his tool with the calm, scientific accuracy of a surgeon who performs a delicate operation. I knew that the opening of safes was a particular hobby with him, and I understood the joy which it gave him to be confronted with this green and gold monster, the dragon which held in its maw the reputations of many fair ladies. Turning up the cuffs of his dress-coat--he had placed his overcoat on a chair--Holmes laid out two drills, a jemmy, and several skeleton keys. I stood at the centre door with my eyes glancing at each of the others, ready for any emergency; though, indeed, my plans were somewhat vague as to what I should do if we were interrupted. For half an hour Holmes worked with concentrated energy, laying down one tool, picking up another, handling each with the strength and delicacy of the trained mechanic. Finally I heard a click, the broad green door swung open, and inside I had a glimpse of a number of paper packets, each tied, sealed, and inscribed. Holmes picked one out, but it was hard to read by the flickering fire, and he drew out his little dark lantern, for it was too dangerous, with Milverton in the next room, to switch on the electric light. Suddenly I saw him halt, listen intently, and then in an instant he had swung the door of the safe to, picked up his coat, stuffed his tools into the pockets, and darted behind the window curtain, motioning me to do the same.
It was only when I had joined him there that I heard what had alarmed his quicker senses. There was a noise somewhere within the house. A door slammed in the distance. Then a confused, dull murmur broke itself into the measured thud of heavy footsteps rapidly approaching. They were in the passage outside the room. They paused at the door. The door opened. There was a sharp snick as the electric light was turned on. The door closed once more, and the pungent reek of a strong cigar was borne to our nostrils. Then the footsteps continued backwards and forwards, backwards and forwards, within a few yards of us. Finally, there was a creak from a chair, and the footsteps ceased. Then a key clicked in a lock and I heard the rustle of papers.
So far I had not dared to look out, but now I gently parted the division of the curtains in front of me and peeped through. From the pressure of Holmes's shoulder against mine I knew that he was sharing my observations. Right in front of us, and almost within our reach, was the broad, rounded back of Milverton. It was evident that we had entirely miscalculated his movements, that he had never been to his bedroom, but that he had been sitting up in some smoking or billiard room in the farther wing of the house, the windows of which we had not seen. His broad, grizzled head, with its shining patch of baldness, was in the immediate foreground of our vision. He was leaning far back in the red leather chair, his legs outstretched, a long black cigar projecting at an angle from his mouth. He wore a semi-military smoking jacket, claret-coloured, with a black velvet collar. In his hand he held a long legal document, which he was reading in an indolent fashion, blowing rings of tobacco smoke from his lips as he did so. There was no promise of a speedy departure in his composed bearing and his comfortable attitude.
I felt Holmes's hand steal into mine and give me a reassuring shake, as if to say that the situation was within his powers and that he was easy in his mind. I was not sure whether he had seen what was only too obvious from my position, that the door of the safe was imperfectly closed, and that Milverton might at any moment observe it. In my own mind I had determined that if I were sure, from the rigidity of his gaze, that it had caught his eye, I would at once spring out, throw my great-coat over his head, pinion him, and leave the rest to Holmes. But Milverton never looked up. He was languidly interested by the papers in his hand, and page after page was turned as he followed the argument of the lawyer. At least, I thought, when he has finished the document and the cigar he will go to his room; but before he had reached the end of either there came a remarkable development which turned our thoughts into quite another channel.
Several times I had observed that Milverton looked at his watch, and once he had risen and sat down again, with a gesture of impatience. The idea, however, that he might have an appointment at so strange an hour never occurred to me until a faint sound reached my ears from the veranda outside. Milverton dropped his papers and sat rigid in his chair. The sound was repeated, and then there came a gentle tap at the door. Milverton rose and opened it.
"Well," said he, curtly, "you are nearly half an hour late."
So this was the explanation of the unlocked door and of the nocturnal vigil of Milverton. There was the gentle rustle of a woman's dress. I had closed the slit between the curtains as Milverton's face had turned in our direction, but now I ventured very carefully to open it once more. He had resumed his seat, the cigar still projecting at an insolent angle from the corner of his mouth. In front of him, in the full glare of the electric light, there stood a tall, slim, dark woman, a veil over her face, a mantle drawn round her chin. Her breath came quick and fast, and every inch of the lithe figure was quivering with strong emotion.
"Well," said Milverton, "you've made me lose a good night's rest, my dear. I hope you'll prove worth it. You couldn't come any other time--eh?"
The woman shook her head.
"Well, if you couldn't you couldn't. If the Countess is a hard mistress you have your chance to get level with her now. Bless the girl, what are you shivering about? That's right! Pull yourself together! Now, let us get down to business." He took a note from the drawer of his desk. "You say that you have five letters which compromise the Countess d'Albert. You want to sell them. I want to buy them. So far so good. It only remains to fix a price. I should want to inspect the letters, of course. If they are really good specimens----Great heavens, is it you?"
The woman without a word had raised her veil and dropped the mantle from her chin. It was a dark, handsome, clear-cut face which confronted Milverton, a face with a curved nose, strong, dark eyebrows shading hard, glittering eyes, and a straight, thin-lipped mouth set in a dangerous smile.
"It is I," she said; "the woman whose life you have ruined."
Milverton laughed, but fear vibrated in his voice. "You were so very obstinate," said he. "Why did you drive me to such extremities? I assure you I wouldn't hurt a fly of my own accord, but every man has his business, and what was I to do? I put the price well within your means. You would not pay."
"So you sent the letters to my husband, and he, the noblest gentleman that ever lived, a man whose boots I was never worthy to lace--he broke his gallant heart and died. You remember that last night when I came through that door I begged and prayed you for mercy, and you laughed in my face as you are trying to laugh now, only your coward heart cannot keep your lips from twitching? Yes, you never thought to see me here again, but it was that night which taught me how I could meet you face to face, and alone. Well, Charles Milverton, what have you to say?"
"Don't imagine that you can bully me," said he, rising to his feet. "I have only to raise my voice, and I could call my servants and have you arrested. But I will make allowance for your natural anger. Leave the room at once as you came, and I will say no more."
The woman stood with her hand buried in her bosom, and the same deadly smile on her thin lips.
"You will ruin no more lives as you ruined mine. You will wring no more hearts as you wrung mine. I will free the world of a poisonous thing. Take that, you hound, and that!--and that!--and that!--and that!"
She had drawn a little, gleaming revolver, and emptied barrel after barrel into Milverton's body, the muzzle within two feet of his shirt front. He shrank away and then fell forward upon the table, coughing furiously and clawing among the papers. Then he staggered to his feet, received another shot, and rolled upon the floor. "You've done me," he cried, and lay still. The woman looked at him intently and ground her heel into his upturned face. She looked again, but there was no sound or movement. I heard a sharp rustle, the night air blew into the heated room, and the avenger was gone.
No interference upon our part could have saved the man from his fate; but as the woman poured bullet after bullet into Milverton's shrinking body I was about to spring out, when I felt Holmes's cold, strong grasp upon my wrist. I understood the whole argument of that firm, restraining grip--that it was no affair of ours; that justice had overtaken a villain; that we had our own duties and our own objects which were not to be lost sight of. But hardly had the woman rushed from the room when Holmes, with swift, silent steps, was over at the other door. He turned the key in the lock. At the same instant we heard voices in the house and the sound of hurrying feet. The revolver shots had roused the household. With perfect coolness Holmes slipped across to the safe, filled his two arms with bundles of letters, and poured them all into the fire. Again and again he did it, until the safe was empty. Someone turned the handle and beat upon the outside of the door. Holmes looked swiftly round. The letter which had been the messenger of death for Milverton lay, all mottled with his blood, upon the table. Holmes tossed it in among the blazing papers. Then he drew the key from the outer door, passed through after me, and locked it on the outside. "This way, Watson," said he; "we can scale the garden wall in this direction."
I could not have believed that an alarm could have spread so swiftly. Looking back, the huge house was one blaze of light. The front door was open, and figures were rushing down the drive. The whole garden was alive with people, and one fellow raised a view-halloa as we emerged from the veranda and followed hard at our heels. Holmes seemed to know the ground perfectly, and he threaded his way swiftly among a plantation of small trees, I close at his heels, and our foremost pursuer panting behind us. It was a six-foot wall which barred our path, but he sprang to the top and over. As I did the same I felt the hand of the man behind me grab at my ankle; but I kicked myself free and scrambled over a glass-strewn coping. I fell upon my face among some bushes; but Holmes had me on my feet in an instant, and together we dashed away across the huge expanse of Hampstead Heath. We had run two miles, I suppose, before Holmes at last halted and listened intently. All was absolute silence behind us. We had shaken off our pursuers and were safe.
* * * * *
We had breakfasted and were smoking our morning pipe on the day after the remarkable experience which I have recorded when Mr. Lestrade, of Scotland Yard, very solemn and impressive, was ushered into our modest sitting-room.
"Good morning, Mr. Holmes," said he; "good morning. May I ask if you are very busy just now?"
"Not too busy to listen to you."
"I thought that, perhaps, if you had nothing particular on hand, you might care to assist us in a most remarkable case which occurred only last night at Hampstead."
"Dear me!" said Holmes. "What was that?"
"A murder--a most dramatic and remarkable murder. I know how keen you are upon these things, and I would take it as a great favour if you would step down to Appledore Towers and give us the benefit of your advice. It is no ordinary crime. We have had our eyes upon this Mr. Milverton for some time, and, between ourselves, he was a bit of a villain. He is known to have held papers which he used for blackmailing purposes. These papers have all been burned by the murderers. No article of value was taken, as it is probable that the criminals were men of good position, whose sole object was to prevent social exposure."
"Criminals!" said Holmes. "Plural!"
"Yes, there were two of them. They were, as nearly as possible, captured red-handed. We have their foot-marks, we have their description; it's ten to one that we trace them. The first fellow was a bit too active, but the second was caught by the under-gardener and only got away after a struggle. He was a middle-sized, strongly-built man--square jaw, thick neck, moustache, a mask over his eyes."
"That's rather vague," said Sherlock Holmes. "Why, it might be a description of Watson!"
"It's true," said the inspector, with much amusement. "It might be a description of Watson."
"Well, I am afraid I can't help you, Lestrade," said Holmes. "The fact is that I knew this fellow Milverton, that I considered him one of the most dangerous men in London, and that I think there are certain crimes which the law cannot touch, and which therefore, to some extent, justify private revenge. No, it's no use arguing. I have made up my mind. My sympathies are with the criminals rather than with the victim, and I will not handle this case."
* * * * *
Holmes had not said one word to me about the tragedy which we had witnessed, but I observed all the morning that he was in his most thoughtful mood, and he gave me the impression, from his vacant eyes and his abstracted manner, of a man who is striving to recall something to his memory. We were in the middle of our lunch when he suddenly sprang to his feet. "By Jove, Watson; I've got it!" he cried. "Take your hat! Come with me!" He hurried at his top speed down Baker Street and along Oxford Street, until we had almost reached Regent Circus. Here on the left hand there stands a shop window filled with photographs of the celebrities and beauties of the day. Holmes's eyes fixed themselves upon one of them, and following his gaze I saw the picture of a regal and stately lady in Court dress, with a high diamond tiara upon her noble head. I looked at that delicately-curved nose, at the marked eyebrows, at the straight mouth, and the strong little chin beneath it. Then I caught my breath as I read the time-honoured title of the great nobleman and statesman whose wife she had been. My eyes met those of Holmes, and he put his finger to his lips as we turned away from the window.
FOOTNOTES:
[A] Copyright, 1904, by A. Conan Doyle, in the United States of America.
_The Romance of the Bronze Duke._
On a green mound commanding Caesar's Plain, Aldershot, a rider and his horse survey the landscape. Occasionally soldiers come up and salute them--sometimes singly, sometimes in companies, often in battalions. But the salute is never returned; both rider and horse remain rigid. The sun sets and finds them still at their post; it rises and they have never stirred. The explanation is simple--this giant horse and horseman are of bronze; they form the greatest equestrian group in the world.
Yet the pair have not always been thus stationary. They have been thrice moved and may be moved thrice again. Perhaps in the watches of the night on Caesar's Plain they are thinking of their past, and of the protracted episode which once shook the society of the British capital to its centre, and in which they played the chief part. Factions raged around them ere they left their humble birthplace in the Harrow Road, and for a time the bronze enjoyed far more celebrity than its original, the Iron Duke.
_From a Photo. By Knight, Aldershot._]
The story is well worth telling, for nobody remembers it now. Seventy years ago, although England had then no sculptors to speak of, there was a general passion for erecting statues. The statues were nearly all bad, of course, and to the decade between 1830 and 1840 the kingdom owes some of its worst atrocities in this department of art. About the time the late Queen came to the throne, a sculptor, Matthew Wyatt, was commissioned to execute a statue of George III. The result may be seen in Cockspur Street to-day. Critics complained that it was too small. The reproach greatly offended Wyatt, who roundly declared that he had not aimed at bigness, but that if size had been in question he was quite capable of modelling a statue larger than any Michael Angelo or the Indian idolmakers had ever attempted. He mentioned this to an ardent worshipper of the Duke of Wellington in the City, a Common Councilman named Simpson, who had already raised subscriptions for one Wellington equestrian group, now in front of the Royal Exchange. Simpson and Wyatt talked it over, and the result was the formation of a committee, headed by the Duke of Rutland, and the raising of fourteen thousand pounds for the erection of a memorial to the Duke in the West-end. This body duly handed the commission over to Wyatt as "in every respect eminently qualified to be entrusted with the proposed equestrian statue."
On this point it was plain that there were two opinions prevalent. Wyatt now prepared to realize his boast, and boldly announced that the equestrian statue should be of Titanic proportions. As to the site of his handiwork thereby hangs a tale. Wyatt had a friend with whom he had quarrelled, named Decimus Burton. This Burton, an architect, had recently erected a mighty triumphal arch at the entrance to Green Park. It formed a great feature in the magnificent plan submitted to Parliament in 1827 for the "re-edification" of Buckingham Palace. In this costly design the above arch was to form the Royal entrance to the palace gardens, to be laid out to suit the rather luxurious taste of George IV.
The arch was eighty feet high. Burton's original idea was to embellish the main piers with groups of trophies; to place the figure of a warrior on each stylobate; to enrich the base with a sculptural representation of an ancient triumph; to place a statue over each column; and various other embellishments. But all this ambitious plan was instantly shortened by Wyatt's declaring his intention of placing his colossal statue not in the middle of Hyde Park, or even of Green Park, or Kensington Gardens, but on the very summit of Burton's arch!
The unfortunate architect was beside himself with rage at the suggestion. He protested, but he protested in vain. The complaisant committee had quite fallen in with Wyatt's idea. But it was not so the Government, the Royal Academy, and the Press. They heaped ridicule upon both the project and the sculptor. They roundly declared that it would ruin the unity and symmetry of his building. Then began an acrimonious discussion between the friends of Wyatt and the objectors to his proposed statue. All London divided itself into factions. The common topic of drawing room and dinner conversation was, "Are you for or against putting a gigantic Iron Duke on the top of the arch?" "Brazen impudence!" wrote Thackeray, himself an artist.
Meanwhile, in the studio in the Harrow Road, opposite the Dudley Arms Tavern, the lucky sculptor had been proceeding with his task. He prepared several models and designs, and the sub-committee availed themselves of a model of the Hyde Park Corner arch to consider, which they did with the greatest attention, the position and relative size of the statue to be placed on the summit. Wyatt then prepared a drawing of the arch with the equestrian statue, of which the sub-committee approved.
But at this point the Lords of the Treasury stepped in with an injunction. As the modelling and casting went on the battle raged. Macaulay wrote from India that the sculptor and his friends "ought to be in Bedlam"; his antagonist, Croker, inquired blandly "what a Whig Dissenter knew of high art." "High" art then became a joke. To the query, "What is the very _highest_ form of art?" the jocular answer was, "Wyatt's Duke." The newspapers between 1840 and 1846 contain innumerable references to and descriptions of the statue, and the progress it was making towards completion.
We are told that the plaster of Paris used in the stupendous work considerably exceeded one hundred tons; it was formed upon a turn-plate, or revolving platform, upwards of twenty feet across, travelling upon forty rollers and weighing in itself several tons. The vastness of the model required certain precautions to ensure its integrity. To give strength to the body of the horse, a beam passed through it longitudinally, like a backbone from which spring traverse timbers, like the ribs of a ship. From the body of the horse was a line of iron bolts, beneath which, in the early stage of the modelling, were placed props for security in shifting the figure by means of the platform, so as to obtain the most desirable position for light, etc. To reach the different parts of the statue a travelling stage with a shifting floor was constructed, so that it might be adjusted to any height.
The entire group represented the Duke of Wellington as he appeared on the field of Waterloo upon his favourite horse, Copenhagen. The Duke--at least so Wyatt declared, although this was denied--sat to the sculptor for the portrait, the warrior wearing his customary short cloak, which the artist draped so as to give it something of the grace of classic costume. But the sculptor's intentions generally surpassed his execution.
For melting the sixty tons of bronze Wyatt erected two great furnaces. The first employed was capable of melting only twelve tons at a time, whereas it was found desirable to cast the remainder of the statue in larger and consequently fewer pieces. A record furnace was therefore built capable of melting twenty tons at a time.
The mould and core being placed in the pit in the foundry, the bronze was run into it from the furnace, and the body of the horse and the lower portion of the rider were thus cast in two parts of about twenty tons each. These were magnificent castings, and the effect of so large a surface of molten compound as the twenty tons presented is described as very extraordinary. The statue, or rather group, was thus cast in about eight pieces. In each case the mould was placed in the pit embedded in sand, rammed in as tightly as possible; yet in casting the front of the horse, by some means six tons of metal escaped through the mould, the chest of the horse was left vacant, and the casting was consequently spoiled. In order that the legs of the horse should be capable of carrying the great weight they would have to sustain it was found necessary to cast them solid. The other portions of the work vary from one to three inches in thickness, with strong ribs internally to give additional strength. Its height approaches thirty feet, and such is the bulk of the horse that eight persons once dined within one-half of it.
The following are some of the main dimensions:--
Ft. in. Girth round the horse 22 8 Ditto arm of 5 4 From the horse's hocks to the ground 6 0 From the horse's nose to the tail 26 0 Length of head 6 0 Length of each ear 2 4
The group being cast in pieces as above, they were joined partly by screw-bolts two inches in thickness. Owing to the colossal size of the group there were, for some time, upwards of thirty men employed at once upon the bronze; and in case of any work being requisite to be done within the figure of the rider, the head was removed to allow the workmen to descend through the neck. The cleansing, chasing, and finishing occupied a considerable time.
_From the "Illustrated London News."_]
At last, after being repeatedly canvassed in Parliament and in the country for six years, provoking a greater degree of heat than perhaps any statue in the world had ever provoked before, the business was supposed to be temporarily settled by the authorities agreeing to allow the statue to be placed on the arch "on three weeks' probation," when, "if the location proved to be injudicious," it was to be removed. Whereat there was great joy at the sculptor's studio in the Harrow Road. The Duke of Rutland jumped into his carriage and flew thither himself to bear the glad tidings.
"Once it's up," he is said to have cried, "the devil himself can't pull it down!"
When the gigantic horse and rider was all but finished it was hoisted out of the pit in the foundry and placed upon an enormous car, built especially for the purpose at Woolwich Dockyard. The roof of the foundry had first to be removed and one of the walls completely demolished to allow of the entry of the car, which weighed no less than twenty tons. Its wheels were twenty feet in diameter, with radiating cast-iron spokes, and were surmounted by a platform within which the statue was slung. The feet of the horse rested upon ledges, so close to the ground as to preclude any possibility of danger from a fall. As it stood thus it was visited during three weeks by many hundreds of persons, including most of the celebrities of the day, such as Lytton, Disraeli, and Dickens.
Outside every day saw a vast concourse of people watching the movements of the workmen. On the 28th September, at dusk, by means of chain windlasses, ropes, pulleys, inclined planes, plank tramways, etc., the biggest carriage in the world and the largest statue were moved in proximity to the gate, in readiness for the event of the next day.
THE GRAND PROCESSION OF THE STATUE--TURNING FROM PARK LANE.]
All London was agog on September 29th, 1846. As it was understood by the public that the removal would take place as early as ten o'clock, long before that hour the Harrow Road and the streets adjoining were thronged with well-dressed people. Seats were erected in various places, for which shillings and half-crowns were cheerfully paid. Even the roofs and windows in the neighbourhood of Mr. Wyatt's foundry were crowded with anxious spectators. The whole line of route from the Harrow Road to Piccadilly, was, indeed, one scene of excitement, the windows being mostly filled with company and presenting a scene of much gaiety and animation. Paddington Green was filled, and Hyde Park was crowded towards the Drive and principal walk.
The procession included a large number of troops--Life Guards, Fusiliers, Grenadiers, Coldstreams, together with no fewer than four bands. In brief, the worshippers of the Duke omitted nothing to make the occasion a triumph. Besides, the weather was superb.
_Reproduced by permission of the Proprietors of "Punch."_]
The miserable pageant prophesied by _Punch_ in Leech's amusing drawing was nothing like the reality. Leech afterwards drew a mirth-provoking picture of the effect of the statue's passing down Edgware Road upon a gentleman shaving in the seclusion of an upper window, which we here reproduce.
_Reproduced by permission of the Proprietors of "Punch."_]
Arrived at the arch, where Royal Princes, dukes, earls, and innumerable peeresses were assembled, it was found too late that day to hoist the mighty bronze to its resting-place. In fact, the ceremony took three days before it was concluded.
While all this was happening, on the first and last days the happy sculptor, Wyatt, was holding high revel at his studio, his friends partaking of a banquet at his expense.
Nobody dreamed of trouble. "Once up--the statue is safe," was the watchword. But the Royal Academy and the Office of Woods and Forests had resolved that the fate of this huge "solecism" was sealed. It had taken six years to set up; it should come down in three weeks! By October 1st, 1846, the sixty tons had been hoisted to the top of the one hundred and fifteen foot scaffold and placed in position by the sculptor himself. A few days later the fatal message arrived: "The Government decides that your statue must come down within three weeks." No wonder the sculptor and his friends were panic-stricken. How were they to be saved? There was only one way--by intercession to the Duke to save his bronze counterfeit.
_From the "Illustrated London News."_]
We have not space to tell the full story; the Iron Duke spake the word and the Government dared not deny him his request.
For nearly thirty-seven years the great statue remained on the summit of the triumphal arch opposite Apsley House. But never during a moment of that time was it unassailed by hostile criticism. Foreigners were said to point at it with scorn. Albert Smith declared that saturnine men came to laugh at it "who had never laughed before." But it was not so much that it was a badly-modelled statue as that it had given rise to prejudices and antagonisms which long survived both Duke and sculptor. So it happened that in 1883, when alterations were projected in the locality, the Duke at last was made to descend from his eminence. It was a tremendous piece of work--both the Duke and Copenhagen had to be decapitated and otherwise mutilated--but the gradual descent was accomplished, witnessed by vast multitudes. Wyatt's enemies had triumphed.
The question arose as to where the statue should be placed. "In the furnace," said many zealous brother sculptors. Ruskin boldly counselled its destruction. But it was decided that a good place for it would be in St. James's Park, opposite the Horse Guards' Parade. The removal thither to this obscure spot was accordingly begun. But the old antagonism apparently revived. The Horse Guards complained; the Duke of Cambridge thought it an eyesore. Lord Randolph Churchill, whose way between Westminster and St. James's led through the park, said he was "driven to frequent Whitehall," and predicted that the big bronze Duke would bring about the fall of the Government. Sir Frederick Leighton, P.R.A., and Lord Hardinge defended the new position, but the former was asked: "How would you like sixty tons of bad bronze opposite the Royal Academy?"
This time the old Duke of Wellington--thirty years in his grave--could give no sign. Rider and man waited immobile for further orders. "Forward--march!" finally, in 1885, came the command from head-quarters, and slowly, with difficulty, and with Copenhagen with his legs in the air, the new journey of forty miles began.
Such is the story of a statue. Where will it end? Two or three years ago a distinguished general, whose wife is also a distinguished painter of soldiers and horses, remarked cruelly that "Aldershot would be delightful if it wasn't for that--ogre."
And as he spoke, from force of habit he grimly raised two fingers to his temple, saluting the insulted Field-Marshal whose mighty shadow now darkens Caesar's Plain.
Where will it end?
_From the "Illustrated London News."_]
_Two and a Tiger._
BY R. E. VERNEDE.
Nare had enjoyed himself at the picnic until the baronet arrived, in spite of being rather an outsider among these local people, who all knew one another from the cradle. He had enjoyed himself in spite, too, of Mrs. Corcoran, who by many signs and cool politenesses had shown him that her daughter Judith had no need and--as she hinted very plainly--no inclination for his attentions. "Dear Sir Henry will be arriving soon, surely?" Mrs. Corcoran had said in his presence to their hostess, and little Mrs. Harrington, who had been very kind to Nare in that capacity, replied that of course Sir Henry would be arriving soon, but that in the meantime the rector (a mild man with a capacity for being held in awe) was very anxious to consult Mrs. Corcoran on the subject of an altar-cloth. Mrs. Corcoran was unable to resist the invitation. Whether the rector was as grateful for Sir Henry Pove's arrival as Nare was ungrateful, nobody can say, but there is no denying that the rector looked a little browbeaten by that time.
The baronet came on a tricycle, looking reedy in his light suit, but very dignified.
"I have accomplished the distance from Wetherwell in one hour and a quarter," he announced, "which I think is very fair--very fair."
"Wonderful," said Mrs. Corcoran, frowning at her silent daughter.
"Incredible," Nare suggested. "It must be eight miles."
"I thought it incumbent upon me to ride pretty fast," continued Sir Henry, "because a rather alarming thing has occurred."
A chorus of "Ohs!" wavered about the gratified tricyclist.
"What is it?" asked Mrs. Corcoran.
"No, don't tell!" cried Mrs. Harrington; "not if it's horrid. I won't have my picnic spoilt. Be a gem, now!"
"But, my dear madam"--Sir Henry's look was a rebuke to all trifling--"I dare not take it upon myself to leave you all in suspense about a matter which cannot in any event be lightly treated. When I say that a travelling menagerie at Sutley has lost one of its wild beasts early this morning, and that up to the time I started from Wetherwell no news of its recapture had come to hand----"
He paused for an effect, and several ladies said: "Good heavens!" Mrs. Corcoran added:--
"And you rode over the moor alone?"
A pleased smile was her reward.
"I could do no less--yes--some say a puma; others a bear." Sir Henry rapidly answered a string of questions.
"Perhaps it was a llama," suggested Miss Corcoran.
"Judith!"
"They're very dangerous, mother."
"But in any case I'm very much annoyed," Mrs. Harrington announced. "Now everybody will want to go home, I suppose, though really Sutley is fourteen miles away, and--well, at any rate, we've all had something to eat. Sir Henry, come and be rewarded with lobster before we start."
I think it must have been because Mrs. Harrington thought she owed her annoyance as much to the baronet's alarmist importunity as to the carelessness of the menagerie owners that she dealt so kindly with Nare afterwards. For it was settled that the picnickers should disband almost immediately instead of going home by moonlight--as Mrs. Harrington had desired--and in the bustle that ensued, while the rector was heading a search-party, organized by Mrs. Corcoran, to recover a shawl she was positive she had brought with her, and the baronet was being regaled on all the choicest delicacies that could be set out on cabbage-leaves by the more insatiably curious ladies, Mrs. Harrington drew Nare and Miss Corcoran aside.
"Now, Judith," she said, "we shall all be starting soon, but I want you to be kind and show Mr. Nare the Mill on the way back."
"Oh, but----" Judith began.
"We shall catch you up in quite a short time, and Mr. Nare will protect you against the----"
"Llama," said Nare.
"Elephant or whatever it is," said Mrs. Harrington, smiling. "I'm quite sure he will. And you'll be doing me a favour. I've promised Mr. Nare should see the Mill, and I'll explain to your mother."
"Very well," said Judith. "Perhaps we ought to start at once, then?"
"Yes," said Mrs. Harrington.
That is why, when, some time later, Sir Henry having replenished himself and found all preparations made for going homeward, and having begun to wonder where Miss Corcoran, whom he had hoped to escort, had vanished to, Nare found himself on the moor with that young lady just drawing near to the Mill, the sight of which he had been promised. It was just after sundown then, pleasantly cool and hazy, with nothing but a noise of stray bees to disturb the silence. Miss Corcoran had had her parasol furled for several minutes, so that Nare, who was slightly behind with the picnic basket which Mrs. Harrington had thrust upon him "in case Judith should want a sandwich on the way, Mr. Nare"--commanded an uninterrupted and delightful view of the curls on her neck.
"Perfect," he said, and she, fancying he referred to the weather, perhaps, agreed.
"But I don't think you're walking very fast, Mr. Nare," she said, severely. "And when I promised Mrs. Harrington to show you the Mill, I did think you'd walk a little quicker, even though you are a Londoner."
"Don't be unkind," said Nare. "Recollect that your foot is on your native heath, while mine----"
"But we shall miss the others."
"We started first."
"Not more than half an hour, and we've come right off the road on to the moor and----"
"But it's such a jolly afternoon."
"Evening."
"And it would be a sin to stampede over these attractive buttercups," Nare pleaded.
Miss Corcoran relented with a little laugh.
"Really, you are Cockneyer than I thought. Buttercups! It's gorse."
"Same kind of yellow," said Nare.
"And there's the Mill. Now we must hurry."
Woman, it has been said, disposes, but that depends on circumstances. Nare had no desire to hurry, but hurried he certainly would have been if it were not for the episode that occurred at that moment. Afterwards he was grateful for it, but for the time being he would even have preferred hurrying. For, just as he was taking a last look at the Mill, something shadowy, but alive, came stalking slowly away from it towards them.
Involuntarily Nare whistled. In the hazy twilight it was not easy to distinguish shapes exactly, and the desolate moorland with the black bare Mill frowning in its midst, only a single skeleton sail left to show for what purpose it had been built centuries ago, and the utter silence, except for the homing bees, no doubt tended to ghostly thoughts. But either Nare was dreaming or----
"Whatever is that?" cried Miss Corcoran, suddenly catching sight of it. She put a startled hand on his arm, and Nare regained his cheerfulness.
"This Cockney suggests that it's a cow--a stray cow."
"But----"
"Probably an Alderney," Nare pursued, "with pink eyes and----"
The creature was making towards them on the circumference of a circle, and as Nare talked he walked slowly towards the Mill. There must be some kind of shelter there.
"And crumpled horns," Nare continued.
"But this isn't our way, Mr. Nare."
The girl spoke in a protesting tone, but without giving any sign of a desire to stop. Indeed, she went rather faster and did not look behind her. The Alderney was a little behind them now.
"Don't you think we ought to----"
"G-r-r-r-r!" A noise, thunderous and snarling, interrupted her in the middle of a sentence. Nare was looking back.
"How horrible!"
"Perhaps it wants to be milked"--Nare spoke without turning his head--"or it's hungry. I think you'd better go into the Mill, please."
"You'll come?"
"Yes."
And with that Miss Corcoran gathered up her skirts and ran. Nare followed with one eye on the enemy in the rear. The beast had stopped in its circling and was glaring after them.
"As fast as you can!"
The girl heard Nare talking to her, and felt in a dream. A second growl rose and seemed to shake the rotten timbers of the Mill as she ran into it.
"Up the ladder!"
There was a nine-foot ladder, shaky, with rat-gnawed rungs, leading through a trap on to the first floor of the Mill from the ground. And Miss Corcoran went up it swiftly, with gratitude in her heart to the rats for not having gnawed it through, since there was no door to the Mill wherewith to bolt out undesirable company. The Mill seemed to be echoing still with that growl as she turned at the top and, kneeling, found Nare ascending after her through the narrow hole. She said nothing until he had got up and tried to unfix the ladder without success. Then, as he desisted:--
"Mr. Nare," she said, "was it a--a--tiger?"
Nare put down his picnic basket with an injured air.
"If it wasn't," he said, "I don't know what it was. But I'm beginning to think you're right, and that I don't know the country. I certainly thought tigers were extinct. If they're not, I don't think it's fair to ask an unfortunate Londoner out into the wilds and arm him with nothing better than a picnic basket."
He rattled on to give the girl time to recover herself. He was a little afraid of hysterics, which would have been pardonable but unavailing. She seemed to suspect his fear, for she mustered a smile and said:--
"I don't think I'm going to be foolish. Tell me, please, what do you think we ought to do?"
That was exactly what Nare did not know. Looking down through the trap, he was conscious of a pair of fierce yellow eyes glaring up at him.
"A good deal depends on the tiger," he said. "As this is one from a menagerie it may know how to behave itself in company, but--isn't there a top floor to this Mill?"
There was, and another ladder leading to it. And Miss Corcoran, followed by Nare, reached it in less time than it takes to tell. The tiger had reared its paws on to the lower ladder and delivered itself, of another terrific growl.
"I--I didn't know they could climb," said Miss Corcoran, faintly. "Oh!"
A scuffling noise accompanied by a groaning of wood was what they heard, and then a soft padding of feet in the room they had just deserted. Apparently this tiger could climb.
"The deuce!" said Nare, beneath his breath. He had never in his life been in a more unpleasant situation--never, indeed, in anything like it. At first the thing had seemed like some burlesque nightmare, but now the burlesque was going out of it. What could one do to a tiger?
He sat cross-legged over the trap, reflecting and listening to the pad, pad below. If only there were a cover to the trap, but there was none. His companion was looking out of a sort of small slit in the side of the Mill that had been made to serve the purpose of a window once, hiding her tears, Nare fancied. It was too narrow to get through, and in any case there would be a drop of twenty or thirty feet. Half unconsciously Nare began to unpack the picnic basket which he had carried along from room to room. He had some vague idea of throwing the tiger sandwiches as a sop. "Buns, cucumber sandwiches, a packet of salt. Do you see anything, Sister Anne?" He broke off enumerating the contents of the basket, seeing that Miss Corcoran had started.
"I--no----"
"A chocolate cake--tea--pepper--pepper----"
"Yes, I do," Miss Corcoran suddenly burst out. "There's someone coming--this way. He's--he's on a--it's Sir Henry."
In spite of the presence of the tiger and the diversion likely to be caused by the arrival of the baronet, Nare felt a trifle jealous. If the diversion were caused it would be to the baronet's credit, that was certain, and he sat over the trap, aimlessly untying the packet marked pepper, while he listened to the parley that Miss Corcoran began from the slit in the Mill wall.
A bicycle bell rung in a dignified manner announced the baronet's approach.
"Sir Henry!"
Nare could hear the brake applied before the baronet's thin, piping voice called back:--
"Who is there?"
"It's I--Judith Corcoran--and Mr. Nare. We're in the Mill--and----"
"Indeed!"
Suspicion was plain in the baronet's "Indeed!" Nare lost the next few words in trying to catch a sound of the padding feet below.
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The Strand Magazine, Vol. 27, Issue 160, April, 1904Chapter I: Childhood (2)
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