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Chapter III: Femme Et Chatte

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They were at play, she and her cat,
And it was marvellous to mark
The white paw and the white hand pat
Each other in the deepening dark.

The stealthy little lady hid
Under her mittens' silken sheath
Her deadly agate nails that thrid
The silk-like dagger-points of death.

The cat purred primly and drew in
Her claws that were of steel filed thin:
The devil was in it all the same.

And in the boudoir, while a shout
Of laughter in the air rang out,
Four sparks of phosphor shone like flame.

_From La Bonne Chanson_

I

The white moon sits
And seems to brood
Where a swift voice flits
From each branch in the wood
That the tree-tops cover....

O lover, my lover!

The pool in the meadows
Like a looking-glass
Casts back the shadows
That over it pass
Of the willow-bower....

Let us dream: 'tis the hour....

A tender and vast
Lull of content
Like a cloud is cast
From the firmament
Where one planet is bright....

'Tis the hour of delight.

II

The fireside, the lamp's little narrow light;
The dream with head on hand, and the delight
Of eyes that lose themselves in loving looks;
The hour of steaming tea and of shut books;
The solace to know evening almost gone;
The dainty weariness of waiting on
The nuptial shadow and night's softest bliss;
Ah, it is this that without respite, this
That without stay, my tender fancy seeks,
Mad with the months and furious with the weeks.

_From Romances sans Paroles_

I

'Tis the ecstasy of repose,
'Tis love when tired lids close,
'Tis the wood's long shuddering
In the embrace of the wind,
'Tis, where grey boughs are thinned,
Little voices that sing.

O fresh and frail is the sound
That twitters above, around,
Like the sweet tiny sigh
That lies in the shaken grass;
Or the sound when waters pass
And the pebbles shrink and cry.

What soul is this that complains
Over the sleeping plains,
And what is it that it saith?
Is it mine, is it thine,
This lowly hymn I divine
In the warm night, low as a breath?

II

I divine, through the veil of a murmuring,
The subtle contour of voices gone,
And I see, in the glimmering lights that sing,
The promise, pale love, of a future dawn.

And my soul and my heart in trouble
What are they but an eye that sees,
As through a mist an eye sees double,
Airs forgotten of songs like these?

O to die of no other dying,
Love, than this that computes the showers
Of old hours and of new hours flying:
O to die of the swing of the hours!

III

Tears in my heart that weeps,
Like the rain upon the town.
What drowsy languor steeps
In tears my heart that weeps?

O sweet sound of the rain
On earth and on the roofs!
For a heart's weary pain
O the song of the rain!

Vain tears, vain tears, my heart!
What, none hath done thee wrong?
Tears without reason start
From my disheartened heart.

This is the weariest woe,
O heart, of love and hate
Too weary, not to know
Why thou hast all this woe.

IV

A frail hand in the rose-grey evening
Kisses the shining keys that hardly stir,
While, with the light, small flutter of a wing,
And old song, like an old tired wanderer,
Goes very softly, as if trembling,
About the room long redolent of Her.

What lullaby is this that comes again
To dandle my poor being with its breath?
What wouldst thou have of me, gay laughing strain?
What hadst thou, desultory faint refrain
That now into the garden to thy death
Floatest through the half-opened window-pane?

V

O sad, sad was my soul, alas!
For a woman, a woman's sake it was.

I have had no comfort since that day,
Although my heart went its way,

Although my heart and my soul went
From the woman into banishment.

I have had no comfort since that day,
Although my heart went its way.

And my heart, being sore in me,
Said to my soul: How can this be,

How can this be or have been thus,
This proud, sad banishment of us?

My soul said to my heart: Do I
Know what snare we are tangled by,

Seeing that, banished, we know not whether
We are divided or together?

VI

Wearily the plain's
Endless length expands;
The snow shines like grains
Of the shifting sands.

Light of day is none,
Brazen is the sky;
Overhead the moon
Seems to live and die.

Where the woods are seen,
Grey the oak-trees lift
Through the vaporous screen
Like the clouds that drift.

Light of day is none,
Brazen is the sky;
Overhead the moon
Seems to live and die.

Broken-winded crow,
And you, lean wolves, when
The sharp north-winds blow,
What do you do then?

Wearily the plain's
Endless length expands;
The snow shines like grains
Of the shifting sands.

VII

There's a flight of green and red
In the hurry of hills and rails,
Through the shadowy twilight shed
By the lamps as daylight pales.

Dim gold light flushes to blood
In humble hollows far down;
Birds sing low from a wood
Of barren trees without crown.

Scarcely more to be felt
Than that autumn is gone;
Languors, lulled in me, melt
In the still air's monotone.

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The Symbolist Movement in LiteratureChapter III: Femme Et Chatte

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